#you know that trend where you just write out the kind of person you want to be and then you do it. that's my 2025 gameplan.

[atissi]

happy new year's eve and happy birthday to me! 🎉

this october i started formal art classes again, and it's really been game-changing for me — although i haven't had time to apply any of it until this december LOL. i'm finally starting to feel comfortable with lighting, full-body proportions, and 3D construction in general. i'm also enjoying the painting process a lot more — I finally have a streamlined procedure that consistently looks good. fingers crossed it sticks.

in 2025 i want to double down on my formal skills, but also focus on professional work. i've had the privilege of visiting so many museums, conventions, and art fairs this year, and meeting all of these working artists has inspired me to take my own work seriously again. Even if I don't have time to commit to a specific track, I want to explore my options and make more niche, esoteric, thoughtful stuff — at an even higher level of polish. 🫡

this ties into my personal goals: reading even more and reading weirder. actually memorizing historical names and dates. being more confrontational but also being more forgiving. trying to take in the whole world, even the parts that bore or annoy me. not spoiling my mood pre-emptively. but also being loud and unabashed about what i want. and going for it (though probably at a slow pace).

have a happy new year everyone! i hope we all grow. amen.

[violentdelights-violentendss]

Pretending to Give Logan a Blowjob.

Pairing: Fem!Reader x Logan Howlett

Synopsis: You decide to prank logan with the TikTok prank: you pretend to get ready to give him a blowjob, and right when you have convinced him, you pretend you had been wanting a shoulder massage all along.

•

Hey guys! Hope you like this! I have a few more TikTok pranks, and if you guys are interested I could write a few little scenarios like this one with Logan.

The other TikTok pranks include:

1. Pretending to be wearing nothing underneath your towel and suddenly opening it while recording a TikTok.

2. Asking him to multitask, by cutting something while telling the story of how you met.

3. Walking on him naked while he’s working.

4. The jacked and kind trend

Let me know if you want anymore with these scenarios, both for Logan or for other characters I write for.

You had been assigned to overview a physics exam in the afternoon. Currently sitting on the hard, plastic chair that dug into your ass, you looked at the rows and rows of teenagers. Some were writing non stop, while others gripped their hair in desperation. You tried to get comfortable, shifting your hips on the seat, almost cursing out loud when you only managed to somehow make the chair more uncomfortable. You huffed, crossing your arms and trying to distract yourself from the stuffiness of the room.

You leaned back against the chair, crossing your legs. The frantic scratching of the pens on paper soon became a distant sound to your distracted ears as you started thinking about your boyfriend, Logan, who was currently training with a bunch of students just a few floors down. You missed him, even if you had been snoring happily in his arms just that morning.

You sighed, touching his dog tags which were currently resting around your neck. As you played with them, stewing in the mixture of the students’ adrenaline pervading the air and your personal boredom, your mind conjured up a plan, your mouth splitting in a mischievous grin. Your for you page on TikTok had been recently flooded by various girlfriends pranking their boyfriend by pretending to get ready to give them a blow job, tying their hair up while sitting in between their boyfriend’s legs, only to turn around and demand a shoulder massage. Your excitement rose as your plan consolidated in your mind, further spurned by the absolute hatred Logan felt for TikTok, preventing him from downloading it. He would not know what hit him.

Your boredom now turned to pure excitement, your knee bouncing up and down. The minute your supervision time was up, Scott to switching with you, you sprung up and darted down the hallway, the light of the setting sun painting long windows in your path.

You hastily ran to your bedroom, shutting the door when you realized it was empty. He wasn’t in the training room, the lights shut off. You glanced in the kitchen, finding it empty as well. You stopped in the entrance, utterly confused.

“Whatcha looking for, bub?” You turned around, seeing Logan lazily sitting on the couch in the common room, remote in hand.

“Logan!” You squealed, smiling, running up to him. “Where you here the whole time?”

“Yeah. I think I watched you pass in front of the door a good five times.” He pointed to the doorway with the remote. “What got your panties in a twist?” He joked, gently reaching out for your hand.

You grinned, your early mischievousness seeping back into your eyes. You had wanted to record this on your phone, but you quickly eyed the security camera staring at you with its black eye on the wall; that would do. “You. I was looking for you.” You whispered, placing your hand on his chin.

“Me?” Logan asked. You nodded, letting your hand glide down his neck, down his chest, stopping on his belt buckle. You glanced up at him, biting your lip. Logan raised his eyebrow, a confused smile dancing on his face. Teasingly slow you spread his legs, falling down to your knees, until you were level with his crotch. The confusion on his boyfriend quickly evaporated, arousal flashing in his brown eyes. He glanced towards the door. “[Y/N], baby, here?” He asked, disbelief coloring his voice. You nodded, not trusting your voice, terrified you’d burst out laughing at his hopeful expression.

Logan licked his lips, excitement and nervousness bubbling in his chest as his eyes frantically jumped back and forth between you and the open door. A part of him wanted this, slightly reveling in the risk, and the other utterly loathing the idea of anyone seeing you like that. His erratic train of thought derailed when he saw you collect your hair into a hasty ponytail, your stray hairs caressing your face beautifully.

The moment he saw that, all of his doubts and nervousness evaporated. “Oh, fuck it.” He grunted, as he got comfortable against the leather couch, spreading his legs further. “I don’t know what I did to deserve this, but thank fuck.” He added, as he slyly placed both hands behind his head, looking at you through his hooded eyes.

You closed your eyes, exhaling loudly as you tried to not laugh. As you stuffed your laughter deep down into your stomach, you squeezed his thigh, a small part of you feeling bad for fooling him. You opened your eyes, trying to give him your best bedroom eyes, while your mouth quivered with silent laughter. You reached for his belt buckle, toying with it. Logan closed his eyes, leaning his head back. You chose that exact moment to strike.

You turned around, showing him your back. “You’re too sweet, baby. Thank you for offering to massage me. My shoulders are killing me. If you could really get in there, baby?” You asked, your voice sickeningly sweet as you waited for his reaction, eyeing him through the mirror hung on the wall. You watched as Logan’s eyes fluttered open, looking down at your back with dazed confusion.

“What? Massage?” He croaked, furrowing his brows. He knew he hadn’t imagined things: you clearly had been about to give him the blowjob of his life… how did it suddenly turn into a massage for you.

“My shoulders have ached ever since I trained with Storm a few days ago,” you whined, shrugging them. Logan blinked in confusion a few times, the arousal disappearing from his gut with every passing second. He stared down at you for a few moments, starting to move very slowly, getting whiplash from the sudden change, and feeling his ecstasy sink as fast as a rock in a river. His warm hands descended on your shoulders, as he slowly started to massage your non existent knots.

As you glanced up at him, and noticed his crestfallen expression, even as he diligently massaged you, you lost it. Your repressed laughter burst of you. You laughed so loudly you saw Logan flinch with his super hearing. He looked at you, his hands freezing. “What? Did I do it wrong?” He grunted, irked.

You turned around, slapping his thigh as the laughter kept pouring out of you. The minute you looked at him, seeing the confusion even more evident on his face only spurred you to laugh even louder, leaning heavily against his legs to not collapse on the ground. When you couldn’t breathe anymore, and your stomach hurt, you wiped the tears from your eyes, collapsing on the sofa next to him.

“I’m glad I amuse you so, bub.” Logan grunted, crossing his arms over his chest. “Could I know what I did to entertain you so?”

You turned to look at him, clasping his jaw. “Let me kiss this frown away.” You leaned in, pressing a few pecks on his lips. You pulled back, seeing Logan was still eyeing you with suspicion. “I’m sorry, baby! It was a prank! I saw it on TikTok,” you explained, squeezing his thigh.

Logan stared at you in utter disbelief, his mouth hanging open. “Are you shitting me princess?” He croaked. You only managed to giggle sheepishly. “Am…am I supposed to laugh right now?” He deadpanned. “I got tricked into thinking I would get a blowjob for a TikTok prank…” Logan shook his head, scoffing in utter shock.

A snort escaped your lips. “Logan, I’m sorry! I didn’t know it would make you so sad! I promise, I’ll make it up to you!” You said, pouting at him.

“No luck, baby. Pouts only work for good girls. And you’ve been a bad one,” he said, grinning at you. “Well, baby, as much as I’d love to say here and be led on, I have another training class with my students.” Logan said, standing up.

You suddenly felt very very guilty about having lead him on during his short break: before he could get too far you grabbed him by his belt, yanking him back on the couch. You knew Logan could very well resist, but he let himself be pulled back, landing right next to you. You leaned in, slipping your hand underneath his shirt and caressing his happy trail. “Come to the bathroom closest to the training room after you’re done with your lesson. I’ll be waiting for you.” You pressed a kiss to his neck. “On my knees.”

Logan eyed you, a grin spreading on his lips. “Better be the truth this time, princess,” he grunted, sensually squeezing your thigh, before he stood up, readjusting his pants and heading to the training room. You laughed at the sudden jump in his step.

Right before he disappeared in the hall, Logan turned to wink at you. You blew him a kiss. The hour could not past fast enough.

[mylovesstuffs]

OT13 reactions to your "let's break up" text prank

Request: Hello! I've been reading your stuff, and it's so good. I was wondering if I could request something? A while back, there was a prank on TikTok with girlfriends texting their boyfriends asking/telling them they wanted to break up. I was wondering if you could do Seventeen OT13 reactions to the same scenario? Let me know if this is okay! Thank you! :)

A/N: Ah, this took me longer to complete than I expected. Anyway, this is their reaction to the general, "Let's break up," text tiktok trend. I know it's a really common prompt, but I still wanted to try it out. The videos the anon later sent me of the trend for the request (because I hadn’t seen before) actually had a twist, like, "What do we do when we break up," or, "When we break up, ___." These felt a bit different from the straightforward, "Let's break up," so I’ll be writing that version as well. I really want these to meet your expectations, anon, as well as for everyone else reading. So, if this isn’t quite what you were hoping for, please stay tuned for my next reaction post—it’ll be up soon. Until then, I hope you enjoy this one!

For the sake of the reaction, OT13 are not physically with their s/o at the moment.

Content: Suggestive in some members (Joshua, Mingyu, Minghao and Dino) MDNI!, angst if you squint, other than these I think it's cute heheh

This is my personal opinion and perspective. It may not accurately reflect their real-life personalities or behaviors.

Seungcheol: At first, he thinks you're joking, but the tone of your message makes him pause. He’s a natural leader who reads between the lines, so your message would raise a red flag. He’d immediately call you instead of texting back.

"What’s going on? Is this a joke, or are you serious?", "If something’s wrong, we need to talk about it, not text about it." If you stay silent to keep the prank going, he’d start to worry. “Listen, if you’re upset or unsure about us, we should talk in person. Breaking up over text isn’t like you.”

When you finally admit it’s a prank, you’d hear a heavy sigh of relief on the other end of the line. “You had me thinking about where I went wrong. Don’t mess with me like that, okay?” He’d pout and demand extra cuddles, peppered with kisses as apology payments, but it’s not long before he uses this prank against you, teasing about how you can’t live without him.

