#just in case you are interested

[hawkinslibrary]

someone on the hawkins av club subreddit seems to have found some audition tapes for the first shadow. auditions include ‘george’ and ‘betty’ (as mentioned in this collider article), as well as an audition for young hopper 

[boasamishipper]

unpopular opinion but i think a ship that's not canon but both halves are canonically insane about each other is infinitely better than a ship that's canon and boring

[ariadne-mouse]

I feel fandom would get along a lot better if there was mutual understanding that liking a character, agreeing with a character, and thinking the character is well constructed/executed are all separate (if often overlapping) positions, each with their separate tastes and subjectivities. Also: character portrayals are intended to make the audience feel things; this is separate from (if often overlapping with) analyzing/appreciating their actions and role in the story.

[datcravat]

It seems there's a new lawyer in town!!!

[egophiliac]

A-anime?

you know, sometimes I forget that Twst is actually an isekai that starts with the protagonist getting run over by an inexplicable horse-drawn carriage. and every time I'm reminded is a delight because that's AMAZING.

also. look. okay. there's a lot of very fun stuff in the trailer but I am obsessed with that Crowley surprised pikachu face. me when I spend all my keys and gems literally hours before they announce overblot SSRs and drop the anime trailer:

[lykoiii]

but it's a necessary evil

[keokartoffel]

They would fight the wedding couple, 100%

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[lets-try-some-writing]

"The Titans were gentle beings, knowing neither fear nor pain. For all their power, it was the Primes who cared for them, guarding their innocent sparks." - Thundercracker, Speaker of Trypticon.

A lil bit of lore below the cut.

In my little continuity, the Primes were indeed Primus's firstborn, but they were made from the suffering of their maker as he fought to survive. The Titans though? They were born to give life, made to spread Primus's gifts to all creation. As such, they are naturally gentle and inherently incapable of violence.

They will not fight back if attacked, nor will they rise to the defense of their citizens (although they will provide weaponry and protection in the form of walls and the like). They cannot even comprehend why one would hurt another outside of the natural order of things. It is to the point where those who care for the remaining Titans have labeled them as having the cognitive capabilities of newbuilds. For all their age and wisdom, Titans are, at their core, the only entities in the universe to maintain a sense of innocence all throughout their lives. They hold no anger, no bitterness, and no grudges. Everything, in their optics, will play out as it should.

As such, the Titans have always had guardians to protect them from a reality that would seek to crush them into dust. During the first age, the Primes filled this role. In the modern era, seekers of Vos have taken on the mantle, guarding and speaking on the behalf of the three remaining Titans on Cybertron.

[bayetea]

truly one of the biggest letdowns in piper's writing in hoo specifically is how it doesn't dig deeper into charmspeak and what a disturbing thing it is to have the power to control someone's mind. like I swear this is interesting stuff and more people would get into piper as a character if this were explored a bit more in the text. you definitely see piper disturbed by her own power and hesitant to use it (and note that like many other characters, i.e. leo and hazel, her powers have always been a source of trouble in her life - like how she got in trouble for stealing a car even though all she did was ask for it), but in my opinion the books spend way too much time in piper's perspectives on other stuff when charmspeak is such an unusual and fascinating and terrifying power that offers so many interesting avenues of character exploration

and I really wish the books would have talked more about the canonical fact that charmspeak is more effective against people who are (or could be) physically/sexually attracted to the user. this is a power that children of aphrodite have - a power that is implicitly tied to sexuality as a defense or offense. like this inherently necessitates that piper weaponizes her sexuality against monsters and deities and giants and any other antagonist that want to harm her. which is crazy. especially because she's a teenager and especially because piper is initially characterized as an underconfident girl who goes out of her way to downplay her appearance (do you guys remember how much harassment piper goes through in the books and what little gravity is afforded to those moments... like she has dangerous characters aggressively flirting with or expressing attraction to her A Lot, and she has to play into that attraction to save herself or her friends no matter how uncomfortable it makes her)

I think there's such a dark undertone to all of this that's worth investigating. we know that piper doesn't like herself, doesn't like her powers, and doesn't like demigod life. hoo has her on a journey to become more confident in herself as a person and as a daughter of aphrodite but it's always going to be fucked up that part of her role in the prophecy seven is becoming confident enough in herself that she gets better at weaponizing her ability to violate the free will of others - and her ability to use her sexuality as an armament of war

