#you can feel his pain here

[jonathan-cranes-mistress-of-fear]

SUCKER PUNCH!!

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[coquelicoq]

it's about...longevity? stability? it's about natsume believing he'll be somewhere long enough to plant flowers and see them bloom. it's about him taking touko seriously when she asks him to tell her what flowers he wants to plant. it's about making something with his own hands, building a future with the fujiwaras. it's about him repairing a rundown home for someone else, restoring it because it's beloved to them, because it's the home of someone they love. it's about him seeing touko's joy and thinking about the youkai saying we'd like to look upon her happy face forever. it's about the box garden making him think of the fujiwaras' garden and his parents' garden, about the flowers being both the memory of flowers that bloomed there before, and the flowers that he and the youkai planted earlier that day. it's about him waking up in both worlds with sensei. it's about touko finding the petal in his hair. it's about him feeling how he falls short and the youkai saying, but you have such gentle hands...

[reksink]

Beloved Residents of Dirtmouth (And Quirrel 👍)

[imaybe5tupid]

Why bother? (Why bother?) It's gonna hurt me. (It's gonna hurt me.) It's gonna kill when- (Why bother!) -You desert me! (Gonna hurt me!)

Set after Nightmare. Laios is reminiscing and contemplating.

[turtleblogatlast]

[ cw: death mention / family death mention / ]

Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.

I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.

Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.

[triglycercule]

nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.

nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)

they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)

and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[mulders-too-large-shirt]

s3 episode 23 thoughts

the previous episode was SO good. but, it is true, i was distracted by the dog. it was SUCH!! a perfect episode. EXCEPT for that one thing. so i hope that today, i can face this episode with a clear head, free of judgement based on the fate of little dogs.

well, boy, i did face this episode with a clear mind, and wow. wowza. another AMAZING ep... and i will keep the angst from this episode in my heart forever and bottle it and take a nice long swig when i need my msr feels, which is basically always. wow. an exclamation point doesn't even feel APPROPRIATE, it just needs to hang in the air for a bit. (wiping tears away) wow....

let us go back to yesterday's notes, which shall commence below:

reading the episode description... so this one features murders linked to a device that alters television signals… huh. man, too many people i know don’t even have cable anymore. this simply would not work in the modern era. imagine if hulu or tubi or something made you kill people though lmao that would be silly to imagine.

we open with a guy digging a hole in the woods. always a promising start. seems he’s in an orchard of some sort? and the music is very very creepy. 

okay, so just as you suspect, this dude is burying a dead guy. sometimes your gut instinct is correct and tropes are not meant to be subverted. but the dude who is burying him says “your killing days are OVER” so is this actually a justice arc??? hmm. it is not clear. man, it would be hard to dig a hole like that.

shovel murder man is at home washing the blood off. but then someone else approaches him and he kills THAT GUY TOO WITH THE SHOVEL?? huh? what is going on. 

police at da guy’s house. everyone has the same face as the dude he just killed??? so they tase him. and then the faces go back to their REAL faces. now what is going on here!!!!!!!!!!

as the real faces return, the man realizes he killed someone named sarah!!! and he seems sooo upset by the fact that he killed sarah!!!! poor sarah :(

so does the tv make you see other people’s faces on the bodies of random people….? omg that’s insidious...

we now shift to a different scene, one where mulder is sitting in his car at 2 am. doing what???? waiting for some guy!!! he was waiting TWO HOURS for this guy!!! who is this guy...? it's giving blind date/drug deal.

the man who enters his car gives him a newspaper clipping about the murders we just saw. and mulder came here after getting AN ANONYMOUS EMAIL in the middle of the night??? this is crazy because literally so many people want him dead and this would have been a very easy way to accomplish that goal. wow. seriously, no self-preservation instincts on this guy.

mystery man says he has no obligation to explain what is going on, but if mulder walks away from it, more people will die. so no pressure!! xx

cutscene to a hospital, where mulder is watching our murderer through glass, while scully comes in saying that she is sorry she is late, but “the beltway was a parking lot”. beltway refers to interstate 495! thank you wikipedia i love your services!

murderer is named joseph. and he claims to have been killing the same guy over and over again, and that he wouldn’t die. which seems pretty awful.

