#<- (not blaming anyone)

[owlpero]

free will is all about headcanoning your faves as autistic

[kaipassedgo]

every day i wake up and am mad at the end of steves storyline and the full and complete lack of people who GET IT

[crumb-crumblet-s-crumbington]

"You and me, Ethan. Together we go save Rose, and then we can grind Miranda into paste!"

[chloesimaginationthings]

FNAF movie Vanessa definitely thought Abby died..

[samimarkart]

one of my takeaways and commitments (and there are MANY) from today 🦋🩵🤍🩷

[xiranjayzhao]

Hey, all! My friend Soumi, an Indian international student in South Korea, recently fell victim to a scam that drained her of 37k USD of life savings. In Soumi's own words:

"I trusted the wrong person at a time when I was trying to send the money home to my dependent, elderly parents and was trying to move out of my one room apartment, where the ceiling is leaking and affecting my health.

Now I’m trying to survive for the sake of myself and my elderly parents--my father 79, my mother 72, both retired. We don’t have a financial safety net. My mother has severe degenerative joint disease with spinal spondylitis and is preparing for a knee transplant (~6 lakh INR or USD 7,000). If anything were to happen to them—or even to me—I don’t even have money to fly home to look after my parents. I don’t even have enough to afford food, and because I haven’t been able to pay for my medication, I’ve been struggling with insomnia, anxiety, and depression. Without my antidepressants and anti-anxiety meds, I haven’t been able to sleep at all. My health issues including GERD are worsening, but I’ve had to skip treatment."

Please chip in if you can to help her survive this crisis and reblog to signal boost

If you live in South Korea and are able to help her pursue justice, please reach out to her directly! As a foreigner in SK, she has faced so many barriers, and help from SK citizens would be invaluable.

[kidovna]

started mister impossible today and i would like an entire book about the lynch brothers surviving living in the barn together written in matthew’s POV please and thank you

[taradactyls]

It's thinking about Darcy desperately yearning running into Elizabeth at Pemberley hours.

Like, you fell in love with this woman, but rationally (pridefully) you though it wasn't something you should pursue. But you can't forget her, and then she's at Rosings... and the more you see her - with her wit, her eyes, the liveliness of her mind - the more she undoes every expectation of who you should marry that you'd ever had. You prolong your trip to see more of her, you start imagining what it will be like married to her and unwisely after only seeing her again for a week begin asking how she'd feel living far away from Longbourn, and even hint things like she'd be staying at Rosings next time she visits Kent.

It's too much. You're feeling too much.

She's due to visit for tea the night before you take leave, and an evening gives far more opportunity for privacy and conversation than sitting in Mrs Collins' drawing room for half an hour the next day.

But she doesn't come, she's feeling ill, and you won't see her. If you don't make an effort, you might never see her again. It's not like Bingley will be going back to Netherfield anytime soon, after all.

You bail on the evening and go check if she's ok.

It's late, but you have to see her.

She's not super friendly when answering your questions about whether she's feeling better, yet that's to be expected when someone has a headache. But she's there, sitting with you quietly, and then you're so agitated that you begin pacing.

It's inescapable. You love her too much.

You'll marry her, and deal with all the impropriety of her family's connections and behaviour. She's worth it.

Because of course she'll say yes. You've been so open that she must be expecting your addresses. It doesn't occur to you that you're wrong to assume she's wishing for it.

Then she rejects you.

And she doesn't only reject you: she shatters your entire perception of self. Not immediately - oh, she creates a large crack, but it takes some time for you to do justice to her words. But they linger, inescapably.

"Had you behaved in a more gentlemanlike manner."

You're bitter, and angry, and hurt, and offended, and the sense of doubt isn't going away. But there is one thing you can do, that you have to do.

You write her a letter to explain yourself against the accusations she levied your way - some unjust, but others will eventually gnaw at you until you're forced to face them and stare directly at all the faults you didn't know you had.

You know it won't make her accept you.

The turn of her countenance you'll never forget, as she said that you could not have addressed her in any possible way that would induce her to accept you.

But you need to write the letter: to explain, to warn, and maybe - just maybe - make her think a little better of you.

If she even gives credit to anything you say.

She thinks so little of you she might dismiss your arguments and only hate you more for what you said of her family.

