#you can know things and not stop them

[selffagellation]

one thing about me is that i will never not be picky about which omni- people use in religion

[problemnyatic]

when will we talk about the willful helplessness epidemic on here. So many people on this god forsaken website demand to have any and all things that exist outside their personal experiences directly, personally pre-chewed and spoonfed to them. And when you do, they'll then ask for you to swallow for them, too, because, you see, in THEIR experience..,

[katsinspats]

Thematically appropriate comic for Make a Terrible Comic Day!!

I saw the original post this morning and it made me get out of bed to make something, so thank u Pseudonym Jones mission accomplished

[poorly-drawn-mdzs]

A whole new meaning to Gay Chicken.

(For: Anonymous raffle winner!)

[puppppppppy]

horrible truth bomb dropped on my head 20 min ago

[cheriboms]

everybody was very nice on my last post(s) so !!! more cole and manfred be upon you :D

[lineffability]

sometimes I see people calling Aziraphale selfish in an accusatory way, as if it's a flaw that needs to be smoothed out, as if it isn't a trait that is at once defiant and emancipating, as if his selfishness isn't mostly wielded in an empowering and kind way, as if it's categorically bad to want things for yourself, to enjoy them, to have and keep them, as if selfish isn't the most revolutionary thing an angel can be

[dukeofthomas]

Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[fisherrprince]

mmmmmooorrreeee balop

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

[First] Prev <–-> Next

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[spinostarz]

i made them real they are going to see the world

[hitlikehammers]

PART 2/2: in which lock-picking⛓️‍💥 is 100% a valid love language, and waking up with ✨Steve Harrington✨ was NOT the future (exactly. maybe. ish.)

...but waking up in a hospital bed just might be ♥️

<<< last time: And Eddie thinks that’s highly fucking debatable—he’s not sure where it comes from, because it’s a little out of place, Eddie didn’t say anything but maybe he’s just that transparent, the heart of him so quickly, so completely, and if that’s the case then it’s entirely fucking debatable because Eddie thinks he’s going to burst, splinter like a starburst, glorious in the unmaking for how big this thing that’s building in him feels, how certain he is that it’s about to break his ribs and he fucking looks forward to it, so no: Steve doesn’t love most because he can’t, because Eddie is overcome with this feeling and he, he— He’s drifting, because Steve’s heat is a heady fucking drug, and his heartbeat’s a metronome, a lullaby against Eddie’s back and it’s instinct, it’s unquestionable when he shimmies tighter into Steve’s hold and sighs the weight of the world out between his lips because… Because goddamnit, this feels right.

OR: y'know. Eddie thought he was dying in the Upside Down but then he's waking up in the future, in bed with Steve Harrington like what the fuck

Eddie comes to—again: un-fucking-expected—with the same sensation of his ribs snapping, the pain of it a dull thing he thinks he can just float through because his heart’s so gone on the impossible possibility of some future imaginary day where he, where Steve, where they—

“Eddie?”

Wait.

Wait, that’s…okay.

Back up.

He tries to take in what his senses are willing to offer him: something starchy, itchy against his skin, both sides—definitely not the sheets from the bed he’d just felt visceral underneath him. Pressure and aching at his chest: but less sweet the longer he focuses on it. Stinging and the pull of maybe-bandages, maybe-sutures, maybe both and something deeper, like…oh, wow, fuck, it’s entirely possible his ribs are already broken. His heart still feels full, but also scared, unsure, wrong-footed as more and more little clues seep into his consciousness, before maybe the clearest of them all: a shrill little beep that’s fast, like embarrassingly fast—

A monitor.

He draws a shaky breath—iodine, like, burning levels as he inhales and holy fucking shit, he’s in a goddamn hospital.

He’s, did he…

Is this what Steve meant, when he said ‘wake up’? Did Eddie…

Did Eddie fucking survive?

