#you can do so much more in animated mediums.
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First and foremost I want to start off by saying that I had planned to respond to this all on the day your reply was sent to me. My thoughts were already spiraling with what to say, both out of eagerness and fear, because I didn't expect you to ask me a question directly—So I hope I can clear up a little bit as to why I think anime appeals to such a broad audience, including myself.
Whether or not it will make sense to you or be satisfactory, I can not guarantee.
Hopefully this doesn't become crazy long or sound like a ramble, but I can't guarantee that either. 😅
I am by no means an expert on Japanese culture. Heck, I am no expert on western culture and I live in America. So when you say anime isn't really your thing, mainly because you don't understand the culture of it, I think that's actually pretty valid. Maybe to others who have read or will read this post, your words came off strong, but at least you were honest. Much of what you said, believe it or not, is something I think plenty of people can agree with to some extent; whether you're an anime fan or not.
I do think it's possible that we as people have the capability to understand or learn to understand things that aren't necessarily from our culture. After all the world is so vast and there is beauty in our differences, and we our often encouraged to embrace what sets us apart. Of course we, at our core, are made of the same stuff, so certain ideals, values and messages might shine through no matter where they come from. I think anime can address grander themes like love, death, faith, ect. and even point to truth, but it might either be one facet of the story or you have to dig a little deeper to find it. I've seen people attempt this, so i think it's possible. It just requires some work. At least that's how I see it.
Anime is a unique medium to navigate because it 100% is coming from a country that is different from my own in many ways, but I mean this more so in the small intricacies. Again, I am no expert, so what I say might be a bit inaccurate or plain wrong, but from what I've come know, anime is used as a means to counter things in Japanese society. An example of what I mean would be how many of the characters in anime, especially school students, have hair and eye colors that aren't natural. The designs in general can be pretty out there, sometimes looking wacky or just over the top, it could never be replicated in real life unless it's cosplay (probably). You're might be wondering why I mentioned that, since anything animated could do this as well, and you are right. It's not inherently special.
With anime though, I think it has more to do with the fact that in Japan, there is a tendency to keep things uniform. To keep things orderly, rather than drawing attention to yourself, dressing or acting in ways that are deemed inappropriate or out of the norm. Anime is not a replica of the day to day Japanese society, unless a particular show is crafted that way, so even some of the things going on in a story could even be seen as odd or uncommon or dare I assume, scandalous. Anime can be criticized by the very people responsible for it, so even when they KNOW the culture, they as the audience can react to it in many ways. I am sure someone else could explain this much better, perhaps understand it much better, because I typed all this and I am beginning to wonder if I lost you and I haven't even addressed some of your comments directly. I apologize.
All of that above is basically to say, YES, the culture is tricky and unless you're willing to try and see why things are the way they are when consuming something as popular as anime, I don't think you'll have the best experience. In my case, I will admit, I had a somewhat complicated relationship with anime. I still do but not for the same reasons as back then, when I was still a child and witnessing all this for the first time. I was familiar with shows such as Pokémon and (English) Yu-gi-oh! which are rather tame in comparison to...so many other anime out there. But I wasn't a fan, yet. I hadn't really dove into the anime pool, much less felt like exploring it, due to my upbringing and general reluctance to watch anything because the way anime looked was so different than what I was used to.
Until one day, finally, an uncle got me to watch a show that is generally geared towards children. I liked it, I liked the story and while the art wasn't as weird as it could have been, it took some getting used to Then he thought I could handle one that was for an older audience but not terribly grotesque or sexual or dark. It did have violence, although I think it was mostly justified given the subject matter. Shameless advertising, I think you might want to give this one a try, it's called Fullmetal Alchemist Brotherhood. I think there's plenty of lessons to pull from it, it isn't purely made to entertain just because.
I'm getting off track, so let's try to get back to your grievances.
So, I don't understand it very well. I don't understand why everyone's screaming. I absolutely don't understand the character designs. I don't understand the use of blushing. I don't understand the humor or the drama. I don't understand why one interaction can take several "episodes," and the dialogue is unrealistic the entire time. People don't talk like that. And it would be one thing if people talked in an unrelatable cadence once, as part of the "style" of a film or show, but it's across the board for every anime I've seen.
I think I and many other self proclaimed anime fans, got into it on the basis of the art style drawing us in. Yeah it was weird and new but it could also be fun and incredibly pretty. Also, there's real dedication and skill put into many anime I've seen, at least when you're looking at the scenery, food, and non-human related imagery. So if you're an art person or just like looking at things that are well made, that could certainly explain part of the reason why people watch anime, whether or not the designs make sense. I suppose that is also aesthetic choice as well.
So you could say, before we (The fans) understood anything about the culture, or why things were being done in the story, we just accepted it as different and went along with whatever was going on, for, entertainment and fascination. That includes things like the screaming, the humor, and even those strange speech patterns.
It definitely catches people by surprise. Even to this very day, while I am aware of these different things, I can still get annoyed or stunned by some of the anime antics. I think all the screaming has to do in part with anime being understood as a medium where you are expected to exaggerate and use excessive emotion to sell whatever you're going for. It doesn't have to be anything related to love, a battle or something super sad—That's just the acting. In comedies they can really go over the top, and that can be done as a way to sort of poke fun at anime as a whole. Then of course, if I went deeper, I might find that this ties back to ancient forms of storyteling and playacting. I can't say for certain if screaming was ALWAYS apart of how Japanese performed, however, I wouldn't be shocked by it. Same can be said about drama. Every culture has their own form of drama, each distinct in how they demonstrate it, and Japan is the same way. Their show of humor is probably a mix of doing things because its fiction , "anything goes in fiction" + certain tropes being tied once more to what they've gotten from their storytelling tradtions. Or maybe the tropes aren't even that old, they were just created first in japan and have been utilized since. Like when characters fall on their face and their legs stick up when somebody says something stupid.
As for dialogue, I can't quite figure it out myself. I assume the japanese speak more formally than your average person ? Although there is no way of actually knowing that. In anime especially, I notice they can speak in a way that just feels...weirdly poetic. Then you also have those weird breaks or pauses in sentences. Which does work if the situation calls for it, I think, but even I find myself saying something like "please just talk normal, you're doing too much 😭," every now and then. Also let me tell you, I think everyone at some point has COMPLAINED about anime taking multiple episodes to resolve an issue or reach a much needed discussion, especially when discussing romance anime. I've chopped it up to being for these reasons:
It heightens the drama and makes the audience anxious to see what happens. It's trapping you to stay for the rest of the show.
It's part of the plot, somehow. This scene can't happen until something else happens and that can drag, whether intentional or not.
I suppose you could say that there are situations in real life that would play out like this. A person who is shy or hates confrontation just keeps things to themselves, just doesn't bother to address the issue at hand and the more they leave it alone, the worse it becomes. Anime just makes a bigger hassel.
Are these all possible reasons? I doubt it. Still, I think they apply the most.
Now I'm going to merge what you said at the beginning and what you said near the middle.
Otherwise, why is there so much gratuitous cleavage? Whats with the emphasis on violence violence violence? Plus cursing? Why are all of the "attractive" characters a little-girl stereotype or a sexy femme fatale stereotype? And what's with the feminine looking dude characters? Why does one fight take six episodes? Why does one "romance" last an entire show but consist of nothing except gasps and blushes?
You sure picked some hot button topics to ask about if I can dare say so. I call them hot button topics because whether you're a long time anime fan or short time fan or just not a fan at all, many of these things have been discussed before...usually in great detail lol. Especially the part about women, there's quite a few video essays and conversations surrounding these seemingly common yet unnecessary things. There's all the feminism and patriachy stuff and I am not dismissing it or saying it isn't important to consider, but some of that I just...don't think matters to some degree. If I were honest, a lof of those big cleavages and sexy stereotypes exist because the audience (mainly men) want it and like it, and it pertains to a fantasy. Same with the little girl looking characters that can be super old. I AM NOT SAYING IT'S A GOOD FANTASY. But it exists. Additonally, however, it comes down to art style and aesthetic. Anime can do whatever it wants, thus you can design the characters however, based on what's popular, based on what you (the creator) wants and likes. Or they are filling some sort of quota, you gotta have the comedic relief character, the moody character, the pretty girl, whatever. The feminine looking dude thing is its own archetype and has its own history, one I couldn't really explain because I am not well versed. But that too, is catering to someone out there.
