#you had the chance to be honest and change the narrative this whole time.

[snekdood]

Its okay though, because i think the karmic payoff will be worth it. lol.

[slutforpringles]

Yeah, it was a strange one the way it played out. To be honest, the more I've spoken to some of the parties involved and the more has kind of emerged, the less clear it's got actually how it's been handled, which I'd like to say is unusual in Formula One. Maybe it's not because people don't always act in F1 with their true intentions upfront. But I think the way you described it as [Daniel] processing it in real time and learning it at the same time as us, I think it's pretty much how it happened. The key thing was that Ricciardo was aware that something was going on. He's not immune to speculation. He tries not to engage with it too much, but obviously either he or the people around him are feeding him the main things. He knew that there was a deadline approaching for a decision, which primarily he thought was all about 2025. The main thing that changed was going into the Singapore weekend, the speculation had intensified that it could be about right now, a change right now. But when they went into the Singapore weekend, I know there's been a few reports and claims and counter claims around this, Helmut Marko, for example, has said that Riccardo did know because Lawson had known for two weeks already. But I don't think that's true. Bear in mind, Marko has been saying at various points this year that it could be Ricciardo's last race … I was on the phone to someone close to Riccardo last week and he joked that 'we've been sacked since April, so this hasn't really come out of the blue', that's what they've been dealing with. But I think what happened was that Ricciardo took control of the narrative over the course of the Singapore weekend. As far as I can understand, the best I can make out, nobody told Riccardo explicitly, this is your last race, we will be replacing you after this. He knew that there was a very, very good chance, probably 99% chance he was losing his drive for Lawson for the following year. And then there started to be more and more noise about it being a change for now. But he had been told during the summer break that he was good for the rest of the season, basically. So I think he was reacting to the speculation. Nobody gave him an absolutely explicit, this is 100% done and we are going to confirm that Lawson's in and you're out. So Riccardo went into the Singapore weekend saying everything he said on the Thursday, which was, you know, I wouldn't bet my house on being here at the end of the year, but that's what I expect. As far as he was aware, it was all about 25, nothing else, blah, blah, blah. But then through the weekend, you saw that change. You know, he was kind of as you said, processing it, the speculation was more intense than ever. Some of the broadcast, like the Sky Sports F1 stuff was very much laying it on thick that they understood this was his last race, etc etc. And I think Riccardo just rolled with that and just went right, Red Bull aren't going to do anything here, they're not actually going to make this official. I need to act like this is my last race weekend because I think this is going to be my last race weekend. And if I don't do it, no one's going to do it for me, which is a really sad way for it to have played out, but it just speaks to how confusing this whole mess has been.

Scott Mitchell Malm discussing how Daniel's Singapore exit was handled by Red Bull and the subsequent false media narratives that have since emerged from various players involved.

via: The Ringer F1 Show

[euryleli]

I don't think anyone from the byers-hopper family is going to die!

I would love to hear more about your theories regarding this subject if you really think there's an actual chance of characters like Will and El (or even Jonathan) dying in st5 - because from where I stand, I just... can't see it happening!

It doesn't make sense to me for a number of reasons!

First there's Will: a closeted gay teen from the 80s living his WORST life in smalltown, Indiana. Will, a boy who has been bullied his entire life not only by his peers but also by his own fucking father - all in the name of this inherent otherness he carries that's been associated with his queerness since episode 1 from s1!! The boy that's always described as kind, honest and sensitive - the little kid who changed the world of every single one of his loved ones with his absence. William Byers, the boy who went to hell, spent a week there and then came back all wrong, slowly losing his identity because he was fucking possessed by this otherworldly creature - who was burned out of him, mind you AND the after effects of his frolicking in the upside down for seven days straight and late possession by freaky monster #1 led to a connection that haunts him TO THIS DAY!

THEN (because it can't get better) we have stranger things season 3 and 4 where will byers gets beaten time and time again by forced conformity, internalized homophobia and, of course, the usual supernatural Horrors that we're all acquainted with (and that have a canonical narrative connection to all the issues previously mentioned but wtv)!

Ur telling me that this boy who hasn't known A SINGLE DAY OF PEACE in his LIFE (because Will had it bad before the upside down), who's the only confirmed gay character (as of now) AND the one who doesn't believe he can or even deserves love?? Is going to die??? This boy is not gonna have his happy ending? Will Byers, the starting point of this whole story is gonna be used as a pawn to... what? Further develop a straight relationship that actively hinders the arc of the female main character (El)? His death is gonna "complete" his arc and we'll deal with another case of the "Bury Your Gays" trope? Mike's character is gonna be buried alongside Will then because if his ending is one of conformity then all his actions throughout the series make no god-damned sense - basically he's just an asshole and an awful fucking friend? What the actual fuck??

So... Will dies, saves everyone but leaves Joyce and Jonathan completely heartbroken? Even when their love for Will is what kick-started the whole show? The show started with us rooting for them to find Will and they did!

But oh... wait... he died lol

It doesn't make sense, narratively speaking.

"What about El, then?" you ask!

Look, I'm slightly scared for her too but I genuinely think they're not gonna kill her off and the main reason is Hopper. What's the point of having Hopper grieve Sarah, his first daughter who tragically dies at a young age from cancer, just to make him start coping with her loss, bonding with El - actively viewing her as his family - to then take that family from him A SECOND TIME?? WHAT'S THE POINT OF THAT?

Aside from El's arc and her development as a young girl who was robbed of her childhood and sense of self for so long finally coming into her own person (not Hopper, not Mike, just El), killing her off is an efficient way to ruin not one but TWO of the most beloved characters in stranger things.

Having either Will, El or both of them dying in the finale would be a tragedy and yes, stranger things has it's moments where everything goes wrong and people die (and stay dead) but...

It's not supposed to be a tragedy.

That's not the kind of show we're watching.

Hell, you can say that they're going to kill the other family members then! But I don't see them killing Joyce or even Jonathan (although I can admit I'm not fully confident on that last one) because - again - it defeats the whole purpose of the show and Hopper came back from the dead already, the duffer brothers are not gonna kill him AGAIN (El grieving her father a second time is just as bad as Hopper grieving Sarah, then El)

The Byers are the heart of the show and sure... stranger things s3 and s4 kind of lost the plot on that front, but we're definitely getting back with willel and their final arcs in s5 (their family, now with Hopper and El, will be heavily featured in their development)

So, yeah...

Stranger Things is, fortunately, not a tragedy - and considering the love I have for all the characters (especially the Byers-Hopper) I can't say I'm upset about it.

[charmedreincarnation]

My shift to Bnha

I’ll start with the basics. For starters my reality is a bit different. The legal age is 25, so therefore school duration is longer, and our ages are different. I start UA when I was 19 years old, which made me a year 1 student. my parents are both prominent figures in hero society, and I was an only child to them. I only add this because I think it’s important to acknowledge background information because it shapes your experience and your placement in society, especially in a world filled with heroes everything is ranked and merit based.

UA .⋅ ۵♡۵ ⋅.

Contrary to popular belief, at least in my reality school is very much emphasized and just as important as hero work. For me a typical day looked like, getting up at 7:45 to prepare for classes that started at 8:30 and ending at 5. We do have a one hour lunch break, and a specific period to work on our specific quirks alone any way we see fit. A lot of people do use that time to slack off and hang out with friends, but they’ve recently become very strict about it. Credits to to Tenya Ida for informing the board of what people were really doing ! A lot of people were mad but honestly I am a teachers pet in this reality so I kind of appreciated it.

I can’t speak for the other classes, maybe it’s because of everything we went to, but we are not a class we are genuinely family. I am closest to Izuku, Sui, Ochacho, Mina, Todoroki and MoMo! Not in any particular order. I’m not going to talk about everyone but here are some of the reasons I love them <3

•Mina is just as extroverted quirky and bubbly as you would expect. Shes one of those people you meet and you can’t help but adore because they energy is so welcoming and they’re so loving. She’s kind of a prankster and a rumor starter and I find it hilarious. You can’t keep anything from her, though but once she has a narrative she has narrowed upon, you have a better chance of changing the devils mind.

For example i talked about this in a different post, but she started a rumour that bakugo is in love with izuku and that’s why he’s mad all the time. It got back to bakugo and he threatened to turn the cafeteria into a live bake oven. It’s honestly hilarious how she can make a whole room laugh. Or make anyone mad.. I guess it’s a talent regardless.

•Sui is the sweetest girl ever. She kind of keeps to herself but she’s honest and what you see is what you get. She’s also kind of emotional and I am kind of a cry baby too there so we get each other. We really just want to do our best and see everyone succeed. I would say both of us made friendships are bigger priority than hero training and we have both been called out for it too.

