#you know what would make sense

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[chloesimaginationthings]

These clown animatronics in FNAF wild as hell..

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[forgettable-au]

END OF CHAPTER ONE

FORGETTABLE-AU (Page 65-72)

* Time to put this puzzle together.

[BEGINNING] [PREVIOUS] [CONTINUE]

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[fl00mie]

honestamente, no sé

to prevent confusions i'm giving credits of every fankid in order (starting with the tall one)

layden (fresh x ink fankid) by @/sugary-alienn dot (cross x ink fankid) by @/yo-honne abstract (reaper x ink fankid) by CATA-824 on wattpad gradient (error x ink fankid) by @/askcomboclub paper jam (error x ink fankid) by @/7goodangel palette (dream x ink fankid) by @/angeutblogo blueprint (swap x ink fankid) by @/pepper-mint aiden (zack x ink fankid) by ariscastleart

[oifaaa]

Happy birthday!!!

Its not my birthday but you knows whos birthday it is? Thats right Tim Drakes did you know hes turning 35 this year its true lets check in with the birthday boy now

It's always nice to see Timmy

[fifthnailinstevesbat]

after the events of season 4, steve just wanting SO BADLY to be friends with eddie. just LOVING the idea of them getting closer and having eddie as a friend because hell yeah! a close male friendship with someone that is actually my age, and who i don’t have a weird history with involving bruised eyes and love triangles? count me IN! and eddie is FUN, he is actually hilarious! the way they share the same glances of understanding when dustin is being an absolute shit head, rambling on and on about some obscure topic, expecting everyone to always be on the exact same page as him. of course. and, although steve suspects that eddie actually probably is keeping up with everything dustin says, much better than he ever could, he knows that above it all eddie can appreciate the antics for what they are, and roll his eyes with steve at dustin, i concur, you dustin henderson, are a total butthead.

steve just about junps RIGHT IN to being friends with eddie. hey man, what’cha up to tonight? wanna watch a movie? get drunk, smoke a bit? hey eddie, how have you been, man? he starts calling eddie up on the phone regularly just to check in, shoot the shit, he loves it! he loves having this new friendship with eddie munson and he loves how much the other boy has surprised him with how much he actually enjoys being around him. he’s not a freak, really, well ok maybe he is a little bit, but only in the best ways. he’s kind, thoughtful, and is always looking out for the people he cares about, which is something steve can really respect in a dude. but he’s also so funny? steve never could’ve anticipated just how much eddie has managed to make him genuinely LAUGH over their short amount of time spent together. and he’s really, out there? with the way he presents himself, the way he takes up space with these big THEATRICAL movements, leaving no room for regret or shame or god forbid embarrassment. steve isn’t even sure munson is capable of feeling it at all.

eddie munson is a good dude, and steve could use a bit more of that kind of person around him. he loves all of his friends, the weird little bonded family he’s found himself apart of, and they are all good people, but it never hurts to have afew more added in here and there. it never hurts to know there are more good people out there to find.

so steve is all over eddie, it seems.

at least, from where eddie is standing. nobody else seems as phased as eddie does at this sudden change in steve’s demeanour, in his interest in what eddie munson spends his time doing these days. it seems like, to everyone else, to steve, it’s just a natural progression in their relationship, after being sort of role model figures to the same group of kids, both being the two single dudes, who fought the same monsters together last spring, it seems nobody questions too much that they’d start casually hanging around eachother more. especially since eddie has found himself to fit into his own special spot as one of the group now after it all, after he unwillingly became tangled in this whole upsidedown-superpowers-supernatural-monsters and demons debacle, and tangled quite dramatically at that, the rest of the group that’s been with this since the beginning seemed to find no trouble in taking him in and seeing him as “one of them” now.

so, steve asking eddie to smoke, to watch movies, to go for a drive with no real end destination, it’s not really something that earns them too many double takes. dustin makes a comment or two in the beginning, because steve since when did you like hanging out with eddie? you guys are like so opposite, you don’t like any of the same stuff he does? and steve barely gives a shrug and a dismissive yeah yeah whatever man in response, with a signature eye roll, and dustin had said it seemingly also not too seriously, poking fun at steve wherever he can, not really meaning anything by it, as he fidgets around and rambles in the backseat of steve’s car, eddie riding up front. after that, though, he’s dropped it. it’s never brought up again. part of eddie thinks, too, that dustin would actually be enjoying that his two older friends are becoming friends themselves.