In regards to how blushing is used...my dear, I think that is, once more, an art choice. Many people know anime by its cutesy big eyed designs. Usually, you'll find a character blushing too. Typically it is used to show embarassment, shame or excitment. It probably adds to that cutesy factor, as well as exaggerating that emotion being expressed. Then there are moments of crying, or just other occasions when blushes are used, and I gather that is done because in real life, people can get super worked up. They can get all hot and red in the face or they get so flustered their cheeks show it. Still, this is not wholly accurate and thus, it's just artistic choice to add blush for a specfic moment or just cause. The gasping...yeah I don't quite like that either. Or excessive violence or cursing.
Depending on WHAT the story is, I'd argue you might need that violence. Could be about war, could be about surviving from a great evil, essentially anything that involves fighting. But even I have to admit, it can go...overboard. Or feel like whoever was making that fight scene was having a little too much fun yk? If you have certain kinds of characters who are just rough and angry or have gone through something traumatic, this may result in a potty mouth. On average I am surrounded by adults and teens who just make a habit of swearing, or its just part of the vocabulary. Anime is no different it seems.
Just cutting in to say that, whoever recommended you watch Demon Slayer and Naruto or whatever else- they showed you the "mainstream" shows. Nothing inherently wrong with that but anime is filled with all sorts of shows and some can go outside the norm of what is popular. Maybe you were shown the wrong stuff or it wouldn't have mattered either way because it wouldn't have what you're seeking. Unfortunately.
You aren't wrong in saying some values that are perceivable in the animes you've seen might be ones that the West is adopting and trying to instill in us. I wish you had been a little more specific in what values you mean so I could have a better handling on whether I agree with you fully or not. Even so, I think I have an idea of what you're saying. Not everything I see in anime I agree with or think matters or should be something to encourage, and that isn't me trying to be disrespectful to the culture but it's true.
I also find it odd that so many young Western men are drawn to anime. I don't think it's an awesome thing. All the anime I've ever seen: Demonslayer, Naruto, etc. doesn't have anything particularly good for them in it. There's a ton of violence, of egos getting slung around, yelling, and terribly long gratuitous brain-numbing pacing, along with sensual gasping and drama-for-drama's sake. And I know my young male friends are no more Japanese or understanding of Japanese culture than I am. So what are they getting out of it? They can't ever tell me.
This is perhaps the hardest part of the replies because I know what I think and have come to know about this appeal young men have for anime and it isn't all...good. Neverthless I will try to be fair to them. In the first place, I think men have a tendancy to like most things with battles and cool powers and just general rough housing. So if anime has that, plus a story compelling enough to draw them in, understanding the culture doesn't matter so much as does watching the characters kick some butt on screen. That just sounds like watching something for entertainment, it just gets a rise out of you and I think that's what it usually is. I think the closet equavilant that comes to mind is superhero and action films. Is the average guy watching for a message or because it's exciting and bloody and there's a ton of bodies running around?
another thing...people like to see themselves in the characters. This happens me sometimes as well. Maybe whoever is on screen right then and there, is seen as relatable to the young man watching and he starts to imagine himself like the character or indentify with certain traits, certain situations. I am not saying that this is always good or even healthy, mind you, but it happens. And I think whoever is making the anime(s) is aware of that. This can be said for girls too but that is a different discussion.
Many men are watching anime for the eye candy too, that being, the female characters. I don't think I need to explain to you what can be done and thought about when characters are made to invoke sexual desires. It can be explicit or implicit but it's still there and that comes with its own issues. I'm not trying to sound like some kind of prude or judge, I've dealt with my fair share of strong feelings with characters, but I wouldn't call it a good thing. Much of what was said in this response to my ask, I've been convicted about because I know that deep down, not all of it is really doing anything for the audience, we're just here to have a good time with whatever is on screen. It can feel very shallow.
I could probably say more but i think this is enough. I hope this makes sense, I jumped around a lot, not sure if I answered every question the best I could. I wanted to try and provide context. This conversation hits home in some ways so that is also why this reply is long. My brain is fried though and this took forever to type, but just know, if you don't think you could ever like anime, that's fine. It an acquired taste. You might be better off away from it.
Hi, not to sound like a creep but I was trying to find this one reply to ask about the Chosen series because I remembered something and I wanted to see if you're the one who said it. But then I couldn't find it. Stumbled into this one post where you said your least favorite medium is anime and I'm quite curious about that now. I don't generally have an issue when people say they don't like anime, as a whole, but I try to understand why. Of course even if you just said "I just don't like it" then I could respect that too, since I can not push it.
I think it's like a language I don't speak. Even the English-dubbed versions. In anime, it's not made by people in my culture, for my culture. So, I don't understand it very well. I don't understand why everyone's screaming. I absolutely don't understand the character designs. I don't understand the use of blushing. I don't understand the humor or the drama. I don't understand why one interaction can take several "episodes," and the dialogue is unrealistic the entire time. People don't talk like that. And it would be one thing if people talked in an unrelatable cadence once, as part of the "style" of a film or show, but it's across the board for every anime I've seen.
There's nothing wrong with that, per se. Like I said, it's just made for a different culture, one I'm not in. And that's fine. Could I learn it? Could I engross myself in it until I feel what the media is trying to make me feel and get what they're trying to say?
Yeah. I could.
But most often, it doesn't feel worth it. It doesn't feel like the anime I've seen is really trying to point to a significant truth or remind people of goodness and beauty, so much as it is pointless entertainment.
Otherwise, why is there so much gratuitous cleavage? Whats with the emphasis on violence violence violence? Plus cursing? Why are all of the "attractive" characters a little-girl stereotype or a sexy femme fatale stereotype? And what's with the feminine looking dude characters? Why does one fight take six episodes? Why does one "romance" last an entire show but consist of nothing except gasps and blushes?
Not a fan.
I have seen one or two anime that clearly have a point. They're Studio Ghibli, though.
And again, I'm not saying anime's have no point in general. I'm saying I'd have to understand the culture to get the point, but the culture itself seems to be based around values that I don't find valuable. And a lot of those "values" if I'm reading them right are the ones our Western culture is starting to push down throats more and more, and I don't like those, either, so there you go.
I also find it odd that so many young Western men are drawn to anime. I don't think it's an awesome thing. All the anime I've ever seen: Demonslayer, Naruto, etc. doesn't have anything particularly good for them in it. There's a ton of violence, of egos getting slung around, yelling, and terribly long gratuitous brain-numbing pacing, along with sensual gasping and drama-for-drama's sake. And I know my young male friends are no more Japanese or understanding of Japanese culture than I am. So what are they getting out of it? They can't ever tell me.
Maybe you can?