OH! and the week before, in the same town, a babysitter attacked the kids she was watching because she thought they were WOLVES??? omg that is horrific??

they’re talking to the physician, dr. stroman, who says perhaps this was provoked by amphetamine abuse. then joseph starts SCREAMING. he sees a guy on the TV- miriskovic- sorry y’all idk my post-soviet history 💔 (update: i googled it, i don't even think that guy was real because all the results are links to wikis on this specific episode... reveals how little i truly know)

anyway, seeing that guy's face on the TV seems to have triggered the screaming situation. does he have trauma from the country he used to live in and seeing references to it makes these things happen…? that would be a wild episode. put me in the writer's room and let me cook.

scully quickly picks up on the fact that this case is Weird, and mulder admits it came from some random guy, which makes her suspicious. but they go to the crime scene, and, like always, he lifts the crime scene tape up over her head, and it’s very charming despite the lack of sensibility in going down this whole rabbit hole.

the minute they get in, they hear screaming and a gunshot! but it’s just some kids watching TV??? eating popcorn in a crime scene??? LMAO WHAT?

mulder kicks them out and scruffs one of the boy’s heads... ohhhh he needs to be a father so bad huh... like i have been saying this since s1 he just has a Need to tease and spoil children. well, we can unpack that another time. there's crime afoot.

so he watches the tv and it starts to go all static-y because a guy outside is fixing the wires. scully finds a TON of tapes and they’re just shelves and shelves of cable TV shows!!!

“there must be hundreds of videos here”, she says, to which he asks “anything good?” <- idk why this made me giggle. it sounded like he was gonna put one in and chill for a bit lmao

scully starts to wonder if seeing the cable news, like joseph had recorded, was what triggered his episode back at the hospital. ooooh! a theory!!! 

cut to mulder watching a tape in the bed of his motel, making an absolute pile of sunflower seeds- this dude is gonna attract mice or something someday omfg- and also he has a cola which is peak american culture. LMAOOOO he has a HUGE pile of tapes on the floor i’m crying... my type A self could NOT deal with him!

he says he watched 36 hours of bernard shaw and bobbi batista and is now also ready to kill someone as scully welcomes him into her room, which also has cola but is much more nicely organized! she found something weird on the tapes from late april, each a night when he committed a murder 

AND WHY DID MULDER GET ALL COZIED UP ON HER COUCH?????? hooooooly fuck i have never seen such a baby girl of a man

OMFG??? all the reports from the murder nights feature that miriskovic guy!!!

so did seeing violence make him violent? mulder says no, and that theory assumes that “americans are just empty vessels, ready to be filled with any idea or image that’s fed to them like a bunch of pavlov dogs, and go out and act on it” oh if only this man could see the news lately……… insert ben affleck smoking a cigarette image here to describe the things we see in our current age. mulder you would not believe.

he’s really bashing her theory, but she’s saying maybe he was high and seeing these things sent him on a spiral- makes sense to me

he is leaving to go get some sleep (after admitting he can’t explain what is going on!!! which always endears me) but scully says she is going to watch the rest of the tapes… a herculean task for our girl

middle of the night and it’s still tape time for scully, but she hears the phone ringing. she hears mulder having a conversation. and he says “no, she doesn’t” which is weird… that is suspicious… what doesn't she...

scully chews her ice which is so funny because me too sometimes. she has chewed all of her ice and must fetch more. and get a cola ofc!!! nothing more american than a cold soda iktr!

but she sees mulder in his car??? lighting up with cig man???? HUH??? and handing over a tape? omfg this is crazy. i assume she is hallucinating though, because no way….

cutscene to a lady named helene watching “the price is nice” (lmaooo) and washing some dishes. but the soap in the dishes starts to look funny- and everything is glitching around her!!! she sees a man outside in a hammock… kissing a woman!!! and oh, she is furious!! she gets her SHOTGUN?? this has escalated very fast. and we hear some shooting!!!

scully is still very visibly disturbed. mulder is reporting the murder, but she seems like a shell of herself. she checks the ash tray in the car, and there is no ash… she notices the car has been moved and he says he got a paper…. why do you ask…. “nothing. it’s nothing” OHHH THIS IS JUICY

so the crime scene has a very bloody hammock. and a dead man, who the wife claims he saw in the hammock with a blonde. but the only other creature at the scene was a dog!!!