It’s in the spiral of that thought that Eddie clocks the same voice that jarred him out of his own head…in his own head, before. With the fancy sheets and the warmth and the home and—

What…what if it wasn’t in his head at all—

But his body, his pulse recognizes that voice as safety. As…rightness incarnate.

“Oh fuck,” and that’s the Steve Eddie knows best, right there, a little breathy and a little pitchy for frayed nerves and constant worry and the weight of the fucking world to make sure everyone—everyone else—makes it out as okay as possible.

And it’s in thinking that, that Eddie recognizes what Steve-in-his-headin-the-future-in-his-dream-in-his-maybe-not-quite-death-hallucination meant, when he’d said Eddie’s eyes softened. Because Steve’s heart on his sleeve, in his eyes, had looked peaceful, then. Content, even.

Not so frantic. Not so…scrambling.

Still just as blinding, though.

“Thank fuck, you’re awake,” Steve half gasps, a tiny clattering against the tile floor vying to draw Eddie’s gaze away but there was genuinely nothing in the whole goddamn universe that could take Eddie’s eyes off of Steve just now, those lips parted ever so slightly, cheeks that tiny bit rosy, pulse maybe-maybe-not visible just below the bandages on his neck.

He’s beautiful.

“What do you need?” Steve’s leaning closer, hands reaching but then kinda fluttering, kinda hovering, not sure where to touch and even if they knew the answer, kinda like they’re not sure if they can touch in the first place, yet all Eddie can do when he sees them, when he feels the shift in the air for how close they are; all Eddie can do is remember what it’s like to be pressed close to Steve’s body, to feel Steve’s arms around his chest, like they’re keeping him.

“What can I do,” Steve asks, so earnest and Eddie’s pulse does a little skip for it, how good it feels; “I—”

And Steve’s eyes are already big, just short of pleading, darting to the corners of the room maybe for water, maybe for a button to call someone to help more than he can—as if anyone can help more than Steve can, just now, because Eddie’s waking up from what it feels like to have Steve, and the most pressing possible thing in the world just now is SteveSteveSteve, near enough to feel, to breathe in—

Steve’s eyes are already big, though, is the thing, even before the full-on fucking crash of something to the floor makes him freeze. Eddie tries to peer down, winces as it pulls to much at…everything, kind of, Jesus H., but he hurts everywhere, and…

“The hell were you doing?” he asks in the absence of being able to see because…metal. Metal had hit the floor, from the height of probably-the-bed, after Steve had pressed into the mattress, shifted the weight, and then he’d blinked all owlish and adorable: culpability for whatever he’d been up to written all over his gorgeous fucking face.

“Umm,” Steve chews at his lip a little, eyes peeking up through his lashes, that look that makes Eddie weak and wobbly at basically every juncture it’s possible to tremble at like that, but he doesn’t duck away; he doesn’t even blush. He’s not…whatever he was doing—and Eddie’s range of motion is fucked, he’s already super well aware of that shit when he even tries to move to see the floor, to follow the sound—but whatever Steve was doing, he’s unrepentant. But in a way where he maybe recognizes that other people would have been less brazen.

Eddie’s wrist tingles out of nowhere—weird, when all of him is already kinda in a sort of dull, narcotic-shrouded pain—and he frowns, glances down at least that far and notices the slightest ring of red that’s less angry, not attached to bite marks and broken skin, and he has the wildest thought cross his mind just then, and he steels himself to crane his neck as far as he can, to limit the strain he’ll put on his middle because now he needs to see, because he kinda knew before he cut the sheets and ran into the fray that coming out on the other side meant life behind bars if there was any life at all, yet here he is, increasingly seeming like this is real, and this is his ‘other side’, and…

He’s just in a fucking hospital. He’s…he’s here, and he’s, he’s not…he’s not in fucking chains.

And it stings like a bitch, and Steve’s a second away from stopping him, reaching for him and pressing him safely back onto the the bed, but Eddie gets the glimpse he needs. Recognizes the shape on the floor, shiny steel against the scratched-up linoleum.

