#you have to admit

[overleftdown]

i finally got around to watching archie madekwe's interview with in creative company and it was astounding, for one. i geeked the fuck out. there's so much to talk about.

his and emerald's understanding of farleigh's character on such a deep level, not just what was on screen, but in his past and in his thoughts... gagged! i was very interested in his interpretation of farleigh's family; archie considers farleigh's mother as a kind of enigmatic fallen star who behaved more as a friend than a parent. archie describes farleigh's childhood as overly mature and neglectful, with the character having to experience more mature and adult situations than he might've in a different family.

another important thing archie touched on was the power dynamics between oliver and farleigh, and how threatening they appeared to each other. archie believes that farleigh didn't truly understand the genius of oliver and how intricate a game he was playing; that never stopped farleigh from observing oliver at any opportune moment. eventually, farleigh had a deeper understanding of oliver's sinister obsession with felix, as well as the way he manipulated the family. this is why, in the karaoke scene, farleigh doesn't bite the bait that oliver offers him. he's not grateful for oliver's sympathy or companionship; he's appalled that oliver would even have a personal conversation with him in the first place.

the dynamic archie describes between felix and farleigh is also really interesting to me. he discusses the transactional nature of their relationship, but also how deeply farleigh loved felix. there was also the need to learn exactly how to behave amongst the cattons; when to pull away, when to fade into the background, where to assert or insert yourself in a situation. farleigh is, above most other things, an observer. the nature in which oliver behaves in the early summer, how clumsily he navigates conversation, incited a lot of judgement from farleigh. part of it was the knowledge that oliver didn't quite fit, didn't make sense among the cattons.

archie talks about how self-serving the majority of farleigh's socialization is, at oxbridge. his opening line is entirely intended to cater towards the people he is walking with. there has always been a need for farleigh to adapt, observe, overthink. in this environment, love is neither unconditional nor reliable.

the biggest difference i've clocked between farleigh and oliver is the way they play the game. farleigh plays his own cards, he analyzes what he's seen, and acts accordingly. whereas oliver integrates, injects, and manipulates. farleigh is playing poker while oliver is playing chess.

i'm an actual blabbermouth.

[scrollwyrm]

Evil Turtle?

Maybe I’ve been playing around with the animus magic/ink theme in the background. I think a full-ink background might mean using the magic more often, although that doesn’t necessarily make him evil.

What makes him evil is the evilness actually.

[thatoneslytherinnerd]

thinking abt the inherent tragedy of the marauders' story already being written

like

before atyd, before anyone knew them as anything other than 'harry's parents and their friends', James had already died. Peter had already betrayed them. Sirius had already been framed. Remus had already been left behind.

there was no other way for their stories to go, because their ending had already been written.

[koshercosplay]

tolkien: writes essays on his disdain for allegory in fiction, specifically mentions his hatred for using allegory in fiction in multiple letters, expressly tells anyone who asks (and many who don't, he wasn't picky) that lotr was not written to be allegorical in any way, and to please not read it as such

everyone, immediately upon the publishing of lotr in 1955: omg 🥺 you wrote the lord of the rings as a way to process your experiences in the war 🥺 the scouring of the shire directly correlates to your post-war trauma 🥺 wow you're so brave thank you for your service sir 🫡

tolkien:

[ramp-it-up]

Ladies, you ok?

Fellas, you alright?

👀

[heartsintertwine]

What if and hear me out the reason why Chucky has beef with Devon in the show is because of Devon Sawa?

What if it’s little teases when he says except devon and fuck you devon is because he’s doing winks at the feud with Devon Sawa?

[takeariskao3]

why did you choose six years for ginny’s amnesia? or is that spoilers 👀

mostly i just liked the idea of ginny waking up in the height of her “i’m over harry potter” phase to find out she married him

[psqqa]

mahmood blink twice if you’re being held at gunpoint

[the-travelling-witch]

i think i need to pick up tears of themis again

[ghostie-jakxy-gray]

For reference: 41:07

I cannot stand the parodies of modern major general, they're overdone and simply not as good as the original. They've done them about everything, whatever topic, big or small.

And when i notice one of them my eyes will always start to roll.

The diction's always slurry when they rush the complicated words, and adding many fricatives will turn it so cacophonous. The slanted rhymes are silly and they keep just making more and more, please someone stop the parodies of modern major general.

The scanning of the lyrics in the meter is unbearable, they emphazise the syllables in ways that are untenable, in short in matters musical, prosodic and ephemeral, i cannot stand the parodies of modern major general!

[cowardlycowboys]

girl who needs to ask for reassurance would rather be stabbed than admit they have needs

GIRL GENDER FUNNY‼️ POST MADE BY MOST FEMININE HE/THEY SHUT UP‼️

[tickhectic]

"Story of Fox Hardt regarding their friend's baby. Original statement given sometime during 2013. Statement begins."

you dont have to be a parent to understand the horror of walking into a room to discover that the baby crawled out of his crib and onto that pottery wheel you forgot to turn off, and while the baby is spinning around and around, the dog is sitting there all calm, like a person, gently using his paws to fashion the babys soft cartilage head into something a little more modern.  it might be the classic tale of bad parenting, but lets see where the dog is going with this

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[salamander-crimes]

what is it about the least canon-compliant aromantic headcanons that makes them the best. like when a character shows no romantic attraction okay that is pretty awesome. but when romance is a big part of a character/plot? oh now we're fucking cooking

[utilitycaster]

"why should I get invested in shows if they'll just get canceled" I was deeply invested in Heroes (2006) and it was not canceled, it just got really terrible. I also got really invested in the sandwich I had a few weeks ago despite it only lasting like 15 minutes. You must embrace the ephemeral. You must be willing to love things that may not love you back, that might betray you, or that may die an untimely death. As the great philosopher Mr. Mitchell Lee Hedberg said "I'm not gonna stop doing something because of what happens at the end."

[leconcombrerit]

I'm so sorry Non I just couldn't choose, such a precious and bright smile I love you babygirl