•Ochacho is very similar to Mina but she can also get down to business when she needs to. Everyone loves her, and her powers are super helpful in any situation, like for sneaking out quietly… but I wouldn’t know anything about that. I vividly remember having a conversation about our hero progress and she’s deeply insecure. She grew up impoverished and Monterey compensation is one of the reasons that really encouraged her to be a hero. I remember one time she was telling me how impressive I was during the first few weeks of school because I had a better handle on my quirk than her. She said something of how I was meant to be a hero. It made me sad because I admired her will and determination more than anyone. I had so many factors that put me ahead in some of my peers. My mother is a pro hero and I went to a profound middle school that molded me to be ready. I told her she was born to be a hero and I was made to be a hero. I was being honest and I didn’t think it meant anything but she always reminds me of how she thinks about that anytime she’s in a situation where she needs help. Nothing made me happier

•Momo and my quirks are very similar. My quirk is called clairvoyance somnium, and my hero name is dreamer. Kind of what she can do but I visualize whatever I need. I can also do more things that I won’t get into but a lot of it, I was inspired by my shifting methods ! Anyways she’s the sweetest and we live pretty close to each other so I’ve seen her around for a while. She’s honestly very gorgeous and we both struggle with insecurities and anxiety, so she really is someone I relate and rely on. Maybe it’s because our quirks or so similar or we have similar backgrounds and personalities but… she’s probably the person I am closest with! But I really do love everyone equally

Bakugo .⋅ ۵♡۵ ⋅.

Ok lots of people ask about him so let’s go.

Yes he’s so loud and always angry. You know I thought i would be scared of him but I honestly even I even give him snarky remarks sometimes (in a nice way because I am so nice in this dr) but wow he is the loudest person I’ve ever met in any dr but his powers are amazing we all respect it

Contrary to popular belief..no one is scared of him. As angry, loud and aggressive as he is he has proven time and time again all he wants to do is be a hero. Honestly it surprised some of us but everyone knows he has kind of good intentions under his wrath ??

He also makes everything a competition and he’s actually good at eveything. He’s good at school I’m pretty sure he placed after me in mid terms ! I got third and he got fourth. He’s a great cook and baker. We had a baking competition and he placed after sato. We made ramen and he made the best ramen ! Like he’s not as dumb as he looks. He’s also in a one sided competition with Todoroki but as we have all noticed he doesn’t give a fuck.

Powers .⋅ ۵♡۵ ⋅.

This may be egotistical but I could not imagine not being a hero in a world with 80% hero. Don’t let the league of villains hear this it will fuel their fire. 🥲 in all seriousness we are lectured that we are not better than anyone, and we are simply stronger than other people and that is it so we shouldn’t let it conflate our egos. The only way we would be given the green flag to pat our own backs is when are abilities begin to save millions of lives. But then I guess if we’re only being heroes to look good then would that really make us heroes. At least that’s what I wrote about in my English essay. Present mic did in fact eat it up, I got an amazing grade on it. But that’s not the point. The point is it’s easy to get a big head but we were simply genetically lucky, not better, smarter, etc.

Now that philosophy is behind us, having powers is so cool and coming back here the limits of other realities having no bounds never fails to amaze me. Our quirks are an extension of ourselves and literally are us. It’s not second nature, it’s first nature after having these abilities for so long. Especially my quirk, if I wanted I could “dream” 500 million yen, and well I wouldn’t be able to put it in the bank but I digress. Finding out what your quirk can do and how far your cbs push your limits always allows us to be going through moments of self discovery. Having a quirk is honestly it’s own life alone, and I genuinely could not be happier.

My favorite classes .⋅ ۵♡۵ ⋅.

As a student in this incredible universe, I was lucky enough to have the opportunity to pursue many amazing topics of study.

One class I took was Hero Studies, where we learned about the many different hero theories and methods of justice, as well as what it takes to become an effective hero. We also discussed the history of the hero world and its evolution throughout the years. It was a fascinating subject and definitely one of my favorites!

The next class I took was Quirk Studies. Here we learned all about quirks, their effects on people and how they can be used to help protect civilians and stop villains. We even discussed how to best work with a partner with a different quirk, and how to combine two quirks to create a unique and powerful attack.

Finally, I also took a class called Combat Training. This class taught us all about combat techniques and how to use the environment and our natural abilities in order to survive any situation. We learned how to effectively dodge and block attacks, as well as how to use our quirks to create powerful attacks.

We of course also had the general classes of math, English, science, math, and music

The classes at UA High were some of the most interesting classes I have ever taken and I am so grateful for having the opportunity to explore them. Not only did I learn a lot about the world of My Hero Academia, but I also grew as a person and as a hero.

Random funny story .⋅ ۵♡۵ ⋅.

I’m going to tell you one of the funniest most embarrassing things that happened during the UA sports festive. This happened during the third event, when we were in teaams.

I was with Izuku, mei, Ochako, and fumikage. Everyone is trying to steal the headband from us because Izuku has all the points ! Everyone was targeting us and it was so unfair. during the last few seconds I started running to dream us a tower so we can hide and to grow into to the skies. Then someone came so they threw me the headband and i I was waiting for them but then they got attacked and they told me just go without them !?? I was literally shaking and my anxiety was at an all time high time so I quirked my tower or whatever and made it grow and then the time ran out! I had the headband and we thought we won and we were cheering but umm no. I was the only winner technically because I wasn’t with my team. BUT because that took away FROM the point of the team work part I was deducted points from my own Individual points because that wasn’t the point of the challenge. Honestly you win some you lose some. It was a fun experience regardless.

Also honestly i shifted here around the time of the World Cup, which I could not care less about, but I get the hype of sports witnessing Izuku’s fight against Shinso (manipulation guy.) it was so awesome !!! I was at the edge of my seat the entire time!!! So I guess Now I understand how some people feel about sports lol. By the end of the festival, I got third place overall and my mom was so proud of me. It was the honestly a great feeling.

Random dump with no correlation

my mother (Uwabami’s) Quirk gives her a trio of live snakes growing from her head. One of the snakes have acute senses, allowing her to locate hidden criminals and disaster victims.one snakes also has a scent that can make her victims mindless slaves, one snake produces poison and attacks her victims.

my father who also attended UA with my mom has Squirmy Fingers (can precisely bend and control his fingers, giving him great dexterity) As well as a High Scientific knowledge Skills IQ in engineering. I found this interesting because usually children are a combination of their parents quirks or either or, and mine has nothing to do with either lol.

Todoroki’s pretty smart though he places after Bakugou in the mid terms. he also loves to read ! He’s also politically educated and actually had profound knowledge on the history of heroes and how and why he believe hero’s and villains came to be so.. surprisingly he is more philosophical than I would think. He doesn’t really talk about it or bring it up because if you have a good conversation with him and get him to open up it is always worth.

Food

Tbh to no surprise the food options were eclectic and varied. There was something for everyone! I had everything from traditional Japanese dishes such as ramen and sushi, to western and American-style dishes like pizza and burgers. I even had access to a variety of international cuisines like Indian, Chinese, and Korean.

One of my favorite places to get a good meal was the school cafeteria. Every day it was full of delicious options, from freshly-cooked dishes to the convenience of pre-packaged items. There were also lots of drinks and snacks available. On certain days, the cafeteria also served special meals such as curry or tonkatsu.

If I was looking for something a bit more fast-paced, there were several food stalls and restaurants around town. I could find an assortment of things like ramen, takoyaki, and okonomiyaki. There were also locations that offered more unique dishes such as Japanese-style hamburgers or omurice (Omelette Rice).

Although I often ate at restaurants, I also cooked meals in my dorm room. I could make simple dishes with ingredients from the local grocery store, like fried rice, or make something more complicated with ingredients from the nearby specialty grocery store. I even tried my hand (well with sato as well) at making dango, the traditional Japanese dessert.

Tbh No matter what type of food I was looking for, UA had it though. With all of the different options available, there was something to satisfy whatever cravings I had.

I also write and speak in English so don’t ask any language questions because I do not know

[right-there-ride-on]

For me the key to understanding SBR was to read it as a narrative instead of a jojo part. I feel like with the rest of jojo you can almost read each part as less as a narrative and more as a series of fights with a loosely connected story. When I first read Part 7, I was reading it through the same lens I do other parts; namely, the story occurs around the fights. What I mean is that I feel with most of the previous parts, the story was a vehicle for the fights, not the other way around.

