#you can tell they love each other

[raulshushabyemountain]

Can we talk about how there is not just 1 but 4 versions of Melissa Errico and Raul Esparza performing “Move On” from SITPWG on YouTube (these span 21 years I might add). Each version is just the tiniest bit different from the others but the performance from both of them is always amazing. If either Raul or Melissa perform that song with a different person, I will die, because them singing it is the definitive version! It is their song!

[eydilily]

would you bite the hand that feeds you?

[aprito]

(tw blood) the kids spend so much time with each other it's heartwarming

[flwrkid14]

Had the silliest idea while making breakfast.. what if Damian’s Favorite Brother is Tim, but for the Dumbest Reason...pancakes

My idea is that Tim is Damian’s favorite brother, but not for the reasons one might expect. It’s not because of Tim’s skill, his smarts, or his ability to stay three steps ahead in every fight. Nope. Damian’s real reason for favoring Tim over Dick, Jason, or even Bruce is much simpler.

It’s because Tim makes the best pancakes. Like, legendary pancakes.

Not even kidding.

One morning, Tim casually whips up a batch of pancakes in the kitchen—y’know, because Alfred’s off running errands and the rest of the family doesn’t know the first thing about breakfast beyond opening a box of cereal, and Tim's been feeding himself since he was six. So Tim steps up to the stove, and bam—fluffy, golden stacks of heaven.

Damian, who never really cared for breakfast, takes one bite of Tim’s pancakes and is sold. From that moment on, he’s obsessed.

“Drake, you will make me those pancakes again tomorrow."

And Tim just blinks, completely confused, but shrugs it off like, “Uh, sure?”

The next morning, Damian’s right there in the kitchen, bright and early, waiting for his daily dose of pancake perfection. By the third day, he’s even dragging a chair next to Tim, watching like a hawk as Tim cooks, making sure he’s using the right ingredients.

Meanwhile, the rest of the Batfamily is just like, “Really? This is the thing that bonds them?”

Tim, being Tim, just rolls with it. He doesn’t ask questions. If Damian wants pancakes, Damian gets pancakes. He’s just trying to survive his new role as “Pancake Master.”

But Damian? Oh, he’s serious about this.

Damian tells anyone who will listen that Tim is the only one who knows how to make breakfast properly. He’ll give the other brothers side-eye anytime they dare to suggest they could cook for him. Even Alfred raises an eyebrow, but Damian’s already set: Tim’s pancakes or nothing.

What’s even funnier is that when Damian gets pissed off at anyone, he refuses to eat their cooking. But Tim? Untouchable. The one person who can screw up as many times as he wants and still be in Damian’s good graces—because those pancakes? Irreplaceable.

So, while the Batfamily argues over strategy, patrols, or who gets to drive the Batmobile, Damian's priorities are clear:

"You’re all amateurs. Drake’s the only one who makes pancakes worthy of the Wayne name.”

And now, Tim’s been promoted to Damian’s favorite brother for the silliest reason imaginable. But hey, if the key to Damian’s heart is pancakes, Tim’s got that title locked down.

[chialattea]

Oh so YOU GUYS can monologue for hours but my man yorick tries to have a nice conversation after regaining his ability to speak AND YOU GANG UP ON HIM???? I see how it is!!! The double standards are crazy!!!

[theresistanceneverquits]

There’s not enough people talking about how important Stephanie is to Damian’s growth pre-Flashpoint.

Bruce had seen Damian as a beast to be tamed, Tim sees him as a ticking time bomb, and Dick is far better with him but he’s still an authority figure for Damian to combat with. But then he meets Stephanie, a college-aged girl who nobody trusts and he bullies her relentlessly and becomes inseparable from her.

She doesn’t interact with him based on his past, but on what she can see. This 10 year old just threatened to kill her? Wow he doesn’t get outside much. He’s not old enough to have seen Gremlins. What do you MEAN you’ve never been inside a bouncy house before we are fixing that immediately.