God, you basically insulted her family again in the letter. With an apology, yes, and as an explanation, but you knew at the time that those comments and what you divulged of Wickham would give her pain. But it's necessary. You still believe that, even as time goes on and you begin to wonder if all it achieved was making her hate you more.

The last time you saw her was as you handed her that letter.

She hadn't spoken.

You weren't yet master of your emotions enough to see her and be friendly, the best you could do was try be composed.

If only you'd been truly as calm and composed as you thought you were when you wrote that letter. You can see now that you wrote in a dreadful bitterness of spirit. There were some expressions you used, the opening of it, which alone would be enough to justify her hate. Though, despite your emotions, you never doubted for a moment in her goodness - never doubted that she won't spread around what you divulged of your sister.

She hates you, but all the reasons you love her are still there.

That's something that doesn't change as you slowly unravel the flaws her reproofs revealed to you and you try to become the person you always thought you were. So many behaviours, and the emotions that governed them, were not what they ought to be. Your principles were always good but you followed them in pride and conceit.

You were blind until she cut you to the quick. Opened your eyes to yourself and taught you such a hard lesson - but it was for the best. She properly humbled you and taught you how insufficient all your pretensions were to please a woman worthy of being pleased. Even if you never see her again you will be worthy of the title gentleman.

You will work to become the person you want to be.

Her rejection doesn't hurt so much as the knowledge that she was right and you failed yourself and so many others. Any anger or blame you felt for her words when refusing your hand are long since passed. If she had been able to overlook those flaws she wouldn't have been the woman you love.

The more you reflect and seek to rectify your behaviour the clearer it all becomes. In trying to understand yourself you realise that so many of these flaws have existed almost your whole life. And yet, despite how obvious it now seems, you had no idea.

Though your parents were good themselves they spoilt you - first as an only child, then as an only son - and you grew selfish and overbearing, caring only for your small family circle. Thinking meanly of the rest of the world, wanting to think meanly of their sense and worth compared to your own.

You owe the world so much better.

Your position, far from giving you leave to treat others as inconsequential, means you have a duty to think of others and ensure they are not wronged. Yes, you've done that broadly - especially on your estate, and always with servants and the poor - but what of in smaller ways, to those closer to your own rank? Have you directly treated them with civility and respect?

You know the answer now, but you're doing your best to fix it.

For almost four months, you ruminate on her words and turn yourself into a gentleman you can respect. Someone worthy of the respect you've so rarely had to actually earn. Someone who might've been worthy of her respect from the beginning.

You've never stopped loving her.

Almost four months, and you're not sure if you'll ever see her again.

You certainly weren't expecting to leave the stables after arriving at Pemberley and find her standing in front of your house.

Your eyes meet.

You freeze in place.

Four months of distance and then twenty yards away from each other.

She's blushing (so are you).

Your brain is too surprised to work.

She's here.

She's here and you're just standing there.

You have to go to her. Even if you didn't still love her, it's the polite and friendly thing to. (But you do still love her, and so her presence is a physical weight in your chest that you could scarce resist).

She had turned away briefly, but turns back when you approach.

You hardly know what you say, she hardly raises her eyes to meet yours, but you hear her voice, and she doesn't sound annoyed when she answers that her family is well.

Honestly, despite how discomposed you are by seeing her without time to prepare, your instinct is to stay by her. Even if it means speaking like a fool. You're pretty sure you ask her when she started travelling and how long she's been in Derbyshire at least thrice. But you start to recollect yourself, breathing a little more evenly, and run out of things to say. Remembering that she's here with friends and you've just come from the road, you take your leave.

Your thoughts stay with her though.

She was still just as lovely as ever. More civil to you than you have any claim to.

Your housekeeper says a gentleman and two ladies were taking a tour of the house, and have now gone with the gardener to see the accustomed part of the park. You know the place.

As your valet helps you change your thoughts solidify: you can meet them, and, through every civility in your power, show her that you aren't resentful of the past.

She's so close, and you can't lose this chance to perhaps obtain her forgiveness, lessen her ill opinion, by showing that her reproofs have been attended to.

And, maybe, you're just desperate for any excuse to see her.