[moyazaika]

hmm

[fumifooms]

Homegrown

Thistle and Delgal - Dungeon Meshi, Ryoko Kui

^ Fernando Pessoa / Killing Flies, Michael Dickman / A Brother Named Gethsemane, Natalie Diaz / Antigonick, Anne Carson v Oats We Sow, Gregory and the Hawk

[dailyhmsw]

loop 215

[buggachat]

Sometimes I think about how Adrien, throughout the series, constantly grapples with his fear of abandonment. Gabriel conditioned him to believe that any love he receives is purely transactional, and that to earn affection he has to prove his utility. Adrien is constantly trying to prove his worth to his father for scraps of affection, and Chat Noir infamously crumbles on-screen any time he feels as though he is replaceable to Ladybug. It's a constant insecurity of his, like everyone will just dump him like a sack of potatoes the moment they find out how useless he is.

Meanwhile, all Marinette wants to is ensure that Adrien is happy. Because she loves him. She doesn't give two shits about how """useful""" he is. She holds him and tells him that she will never abandon him (both as Ladynoir and as Adrienette), and her fantasies are about saving him, not about him being "useful" to her. Throughout their relationship, Adrien is forced to disappoint Marinette constantly for reasons outside of his control (amok commands), and yet Marinette is still there for him.

At Adrien's lowest point, when he is forcibly torn away from everyone who had ever showed him genuine care, locked away in an all-white room and at his most "useless", right after disappointing Marinette and unable to even join the final battle or contribute in any way, she still saves him. She still loves him. Because he doesn't have to prove anything to her. Because he is loved and cherished for who he is, not for what he does, and that love is not conditional. Adrien's "happy ending" at the end of the first arc wasn't about him finally proving how useful he can be, because he never actually cared about being useful — he just saw it as the only means to feel loved and needed. Instead, in the end, he found out that he was loved and needed no matter what.

[luna-loveboop]

Ooook I think this needs to be done

My bet is 16 wins the poll (<Not indicative of my vote)

I wanted to include 11 for both extreme sides of possibility, I ran out of options and I've seen a lot of people suggest he's in the twenties and didn't want to exclude those. If you vote eleven/twelve, or twenty three plus, feel free to specify which in replies or tags or whatever.

Looking in the notes of my posts, I didn't realise everyone in this fandom liked math so much. But a very mention of the number 4, and everyone likes square numbers and math puns. Go figure.

Edit/update section: Hmm I meant to add this

Jojo's words thus far on Four's age- 'not too far off in age' from Twilight (Four's theoretical words?), and grouped in teens with Wind. A bit confusing, there.

Anyways have fun! Maybe the whole fandom can be the apollos dodgeball meme if we get it right :)

Legend

masterpollst⛓️

[tragedy-for-sale]

Protective Obi-Wan anyone?

I was re-watching the Ryloth arc and I couldn't help but notice,

I love how Obi-Wan's arm immediately goes to block Cody, he extends his hand out and it's not in the form of a fist, it's flat, it's an attempt to block as much of Cody's chest as possible. Cody takes a full step back to, mainly to get into position to shoot. But he's preparing himself to move behind Obi-Wan, who'd need enough room to swing his lightsaber to block blaster shots.

Obi-Wan's first instinct is to protect Cody, his second is to ignite his lightsaber. Obi-Wan protects Cody before protecting himself and others. His lightsaber would give enough cover for all his men, but his body would only cover Cody's.

In the second frame, Obi-Wan puts his hand on Cody's gun first before turning off his lightsaber. Now, he does know what is about to come out of the grate before his men do, which is partially why he wants to stop Cody. Cody putting down his weapon would signal to his men that there is no danger, however, turning off his lightsaber would do the exact same thing. But he chooses to stop Cody first.

After Obi-Wan puts his hand on Cody's gun, notice how long he looks at Obi-Wan. Cody's guard is down, he doesn't keep his eye on the grate like his men do, he doesn't even try to keep his blaster aimed, also unlike his men. Cody doesn't break contact with Obi-Wan until he does, it's in that moment we understand how much Cody trusts Obi-Wan with his life.