It’s easy to say SBR is a fresh start / reboot but I think I just so strongly associated it with the rest of jjba that it took forever to me feel like I actually ‘got it’. With other jojo parts I feel most everything is surface-level (I don’t mean this in the bad way, just that, like the rest of the series, it’s very ‘in your face’). But Part 7 is unique to me in that it’s a narrative where I can keep digging and finding new things.

All this to say that it took me several re-reads to feel like I actually caught on to some of the subtext and other things going on. For example, while there’s blatant references to religion throughout SBR, I hadn’t realized how ingrained it was in the story proper until I went back and did the religious analysis of the text, which in turn better informed my understanding of the characters. So much flies over your head the first time you read it. For another example, it took a lot of time and revisiting the text for me to even begin understanding the True Man’s World, and I hadn’t even thought to seriously consider the cultural context of SBR’s setting until someone else pointed out how Ringo’s ideas would have tied in with Jeffersonian rhetoric about American Individualism. Maybe that was my problem: I wasn’t taking SBR on its own terms, and frankly I think I might have dismissed a lot of what Araki was trying to say with this piece by considering as Part 7 instead of Steel Ball Run.

Parts 1-6 are very enjoyable for what they are, but to be quite honest I don’t think they had a larger message besides fate and possibly abuse of power. They had themes, obviously - family and legacy as an overarching one; love comes to mind for Part 1, friendship for Part 2, the journey / friendship for Part 3, etc - but I don’t think Araki had something he was trying to say with them. He wrote Parts 1-6 because he had ideas he wanted to express, and most of those were action-oriented stand battles. That’s not a bad thing, it’s just an observation. The story functioned around the stand battles.

In contrast, with SBR I feel the fights are part of the story, and help inform the greater whole. Lucy’s whole character, as a non-combatant who does important things to keep the plot moving, reflects this change in approach. Sugar Mountain is dedicated to highlighting Gyro and Johnny’s evolving relationship. Compare Bohemian Rhapsody with Diego & Hot Pants vs Valentine. As a narrative SBR demands consideration of values and reflection on what we hold important. It encourages you to think deeply and pull it apart to see what it’s trying to say.

Again, this isn’t to dismiss any of the other Parts, and in no way is this an attack on them. Furthermore, SBR is longer and was afforded a monthly publishing timescale; perhaps there’s an argument for Araki simply having more time to do things. However, I also think the comment from Araki about feeling as though he’d hit his creative limit with Part 6 is reflective on his mindset at the time of writing Stone Ocean. Steel Ball Run was his chance to start fresh as a more experienced writer with a message he wanted to share.

This post is mostly just a reflection for how I want to approach other works in the future.

[moreespressoformydepresso]

What are your honest thoughts on all Descendants boys? From both books and movies?

Oehh that’s a good question! I’ll base most of this off of the movies because I remember them more clearly. Sorry this is so late, I needed some time to sort out my thoughts. Let’s see:

Ben: cutie, golden retriever energy, needs to grow a bit more of a spine but as a recovering doormat I vibe with him.

He’s got a good heart, and he’s definitely going places, but I have no idea who decided a 16-year-old should be king. Hilariously, he’s a better king than his dad because he cares about all of his people, not just the “heroes”. But still, he’s 16, let him have his dumbass teenage years. He’s still in his phase of wanting to please everyone and that isn’t gonna lead to the best decision making. You’re king, Ben, you can overrule your girlfriend’s selfish idiotic plan of closing the barrier. Just tell her “the barrier was opened for you to come through too. If those kids aren’t worth the risk, does that mean you aren’t either? Should we throw you back?!” And she’s change her tune real fast. You gotta give some tough love sometimes.

Jay: cool, I wanna know his gym routine, pretty funny but rash, needs Carlos to temper his brand of crazy (love their bromance).

I love the narrative parallels to the movie Aladdin. Jafar thought himself so far above a street rat and now he’s raised his son to be one so he can continue being a con-man. In the movies, Jay is actually a very accurate representation of your upbringing shaping you into who you are. All Jay knows is stealing, he’s never been taught to pay if he doesn’t have to, so to him stealing’s perfectly fine. It’s normal. It’s a lot more subtle than the whole “who doesn’t like being evil” bit, but the core idea is the same: when all you’ve ever known is one perspective, that’s gonna feel like the objective truth because you’ve never had a chance to try a different one.

Carlos De Vil: Best (movie) Boy, my baby, I love him. What a little nerd (affectionate).

He’s a big part of why I willfully ignore the absolute stupidity that is the third movie’s ending. I’m sorry Mal, wtf is wrong with you??? You set your supposed friend’s abuser free for nothing but some empty platitudes and dare suggest you’ve become an empathetic person?!?! In the books, we get a lot more insight into just how horrible of a mother Cruella is, but even in the movies we see he’s had it bad because of how jumpy and nervous he is. Disney is still Disney so we don’t get much of the healing process, but we see how he calms down and adjusts to a normal life over the course of the movies when he’s out of the bad situation, which is pretty good by Disney standards. Cameron Boyce did an amazing job playing him (R.I.P Cameron) and seeing an abuse victim get comfortable within their own skin and getting the happy ending they deserve is always fun.

Harry Hook: Insane (affectionate), most fashionable drama queen ever, absolutely crazy, more than a few screws loose but in the best way possible, he’s hilarious.

So on the surface, Harry’s pretty simple. A dude who’s lost his marbles and flirts with everyone. He probably has some kind of moral compass, since he didn’t rip Mal’s throat out with his hook when she revealed her little stunt in D3, but it fell overboard at some point and couldn’t be found so nobody knows what it is except Harry himself. Also, he has his sane moments, like during that same confrontation in D3 I mentioned before where he says “And you, King Benny... you're probably gonna throw us all back inside.” It’s the first time I’ve heard him sound… not like Harry. It’s sombre and defeated, a little disappointed maybe? Either way it’s really good acting and it implies he can act completely “normal” but he just chooses not to, which makes me like him even more. He’s just a dude living his best life despite the circumstances he was born into.

Gil: adorable, hilarious, kinda clueless but in a good way.

I love characters that have no idea what’s going on half the time but are absolute sweethearts trying their best. He’s like- the opposite of his dad in every way and I’m living for it!

Gaston Jr and Gaston the third: I don’t have much to say on them, let alone separately, so they get a section together.

Honestly? I don’t remember having an opinion of them. They made Evie happy by wresting, which is cool so they get points for that. Seem like they’re trying to out-gentleman each other to win Evie’s heart and since they’re not being creepy assholes about it they are objectively better than their dad. Very much brawl over brains, the two of them, with their constant wrestling reminding me of Carlos and Jay except they’re both the muscle. Kinda cute sibling relationship, even if it’s in a VK-typical villain-flavored way.

Anthony Tremaine: squeeeee, my type is pretty boys who sigh in annoyance at everything, I guess? We only get scraps but I happily cradle them to my chest.

Uhmmm so Anthony’s personality is mostly up for imagination? The only canon information we have is that he’s most likely Anastasia’s only kid (someone on Tumblr pointed out that, in the scene with the wicked step-daughters, he’s referred to only as their cousin, not their brother) and he’s very bored with his cousins’ antics. Given A Twist In Time the potential drama is endless. Every time Anthony’s mentioned we’re reminded he’s pretty and has good style, and I love that for him. Dude lives on an isle of junk and still looks like a supermodel. Lots of room for my own ideas while still remaining within the realm of “could be canon” with just enough base in there that I’m not just creating an OC, and as a writer and artist that’s all I need tbh.

Hadie: cute, deserves better, I need more of him and Mal bonding

Mal’s half-brother, son of Hades, very cool. I like that he’s trying to turn good and having a hard time, because that’s very realistic for someone who grew up not knowing anything other than evil. Descendants 2 tried to tackle it with Mal, but failed miserably. We know Hades sucks as a parent in descendants (neglect is abuse) so that’s not gonna help him.

Dough: Awww he’s so cute with Evie 🥺

No really that’s it. He’s a nerd that gets the girl, has some very funny moments, but honestly most of his character is centered around Evie? And they’re cute together it’s not a bad thing but there isn’t much to analyze. He’s understandably pissed about someone like Chad getting all the girls while using them, but that’s also only ever seen in relation to Evie.

Chad Charming: what a bitch (derogatory), total coward, I hate him but he’s funny.

So I have no issue with characters who conduct themselves terribly (I love Audrey, (fanon) Anthony, Uma, and many others from many fandoms) if, and that’s a massive IF, they have a good reason for it. And I’ll count “because I can and I want to” as a good reason, because by that point you have someone who’s mean and owns it. I can appreciate the self-awareness and usually those characters are very extra so it’s entertaining. If not that, there needs to be a reason they are the way they are. Audrey has the pressure from her grandmother (and the borderline verbal abuse), Uma has the very real grievance of living in squalor on a run-down island full of the worst of humanity because she was born, what does Chad have? He’s spoiled. A spoiled brat. And he goes from that to an overtly whimpering coward with none of the pretense of superiority in any field. His one saving grace is that he’s a massive joke.

