#you don’t understand them like i do

[kataraavatara]

theyre literally the same person. but no one wants to hear that. because of the woke.

[gutierritoshds]

If ruby and Blake don’t hug each other before this volume ends I’m gonna be so emo and unhinged with my art.

[rogueshadeaux]

“I hate the script, the vault dwellers sound so cheesy—“ my Brother in Steel you realize that’s the point, right? They were bred to act like the physical embodiment of an HR e-mail. Did you not catch the memo that Vault-Tec put out regarding their experiment facilities?

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.

[super-nova5045]

its always “we should beat up and kill rapists and abusers!” but the moment someone actually does you all turn on them

[letsplaythermalnuclearwar]

Homer!Odysseus and Epic!Odysseus would try to kill each other if they ever met

[whatsjulietslastname]

HEY GUYS REMEMBER WHEN CHLOE WANTED MAX TO BE THE LAST THING SHE EVER SAW BEFORE DYING. BTW GUYS. REMEMBER WHEN CHLOE SAID “i’m never leaving you” AND “that’s okay we will, forever” AND “Max, i’ll always be with you”. GUYS GUYS GUYS HOLD ON REMEMBER WHEN CHLOE SPENT YEARS TALKING TO MAX IN HER DIARY BECAUSE SHE COULDN’T LET HER GO GUYS. AND WHEN SHE TOOK MAX BACK IN A HEARTBEAT BECAUSE SHE MISSED HER TOO MUCH. OH AND BTW REMEMBER HOW THEY WERE CHILDHOOD BEST FRIENDS AND GREW UP TOGETHER AND FELL IN LOVE AND ARE NOT LINKED ONLY BY A ‘trauma bond’. DO WE REMEMBER THAT. COLLECTIVELY.

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[roman-o-cheese]

Honey, just put your sweet lips on my lips

We should just kiss like really people do

They are everything to me…

(Close-ups under the cut)

Here’s what the notes say :)

Top / Yellow sticky note: I love you Sunshine! <3 - your significant annoyance

Middle / left : Questa spada era destinata a tua sorella, ma ora è tua. Resta vivo, da, Papà (Translation - This sword was meant for your sister, but now it’s yours. Stay alive, from, Papà.) (btw, this is a reference to one of my fanfics)

Bottom / right: La ricetta del tiramisù della Nonna (Translation - “Grandma’s Tiramisu Recipe”)

[bottombaron]

oh ok so its the usual no-homo bullshit you always hear, good to know.

[sunnibits]

potentially hot take but this is a pet peeve of mine

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[prettydjarinsoloinspires]

Lokius is safe and still one of the greatest ships of all time. goodnight

[dykedvonte]

I think a big misunderstanding is the power people give Curly to actually change things about the way the pony express operates or could’ve done things on the Tulpar.

We are talking about a company that docks pay for bad synergy despite mandated psych evals that should tell which staff members would work well together, only allots for 5 hours of sleep despite having literally no other tasks to truly do and locks all resources behind the access of one person. The last one is likely to manage resources and make it easier to justify collective punishment and blaming one person for it; someone needs something in “excess” or the captain gives in? It’s all on them your pay is docked. Instant resentment.

It’s insidious how the company works, it’s by design to distract you from coming after them, to force tensions to line their own pockets. With all the restrictions and forced interactions, altercations are bound to happen. 5 hours of sleep a day, limited sources of entertainment, no real tasks… the monotony alone would cause bad cabin fever, mix that with just only one absolute mediator and you get the exact environment that allows shit like in the game to happen.

The idea he could just complain and try to throw his weight around to get them to dig into their pocket for the crews comfort is laughable and misses the predatory and dehumanizing aspect of capitalism the Pony Express represents. Curly was and is still just another asset to them. Being a top show pony doesn’t mean he’s anywhere close to the actual top. He is the top of the working ladder, not whoever’s in corporate, he wouldn’t even be on the bottom step unlike what Jimmy perceives. The resounding recommendations he would get are almost mocking as they throw him out like nothing just like the rest. Being a shitty fucking company, how much do you bet they’d mean anything anyways, especially since he wanted to leave the field all together.

He made a fuss and they didn’t listen, he says he should’ve done more but you can tell he knows it wouldn’t have changed anything. Jobs like this are willing to make a sacrifice if it means even a penny more. Curly makes a bigger fuss they likely would’ve just found an “unrelated” reason to fire him, hired a more pliable guy or, terrifyingly, promoted Jimmy. The company was failing, going to shut down whether anything happened on the ship or not. But knowing that they were shutting down and that everyone, including him, would be out of a job with this being their last paycheck, he had to factor in not destroying the last bit of their financial stabilities combined with every other issue on the vessel and his own. He gets another cryopod or locks and then he has to break to them that they are not only fired but there will be substantial cuts to their paychecks due to the “upgrades” (things that already should’ve been in place on their part) on top of anything else that could be docked along the way.