They are like cousins to each other. They poke fun at each other for being lame and stupid and Dick has to tell them both to shut up. She doesn’t see him as a project to be molded and redeemed, he’s just a kid with a crappy childhood like her and if he’s nice to her for 5 seconds she’ll do something with him to let him feel like a kid. And he doesn’t look at her and see a liability or a failure or a lost cause, like everyone she’s ever interacted with does. When he’s awful to her, it’s because he’s an obnoxious preteen boy.

And then you get the “there’s room in our line of work for hope, too” scene. Because Damian has gotten to know Steph and he can’t fathom why she’s here. She obviously has had to deal with crap and is still working through being kept on a leash by Nightwing and Oracle, but she isn’t broken like the rest of them are. Damian is surrounded by people who were molded and shaped and torn down and broken to become the monoliths that they are, and then there’s this girl who seems so at peace with herself and is constantly making quips, and it’s so foreign to him.

And she tells him that she’s in his world because she believes people are worth fighting for.

[one-chaotic-neautral]

Arcane ships ranked, for fun

The main ships and some rarepairs I've found, I like pretty much everything in the first 4 rows. I probably missed some but idk what they are and I'm too lazy to add more rn.

feel free to add your thoughts or ships but again its just for funsies :)

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[iamacolor]

Do you really like me when I'm weird like this? You're the one who told me this, neither of us are weird people, we're just those types of people.

A GOOD DAY TO BE A DOG - EPISODE 8

[lettucing]

“you were like, unironically an alcoholic…”

“yeah, and it’s funny, because like, that was supposed to be- the move to austin was like, me turning things around. nothing turned around. the best decision i made wasn’t moving to texas, it was probably getting jambo, who’s just… the fuckin’ best.”

[divorcedwife]

melencolia

[sowearecleariamhere]

Penelope could easily be painted as the damsel yearning for her lover, the woman without much agency waiting for her husband to come home (which of course we all know she isn't, she is a literal and metaphorical queen), and in a lesser story*) she might have been cast into that stereotype. I think that is why I love her almost yelling "You're mine" at Odysseus in WYFILWMA.

It is so possessive and decisive, ruling out any "buts". It perfectly underlines her steadfastness, her loyalty, her agency. She claims Odysseus as hers without question once she knows it is really him, that he is finally back home. She is seemingly offended that Odysseus even suggests that she might not accept him after how much he has changed. (She will make her own mind up about that, thank you very much, and said mind has been made up for 20 years btw)

It is not only that Odysseus has come home and now she chooses him. No, she has been choosing him over and over and over for the past 20 years with every action she took. It is not him coming back that now puts her in the position to choose him - it only reveals that choice, that there never was another choice other than Odysseus. Which leads me to my honorable mention:

Ody: "[...] You’ve been waiting for love."

Pen: "I've been waiting for you."

Penelope definitely had a surplus of suitors (108) and even if their motives might have been questionable, she could have easily found a new husband if that was what she wanted, maybe even one that genuinely loved her. But Penelope's love is Odysseus. Love for her is synonymous with him. No one else is even worth considering, she would rather be alone or even die before she gives any other man the time of day.

tldr; I love love LOVE the wording in WYFILWMA, how it shows how Penelope is just not taking this shit from her husband. She knows what she wants and that is Odysseus, even if it is not the original model but the slightly banged up version, the heavily traumatized, now with grey hairs probably, war criminal, ruthless god torturer version of her husband.

Because he is still her husband, goddamn it.

This might very well not make much sense bc I am insane over them currently

*) "lesser story" is not referring to the odyssey or saying epic is better than the odyssey, I mean to compare them both to any completely different work (or franchise if you will) that does not give characters agency where they should have it

[coleconuts]

Oh god Cole liking museums and Geo taking him on a museum date the second they see each other again at the tournament. These freaks make me SICK (affectionate)

[four-unwell-lesbians]

Thinking about the way dungeon meshi does queer horror. Using horror to tell queer stories is already subversive, but dungeon meshi subverts it even more

Normal queer horror is like. A monsterous desire and immortal love of something isolated/hated and the uncontrollable but suppressed need to consume someone to live and they only die if you break/pierce their heart. its great.

