#//I already look them interacting lol

[musesofchaos]

@reddawnmultimuse continued from here

Kaia huffs at the dramatics, pouting childishly as she allowed him his space. Though she was no better.

“You could at least act like your happy to see me, hn…” The female blonde complained lightly. Lake like blue eyes quickly scanning her twin over.

“I’m surprised your still in one piece, to be perfectly honest… not that I’m not happy you are.” She lightly cleared her throat a after the quick clarification.

“Whatcha doing out here?”

[miusato]

Honestly the main attraction for Shinjiham is how contrast their personality is and it is always funny for me to think about how people around them would react if they found out they're dating in this AU lol

[daily-ethoslab]

[386] @daily-grian Happy Belated 1 year! I hope you three share this cupcake in a civilized manner! :)

[machiavellli]

I’ll go into a social media exile for a bit, so idk when I’ll be back, but just picture me like this while I’m gone: working <3

[sereniv]

Like the worst thing is that in Baby Reindeer Richard Gadd showed sympathy for Martha. As warped as it is, he understands she has a mental illness. Through all the abuse, he has depicted her in a way that is nuanced

And you now have the audience trying to contact her and harass her. Trying to do interviews and pictures with her

you people are fucking disgusting like unbelievable

[icewindandboringhorror]

The evil slow creep of it being like "haha these will just be quick little side quests, not much effort at all!" and then noticing each one is getting progressively longer than the last, thus no longer being minimal effort.. auGh....

[intomybubble]

Although the pets DLC for the Sims isn’t high on my radar (though I haven’t looked at the CAS and build items) since my house in the Sims has no space for a dog (you know the lots in the bottom left of willow creek? I picked the house next to the bigger empty lot. I had to make a second floor to accommodate for the accidental baby) and idk if I want to do pet gameplay yet

But. I looked at Don’s profile on the Sims wikia and

He likes pet enthusiasts. I want to get him and my daughter a dog one day lol

[tambourineophelia]

in addition to that, remember how i found out my ex has a kid through his whatsapp icon??

(the kicker is, i only looked at it because my fucking grandma told me on the phone: oh you know how i kept his number, because I always thought...* well looking at his new picture I might just delete it now...)

well at christmas i wanted to send myself some pictures i took with my mum's phone (with permission of course) and what do i see? she TEXTED HIM MERRY CHRISTMAS. we broke up over three years ago! ma'am this man didn't even send you a fucking condolence card when dad died! he does NOT get a merry christmas!!

so I told her that. she was a little snappy about it, which annoyed me because sorry, this is -my- old heart break, I'm not texting your exes either?? (or my ex's parents for that matter) but then! she said: but I DO wonder what kid he's holding there...

and I was like mum, what the heck, that's obviously HIS kid, what other child would that be

and she was SO CONFUSED. MOTHER! WHAT

[the-somwthing]

When should I start my watch of Scott’s Double Life movie where I pretend that I’m not just doing it to analyze any scott/joel interactions when in reality the second Joel appears or is mentioned I will be taking notes

[bluastro-yellow]

there's only one end-of-the-day debrief :'( ?!?

[hawkinslibrary]

someone on the hawkins av club subreddit seems to have found some audition tapes for the first shadow. auditions include ‘george’ and ‘betty’ (as mentioned in this collider article), as well as an audition for young hopper 

[sysig]

“He found it oddly difficult.” (Patreon)

[unproduciblesmackdown]

also to go "wow this is just like in pentiment" about absolutely anything and/or "wow this is just like iphigenia crash land falls on the neon shell that was once her heart (a rave fable)" about absolutely anything further:

the Narratives within crash land falls where like, in the end iphigenia being Given the story of both "this is going to happen anyways" and "so why don't you see it as a noble sacrifice to accept." the situation happening to Create a story that she was killed, so her father must be tragic, and sympathetic. that iphigenia does take on that Narrative of taking on the Noble Willing Sacrifice, and it kills her, but she also would have been killed anyways, as everyone also knows. that we even get a bit of pentimentesque [other characters observe & assess things] like, the fresa girls as a chorus, and one at the end like yeah She Was No Saint, i saw everything, but being cut off by The News that's like yeah looks like iphigenia was killed, that seguing into her father saying yeah she was killed, god's will was done, She's A Saint now. seguing to the emcee who introduced the play, but that superceded by achilles, and that superceded with iphigenia's extasis monologue as the end of the play. that whether iphigenia's a saint or not, she dies. that [the whole play] tells us as much, like, this isn't a What If kind of retelling where she escapes her fate, this is a retelling examining itself like, she Will die because the story's preset, so what to do with this as the story that has to take her there, what to do with this as iphigenia who has to go there

