#you always bring me beautiful things

[crushedsweets]

it’s been a while back so i’m w more song analysis!! this is too long i’m warning u now. in fact this might not even be readable im so sorry it’s just. so much rambling 😭

when memories snow (more mitski mm also i got tickets for her tour and i will not shut up ab it!!! she’s so cool!!!!!!!) is incredibly tim coded. the very sinister chords at the chorus, really makes you *feel* him spiralling - and the LYRICS ugh very ‘i’m trying to ignore/suppress my memories but they keep coming back against my will’ slash ‘bottling up all my feelings and forging on with my work. pretending they don’t exist’

hate yourself by tv girl is very nina x kate (in the sense of kate watching nina destroy herself for a man who does not even like her) ough. ‘i think you’d fall in love with anyone who fell in love with you / and they frequently do’ BC KATE DID!! kate fell in love with her!! also ‘i’ll just wait til those arms belong to me’ is so subtly manipulative which is very. yeah. kate’s definitely not perfect and i wouldn’t put her above being like that if she really wanted to. + the deceptively happy instrumental with vaguely dark lyrics = nina being overly outgoing and social to make up for the fact that her mental state is in absolute shambles (poor bby)

the wolf by siamés is both tim and brian but i think leans more brian (what is it with this man that makes me think of ‘walking music’. ykwim? the chain, the wolf, house of the rising sun all remind me of him. all very slow-threatening-determined-walk songs) once again, driving beat, heavy bassline. (i play bass guitar so i love a song w an interesting bass part) i think shows resilience as well as grounding - imo he’s always been one of the more mature / level-headed creeps, to the point he’s very self aware. this man knows exactly what he’s doing at all times. ‘somewhere far away i can hear your call’ even in the future when he thinks he’s escaped from slender he knows deep down he’ll never be truly free…. yes ok

keep myself alive by get scared for jane. she’s so angry - AS SHE SHOULD BE and i feel it’s just a audible version of her rage. ‘i just wanna leave this place behind / everytime i see your face in mine’ because her and jeff have the same burned face thing going on…….. ough. she can never escape from the man who ruined her life. the guitar shifting from this melancholy, reverb-y tone in the verses to the loud distortion in the chorus reflecting her mood shifting from self-pity to raw anger

bonus: class of 2013 by mitski x toby

i should rlly make a playlist for each creep but i use musi not spotify 💔

- 🌙 anon

sorry for making u read all of this ❤️

anon. oh my god. i need you to know how often i think about this ask. and how guilty i feel knowing i shouldve responded forever ago but kept putting it off. im going to respond now with shame. thank you so much for your patience. my god

when memories snow for tim is soooo real. i associate him with a longing for life before slendy, while also repressing it cuz it hurts knowing itll never ever come back. going to bars, hanging out in his friends apartments, going to class, late night driving... "I shovel all those memories, clear the path to drive to the store" i think even the imagery of him shoveling snow out of a driveway gives off that sort of strong, cold idea of him. and 'drive to the store' obv being...proxy work... SO SAD

ALSO FUCK NINAKATE MENTION IM IN TEARS ok listen. theyre both really bad. and i super agree that kate might be a bit deceptive and manipulative (intentionally or not) cuz she wants nina to completely remove jeff and take his place (NOT HIS ROLE, just his place in ninas arms). also "how long will it take before you start to hate yourself and go straight to the arms of someone else" i think its undeniable that ninas obsession with romance is related to her own self image, and kate doesnt really like herself that much either. "im not saying that you love me, im not saying anything" OHH BUT SHE WANTS NINA SOOO BAD... man.