“Were you,” Eddie traces the ridges of his teeth with his tongue, because there are layers to what he’s about to ask; “were, umm, were you picking the,” and the first little clatter from before makes more sense if he’s right, and if he’s right, well, fuck.

It’ll be hot as hell, if he’s right.

“That?” Eddie tilts his head toward the floor because: cuffs. What he’d seen, what had fallen: handcuffs. On the floor. And they’d have had to have been not on the floor, and probably on him before, and so, he—

“Possibly,” Steve answers with a straight face, as unapologetic as ever, maybe more; maybe even defiant, and oh, wow. Steve Harrington picking his fucking handcuffs, setting his stupidly-quickly-lovesick ass free.

Hot as fuck; seriously.

“How positively criminal of you, Harrington,” Eddie grins half-maniacal, feels the stretch of it burn against a cut that’s gotta run half the span of his cheek but fuck it, the warmth flooding him is undeniable, is incredible—he’s giddy all of a sudden, straight to his bones.

“S’nothing on hot-wiring,” Steve shrugs, like it’s not fucking everything; “but I wasn’t,” and Steve takes a deep breath before he squares his shoulders, looks at Eddie straight-on and shit, if he thought the warmth in him up to now was something?

It’s kinda got nothing on what consumes him under those eyes.

“I wasn’t going to let you wake up fucking…shackled.”

And goddamn if the fire in that voice, those words, doesn’t light Eddie up like burning, doesn’t shake him to the core and then blanket him in sureness and the kind of protection he didn’t think really existed.

Save that he does kinda think it’s exactly what this man’s made of; made for.

And Eddie can’t escape the certainty rising in his veins and pumping, fierce and unshakable, that he wants—more than maybe anything—to be the one to give that same safety, that same promise of something unwavering and permanent and beyond question, right back to Steve.

“You’re an innocent man,” Steve leans in then, emphatic with it; “you’re a goddamn hero,” and he means it, holy shit, he believes that:

“Like hell I was just gonna,” and he shakes his head, like the idea is just that preposterous; like he cannot even consider anything but Eddie being free, and okay, and here, and…

Eddie’s struck with the sudden slap of realization across the fucking face that he couldn’t have gotten topside by himself. That someone had to get him from the hellscape to here. And of the able bodies in the Upside Down, no matter how strong the girls were, only one could have wrestled him through that gate. Only one could have…whatever he maybe needed, between this bed and that bat-strewn ground, it was, Steve would have been, he’d have—

The force his heart trips, then leaps with, is fucking cataclysmic. Eddie’s honestly surprised it doesn’t just tear out from his throat then and there.

“Plus they’re in the process of finishing the paperwork to make it all official, dropping the charges and all that, clearing your name,” Steve gestures vaguely in the air, like it’s all routine, the feds and the cops sweeping shit under the rug but then he remembers all the side comments he’d collected in the back of his mind these last few days about the ‘last time’ and then ‘the time before that’ and fuck all also the first time—

Maybe it is, just…sick and twisted and harrowing and heartbreaking routine.

“They’re just really fucking slow,” Steve smiles at him, all small and devastating and…

And okay, so that overwhelming urge to be a constant in Steve Harrington’s life, safe next to his heart kinda for always, zero to forever in half-a-blink?

Eddie knew he wanted, when he threw his vest at Steve’s bare chest more for Eddie’s own fucking sanity than anyone’s modesty, but it was all washed in the hopeless-helpless colors of desperation, of why not when I won’t see tomorrow; and now.

Now, all Eddie wants is tomorrow. Every tomorrow. No tomorrows without this man. Without what he saw, how it felt: what he knows in his marrow loving him would be.

It’s probably that conviction etching into his cells that makes makes him softer, a little weepy around the edges; drives him to need through the next words that escape:

“Steve,” Eddie breathes, wishes Steve were just that little bit closer so that the distance he can reach could reach him:

“Thank you.”