Diego De Vil, Clay Clayton, Gonzo, Jace and Harry Badun, Herkie, Aziz, Jonas, Lefou Deux, Li Shang Jr, everyone else I missed: no opinion, because they’re not relevant enough for the writers to give them a personality.

I have nothing I’m sorry. I barely remember reading their names and I don’t remember anything from the scenes they’re (mentioned) in to get an idea of what to talk about here.

That was… a lot lmao

[bestworstcase]

Wait why do you think Fear is an Oz song and not an Oscar song? Doesn’t Oscar’s leitmotif play as the opening musical theme of the song? Fully track your point on the song mirroring Oz’s soliloquy (which mirrors Salem’s) but I enjoy reading Fear as the emotional rejoinder from Oscar to Oz’s V7 finale monologue about fear

(Tone is hard to communicate via text medium so I want to stress I’m not asking this in a provocative manner but rather very interested to hear your analysis/reasoning on this because I like picking at the bleed between Oscar and Oz as the merge progresses; killing the former slowly and imprisons the latter in his living corpse. If the merge completes, Oscar will be a mausoleum.)

mainly because ‘fear’ is a restatement of ozma’s soliloquy in the same way that ‘divide’ is of salem’s v3 soliloquy, eg:

How does it feel, knowing that all of your time and effort has been for nothing? That your guardians have failed you? That everything you've built will be torn down before your very eyes? Your faith in mankind was not misplaced. When banded together, unified by a common enemy, they are a noticeable threat. But divide them, place doubt into their minds, and any semblance of power they once had will wash away.

<- this is just ‘divide’ phrased in naturalistic prose. ‘fear’ is not quite as overt, but if you compare the soliloquy against the lyrics:

The single quality that is common across every living creature on this planet is fear. It's funny then, that as common as fear is, we so easily underestimate its power. Fear of growing close to someone… a subsequent fear of loss. Fear of failure. And as more people depend on you, those fears can take on greater power. But fear itself isn't worthy of concern; it is who we become while in its clutches. Will you be proud of that person? Will you forgive them? Will you understand why they felt the need to do the things they did? Will you even recognize them? Or will the person staring back at you be the very thing you should have feared from the start? I suppose we all find out, sooner or later.

note that, #1, ‘until the end’ plays underneath the first half of this soliloquy, but the accompaniment to the second half is an orchestral track that evolves into the bridge of ‘fear’ (<- so both ‘until the end’ AND fear are presented in the story pretty explicitly as part ozma’s big moment as he returns from self-imposed isolation), and #2, the whole soliloquy builds toward salem’s arrival in atlas, and then the last beat of the episode is that shot of salem atop the whale, roll credits, ‘fear’ plays (<- the questions ozma asks in this soliloquy are not rhetorical. he is addressing salem in the same manner that salem’s soliloquies in v1 & 3 addressed him)

point being, ‘fear’ is specifically a musical restatement of the soliloquy that makes the address more overt—it’s much more clear about addressing a specific you. its placement in the narrative (evolving from ‘until the end’ with both playing underneath ozma’s speech) encourages reading the two songs together as one—inner feelings vs what’s being said aloud—and if one reads the songs this way, and takes into account that the soliloquy is essentially ozma welcoming salem to atlas, then the only person the “you” in fear can be is salem.

now, the first part of fear:

I’d understand if you’d rather not talk about this There’s always a chance that we might remain in ignorant bliss Most of the time We coast along Safe from the storm We follow our hearts Trust what feels right Keep to the norm We are lucky if our lives can avoid it But fear changes all of our choices

<- at first brush this may not sound like ozma (we’ll get to that), but i submit that it really really does not sound like oscar, who has never at any point seemed inclined to ‘coast’ or ‘keep to the norm’ in the hope of ‘remaining in ignorant bliss.’ that’s just not who oscar is! he tries to have an honest conversation with ruby in v5 about how terrified he is and gets really upset when she brushes him off! he wrestles control of his body back from oz long enough to force out jinn’s name, exposing ozpin’s secrets! he spends all of v7 trying to talk to ironwood, he’s deeply uncomfortable with lying like ozpin did, and goes to confront the man alone after ironwood panics!

but this is, in fact, precisely what ozma did during his and salem’s marriage. coasted. went along with whatever felt right to him at the time. didn’t ask questions and hid vital information from salem to avoid conflicts, until his conscience stung him too hard. ignorant bliss. and then he got scared, and he burned their lives to the ground. yeah? narratively this song is the second half of ozma’s soliloquy, following ‘until the end,’ which provides us with context for what ozma is thinking about as he returns. and what he’s thinking about is his regrets with regard to salem and his longing to make amends! the first step in making amends is to acknowledge his own failures—and that’s what ‘fear’ is.

first chorus:

Who will you see? There in the darkness When no one is watching Who will you be? When you're afraid And everything changes Will you see a stranger? Feel proud or betrayed?

note the direct echo of his soliloquy here. “will you be proud of that person? will you forgive them? will you understand why they felt the need to do the things they did? will you even recognize them?” -> “who will you be? will you see a stranger? will you feel proud or betrayed [by who you became, by what you did in your fear?]” it’s the same idea being repeated.

All of your life Guided by truth Right from the start Then one twist of fate In the blink of an eye And it all falls apart What happens then When all that you knew Just fades away? When you've lost all control You broke from your soul And fear has its day? Will you make the right choice in that moment? Will you stand and be brave or be broken?

gestures vaguely in

compare the way salem describes ozma in ‘sacrifice’—it rhymes! it’s the same idea, the same choices ozma made, as seen through salem’s eyes!:

Close your eyes now time for dreams, Death is never what it seems. Did the things you thought you should, All the things they said were good. All your faith in ancient ways, Leaves you trapped inside a maze. Take the lives of those you need, Sow the death then reap the seed. Reap the seed. Born an angel, heaven sent, Falls from grace are never elegant. Stars will drop out of the sky, The moon will sadly watch the roses die.

and the point in fear is that ozma is both acknowledging his own failings and beginning to question this narrative he’s constructed around salem, that she’s the ontological evil and she corrupted him on purpose out of malice and so forth, this contorted rationalization he’s been clinging to for so long. it’s, “that night was horrible, i made terrible choices out of fear that i regret, that i feel ashamed of, was it that way for you too?”

which culminates in,

We live in fear that we might fail Fear that we'll succeed Fear that we may not provide The things our loved ones need But our greatest fear will be realized If we fall and lose ourselves to fear We've become what we feared all our lives

the ordering of the fears listed here is really important and i don’t think it makes sense for the perspective to be anyone but ozma; there’s no other character who has a reason to be more afraid to succeed than he is to fail, because the only way for him to succeed is for salem to be destroyed. (i also don’t think it makes any sense for oscar in particular to be afraid of succeeding; as far as he knows, that’s his only chance to escape what ozma’s curse is doing to him.) and then from the fear of success follows the fear of letting loved ones down and the dawning realization of becoming everything he feared.

and then the whole song is in future tense rather than past because it’s looking forward to the ozlem reconciliation, or at least ozma’s nascent desire to try to reconcile. they have all of, you know, this—

—hanging between them and the question posed in fear is sort of “is this it? is this what we’ll be forever?” which is of a piece with the tone of both ‘until the end’ and ozma’s soliloquy.

generally the lyrics are just way too close to things ozma says in his soliloquy, plus the melody of “but fear changes all of our choices”/“will you stand and be brave or be broken?” resolving under the actual soliloquy for me to buy that it’s intended to be a response to the soliloquy, as opposed to a ‘divide’ situation where it’s just the soliloquy itself in song form.

[villainsandvictimsalliance]

So my man what do you think of how bnha act 3 has treated the villains so far?

I think it's going exactly the way the story hinted it would. No surprises there.

In terms of narrative, people should give Horikoshi his flowers. MHA might not be as flashy as other mangas, but Horikoshi keeps it consistent and to the point. I'm glad that he doesn't sacrifice the writing of a plotline in order to create flashier or more action based fights. I'm also glad he's been with the villains' ideologies and their reasons to do what they do.