By now, you've been in love with her for more than eight months, despite trying, really trying, to forget her both when you left Hertfordshire and Kent. It's pointless, either you'll recover in time or you'll spend the rest of your life in love with her. At this point you don't even want to fight it. Despite the pain of her not feeling the same way, she did you the greatest good anyone could, by showing you who you really were. You improved yourself because you should, without any expectation of seeing her again, but one thing that you can't alter about yourself is your love for her.

Right now, what matters is being near her and showing her you can be a real gentleman.

So, you follow her and her companions to the stream.

She speaks first this time. Putting herself forward to be friendly and polite. Proof, surely, that she doesn't hate you so much anymore? She's almost her usual smiling self, though she goes red and silent while admiring Pemberley's beauty.

You can understand why - you had determined to not ask whether she liked your home in case it sounded like you were wondering whether she regretted rejecting you and thus Pemberley. You know she didn't mean anything by her praise (and she'd known you were rich when she turned you down) but you understand her sudden embarrassment.

Although... when did she start caring that you might misunderstand her and think badly of her? She didn't care the last time you met.

But that's not important now. It's for you to ease the conversation and prove yourself. So you change the subject, and ask her to do the honour of introducing you to her friends.

Her surprise is obvious, and fair. Seeking the acquaintance of strangers, even respectable-looking ones, just wasn't something you used to do regardless of what the well-bred and civil action was.

And what does it say about you - with all your newfound respect and civility - that you're still surprised when the fashionable couple she's with turn out to be the very aunt and uncle you'd previously declared would be a disgraceful connection. You recognised you were wrong to be so dismissive, so rude, but the core assumption that the tradesman brother of Mrs Bennet and his wife must be noticeably vulgar had clearly remained. Yet here they were, everything elegant and well-bred.

How right Elizabeth had been about you.

But now you can show her that was the past, and your manners are improved and prejudices lessened.

You walk back with them, talking to the uncle, who has intelligence, taste, and sense. You like him a surprising amount. He points out trout in the water, and you're glad to invite him to fish here while they stay in the area. You have all the supplies he might need, and know the best spots. As you speak with him your attention is only half distracted by who walks behind you at a short distance.

Hopefully her uncle's happiness makes her happy also.

You have the chance to see, when the walking arrangements change and then she's the one walking beside you.

Honestly, you're not immediately sure what to say, but again, she speaks first.

Yes, she almost certainly doesn't hate you anymore.

Her explanation that she'd been assured of your absence before visiting sounds more like she doesn't want you to think her rude, than expressing disappointment that you are here.

Yes, whatever her past insults, she definitely cares that you don't think badly of her...

As though you ever could.

In mentioning why you returned a day early you mention who you're with, and too late saying Bingley's name reminds you that the last time you two spoke of him was when she (rightfully) blamed you for separating Bingley and her sister.

That silences you for a moment - but she doesn't respond with anger.

Composing yourself, you ask if your sister might be introduced to her. You've spoken of Elizabeth so highly to Georgiana, and so often, that your sister would love to meet her. You don't need to ask - your sister is the social superior, her wishing for the acquaintance is strictly enough for the introduction to be made - but you want to. You mean it, when you ask Elizabeth whether you're asking too much by facilitating the introduction. You want her to have the chance to say no.

But she says yes.

(Even sounding pleased about it, though surprised.)

Which is also a yes to seeing you again during her stay at Lambton. Renewing your acquaintance, despite everything.

The happiness, however irrational, this creates cannot be quelled.

You love her too dearly to not appreciate every fragile overture and sign that she must no longer think you so bad. The letter - your own improved civility - one or both has done away with her dislike.

Replaced it with... well, anything other than dislike is a place to begin.

This time the silence stretches as you walk; she, perhaps, just as lost in thought as yourself.

You could get used to walking around Pemberley with her.

A dangerous thought.

You scarce know what to say as you wait by the carriage for her aunt and uncle to catch up, after she declared herself not tired when you asked if she wanted to come into the house. But, again, she makes the effort to talk to you. You've never spoken of Matlock or Dovedale so persistently, but you want to keep talking to her - hearing her voice - receiving her smiles - for every moment that you can steal.

Four months apart and then the first day seeing her again your heart loves her more than ever before.

And she no longer hates you.