Jeonghan: He sees right through it. Jeonghan is the master of mind games, he knows exactly how to flip the script. When he reads your breakup text, he’d smirk to himself and reply with something like,

"Oh no, how will I ever survive without you? 🙄"

Or,

“Shit, what did I do? Let me grab my tissues and cry in public.”

If you double down, insisting it's serious, he might add a touch of fake sincerity just to keep you on edge,

“Alright, if this is real, I need to hear it from you in person. But if you’re joking, just admit it already so that you don't have to embarrass yourself before I start planning my heartbreak playlist.”

When you finally confess, he’d grin slyly and shake his head.

“You thought you could out-prank me? Cute. Now you owe me a nice date to make up for trying to stress me out.” (but was he even stressed in the first place?)

He wouldn’t even pretend to be mad, but his devilish smirk would remind you just how much you underestimated him. It was a nice try but you need to work harder to fool him.

Joshua: Joshua’s initial response is shock. He would be one of the most heartbroken, mainly because he wouldn’t immediately assume it’s a prank. His first response would be thoughtful and kind, showing how much he values your relationship He types and deletes messages a few times before sending:

“Is this really how you feel? Did I do something to make you feel this way? I’d really like to talk about it instead of texting.”

If you don’t reply quickly, he’d follow up with another message,

“Please don’t make a decision like this without us talking. I want to fix whatever’s wrong.”

When you finally admit it’s a joke, his relief would be palpable, and he’d laugh nervously. “I can’t believe you’d scare me like that!” He really thought he lost you for a second. You’re lucky he can’t stay mad at you. But just like Seungcheol he'll pout and will have to make up with him for some more~ (“You better make this up to me. Tonight.”) I'll keep it open to interpretation.

Jun: Jun would be confused and a bit hurt but wouldn’t jump to conclusions. He’d reread the text multiple times, trying to understand where it was coming from.

"I don't understand...."

"Did I do something wrong? I thought we were happy."

"Can we talk about this in person?"

If you keep the prank going, he’d start to blame himself so,

“I didn’t realize I was making you feel this way. I’m sorry.”

“Can we meet and talk about this?”

He was about to bring over your favorite snacks and talk it out and fix things!Then when you admit it’s a prank, he’d groan and playfully pout. His pout would be so adorable that you’d smother him with kisses in apology, and he’d happily take them all.

Hoshi: Hoshi's immediate reaction would be pure panic. He’d spam you with messages, each one more frantic than the last:

"WHAT?!"

"What do you mean break up?"

"Why??"

"Did I do something wrong?"

"I’ll fix it, I promise!"

"Don’t leave me!!!"

When you don’t reply fast enough, he’d call you, his voice would be shaky, “Please, let’s talk it out! I can’t lose you!” so when you finally tell him it’s a prank, he’d let out the most dramatic sigh of relief and switch to playful scolding in an instant saying things like, “You almost gave me a heart attack!” His whole world actually flashed before his eyes. But he wouldn’t let it slide easily, so you better give him cuddles for a week to make up for this!

Wonwoo: Wonwoo would approach it maturely but with a heavy heart.

"Is this really what you want?"

“If this is what you really want, I won’t stand in your way. But I’d like to know why, so I can understand.”

"I just want you to be happy, even if it’s not with me."

If you push the prank further, he’d try to give you space while quietly reflecting on what he might have done wrong.

“I hope you’re okay. Just let me know when you’re ready to talk.”

After this text from him, you'll have to immediately stop the prank because he's actually taking this into consideration for your sake. When you confess that it was all a prank, he’d take a moment before chuckling softly and saying, “You really scared me there. I was already preparing to give you the space you needed. Don’t joke about something like this, okay?” You really scared this man.

Woozi: He would be stunned and would stare at the message for a long time, unsure how to react. He finally texts back:

“Is this real? Did something happen?”

If you keep insisting it’s serious, he’d start overthinking.

“I didn’t realize I was making you feel this way. I’m sorry. Let’s meet and talk, please.”

When you reveal it’s a prank, he’d let out a heavy sigh and come all the way home to roll his eyes at you lmao. He can’t believe you just did that. Do you think he's laughing? No, he's not. But he'll forgive you this time. He’d try to act annoyed, but the small smile on his face would give him away.

Dokyeom: This poor man's heart would break immediately, and he’d call you with his voice trembling, his speech coming in quick succession, "What happened? Why do you want to break up? I don’t understand. Whatever it is, I’m sorry! Please!"

When you finally admit it’s a prank, he’d laugh out of sheer relief, but you’d sense his lingering panic. "You’re so mean! My heart is still racing!" (It is). So please do us a favour, don't do this type of prank with our cutie patootie and save him from a potential heartbreak.

Mingyu: Mingyu would be devastated but would try to keep it together.

"What? Why?"

"Did I do something wrong?"

"Can we talk about this face-to-face?."

When you finally tell him it’s a prank, he’d groan and collapse onto the couch, his hands covering his face. “You scared me so much! I was about to drop everything and come see you. You’re going to pay for this with a date night—and maybe a private encore performance after.” Again I'll leave this up to your interpretation of what happens after he comes back home.

Minghao: Minghao would handle it coolly but with a hint of worry.

"If that’s what you really want, I won’t stop you."

"But I’d like to know why."

When you admit it’s a prank, he’d shake his head and smirk. "Don’t test me like that again." Again, I'm leaving this up to your interpretation of what happens next when he's back home. (He’d pull you close, his lips ghosting over yours as he adds, "Next time you want my attention, just say so. No need for dramatics." — snippet)

Seungkwan: Seungkwan would immediately start spiraling the moment he reads your text. His fingers would move at lightning speed, sending a flurry of messages that progressively show his panic:

"Why??"

"????"

"What happened?"

"Is it something I did?"

"Please tell me we can fix this."

When you tell him it’s a prank, he’d yell. "YOU DID NOT JUST DO THAT TO ME!" He’d immediately start pacing in circles, waving his hands around like he’s rehearsing for a drama, "I was about to cry! How could you do this to me?" while being in call with you. But then he’d laugh, give you a side eye and forgive you.

Vernon: Vernon would be too stunned to react at first. After what feels like an eternity (but is really just two minutes), he’d reply:

"Uh... what? Can we talk about this?"

He's genuinely surprised so when you tell him it’s a joke, he’d sigh and laugh awkwardly cause then it makes sense for you to do a tiktok prank on him. "You’re wild for that. My brain didn’t know how to process it." I mean who can break up with a breathtakingly gorgeous man like him?. Also, you might catch him giving you side glances for the rest of the day, as if he’s still recovering from the fake heartbreak.

Dino: Dino would be heartbroken and immediately reply.

"What? Why?"

"I thought we were happy together."

When you reveal it’s a prank, his gasp would be loud enough to echo. "No way you just did that to me! I was about to cry!" He’d pout and demand endless apologies. His grin would leave no doubt about his plans to make you make up for it. He might be the youngest but again...I'm leaving this up to your interpretation.

[notashadowbutawave]

finally talked my wife into watching 8x06 "confessions" with me and WOW there's quite a lot going on in this breakup scene in buck's apartment (and the infamous glee scene for that matter) that I haven't seen discussed much on this website (though maybe I'm just not finding it?) like this show is always yelling the themes in your face but...

first of all I think it's somewhat intentional that Buck is being written as kind of regressing. So far in the show, he's gotten his confidence in romantic relationships by fulfilling the role with the person that he thinks he should fulfill. with Abby, Buck had just learned about serious adult romantic relationships and how they work and was trying to Be A Partner in a complete speed run. But he learned that no amount of devotion is a substitute for functionality. with Taylor, he was trying to Be A Functional Partner - and he learned that being a partner Has To involve trust, and that trust comes from somewhere else other than just our actions - it has to come from our hearts.

Tommy is the first person he's ever dated where he doesn't know what the next steps are and that's because this isn't something he has a blueprint for - being a Partner and a Functional Partner for somebody who sees right through him and sees exactly what he's trying to do, to make Tommy never leave. Abby was completely clueless (sorry I really dislike Abby) and Taylor didn't realize that an adult man could behave so badly without utter malice in his heart. Both of them kind of make the mistake of being vulnerable to Buck's charms.

Tommy is of course vulnerable to Buck's charms but Buck is more transparently himself with Tommy as well - and what Tommy sees, then, is a person who is deeply insecure and may be trending in the right direction but ultimately still thinks there's a lever he can pull to make Tommy stay and never leave him. He doesn't know that he's not done cooking yet because every new thing he learns about the world or others makes him feel brand fucking new.

So yes, the glee scene:

Josh was absolutely gagged that Tommy was Abby's ex fiance

Buck's first instinct is to see the situation from Abby's side and go into protective mode which is adorably loyal to be fair but also like ; get a grip

I actually love Josh's framing of "you care about this person and if you want a future in a queer relationship you need to learn that we don't all come to this the same way"

Did they need a cultural reference? No. Were they going to self referentially congratulate Ryan Murphy for inflicting it on the world? Yes.

And regarding the breakup itself:

What is wrong with this fandom's sense of humor that I haven't seen a gif of "I'm the himbo" ??? Like yes babe u sure are come here

Buck is really working so hard in this scene to make sure Tommy knows that he's serious. He's like... this freaked me out but I've decided I'm cool with it. She changed my life but not like you !!!

Like bless his heart, Buck thought he was really doing the right thing by telling Tommy about Abby BEFORE ASKING HIM TO MOVE IN WITH HIM. like MY CARDS ARE ON THE TABLE??? SEE??? LOVE ME FOREVER !! it's adorable and it's also cringe as fuck.

I think the real sin of the writing here is making Buck so completely clueless that this is the wrong move. Like he's kind of an idiot (Eddie Diaz's words not mine) but moving in with someone after dating them for six months in your 30s is WILD behavior and I don't think even Evan Buckley would fail to realize that this is a bit much in this moment.

But idk being in love makes one do stupid things? I did all of my messy bitch relationship shit before I turned 30 but I guess it is buck we are talking about

I completely understand why Tommy reacts the way he does in this scene and bless Lou Ferrigno Jr for acting it with such nuance, much more depth than the scene frankly deserves. What a heartbreaker. Like you see him tense up at Buck's request

"I'm not saying let's get married or engaged, even though we would have the right, thanks to the brave people who came before, including you." such an insane thing to say to your boyfriend. Whoever approved this script was trying to take me out like with a gun.

You then see the absolute grief in Tommy's eyes like oh god this kid is killing me. He's so sweet. He's so cute. He doesn't get it. I love him. He doesn't get it.

As an aside, Eddie being stalked in the juice bar by the hot priest was absolutely incredible.

I didn't hate this episode but wow the writing does suck shit, however I fully believe it makes sense for them to break up here and get back together in the future ??? because Buck DOES have some shit to figure out. Like moving in with someone is a lot of fucking intimacy REALLY fast and baby boy sometimes you NEED to pump the brakes a little ESPECIALLY when you think someone might be THE ONE and you just figured out you like guys six months ago.

I get it and yeah the writing is tragic and the inclusion of Abby in general is just unhinged and unnecessary but like I don't hate the broad strokes here. how else does the blorbo learn if not by ritual torture by the writers. Lou is too good to not have back though. My god what a treasure.

end bucktommy endgame truther transmission

[jokeroutsubs]

[📝ENG translation] 'My Parents Gave Me a Strong Sense of Identity'

An interview with Bojan Cvjetićanin.