“Of course,” Steve waves him off almost, like he doesn’t think everything he is, everything he’s done is monumental. Not just the cuffs but with the cuffs like the cherry on top of how Eddie would—will, if he’s given the chance—devote all that he has and all that he is to making Steve happy. To making him as calm and warm and loved as Eddie could feel in that bedroom, in his head or in the future or on death’s fucking door.

“I mean,” Steve starts, and Eddie can already feel how he’s angling to downplay the thing that’s only swelling, building, growing under Eddie’s own ribs and, well: no.

No, Eddie won’t be standing for that.

“Stevie,” and Steve’s gravitated wordless just close enough for Eddie to be able to brush his fingertips against Steve’s wrist, to curl and pull his hand into Eddie’s grasp, palm splayed above Steve’s knuckles, holding. Keeping.

“Thank you.”

And Steve stills a little, stares at him like he can see what’s tucked up tight and dear in Eddie’s chest and maybe he can, because his voice is feather-light and a little bowled-over. A little…a little awed.

“You’re welcome.”

So yeah, maybe he can see what’s in Eddie’s chest, less tucked in this moment now than fucking, like…

Blooming.

“Do you believe there’s anything waiting when we die?”

Eddie’s gonna blame the frantic blossoming warmth coursing through him for the way he blurts that shit out with no preamble, like maybe the flowering wonder of it all pushes it out without permission, sweet on the back of his tongue but heavy because it matters so much; because it’s all just nostalgia.

For now.

“What?” Steve gapes a little, sounds dumbfounded; maybe a little wary. Fearful.

His hand’s still held under Eddie’s, though, so it’s only natural the way Eddie lifts his fingers and presses them palm-to-palm like it means something.

“Do you?”

“I…don’t know,” Steve swallows hard enough the follow down the taut line of his throat, fucking mesmerizing.

So maybe the way Eddie licks his lips before he says anything more isn’t…isn’t just for the sake of the topic and its weight, is all he’s saying.

“I,” and Eddie doesn’t really know where he’s going, here, or else: he knows exactly where he’s going.

He’s just not totally sure the path he’s planning to chart along the way for getting there.

“When we were down there, and I was telling you to go after Wheeler,” which yeah, okay, surprise direction there, weird little detour, but…it doesn’t feel wrong.

Which means, if it’s right instead: then that’s everything that is Steve in Eddie’s lungs for breathing, in the chambers of his heart. So he leans into it.

Squeezes Steve’s fingers laced together with his.

“Eddie,” Steve starts, sounds tired, spent, and Eddie was never going to let that happen; no matter where he’s going, or leading them down the path of his revelations, the truth etched new but also deep in his bones like it was only waiting to be found and known.

“It was because that’s what I wanted. For me. I wanted to,” and his breath catches on a little chuckle, so light and choked and a little hysterical as he adds, giddy and a little bashful all together at once:

“Unambiguously, umm,” and he trails a little, wants to hide behind his hair just a touch but to do that would require a broader capacity to move in the first place and more, so much more: it would mean letting go of Steve’s hand.

So: absolutely not.

Especially not when Steve’s gone full dropped-jaw gaping at him, his fingers in Eddie’s grasp twitching like he’s confused, like maybe there’s part of him short-circuiting, and Eddie feels his exhales tremble when he finally blinks, finally tilts his head and takes Eddie in at a new angle before he asks, genuine and not just a little lost:

“Seriously?”

And Eddie…Eddie’s actually never been more serious in his life, so.

“Like,” and he circles Steve’s knuckles delicate-like with his thumb: “I wanted the chance, to try, I guess, yeah.”

And he doesn’t know if he’s risking everything to own it, even if he’s owning just a sliver of the breadth and depth that he feels, but he does know unequivocally that he wouldn’t hold it back if given the choice, the opportunity to do it over and not show his bloody-beating heart on display.