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i think some characters just cant exist in live action form
#gwen stacy 65#sam chung#any of the xmen#like its just always gonna look Wrong trying to translate these characters that exist in these very#heavily visual environments#i.e gwen stacy's world is synesthetic. colors morph and change nonsensically to match the moods and tones of panels things dont Make Sense#you cannot translate e65 into a physical adaptation without doing it a massive fucking disservice when it already has this gorgeous visual#language#same with daredevil comics like i just dont think#you can do so much more in animated mediums.#sam chung would look fucking Weird in live action because of how much negative space he takes up in panels#same with gwen stacy#like theres a reason so many biblically accurate cosplays of comic characters look off or weird!!!!#they shouldnt look like real people!!!!#idk. thoughts
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Lackadaisy Enrichment
#in our enclosures!!#video linked as source; which i'm glad to see already has a million views and is trending. That's Right#lackadaisy#WHICH i have been reading since at least '07 when i was thirteen my god b/c this animation is based on the ongoing webcomic#like does its influence show up Directly in some Discrete way i can point to in my art? not very easily probably. And Yet.#the inspiration....i wasn't able to be Regularly Only for at least another year / art done Nonprofessionally Online was novel to me#like wow ppl can make & post fanart of w/e they love huh....didn't know webcomics were a thing & i never really read that many since but.#good god the quality of Lackadaisy at its onset is like this is superb?? this person putting in all their talent and effort???#and Then you get years & years more art and i don't even know what superlatives to throw out abt its quality as it evolves. obsessed w/it..#if i see a new lackadaisy comic page i Will be acting out. obviously this animation is a delight & also stunning. and fascinating to also#juxtapose as a Translation / Interpretation of the comic in a different medium & standalone snippet of Story#and that we're not even quite there in the comic timeline; Taking Notes abt character info we get distilledly here....genuinely love like#take it back to '07 i'm like oh boy can't wait for the dream team to assemble. then a decade later when it did? Oh Boy. that is payoff lol#namely hooray for stitches and mudbug at the field office for every passing gangster. killing one marigold associate but not the other#which seems like a promising start to shootouts w/the other dream team triumvirate. i adore that in canon so far mordecai freckle & rocky#have met but only over a nice brunch. re: all intentions anyways. anyways i'm like Gifs Must Be Made while i'm also so riled afresh abt the#comic that i've been sooo hype for for over fifteen yrs now babeyyy Deservedly. i've done a couple of rereads & ought to do another....#For Interest it'd probably take a few sittings to catch up from the start but there is much to be engaged over....this ongoing story that's#historical fiction prohibition bootlegging cats with plenty of focus on characters & several Mysteries. which i'm better at parsing now lol#like one of the more recent rereads like Oh Of Course x (probably) accidentally killed his y & z took the fall & that's a binding secret...#Not [oh of course] abt the circumstances surrounding a's death & how b & c were involved. nor the ''what's marigold's damage'' mystery#which is great. love to not know things. love that we can readily follow all the emergent drama everyone's wading in nowadays. hell yeah#anyways admire my organized approach to gifs here. four shots each Expressions Atmosphere Action Groupshots#sure might've muddled through gifmaking for this anyways but fr being a huge lackadaisy comic enjoyer for now most of my life helps#and its very Overall Inspiration like. just really getting the [you can really just draw stuff out here] going. fr the art's detail & skill#and that enrichment like i'm gonna have a great time following this. And I Have#you don't expect a crowdfunded indie animation in the mix back then but hell yeah fellas#SIGH ok removing a 4th gif that's broken / not displayed despite reuploading then entirely remaking it. if it's a bug i'll try again later
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
#(i am incredibly passionate about this)#(and seeing celebrity voice actors in what should be a voice actor's role completely burns my buns it doesn't matter WHO it is)#(hemsworth as optimus? someone tell me one good reason why they couldn't get a good v/a to replace mr. cullen properly for the future)#(ben shwartz as sonic? dude literally isn't even a good voice actor OR actor anyways-)#(- A N D jason griffith AND my boy roger craig smith are still RIGHT HERE)#(jason griffith IN PARTICULAR would have pulled back SO many sonic fans that went to watch the film anyways. if not /more/.)#(and on top of that he has the same tonality and energy they tried to force this moshmo to try and emulate anyways so GET THE REAL THING)#(chris pratt as mario? i can at least defend /him/ and say that barring his failure to do a NY accent consistently he wasn't terrible)#(but mario's new voice actor could've been used instead and people would've clearly appreciated that WAY more)#(vanessa hudgens as sunny starscout in mlp g5's pilot movie? literally why. they replace her and hitch's va in the show.)#(don't even get me started on the concept of hiring celebrity singers to do musical theatre roles or not letting musical theatre singers-)#(-dub the celebrity voice actors you just HAD to hire for your film bc you're so worried about not getting enough clout to get ppl in seats#(that you're putting it all in this (1) big name hire bc turns out that you have no faith in your writing ability much less-)#(-animation as a medium.)#(and no before anyone says anything : no this is not me saying that ALL celebrity voice castings are bad.)#(there are some that aren't that bad and others that are actually pretty good.)#(i especially appreciate it when actors are damn well aware they aren't voice actors and try to LEARN from voice coaches-)#(-and/or their va predecessors if applicable.)#(that does not change the fact that the celebrity shouldn't have been hired just because the film wanted to have bragging clout-)#(-oh look at this FAMOUS PERSON we were able to hire — yeah ok. sure wendy. i want to know if this film is quality or not.)#(and 9/10 times the SECOND there is money spent on a non voice actor to voice the main character especially)#(that usually means somewhere along the way animation IS going to get shafted. if not w the animators themselves then in the way of-)#(-the actual animation itself and ESPECIALLY the screenwriting because it's especially been so dogshit lately even before the strike.)#(a celebrity being hired to fill a voice actor's role is such an immediate red flag to me and it is VERY rare that i get to be proven wrong
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i’ve stopped expecting interesting animation from bones. the star and stripe fight is cool but like every other fight/moment in mha, it’s only cool bc the source material itself is cool; bones does nothing to elevate the manga
they rarely try to experiment with colour and style. i saw so many colourings of the moment star and stripe made a giant version of herself out of the air; people made her look like a cosmos, like it reflected and bent the sky around her, doing so many inventive things and for the anime to just make her an outline against that godforsaken sky? i’m disappointed
but people will take me saying i’m disappointed and spin it to me saying the fight was bad. it wasn’t, just like most fights and moments in the anime aren’t bad but that’s all bc horikoshi knows how to draw. they never do anything beyond that; they never try and adapt it. whether it’s bc of time, direction, budget, or what have you, they will never do something truly inventive with their colouring
i’ve said this before and i’ll say it again, it’s not just that the sky is blue; it’s what the blue sky represents and that is an unwillingness to broaden their colour palette or atmosphere to support the changes in the tone of the story. the story isn’t just “will midoriya get into his dream high school and achieve his dream job?” it’s child abuse and societal systems and their dysfunctions, it’s racism and morality and is it right to try and save someone who’s determined to destroy the world just bc they are also a victim?
look at the finale of atla, a show that mirrors the narrative tone of mha; it starts out bright and colourful and vibrant to match the happy and small stakes nature of the story and as the tone of the story changes, the environment changes to reflect that. the siege of the north pole? everything goes blood red when the moon spirit is threatened, then goes completely desaturated when it is killed with only fire bending having any colour. the day of black sun? uses a solar eclipse to change the lighting. the entire sozin’s comet fight? has red skies and lighting to show the threat
bones abject refusal to change anything about the art itself is a detriment to horikoshi’s complex narrative
#its not just about the colour of the sky#lets get that straight#we’re doing some real the curtains arent just blue shit here so keep up#colour and lighting are a very deliberate choice in any visual medium#and choosing to ignore it and not take advantage of it will just be a detriment to whatever youre creating#i see so many colourings of manga panels where they do insane things and really do next level colourings#and to then see the anime that has so much money and talent behind it just for it to be flat and emotionless with no atmosphere?#it sucks#when you can pick out a scene from something called the WAR ARC and it looks the same as the sports festival arc? come on#and i know theres more to making a scene out of a panel then there is to colouring one#but when these indie creators doing visually gorgeous colourings its hard not to feel like the anime is lacking#and when your colours are flat and your camera angles are uninteresting then what is the point of an anime adaptation#even if they do change things here and there like the endeavour v hood fight or all might v afo#it doesnt change that the majority of the time its the exact same#and when the storm eventually comes round? that wont satisfy me either enless they change the colors of everything as well to be desaturate#and fully embrace the new atmosphere that horikoshi has very deliberately drawn#class a v deku is the one time they did a sustained colour difference and theres a reason that went over so well#coming out of my cage and ive been doing just fine.txt#go beyond plus ultra#mha#bnha#my hero academia#boku no hero academia#star and stripe#shigaraki tomura#izuku midoriya#bakugou katsuki#save post
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Yapping about uzumaki again but honestly while i get why ppl are just "just read the manga again" over this i feel they're kinda missing the point that for some ppl who have already read the manga front-to-back multiple times, their solution to the disappointment of getting your hopes up for 5 years that you'll FINALLY see such an intricate work put in the form of animation with the voice acting, soundtrack, etc. only to have that flushed down the toilet by episode 2 can't really be covered by the merits of manga's medium as a whole
Like it's good to be refreshed on the story and art you remember as it's told through the manga, and ofc I'm not saying one medium is better than the other, but that's the point lol the adaptation of Uzumaki into animation has things people WANTED to see that simply aren't present in the manga which is why so many were so excited to see it in the first place, just like the medium of manga has strengths that can't be present within animation.