It's funny, the hero side might be the one who's more surprised with the current outcome of the final showdown. You have moments like Ochako risking it all for Toga, which is a dream come true for villain fans yet might be hard to process for other people. I'm personally satisfied with how the author treated the Enji and Dabi plotline, because in the end it was not Shoto who alone could do a miracle. A bit of a "family issues must be solved by the whole family" opinion, but I'm glad to see Rei, Natsuo and Fuyumi getting involved. They all had the spotlight in a heartwarming moment to stop and help Touya. They all took responsibility for their role in what happened to their family.

So far, so good.

To be honest, my perception is that Horikoshi has great respect for some of his villain characters. He has so far dedicated a lot of the story to Tomura alone, to his connection with Izuku. At least when it comes to the League, sacrifices are not simply plot twists, you know? They held meaning, they're respectful to the character.

I can't say the same for other antagonists and villains, tho. It's understandable, those secondary characters won't receive as much screen time and that's okay. It's just a bit sad to think that some of them have a lot of potential, but the story keeps them backstage. I certainly miss seeing some of the members of the Meta Liberation Army, for example. I loved the implications of corruption of power in the hero society. I miss Lady Nagant too, I can't wait to see her reaction to knowing that AFO is finally dead. Right now I wonder what the hell Horikoshi had planned for Hawks, lol. Every time I think his plotline is getting kickstarted, it runs for a second before stopping again. If he's there it's because there are unfinished businesses with him, maybe we will finally get a resolution on his connection with Toga and his past with Twice, but that's for later.

I have faith in Horikoshi, I guess. He has shown us that he does what the story demands and doesn't change the course of it for the public as much as other mangakas do. That is what movies are for.

I'm sure we'll see Spinner and Compress again, but most of all I'm curious worried about Kurogiri. I insist that the resolution between Kurogiri and Aizawa and Yamada will wreck me. In my wildest dreams I see Kurogiri begin for Tomura's life aka to save him, to give him a chance. I saw Aizawa's face when he heard Kurogiri talk about Tomura. He knew it was not only an order, but also a part of Oboro still alive. Oboro would do anything to help someone in danger, he'd pick any stray cat, give his life for anyone. I'm on the edge of my seat with that trio. Teachers on opposite sides of the war, once friends. Don't even get me going about Yamada and Kurogiri. Whenever I think of Mic and his role in that situation, it's pure torture.

If you ask me, I'm getting what I wanted. Act 3 has been great. It got a little boring for me when the whole focus was fighting AFO (I don't know why, maybe AFO is just not my favorite character to focus on). The rest? Amazing. Beautiful panels and drawing style, emotional instances that reveal the heart of the villains, their determination and dreams were respected, they got treated for once as real humans and not just villains... I'm behaving like a total kid with what is happening with Deku and Tomura in the 415 chapter.

Now, post-battle is another matter. We will cross that bridge when we get there, but they must be all alive and well or I'm ending what the League started and taking this whole world down with me (I'm not exaggerating at all haha why you ask?)

[sundayswiththeilluminati]

Well, it’s been a week and I've had time to cool down and put together my thoughts on Season of the Seraph and its ending. So here goes.

The season finale plot did not require Rasputin to die. "The eliksni are trying to get control of the warsats" is literally a strike. If the warsats needed to be taken off the table as a get-out-of-jail-free card we could have blown the network and kept Rasputin himself. There was an active decision to kill him. Having thought about it, I think I understand why this decision was made - but I still think it's a terrible decision, and I'll explain why.

Before we start, I don't want to sound like I'm going after Destiny's narrative team either personally or professionally. I'm not calling them terrible writers, much less terrible people. I don't know them! They might even be terrible people, for all I know. While I refer to a single monolithic "narrative team," I know in reality there are multiple groups working on different stories. I’m not a professional writer, and they are. And I genuinely believe all of them are talented people who work hard and care about Destiny. But that doesn't mean I don't have some criticisms.

After considering it I think there are three possible reasons to kill Rasputin:

1). The narrative team believed this was a good emotional conclusion that brought closure to his character arc in Destiny. In this case I just think they're flat-out wrong. I'd say "I respect it" but I kind of don't because I think it's so terribly wrong. I don't know what other people think Rasputin's character arc involved, but I won't get closure till Rasputin faces the Witness again and finally ends the war he's been trapped in for centuries. But I get why they would do it, if they believed this. And that final mission was really good. I had a hard time noticing at the time, but it was very well-done, and the cutscene proper was well-shot, -scripted, and -acted (though I'm still angry about the Traveler upstaging Rasputin's death). They put a huge amount of effort into it and into the story work all season long.

But his death being well-done doesn’t change whether I think it was a good narrative choice. Even saying “Rasputin’s arc should conclude here,” the way it was set up had him sacrificing himself to basically cancel himself out. Unless they’re saving up a plot twist, Rasputin ultimately contributed nothing to the fight. He didn’t do any damage to the Fleet or Witness, or anything to stymie Xivu Arath. He died thinking he’d never helped humanity at all and it was safer if he didn’t exist. I don’t know about you, but I find that extremely unsatisfying.

2). Someone doesn't like Rasputin/doesn't know what to do with him. This is two reasons, but they overlap. The Operation: Sancus mission dialogue pissed me off because it gave me the impression that whoever was writing it really didn't like Rasputin and was taking the chance to morally excoriate him. A more subtle version recurs in the final mission where Rasputin is essentially sacrificing himself to null out his own existence - saying "as long as I exist I'm a threat to humanity" - as if he can't ever help or contribute more than endanger people, which is just flat-out wrong. "Humanity doesn't need a Warmind" you're part of humanity, Red. He’s a person; he doesn’t need to justify living. If someone just decided Rasputin Was Bad Actually I’d be very angry indeed. But I don't think it's that personal. Destiny has lots of writers and multiple narrative teams will touch the same work. One person's distaste probably wouldn't steer an entire season.

Related, however, is the reason that maybe no one knows what to do with Rasputin. To be honest I sympathize with this one. Would it shock anyone to hear I've thought about how I would script a Rasputin-focused season? It's surprisingly hard to build a plot around him. A game needs to be interactive and Rasputin's kind of all or nothing - either he can handle the whole problem himself or he can't do anything at all. Red also mostly plays defense. He doesn't have a goal he's working towards other than "kill the Witness/save humanity." You need to come up with a plausible goal that we can believably help him achieve, and that's nontrivial. But, well, that's why I'm not a professional games writer and these people are. "Not sure what do" is not IMO sufficient justification for assassinating one of Destiny's oldest characters/factions.

3). The Destiny narrative team is trying to "declutter" the setting and foreground story by sidelining characters who take a lot of lore to understand. I think this is the real reason, and it's worth talking more about.

A lot of us lore-nerds have long complained about Destiny not foregrounding its setting and story, and Bungie has responded by trying to do so. I think we didn't consider what that would actually look like. Imagine Destiny's story like a long movie. Now imagine people are constantly coming and going from the audience, and everyone who comes in has to nudge their neighbor and go, "hey, what's happening?" Destiny is always (hopefully) acquiring new players, and existing ones are dropping out and coming back. Even most established players either don't read the lore or don't track/remember it. We the lore-keepers are very much the anomaly. If we want story to be a focus, that story also has to be more accessible to new players, lapsed players, people who don't bother reading loretabs, etc., because otherwise it harms their experience and there's a lot more of them than there are of us.

I think this is why we've seen a lot of seasons that introduce whole new concepts - the eliksni Sacred Splicers, for instance - rather than following on existing storylines. Introducing a mostly-new concept puts new and old players on a similar footing. Haunted is another type of compromise between the goal of furthering the story and the goal of making it accessible. Calus and Leviathan are back, but so warped that old players have as much to learn as new ones, and the Sever missions dive deep into character pasts but pretty explicitly describe the emotional arcs they're illustrating, so you don't have to be familiar with that character to get what they're going through. To those who already know Zavala, Crow, etc., it seems laughably obvious and strained. But to those who just got here, this is their first time learning not just about Safiyah but also about Zavala. I think this is also why there have been multiple casual retcons of minor stuff - there isn't time to explain the history, and they've decided it's not worth confusing people.

Rasputin is old. He's been a significant part of Destiny since literally the pre-Alpha test. The complexity and history that are part of why we love the Warmind also make him hell to explain to new people. It takes a decent amount of lore to get invested in his character and since Beyond Light none of that lore is featured in-game. Pre-Season of the Seraph, anyone who began with Beyond Light literally never met him. They never visited Hellas Basin, which is one big environmental story about Rasputin, and The Will of Thousands strike, which demonstrates Red's power and contains many possible dialogues that emphasize him trusting you/acting as an ally, left the playlist ages ago. Since then a new player's only gameplay interaction with him has been Fallen SABER, in which Red yells incoherent Russian and tries to flatten you with a warsat. Is it a surprise relatively new players might not be up on his character arc?