You would have them all come inside, take refreshment, stay, please stay a little longer, but they felt it was time to return to the inn. They're leaving, but you've already organised to bring your sister to see her the day after tomorrow, so it's only a short parting.

Not another four months.

You hand her aunt up into the carriage - and then Elizabeth.

Who is dearest and loveliest to you still, though you might never be able to say those words to her.

You're so aware of feeling her hand in yours, though gloved; the weight and warmth of it. The brief tightening of her fingers on yours as she takes the step up, leaving you bereft when she lets go.

You don't watch them drive away, though you feel her absence palpably as you slowly walk back to the house.

But it's only two days - two days before you'll see her again.

And they're staying for a little while.

All of it is more chances to show her the person you are now. Both the good qualities you never properly revealed before, and the newer ones deliberately acquired to remedy the errors she revealed. Show her you're a man she might admire.

Perhaps a man she might one day be able to love.

It's almost embarrassing, to admit how quickly that wish introduced itself after seeing Elizabeth again.

It probably took under half an hour after you saw her again.

[analog-television]

the forecast calls for - an 100% chance of deltarune tomorrow !!!

higher res pic of the duo under cut

[sunderwight]

I love fics where Shen Yuan transmigrates into one of Luo Binghe's wives, but consider:

Shen Yuan transmigrates into a female character who has never been mentioned as one of Luo Binghe's wives. However, he looks around, goes "I'm a beautiful woman in the world of Proud Immortal Demon Way" and subsequently decides that he absolutely must be a wife. Alas, curses, what a horrifying fate for an extremely heterosexual young man (who was definitely a man yup except no longer alas), but there is just nothing for it now she's gotta marry Luo Binghe and have sex with him.

Shen Yuan: I can't believe you're FORCING me to marry Luo Binghe

The System: actually user doesn't have to--

Shen Yuan: C L E A R L Y as a beautiful woman I have NO alternative so even if you don't make it an express order, there is nothing else I can do!

The System: marrying the protagonist is not a requirement for--

Shen Yuan: NOTHING ELSE I CAN DO

[canisalbus]

hey there!! i'd been checking this blog for a while, and I really wanted to say you're a great source of inspiration haha! I really love your dog characters and your lore! The amount of research and dedication is really amazing!! about ludovica's gf, do you mind if I come in with my vision as well? I think she'd be a really fluffy dog, maybe with curly hair. so my mind went to the portuguese water dog; but then i thought of two versions: long hair and short hair. so i drew both (tried my best to make her look like a lady and not a grandpa haha)

.

[mint-fixates]

There's this weird take I've seen floating around on TikTok that Bill doesn't actually care about his family/dimension or Stanford at all; that we're supposed to take everything in TBOB as non-canon basically because he's lying to garner sympathy from reader to make a deal with them. I'm all for having your own interpretations of media, but I just don't think this idea that Bill is a completely heartless unfeeling creature is supported by canon at all. In fact, it kind of feels like the opposite of the point of the book.

Like, yeah, most things Bill says should be taken with a grain of salt because he lies a lot, but he's not actually a very good liar? It's usually pretty easy to clock when he's full of it. But okay, even if we assume every word Bill says while trying to recruit the reader is a lie, there are three major things that this doesn't account for.

Bill is not the only source in the book. The lost Journal 3 pages were written by Stanford, we only know about the interdimensional Taco Bell incident because of an included police transcript, etc.

Even once he's lost any chance of making a deal with the reader to escape, Bill is having a complete breakdown and mentions all the people he so totally doesn't miss for real you guys. Why bother with reverse psychology double-lying for sympathy once his shot at getting the reader on his side is already gone?

Trying to garner the reader's sympathy makes sense to a certain extent, but why go out of his way to make himself look pathetic? Does revealing that he got drunk and cried over his ex in a fast-food drive-through really help his cause if that cause is to convince the reader he's still a powerful being capable of starting the apocalypse again so they can rule with him?