Saying "Well the animation sucks, just re-read the manga" may work for SOME but it's not that simple for all the ppl who have been waiting for this for the past 5 years i think 😭 if I wanted to read the manga again I would have, the issue is I wanted to see that power shine through the strengths of the medium of animation in a new light and for a MOMENT, we had it but now it's back to square one which, while it's not a bad place to BE, it's certainly a bad place to return to lmao
#gu6chan's musings#uzumaki anime#uzumaki#junji ito#I'm just incredibly disappointed tbh#like i had enjoyed the manga in a 'go 'cool' while reading it and it only REALLY hits you on a random tuesday 3 weeks later' thing#but seeing the 1st episode was like reading it for the 1st time again but in such a striking way i IMMEDIATELY understood the impact it had#on me. i was like 'oh this was good and i get it but i GET IT get it now' and as much as I love it; the manga i rlly don't think is INTENDE#to just 'strike' people in the same way the animation did. they both unnerve ofc; but the manga is a LOT more subtle with that fact to wher#you might not even realize it until it 'clicks' where the animation can make that 'click' a BIT more apparent with the simple fact it#REQUIRES more from the viewer than just their eyesight. and again this isn't to say one's better than the other so much that they're just#meant to do different things and go about thing s differently as different mediums. SIMILAR; but very slightly different which that new#perspective is what a lot of ppl wanted to see i think!!! assuming im not just projecting lmao
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I said I was gonna talk more about MM on this blog again and I will probably eventually do analysis stuff I just need to prep this shit cause those post take time for the ones that are more coherent and not just my usual word vomits, BUT I do need to word vomit for a second about one thing that plagued my mind again today.
One of my biggest peeves with the series lore is how reploids and humans hardly have interactions, more so in the X series as Zero makes a bit more effort in this regard, given it’s a huge deal how reploids are seen lower then humans for the longest time- but what has dawned on me more of another factor that really sucks about this is how reploid society itself is ALSO unexplored.
We hardly have any idea of what makes them different from humans, we can only grasp basic details from what the games provide us but it’s unclear if there society is either “very much identical to humans but still has changes to make it different given their machines” or “completely different down to how they live and are treated”. I can’t speak for every robot media ever as I haven’t consumed them all-that’s a impossible task as some are bound to not interest me lol-but I feel like ones that are primarily having sentient robots and multiple of them rather then stuff like mechas where they don’t have much of a personality (usually) or the cases like Aigis in P3 where she is a robot in a mostly human society and therefore learns to become more human, they usually try to give the robots some kind of established society but MM only gives us breadcrumbs.
Like I know transformers is a bigger series so it got more chances to be incredibly fleshed out but I think about how my friends had told me about it and it’s society from just the comics is incredibly detailed that you even know they have religions n shit. And I’m not saying MM has to go to that extent even if it’s had metaphors of that in the later series, but more context to what reploid society has and doesn’t would be nice.
If they actually do need to eat and we aren’t supposed to guess that the energy tanks n stuff are there equivalent, if they ever got to have hobbies or jobs besides serving under humans especially when they have free will, etc. More of how they operate would be really nice to know but alas much like many things in this series lore it’s never going to be deeply elaborated on so I have to throw darts at a board.
#meg text#mega man#lore rambles#I hate how much I rotate this shit because the main issue with mega man world building is the game formate#and not because it’s a platformer because I hate that take that platformers can’t have stories they can#but it’s rather how it’s so non linear and while that makes it’s identity it really hurts a lot of story potential#even if Z/ZX worked around it well there still was issues (and also barely any room for world building)#Also hate to be a nerd but it’s disappointing to see how this is handle when you see what MM is influenced by#I’ve only seen kikaider still but wow despite the fact it took a similar route to Aigis it was clear how robots are seen#I know it takes from old anime and anime as a medium gets more advantages but I wish it could do more#once again sad the platformers did not get animes because the world building would’ve benefited from it#oh and this comes to mind because I’ve been writing MM stuff again (kinda) and reploids get mentioned a bit#even if I’m in ZX where they’re basically human a lot of the past is still touched in what I’m working on#and I wish I had more context other then “uhhh I guess they just became more human over time?”
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My hottest goofiest most tumblr brain take is that genuinely most if not all media would be better if it was animated
#Like idk like a lot of movies are...already animated because of the massive use of cgi we just dont call them that#And the blend of live action and cgi just looks so bad to me and it always ages badly because no one cares how bad mixed media looks if#Youre not intentionally doing it for a reason thats not just exploiting non union labor#Plus advances in technology but its also like idk#Like its never gonna look as good as a fully animated movie even if the animation aged like#Obviously im biased im a little animation guy its just like idk we do rly need more adult animation because to me its just idk the best med#And you can make some insane looking stuff with animation and keep a more cohesive tone and visual style like#Like idk you cant make live action akira to me but you could make an animated the matrix...you could even call it the animatrix hey wait#Like idk in an ideal world we would be doing animated remakes of shit instead of the other way around or no remakes obviously#Anyways i am exaggerating but also idk geniunely animation is a medium that has so much to offer and idk it just doesnt get explored in th#Way i want very often especially now as 2d animation is being phased out for 3d animation which i support but well...not when again its jus#Because its cheaper#Anyways this is all to say im excited to see just how badly live action netflix one piece crashes and burns
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I probably spend more time than I need to thinking about the fact that movies and TV shows can't show us natural blushing
#Making anime the more realistic medium in that one instance?#You can do so many things as an actor but I sometimes miss the visual of seeing someone's blood rush to their face#Perhaps this post is brought to you by my high school classmate who blushed really easily#Sadly it's not really a good thing in an actor is it#Like I said I probably think about this too much!
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all i want from "adult" animated shows is
characters being allowed to curse. it's very important that they get to say fuck. i loved inside job five minutes in because reagan was immediately allowed to say fuck.
a larger, longer, more in depth plot that is rewarding to the eagle eyed viewer. think glass onion/knives out, or even gravity falls. i want twists that are foreshadowed so well the audience is screaming at themselves for not seeing it before
queer characters and storylines. need i say more.
more mature topics and storylines that are handled delicately and with grace, but not with kid gloves. i want to feel the effects of a character's trauma deeply, and i don't want it shoved to the side or played off.
20 episode seasons. im sick of the 8 episode season. GIVE ME 20 EPISODES.
this isn't even about velma, this is just in general. i just want more adult aimed animation that isn't a riverdale clone. thanks.
#original#i ramble#writing#tv shows#animation#there is so much you can do with animation as a medium and it's just not used#because people think its childish#and im sick of it#inside job was SO GOOD GIVE ME MORE OF THAT#GIVE ALEX HIRSCH AN ADULT ANIMATION SHOW#PLEASE#feel free to add your own btw this is an open list
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the urge to metaphorically break into various production companies and yell directly at their decision makers to stop approving live action adaptations of animated media just grows day by day
#STOP#MAKING#UNNEEDED#LIVE ACTION#REMAKES#ANIMATION IS A MEDIUM NOT A GENRE#THERE ARE THINGS YOU CAN DO WITH ANIMATION THAT CAN'T BE DONE WITH LIVE ACTION#ANIMATION DESERVES SO MUCH MORE RESPECT THAN IT GETS#ALL THIS DOES IS CONTINUE TO PUSH THE NARRATIVE THAT ANIMATION IS LESSER THAN LIVE ACTION AND THAT LIVE ACTION IS THE END ALL BE ALL#ULTIMATE GOAL FOR ANY KIND OF STORY#WHEN THAT SHOULD NOT BE THE CASE!#SOME STORIES ONLY WORK AS LIVE ACTION#SOME ONLY WORK AS GAMES#SOME ONLY WORK AS MOVIES#SOME ONLY WORK AS TV SERIES#SOME ONLY WORK AS ANIMATED MOVIES#SOME ONLY WORK AS ANIMATED SERIES#SOME CAN WORK AS MULTIPLES OF THESE#BUT UNTIL THERE IS ACTUAL RESPECT FOR ANIMATION AS A MEDIUM#FOR TELEVISION SERIES#MOVIES#AND FOR VIDEO GAMES#THEN LIVE ACTION ADAPTATIONS#REGARDLESS OF THE QUALITY OF SAID ADAPTATION#WILL WHETHER INTENTIONALLY OR NOT#CONTINUE TO ADD TO THE STIGMA THAT ANIMATION IS LESSER#AND IM SO TIRED OF IT#IM EXHAUSTED#LET ANIMATED THINGS STAY ANIMATED UNTIL WE CAN LIVE IN A SOCIETY THAT VALUES IT AS MUCH AS LIVE ACITON
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⭐ So you want to learn pixel art? ⭐
🔹 Part 1 of ??? - The Basics!
Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.
My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.
This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!
🔹 Do I need money?
NO!!! Pixel art is one of the most accessible mediums out there.
I still use a mouse because I prefer it to a tablet! You won't be at any disadvantage here if you can't afford the best hardware or software.
Because our canvases are typically very small, you don't need a good PC to run a good brush engine or anything like that.
✨Did you know? One of the most skilled and beloved pixel artists uses MS PAINT! Wow!!
🔹 What software should I use?
Here are some of the most popular programs I see my friends and peers using. Stars show how much I recommend the software for beginners! ⭐
💰 Paid options:
⭐⭐⭐ Aseprite (for PC) - $19.99
This is what I and many other pixel artists use. You may find when applying to jobs that they require some knowledge of Aseprite. Since it has become so popular, companies like that you can swap raw files between artists.
Aseprite is amazingly customizable, with custom skins, scripts and extensions on Itch.io, both free and paid.
If you have ever used any art software before, it has most of the same features and should feel fairly familiar to use. It features a robust animation suite and a tilemap feature, which have saved me thousands of hours of labour in my work. The software is also being updated all the time, and the developers listen to the users. I really recommend Aseprite!
⭐ Photoshop (for PC) - Monthly $$
A decent option for those who already are used to the PS interface. Requires some setup to get it ready for pixel-perfect art, but there are plenty of tutorials for doing so.
Animation is also much more tedious on PS which you may want to consider before investing time!
⭐⭐ ProMotion NG (for PC) - $19.00
An advanced and powerful software which has many features Aseprite does not, including Colour Cycling and animated tiles.
⭐⭐⭐ Pixquare (for iOS) - $7.99 - $19.99 (30% off with code 'tofu'!!)
Probably the best app available for iPad users, in active development, with new features added all the time.
Look! My buddy Jon recommends it highly, and uses it often.
One cool thing about Pixquare is that it takes Aseprite raw files! Many of my friends use it to work on the same project, both in their office and on the go.
⭐ Procreate (for iOS) - $12.99
If you have access to Procreate already, it's a decent option to get used to doing pixel art. It does however require some setup. Artist Pixebo is famously using Procreate, and they have tutorials of their own if you want to learn.
⭐⭐ ReSprite iOS and Android. (free trial, but:) $19.99 premium or $$ monthly
ReSprite is VERY similar in terms of UI to Aseprite, so I can recommend it. They just launched their Android release!
🆓 Free options:
⭐⭐⭐ Libresprite (for PC)
Libresprite is an alternative to Aseprite. It is very, very similar, to the point where documentation for Aseprite will be helpful to Libresprite users.
⭐⭐ Pixilart (for PC and mobile)
A free in-browser app, and also a mobile app! It is tied to the website Pixilart, where artists upload and share their work. A good option for those also looking to get involved in a community.
⭐⭐ Dotpict (for mobile)
Dotpict is similar to Pixilart, with a mobile app tied to a website, but it's a Japanese service. Did you know that in Japanese, pixel art is called 'Dot Art'? Dotpict can be a great way to connect with a different community of pixel artists! They also have prompts and challenges often.
🔹 So I got my software, now what?
◽Nice! Now it's time for the basics of pixel art.
❗ WAIT ❗ Before this section, I want to add a little disclaimer. All of these rules/guidelines can be broken at will, and some 'no-nos' can look amazing when done intentionally.
The pixel-art fundamentals can be exceedingly helpful to new artists, who may feel lost or overwhelmed by choice. But if you feel they restrict you too harshly, don't force yourself! At the end of the day it's your art, and you shouldn't try to contort yourself into what people think a pixel artist 'should be'. What matters is your own artistic expression. 💕👍
◽Phew! With that out of the way...
🔸"The Rules"
There are few hard 'rules' of pixel art, mostly about scaling and exporting. Some of these things will frequently trip up newbies if they aren't aware, and are easy to overlook.
🔹Scaling method
There are a couple ways of scaling your art. The default in most art programs, and the entire internet, is Bi-linear scaling, which usually works out fine for most purposes. But as pixel artists, we need a different method.
Both are scaled up x10. See the difference?
On the left is scaled using Bilinear, and on the right is using Nearest-Neighbor. We love seeing those pixels stay crisp and clean, so we use nearest-neighbor.
(Most pixel-art programs have nearest-neighbor enabled by default! So this may not apply to you, but it's important to know.)
🔹Mixels
Mixels are when there are different (mixed) pixel sizes in the same image.
Here I have scaled up my art- the left is 200%, and the right is 150%. Yuck!
As we can see, the "pixel" sizes end up different. We generally try to scale our work by multiples of 100 - 200%, 300% etc. rather than 150%. At larger scales however, the minute differences in pixel sizes are hardly noticeable!
Mixels are also sometimes seen when an artist scales up their work, then continues drawing on it with a 1 pixel brush.
Many would say that this is not great looking! This type of pixels can be indicative of a beginner artist. But there are plenty of creative pixel artists out there who mixels intentionally, making something modern and cool.
🔹Saving Your Files
We usually save our still images as .PNGs as they don’t create any JPEG artifacts or loss of quality. It's a little hard to see here, but there are some artifacts, and it looks a little blurry. It also makes the art very hard to work with if we are importing a JPEG.
For animations .GIF is good, but be careful of the 256 colour limit. Try to avoid using too many blending mode layers or gradients when working with animations. If you aren’t careful, your animation could flash afterwards, as the .GIF tries to reduce colours wherever it can. It doesn’t look great!
Here's an old piece from 2021 where I experienced .GIF lossiness, because I used gradients and transparency, resulting in way too many colours.
🔹Pixel Art Fundamentals - Techniques and Jargon
❗❗Confused about Jaggies? Anti-Aliasing? Banding? Dithering? THIS THREAD is for you❗❗ << it's a link, click it!!
As far as I'm concerned, this is THE tutorial of all time for understanding pixel art. These are techniques created and named by the community of people who actually put the list together, some of the best pixel artists alive currently. Please read it!!
🔸How To Learn
Okay, so you have your software, and you're all ready to start. But maybe you need some more guidance? Try these tutorials and resources! It can be helpful to work along with a tutorial until you build your confidence up.
⭐⭐ Pixel Logic (A Digital Book) - $10 A very comprehensive visual guide book by a very skilled and established artist in the industry. I own a copy myself.
⭐⭐⭐ StudioMiniBoss - free A collection of visual tutorials, by the artist that worked on Celeste! When starting out, if I got stuck, I would go and scour his tutorials and see how he did it.
⭐ Lospec Tutorials - free A very large collection of various tutorials from all over the internet. There is a lot to sift through here if you have the time.
⭐⭐⭐ Cyangmou's Tutorials - free (tipping optional) Cyangmou is one of the most respected and accomplished modern pixel artists, and he has amassed a HUGE collection of free and incredibly well-educated visual tutorials. He also hosts an educational stream every week on Twitch called 'pixelart for beginners'.
⭐⭐⭐ Youtube Tutorials - free There are hundreds, if not thousands of tutorials on YouTube, but it can be tricky to find the good ones. My personal recommendations are MortMort, Brandon, and AdamCYounis- these guys really know what they're talking about!
🔸 How to choose a canvas size
When looking at pixel art turorials, we may see people suggest things like 16x16, 32x32 and 64x64. These are standard sizes for pixel art games with tiles. However, if you're just making a drawing, you don't necessarily need to use a standard canvas size like that.
What I like to think about when choosing a canvas size for my illustrations is 'what features do I think it is important to represent?' And make my canvas as small as possible, while still leaving room for my most important elements.
Imagine I have characters in a scene like this:
I made my canvas as small as possible (232 x 314), but just big enough to represent the features and have them be recognizable (it's Good Omens fanart 😤)!! If I had made it any bigger, I would be working on it for ever, due to how much more foliage I would have to render.
If you want to do an illustration and you're not sure, just start at somewhere around 100x100 - 200x200 and go from there.
