#<- what does this say about society.

[infizero]

currently having a hamilton moment .

[hoshizoralone]

Author’s note: Hey guys! Due to some recent life changes (messy breakup with my boyfriend, turned evil) I’m gonna have to put this fic (“Forbidden Love - A Master Chief x Arbiter Story”) on hiatus. Hopefully I can get back to it soon!! Thanks >_<

theghostofmirandakeyes commented: this is buIIshit

[fist-of-vengeance]

hey. can people please stop parroting "stan only regained his memory because it's a disney show" like it's an objective fact and somehow a storytelling flaw? because that's reductionist and straight up untrue. stan regaining his memory is not a random deus ex machina, it's clearly established earlier in the season that the memory gun isn't permanent via mcgucket's storyline. as soon as mcgucket watches the tapes in society of the blind eye, he begins to gradually heal and regain his memories. it makes perfect sense that mabel's scrapbook (and in journal three, stan and ford's old home movies) would function the same way for stan.

realistically, stan probably wouldn't have remembered his entire life in the span of a week, but his recovery is obviously being condensed for the sake of pacing. there's a ton of awesome fanworks based on the idea that he's still recovering new memories long after the end of the show, particularly from the darkest period of his life when he was homeless and estranged from his family. but that's not relevant to the finale. what matters for the show's purposes is that stan remembers the events of the past summer, so that his goodbye with dipper and mabel at the end of the episode holds dramatic weight. because THAT'S HOW YOU WRITE A STORY.

[cosmicalls]

i'm no film or visual arts expert but ☝️ one little detail i like in dead poets society is how often there are shots of todd looking up at neil. often in admiration, i'd assume--

--which is of course mirrored in the shot of neil looking up at todd after he does his poem;

also,

looking up towards the sky after The Incident. what does this say? i don't know actually. but it feels like something. don't know what

not to mention when neil is finally on stage. everyone in the audience is looking up at him in that case, but i'd say it still makes sense?

they hjust admire each other so much i think. Ouuhg

[disco-troy]

Donna Troy is truly the character of all time. Always struggling with how people percive her. Needing to be perfect on the outside if not on the inside. Spending her entire life hiding her faults from outside eyes.

And then the monkey paw curls.

She gets erased and brought back with Wally’s memories of her. All of a sudden the facade she’s put up all her life becomes her. She becomes what she’s always projected to the world.

But it fixes nothing. Instead of worrying about showing her flaws to the world she worries she’s successfully erased them. The jokes is on her. She finally perfected the mirage of herself, but instead of freedom she finds herself in a self built prison, trapped in a watered down Donna Troy, the hollow image of perfection she cultivated all her life.

Her response is to scream in her own voice for the first time in her life.

[yardsards]

im like the lorax when it comes to women's body hair. we should let it grow.

[saturngalore]

so many posts about community and grieving but how many of y’all wear a mask (kn95 or higher) everywhere you go? how many of y’all care about the disabled and elderly people around you? how many of y’all boycotted popular businesses like mcdonald’s, starbucks, and disney? how many of y’all reshared and donate to mutual aid campaigns from and outside of palestine especially for black and/or queer people? how many of y’all active try to avoid ai when it’s possible? how can i know y’all are serious about community and doing the work under him when you haven’t even done at least one of these things in your life ☹️

[bumblingbabooshka]

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

[cinnamonsikwate]

i'm really curious about what marcille's mother's deal is. seems like she's not too big on the rest of elven society. here's what we know about her so far:

mage at a human royal court (adventurer's bible)

courtship with marcille's father donato lasted 17 years (adventurer's bible)

specialty is roast pork, which was also donato's favorite (chapter 81)

had a cheerful personality up until the point donato got too sick to eat his favorite food. her extreme emotional reaction to this left a lasting impression on marcille (chapter 81)

remarried to a gnome and moved away from the city at some point after donato died (adventurer's bible)

several portraits of her appear in marcille's nightmare (chapter 42); this is the second time we see marcille dream of her (chapter 3)

preferred non-elven food and didn't introduce marcille to any traditional elven dishes (chapter 74)

from the canaries' reactions in chapter 74, it appears elven society looks down on elves who go to live among and work for short-lived races. they seemed especially put off that she would have a mixed-blood child. when they're talking about the lyrikmumare to get marcille to trip up, marcille envisions her mother saying that the food "here" (i.e., the northern continent) tastes so much better. so the picture we're getting here is of an elf who has removed herself from elven culture, but the question is, did she do it willingly or was she forced to?