Original article written by Teja Roglič for Ona plus, published 05.11.2024. English translation by @kurooscoffee, review by @weolucbasu, proofread by IG Gboleyn123.

Full article and Spotify link under the cut 👇

🎧 Article available in audio form on Spotify.

Last year’s craze at Stožice, summer festival performances, the Eurovision Song Contest, international success. And then everyone asks, what could be bigger, what could be better? But as the band Joker Out releases their new album, they consciously follow the motto "I want less". Singer Bojan Cvjetićanin explains why: "This is our home, this is our base. If we don’t feel good at home, we can’t feel good anywhere. We need to rediscover love in our base, that’s what we told ourselves."

With the song Bluza, you’re returning to love. Why?

We went through a lot. The songs we released after Eurovision dealt with the most acute situational changes in our lives—touring, exhaustion, questioning ourselves. Now, it’s time to have a bit of fun again. And there's probably nothing more beautiful than being in love. (smiles)

I’ve been looking into people’s stories, into the lives of those around me, seeking beauty.

What did you discover?

That I enjoy writing about love the most. When you write from a place of uncertainty, it’s nice to get those feelings out; when you write about love, you search for timeless beats within yourself, not something that’s only fleeting. I write about the ideals of love I held as a child, and in the future, I’ll see how these have either evolved or fallen apart.

It's best to write about love...

When you have a broken heart.

Your Eurovision song was more socially critical, though it might seem, at first glance, to be about joy. In it, you say: "We won’t take part in your games or your divisions." Did the song’s message reach people?

Undoubtedly. A lot has changed in a year and a half, not only personally but also in terms of our views of social issues. For the first time, we've connected with young people from abroad. It was fascinating to see how connected the fans from different countries became, encouraging each other, learning new languages—even a lot of Slovene. The desire for peace and unity is very strong at our concerts, so our messages have touched them. But of course, you can never reach everyone. (smiles)

You mention changed perspectives with regards to society. Have any ideals been shattered?

Many ideals have crumbled. In school, learning about war, it always seemed odd to me that the world could just go on at the same time, despite the ongoing disruption in the system. Now, I see that we have access to all the information, that we see and hear what’s happening, that we witness an influx of people coming from regions where this is happening, yet everything literally carries on as usual.

War has become more of a trend on TikTok or Instagram than something people feel hurt about. This makes me very sad.

A lot of ideals that have shattered relate to the life of a musician. We’ve achieved things we could only have dreamed of—not just as kids; even two years ago, what’s happening now would have seemed impossible to me. But the ideal that’s crumbled is this one: I don’t always know how to appreciate what I have.

On tour, I often slipped into negative thoughts, didn’t appreciate everything happening to us. This links to the idea that this kind of life is easy, that as a successful musician, you only have fun. This, of course, isn’t true; it’s incredibly exhausting, both mentally and physically. I could go on until tomorrow, listing everything that’s fallen apart, but fortunately, a lot of new things have also come to be.

You’re the idols of generations; do you feel pressure because of that? After all, you’re still young guys too…

No. We already lost the childlike joy of music because we had to start working so much so early and get to know so many new systems. If we also take on the responsibility of raising generations of kids, we could truly fall into a black hole.

We need to be role models, but we can’t shape our work around that. On the upcoming album, there’s a song, 'Muzika za decu' ('Music for children'), which touches on this very point. We want to convey that we’re not addressing generations who think all younger people are lazy bums who only hinder the world’s progress. We’re addressing everyone who is young enough at heart to believe in a better world, a brighter tomorrow.

Photo: Vita Orehek

More and more musicians are stopping concerts at large venues when fans are in distress or overcrowding happens. You too?

Absolutely. This summer, we constantly stopped concerts if people were packed tightly indoors or out in the sun. We handed out a lot of water from the stage, and I even paused a concert if some listener (m.) was treating another listener (f.) disrespectfully. A concert is a safe space; there’s no place there for infringing on the rights of others.

That’s an interesting topic I wanted to touch on anyway. So what is the rock ‘n’ roll world of the new generation like?

It’s a lot better. I’m glad we’re not a group of drugged-out dudes living only for today. Carpe Diem really means seize the day, but for us, that doesn’t mean picking every fruit that exists in the world. Waking up healthy and energised, wanting to go to a concert, being open to meeting new people, our fans, being creative...

That’s what it means to seize the day. Sure, sometimes we go on a trip, we do have fun too. But I’m glad that sex, drugs, and rock ‘n’ roll aren’t our guiding principles in the band. When we watched the documentary about Mötley Crüe, we saw how they started with heroin and opiates and ended with smoothies and fruit. Well, we’re already at the fruit and smoothies stage. (laughs)

“We’re constantly building a relationship that gets deeper every day, even though it seems like it can’t get any deeper,” you told me before the Stožice concert, as I was stunned when you said you were going on holiday with the guys right after the concert. How much do you invest in relationships within the band? We know it’s sometimes challenging to nurture a relationship between two people, let alone five.

This is like a partnership with five people. Except for intimacy, all the other elements of partnership are there. We’re companions. We often live together, work together; the dynamics are demanding. I talk a lot about this with fellow musicians. Recently, I was talking to Mr. Vlado Kreslin, and we concluded that being in a band requires a touch of madness.

Even if it ends someday—nothing is guaranteed—I know I have four lifelong friends. We exist as friends even beyond the band.

Success demands hard work; you’ve told me before how sure you were of your path in the band, of your decisions, and how hard you worked to achieve what you have. And we’re back to the topic that some might say your generation isn’t hardworking, that you’re quick to say what you won’t do at the work place...

The young people I know could hardly be described as not hardworking. I’d rather say we’re diligent, and the drive to work comes from the strong pressure that you need to achieve a lot very quickly, or else you won’t make it in this world. As for them being quicker to say no... Maybe they know they can’t live that way if something doesn’t work. And to live is very costly.

Young people feel they don’t have to stick rigidly to one profession, that they can change courses, jobs, and find something that suits them. We’re far from the days when the son was a blacksmith because the father was a blacksmith, and the daughter stayed home as a housewife. But we also have to know that there’s more and more uncertainty, precarious work.

If Gen Z is the way it is, I wouldn’t attribute that to the generation itself but rather to the Boomer generation. Everything that makes life harder for us isn’t the product of our ideas and actions. But it’s also true that sometimes, you need to stop, think, and make a decision. I’d like to do something today, something different tomorrow, but that’s not realistic. When you’re bombarded by choices from all ends, you have to make decisions. If there are three shirts in a store, I’ll pick one; if there are 250, I might end up buying sneakers instead. (laughs)

You performed at a concert aimed at contributing to the best possible care, treatment, and support for women with gynaecological cancer. You probably get invited to participate in quite a few charitable events; how do you choose them? This concert likely wasn’t a hard choice, as both of your parents are doctors...

My father is a gynaecologist, my mother is a pediatrician, so naturally, when I got the invitation, I immediately thought my dad would be happy if I could perform there. Otherwise, I choose events based on two criteria: whether it’s something important and whether I’m home at that time. I've often had to turn down an event I would have really liked to participate in simply because I wasn’t here.

Life has taken you all over in recent years. What have your parents given you that has stayed with you and has been proven most useful today?

They gave me a sense of normality. I'm an ordinary person who takes everything in moderation. I didn’t become a hedonist, nor did I give in to the patterns that the environment might impose. They gave me a strong sense of who I am and what I am, unconditional self-confidence, and self-respect. And the certainty that I’m never alone in anything.

Recently, the dramaturg Nina Kuclar Stiković and I talked about how Generation Z might be the first to actively work through its traumas, though she noted that taking on such responsibility across generations is a huge task. In the end, you might even feel worse. If you only become aware of your baggage but can’t overcome it, it can feel even worse than if you had never been made aware of it at all, she said. What do you observe around you, in your own generation?

Mental health has never been as openly discussed as it is today. I know many people who go to therapy. It’s actually strange that mental health was never treated before, that this stigma existed. If you have a cold, you stay home, you also heal a broken arm. Today's generations have managed to break free from these shackles. The individual is becoming increasingly more important.

People are working through the things in their minds. And this bothers many people from generations who suppressed everything and unleashed their traumas onto others. I often think how unfortunate it is that we don’t practice everyday therapy in our surroundings. Everyone surely has someone whom they trust. We talk about all sorts of things, but we never ask each other how we are and share that honestly. Now, I do this with a few friends, and it’s really nice. I go to my friends for therapy. (smiles)

Nina also mentioned that patriarchy has wronged not only women but men too. It’s unfair that men couldn’t show emotions and always had to be strong. It always helps if you can share your feelings with someone. What do you think?

The Neanderthal perception of masculinity is passé. We can all first tell ourselves, and then tell others, how we feel and what’s going on in our heads.

This summer, you performed at festivals. Now you have a new album, and you’ll be performing at various venues again, with tickets quickly selling out. It's a carousel that never stops. You mentioned earlier that you caught yourself maybe not appreciating it anymore. What do you do now to keep that from happening?

For the tour that’s coming with the release of the new album, we consciously followed the motto, "I want less." Last year, we played in Stožice, before that in Križanke. This year, we toured Europe, and everyone was asking us what big thing we’re preparing next. But we were only talking about how nice it would be to play at Ljubljana's Cvetličarna again.

Pass by Maribor too, go a bit to the clubs in the Balkans, and that’s it. This is our home; this is our base. If we don’t feel good at home, we can’t feel good anywhere. We told ourselves that we need to find love in our base again. I’m glad we recognise this, that we’re not just banging our heads against a brick wall. The purpose of this tour is simply to enjoy it.

A few years ago, you told my colleague Robert Rebolj, my fellow journalist, and your fellow musician, that you’d like to have kids while still young. Yet you also say that you're in a period where several of your ideals have collapsed as you look at the world around you. Does the desire still remain?

When I said that, I was thinking I’d have my first child between the ages of 28 and 30. Then Robert told me that having a child young doesn’t necessarily mean that. (laughs) I see it now, too, as some of my friends already have children, and some even their second. My calendar no longer just has friends’ birthdays, but, for instance, the first birthday of a friend’s child. (laughs) Yes, I think a lot about how this world is in many ways not what I imagined it would be, but I guess it’s always been that way throughout history—things have never been ideal. I think everyone, in every era, has felt the world is going to- hmmm, well, that’s how it seems to me too. (laughs)

[blackkatmagic]

Can I ask why you're so strongly against emojis as comments?

So there are...two parts to this answer. One is in the frame of like...my brain interprets someone dropping an emoji as basically the equivalent of a like. "I was here, but I didn't like what you created enough to say anything about it." And I get that, truly. But due to physical and mental health things in my recent life, writing has been hard. Getting that kind of response is super disheartening, even if I know logically that most people don't see emoji comments the same way I do.

The other part is that I'm old. I've been in fandom for a long time - I was on email lists writing ST fanfic, and then in weird subgroup forums where you were only allowed to write certain things the mods felt were "canon-supported", and then finally on more mainstream sites like ffnet and AO3. Fandom's always been a community for me, right from the first. I would not still be writing if it hadn't been for the handful of fans who were exceptionally kind and encouraging to a nerdy German girl who wrote in bad English and had weird ideas for plotlines and talked too much. They were the people who kept me going, having conversations with me and leaving kind comments on objectively bad fics and getting jazzed about the same things as me.