A bloody-beating heart that’s moving quicker, slamming harder against his chest but…that actually feels like the only correct thing it could do. Because this merits it.

This kinda is his whole fucking heart.

“Do you still?”

It takes Eddie a longer string of seconds than he’d prefer to own to, to process the words as having meaning, no matter that he doesn’t fucking understand what they’re aiming at.

“What?”

“Want,” and Steve’s the one squeezing Eddie’s hand now, turning a little to graze at the line of his veins at the wrist; “the chance.”

And he says it deceptively casual, despite how he’s staring at their hands, determinedly not meeting Eddie gaze as Eddie gets his chance at the gaping.

“Fuck yes,” Eddie finally huffs on something not unlike unabashed fucking joy, save that this thing he’s feeling is so much bigger, and when Steve looks up, meets his eyes and his own glimmer, shine so bright and brim with such disbelief, but so much stronger and with such hope, Jesus.

Eddie can’t help the giggle that bubbles out of him. Like his whole fucking soul gets shaped into a single breath of exultant delight.

And they both hold to one another, trace across skin and map the lines and dots and scars, and Eddie’s not stupid, he knows this isn’t how it works but…

But he’d still bet money on the fact that the way he’s touching Steve, so innocent and so quietly intimate, is healing his wounds, shoring up his weaknesses and stitching him up fuller, better, breath by shared-sacred breath.

It’s heady as fuck. It’s exquisite.

“Why’d you ask me about when we die?”

Steve’s the one to break the still, and even that’s not breaking anything, really; he speaks so soft. He’s stroking down from Eddie’s thumb back and forth.

It’s not breaking anything.

“I saw something,” Eddie whispers, not sure what reaction that’ll get, and Steve’s staring at their hands again, marveling really, so Eddie can’t read any hint save for the crinkled furrow in his brow.

“But you didn’t die.”

Which isn’t the reaction he thinks he expected, even if Eddie couldn’t name what he did expect. And it’s also not a revelation he thought he’d receive.

“Not at all?”

Because he’s genuinely surprised. He at least figured he’d flatlined like…long enough to have visions of absolute and total domestic bliss and shit.

But Steve’s shaking his head decisively, holding on to Eddie just a little bit tighter.

“You had a pulse, whole way to he hospital,” he tells Eddie, voice gone a little hoarse; “it wasn’t strong but,” and Steve looks up at him, and fuck, those eyes are too shiny now and Eddie doesn’t want that, he doesn’t want his Steve to hurt, he—

“I fucking held you,” Steve croaks and oh, oh he’s shaking, Jesus—

“I kinda,” and he swallows with a click Eddie can hear, around a throbbing pulse Eddie can see, wants nothing more than to soothe with his lips against that tender skin; “I kinda had to make sure, so,” and the hand that’s not holding Eddie’s comes up, trembling as he reaches toward Eddie’s chest:

“Kept my hand pressed, just,” and his voice gives, and he looks up at Eddie with something like devastation, begging something like permission because he doesn’t know that everything that Eddie is, is his.

But he will.

He will know.

“Yeah?” Eddie breathes out, holds Steve gaze as he nods, as he tries to make it clear that anything Steve needs is his, and then some.

It takes a second, but the shine in those eyes finally shifts, finally brightens and then Steve’s breathing’s made of tremors, but his hand finds Eddie’s chest and sends something sparking like lighting through him just as the whole of Eddie feels immediately like he’s home.

And Steve’s hand on his chest feels exactly like it did in their future bed, in their future room, in their future life.

Their always love.

“Yeah,” Steve whispers, then takes a moment, palm splayed wide just above Eddie’s bandages, before he’s gripping Eddie’s wrist with the other hand a little harder:

“It’s so fast,” he exhales like it holds the whole world and then some; he wonders at just Eddie’s heartbeat under his touch and god.