robin seems to be the only other person to look a bit harder at their situation, lingering stares at their interactions, all squinted eyes and eyebrows raised, though from her all this seems to be almost always and only ever directed at steve. eddie’s not sure what to make of that. isn’t he the weird one? i mean, he’s the one that stands out, right? he’s the odd denominator that makes their friendship strange. why would steve harrington want to hang out with Him? HIM? but robin doesn’t spend her time studying eddie to try and search for what about him could possibly have piqued the interest of cherished steven harrington, no, shes always looking at steve. like she’s seeing him differently, almost. eddie doesn’t even think that steve notices it, either, because he doesn’t seem to be questioning or doubting anything odd or strange or out of the ordinary with their newfound time spent together. and maybe, maybe robin is seeing him differently. eddie knows he definitely has been. seeing him more, intensely. deeply. human. seeing the person that steve is, as just steve, not this idealised version of a boy that eddies starting to question ever really even existed at all, or if everyone around him just needed to believe that he did, and who was steve if not happy to comply to the wants of the people around him for who he should be?

eddie likes having steve as his friend, too. don’t get it twisted. he loves how unexpectedly expressive steve is about everything, even really small things. steve LOVES to raise his voice, rest a hand on his popped hip, scolding the kids for something stupid with no real heat or malice behind it. and steve is, like, kinda bitchy too. eddie knew he had the capacity to be a real asshole when he wanted to be, that’s all he knew steve for back in the day, when he was back in high school, hanging around tommy h and the basketball boys, the jocks. eddie would spend his days hearing only whispers and gossip in the hallways of the parties at king steve’s house and the fights king steve had started and won on the court or out in the fields, only ever getting as close as a shove into a locker with the guy at the time, but eddie knew how it could go. he knew all about what steve had done to jonathan, what he’d said to him, the words he’d used. eddie knew it all. he’d seen enough, and been through enough himself, to know how these guys acted in response to guys like him, like jonathan, people who were lower on the social food chain. so, eddie knew about steve’s “mean streak”, if you will, but this kind of snarky bitchiness was something new to him. harrington was almost, sassy, when he wanted to be. it was less so cruel and more just, just sass. if he’s being completely honest it kind of blew eddie away, at first. he thought steve was one of those dull headed jocks who thought with their fists more than their actual brains, but that couldn’t have been farther from the truth. steve’s insults were well thought out, they were FUNNY, he was smart with his words. and silly. oh my god steve harrington could be so fucking silly, real honest to god goofball when the moment called for it, when he felt comfortable enough. eddie had caught on multiple occasions steve mimicking lightsabers to play fight with dustin, or the stupid fucking shit he would do or say just to make robin laugh, singing along to a song playing on the radio with a funny voice.

it was all a little, intoxicating, to watch. eddie didn’t know what gave him the right to be in on this now, to get to see this side of steve and better yet to be at the other end of some of his best qualities. it was fun, all the time they spent together, but there was always something else tugging inside eddie everytime they spent close time together, too. something, he knew steve wasn’t aware of. something he knew steve wasn’t equipped to deal with. something he knew, was him. was him, making things something more than they should be, because, nobody seemed to be questioning that they could become friends, so why ruin that? why disrupt it?

- robin and steve

“Steve.”

“-but then like, it wasn’t that I didn’t want to watch it I just thought, hey, y’know, let’s try something different for a change, but then he- oh my god he honest to god TACKLED ME Robin — I mean, it was so fucking funny and it happened so quick — and all over a fucking Tom Cruise movie-“

“STEVE.” Robin lightly slammed a hand onto the counter. She had been standing behind it for no short of 20 minutes, watching Steve as he paced around, supposed to be stacking tapes onto shelves, but ended up spending the whole time going on and on, and ON, about how movie night went with Eddie last night. She thought she was bad…

Steve jumped, almost running into a shelf and knocking down his hard work, and seemed to snap out of whatever trance he had found himself in after starting to tell Robin a story about something funny Eddie had done last night.

“Shit, sorry. Sorry, what were you saying? Were you- were you saying something?”

To this, Robin just rolls her eyes and let’s out a laugh, “You, sir, are goddamn hopeless.”

“Sorry. How long was I talking for?” Steve wandered his way over to lean his arms onto the counter from the opposite side.

“Oh, I dunno Steve, just about half an HOUR?”

“That is an over exaggeration Robin, it’s only been like-“

“Honestly, man, i’m concerned for you. You are like next level OBSESSED with Eddie. Eddie Munson. You do realise this right??? You are obsessed with him, Steve.”

To this Steve sputters, lazily waving his hands back and forth.

“No, Robin, what the hell are you talking about? I am not OBSESSED. No need to be jealous, alright, Stevie-Boy here can have more than one friend. Your spot in my heart isn’t any less special now that it’s beginning to be shared by another.” He bats his eyelashes up at her, holding both hands over his chest as if to cradle his heart.

“Oh my GOD! You even SOUND LIKE HIM!”, she playfully slaps his shoulder. “Steve. You are obsessed.”