In dungeon meshi, the group is STARVING. they do things the way they're expected to and they're so deprived that eventually, one of them is consumed by that monsterous desire.

Then when Falin becomes a monster, she doesn't eat Marcille because she doesn't NEED to, Marcille already offered herself up as part of Falin by mixing her own blood with the dragon's for the resurrection.

Also Marcille is a monster too!! She doesn't need to be turned by Falin. She's a 'witch' doing black magic for one but she's also very vampiric

Her name is super vampirey especially given one of the translation spellings was Marcilla, an annogram of Carmilla*. And Marcille is very similar to Marceline from Adventure Time so it's a name with heavy connotations to me. Also her staff is Ambrosia which means immortal.

*ps Carmilla is the original modern vampire that inspired Dracula and also a lesbian. she used annagrams of her name (Marcilla, Mircalla, Millarca) to disguise herself across hundreds of years.

Marcille is like. a vampire in that death is a big part of her theme. She can breathe that immortality into someone else using her resurrection black magic and death is a huge part of her character. She wants them to live as long as she does. To make them immortal. Like. Like a vampire. Vampires which are unholy when her love interest is a cleric.

But once again this is subverted!! she doesn't 'turn' Falin, she makes her undead by giving her own blood instead of taking Falin's. Falin becomes a monster not because she's attacked or turned, but because her DNA, something INHERENT about her is now intertwined with the monster. so a god-like figure merges them. Then the only way to free her from that frenzy and grant her autonomy again is to finally consume her. something inherently lesbian about all that i think idk about you

[flwrkid14]

When Obsession Meets Devotion, Tim and Danny learn to exist only for each other

Tim and Danny have days where they simply can't be apart for longer than 30 minutes, as if the physical distance between them burns. Sometimes, holding each other close isn’t enough—they crave something more visceral, like the overwhelming need to open each other’s ribcages, to crawl inside and be surrounded by the warmth of their partner’s heart—where they can truly find comfort, heart against heart, soul entwined. It's not just about closeness; it's about being inseparable in every possible way.

On certain days, there are times when Danny's Obsession screams at him. If he goes too long without seeing Tim, the need to care for, protect, and keep his beloved safe becomes impossible to ignore. His Obsession surges, pulling him toward Tim, begging to feel his pulse, his breath, to know that Tim is right there with him. It’s not just a want—it’s a primal need to make sure Tim is okay, that he hasn’t slipped through his fingers like everything else in his life. The distance feels unnatural, as if something fundamental is missing, and when he finally finds Tim, the world rights itself again.

For Tim, there are days where he feels a gnawing pit of anxiety in his chest, a voice reminding him of everyone who’s ever left. Those days, he seeks out Danny, fingers trembling until they brush against his skin, a silent question, needing reassurance that Danny isn’t going anywhere. The touch grounds him, reminds him that here, in this moment, Danny is staying. He’s not going to leave, he’s not going to disappear like so many before. On those days, Danny’s presence is more than just comforting; it’s survival.

There are days when words fail them both, and all that’s left is the quiet. In that silence, they hold each other, Tim’s head tucked under Danny’s chin, Danny’s arms wrapped protectively around him, and for a while, they let the world disappear. They don’t need anything else—just the steady thrum of each other’s heartbeat, reminding them they’re not alone. They’re together, and that’s all that matters.

For Danny, his need to care for Tim runs deep, more than just an Obsession—it’s a compulsion. And for Tim, his fear of being left alone draws him ever closer to Danny, making their bond something unbreakable. There are days where they can’t help but exist only for each other, as if the rest of the world fades away, and nothing matters but them.

It’s a reminder that even with the ghosts and the danger and the past trauma, sometimes all they need is each other. And that’s enough.

[theellipelli]

planning for the future