OH!!! the hammock man wasn’t even helene's HUSBAND??? this really is LAYERED!! she killed the NEIGHBOR thinking it was her husband, who wasn’t even in town!!!!!! how do you mess this up so badly?

despite the fact that scully is clearly suspicious of mulder, she is sharing the umbrella with him in their usual fashion, and the sense of tension this produces is delicious 

they go to investigate the crime scene and mulder finds some sort of bike and immediately climbs upon it while proclaiming that television does NOT cause violence (LMAOOO HE IS SO WEIRD i need him.) 

they find a bunch more tapes and AGAIN the same guy is messing with the cables outside while they're investigating!!!! mulder is in chase mode!!!! but he cannot chase this dude in the van!!! no man, even a track star such as him, can outrun a van carrying secrets!

scully is trying to fast forward the TV and she looks out to see mulder climbing the pole…. average day for a man like him. he finds a weird cable scrambler in there. she wants to send it to the crime lab, but he says he’ll do the analysis, and she should go interview helene the murderer. OH... she is so suspicious, she just wants to go home…. scully :((( mulder is deeply confused as to why she is being so weird 

so he takes the thingy to the lone gunmen, who say it looks like it’s used for blocking premium cable channels, which i didn’t even know was a thing, you learn so much with this show. but it doesn’t block anything!!! HOWEVER, if you compare a tv with the machine and one without it, the one with the machine is slightly different. hmm...

“you know how television works?” “yeah, you click it on, you have a picture” <- the man who said that line went to oxford btw

it seems that this cable blocker thingy is adding some sort of frequency, but they can’t tell what… hmm.

mulder on the road. scully calls and only asks “where are you” in this very flat and creepy tone and OH i’m scared!!!!

he tries to explain that there is some sort of signal being introduced to the tv- he even says she might be right about the tv inducing violence theory! but she isn’t answering… she hears a clicking, like they're being listened to, and she says he never went to the detective…. let’s wait and talk on a landline, he says.

despite being in his car many miles away, he can tell that there is something very wrong with scully. he says don’t go anywhere, he’ll be right there, and redials after she hangs up. it's very much echoing when she said something similar to him in his crazed gargoyle quest.

but she is so scared, she rips the phone out of the wall and takes it apart!!!! and then the lamp too, and the table. she is checking everything for any sort of bugs!

holy hell, we have never seen her like this before... but i’m actually gagged because she is usually relatively stoic and seeing her paranoid is so different, but it also feels very natural??? she is acting her ass off here as she rips up everything in this motel room. big shoutout to GA, i love your work.

and the static that set in helene's vision earlier is setting in hers now!!! she hears a car pull up and drops to the floor…. she hears a man say “she’s in here” and a pounding on the door. 

OMFG someone tries to open the door and she FIRES 4 SHOTS RIGHT AWAY??? but it’s mulder!!!!

(author's note: i was thinking after i finished the episode, and we know that she is a good shot- remember how she hit just the right angle to knock mulder out but not kill him at the end of s2? so she is either SO out of it that she cannot even aim straight, or there is a tiny tiny tiny part of her that still thinks that mulder isn't worth killing. please mull over which option brings you greater angst)

he’s coming in with his gun and his hair is blowing in the wind and he can’t FIND HER!!!!! it was really very dramatic. hair blowing in the wind has this effect.

cutscene to scully’s mom’s house, and we see a picture of young scully on the table... AWW stop she’s so cuuuute and one of missy as well 😭😭😭

OH! it’s mulder on the phone calling mrs. scully in the middle of the night!!! NOOOO he has to tell her that he doesn’t know where she is :( NOOOO poor mrs. scully has gone through too much. he feels SO bad breaking this news, that he even apologizes for hanging up right away, something he never ever does. he must be in deeeep distress to do such a thing.

and why does he hang up?? because SKINNER IS HERE!!! he’s leading a manhunt for scully, and mulder is saying she shouldn’t be hunted like a convict… but skinner says dude SHE FIRED FOUR ROUNDS AT YOU AND SOME RANDOM GUY last night!!!!

despite this, mulder insists that he can get her to listen to him if they just keep her safe; she’s suffering from some sort of paranoid psychosis. skinner is being quite patient as he tries to explain that the video tapes made her do it. skinner says well... you better find her before these guys do.

