#you have no choice. it is inevitable

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[arttsuka]

Werewolf Wendy 💢💥💥💯💥💥💣

Also the twins

The lineart that I also colored digitally (mainly to decide on the final colors)

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[discard-celestia]

USE MOUTHWASH / DO NOTHING

[insomnya777]

boat boys coded

[dykedvonte]

Ulysses obsession with the Courier is a special type of sad to me cause the Courier’s part was so important but so unwitting. They had no idea what was in the package they delivered and neither did he. Neither had an idea of what it could’ve done and the Courier was only caring out their job (mind you the Courier could be killed via notes in the express contract if they don’t). To them it was just another regular delivery to the divide and one that they likely thought would help, just like all the ones before.

It’s so tragic for Ulysses to hold so much ire to the Courier when it really was the case of it could’ve been anyone. Anyone could have delivered that package but they did and so he focused the blame on them and it destroys what he is trying to instill in the courier on a fundamental level.

[aeoris4lovers]

i know travis guiding them was 100% travis and not in character as chet bc he didn’t even have the voice going, but i also would like to imagine that chet did exactly that.

i like it generally bc he has moments like that where he drops the chaos when things get serious (i’ll never forget watching him and orym talk about will and realizing that oh god, under all those layers of whatever the fuck is going on with him, he cares so much).

but i really like it in this specific situation too bc i’m pretty sure imogen was the one to step up after his confession and immediately say they weren’t going to leave him, and i can totally see him avoiding the conversation in the moment but then stepping up to guide her and taking it really seriously out of appreciation.

[sophsicle]

Soph I love you but Taylor Swift does not “make herself the victim” there’s so much valid shit that has happened to her for us to feel that way about her, which most of her fans honestly don’t even see her as - granted there as some obnoxious ones but that goes for all fandoms.

Like for example of the experiences I was talking about.

- being sexually assaulted and then being called “greedy” for suing the guy.

- being painted as a “snake” because she didn’t react well to someone writing a misogynistic song about it. Which I feel like is a valid reaction as a woman in entertainment.

- being groomed at 19 by a 30+ something year old.

- getting called a snake worldwide for a narrative that 2 people - who were more famous than her at the time invented.

- being bodyshamed constantly when she had an eating disorder

Yes she’s privileged and has always been, coming from money and having fame, but she does not portray herself as the “victim” and the fact that people think she does just for standing up for herself makes me sad, not because of her but because being a woman myself it just paints the picture that women’s pain or experiences will always be brushed under the rug because we’re classified as “dramatic” and “we should take it with more grace” “be thankful about the good things” like??

I understand that you don’t like her but that assessment just seems wrong.

like i just. you realize you're proving my point right? like this - not just this message, but all of the ones i've gotten where people are waxing poetic about all of the struggles taylor swift has had and how she is absolutely a victim and how dare i suggest otherwise - is exactly what i'm talking about. you feel the need to jump down the throat of anyone who says anything remotely negative about her. this is the whole "victim" narrative, that she is vulnerable and must be protected and defended from all negativity at all times at all costs.

and like. that is on purpose. she has cultivated that narrative for this reason. so that publications are now afraid to post reviews of her albums with bylines because their journalists are getting death threats if they criticize her.

i am not suggesting that taylor swift has never had anything bad ever happen to her. that would be insane. i am trying to say that this culture that has been cultivated within her fanbase of defending and protecting her, is extreme and irrational. and when you don't buy into it, it makes a lot of the content surrounding taylor swift very hard to swallow.

[legionofpotatoes]

everyone hates crunch and everyone wants the new dragon age to have 4x the scope with 8x the quantum content

[the-way-astray]

alright everybody can we please stop tagging me/talking about me in the notes of pro keefe/sokeefe posts. i know strieefe has made it so that it's really funny to talk about how much i love him and how much i'm in denial when i say negative things about him under those posts (and that's all in good fun and not the problem), but we have to think about the fact that the ops are just trying to make a positive post and probably don't want a keefe hater in their notes /srs

[ckret2]

You think iris was saved since it was a physical relationship only or did that end horribly too

Yeah, the fact that it was just a loose FWB hookup relationship saved her.