It's perfectly okay to crop your canvas, or scale it up, or crunch your art down at any point if you think you need a different size. I do it all the time! It only takes a bit of cleanup to get you back to where you were.
🔸Where To Post
Outside of just regular socials, Twitter, Tumblr, Deviantart, Instagram etc, there are a few places that lean more towards pixel art that you might not have heard of.
⭐ Lospec Lospec is a low-res focused art website. Some pieces get given a 'monthly masterpiece' award. Not incredibly active, but I believe there are more features being added often.
⭐⭐ Pixilart Pixilart is a very popular pixel art community, with an app tied to it. The community tends to lean on the young side, so this is a low-pressure place to post with an relaxed vibe.
⭐⭐ Pixeljoint Pixeljoint is one of the big, old-school pixel art websites. You can only upload your art unscaled (1x) because there is a built-in zoom viewer. It has a bit of a reputation for being elitist (back in the 00s it was), but in my experience it's not like that any more. This is a fine place for a pixel artist to post if they are really interested in learning, and the history. The Hall of Fame has some of the most famous / impressive pixel art pieces that paved the way for the work we are doing today.
⭐⭐⭐ Cafe Dot Cafe Dot is my art server so I'm a little biased here. 🍵 It was created during the recent social media turbulence. We wanted a place to post art with no algorithms, and no NFT or AI chuds. We have a heavy no-self-promotion rule, and are more interested in community than skill or exclusivity. The other thing is that we have some kind of verification system- you must apply to be a Creator before you can post in the Art feed, or use voice. This helps combat the people who just want to self-promo and dip, or cause trouble, as well as weed out AI/NFT people. Until then, you are still welcome to post in any of the threads or channels. There is a lot to do in Cafe Dot. I host events weekly, so check the threads!
⭐⭐/r/pixelart The pixel art subreddit is pretty active! I've also heard some of my friends found work through posting here, so it's worth a try if you're looking. However, it is still Reddit- so if you're sensitive to rude people, or criticism you didn't ask for, you may want to avoid this one. Lol
🔸 Where To Find Work
You need money? I got you! As someone who mostly gets scouted on social media, I can share a few tips with you:
Put your email / portfolio in your bio Recruiters don't have all that much time to find artists, make it as easy as possible for someone to find your important information!
Clean up your profile If your profile feed is all full of memes, most people will just tab out rather than sift through. Doesn't apply as much to Tumblr if you have an art tag people can look at.
Post regularly, and repost Activity beats everything in the social media game. It's like rolling the dice, and the more you post the more chances you have. You have to have no shame, it's all business baby
Outside of just posting regularly and hoping people reach out to you, it can be hard to know where to look. Here are a few places you can sign up to and post around on.
/r/INAT INAT (I Need A Team) is a subreddit for finding a team to work with. You can post your portfolio here, or browse for people who need artists.
/r/GameDevClassifieds Same as above, but specifically for game-related projects.
Remote Game Jobs / Work With Indies Like Indeed but for game jobs. Browse them often, or get email notifications.
VGen VGen is a website specifically for commissions. You need a code from another verified artist before you can upgrade your account and sell, so ask around on social media or ask your friends. Once your account is upgraded, you can make a 'menu' of services people can purchase, and they send you an offer which you are able to accept, decline, or counter.
The evil websites of doom: Fiverr and Upwork I don't recommend them!! They take a big cut of your profit, and the sites are teeming with NFT and AI people hoping to make a quick buck. The site is also extremely oversaturated and competitive, resulting in a race to the bottom (the cheapest, the fastest, doing the most for the least). Imagine the kind of clients who go to these websites, looking for the cheapest option. But if you're really desperate...
🔸 Community
I do really recommend getting involved in a community. Finding like-minded friends can help you stay motivated to keep drawing. One day, those friends you met when you were just starting out may become your peers in the industry. Making friends is a game changer!
Discord servers Nowadays, the forums of old are mostly abandoned, and people split off into many different servers. Cafe Dot, Pixel Art Discord (PAD), and if you can stomach scrolling past all the AI slop, you can browse Discord servers here.
Twitch Streams Twitch has kind of a bad reputation for being home to some of the more edgy gamers online, but the pixel art community is extremely welcoming and inclusive. Some of the people I met on Twitch are my friends to this day, and we've even worked together on different projects! Browse pixel art streams here, or follow some I recommend: NickWoz, JDZombi, CupOhJoe, GrayLure, LumpyTouch, FrankiePixelShow, MortMort, Sodor, NateyCakes, NyuraKim, ShinySeabass, I could go on for ever really... There are a lot of good eggs on Pixel Art Twitch.
🔸 Other Helpful Websites
Palettes Lospec has a huge collection of user-made palettes, for any artist who has trouble choosing their colours, or just wants to try something fun. Rejected Palettes is full of palettes that didn't quite make it onto Lospec, ran by people who believe there are no bad colours.
The Spriters Resource TSR is an incredible website where users can upload spritesheets and tilesets from games. You can browse for your favourite childhood game, and see how they made it! This website has helped me so much in understanding how game assets come together in a scene.
VGMaps Similar to the above, except there are entire maps laid out how they would be played. This is incredible if you have to do level design, or for mocking up a scene for fun.
Game UI Database Not pixel-art specific, but UI is a very challenging part of graphics, so this site can be a game-changer for finding good references!
Retronator A digital newspaper for pixel-art lovers! New game releases, tutorials, and artworks!
Itch.io A website where people can upload, games, assets, tools... An amazing hub for game devs and game fans alike. A few of my favourite tools: Tiled, PICO-8, Pixel Composer, Juice FX, Magic Pencil for Aseprite
🔸 The End?
This is just part 1 for now, so please drop me a follow to see any more guides I release in the future. I plan on doing some writeups on how I choose colours, how to practise, and more!
I'm not an expert by any means, but everything I did to get to where I am is outlined in this guide. Pixel art is my passion, my job and my hobby! I want pixel art to be recognized everywhere as an art-form, a medium of its own outside of game-art or computer graphics!
This guide took me a long time, and took a lot of research and experience. Consider following me or supporting me if you are feeling generous.
And good luck to all the fledgling pixel artists, I hope you'll continue and have fun. I hope my guide helped you, and don't hesitate to send me an ask if you have any questions! 💕
My other tutorials (so far): How to draw Simple Grass for a game Hue Shifting
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had the best shoot ive had in a while today. Had an awesome encounter with a red shouldered hawk (only my second time seeing one in the wild and my first time successfully photographing one) and was able to get some close up mourning dove shots
#mourning doves are obviously a very ubiquitous species but most dont let me get as close as this one did#so i was able to do some portrait style shots#and it stayed there for a while so i was able to try a lot of different things#im still not over missing the shot of the red shouldered hawk carrying off a roadkilled squirrel but i try to focus on what i did get#but yeah that was a pretty big miss unfortunately#but you live and you learn#as i said first time photographing the species so im not going to be well versed in its behavior and mannerisms#it had much quicker movements than most buteo hawks#im used to red taileds so that was what i was basing my shooting after#which served me alright for the most part but i was not prepared for that moment to happen so fast#the thing about animal photography is that photographing each species is a skill of it own that you can develop over time#so your first shots of a species are usually not going to be your best#but i did go on to get some things im really excited about#and next time i encounter the species ill be a little more prepared#it was a pretty large individual#about the size of a medium large red tailed hawk#which red shouldered hawks are smaller generally so thats pretty impressive#ngl i got pretty nervous when it swooped right over me#those talons dont come to play#it got mobbed really bad by all the songbirds in the area#they did not want it there! lol!#tfw the accipitrid pulls up to the function#but yeah cool species would photograph again#animal death.#(for the roadkill mention)
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nearly oc-tober time again - time for some prompts for 2024
F.A.Q
do i have to draw?
not at all! you are free to participate with any medium that suits you... writing, artwork, free bases and templates, simple text posts, in-character-as-your-oc roleplay, whatever! (just no stealing or AI)
do i have to make new content?
nope! re-uploading old stuff that fits the prompts is allowed (and encouraged) ... old art that didn't get the appreciation it needed always deserves a chance to be shared again, it's a fun throwback!
do i have to post every day?
nope! only 10 days are mandatory (the ones in red with a star symbol) and everything else (yellow) is 100% optional! if you're busy or tired, please skip as many as you want
can i start early?
you can prep your posts in advance if you need to ... but please wait until the right day in october to share them!
can i re-upload your prompt list to another site?
i would prefer if you dont - i have accounts on most sites, so just reblog/retweet/share from me!
event tag?