GASP!!! he’s putting up the x on his window! and doing that thing where he bounces his basketball because he cannot relax!!! stop i'm emotional!!!!!

the lone gunmen call to say they found something on the tape…. and it induces electrical activity…. MIND CONTROL???

but why wasn’t he effected?

! MULDER LORE REVEAL ! HE’S RED-GREEN COLORBLIND???? THIS IS AN INSANE LORE DROP TO GIVE NEARLY 4 SEASONS IN??????

wait, is this just for plot purposes, or is DD actually colorblind and they decided to roll with it? because now i’m gonna be looking at all the red-ish things we see on screen (like his tie he is grabbing to emphasize his point) and wonder, can he see that? how does this impact his tie selection process....

okay that really threw me off guard. man, i was getting to think we'd never get another lore reveal, which is a shame because i quite like formatting those facts in that way. good to know we could get more at anytime!

he gets a phone call from maryland state police. the lone gunmen ask if she’s okay and he says no, he has to go and ID the body. WHAT!!!! WHAT!!!!!!!!!!!! he is trying to keep composed. holy fuck………..

(heavy breathing as i grab your shoulder and squeeze) hey man. hey. he was trying so hard to be strong.

so he pulls up to the morgue and stops before he gets out of the car, and holds his head above the wheel STOP I’LL CRY???? i’ll cry… what are they putting him through??? losing her again……..

(i mean i have SEEN gifs of scully in seasons past this one, so i know she's gonna pull through, but HE doesn't know that, and must be reliving the worst days of his life AGAIN, and aughhhhh!)

but the mystery guy from the start of the episode that give him the info on the muders pulls up and says get in right now!!!!!! mulder is furious, he says he’s busy. in a shocking display of insensitivity, mystery man says he does not give a fuck. mulder is yelling that this is all his fault. mystery man says “they” are destroying the evidence, and they’ll finish it by tomorrow if he keeps searching for her, but he kicks the door shut and ignores him.

(omg…. he loves her enough to break him out of his bloodhound mode… the dogged ahab-like quest for answers and revenge… i’m getting flashbacks to his conversation with missy in one breath…….. realizing he needs to put the ones he loves before his need for revenge sometimes..... wow)

so he walks into the morgue, and the dude in there says they found a body nude and shot in the forehead.

he closes his eyes to try and brace himself before taking a peek, to prepare to see her lifeless, probably reliving those many hours by her bedside when she was in the hospital, trying to imagine her shot in the forehead, the scully he knows and loves with her dry humor and her teasing smile and caffeine dependency, the her that is so full of life, lifeless…

but it isn’t her. PHEW!

despite this being good news that he has to share- she's not dead! her mother isn’t answering her phone…. so he goes to her house. and i'm thinking, oh my gosh, did she do something rash in her grief?

but mrs. scully answers the door and claims dana isn’t here. he bursts in and says he needs to see her right now. omg, he saw right through her lies.

(also, it always feels weird to refer to her as dana, but moving on)

NO!!!! she has him at gunpoint and says he’s here to kill him!!! poor guy looks so flabbergasted… and her mom is trying to get her to please put down the gun, and he’s trying to explain what is going on!!! he is so singularly locked into her…. 

“he’s lied to me from the beginning. he’s never trusted me” “scully, you are the only one i trust” AUGHHHHH (rips my clothes off of my body in biblical levels of grief) 

“you’re one of the people who abducted me” AUGHHHHHHHHHHHHHHHHHHH (rips off not only my clothing but also my hair as i experience emotions that rival what job from the bible went through)

she’s CRYING, and saying he killed her sister while her mom gets between him and the gun… and she’s saying she knows she’s safe here, that’s why she came here, and to put the gun down. and she falls into her mother’s arms sobbing. 