That, plus the fact that maybe it could have gone bad in the future—but Bill died before that happened.

[mrsoharaa]

staying past closing time at your favorite local bar with Suguru, your closest best friend, whom you so coincidentally, have an immense crush on. you guys haven't seen much of each other since after college, so you both decide to catch up at your favorite bar down your street. you know the barkeep well and he lets you stay late (because he's secretly rooting for you both to finally get together!).

[dykedvonte]

wanted to say I appreciate your nuanced takes on MW and especially Curly. i don't get the claim that the fandom is full of Curly apologists when majority (esp yt and tiktok) say he's worse than Jimmy. Yes there's commentary about bro culture defending people, he def messed up in trying to placate Jimmy (tbh "we'll fix this" sounded more like trying to keep someone prone to outbursts like Jim calm and not hurt Anya/himself) but I don't think he did nothing to help Anya, since she continued to confide in him and he had less than a week to resolve it before the crash (I also don't get everyone saying he knew for ages when it seems like Anya told him that same week). I get Jimmy's a pos but saying stuff like Curly should've known he'd crash the ship or that Jim had a criminal record he ignored, reducing them to obviously horrible villain and willfully ignorant sidekick feels like a disservice to the game. If your best friend turned out to be horrible, what would you do in a confined space in the span of a few days to respond? I'd say some of the horror comes from trying to do good but ultimately failing, Curly's state after the crash is meant to be tragic horror not revenge/punishment

Thank you and this is what I want to get across.

A lot of information we have to supplement when it comes to how long things have been happening on this current ship. I think people try to add on to the horror and negligence by making things more obvious so it can feel like it was easier to avoid when, true to life, its not. Jimmy clearly didn't deserve or appreciate what Curly did for him in getting him the job, but do you think if Jimmy was that big of a menace on Earth he would've given him a position where he could have that level of power over people's lives? There's something in the fact he specifically chose to pick a position so close to himself where he could watch Jimmy.

I hate the bro code argument because that is a whole can of worms people really don't get. That sort of mentality is born from the general respect and preference of male matter over female ones. Curly is clearly not that guy, he is absent minded about the issue and inadvertently dismissive but he clearly believes Anya, he just can't understand what she's going through. It's an onslaught of information that no one really reacts right to. Additonally, the entire discussion of her assualt plays to heavy into the idea that there is fault outside of the perpertratior when it comes to SA. It's too close if she only did this or if Curly had protected her better but the fact of the matter is Jimmy did what he did. He did it before any of the conversations with Anya about it and it's why her behavior seemed to change so drastically in those last two days.

He has other conflicting thought and while his role as a Captain should've taken over, people act like it's not a very human thing to have such a toxic presence cloud your judgement. It is never easy to separate friend from coworker once that connection is formed, you want to help them, especially if they were friend first and for a long while like in this case. It's not right, but people act like it would be easy when the game clearly points out that no choice is easy to make, especially when you have to make it for more than one person. You have the weigh the consequences, look at all the options and make a plan. People can headcanon and decide how long things where happening, but if we look at what we were presented through the characters eyes, the only person given time to do that was Jimmy.

He waited two months after the crash to appoint himself Captain. Every time a problem was brought up he immediately took action and refused to sit on it and find a better solution. I think it's important to look at the warped way Jimmy takes initiative where Curly didn't as it works as a good contrast of why you don't just run in to "fix" things. The quickest and easiest option may not be the safest or most beneficial. I think some thoughts on the game suffer from the black and white thinking the game doesn't operate on along with us being voyeurs. We see what exactly led to what but the characters don't. They don't have the hindsight and foresight we do and even ours is scrambled by the non-linear story telling.