In fandom as a whole, emoji comments are a very new phenomenon. I've gone back to look, and they only started becoming common about two years ago. And now, before I asked people not to leave them, they were rapidly becoming the majority of the comments I received.

Again, I get why. It's an easy way to show appreciation. But it's also a complete lack of engagement. It means someone liked something! But as the writer you have no idea what. There's no community to it, just bland consumption of the content you're rolling out. No one is talking about fandom, they're just taking. And I see my hit counts. I know that's always happened, but it's getting to be more and more of a thing. Emoji spamming on every single chapter of a 70-chapter fic might feel, to the commenter, like they're being super supportive, but it's also less impactful for a writer and a fellow fan than a person who leaves one comment that says something they liked about the plot or the writing style or some neat flip on a canon trope.

So yeah. Basically it's a "get off my lawn" thing about how the youngsters in fandom have no appreciation for the effort artists and writers and the like put in, but. I don't think I'm wrong, given the way things are trending.

Anyway. Reblog things, comment on things, send people asks, interact with things if you want fandom to keep going, my dudes. Otherwise it's going to die out. And people dropping emojis instead of words 99 times out of 100 is a symptom of that.

[eclipseberrycake]

Poly! MoonBerryCake x Reader Pt. 6.5

AN: Okay i was in the middle of writing a/the clean browser history request when this came in (Idk if it's posted yet or not, depends how i feel lol) and immediately dropped everything to laugh and scribble a few ideas. I did finish the CBH request before starting this but the entire time I was giggling. AND Part 7 will be in the works at some point, but I'm working on some other requests before that <3

I wasn't gonna post this tonight but I hit 50 followers so let's celebrate:)

I haven't posted rules yet, which is coming, I'm just formatting it lol, but I'm comfortable with most things! I originally am a smut writer and so not very much can make me uneasy. That being said, for this blog I will not write any smut to stay respectful to Qwuel's wishes :) But things like this? I think are hilarious and absolutely on the table.

That trend is so funny to. For those who don't know, it's basically one person holding the camera, looking completely fine saying "Us after pound town" and then panning over to their partner, who looks, for lack of a better term, absolutely wrecked. There are a few DW takes on it on tiktok and I like every single one of them. :)

-> Part One

-> Part Two

-> Part Three

-> Part Four

-> Part Five

-> Part Six

Warning: More mature themes, nothing explicit but more mature nonetheless, talks and references to sex/ sexual activity but again, nothing explicit.

☁ Okay, okay, so this can go two ways here.

☁ The Broke take: Astro and Sprout split the roles of the more 'Dom' party.

☁ Both are mains, who are statistically stronger, faster, more evolved than the commons- like you and Cosmo. So it makes sense that they take the more upfront and steady role.

☁ Even on runs in previous parts, I've kind of played with that a bit. Both are settled individuals who have been practically trained to be in front of the camera and spotlight- no matter how much they hate it.

☁ I don't think that changes much after the breakout, honestly. I think after they've returned to their own forms and have had time to become reacquainted with not only themselves, but everyone else, they still hold that aura of main.

☁ Because there is a way about the mains that just...exonerates their status even if they don't mean for it too. It's in their designs and how they walk, and talk, bolstered from their times with their handlers.

☁ So it makes sense that within their relationship, they kind of take that responsibility as well.

☁ I find with Sprout especially as he's protective to a fault this is true? Like I've talked before about how you all stress him out, but it's because he cares so much it practically chokes him.

☁ While he does love good fun and being a menace in his own way- we'll get into that later- he also wants what's best for you all. So he's making sure you're eating and drinking water, taking care of yourself no matter what.

☁ Especially after the pudding cup fiasco. He keeps such an eye on the pudding inventory in the building after that, those who weren't there start worrying for him.

☁ Astro is similar in the sense that he wants the best for you all, but he goes about it in a different way. He's a very quiet individual outside of the private times he shares with you all, so he has to be sneaky about it. He has a reputation or so he's told.

☁ Bro is shadow the hedgehog coded /hj

☁ He shows his love in softer, quieter gestures. Like when he checked your forehead during the Blu incident? It was all he could think to do in that moment without freaking out. He does the smaller gestures because he's always so close to the precipice of panic when it comes to any of yours health. Bro is not chill, will never be chill, never wants to be chill.

☁ He and Shelly are BFFS, and as I said in her thing, she gets frantic when her partner gets hurt. Guess where she got that from. She got it from Baby Astro, crying for the handlers every time she so much as skinned a knee.

☁ He got more discreet about it as he grew up, but it never truly went away.

☁ So now that I've gotten that all out of the way, :)

☁ They are just as generous as lovers as they are as just like...beings.

☁ When it comes to you and Cosmo, nothing is off limits. Nothing is too much to ask for. You guys so much as breath and it has a hint of a thought of want for anything (Except pudding.) and it's yours.

☁ They probably have moods where, like the meme above, you and Cosmo need them to pick up your slack because asking you to do anything other than lay there is too much.

☁ Again, these two have different ways of showing aftercare.

☁ Astro's is soft, gentle massages and damp clothes being held by his star shards so you can reach them when you're ready. He's whispering and cooing all sorts of praises about how well you did for him and carrying you and Cosmo literally everywhere necessary.

☁ I don't know when I made carrying you guys Astro's thing, but it is now.

☁ Anyway, he's never very far from either of you and practically demands you two stick close to each other if nothing else so he can keep a close eye on both of you. If one of you absolutely demands to move somewhere and he's pinned by the other while Sprout is getting snacks or something, he's using his star shards as helping hands.

☁ He's always mindful of your own routines as well. For example, Cosmo puts a lot of care into his tail, which evidently gets ruffled and scuffed during the tussle against the bed, so he goes out of his way to learn how to properly care for it and making sure the process is as comfortable for Cosmo as possible.

☁ If you have a certain lotion or ointment you prefer, he always keeps it nearby so he can help you regardless if you can do it yourself or not.

☁ Whenever you or Cosmo try to do it yourselves, he's swatting your hands and doing it himself anyway, shooting you a stern look if you continue to whine about it. If you continue trying to do it, he isn't against using his extra hands to pin your own to the bed as he goes about caring for you.

☁ If you and Cosmo think there's no way he can catch you both, man oh man do I have some news for you. Because he can and he will. He's got an extra pair of hands and those star shards of his? He's got incredible control over them and literally makes a fool out of whoever thought they could outrun them.

☁ C'mon, you can barely stand and you think you're outrunning those bad boys?

☁ For all Astro jokes about Sprout being the Warden, he actually plays the part much better. By the time Sprout returns, you both are cleaned and subdued with Astro looking like the cat that caught the canary.

☁ Speaking of Sprout, he knows Astro has you both beat even with one set of hands tied behind his back. So once he's sure you and Cosmo are both okay and contingent enough you don't immediately whine when he's out of reach, he's showing his love in the way we already knows he does.

☁ He's getting you and Cosmo your favorite after care treats and water, along with things for himself and Astro, before returning, taking some of the burden off of Astro.

☁ He's the tallest out of all of you, so he too can also carry you quite easily. If by some miracle, one of you stubbornly gets out of Astro's reach, he's right there, picking you up like you weigh nothing. To him? You probably don't.

☁ He's a cheeky little asshole though, poking yours and Cosmo's cheek as you sip on water with that cocky little smirk, making you shove him away with a hand in his face. His go to move when that happens is to grab the hand and use it to pull the rest of you into his lap, nuzzling into your head with a laugh. You just didn't understand how cute you were to him, did you?

☁ Sidebar: I said they had moods, but with Sprout? Practically a given with him. With his stamina, he's got energy for days and knows it, which is why he takes a good portion of the aftercare that requires moving past what Astro can reach with the star shards.

☁ Rest assured though, neither Sprout nor Astro so much as think about moving until you and Cosmo are both soothed enough to handle the lack of personal attention.

☁ They have their favorite ways to end sessions too.

☁ Astro loves watching movies and cuddling in a big pile of kisses and limbs and laughter. It's literally his favorite thing in the world. He admittedly needs the contact for a little longer than Sprout does, loving the constant connection that comes with the bliss. You and Cosmo are quick to fall asleep during that too and he knows you're having good dreams since you're so close to him, so that's also an added bonus.

☁ Sprout can go either way. He likes the movies and cuddle pile, more so if you and Cosmo fall asleep. Not only are you two getting the rest you deserve, but it gives him the opportunity to turn his attention to Astro, smothering the celestial in all the love and adoration he can handle. But-

☁ He also enjoys doing any sort of group activity afterwards if you and Cosmo feel up to it. He's more than willing to hoist one of you on his back and trot into the kitchen, with Astro carrying the other one behind him, going on and on about what he could make or what they want to feel better.

☁ Food is literally such a big love language to him and he tries to show it at every possible opportunity.

☁ Bonus points if you and Cosmo are sitting there, licking your wounds as you groan to each other over all the things that are sore. He doesn't like that your in any sort of pain, obviously, but it makes him laugh at how big of babies you could actually be.

☁ Less bonus points if someone comes in and asks what attacked you two. Sprout can't stop his cackles fast enough as Astro chokes on his spit. It's just too funny watching you two scramble to answer that, turning a bright cherry red as you shoot them both glares. He's sure Cosmo absolutely combusts at the question, making him laugh even harder.

☁ Now, that was the broke take.

☁ The WOKE take: You and Cosmo top their bottom asses like it's no problem.

☁ You and Cosmo are both commons, which while not as strong as the mains, I'd like to argue are much tougher. In game they get an additional hit point, so I like to think if you're a common, you can take a punch or two and still get back up.

☁ This is carried over to the rest of your life of course. You and Cosmo are less likely to whine over injuries like minor burns or papercuts, you probably regularly playfully rough house with Cosmo because the other two whine about it. Hell, even by being a distractor alone, you're fast and don't take anyone's shit.

☁ Because everyone is so quick to blame the distractor if they get hit, you very quickly learned to become assertive and lay out a plan so if they deviate, it's their fault. You've grown accustomed to the other toons whining and snapping at you, especially in the beginning when getting research without Rodger seemed like a hopeless endeavor.

☁ So you have experience with toons fighting you on your every decision and quickly laying down the law.

☁ As for Cosmo, he's a healer.

☁ ...I don't know if y'all main healers, but I do (Alongside Astro) and lemme tell ya. People are mean to healers. He's constantly getting into fights with the other toons if he doesn't heal them well enough or if they simply have a scratch and are begging for a full heal. He had to learn to hold his own fast, much in the same way you did.

☁ Not to mention heals. The reason he drops everything once a heal is called is because before you and the others got experienced and learned how to properly hide and do runs, he had to fight the others for heals. Rodger and him had gotten physical more than a few times as the magnifying glass tries grabbing the med-kit for him and Toodles while Cosmo needed it to heal you along with everyone else.

☁ So while he's sorry for stressing Sprout out when he does it, he admittedly isn't looking to really break that habit for worst case scenarios.

