#you’re hurting me too

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[jadecantcreate]

in the whitchlite carinval. straight up “caking it.” and by “it”, haha, well. lets justr say. My chad

(some gideon exploration & little doodles)

[tennessoui]

it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[the-broken-pen]

“I don’t need you.”

It sounded less grounded than the villain had wanted it to. It sounded like something someone had told them to say, and they were just repeating it with half hearted determination. They said it again, “I don’t need you.”

“No,” the hero agreed. They were grinning. “You don’t.”

The villain floundered. They, in all honesty, wanted a fight. To prove something, they supposed. That they really didn’t need the hero. That they weren’t in the wrong, here. “What?”

“I said,” the hero said slowly, and the beginnings of a grin curled at the edges of their mouth. “You don’t need me.”

“I don’t need you,” the villain repeated, and the hero nodded encouragingly. It just made the villain want to hit them.

The hero lounged against the doorframe, halfway in and halfway out of their apartment. And truly, that was the worst bit of it all—the hero wasn’t showing up outside the villain’s house, or driving by the villain’s work to see if they truly looked happier without them. But the villain was.

They wanted to scream, and kick, and throw plates onto the ground.

‘Leave me alone.’

But they couldn’t say that, because the hero had. They had cut contact and blocked numbers and ignored the villain’s car as it went by. Still, the villain felt haunted. As if they would never be clean of the hero, parts of their soul forever dirtied by it all.

The hero’s smile, and the way their voice sounded when they knew the villain would cave to their wishes.

They just wanted the hero to—

“Leave me alone.” It slipped out against their better judgement. From the way the hero’s grin widened, they knew it had been the worst thing they could have said.

“Darling, I have,” the hero said, their tone saccharine. Pitying. “You’re the one outside of my apartment.”

It felt like being burned alive, the frustration of it. The way it rose in their chest but had nowhere to go, leaving them shaking with nothing and everything trapped under their tongue.

“That’s not what I meant and you know that—“

“What, you miss me that bad? I thought you—“

“Shut up,” the villain snapped. The hero raised an eyebrow.

“It’s eating you alive, isn’t it?” They sounded pleased.

“It’s not,” the villain protested.

“I told you, you don’t need me.”

“I know,” the villain grit out.

“But you want me.”

Something in the villain’s brain stalled.

“Excuse me?”

“You don’t need me. You never have,” the hero said it like it was a fact. “You want me, though. Even as the sound of my name burns you, and the memory of me rots in your mouth, you’re going to want me.”

“You’re wrong.”

“Am I?” The hero’s voice dropped to a whisper. “You can go out to every bar in this city, kiss a hundred people who look like me and get just drunk enough to forget you’re not mine anymore—but you’re never going to stop missing me.”

The hero knew, of course they did, how hard the villain had tried to forget it entirely. The disaster they had become trying to be clean again.

“No matter how many shots you take to block out the memory of me, you’ll always be mine.”

“You’re insane,” the villain finally managed. The hero simply tipped their head to the side in acknowledgement. “That’s not-what’s wrong with you—“

“You’re the one who misses me.”

It stung, deep in the villain’s stomach. It took them too long to remember how to breathe—too long after that to think of what to say.

“If I’m lucky, I won’t ever have to see you again,” their voice quivered, slightly. “But knowing us, the next time we meet it will be in hell.”

The hero laughed and closed the door in their face.

The villain blocked them. Avoided the side of town the worked in. Moved three cities over.

It didn’t matter.

The villain could still feel the hero under their skin.

Later, whenever someone would ask, “Have you ever been haunted?”

The villain would think back to the hero.

And say, “Yes.”

[solasfenheral]

I am just. chewing over and over again the connotations to Taash alternating between ‘mother’ and ‘Tama’

[tariah23]

This is such a harmful sentiment to push considering that you don’t necessarily have to be “attractive,” (beauty is subjective, yada yada) in order for men to want to harm you in the slightest… like man, what…

[blue-eli]

Ink October day 3: Sophistry

An argument that seems plausible, but is fallacious or misleading, especially one devised deliberately to be so.

[the-woman-upstairs]

It’s just…so painful to watch Armand readily submit in order to obtain the love he so desperately craves. And while it’s most assuredly a manipulative tactic, it’s still one borne out of fear and desperation. He cannot lose this person he’s come to love and so will become whatever they want, do whatever they want just so they’ll stay with him. But it won’t be enough. No matter how much he acquiesces or seeks to control (himself, others, the environment), he won’t be able to make Louis stay with him in the perfect life, perfect self he built in the hopes of finally being loved. It will all crumble with Armand left alone in the rubble of what he created, the author of his own abandonment.

[hallowclave]

What a whimsical looking young man I wonder if he has received any job offers recently

Original photo

[ya-what--ya-erster]

I’m taking the singular like on my prev post as a ye! So enjoy. And cry please

Tw for swearing, sort of talk of suicide but not really, and talk of sodas rodeo accident which I have dramaticified for the purpose of I wanted to. Read the tags.

…

Sitting in the truck on the way home, Ponyboy asks: “You’re real sad, ain’t you, Soda?”

And Soda, he smiles a broken smile and nods a little.