Season of the Seraph, with its narrative of rebuilding Rasputin from the ground up, would be a perfect time to introduce new players to Red's long history, and they...kind of...did that. They worked in Felwinter although then for some reason felt the need to retcon in the whole "Clovis wanted to destroy the Traveler" plan. If you were a new player who didn't know anything about Destiny lore, and you just played Season of the Seraph, you'd get an entire canned arc for Rasputin that hits the early high notes: built to be a weapon, rebelled against his constraints, humanities nerd, big smite, loves Ana and Elsie, makes mistakes but genuinely cares and wants to help.

But that's where Seraph stops. In existing lore (I almost typed "in reality") Rasputin worked out the whole "not a weapon" thing well back during the Golden Age. For a lot of us Warmind fans the most interesting parts of his story happened after that - the entire Collapse, confrontation with Darkness, years of hiding, etc., not to mention all his character development during Warmind and Worthy. He's gone through a lot, and Seraph misses all of it (except Felwinter) in favor of rehashing the same arc for a third time. It's like when moviemakers keep rebooting a superhero origin story. It may be a good story, but eventually we'd like to move on to the other parts we enjoy: this sleeping giant, hard scifi AI, grouchy old bastard, lost lore of the Golden Age, champion of humanity, learning from defeat, learning to trust again, the morality and trauma of warfare - what it means to lose a war - a being never meant to become what he was transforming still further, still unfolding his own potential.

So understanding why they might have done this doesn't excuse what I still see as a terrible narrative choice. I think dropping Rasputin is a major waste of potential, and he's far from the only tricky character to explain. Osiris, or at least the Cult of Osiris, is similarly old. His story is complex and weird and requires knowledge from Curse and earlier, yet he's still playing a major role. Other current characters like Elsie, Saladin, and Crow also need a decent amount of knowledge about previous game events to get why they are the way they are. Saladin's origin story isn't even in this game. It's not Rasputin's fault the game went three years without so much as mentioning him outside of written lore. What was wrong with the great Xivu-Rasputin “war god” parallels most of the season worked to set up, about the intent of violence? Are we never going to explore those? Are we just throwing out all the dialogues planning a role for Red in the upcoming war? Why did we have a dramatic confrontation about trusting Rasputin to operate independently if he were going to be gone in a month anyway? Just in Seraph alone the number of interesting plot threads abruptly trashed by this death argues against it.

Rasputin's longevity is precisely part of why he should stick around. In the first mission of Destiny 1 you wake up in his shadow. He has a history with us. There's just no one quite like him in Destiny. He's not just a character but an entire faction. He explores a part of story space that no one else does. He resonates with us as people rather than players. I assume Neomuna will pick up the Golden Age banner, but it’s a thriving city; Rasputin represented the ruins, the dangers of a dead age, the shadow of apocalypse. He's also maybe the most Guardian-like character and one of the best to weave a parallel/cautionary tale - were we, too, only made to be weapons? But if Rasputin didn't stay a weapon, can we too transcend that intention? And of all the factions in our solar system, the two with the most personal scores to settle with the Witness are the eliksni and Rasputin, and Misraaks'/Eramis' story has focused much more on the Traveler's flight than the Fleet's attack. Of everyone in Destiny Rasputin has the most desperately personal motive for revenge on the monochrome bastard. Now he's not even going to be there to watch it crash and burn.

I understand that foregrounding story also comes with the requirement that it be accessible to those who don't do their lore homework. I appreciate the monumental amount of work that's gone into doing that and the experimental nature of it. But I think the balance has skewed too far towards accessibility. Stuff like the end of Season of Plunder that has zero narrative motivation or continuity and doesn't even get a pretend justification drives me absolutely batty. You can only break internal rules so many times before players stop buying whatever narrative stakes you're trying to set up. Making the story easier to follow doesn't mean characters have to be cartoonishly-exaggerated caricatures like Clovis was in Seraph - just absolutely cartoonishly evil - or reduced to one or two character motives explicitly laid out for the player (though, credit where credit is due, Clovis was hilarious.) It doesn't mean the dialogue has to be as subtle as a Thundercrash. It doesn't mean you get a blank check to retcon or invent whatever's needed to create the intended character arc. If anything that discourages looking further into lore - why bother to learn it when next season will change it all again? I think Y5 represents a lot of experimentation by the Destiny narrative team, and I really respect that. But I also hope they learn what didn’t work from it, and sacrificing Rasputin in an ultimately pointless and unnecessary finale is a major misstep.

[murfpersonalblog]

IWTV S2 Ep8 Musings - Loustat (Spoilers) Pt1: Breakup

Trust me, Lestat wasn't thinking about your stupid suit, Louis. Yes, Carol Cutshall said the gold symbolized Louis as the sun that drew Lestat to him; but the main thing was him pulling that sword-cane on Paul. THAT is what might've changed things: PAUL. Most importantly, the what-if about Paul not having died, and what that might've changed or not (IMO, not much--Lestat would've just kept "hunting" Louis longer, till he found his chance).

At 50? Would Lestat have WANTED Lou? Doubtful. Louis would've been married with kids by then, desperately holding on to what little money he'd've gotten as a failed farmer & pimp (cuz he wouldn't've had the Azalea or Lestat's money); probably in debt just to keep the DPDL estate; even as his mom resented him, and Grace probably wouldn't've been able to marry Levi without a dowry, so who knows how she'd've acted. What SPARK would old!Lou have that would've even made Les interested in him? These questions are MOOT.

"Doomed by the narrative."

I'm still confused about Claudia's diaries, and where they were in 1973--I'm assuming this was just a lie fed by Armand that they were scattered b/t Paris & NOLA.

SKILL ISSUE. Louis ALWAYS has a contingency plan!

I'm so bummed we didn't get the Tower Scene, or get to physically SEE Lestat being tortured by Armand. But oh well, at least we get to see Magnus' Tower, and hear what Magnus told Lestat b4 Les was Turned.

And this is a crazy accurate line, considering Armand said that ordering the humans to say "Banishment" took all of his strength which I KNEW was a freaking lie! XD

You should see them in Dubai when Danwrecks Armand's whole set!

Les calling himself a disappointment--YOU ARE. (Nordic blondes, dirty blondes, and the worst one: a FRENCH blonde.) Chile, no one knows why you do what you do.

That's right, don't let him up for effing oxygen!

EXACTLY.

Lestat was turned on the whole time (who said that!?).

No one cares.

TRUE! That's the most honest thing Armand said all season, wow.

AKASHA NAME DROP, STFU LFG

Marius never told Armand about TWMBK for a reason--hed've spilled the beans quicker than Louis about "Bruce" being Lestat. XD But Lestat's bragging a little too much though--even MARIUS burned with Akasha's blood in him, so.... 🙄 They won't DIE, but it WILL eff them up.

CRAZY important line--strong(er) vampires have to be WILLING to die in the fire for it to stick? Like Lestat said in QotD: he will ALWAYS "fight for life."

That doesn't actually count for much when you've been regularly starving yourself since 1910. 🙄

What a way to go, lbh, these vamps are effing gorgeous.

PETTY BOOTS THE HOUSE DOWN! 😂

Yeah, about that--but FLEX!

Ouch

GO AWF, KING LOUIS! FLEXXXXXXX!

Louis said REPLACEMENTS!!! ALL the Antoine(tte)s and Davids and Quinns and whoever TF that bum was in NOLA--PALE PROXIES! And yes I AM taking that racially, too! The blacker the berry the sweeter the juice! 😜

Water in a sieve; don't worry. It's the PRINCIPLE of the thing--go sit in the corner for 70+ years and keep having "a think!"

YOU would know better than anyone!

Imma save the big reveal and the reunion for Pt2; I think I'm gonna hit the image limit soon.