WHAAAAAAAAT. and he had to watch all that… oh my scully oh my goodness my poor scully…

timeskip a little bit. he shows up to the hospital where scully is with her mother, and mockingly puts his hands up in surrender, because he is so STUPID and he always has to make a joke, and i love him so terribly, so so so terribly, because he loves HER.

she's laying in the bed, and he shuts off the tv and asks how she’s feeling. she says she is ASHAMED- as if being a victim of mind control was a personal failing. scully, i want to yell, you have NO REASON to be ashamed, let me take all the shame from you and carry it elsewhere. she says it was like the world was turned upside down.

and he makes ANOTHER stupid joke about the world being out to get him, and now she knows how he feels-

before leaning in and explaining how joseph, the first murderer on this case, became convinced he was killing the bosnian war criminal who people called “the modern hitler”, which was especially important to him because both of his parents survived the holocaust. hence his line about the killing days being over!!!

and helene was scared her husband would cheat on her. so somehow the TV signal turned their worst fears into a living nightmare. 

OHHHH HER WORST NIGHTMARE IS HIM BETRAYING HER. HIM BEING RESPONSIBLE FOR HER GOING MISSING AND LOSING HER AUTONOMY AND MEMORIES... wails into my shirt. 

(this reminds me of that episode in s2- irresistible- when we learn her biggest fear is that humans are capable of terrible horrific things and grasping to trust despite that knowledge. we’re seeing that again right here. how uncertainty seeps in)

THEY CALL HIM THE CANCER MAN!!! wow very official canon recognition of the name (yeah it’s happened before but it happened again so that is cool) anyway she says she saw him giving cancer man the tapes and reporting.

he says that maybe cancer man was behind this, but then he whispers “why don’t you try and get some rest?” and there is something in me that melts so entirely as he leaves her to sleep.

(perhaps it is the fact that hurt/comfort and whump are my favorite tropes. because is there anything more intimate than letting someone see you at your most vulnerable, and them choosing to love you at it? is there any feeling more cutting than seeing your loved one suffer and knowing you’d stop the world for an instant of their relief? the terrible desperation of both parties, the wordless connection upon recovery, someone being the last thing you see before everything fades to black and then the first person you see when you return... yeah. it’s cathartic. but also it makes me want to yell and cry. pls give me all the hurt/comfort content)

so the doctor found high serotonin levels in her that maybe can be associated with mania, but now they’re back to normal. he asks if someone in her situation would be diagnosed with amphetamine abuse, and she says no. then he quickly calls the hospital where joseph is staying… what is he cooking in there…

he wants to talk to joseph's doctor, dr. stroman, who left behind only a number from the motel…. and he had JUST checked out…. so he’s going through his stuff. and asking about his calls. and he DOES find a cigarette in his room but a lot of people smoke so… try not to jump to conclusions juni… but the cigarettes mean one thing in this show!!! was this innocent-looking doctor behind such a cruel experiment?!

he calls and has the last number the doctor called get checked from the folks at the lab… so he goes to visit the place of residence and creepy music is playing. the dude from the cable company we saw before rolls up!!! he walks right inside the house, so mulder peeks inside. it seems the people in the house set up a trap of some sort, as they are talking about “him” showing up at 7.

he bursts in after hearing gunshots and both of the men in there are dead!!! shot in the head!!!!

who is there... but X???? X says he HAD to kill those men- he just hoped mulder would get them first. and oh, mulder is YELLING AT X!!! he is letting him HAVE IT!!! he says he is a coward, he was too scared to unveil the situation with the mind control TV murders himself….. he says X NEVER risks his own life, but he sure does make him risk mulder and scully’s.

OH! he is holding X at gunpoint. all X is saying is that he failed, and that mulder needs him. so he walks out, confident he won't pull the trigger. and he doesn't. 

WHAT! i need to kind of just let that sit for a second. i need to figure out this X fellow, but i get the sense i never will…. he failed… because he chose to try and save scully…….

cutscene to skinner’s office, where mulder is giving him a report. and scully walks in and says that dr. stroman DIED IN 1978!!! when skinner asks about the killer, mulder jumps in and says he remains unknown… oh, skinner is def gonna pick up on that….

so now we see X in a random back alley. getting into a car…. WITH CANCER MAN?????? X REPORTS TO CANCER MAN??? he asks if he has completed his work, and X reports that he has cleaned out all the personnel, everything is removed, but mulder still has a device. and mulder’s source has been eliminated. but the source’s source remains unknown. oh, he’s def lying through his teeth.