#bweirdOCtober
have fun!
image desc/text version ↓under the cut↓ or on bweird.art/october
prompts:
WEEK 1: OC INTRODUCTIONS
⭐ 1: FAV OC
what makes them your fav?
2: NEW OC
how recently did you make them?
3: OLD OC
how long ago did you make them?
⭐ 4: UNDER-APPRECIATED OC
an oc you feel like you don't talk about enough, or you haven't fleshed out as much as you would like
5: RE-DESIGNED OC
an oc who has changed a lot (what changed about them?) or, if you haven't redesigned an oc: is there anything you might want to change about an existing oc?
WEEK 2: BUILDING BACKSTORY
⭐ 6: PAST
where is your oc from? what did they look like as a child?
7: LIKES
what do they like (and why?)
8: DISLIKES
what don't they like (and why?)
⭐ 9: RELATIONSHIPS
doesn't have to be romantic! can any kind of relationship (frienship, family, rivalry etc)
10: PERSONALITY
what are your oc's main personality traits
11: SYMBOLISM/THEMES
what represents your oc? is there a specific colour you associate them with, or a specific animal?
12: FUTURE
what will your oc look like in the future? do they have any plans or goals?
WEEK 3: FUN + GAMES
⭐13: MEMES
do any memes remind you of your oc? are there memes your oc would find funny? maybe you want to redraw your oc as one?
14: WHO/WHAT INSPIRED YOUR OC
are there existing characters that your oc looks like? was your oc based on yourself? is your oc originally from a specific fandom?
15: MUSIC
share a character playlist, write a songfic, post lyrics that remind you of them, etc
⭐16: EYES CLOSED or NON DOMINANT HAND
draw a picture of your oc with your eyes closed or with your non domminant hand, write or type a paragraph about them without your eyes closed, etc ... have fun, and don't worry about it looking "bad" -it's meant to!!
17: DnD ALIGNMENT CHART
put all your ocs into a DnD alignment chart, or any other similar chart if you prefer
i've compiled a few templates on my site, but you can find more easily if you google "oc alignment chart"
⭐18: SWAP
swap something between your ocs - their role in the story, hairstyles, personalities, fashion taste, species ... whatever you want! how would this difference change them?
19: PALETTE CHALLENGES
draw your ocs with as many of these colour palettes as you want (or just skip if you don't draw/don't like doing these!)
hex codes for the colours:
palette 1 - #3C1E81 #6D1EA2 #B059E8 #FE0876 #FE5284 #FE7C96 #E0CFE3 #FFD5C3
palette 2 - #352823 #673F28 #AB541C #BA8233 #897128 #A68B2F #F7BF6A #DAC3A4
palette 3 - #A42E25 #D7412B #E47C29 #F7A233 #FCC02D #FCE4A6 #486548 #FEFDE8
palette 4 - #2F4769 #39597E #53779C #94D1E7 #AADDE7 #D48DB7 #D498B5 #D2BABA
WEEK 4: COMMUNITY
20-26: A WHOLE WEEK OF SOCIAL STUFF
if you don't have the time/energy to do every day this week, ⭐ day 23 is the only one marked as mandatory! you can skip the rest!
some ideas for what you could do: talk about a friend's oc you like, make gift art/writing of them, collabs, trades, reblog/appreciate ocs in the event tag, make interactions between your ocs and other people's
WEEK 5: HALLOWEEN
⭐27: FEARS
is your oc scared of anything? do they have any phobias? are they startled easily? would any of your ocs try to scare ppl on purpose?
28: MONSTER
what would your oc be if they were a monster (eg: werewolf, vampire, eldritch beast.. whatever) or, do you have an oc who is already a monster?
29: PUMPKIN CARVING
your ocs carving pumpkins, a drawing of a pumpkin carved to look like your oc ... or even carve it in real life!
30: GHOST
this can be literally a ghost, or a concept that haunts your oc! up to you!
⭐ 31: COSTUMES
what are your ocs wearing for halloween?
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hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT
Hi! Long answer alert. Once a chatterbox, always a chatterbox.
When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.
I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.
Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.
For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.
Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.
The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!
It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.
I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).
Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)
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ᴠᴇɴᴜꜱ ꜱɪɢɴꜱ ᴀɴᴅ ᴛʜᴇɪʀ ʙᴇᴀᴜᴛʏ
i have one last spot for a chart reading you could [venus persona chart and feminine archetype reading is also available]
follow for more content!
ARIES VENUS
MADISON BEER, RIHANNA AND EVA LONGORIA
♇ literally diamond heads, arched eyebrows and full lips. aries venus women are likely to have cupid bows and very pink lips with amazing smiles. i noted many of them have almond eye shapes , square/sharp jaws and a long face that is finely proportioned with amazing cheek bones.
♇ they are also known for their sense of style, specifically rihanna and eva, eva when it comes to her outfits as gabi from desperate housewives is always talked about. they usually have a slim build that is toned as well.
♇ they usually have nice noses, buttoned noses and most of them have a nice nose bridged, ones that are usually sought out for in the cosmetic industry. they wear clothes, clothes dont wear them! aim for bold colours like red and black, but dont be afraid to be more colourful.
♇ they remind me of the animal lynx, because their facial features are very lifted. they usually are the beauty standard and are likely to start fashion/make-up trends. very sexually appealing and have a flirtatious but fierce look to them, its like they're challenging people to come forward to them.
extra - marilyn monroe
TAURUS VENUS
ARIANA GRANDE, SUNDAY KALOGERAS AND JESSICA ALBA
♱ very doe eyes beauty, square jaws like the sign before them, but they're likely women who have a shorter face compared to aries venuses. they have a more rounder face and they're likely to have straighter eyebrows and an upper lip which is bigger than the lower lip.
♱ look excellent in light clothing and brown. do well with curly hair, and have an innocent/adolescent look to them. they normally look frail and have slender necks that sometimes make them look tall when they're taking up close pictures.
♱ they're the epitome of having a deer face, they also have features that are upturned, but i've noted a lot of taurus venuses usually do get cosmetic surgery. they're considered as adorable to many people, so sometimes they have a hard time feeling sexy because other people see otherwise.
♱ they also tend to have high/cute voices. another indicator to why people might not take them seriously when they try to come off as sexually appealing or annoyed in general.
extra - princess diana
GEMINI VENUS
GISELE BUNDCHEN, STUNNA GIRL AND MARGOT ROBBIE
♇ have a very high face, wide smiles, and long face structure, very sharp and darty eyes and always looks like they're up to something or are about to say a joke. they look like foxes [not in a bad way].
♇ they look good in clothing styles that are considered "corporate", like school clothing, "office" siren clothing. either way, as gemini is a mutable sign and the most adaptable. they can dress themselves in a very versatile way and still look good. but most of the time clothing that are too tight for them can be unflattering.
♇ they usually have a square face, high cheek bones and a long nose. if they do too much cosmetic surgery they look very unflattering. [specifically for them], they look nice with very contrasting hair colours, like they can look good in very dark hair or look good in very light hair.
♇ gemini venus women usually have nice shoulders and nice hands, and look good in outfits that is considered "opposite" to them, as gemini represents the twins in astrology. and when it comes to hairstyles, middle partings look nice on them.
extra - megan fox
CANCER VENUS
ZENDAYA, ANGELINA JOLIE AND HALLE BERRY
♱ very pretty women, amazing side profiles, look good in both straight and arched eyebrows. they tend to have medium length faces but the width of their faces tend to be wide. sparkling eyes, especially due to their venus being moon ruled, sometimes it always looks like they're about to cry.
♱ soft smiles and pearly teeth. look excellent when paired with jewellery, and have pretty necks. usually they give the vibe of being average height. usually do have thick eyelashes, even if its not long, they're usually thick or you can say full. their noses usually point down or have a flick to them.
♱ they tend to look really nice with their hair down, especially because they look like mermaids. they have that "i just got out of the water" look to them. and they usually have a lot of baby hairs.