☁ That being said, again, Cosmo is tough. He isn't a soft pastry who's gonna crack at the first sight of conflict. He's used to shutting attitude down as it comes, and he's used to grey walling when arguing gets him nowhere.

☁ Sidebar 2: Cosmo would be such a good gentle parent bro. He doesn't confuse it with dismissive parenting and I just- UGH.

☁ Anyway, suffice to say that you and Cosmo both know how to be a dominant voice no matter where you are. Or who you're dealing with.

☁ One of the notes I've had scribbling for this entire time since I got this message was, and I quote:

☁ "Sprout's a brat. I'm actually his scarf so I know."

☁ And I stand by past me. She was right.

☁ Sprout is the biggest brat. I've said it before in the Healer! Reader one (I think), but he like...refuses to get healed. He'll fight Cosmo and Ginger on it. This, again, carries into whatever he does. He's stubborn and willing to play dirty to get what he wants.

☁ Only child syndrome or something. His handler only had one toon to handle, so it makes sense that he got used to having all the attention on him. He lowkey expects the same in a relationship. He wants you three to be as obsessed with him as he is with you, and while you are, he probably doesn't think that way sometimes.

☁ He thinks because he's taller he can get away with whatever he wants. He pushes and prods when you aren't giving him what he wants and probably thinks he can change your mind. Which is where that assertiveness from early comes in.

☁ Eeny meeny miney- Let's start with Cosmo. Cosmo is quick to just...not interact when Sprout gets into one of his moods. While normally he's all over you guys and your every whim, there is a kind of switch that flicks when the mood strikes Sprout that changes the interaction.

☁ I can't explain it but like, you know when your partner is being a brat for the sake of being a brat or when they genuinely want your attention. Like you know. And Cosmo? He knows.

☁ So when Sprout is being a bit of twat, he doesn't engage, does not interact, barely gives him a glance before returning to what he was doing.

☁ Like, he's not outwardly strong, but he's got enough muscle that when Sprout tries to throw himself onto Cosmo's back, as if to prove a point, Cosmo can hold the weight while also continuing to ice cookies. It's kind of funny actually.

☁ Of course, Sprout does do well with this and when he realizes he's not getting what he wants from Cosmo, he throws his equivalent of a fit. He cries and whines about "You don't love me anymore" and "I've been replaced by cookies."

☁ Cosmo has to really pry on his patience for that one.

☁ As for you, you deal with Sprout however you deem fit. If it's the same way as Cosmo, he's literally like a ticking time bomb, just waiting to blow up in your face. In which case, you and Cosmo have a great night ahead of you! If you chose a different, more punitive approach...it's still a great night ngl.

☁ Astro is like...the polar opposite. He needs to please and is so good at it too. He does have a hiccup in the sense that sometimes he gets too lost in the need to just be near one of you. While Cosmo's dealing with Sprout, Astro is probably with you, quite literally crawling in between whatever you're doing and you, perching himself in your lap to get your attention.

☁ He's like a cat. Worse. Blu isn't even as bad as he is.

☁Also? He bites. When he's not getting the attention he wants, Astro bites. Then acts like he didn't do anything.

☁ So deal with them as you please. They like it, trust, I'm actually Sprout's scarf.

☁ Afterwards, they are shells of the toons the were.

☁ They are such babies.

☁ They need constant attention and will complain if they don't get it- one much, much louder than the other.

☁ While you're trying to get damps cloths ready and towels and Astro's favorite lotion, you have star shards yanking at you, trying to pull you back the entire time even with Cosmo still right there.

☁ If Cosmo is grabbing water and snacks, he can still hear Sprout yelling at him from your room, literally just making noise for the sake of making noise even if Cosmo can hear the strain on his throat.

☁ By the time everything is cleaned and water and snacks are within arms reach, you and Cosmo are pinned. No choice about it. Maybe if you're lucky you'll have time to put on a movie or something, but if not, man sucks to be you.

☁ They need the constant touch. It admittedly comes from a fear of abandonment especially while they're so vulnerable.

☁I haven't gone into detail about my own headcanons about their handlers and I'm kind of split on it in all honesty. I think their handlers definitely cared for them deeply, but they were still humans and humans are flawed individuals especially when it comes to things like money. We know the founders were bad people, but I think their handlers were genuinely good people who were just told bad things. Which influenced how they cared for the toons.

☁ But that's another discussion for another day.

☁ Not to be that person, but everyone can tell when those two took it lying down, so to say. because even the next day you and Cosmo are always seen with at least one of them following you.

☁ Maybe you and Vee are discussing the aspects of bringing her game show back, but she can barely focus, too busy laughing at the sight of Sprout slumped over you, arms locked around you as he burrows into your shoulder. He hasn't moved since you sat down, immediately falling into you, and Vee is sure he's got no plans on moving or letting you move either.

☁ Or maybe it's Shelly, cooing at Astro, who's hiding in Cosmo's back, as the cake roll copies his recipes into his personal recipe book, laughing as star shards swat at her.

☁ Either way, they cling. They're velco babies at heart.

☁ But either way I think it's safe to say, either party, no matter which way it goes whether it be Fruitcake taking over or you and Astro or Astro and Cosmo or you and Sprout, it's safe to say the next day is a no-run day.

☁ Just in case :D

[sodasa-was-taken]

Why Suletta and Miorine's story is a romance: A Mobile Suite Gundam: The Witch from Mercury story structure analysis by Sodasa

So, I recently watched The Witch from Mercury, and I felt compelled to write an analysis of the show's use of the story structure of romances. I'm a hobbyist in the history of trends in genre fiction with a particular interest in romances. I thought it would be fun to use my area of expertise to talk about how the budding relationship between Miorine and Suletta is intertwined with the story of G-Witch.

Something particular about the romance genre is that, unlike other genres of fiction, it's mostly defined by its story structure. This means that just because a story is about two people getting together does not automatically make it a romance in the same way having magic in a story qualifies it as a fantasy. The flip side of this is that while you can't have a fantasy without fantastical elements, a romance can be put in any setting. As long as the story hits the required plot beats, it's still a romance. This makes Romance simultaneously one of the strictest and most versatile genres, as the plot can be anything as long as it ties into the main characters' developing relationship. Use this structure in a story about financial politics and mechs, and you get a story like The Witch from Mercury.

I think the show uses this structure very effectively. In my opinion, a great romance should, first and foremost, be an exploration of the part of the human condition where previous bad experiences make us reject intimacy. The romance story structure is designed to have the characters come face-to-face with their inner demons by giving them a reason to overcome them. Something that's a lot harder to pull off outside of romances, as not many things in life require us to overcome some of our deepest insecurities instead of just pushing them down.

G-Witch is a great show to use as an example of what makes a romance a romance as it follows the story structure almost to a tee, but it's also not the kind of story that most people usually think of when picturing a romance. I also believe that seeing the show through the lens of the romance structure leads to some juicy character psychoanalysis for Suletta and Miorine. I'll go over all the plot beats of a romance and explain how they apply to G-Witch and, if applicable, why I think you don't see those plot beats outside of romances. The names of the plot beats are taken from "Romancing the Beat: Story Structure for Romance Novels" by Gwen Hayes, which is also my primary source, along with my own extensive experience with the romance genre.

I hope someone gets something out of this. I have seen some excellent analyses and theories for this show, but they have been on things I don't know much about myself. Since the only part of story analysis I excel at is the structure of romances, I thought I'd lend my own area of expertise. I want to clarify that while I might sound matter-of-fact, this is just my opinion. I'm by no means saying that you have to think that G-Witch is a romance. I'm just arguing for why I personally consider it to be one.

[demodraws0606]

What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)

Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.

I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not

Exemple's being :

-Akito's second comm foreshadowing his third event

-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event

-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation

-Probably way better exemples that I forgot

I've seen people make Some assumptions which I don't agree with but there is one thing I think is true

There is 100 pourcent gonna be struggle between corporation/reality and WxS.

Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.

The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution

We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.

Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).

This is the only time the chorus is like that, the others have a much more even distribution.

In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.

It's even more evident considering the lines they chose to make WxS sing compared to only just Rui

Emu/Tsukasa/Nene saying kimi (you)

Rui saying boku (i)

Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.

In fact remember how the flashback that showcases that has Rilley working on a film

Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.

Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.

In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange

And then we of course have Tsukasa's solo lines

Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.

Then we got his big boy solo lines

These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.

And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.

IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.

What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.

And with that let me bring back Tsukasa's lines

These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.

Now if you think about everything I've layed out I think you can gain a pretty clear picture.

Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.

Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .

Which now you get into the line distribution where WxS is implied to be talking to Rui.

And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.

Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.

Now how this would happen really depends since there are multiple ways they can go about it with the time they have.

There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :

-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview

-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally

But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi

Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.

Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.

Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.

[crownmemes]

Advice; Everyone Should Be Making the First Move

There's been a trend within the rpc here for years now where nobody is willing to make the first move. The problem with this is that if nobody ever makes the first move, then nobody is ever going to write anything. Considering that, everybody should be making an effort to be the first one to reach out to their writing partners more often.

Examples of making the first move:

Sending an IM to say hi, then suggesting a plot

Sending a meme to start a new thread

Responding to starter calls and open starters

All of this is just as valid for old partners as it is for new. If you haven't written with someone in a while, maybe it's time to reach out to start a new thread?

The most common reason I see for people not making the first move is social anxiety. I'm going to give you all a bit of tough love here: speaking as somebody who once had crippling social anxiety (and still does in irl settings), the best way to overcome it is to push yourself to try the things that make you anxious.

Communicating with people is a really important part of rp because it's not a solo hobby, therefore you are going to have to talk to people at some point. It's unavoidable. Here are a few reminders to help you feel a little less nervous:

If somebody follows back, they're doing it because they're interested in writing with you. They are not going to be upset if you send them an IM with plot ideas

Most people are friendly! In 12 years of rping on this site, I can count on one hand the number of people who I've talked to that were actively rude to me

It's okay if someone says no to you! People have different styles and not all of them will work together. If someone says no, say thank you for the consideration, then move on. There are more people to write with out there

If somebody is nasty to you, you can block them. Don't be afraid to do this; you don't have to explain yourself, and you wouldn't want to write with someone who's rude to you anyway

If you're not sure what to say, I usually go with a version of "Hello! Thank you for following/following back! I've looked through your rules and about pages. Would you be interested in plotting something for X and my character, Y? I have an idea already, if you would like to hear?"

Don't just say "Hi!". Cut to the chase and tell them why you're messaging so they immediately know what the conversation is about

Reasons why it's good to message first:

You look actively interested in writing. This is a huge boost in your favour when it comes to asking to write with someone

It makes it a lot easier to get new interactions

It makes you appear more active

If you're a new blog, you won't have a lot of examples of your writing on your blog yet. People will be more willing to give you a chance if you approach them first

If you don't message first, you are likely to be waiting a long time before somebody messages you

It's easier to make friends if you have an active conversation!