that iphigenia takes on another narrative in addition to the one offered by like, violeta as guide and oracle telling her she has to die (As A Noble Sacrifice), that again (as per iphigenia in aulis being like uh hey daughter. let's go to aulis so you can uh marry achilles (it is to be sacrificed)) achilles is this bait, but it's only in the ending that there's any Story about being with achilles, and when iphigenia goes to the mercenary soldier who she knows will kill her, she's the one telling him what to tell her about where she's going and why, i want you to tell me achilles is waiting for me....and she still dies, because This Is The Story. as also applied to the reality, iphigenia as another dead and missing girl following & preceding many; any disappeared deaths when consumed as disposable & replaceable, not given part of any narrative about it. while also iphigenia only gets a chorus of fresa girls from there being crosses put on the factory wall with their names, with one girl even remarking like hey they spelled my name right for once. but at the same time they're also like, both mere Apparitions but also like standins for people who are simply alive. real [shades]esque kind of, i suppose, but like they're not Sanctified for dying either, they'll comment on iphigenia but not with any like, divine knowledge, just as this out of place rich girl. whether iphigenia's A Saint or Not A Saint, she's still dead either way. she wants to be a fresa girl, they maybe want to be her, but everyone's doomed anyways thanks to way larger forces and the Stories that have been told and will be told again

but there's also the moment right before the final section wherein, before she's having to say what she wants within the bounds of [she has to die], there's achilles asking "you still want me" and iphigenia answering with "i want everything" and her vision for, like, getting to be alive actually, i'm on the gulf where the sea is gray, and no one wants a piece of me....the whole inciting event here where iphigenia wants to evade her fate however she can, exiting the bounds of her life, the physical bounds and the family unit and walking away from the rank of status / class / wealth, trying for [have her body for herself] and what the body wants, the sensuous indulgences of (a rave fable), let's hear some more about the roman state like "we don't like the examination and challenge and upending of class and convention in a bacchanalia, so only do the official versions we permit;" the Threat of people's desires for themselves, when that's going to be counter to those in power who'd want these people to be resources at their disposal; the burden on the disempowered to suffer [the only way out is through] with the Additional pain & loss that has to be taken on in pursuit of their autonomy, while also of course suffering for the autonomy they lack, that restricted and controlled and mitigated versions of what you might want are deigned to be provided or permitted so that you have Something, but that everyone's actual undeniable personhood will always be spilling past those bounds, the potential power of transgressive pleasure when one's wellbeing and autonomous choices are counter to the power structures that have to constantly try to suppress and preclude this. achilles just as bait, doomed to die like iphigenia is also still doomed, sex was never going to save everyone and the [recognizing connection as these two parallel people / We're The Same] with your lover here is not going to save everyone but it still makes more things possible for them both; iphigenia does know what she wants, and gets some of it because she wants it, same with achilles in turn, while it can't save anyone from their fates still. but it can mean something even if it doesn't transcend, like even a fleeting night of insignificant dancing that doesn't change anything can mean something, and we all die, but that doesn't mean it's Nothing to be killed any more than it's Nothing to have your desires or choices one way or another to be wrung out of your life before you are

anyways, the stories. the Looking and Presenting here. achilles and iphigenia first encountering each other as images put together and presented by someone else for their own purposes. the presence of what's seen through film/camera/recording versus in person; the potential power relations and even violence in framing, presenting, and the intended looking and assessing. repeated language about eyes/looks that burn, while also that connection between iphigenia and achilles, and their finding the least room in what they do have of their lives for more of their own wants and selves and something genuine and not predetermined, is also connected to eyes and looking and being seen and light and burning. while they're also connected to the protection and possibility of night and darkness, getting to exist and be Without being lit up or seen; that with the power that's still in play, it's never like, well then you should have nothing / no reason to hide; the penultimate moment in the play with achilles being one that's in person and fades into darkness, rather than coming in from the light of a projection / video onscreen as the introduction....iphigenia needing to be guided through a crossroads to even get to achilles in person; violeta giving the Advice and Story and Tradition to pray to eleggua, as iphigenia does before getting to encounter achilles for real, who also doesn't get to break out of a role or a fate in full in any way, but their tragedies are like, pointing towards [autonomy, imagine it] in both the ways they manage to find a little bit of it for themselves, in no small part for simply recognizing each other as in the same boat here, and in the ways they still don't have it and still can't get it

and anyways it's also inevitably saying like, telling a story?? this Play is a told story!! looking? assessing? interpreting? you're doing that in the course of experiencing it! and it's really so fucking true.

[mintjeru]

keeping myself busy by posting wip screenshots

[icewindandboringhorror]

Recent ones of these even though they all look the same lol.. forcing myself to document progress..

[meattruck]

I just saw a tweet that was like "Haha ive had this idea for [worse stupid unproductive thing ive ever read] for a childrens book in the vault (brain) for a while and now im ready to show the world 😆"

Like bro shoulda kept it in there