Like it's hard to talk abuou those grey zones without sounding like an apologist because you're explaining why taking responsibility isn't easy. It's not and it's weird to act like it would be in a scenerio that led up to the events of the game knowing what we know. We see all these characters in such isolated moments with various things before, in between, after and even during we aren't privy too. The idea that Jimmy is worse than Curly heavily banks on the words Jimmy was saying to Jimmy before he crashed the ship. That whatever happened on the ship was his responsibility to bare, which is true due to his position. But, are they not still not responsible for taking the actions Curly then must bare?

Like i feel like people think that these are situation that become easier with age or when you are in a postion of authority and they aren't. You don't lose your biases or gain some sudden knowledge that makes it easier. It just becomes more tiring as you keep dealing with it. I would be first in line to say Curly fucked up and should've done more but the idea he knew how bad it could get or he really saw the worst in the people around him and ignored it pretty much ignores a huge aspect of his character and the game.

[garr9988]

Late late tired brain ranting, maybe I’ll change my mind in the morning.

X-Men et al stories inherently fail at trying to tell stories of overcoming marginalization, oppression, and genocide specifically because they’re being told at the same time as the issues they’re allegorizing.

If no actionable solutions can be thought of or taken in real life, then there’s no solution from the “good” or “evil” side that actually works because it hasn’t been done yet. And writers may choose to give backing to the wrong side, intentionally or otherwise, leaving audiences to genuinely sympathize with and support equally awful causes and actions.

Not to mention the other inherent flaw of such stories: a happy conclusion can literally never be reached. It can’t ever be narratively satisfying because they’re being told in perpetuity (to rake in forever money). If they work towards an idealized utopia, they’ll either fail before getting there or the utopia will be torn down eventually.

Even in a short form story with an eventual end point like a televised series may come off poorly with whatever solution it ends at. It may be too preachy or seen as naive for being something ideal and happy. It may be terribly written by advocating for a bad solution it misconstrues as viable.

I don’t know how much of this makes sense. Comic books and stories based on them are inherently unsatisfying and prone to being ruined sooner or later by their own format. And some stories they tell that deal with ongoing real life struggles are often guaranteed to turn out extremely shitty because, unfortunately, there’s no solution they could provide that feels good enough because none of their solutions are being implemented irl. If they were then they wouldn’t be told at the same time as the very struggles they depict.

[heybiji]

What are some ttrpg's on your game wish list? Ones that you'd want to play or plan to play (or maybe don't have time to). also as a side note your love for ttrpg's fills me with a lot of joy and reminds me why they're so special! : )

Inevitable: COWBOY KNIGHTS TRAGEDY this is number one i wanna play this so bad with a crew who will watch a few anti-westerns and arthurian films beforehand and fully commit to the tragedy aspect (big bold decisions if you know it ends in tragedy!) oh my god this specific flavor of game appeals to me a little too specifically

some kind of horror game. VTM, Curse of Strahd, Shadow of the Demon Lord, Call of Cthulhu, whatever lends itself to horror well. the horror genre is one of my favorites and i would so be down to play some good horror!!

MASKS as a PC!

and always more dnd.

uhhh I'm sure there would be other things but I don't know many ttrpgs off the top of my head. quite like ttrpgs. would very much like to play more. especially with a group of artists who will post dodoles and songs that remind them of characters and talk about them throughout the week and do psychological deep dives and theorize about the story and themes and and and

[reinedeslys-central]

iwaoi and oh it's you. every time it's you. I'm running I'm running my knee is killing me but it's worth it this is worth it I'm running past the line and I'm pointing straight at you and everyone can see it. because it's you who else would it be right at this moment it's you it has to be you. win or lose it has to be you. going pro or not going pro it will always have been you. I'm running and I'm making the longest most monstrous set of my life and it's up to you, I'm falling and crashing into the tables and I can barely feel it, I'm scrambling back to our stage and who else could it be right at this moment but us. win or lose. win or lose. six who are strong together are stronger six who are strong together are stronger who else could it be but us. who else would I choose right in this moment when we all know it's going to end one way or another. who else would I choose. but you. every time it's you.