Some other thoughts on messaging first:

You have followed the person because you are interested in writing with them. Think about why you are interested, and suggest this as a plot idea

Make sure you read through the rules still. It's very obvious when you haven't. Also, look through the muses on offer so you can suggest which you'd like to write with

If the rules say they're not mutuals only, or that you're welcome to IM to introduce yourself if you want to plot, don't be afraid to message. They wouldn't have put that in their rules if they didn't mean it

If someone is reblogging memes, it's because they want to write responses to them. Send them in! If they didn't want them sent in, they wouldn't have reblogged the meme

IMing to plot is often a better idea than liking a starter call or sending memes if you have never interacted with the person before. It gives you a chance to work out what kind of thread would work well before you start something, so the resulting thread has a lower chance of fizzling out quickly

However, all that being said, it's not just up to the person messaging first to make all the effort. If the receiver doesn't put any effort in in return, then the person making the first move is going to think they aren't interested. Eventually, they may give up messaging people at all, because what's the point if it never goes anywhere? Some tips for not seeming uninterested:

If someone IMs you, try to reply to them in a timely fashion. Especially try to reply to them if they sent you a plot idea. You don't have to agree to do the idea - it's just very annoying to be ghosted the second you actually start plotting

Suggest your own plot ideas in return, or build on the idea that the other person has given you

If you agree to write a starter, or one is written for you, follow through with it. Write the starter, reply to the thread. If it's going to take a while, let your writing partner know that you've seen it but you're going to be slow for a while

Similarly, if you post memes, reply to the ones people send you. If you never reply, people will pick up on this and eventually stop sending you things

If you go on hiatus, message your writing partners directly when you get back to let them know you'd like to write again. This will demonstrate that you really are active and ready to write again

[iloveyoutodeathbutimdrowning]

so i think this might have been top three, if not top one, worst years of my life; and while i still don’t see a light at the end of the tunnel, as i’m still concerningly depressed and consistently declining (my therapist just quit her job so now i have to start all over w someone new AND my psychiatrist wants me to take 6 wks off work to do iop dbt so that’s fun), i’ve managed to conjure up some teeny tiny shreds of hope that next year will be even slightly better

i don’t drink much bc i really hate the taste of alcohol lmao so i probably won’t be drinking tonight and i’ll probably be in bed asleep when the ball drops

but i wanted to say thank you to all of you, who have been so so kind to me since i decided to join our little tumblr community. you guys have provided comfort to me in some really really dark times (and i literally suck so much at responding to people so i apologize for that and rest assured, its one of my resolutions lolol), and even in the not so dark times when i get one of those cute ask trends (the ones where its a cute message and then you send it to your favorite blogs too, y’all know what i’m talking abt) in my inbox bc truly i love them sm 🥺. they make my day every single time i see one, even if i don’t respond to it right away

happy new years everyone🍾🎊 hopefully this next year is better for all of us, even if this year wasn’t all that bad for you

(also even though i quite literally just admitted to being terrible at responding ((again so sorry)), send me messages bc i love this little community and i want to talk to more of you guys and be lil friends bc y’all seem so fucking sick and cool as shit and i promise i’ll try so hard to respond better stg but also pls have some grace if i don’t sometimes bc sometimes i don’t have the mental capacity to formulate any kind of sentence or response in any way but stg i’ll try my best😭)

(also also thank you to every single person who puts any kind of time and effort into writing any and all of the fics that are out there ((check out my fic recs for all of my favs (((i’m a smut whore if no one could tell😅))) )). genuinely and sincerely those get me through every day of my life ((esp when i reread my absolute favs in the entire world)) and i love to see all of your different writing styles. i’m so looking forward to whatever different directions you all go in with your writing and ideas. cheers to y’all for making my life a whole lot more bearable lmao🥂)

edit: i’ve decided i’m forcing myself to stay up until midnight so that i can ring in the new year listening to miracle (specifically the “i wanted to dress a blade up in red w both of our necks…” part🥹) yk to drum up good vibes for the new year. upward and onwards everyone🤝🏻

[teaboot]

Your post about art vs content got me thinking about the differences between the two. To me there is no difference besides the mindsets. One is of creator and the enjoyer, the other is content and consumer it removes the personhood, the joy/emotion, from the equation. Like a writer or video creator may not see their work as art so content creator maybe a way to refer to themselves comfortably but it sounds so machine, emotionless and lifeless, like a cookie cutter recipe mass producing something verses people lovingly crafting something...then again Disney uses a cookie cutter recipe for the most part and it brings out bangers cause people lovingly make it their own so maybe I'm thinking too hard on this

Does my long-winded rant make sense?

see, I get what you mean, but I still feel like the willingness to entertain calling art of any kind "content" reduces it to the facet of consumption where in reality, the experience of consuming art is not the sole defining trait of it.

Reducing arts like music, writing, painting, dance, voice acting, theater, etc. to the role of "content"- a thing created to be consumed, measured and valued by how pleasant or easy it is to digest- I feel that it was our biggest red flag to herald the incoming tide of AI "art".

Because if art is "content", if arts are nothing but consumable matter, then obviously the key to success is to produce as much soft, tasty, edible paste as we possibly can at the lowest possible expense.

It's the same issue I have with "meal replacements", diet culture, nutrient slurries, twenty-step skincare routines, 24/7 body padding and shapewear and laxative teas and "grind culture". It's not a cause, but a symptom, of the disease that is late-stage capitalism.

Things must be produced at low cost and remain in high demand forever. Things must be perfect and palatable and the new hit trend forever. People must pay hand over fist to consume without asking anything in return, and if they start dropping like flies at the unending unrewarded thankless demand of it all, then that must be treated as a weakness. We should all take pride in how much we can spend, pay, give, produce, and think as little as possible about what we ask for ourselves.

So, who cares if, of two identical paintings, one was made by a person and one was made by a computer program? It's the same work, so what does it matter? What does it matter?

I am an artist. I make art. I ask a question, make a statement, declare something horrific or challenging or upsetting or wrong or grotesque, and when you respond, we are together experiencing a conversation. We are existing, two people living one life and reaching out and touching across time and space. No matter the work, you're at the barest minimum saying, "I'm alive, and you're alive, and at one time or another we shared this same world, and at the end of the day we aren't too terribly different. My heart is worth sharing, and your heart is worth the struggle of understanding."

An AI-generated piece, a computer-generated voice, a CGI puppet of someone long since dead and gone, they cannot speak. They have no voice. Ay best, they are the most chewable, consumable, landlord-beige common denominator possible that you can sit and listen to like the lone survivor of a shipwreck listening to the same three songs on a broken record, and at worst, they're the uncaring vomit of an empty, unloving, value-addled hack wearing the skin of someone I know over their own.

When you abandon art to say that you make content, that should not be a point of pride. That's an embarrassment. That's not sitting down for an intelligent discussion with an equal, that's kneeling at the feet of the crowd and saying, "what do you want to see me do? I can be anyone you've ever loved. I can be them, I can be anyone, as long as you love me."

I can make content. I can be consumed. What do you want to consume? I'll make myself consumable. I'll make myself just like anything you like. And I'll make so much of it that you'll never have to go anywhere else, because it'll all be right here, and under all the cut-and-paste schlock you've seen before I will sit alone in the dark and the silence and I will know that I am safe, because I am valued, because I am desired, and I need to be desired or else I am worthless like a factory that no longer churns out steel or a hen that no longer lays eggs or a cow that is too old to make milk.

Content, the most literal meaning, is something which is contained inside a container. What it is doesn't really matter, and the best it can hope to be is something worthy of being scooped out and used.

Art is an experience that transcends value. Art is something you can eat without paying for. You can make it out of anything and anyone can do it. It can be crude and vulgar and bad, and that's a strength because it means something. It always, always means something, and it doesn't matter if you like it or not. It's not content because it doesn't fill anything. It's a living, breathing thing, and whether you want to birth it or eat it, then you're going to have to be willing to put the fucking work in

[softpine]

can i just word vomit for a min...

there was a point in late 2023 where i felt like i overstayed my welcome on simblr and i planned on just wrapping frozen pines up as quickly as possible and moving on. continuing to write when it's clear that the audience for it is dwindling felt so embarrassing that i almost didn't even want to put effort into it anymore, because i was afraid it just looked pathetic (obligatory disclaimer: no one made me feel this way, you're all so lovely, it's just the nature of seeing a community change over 7 years). writing already feels very personal to me and it's becoming increasingly harder for me to put my work out there (again, for reasons unrelated to simblr and entirely related to mental illness 🤙🏻). i know my story is so long that it deters new readers, and so sporadic that it makes old readers drop off with time. this has really been bothering me lately because i don't know what i can do to fix it. i don't think there IS anything i can do.

but. okay. don't make fun of me for saying this. dan and phil returning to youtube kinda changed my mindset? they may be pulling a fraction of the views they got in their peak, but they're happier than they've ever been and they're working on things they actually want to do, not things they think will be particularly popular. seeing that has made me realize that it is possible to keep finding joy in a community that has largely moved on without you. obviously my little blog is nowhere near the same scale, so this feels kind of silly, but i've been thinking about all the things i used to do on simblr that were never fun for me, i mainly did them because i knew they would get notes or because i felt like i had to do it. making cc, lookbooks, sim requests, reshade help (oh my god the reshade help), lot downloads, etc. they DID get notes, but i can't imagine spending my time doing any of that stuff ever again tbh.

on top of that, it makes me sad to scroll through my dash and realize that i don't recognize most of the people i see anymore. i still talk to some wonderful people here who i consider friends and that's invaluable to me (💖), but the broader community aspect is something i no longer feel a part of. and believe me, i know i'm at fault here because it's not like i'm going out of my way to talk to new people or participate in trends like i used to. i don't blame anyone except the passage of time!!

frozen pines, and simblr by extension, played such a gigantic part in my life when i needed it the most. and that's not to say that i don't still care about it, because i absolutely do, but it's a different kind of feeling. i've always promised that i would give frozen pines a satisfying conclusion rather than silently abandoning it someday, and though i do intend to keep that promise, i know it's possible that i might never get there. but i don't want to let my own insecurities get in the way of something i really enjoy doing. writing is an intrinsic piece of me that i'll never quit doing, but sharing my writing on tumblr is something that can't (and shouldn't) last forever. i know that. but i'm going to enjoy it to the fullest while we're all still here together 💞

to anyone who's still reading my silly story after all these years (especially those of you who still check in on my blog even though you're not on simblr anymore): thank you thank you thank you THANK YOUUU. you don't have to change a single thing about what you're doing. this is not me fishing for compliments or putting down an ultimatum, this is just me trying to make sense of my feelings.

but with all this being said, i've decided to quit simblr and start my own exclusive streaming service for $60 a year, i hope you'll all support me as i increase my production value 😌

(just kidding. ily. okay that's all)

[writing-for-life]

Right, okay, I’ve thought long and hard whether to write this:

A squick (even a strong one) is not the same as a trigger.

Emotional discomfort, even emotional discomfort that leads to low-level physical symptoms like e.g. mild nausea, is not trauma. Unfortunately, TikTok pop psych has done nothing to help people understand the difference, because the trend to perceive (even strong) emotional discomfort as equivalent to a trauma response is worrying and neither helps people with nor without PTSD. I don’t wish it on anyone to actually find out the difference if they haven’t yet (disclaimer, since this is unfortunately necessary these days because everything gets misconstrued: I am not talking about individual experiences, because only you can know about those. I’m talking about wider trends in an often young audience with not enough background info to be able to tell apart sound medical/psychological info and viral BS created by “influencers” for some kind of personal gain).