And that's all without even mentioning that, as previously stated, I think the entire point of the book is missed if we're interpreting Bill as having no genuine feelings or attachments. The book ends with Stanford healing from his past by being open about what he went through with his family and accepting their help, while Bill insists he doesn't need anyone and refuses to heal, actively making himself worse in the process. The clear theme imo is that accepting your past and accepting help from people who love you is essential to healing, while denying those things just makes everything worse. If Bill doesn't actually care about his family, his dimension, Stanford, or anything/anyone else, he has no trauma to heal from or regrets to learn from that he's refusing to accept and deal with, and the entire meaning of the book is made moot.

[prlssprfctn]

I've been brewing this post for far too long in my drafts, but I need more doomed!Bruce and Jason throughout universes. And it is not even always about the same Jaybin, dying in the warehouse scenarios!

Sometimes Jason is just a kid, who died in front of Batman, who maybe jumped in between Batman and the villain recklessly, to keep him safe, and whose blood stuck under Bruce's nails. His face haunts him in nightmares, still.

In other realities, Bruce meets Jason as a teen, and they never even get to become father and son officially - but they slowly get into each other's lives, until something awful happens, leaving a ghost of a smirking kid stroll behind Bruce's hunched figure for the rest of his life.

Or maybe it is one of these realities, where Jason crawls out of the Alley Crime himself, and manages to become famous in Gotham; the one, where he opens a charity fond, dedicated to people, who fight with the drug addiction. Bruce Wayne is sympathetic of a kid he meets during some of the events, and as they slowly start contacting each other more often, getting closer, he promises himself to protect him. Expect, Batman is late to save Jason Todd from the hands of yet another villain.

It could be the priest Jason Todd that meets bleeding out Batman on the stairs of the church, and who helps him out, for what he later pays with his life. Or they are not really vigilantes in any of these universes - just father and son.

And in some of these universes, they reconcile. In one of them, some of the medics connect the dots that a catatonic boy, who is covered in dirt, calling for his dad, for Bruce is Bruce's Wayne dead son, and try calling him. In another, LoA!Jason with his memory still being in a haze, crosses his path with Batman, before getting dipped in the Lazarus Pit.

But the point stands.

In all of them, Bruce Wayne is too late. In all of them, Bruce Wayne fails to save Jason Todd.

[peanut-jelly]

i’m sorry but stop hating men.

[enden-agolor]

For the FD au Lukas is getting adventure gear that he wears when he's out doing his biome research 🤗 He can't always be wearing his professional attire, don't wanna risk dirtying it up. Also Dewey is his adventure companion he found and adopted while traveling.

[petr1kov]

the thing about makeup is that i do think it is a cool skill to have and that it can be a form of self-expression, i just also know that this is not the kind of makeup that women are talked into doing in their everyday lives. there's just a big difference between 'obvious makeup' and 'stealth makeup' to me: when someone puts on a sparkly golden eyeshadow or a black lipstick, it's something that draws attention to itself -- it's a fashion statement, not unlike wearing a necklace or an earring, something that's part of a look. but stealth makeup, 'everyday makeup', is all about not drawing attention to itself: it's about masking any perceived flaws you may have.

sure, some of it is often still tastefully noticeable (mostly lipstick and maybe some eyeliner/eyelash extensions), but a lot of it aims to look as natural as possible while subtly changing your features into something more 'acceptable'. there's a lot of stories about women not putting on makeup for a day and having other people say they look ill or 'strange', for instance, and it's because these people did not really notice that everyday makeup in the first place, at least not to the extent they thought they did. so, it usually involves a lot of concealer and contouring, and all of it with the intention of changing the shape of your face in a way which, quite frankly, is rarely ever 'fun'. i doubt anyone feels artistically fulfilled by slimming down their nose every day, for instance. unlike someone who wears a cool lipstick or is trying to go for a particular look as part of a costume, i doubt they'd do it just for the sake of it if they didn't feel like they had to.

to put it plainly, i think a lot of women don't really wear makeup to look prettier or cooler, necessarily, but to disguise their perceived ugliness. instead of an ornament, it's a correction. in that way, makeup becomes a chore and an obligation, and is bound to affect the self-image of those who wear it that way -- and which traits so casually get to be considered desirable and which ones constantly are encouraged to be hidden and altered are definitely not something that just comes out of nowhere, just a harmless little personal preference like some people like to act, as if beauty standards carry no racial or misogynistic baggage and influence. more than anything else, this purposefully obtuse act is what's truly insufferable to me.