“I am not obsessed! He’s just a really great guy, alright-“

“Blah blah, yep whatever you say, lover boy.” Robin quips, plopping down onto the chair chair infront of their staff computer, turning herself to face it.

“Wha- what? Lover boy? What the hell Robin, that is not- that doesn’t even make any sense!”

She is just smiling at him now, enjoying seeing him spiral like this. Steve let’s out a sigh as he puts his hands on his hips, and shakes his head, looking at her right back.

He opens and closes his mouth afew times, like he’s really thinking about what he wants to say next. Or like he has no idea what to say next, and his brain is not moving fast enough to formulate the next sentence his mouth knows he wants to say. He wasn’t obsessed. That’s not- that’s like- no. No he was not, Robin was just playing around with him, she knew how to get on his nerves. Get him all wound up over little things just to see him react like this.

After a minute or two, Robin realises Steve was not going to reply anytime soon, so she turns fully back toward him. Saving him from his spiral.

“So, what are you’re plans for tonight Steve-O?”

He lets out a chuckle and walks around the counter till he’s behind it with Robin, leaning his back against it so he can stand across from her and face her.

“Well, not really sure. Parents aren’t home, no early shift tomorrow, might drink afew beers, listen to some music, —“

“See what Eddie’s doin?” Robin finishes for him, quirking her eyebrows up and down as she does it.

“Oh shut up!” Steve just laughs and softly throws a tape from the counter at her chest. “As a matter of fact, yeah I will see what he’s up to. Because we are friends now, Robin. Is that a problem? Actually I was also gonna ask you what you were up to after work, too, but you know what after this I’m having second thoughts, I mean, the way you’ve been treating me lately-“

“Oh my god, you are the worst. Yes, I’m free, of course I’ll hang out with you dingus. You and your tweedle dee.”

Steve laughs at this, then tilts his head.

“Wait, does that make me dumb? Tweedle dumb?! That’s how you see me?”

“Yeah it is actually, got a problem?”

“Oh wow, she’s feisty today. Can’t believe you think I’m dumb, Rob’s. When you come knockin’ tonight, do not expect a warm greeting at my front door.”

“Yeah, yeah, I’ll take my chances.”

- later. steve’s house. to be continued?

[puppyeared]

Big cat

[sysig]

Ah, childhood memories (Patreon)

[sweetlullabyebye]

Charles' thing is that he wants to feel alive and that's part of the reason why he decided to never move on to the afterlife right? Meanwhile Edwin thinks Charles will move on and that he'll be alone again because 'he isn't good with people'.

But then when the Night Nurse shows up a second time Charles is ready to go wherever -including Hell- as long as Edwin shouldn't have to go back there, meanwhile Edwin refuses that they be split up, and both are okay with being sent together to the Lost and Found Department to be sorted out later as long as they're together-

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[andorerso]

rebelcaptain + the hunger games au

When Jyn Erso was eight years old, her mother died and her father left to become a gamemaker for the Hunger Games. Adopted by Saw Gerrera, her mother's friend, she became Jyn Gerrera and was forbidden from ever revealing her true identity to anyone. Ten years later, it's Jyn's last reaping. Saw, the forgotten victor of the 32nd Hunger Games, had rejected every reward the Empire offered him, preferring to live as a recluse at the edge of the forest in District 12, as opposed to the luxury in the Victors' Village. It's been decades since anyone in the district even recalled that Saw was once a victor himself, but he had made sure to teach Jyn all he knew of self-defense and combat training. It's the only thing she has of him left since his passing two years ago. Now, Jyn just wants to get through her last reaping and survive. But when she hears the name of the young girl she trades with sometimes, Jyn doesn't hesitate to volunteer in her place. She has nothing to lose, except her life, and every reason to believe that with Saw's training, she has a chance at winning the games. A chance that 12-year-old Kerri Andor wouldn't have. Things get a little more complicated when Kerri's brother is picked as the other tribute. Jyn is good at surviving, but Cassian, with his quiet cunning and surprising talent with a bow and arrow, could be a threat. Not to mention that Jyn knows he's the sole provider for his young sister and aging mother; a family who needs him. Who may die without him. Nobody is waiting for Jyn back home. When their mentor's plan to make them seem like star-crossed lovers triples the attention and sponsors they receive, Jyn is forced to play along with the scheme and pretend she has feelings for Cassian. Worst of all? She's not sure where pretending ends and where genuine feelings begin. The gamemakers say they can both go home if they're the last two tributes standing, but Jyn knows better than to believe the pretty promises of the Empire. Soon, she'll have to make a choice. Will she do anything to survive? Or will she let Cassian Andor go home to his family - even at the cost of her own life?

[wistfulwatcher]

bau members + near death experiences