OOOOOOH this episode was SO good.

oh man, my brain is racing in a bunch of different directions. scully breaking down and sobbing into her mother’s arms…. scully convinced that mulder is a traitor, that he did those terrible things to her…. mulder so scared that she was gone, bouncing his basketball, getting a call from the police department that he had to go identify her… choosing her, even in what he thought was death, over following the Truth… the sick and twisted relationship he has with X, and X with Cancer Man, and Cancer Man with the world… it’s making me think of how mulder broke into his house that one time, was going to kill him over what he did to scully, and cancer man had the nerve to say he liked mulder… OOOH my brain is just racing racing racing. 

poor scully… how scared she was, how horrified afterward… 

other things that are on my mind, in no particular order: the bond between scully and her mother; mulder being all babygirl on that couch; mulder hopping on that bicycle and picking up some random doll from the murder victim's house; how haunting scully's voice was when she asked him over the phone where he was; their cola drinking; mrs. scully trusting mulder no matter what; how he tried to cover the grief in his voice when he told the lone gunmen he had to go identify her body; how he kicked the door shut of the mystery man, damning the investigation to pay his respects; how his head hovered above the wheel of the car before he got out to do that; how X uses and uses him to no clear end, and what is HE doing reporting to cig man, and what was that random doctor doing conducted fucked up experiments on random people; and scully's miraculously bad aim; mulder's conviction he could talk sense into her (spoiler: he could not); her shame at being convinced he had been the one who abducted her; how terrifying that must have been; and his stupid jokes when he walked into her hospital room, with the sincerity he tries so hard to outrun and outfox breaking through in his whispered why don't you get some rest?

so needless to say, i see why this one is a fan-favorite. this is certainly one i will be revisiting in the future when i need something strong. i have a million things to think over that will stick with me Forever, and i am in no rush to move on from this. in fact, i took these notes yesterday, but in the process of editing them tonight, i have decided i am not ready for the season finale and will have to save it for tomorrow because i'm still feeling So Many Things. so stay tuned to see how that goes, because whew!

[i-aint-nothin-but-a-nasty-dog]

Here's another silly edit that took me 1 minute at most to make :3

[ricciardhoes]

from the bottom of my heart, thank you for everything. there will never be another like you. ever.

[shigarakins]

i remember when the bodysnatching happened and how hardly anyone else in the fandom (or what i saw of the fandom) seemed to find it as horrifying as i did. then the same thing happened again with the mind invasion. and yes the fact that the mind invasion happened at all and not even the story gave much of a fuck about the fact that it did is still one of biggest gripes with the finale

[ruvviks]

Mikhail and Vitali were inseparable; when they weren’t studying or getting into fights, they would hang out at Mikhail’s place to smoke and get drunk on cheap rum and vodka, to then pass out in each other’s arms and sleep most of the next day away. They promised each other— no matter what would happen— they would never leave each other’s side. Yet after starting university and college respectively, they did not see each other for a little over six years, leaving them both heartbroken and wondering what went wrong.

by lucas expedidor // catch me if you can; eden // clementine von radics, from 'courtney love prays to oregon' // sam sax, cruising: a broken tiara // 'ceramic home' by heavensghost; quote from john murillo // 'something's changed' by laiikastears // i don't want to watch the world end with someone else; clinton kane // fortesa latifi, from 'the truth about grief' // audre lorde, the evening news // frank o'hara, biotherm (for bill berkson) // heading home; ruben // 'preface to a dream' by alessandra casini // tokyo; caroline kole // langston hughes, poem // haruki murakami, norwegian wood // julie buntin, marlena // by lute // by aleksandr popov // anyway; noah kahan // christa wolf, cassandra: a novel and four essays

[deoidesign]

I’m a trans man that recently got diagnosed with hyper mobile eds, so now seeing Steve makes me extra happy, because cool disabled ftm rep. Thanks for making the radical dude bro, he’s funky.

same disability (waving hand emoji)

Always extremely fulfilling to know my work makes people happy in some small way, it means a lot. Thank you for sharing with me

[mars-ipan]

some postgame doodles for pride month