God, but Eddie…Eddie couldn’t have imagined he’d ever feel like this. Let alone feel like maybe it’s mutual, maybe it’s real, maybe he can keep it and stay in this feeling for forever.

“Fuck yeah it is,” Eddie murmurs, then he chuckles, inhales deep maybe just to better feel the weight of Steve’s hand; “making up for the lost opportunity, y’know,” and fuck, all he wants is to be able to lean, to kiss the pout of those lips, to taste what it means to love somebody like he’s never done before.

“Making up for what it missed the last time your hand was there to feel it.”

And Steve’s hand above his thrumming heart twitches just a little, but never flags or makes to move, to leave, and Eddie thinks that he’d be fine if he lived the rest on his days with Steve like that, near enough that he could press a hand to Eddie’s heart at all times and just…just know that it’s his.

Because maybe it’s sudden—it’s definitely quick—but Eddie’s never known anything like he knows this.

“Eddie,” Steve finally whispers, a question and a claim and a means of cradling Eddie to his heart, somehow, for how swathed in light and affection Eddie feels in that moment, in just the shape of his name like it’s never been spoken before.

“I saw the future,” Eddie blurts out in a rush, breath coming a little quicker and heart-under-Steve’s-hand pounding harder. “Maybe. I don’t know, I mean, it sounds so stupid when I say it out loud but it felt so,” but then he looks into Steve’s eyes again and Steve is listening, Steve’s maybe doesn’t think he’s crazy, so he feels safe enough to say with his whole fucking chest:

“It felt real, Stevie.”

“What was it?” Steve asks, so quiet, so gentle like he doesn’t want to disturb this thing either, like he doesn’t need to hear it spelled out yet to know it’s delicate, the most important thing in the world, which fuck yeah it is, even as it cracks and chokes for the flood of feeling around it when it presses up from Eddie’s chest:

“Us,” Eddie breathes it out like the precious truth it genuinely fucking is:

“It was us.”

And Steve doesn’t say anything, but his eyes glimmer all the more, swimming with a riot of emotion to a degree than Eddie feels drowned in awe just to see it, and his hands on Eddie hold tighter, more fervent, devoted like a pledge for the way it runs through Eddie’s blood and sings in his veins:

“Even if it wasn’t real,” but Eddie’s doesn’t believe that, not really, not in his heart of hearts where it all pounds into the crevices that map Steve’s touch; “even if I wasn’t seeing the actual future,” and maybe he wasn’t, maybe that wasn’t their future, and maybe he’ll never know, but what he does know, is—

“It felt right, Steve.”

He knows that clearer than he knows the sky is blue.

“It was just a few minutes,” Eddie flounders a little, mostly because he remembers how good it was, written indelible into how much he wants, here and now:

“But I have never felt anything so right.”

He breathes, shaky and shallow and too fucking fast, but then Steve starts stroking his palm along the unmarked spaces of his chest, back and forth over the gallop of his heart like he means to stay there. Like he could ever want to keep.

“Well,” Steve whispers, his eyes on the path of his hand to make sure he doesn’t draw any pain—as if he ever could—until he knows the safe route over and back, again and again, and then he looks up, catches Eddie’s eyes and locks there, doesn’t pin so much as holds, holds, holds.

And good fucking god, Eddie feels it glisten through him like starlight; Eddie feels remade before Steve’s leaning in, lower than to meet Eddie’s mouth but then he’s pressing his lips to the dip between Eddie’s collarbones, holding there, breathing like he means to savor, like he means to cherish, like he means to, to…

To stay.

And Eddie’s heart’s under that hand and those lips all at once, wholly Steve’s while it quivers like a riot, while it leaps as Steve changes the world, writes their fucking future where his mouth drags wet and warm and ardent and there’s nothing in it at all that can be anything other than at least on the way to love as he breathes, fucking vows:

“We gotta try, then, don’t we?”

♥️

>>>also on ao3✨

for @penny00dreadful 🖤 still very fucking sorry it's this late

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