What people in the current fandom spat want to have tagged as “triggers” are overwhelmingly squicks. And we’re probably all guilty of quickly saying “that triggered me”, myself included (and I’m a licensed psychotherapist, shame on me). It has become somewhat of a shorthand for “extremely annoyed or grossed out”. But when it gets used in the context of tagging, it’s good to remember that no one owes us a tag list the length of our arm just because we don’t like certain things. Even if we strongly dislike them.

And even on the occasion someone else’s yuck or yum is an actual trigger for us, it is impossible to cover for every possible trigger, because in theory, EVERYTHING has the possibility to trigger someone somewhere.

E.g., a certain smell in a supermarket holds the rare possibility of triggering someone, but do you see disclaimers at the supermarket door that say, “May smell of 484 different things, which are in detail [list of 484 things] and might be different tomorrow. Plus, we might have a customer today who smells of that perfume that brings up your triggering childhood memories. Or maybe we won’t, but just on the odd chance we do, we thought we’d rather cover it”.

There might be one person with a very specific trigger that does literally nothing to the vast majority of people. Do we expect everyone on Tumblr to tag for “eyebrows” or “white T-Shirt” because of that? How about that person just puts “eyebrows” or “white T-Shirt” in their content filter instead?

Do we really suggest to put that type of responsibility on creators? More importantly: Who are we protecting that way? All we do is put people into bubble wrap and shift responsibility for our mental wellbeing away from ourselves to others.

We are trying to tell other people what to do for our own comfort. That’s controlling.

If we’re squicked out by something, there is a simple solution: we can stop looking or reading. We can use content (not tag) filters. In the worst case, we can block. We don’t have to put that type of responsibility for our personal sensitivities on creators (or people who reblog, for that matter).

We can tag for certain things as a courtesy, I’m all for it. I love being able to filter out stuff I’m not into, and I sometimes wish people would tag better or not tag a certain way (getting ship tags for a ship you’re not into slapped on your character-metas is annoying 🤣). But I don’t die, neither does it cause me unbearable distress, if I see cows where I don’t expect them. Scroll past or block. And if I’m worried about mature topics like nudity or violence: Tumblr has a community label for mature themes you can (and in my view should) use if in doubt. Funnily enough, many people don’t do that though—maybe because they worry about reach?

Of course we should include content warnings where they are due, no one says we shouldn’t. It’s also fair if a creator doesn’t wish to do that beyond general warnings (no specifics) though because they might give away, say, major plot points that way. In that case, general disclaimers like “contains depictions of violence”, or whatever it might be individually, are a good idea. And if that’s not specific enough for us despite knowing that “violence” in general might also contain our personal trigger, we might need to make the decision not to read it to stay safe, but we shouldn’t have a go at the writer for not tagging very specific things that might be considered spoilers.

Long story short: If we assume people are “triggered” by werewolves with vulvas or non-human characters, it might be worth thinking about whether we’re just talking about squicks that very much fall into the category of “personal responsibility”. And there are plenty solutions to that at our end—we don’t need to put that on creators…

[hayatheauthor]

A Step-by-Step Guide to Crafting a Compelling Storyline

I'll warn you, this is a long one. I kind of took 'comprehensive guide' a little too seriously.

You have a fantastic concept burning at the edges of your imagination, a collection of characters whispering their stories to you, and a world just waiting to be explored. But how do you weave all these elements into a story that grips readers and refuses to let go? The answer lies in effective plot planning.

A well-crafted plot isn't just a sequence of events; it's a carefully orchestrated symphony that takes readers on an unforgettable ride. Whether you're an experienced writer or someone trying to start their first book, here are my personal steps to crafting a compelling storyline with good plot planning. 

Step 1: Idea Generation and Conceptualization

Every great story begins with a spark of inspiration. It's that moment when an idea ignites in your mind and beckons you to explore its potential. The journey from a fleeting thought to a fully-fledged concept is an exhilarating one, and it all starts with idea generation and conceptualization.

Techniques for Idea Generation

Mind Mapping

Grab a piece of paper or use a digital tool to create a mind map. Write your central idea in the middle and branch out with related concepts, characters, themes, and settings. Mind mapping can help you visualize the connections and possibilities within your idea.

Bullet journalling

Bullet journalling is my personal favourite way to generate ideas for your WIP. Get a piece of paper or open a Word/Docs document and create three different sections: world, characters, and plot. Now add facts to each of those sections that you've come up with so far. 

You can even go a step ahead and create more detailed sections, for example, you could do this for your different characters or different places in your world. Usually, one bullet point leads to the next and once you have an idea of everything you've already established you'll naturally start adding more to it. 

Blurting

Talk to someone about your WIP, or pretend that you're talking to someone and write down everything that comes to mind. You can even use AI tools like ChatGPT and ask it to hold a conversation with you about your WIP. Tell it to ask you questions along the way, this will get the wheels turning and even help fill plot holes. 

Prompts and Challenges

Explore writing prompts or challenges to spark your creativity. Websites, books, or even random word generators can provide the nudge you need to generate fresh ideas. 

Refining Your Concept

Once you have a collection of ideas, it's time to refine and shape them into a cohesive concept.

Identify Themes

What themes or messages do you want to convey through your story? Is it a tale of redemption, the power of friendship, or the consequences of ambition? Pinpointing your core themes will guide your storytelling and also give you a clear image of the end goal. 

Find Your Angle

Consider what makes your idea unique. How can you approach a familiar concept from a fresh perspective? For example, if you're doing a classic murder mystery, what makes your book different from others? Take some time to look up titles similar to your WIP and find any repetitive themes/patterns. 

Maybe most murder mysteries end with the partner being the killer, or maybe the fantasy books written in the same mythology as your WIP's all involve a war. Knowing what is currently a popular trend in the market can give you a clear idea of where you can be different from comparable titles. This is especially important for genres like horror and romance. 

Develop a Premise

Your premise is the foundation of your story. It's the "what if?" question that drives your narrative. For instance, "What if an ordinary high school student discovers they have the ability to control time?" You need to have a solid premise before you even think about writing your story. 

Step 2: Character Development and Motivation

Characters are the beating heart of your story, and crafting them with depth and authenticity is key to creating a narrative that truly captivates. Your characters often leave more of a lasting impact on your readers than the plot itself. 

Think of it this way: a good plot will get you readers, but memorable characters will get you fans.  Some of the largest communities in the book space all run on the readers' fondness for certain characters rather than the story itself. Yes, your story and the way you tell it is very important, but nobody wants to listen to the story of a boring person. 

Bringing Characters to Life

Personal Histories

Delve into your characters' pasts. What experiences shaped them into who they are today? A traumatic childhood or a life-changing event can influence their motivations and behaviours. Maybe your antagonist has a soft spot for single parents because their mother was the only person who cared for them. Maybe the love interest seems like a sunshine character because they feel the need to always seem put-together and perfect.  

Physical Traits

This might sound obvious enough, after all a character's appearance is the first thing people think of when visualising, however, many authors fail to have a clear image of their character's physical traits which can lead to inconsistent or boring descriptions. Sure, your protagonist can have bushy hair and brown eyes, but what else? 

Think about their body type, height, fashion sense, the way they carry themselves, walk, and sound. Do they have a random mole at the back of their neck? Do they always smell like a certain perfume because their dead father gifted it to them? It's important for you to have a clear image of who you're writing.

Strengths and Flaws

Just like real people, characters have strengths and weaknesses. These traits affect their decisions and interactions. A courageous hero might also struggle with recklessness, adding complexity to their personality. It's easy to create 2D characters by using tropes or shallow descriptions 'an all-powerful villain' 'the chosen one who trained their whole life and is perfect', but 3D characters are what will actually catch your readers' attention. 

There's a reason why people often love the grey characters, the anti-heroes or anti-villains. Those who have complex personalities that make them seem human. This makes us empathise with the characters, and as a writer, it also helps you think of your characters as real people with flaws and problems. 

Motivations: The Why Behind the What

Goals and Desires

What do your characters want? Their goals drive the plot forward. A detective's desire to solve a mystery or a scientist's quest for a groundbreaking discovery sets the narrative in motion. Why is your protagonist doing what they are doing? 

You could simply give yourself a generic answer like 'they want to save the people' or 'they're a good person' but this can lead to confusion in the long run. If as the writer you yourself can't understand your character's goals it will get very hard to showcase them to your readers. Try to pick apart each character and genuinely consider why they are the way they are. 

Inner Conflicts

Characters often grapple with inner turmoil – the clash between their desires, values, and fears. This inner conflict adds layers of intrigue and reliability. Maybe your protagonist realises the antagonist's qualms with the government are actually valid and suffers from moral conflicts as they contemplate whether or not they are the 'good guy'. Inner conflict adds dimension to your characters which in turn makes it easier for your readers to empathise with them. 

Step 3: Outlining the Key Plot Points

Now that you have a clear idea of what you want to write and who you want to write it with, it's time to consider the how. You have a story, but how do you want to tell it? Break down the key plot points that shape your narrative, creating a roadmap that guides your characters through their trials and triumphs.

The Building Blocks of Plot

The Inciting Incident

The spark that ignites your story. It's the moment when your protagonist's world is disrupted, setting them on a path of change. For example, in "The Hunger Games," Katniss Everdeen's sister being chosen for the Games is the inciting incident that propels her into the arena. 

This can be a little harder to recognise in genres outside of SFF and horror. For a thriller novel, this moment could be the moment your protagonist uncovers a sketchy detail in their relative's death. In romance, it could be the moment your protagonist is introduced to the love interest.  

Turning Points

These are pivotal moments that shift the course of your narrative. They introduce new challenges, reveal secrets, or force characters to make crucial decisions. Think of them as the gears that keep your story machine turning. It's important to have some sort of turning point in your story to keep things interesting. 

Maybe the character your protagonist was suspecting throughout the first half of the book ends up having a solid alibi, or a seemingly innocent character suddenly seems sketchy. 

The Climax

The peak of tension and conflict. It's the moment your characters face their biggest challenge and must make their ultimate choice. In "The Lord of the Rings," the climactic battle at Mount Doom decides the fate of Middle-earth. In a murder mystery, this can be the moment the real killer is unveiled, or in a rom-com, it could be when the love interest moves to a new city to follow the protagonist. 

Falling Action and Resolution

As your story winds down, the falling action ties up loose ends and provides closure. Readers witness the aftermath of the climax, and the characters' arcs find resolution. This is the bit where you make sure you aren't leaving any plot holes behind. Remember that random character your protagonist suspected at the start of the book? What's their alibi, why did they suddenly get out of the picture? 

Structuring Plot Points

Introduction of Stakes

Introduce what your characters stand to gain or lose early on. This creates a sense of urgency that propels them forward. What if your protagonist fails to complete their missions? What if the detective never unveils the killer's identity? What if your protagonist doesn't win over the love interest? Show your readers the worst possible outcome early on so they know why they should be rooting for your protagonist. 

This doesn't necessarily have to be something big or scary. In Harry Potter, many of us wanted Harry to stay at Hogwarts because his life with the Dursleys was cruel and he deserved happiness. That was a small yet significant stake that made the readers empathetic and silently root for Harry. 