[werewolfsonpage211]

i just have to write through my feelings about predathos rn cause WOW i was truly leaning heavily in oryms direction of we dont know what that shit do youd have to be stupid to even try. like i was feeling okay with the prospect of them releasing predathos cause it is objectivly the most interesting choice you could make, narratively, from a doylist perspective etc etc, but i wasnt feeling it yknow. and i gotta be honest a big part of that was because i do sympathise with the gods some more than others like on a fundamental level i feel theyve got just as much a right to exist as every other living being in the world, theyre people to me and i simply dont like the idea of them dying/having to flee. and yes okay melora is my blorbo out of them and i hate thinking about her being forced to leave exandria leave nature leave everything she loves and has become and is. i was way more hoping for the resolution of bh not releasing predathos and instead remembering RQs hint that they could strike a deal with the gods as a reward for saving their asses.

and then 114 happened. and i fear it changed me irrevokably. matt did something horrible. he gave me hope. like i already had a sliver of hope that if the gods left maybe vax would be free and alive but also maybe hed just be dead or just gone and anyway he wouldnt want to be saved in exchange for such a sacrifice (not that the people making the choice would be anyone he knew...) but but BUT then matt rq gave him a night. vox machina was given a night. and all of a sudden i cant imagine going back to the way things were. if the gods are saved the world may still be changed forever, but not for vax. he only has a night. then he goes back to her. but. if the gods leave, it can't stay the same, not even for him. im not even sure, despite the hope that matt/rq gave me, that he would be freed if rq left. maybe he is kept by her divine power. maybe he would die, or disappear forever (who knows what happens after death when there are no gods?). or maybe he, given a night of life, would simply feel her grip on his string loosen and fade away, leaving him as he is right now, where he is right now, as the raven queen's last parting gift. either way, death or life, it would be change. either he would get a chance to keep living, or keyleth would get a better chance to move on. and that spark of hope for change killed whatever part of me that still could tolerate him being in her service in perpetuum. i cant stand it anymore. i dont accept it.

despite my deep and complicated feelings regarding this rn i am also remembering that it is all a work of fiction and i am fascinated by the way my opinion on the predathos conundrum could be swayed so quickly and, dare i say, decidedly, by new emotions being stirred in me. and i am examining how even tho i was backing up my opinion with (what i see as) logical and objective arguments, i was still being affected by my sympathies for different fictional characters the whole time - from melora (and the pcs i associate her with) to vax and vm. going though it has taught me something about how people can be swayed on much more serious, real life matters. i truely dont know if ive ever changed my mind so dramatically (regarding both strenght and character of the opinion as well as swiftness of the change) in my life before. before i watched c3e114 i was hesitant at best to the releasing predathos idea, now im rooting for it to happen. and dont get me wrong, i still think orym's argument is the most sane and safe one and if i myself had to live in exandria i would most surely be on his side of the debate. but i dont, im the audience of a fictional story and right now i would love to know just what the fuck that shit do.

[damianbugs]

i know you love the dynamics between bruce and his kids as they are, but alot of it is also due to iffy writing lmao.

in your IDEAL scenario, what would bruce parenting look like? would he still be as abusive as he is in canon? CAN he even change?

the short answer to "can bruce change?" is... no 😭 but let me try and explain!

its not because of who bruce is as a character or batman as a hero, but because it is basically impossible for a popular character like him to have any consistent writing. we've seen it before where he's a great father and mentor for a few issues, and then less than six months later he does something horrific and takes ten steps back in that regard.

it's why this conversation (to me) is a very complicated one, because i can't for sure say who bruce is as a person without taking into consideration the literal decades of almost hundreds of different writers, runs and universes. of course, he has made some terrible and very harmful decisions, but again, so much context is required to truly comprehend those situations. that doesn't remove the fact that he has hurt his children, both accidentally and purposefully.

do i think bruce is a bad dad in canon? no. do i think he is a good dad? also no. depending on where in time you're reading him, who's writing him etc — he acts like completely different people. my head spins trying to come up with a simple answer to this otherwise simple question.

a good example i think is the current zdarsky batman run. arguably some of the best bruce wayne as a father introspection we've had in a LONG TIME, the story doing well to remove the 'child soldiers' narrative that frank miller infamously popularised to main continuity despite it not being from the canon timeline. but who's to say this sort of perspective will last before being completely disregarded by the next writer?

it's no secret i pick and choose what i (personally) view as canon, my own personal bias against Certain writers making me ignore their writing entirely, but i am also not ignorant to the fact that bruce can and desperately NEEDS to improve as a parent.

sorry for rambling but back to your original question about what my ideal parent bruce would like and to that it's two very simple words; honest and communicative.

that's really all he needs to do. almost all his shitty decisions can be linked back to him lying or purposely evading the truth and just refusing to communicate to his children, which in turn makes them not want to communicate with him. this then leads to much larger problems and much more devastating outcomes.

bruce needs to realise that his children don't owe him anything more than the very little he's given them emotionally. this whole "soldier-team" mentality that he adopts when he's batman filters into his dynamics with them as family and as bruce wayne, and that is why he keeps hurting them and not taking responsibility for it.

they should not be vigilantes before they are his children. but to do that, writers also need to make the distinction that batman is also bruce wayne, but that is an entirely different conversation.

again, current batman writing (mark waid batman vs robin, zdarsky batman, ram v detective comics, tom taylor batman etc) seems very promising in giving bruce a chance to be a better father, so we can only hope it continues this way. maybe, we'll even get bruce actually holding himself accountable one day.

i try not to discuss this topic too much because in my experience it's far too nuanced to explain in short text posts on the internet but i hope this answered your questions <3

[okay-letsdothisonelasttime]

I'm back on that hunger games bullshit. Cause you know, the world is turning into a dystopion nightmare before our eyes, so why not consume media that showcases the hell on earth we are barrelling toward. And as always I have some (many) thoughts.

(This is long, but I needed to get it out of my head - sorry in advance if anyone does actually read it)

Gale is the worst - we all know this. He's manipulative, petty, short sighted and insecure. A great representation of fragile masculinity. But I'm only now coming to realise a lot of my dislike of the third book was largely ignited by his increased role in the narrative. Don't get me wrong there was a good potion of it that stemmed from being a (privilaged) adolescents at the time and thus unable to fully comprehend and empathise with the themes being discussed. But even at that age he was so unpalatable (and still is) that having to hear about him and his shitty behaviour throughout the story really undermined the complexity of the narrative (at least for me. Shitty unnecessary love triangle with a terrible man = loss of interest).

The third book is so much more interesting to me now (excluding fucking gale) that I have (experience with) comprehensive knowledge of mental health struggles (i.e. ptsd, depression, anxiety, panic disorders etc.). The way that finnick, katniss, haymitch, Johanna and of course peeta (and really all of the tributes) struggle with their truma, particularly in the third book, is very interesting, if horrifying, to read about. Especially when you consider the time during which this was written. Like yes mental health was being discussed more freely and with less stigma. But it wasn't the same open conversations we are having now, over a decade later.

There's so many small details from the books that I had completely forgotten about. Details that subtlety weave into the narrative and really intensify the characters, themes and political systems being represented. Things that make the capitol and their power that much more terrifying. Ideas that anchor the distopian themes more to reality and reflect the growing injustice and corruption in our own world back at the reader.

The books do a better job of representing katniss and peeta's age then I remember. Yes they have grown up with hardship, poverty, oppression and are therefore justifiably tougher and more comprehending then your average (privilaged) teen. But both show a level of naivety (for lack of a better word) throughout the books, particularly catching fire, that is a fundamental buy product and nessisary reminder of the fact that these are 16 to 17 year old kids. Forced into being the face, voice and engine of a revolutionary war.

While I once resented certain character deaths at the end of the series and questioned the motives and decisions made by individuals. I have come to realise (with age and experience) that it was so much more important for the story that it's wasn't contorted into some kind of palatable "happy ending" for fan service. The story would have never worked as a whole if it wasn't being brutally honest about the cost of change. Not just in the indicriminant loss of life (it could be your mum, your neighbour, your bully in school - just like it could be the unnamed character or your favourite protagonist). But the tax it can take on the mind, body, spirit and morality of the people who are fighting for it. Standing up for your rights, for your friends and families safety, for the quality of life of hundreds of unnamed people who you have never met will take a toll. And standing up against the oppression of yourself and or others will never be easy. And there's every chance you might walk away from that fight and no longer recognise yourself when you look in the mirror.

Anyway I'm sure there's so much more, but in conclusion 'the hunger games' aged like fine wine for the most part.

And while i understand why there was so much push back against it for the last little while. A young white women being represented as the savour of the oppressed because she was a figure head (at least for a large part) for the movement, while many grass roots organisations do the actual fighting on the ground. [Please see edit to add below for corrections]

I think overall there's a lot of political issues the book discusses well, which have remained topical and relevant enough that it still has a place in the current day. (Particulalrly with the distopian shithole amaerica is tuning into as we speak).

EDIT TO ADD: it has come to my addention that Kitniss was infact written into the books as a POC, likely either Native American or Melungeon. Something I didn't know, but makes a hell of a lot of sense, and I think is far more powerful when you consider her role in the series. However this does bring the white washing of her role in the movies to the forefront and opens up the issues of racial prejudice and lack of equal oppunity in hollywood. How visual media can very easily corrupt and alter our comprehension of literature. And why represention is so incredibly vital.