keeping her other actions in mind, i'm leaning more towards the former. the most intriguing thing for me is that she eventually married a gnome, despite elves and gnomes having infamously waged war against each other over differences in the practice of magic and presently tending to discriminate against the other on sight. (one thing's for sure — marcille's mother is winning the idgaf war!)

marcille never talks about her gnome stepfather though, and it's unclear what she thinks of her mother's remarriage. the timing of the remarriage is also a mystery. donato married marcille's mother when he was 32 (after having courted her for 17 years) and died at 82, meaning they were married for 50 years. marcille is also currently 50 years old, but we know she wasn't born immediately after the marriage: in chapter 81, donato's doppelganger says marcille was born when he'd started "getting on in years." based on marcille's memories of him and the established fact that the average tall-man lifespan is 60 years, i'd hazard that he was in his 50s then. this gives him 30 years or less with marcille — definitely less than 35, which we know is the age at which she left for the magic academy.

we don't know if marcille's mother remarries before or after marcille leaves (if before, than that's definitely a shockingly short time), but it's interesting that she chose to marry someone from a long-lived race this time. maybe this is her way of ensuring she spares herself another heartbreak? or maybe she *is* still heartbroken and is trying to cover it up.

but. i can't help but kind of agree with chilchuck in chapter 81, that marcille's parents are not blameless for marcille becoming the dungeon lord. since it's apparently well-documented, they surely must have known — as well-educated people — that mixed-blood children face not just discrimination but also mental anguish that comes with their unstable aging (not to mention the sterility). so the way they raised marcille feels frankly irresponsible 😭

anyway. i'd love to get spin-off content where post-adventure marcille and her mother meet again. i feel like there's a lot of unresolved issues there (that can of course be hashed out over a good meal).

[timetravelstudies]

This got long and annoying so its under a cut now

The way in the fight w the museum director insul gets the same big injuries he has given trianon (so far), aand particularly the ones that T thinks back on often as specific sources of fear/humiliation/control (pepper sprayed in the eyes; kicked in the balls; choked with smth small and thin ((wire / car window)))….. im too tired to formulate a proper Thought abt this but the fact this all happens right in front of tjat one painting of dante & virgil in hell + insul and the director are in the exact same pose right as insul is about to die* is obviously so meant to evoke the idea of contrappasso….. at this stage trianon isnt “””strong””” enough (doesnt understand Insul enough and most importantly doesnt fully inhabit himself and his own strengths) to be able to pay back Insul’s violence (as he does later, though not in such a literal way anymore) so tje director will do for now🥰 bc they both need to descend into hell they both need to be subject to physical and psychological violence in order to strip down layers……. so its cool how the director serves that purpose for this phase 1 both in story for insul himself (who eats shit in this fight) and also as a sort of alert for the reader like make no mistake they are BOTH gonna get put thru the ringer. even the top has to wade through cocytus! or smth

[add1ctedt0you]

What a plot twist you were. [x]

[bayetea]

I don't like the judo flip in moa as much as the next guy but in my eyes it's largely the result of rick not taking female violence half as seriously as male violence (a result of viewing women as weaker and inferior to men such that their acts of violence don't need to be taken as seriously) and not so much anything about annabeth herself. like I do genuinely feel that annabeth is a complex heroine and definitely one of the better ones in the realm of ya action-adventure fiction produced in the past 25 years but she is still a girl being written by a man and all I'm saying is that her writing clearly reflects that sometimes (more in tags)

[corallapis]

No, never. Missy! I will never stand with Doctor!

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[uncanny-tranny]

At this point, gender nonconformity is about what the person says their experience is.

If a woman with a beard or a man with lipstick and a mustache says they're gender nonconforming, then they are! If a woman with short hair or a man with long hair says they aren't, they aren't! And that's not even getting into the awesome nonbinary, abinary, genderqueer, intersex, and general genderfuckery that may both be and not be conforming.

So much of what is even considered gender conforming or gender nonconforming is based on a world of exclusion. When we start defining one's conformity with whether they fit into white cishetero perisex standards or not, we play into the idea that there's only a very narrow window of what is considered worthy of time and thought.

[scentofpines]

have you ever considered...that identifying out of woman/girlhood because you don't relate to the societal implications, expectations, etc... contributes to making womanhood (feel) even more restrictive? maybe you feel better when thinking of yourself as anything but a girl/woman because you do not feel like a woman (what does that even mean?) but in my opinion you just added another brick into the prisonwall that is gender.