Foreshadowing and Setup

Plant seeds of future events throughout your story. Foreshadowing builds anticipation and adds depth, making later plot developments more satisfying. I have written a lot of blogs that either cover or briefly mention foreshadowing so I'm going to keep this point a little short. 

Foreshadowing helps your readers slowly piece everything together and have that 'I knew it!' or 'how did I not see this coming?' moment. It might also encourage them to turn back and reread your work to focus on the little hints you left throughout the book. Foreshadowing is especially important in murder mysteries. 

Step 4: Subplots and Secondary Storylines

Subplots and secondary storylines are the secret ingredients that transform a good story into an unforgettable masterpiece. They add layers of intrigue, provide character development opportunities, and keep readers eagerly turning pages. If you're confused about what is a subplot and how to create one you can visit my previous blog that focuses on this topic. 

The Role of Subplots

Enriching Character Arcs

Subplots allow secondary characters to shine. They can showcase different facets of your characters' personalities, revealing their strengths, weaknesses, growth, and relationships.

Theme Reinforcement

Subplots can explore and reinforce your story's themes from various angles. For instance, a romantic subplot can underscore the theme of love and sacrifice, in turn making your protagonist’s heroic death at the end of the novel seem more impactful. We all know Pepper’s reaction to Tony’s death in End Game made the moment more emotional. 

While creating subplots and considering which one might be relevant to your book you should think of how this subplot would impact your end goal and whether it would help emotionally connect with your readers. 

Parallel Journeys

Subplots can create parallel journeys that mirror or contrast with the main plot. This dynamic adds depth and resonance to your storytelling. Maybe the antagonist’s assistant has a similar backstory to your protagonist but while the protagonist was rescued by the government they were taken in by the antagonist. As the two geniuses face each other your protagonist can’t help but consider whether they would still be fighting for the ‘good’ side had their roles been switched.  

Balancing The Main Plot and Subplots

Interconnectedness

Subplots shouldn't feel disconnected from the main plot. Instead, they should interact and influence each other, creating a harmonious narrative flow. Your subplot could help bring a satisfactory end to a certain arc of your story, or it could sow the roots for the important climactic moment of your book. 

Pacing and Tension

Strategically introduce subplots to maintain pacing and tension. They can provide moments of relief or heightened drama, enhancing the overall reading experience.

Character Integration

Ensure that characters involved in subplots maintain relevance to the main plot. Their actions and decisions should contribute to the overarching story, even as they pursue their own paths. You should also think about whether or not your character is overshadowing the protagonist. In Harry Potter there were several characters such as Ginny, Luna and Neville with subplots and backstories of their own, however, they never overshadowed Harry’s tale. 

Step 5: Crafting Scenes and Sequences

Welcome to the realm where the magic truly comes to life – crafting scenes that resonate, captivate, and propel your story forward. Scenes are the building blocks of your narrative, each one a window into your characters' world and emotions. They help infuse your story with tension, emotion, and unforgettable moments. 

Again, this is a topic I’ve covered separately in another blog so I won’t go into too much detail here. 

Scene Structure and Elements

Objective and Conflict

Every scene should have a purpose – a clear objective that drives the characters. Introduce conflict that challenges their goals and motivations, creating tension that keeps readers engaged.

Emotion and Stakes

Characters' emotions are the heartbeats of scenes. Amplify emotions by highlighting what's at stake for the characters. Whether it's a heated argument or a tender moment, emotions draw readers in.

Sequences: Crafting a Flow

Cause and Effect

Scenes connect through cause and effect. Each scene's outcome sets the stage for the next, creating a seamless flow that propels the narrative. A character's choice in one scene can reverberate and shape subsequent events.

Rising Action

Craft sequences with escalating tension. The stakes should intensify, drawing characters deeper into challenges and dilemmas. This creates a sense of anticipation that keeps readers eagerly turning pages.

Step 6: Mapping the Journey: Creating a Visual Plot Outline

Visualising your plot, characters, and world can be very hard sometimes. Let's be honest, words can only do so much and if you don't have a clear idea of what you want to show your readers you can end up going down a path of 'telling' them everything. This can take away from the point of your story and end up boring your readers. If you find it hard to visualise where you're going with your book, here are some tips that can help. 

Visual Tools for Plot Planning

Timelines and Flowcharts

Create a timeline that outlines the sequence of major events, from inciting incidents to resolution. Flowcharts visually depict the interconnectedness of plot points, making it easy to track the evolution of your story. You can also cut out or add bits depending on how far along you are. This will also help you keep track of what scene/development should be introduced when and why. 

Index Cards or Post-Its

Write down key scenes, plot developments, and character arcs on individual index cards or sticky notes. Arrange and rearrange them on a board or wall to visualize the narrative's flow. You can also do this if you're confused about the climax of your novel by adding different ideas to the post-its and putting them alongside the rest of the book's plot to see what things would look like from a reader's perspective. 

Infusing Creativity

Playlists

Curate a playlist that captures the mood and emotions of your story. Music has the power to transport you to the heart of your narrative, helping you channel the right atmosphere while plotting. You can listen to this playlist every time you sit down to write WIP. With time, this will also help you overcome writer’s block since you can put on this playlist every time you struggle to get into the right writing mindset. 

Moodboards/Pinterest Boards

Create a visual feast by collecting images, aesthetics, and visuals that embody your story's essence. Platforms like Pinterest allow you to craft moodboards that serve as visual touchstones. I would recommend creating a separate pinboard for every character so you can get a clear idea of their vibe and appearance. You can even refer to these every time you're writing about or from the perspective of a new character. 

Step 7: Flexibility and Adaptability

As you embark on your writing journey, remember that stories have a life of their own. Embracing flexibility and adaptability is your compass through uncharted territories.

Allow characters to surprise you, let plots pivot, and themes emerge. Balancing structure with spontaneity ensures a dynamic narrative that resonates deeply. Listen to your characters, explore ethical complexities, and evolve alongside your story.

By staying open to the unexpected, you infuse your writing with authenticity and richness. Your plot outline is a guide, but your characters and themes have the power to shape the course. Embrace the unpredictable, and watch your story flourish beyond your imagination.

I hope this blog on A Step-by-Step Guide to Crafting a Compelling Storyline will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[ofmermaidstories]

the australian government is trying to legislate kids under sixteen off of social media. so, if you are aussie and under sixteen, you won’t be allowed to have a sm account on sites like twitter, tiktok, facebook, youtube—and more.

i know our relationship with minors, as fic writers who write for other adults, is rocky at best. the rise in self-censoring and shame-based attitudes among readers in general is helping to kill any and all artistic curiosity in the next generation, which in turn makes it actively hard to be in shared, online fan spaces. it’s easy to blame the kids, but at its heart i think this is an active adult failure. our younger generations have gotten the raw end of the deal, in many ways; one of them being allowed to grow up alongside of material that they should’ve never had free access to, not without guided parenting.

And that’s the thing. the answer isn’t banning them. the legislation involved means that social media companies will be the ones to face the penalties (the fines) if minors break the new laws. which means—what? censorship gets even worse, in an effort to be even more kid friendly? Government-interest friendly? this talk started happening in the thick of the pro-palestine marches, as the movement was trickling into universities and highschools. And okay, let’s say it’s not that—what else could this be about? could it maybe have something to do with the fact that the australian government wants to implement a Digital ID nation wide?

"This one is for the mums and dads,” Albo, Anthony Albanese, our prime minister and prime dickhead, says in the announcement. “They, like me, are worried sick about the safety of our kids online. I want Australian families to know that the government has your back.”

But this isn’t about protecting kids. At the very best, they’re selling it as a scapegoat—like, oh! Haha, now you can just tell the kids it’s illegal!! It completely ignores the reality that people have to parent these humans. Like, it’s giving people, at best, an excuse to continue being lazy. They don’t have to sit down with their kids and the things they’re engaging with, anymore—because they’re banned from it! Instead having conversations about the media they encounter, it’s okay! You don’t need to worry about that anymore! The australian government wants to pretend this is about protecting kids from predators or online bullying, instead of parents confronting the fact they’ve created little assholes with unfettered access to tools to harass people with, or let their kids walk into traps because they haven’t taught them basic internet safety.

I have mixed feelings. Like any other (reasonable) adult, I worry about what kind of effects this much freedom to this much knowledge and drivel and personality can do to someone younger, someone who hasn’t like—had to learn how to make their way through a world where people are messy and a little weird and sometimes outright unlikable, but you have to still be professional about it, you know? I worry about things like micro-trends running the fun and excitement of digging in and finding some niche fashion that becomes your personality. I worry about status symbols like the right makeup and fitness pants and waterbottles getting popular too fast, and then cycling out just as quickly and creating a pace that kids without means can’t participate in as fast. I worry about podcasts run by sigma-pus males or whatever, tradwives selling glamour under the pretense of housework, like, so much of it. But these are all things that you as a parent have to negate!!! Like. You can’t just ban kids from the internet and then expect them to be normal about things whenever they’re allowed back—you have to teach them to be, to handle it. You have to teach them!!

I am saying this as an adult. An adult who likes adult things, and likes them in an open, easily-accessible space. An adult who would actively benefit from minor-free social media. There are things as an adult creator that I wanna talk about, or write about, in ways that aren’t always age-appropriate (or at all!!) for a younger audience. And look—my personal view has always been that as a fanfic writer, my responsibility to you guys (adults and sneaky-little-minors alike!!) has always been to warn appropriately on or in the fics themselves. That’s it. You get the warning labels on the tin, and you decide what to do with that afterwards. It’s not always perfect because I’m not perfect. I will make mistakes. I might not tag for something specific that ends up being a trigger for you. But the thing with fanfiction and fanfic communities is that we generally have to trust each other. I might miss a warning, but you have to trust that that mistake wasn’t a deliberate effort to hurt you. I have to trust that you guys know your own boundaries and will engage—or not!!—accordingly. I opt to treat my space here, my blog, as an open-one. Because it is! It’s a public blog LOL. If you have a tumblr account, then you have access to it! So, I try to treat this space like a public conversation in a café, or a foodcourt. Maybe I slip a raunchy little book over the table to you, and we make one or two rude jokes, or otherwise a stray rando catches the tail-end of a more serious conversation—but it’s all things I would be comfortable (enough) discussing with someone in a space where maybe I don’t know everyone involved, you know? I benefit from the knowledge that oh well, at least I don’t have to worry about local kids getting on here. 💀 But—I hate that for them!! Do I trust younger readers? Not always!!! I worry that they’ll get caught in the wrong feedback loop, that they don’t like, investigate claims or challenge information for themselves, that they’ve never had to! And hey, to be completely fair, I don’t always trust proper adult readers with that either LMFAOOO, but the point is that kids get more grace and more worry from me because they are still actively learning to be apart of things, of communities. And I think banning them from that is ultimately a mistake. To protect someone you have to teach them what to look out for, how to engage safely, how to trust themselves. And that’s not what’s going to be achieved here. This social media ban is a useless bandaid in the face of bigger problems (housing crisis, inflation, the AUKUS submarine thing i don’t even want to talk about it its stupid) that the government is waving around to distract everyone with. And it’s working. Because people would rather sit there and scroll on facebook, or whatever, instagram, instead of actively parenting.