“Why’d I have to get hurt? Darry, why can’t I just ride?” His face slips from its half-smile.

“Life just happens sometimes.” Darry replies. And he should know.

“It’s what I dream ‘bout.” Soda says in an almost-whisper. “Every night, I dream about gettin’ hurt.”

“Thanks for tellin’ us.” Darry says.

“I usually wake up when that fucking horse steps on me. Then when I wake up my leg hurts. Or. Where it used to be. Feels like it’s there.” Soda’s crying so hard his head hurts now. “Stupid fucking leg.”

Darry thinks twice about correcting Soda for swearing. He supposes the situation calls for it.

“You need to find something you like doing.” Pony says. Darry his shoulder and shushes him.

“Nothing’ll ever feel as good.” Soda says.

“I don’t understand.” Pony insists. Darry tries to quiet him, but Soda tells him it’s fine. “I don’t get it why you get to be so sad. It’s been two years and everything. It’s not like you don’t have another choice for the rest of your life. All you’ve got to do is find somethin’ else.”

“Well, damn, Pony. If that’s how things work you oughtta get on with findin’ a new Johnny. I hear there’s a soc boy named Jack movin’ in. That’s close enough to Johnny, ain’t it-“

“Shut up!” Pony yells, hands over his ears.

“Soda!” Darry scolds at the same time.

“What?” He asks. “I’m only telling him the same he’s telling me-“

“It’s different and you know it. His best friend died.”

“I wish I would have!” Soda screams.

Darry slams on the breaks in the middle of the road.

“You say that again-“

“I wish I would have died.” Soda deadpans, staring Darry in the eyes.

“I’m not gonna stop your partners from comin’ over. Already told them it’s alright. But you ain’t going anywhere but work until further notice, cause I don’t think I can trust you out.”

“I ain’t gonna kill myself-“

“Until you find something else to try, you ain’t leavin’ the house aside from work. And after tonight you ain’t seeing Chet or Cherry until then either.”

“Dar-“

“Pony ain’t gonna talk for a week over this. Least you can do is take his damn advice, you hear?”

“Sorry, Darry.” Soda mumbles, tears threatening to break yet again.

[hplonesomeart]

You know I had to do my own rendition of this eventually. It’s just too good to pass up :))

Attached is just the still image version (not gif) and then some behind-the-scenes initial sketch without puzzle pattern. Also the car had a nose for some reason…glad that I went back to the actual reference material to change it because the Puzzlemobile ain’t got one <<

[bakaramia]

Vox no matter what the ppl on twitter do to you you will always be the overcompensating insecure tsundere baby I saw and fell in love with the first time I watched Hazbin.

[balls-in-yo-jaws69]

I leave tumblr for TWO DAYS and all I see is an absolute mess when I’m back

I get being put off by the patreon but THREATS??? That’s way too fucking far.

[valewritessss]

I need more fanfics where Annabeth is tall but still lets Percy take care of her💔

[jankwritten]

I will never be normal about Ox and Gordo’s relationship actually. Thinking about them makes me insane. Like imagine being abandoned by everyone you love everyone all at once they’re all dead or gone across the country or fucking banished to prison and they left you alone, ON PURPOSE, and you can’t do a damn thing about it because if you leave you abandon your home, their home, you lise what feels people you have left and is it even worth it when they left you so easily and

There’s a little kid hiding behind his fathers knees and he’s never had root beer and you watch him grow into this intense strange boy who doesn’t understand that his father isn’t coming home his father left him and god don’t you know how that feels and you watch him learn his way around a car and you remember the man who taught you who gave you a chance who listened when you said what was wrong and

He needs a job and you’re the only one who cares so you help, god, of course you help, you can’t let him or his mom lose what little they have left so you let him work for you under the table, he doesn’t need to but he demands it even though you paid off their debt as soon as he asked. It’s the money of those fuckers who abandoned you, anyway, and Ox needs it Ox and Maggie need it and

He’s everything to you he’s your son your brother your life and he’s fifteen and he’s your fucking tether, he keeps you human, and you think finally, finally you’re healing. You both had shit dads who dealt you shit cards but you’ve got each other and you don’t need anyone else and

Then they come back and it’s not for you. They come back and they don’t even speak to you.

But they speak to him. To Ox.

They need him. Just like they needed you when you were barely a teenager when your father leveled that town when he killed your mom when you had to become their witch because the pack needed it your Alpha needed it because Thomas-

But Ox chooses them, over and over. You try to make him understand that they’ll only use him and hurt him and he doesn’t care. He chooses them. The damned wolves.

Imagine the man you loved hated needed despised dies and his son makes every imaginable mistake and you follow him because he is your Alpha he needs you and you leave. You leave Ox behind and you hate yourself every day, for three years, you know how this feels you know exactly how this feels and it’s bitter in your throat because you hate him him Mark him for this choice you’ve just made and you understand and you hate it and it’s vicious and you can’t forgive him so how can you forgive yourself and

You come home and he’s not a boy anymore he’s not a kid but a man and he’s tall and strong and he’s the Alpha, somehow, and he doesn’t need you anymore.

But he forgives you. Easier than you’ve ever forgiven anyone in your life, he forgives you because he loves you and you love him and you came home.