♱ cancer venus women can easily rock the messy hair look, as cancer is one of the signs that rules the bed, sleep and night. they look really nice with pixie cuts or side-parts. they can stare really hard though.
extra - adriana lima
LEO VENUS
PAMELA ANDERSON, ARIANA GREENBLATT AND MONICA BELLUCCI
♇ like those with cancer venuses, leo venus women have amazing side profiles, and can can look good with both thin and thick eyebrows. their eyebrows are normally arched, but they can also be lowly arched which gives them a more feline look, a lioness appereance.
♇ they usually have medium sized heads, with square jaws and pointy chins, and they are women who look good in messy hair, or hair that is curly. straight hair can look good on them but it can sometimes make them look flat, so big or curled hair [along with hair that is tied up that shows their facial structure more] goes well for them.
♇ puffy lips, and when it comes to make-up, they look really good with ombre colours. strong necks and defined collar bones, and they usually have a distinct point on their noise, like the lion nose.
♇ though besides from lions, leo venuses look like kittens in general, even though its the same family, i feel like the venus in specifically in leo women have a more baby faced feline look to them, one that makes them look youthful, they could also have a round head shape, given them a heart-shape as the jaw is sharper than the rest.
extra - lindsay lohan
VIRGO VENUS
KYLIE JENNER, MEGHAN MARKLE AND BELLA HADID
♱ they usually have a long mid face and structure noses, most of them tend to get procedures done to fit into the market/stereotype of what beauty is supposed to be. their jaw usually tends to be soft and then chin sharp, aside from meghan markle.
♱ their eyebrows tend to be pointed and their lower lip tends to be heavier than their upper lip. broad forehead and wide lips, defined cheek bones or they usually define their cheek bones with their make up, specifically blush.
♱ virgo venus women usually look like elves, and their ears are usually defined as well. slender necks and earthy look [specifically due to virgo being an earth sign], are usually women who look very sophisticated. sometimes have the appearance that they just ran through the woods, [can connect to demeter searching for persephone].
♱ women with virgo venuses normally do have pointed eyes, or eyes that are upturned, and the lower whites of their eyes have spaces to them which sometimes make them look like they have sanpaku eyes. they also look amazing with darker hair and with their locks being down.
extra - sophia loren
LIBRA VENUS
JADA PINKETT SMITH, HILLARY DUFF AND CIARA
♇ normally have long faces, or a long nose bridge that makes them look like they have a long face. nice smiles and apple cheeks, a sharp face structure which is a contrast to how libra placements usually look, as they tend to appear more circular, but the libra being in venus gives them a more structured look.
♇ pearly teeth, and sometimes they could even have small teeth. soft eyebrows but full ones. and sometimes they have a surprised look on their faces. defined adams apple and collar bone. sqaure chins and most of them have brownish/hazel eyes.
♇ dewy/glowy skin, the juno/hera impact gives them that, and sometimes they have a lighter under tone. they have sharp eyes that sometimes make them come across as if they're squinting all the time
♇ have hard stares, sometimes they look like they're piercing through your soul, it gives them that cheetah look. like judgement, [the hera impact again]. libra venus women usually have smaller lips, even thought it could still be full, they can still be smaller.
extra - beyonce
SCORPIO VENUS
CARDI B, ANNE HATHEWAY AND DOJA CAT
♱ surprisingly, most of the ones i've seen and researched upon have circular faces, but their faces are long and their cheekbones are strong and defined, and it comes out a lot when they smile.
♱ like the sign they share mars with in traditional astrology, aries venus, a lot of scorpio venuses have strong cupid bows. look really nice when they outline their lips with a brown lip liner, brown and pink combo goes really well with them.
♱ stunning with dark hair, blonde her brightens them a lot, and looks fine on them, but they can also experiment with many hair colours. dark and darty eyes, long nose bridge and most of them usually get cosmetic surgery, as both their modern and traditional ruler indicates cosmetic surgery, there's a stronger indicator when there's much libra energy, as libra is the main sign that governs over cosmetic beauty.
♱ they have a long facial structure, and look really nice with their hair down or up. particularly in a messy updo. they have this dove look, it is normally because of their distinctive or thin nose bridge and their lips being in a lower power of their face. but i think their features are well proportioned.
extra - dakota johnson
SAGITTARIUS VENUS
CHRISTINA AUGELIRA, ALEXA DEMIE AND BILLIE EILISH
♇ have a bigger than life energy, thick/full eyebrows and a long nose bridge. these women usually had a defined nose bridge with a buttoned nose and a very straight hairline that gives them a square head shape. apple cheeks that are prominent and brilliant smiles.
♇ very sultry and inviting eyes, and sometimes it could be piercing. they normally have big foreheads and square jaws and pointy chins. their face features are well spread, and they regularly have straight eyebrows and its low and close to their eyes that sometimes gives them a rough look.
♇ they go well with clothings that are big for them, a big example being billie, but sometimes they might be considered as cultural appropriators, specifically christina and billie.
♇ sagittarius venuses usually have that bohemian look, they look good in both white and black clothing, but also very colourful clothing. like their sister sign, gemini venus. sagittarius venus women are very versatile with their clothing and tend to look like fallen angels.
extra - kendall jenner.
CAPRICORN VENUS
MEGAN THEE STALLION, CINDY CRAWFORD AND TYRA BANKS
♱ evidently, have the model look to them, have a lean or good body figure, and are usually tall. have nice legs and look really good with messy hair, hair that is also layered.
♱ they have boxy jaws and look good in many hair colours, but the hair colours i think suit them the most is black, brown and blonde, as you can see with the women i've put above. they tend to have a shorter faces, or a forehead that could be considered small.
♱ high cheek bones and arched eyebrows. make-up that makes them look like they're glowing pairs well for them. and a classy femme fatale look is an essence they usually display and embody.
♱ capricorn venus women are prone to have very warm eyes, and the tip of their noses are usually distinct, like having a bulbous nose or an upturned one. brown lipped make-up is aesthetically pleasing for them. even though they could be considered as femme fatales, there's still a teddy bear appearance these women have to themselves.
extra - olivia rodrigo
AQUARIUS VENUS
PARIS HILTON, SHARON TATE AND SADE
♇ they look like fairies to me, they have a bigger lower lip compared to their upper lip, and normally the tip of their nose is down turned. and have the type of eyes where it looks like you're looking into their souls.
♇ slender necks and glossy hair and the size of their forehead is regularly large, it gets them more of that other-worldly look. big eyes that usually makes them look sad or makes them look like they can tell a thousand stories.
♇ aquarius venus women [if they dont have strong moon or saturn in their chart], they have very soft cheek bones that gives them a youthful image and a youthful glow. they give more of a cute or refined appearance, and are the type to look nice with shorter hair.
♇ because of their fairy like features, they look very frail and delicate, as if they're brittle glass. aquarius venus women age very well too, particularly with the saturnian influence in their chart.
extra - elizabeth olsen
PISCES VENUS
LILY COLLINS, ELLE FANNING AND ROSE HUNTINGON WHITLEY
♱ i dont mean this in a mean way, but pisces venus women look like adorable cows, i've said this before in the ascendant and their beauty post about pisces ascendant women, but it is likely because their eyebrows are very low down their foreheads and they normally tend to have full, thin and straight eyebrows that gives them that cow look.
♱ but they dont only look like cute baby cows, they also have this baby doll, particularly because their features a prone to be in the middle, [or you can say having a heavy mid face].
♱ they also look good in hair styles that cover their face, [chiefly the side of their faces]. middle parts suit them really well, [and side parts, chiefly if they're going for a classy look, for example, lily collins when she did the audrey hepburn photoshoot].
♱ like aquarius venuses, pisces venus women usually look very slender and delicate. and layered hair compliments them, it captures their face frame well, gives their faces a more lean look as most of their face shapes are square and they have very strong jaws. most hairstyles with their hair down look good on them.
extra - quenlin blackwell
masterlist
#d4rkpluto#aries venus#madison beer#rihanna#eva longoria#taurus venus#sunday kalogeras#ariana grande#jessica alba#gisele bundchen#stunna girl#margot robbie#gemini venus#cancer venus#zendaya#angelina jolie#halle berry#leo venus#pamela anderson#ariana greenblatt#monica bellucci#virgo venus#kylie jenner#meghan markle#bella hadid#libra venus#astrology notes#astrology observations
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