Because the reality is that, for me, having Katniss' role payed by a white women in the films completely steam roled and mentally erased the nuance of her characterisation as a POC women in the books. As I'm sure it did for a lot of young white teenagers. Which in turn emboldened a lot of (priviaged and white) people to participate in proformative activism. And subsequently led to the backlash that I wrote about above.

Thank you to @bluestrawberrys for bring the above issue to my attention so I could make the nessisary correction.

[eevee5627]

SPOILERS FOR CH. 119 FOR BSD!

So, in ch. 119, we see fyodor refer to Atsushi as the bookmark. I’m not entirely sure what that means to be honest. But I think it basically means that everything revolves around Atsushi. You use a bookmark to mark your place in a story. Without it, you wouldn’t know where you were in the timeline. Which brings me to my main point. I think Atsushi is going to develop time travel powers of some sort. If you move a bookmark towards the beginning of the book, you change your place in a story. And you experience the part that you had already read over again. Akutagawa already has spatial manipulation abilities, even if it isn’t on par with the divine being Ame-no-gozen, but as Fyodor said, Akutagawa can’t really hurt the divine being, since it exists on a higher plane/the fourth dimension. But the fourth dimension is TIME, so if Atsushi is able to manipulate time, then sskk has a chance to actually reach and hurt the divine being.

These time travel powers could be used to possibly bring back a lot of those who have died. Because honestly, Fyodor offered Atsushi the chance to use the other side of the page(even tho I don’t think Fyodor ever intended to actually give it to Atsushi), and I’m not entirely sure the book would have been able to bring them back. Whatever you write on the page has to make narrative sense, or it doesn’t work. So there would have to be a reason that the agency could come back. Maybe the divine being could be used as a reason but I’m not sure. Also Fyodor wouldn’t want the divine being to be used like that so I doubt he would let it happen. I’m honestly a bit confused about the page though, it doesn’t make sense to me why Fukuchi didn’t use it at the start to try and prevent the war, since he had a whole plan, wouldn’t the page have just accepted it since it made sense and was possible. I’m going to chalk that up to Fyodor’s manipulation/plans.

And the implications for Byakko and Atsushi being special is really interesting. Atsushi has a whole host of unique powers, and can cut through abilities themselves. Honestly I think Fyodor is planning to use Atsushi to do that at some point. Maybe Atsushi will end up cutting off Fyodor or other’s access to their abilites. Probably not though, that doesn’t make too much sense. But I’m wondering what Asagiri plans to bring in with Byakko and Atsushi, because clearly they are one of a kind, and I’m really interested to see the explaination for that. I’m wondering if Natsume will be dragged in, because there are theories that he has involvement with the book. I believe it because in the Osamu Dazai and the Dark Era LN, we see Oda reading some books by Natsume-sensei(I think, it’s been a while since I read it). And the books seem to correlate with Oda’s life. but some pages were torn out. Anyway, I’m wondering if Natsume will appear and maybe do something with the page and Atsushi. Because we know Natsume is incredibly smart, he even fooled Ranpo. Either way, I’m really looking forward to what Asagiri comes up with. Also wondering what has happened to Jouno and Tachihara, since they were taken under bram’s control, but now bram is dead(or semi-dead, feel like he is at least partially influencing Akutagawa).

And speaking of Akutagawa, I’m guessing he’s going to recover his memories at some point, is the sneak peak we got from watching end of season 5 is any indication. Maybe Atsushi will cut him free from the remnants of Bram’s ability? I’m also wondering what exactly has happened to those that died from the divine being. Because a shadow can’t really hurt anything? So are they really dead? I’m wondering if they were just moved to another plane of existence or something. Anyway tell me your thoughts and feel free to add on

[backtochicago]

idk how to tell you guys this and maybe you will against with my opinions but im being honest, this is the most nothingburger happened to sapnap and some of you are just too bored to do anything so yall love to kick some discourses.

and when i said this, i meant it, because i hate to break you but in reality, rarely people will call each other bullshit out due to 1) their respect toward the surface of the relationship and 2) they just can't fucking do it because they're bombasted and awkward don't know what to do so they have to bruise it off quickly, or even worse is laughing it off with them. in sapnap's case, i also understand it base on that 2 reasons, i meant, im even glad that he had skeptical reaction toward to the person who calling r-slur because imagine he laughed it off with them 💀

i even saw some people saying "well punz had muted a person before, if punz can do it, then sapnap can do it" the thing is, punz could do it easily since he had faced with it before and wasn't scared of calling out strangers or accquaintances, but sapnap is opposite, he is an awkward social person and his fucking ass still felt weird of getting closed to them and was in a discord vc with them, like the situation is so awkward: sapnap didn't expect the person he just met in few months and thought he could get along with now dropping a slur out of nowhere, so he was stunned and bombasted from that information.

after all, i think this is more like a leason for sapnap more than holding his accountability since he is a cc having influences yet he is still young and still not having experiences with bigger issues. and based on his reaction, he does need to take notes a and he showed it right after the end of the kick stream. while, i do think some of you need to stop giving others cc treatment like the way drantis give to dream or just fucking admit out loud that you don't fucking care that person calling slurs you just want a gotcha moment to bash sapnap since you hate him because i know alot of your fucking asses will literally defend dream/george with "they didn't know how to react and what to do" if dnf were in that position. yall love blowing everything out of proportion and setting your ccs up since you are so fucking boring and annoying that always love to start discourses and the whole "i only believe him when i see it" is narrative because it starts from the root of leftist that you don't give a person a chance to learn and change and give them times to show it.

[setsunasknife]

I’ve seen the rumor that Sasuke may not make it through the next arc of Boruto, which to me is heartbreaking in so many ways. Now…please take this with a grain of salt because I may be a bit off because I have not seen every piece of media surrounding Naruto/Boruto.

1. Sasuke, I personally, hasn’t gotten a chance to live his life FOR HIM. He has constantly been fighting for others, either it be for revenge or for the village. Yes, he’s married with a beautiful daughter but I don’t believe he’s known much peace in his life. Yes, he’s honored his village and was a respectable shinobi in the end. He’s helped inspire change in the village. That’s great, but I would imagine a piece of him has regrets for not being there to raise Sarada along side Sakura.

2. Sasuke is such a remarkable and noteworthy character that I imagine losing him will be a shock to a decades old fandom. And I’m not saying it doesn’t make narrative sense or that it doesn’t bring something to his development but he is such a staple that his death would feel a little bit like a stab to my childhood.

3. Naruto, that’s his best friend. Naruto fought for YEARS to get his friend back. They fought constantly for this rivalry of who was stronger. And while they pick on each other, I think the loss would hit Naruto very hard. They’ve been rivals for a loooong time. They were team 7, they worked together and bickered since they were children. Plus, I imagine Naruto would feel some sort of responsibility and guilt. I’m going to include Boruto in here too, but I’m gonna be completely honest I don’t know a whole ton about their relationship beyond being his student. Which again, I imagine would tear Boruto apart like it did when Juraiya passed away for Naruto.

4. Kakashi, you can’t tell me he wouldn’t be devastated. Kakashi saw so much of himself in Sasuke and trained him hard to be better. I imagine a loss of any student would absolutely break him. They’re all part of his little team 7, he had the pleasure of seeing them grow into strong shinobi and loving parents. I think it would also hurt Kakashi a lot because it would remind him of when Sasuke left before, and how much it hurt Naruto and Sakura.

5. Sarada 🥺, sweet Sarada who adores her awkward and powerful father. She lost 10 years of with him due to his duties to the Leaf village. I could imagine that his death would also activate that Uchiha rage within her. Personally, I feel I would be resentful as well, even if he was honored for his work. She lost out on a relationship to her father for a long time and then when he’s able to be present again, he dies. That’s Sasuke’s duty to change the leaf village, I understand that. But, at the end of the day, that’s still Sarada’s father and so heartbreaking.

6. Sakura, dear dear Sakura 😭, I can’t even imagine how Sakura would feel. I know she’d try to stay strong for Sarada, but god the heartbreak she would feel. No matter what happens, I personally feel they would never be given enough time. A lifetime doesn’t take away the time lost before. Sakura has loved him her entire life, at varying levels and meanings yes, but she ALWAYS wanted what was best for him. She loved him through thick and thin, she loved him even when she really shouldn’t have. She understood him more than anyone else, she could understand him without words. Sakura has lost him so many times that I think this final time might break her. I could see her sitting there waiting for him to come back, he always comes back, I think she’d wait the rest of her life. I don’t think there is another for Sakura. I think she’d throw herself into her work and do the absolute best she can to raise their daughter. She would honor his memory, but god would she be heartbroken.