You can blame him for saying it so early into the trip but then again, if he mentioned it later who’s to say it wouldn’t have been worse? On the capitalism side alone how would people in a galaxy away from home, out of a job and already stir crazy react? Don’t get me started on how Jimmy would have reacted if he realized he only had two days left to fix what would be a very hard to miss “problem” in his head…

I can’t even consider explaining this as devils advocate because it’s just facts of the world we and they live in and factors that heavily affected the situation. People are just so quick to make claims on the ease of the choices when P.E literally makes it hard to choose to do anything but suck it up.

[itsalwaysforyou]

there’s blood in the water, there’s blood in the water

kenny ortega, descendants / the crane wives, the crooked, the cradle

[finisnihil]

Some people need to learn the difference between like/disliking a character on a personal level v. a writing level. I dislike some characters on a personal level but I do love their writing and characterization on a meta level and any of my bullying of them is mostly for jokes. Meanwhile there's also characters who I adore on a personal level but abhor the writing of because it feels like their concepts or potential as a character were squandered.

I've said it before i'll say it again when you let your personal bias on a character infect your analysis of them you get mischaracterization. Part of media literacy is seperating authoral intention from reader response and thinking about if anything about the character or their interactions can cloud your judgement of them on a surface level.

For example, in the 2.1 quest of HSR I saw some Aventurine lovers absolutely jump on a hate train for Sunday because in their eyes, Sunday was villainous for his actions against Aventurine and deserved to be put down for it. But, when you stop bastardizing Sunday in an effort to validate and sanitize Aventurine's motives you see the two are actually equally complicit in hurting the other. Sunday did try to turn Ratio against Aventurine and he did cast the whole Truth or Die spell but when you actually critically analyze Sunday and his role in the interaction he is more sympathetic and he makes more sense.

Aventurine was going into the interaction, an interaction regarding the IPC's increasingly aggressive attempts to recolonize Penacony after losing it as a prison planet, bragging about using the horrific murder of Sunday's sister to exploit him. Aventurine has never once hid his intentions, he's sympathetic but that doesn't change the fact he's trying to rip Penacony's freedom away for the IPC. We've seen what the IPC does to planets, no matter how corrupt the Family is, the IPC will be worse without a doubt. Aventurine is a morally grey character, he took the gamble of lying under the spell and he understood the stakes when he did it. Trying to bastardize Sunday in order to try and act like Aventurine didn’t have the autonomy to fuck around and find out is really disingenuous to both characters.

As for Sunday, Sunday is incredibly sympathetic too. We know he’s under crushing pressure by everyone around him to hide things for the sake of public image and we know he’s sacrificed a ton for his sister. Sunday is reverential of Xipe but we see him being actively wary of the Family. He knows there’s a traitor, he knows the Family is rotting with ill intent, he knows Death is on the loose. Robin and him are doing their damndest to handle these problems within their circumstances and we’ve seen their notes! They aren’t ignoring the problem, they’re even trying to get outside help from both the Astral Express and Aventurine. We see the Lightcone of their childhood in an otherwise clinical and impersonal office, one where he built her a toy stage and became her first audience. He cares about Robin more than anything and you see his rage and grief being suppressed yet slipping here and there and causing him to make sloppy mistakes, such as using the Truth or Die spell to lash out at Aventurine when he feels cornered with no control over the situation. When he confronts Gallagher he finally cracks and just… breaks. You see him lose it to the point he doesn’t even notice Death behind him until it’s too late. Despite being likened to songbirds, Robin and Sunday both died quietly in their gilded cages. They are the canaries in the coal mine.

Sunday and Aventurine are meant to parallel each other, they both lost their sister in a gruesome event outside of their control because they couldn’t protect her. Sunday couldn’t protect her from the cage he let himself be trapped in so she could fly free and Aventurine couldn’t protect her because he was too small and too young and too lucky. One is a younger brother and one is an elder brother.

The only major difference between them is who we experience the story through. Aventurine is our eyes for most of 2.1 so therefore Sunday is the one put in the antagonistic role. Antagonists are characters who’s motives and goals oppose the protagonists. Because of this, we have to flesh out Sunday’s character via subtext because we don’t have the luxury of his POV to be blatant like with Aventurine. If the roles reversed, if Sunday was our eyes, I bet Aventurine would be the one getting the flack instead.