also im absolutely in love with how you take the sound itself into account, not just lyrics. the way you explain the wolf connecting to brians determination, reslience, and grounding presense is SOOO PERFECT and i can see it in the first few lyrics as well. the also "sneaking in the pain, every truth becomes lie / i wont trust myself once i hear your call" THATS TIM AND BRIAN COME ON GUYS DO YOU HEAR THIS

also i love keep myself alive. i heavily agree she has every right to be angry, and thats a core part of her character - rage, grief, strength. "to sleep i of course think i'm stronger now / to sleep i gotta catch myself" im crying. the sleep menton + she feels alone. she has a support system, a literal wife, but she still holds all of her grief on her own shoulders. who the fuck else can relate to being violently stalked for months, walking in on your parents being tortured together, being attacked, nearly burnt alive, then LOSING your parents? also "how could this dark cloud make me stronger now" i think a lot of people would have told her that her experience made her a survivor and made her strong and whatnot. but i dont think she feels that way. i think she feels like a victim, she feels tortured, she feels like that same little girl who'd sleep in her parents bed after a nightmare - but this isnt a nightmare she can wake up from. her parents bed burnt to ashes. there is relief in just letting yourself grieve and hurt - but she's so beyond focused on being strong. and it doesnt make sense to her. doesnt make sense how she can be strong after all of that . but she is, cuz she has to be

ALSO YES OH MY FUCKING GOD CLASS OF 2013 DFUCK FUCKFUCKF FIFJF FUUUUUUUUUUUUUUUUUUUUUUCKKKKKKK i dont even need to explain why this gets me. yall already know. my god

[gingermintpepper]

One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.

I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.

Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.

What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.

Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.

And that, while beautiful, is also tragic.

[deuteragonist1]

Coriolanus: *walks by*

Billy Taupe: What an ass.

Sejanus, staring at Coriolanus' ass: I know right.

[lunarharp]

figured i'd do this again..bit early i guess..

[kingofanemptyworld]

ngl I started crying a little over this

[magpie-trove]

&

[sysig]

Party (group) party (celebratory)! (Patreon)

[acourtofquestions]

“He'd deceived her, had lied to her. This man who she'd believed held no secrets between them. She didn't know why it made her want to shred everything within sight.”

— cause um… as you just said Miss Manon YOU CARE (& it’s even giving Chaolaena vibes in the I CARE way)… so like all I’m saying is you love him duh?

[sainz100]

idk how to explain it, but I feel this small bubble of hope. as if some good news is right around the corner 🫧🌅 not yet, but maybe soon, I'll always feel that hope that the next chapter will be better than the last

[itspileofgoodthings]

Well, I actually have the most mundane of questions, but it’s been so long since I’ve been in an English class that I feel like I’ve completely forgotten (and I’m curious how you do it): how do you go about reading a book as a class? Do you assign them the chapters to read at home and most of them actually do it? Or do you give them class time to read? Do you have the kids who try to spoil the rest of the book for the class? Basically, how does one teach a book in the year 2024?  😀

And do you have your students annotate inside their books? (I know the English teachers in my school require the students to do that, and I get why, but I inwardly shudder every time I see a student marking up a page.) 

Haha I love this question because I too am always asking myself how DOES one each a book in 2024?

It’s sort of a combination. I absolutely assign reading every night (almost) unless it’s Shakespeare or any play in which case we read it all in class. But for a novel there’s a couple chapters a night. I read aloud to them a lot too. Sometjmes I make them read aloud to the whole class, rotating kids who read. Sometimes I assign a chapter to be read in class silently with questions or quotes due at the end of the reading. Sometimes I put them in groups and make them read aloud to each other. There’s no one way that works for sure and of course ultimately I have no control over how much they read and I’m not naive enough to think that most of the reading assigned for homework doesn’t get skipped most of the time buuuuuut.

My bottom line is that I believe it’s my job to get excited about the actual text itself (easier for me in some cases than others but overall pretty easy because it does fill me with excitement) and then commit to taking them on the journey of the story with me. And my goal—that I’m sure I often don’t reach—is to make that experience so much more fun if you have actually read. And the way that I teach is pretty text heavy which is why I always make sure I’ve read the chapters for the day and am not just relying on my memory because the way I do it is just sort of absorbing it all up like a vacuum-cleaner, schwooooop, and then either pulling stuff out of the reading to look at directly or directing them to do the same thing. So the big thing that I have going for me, if any, is buy-in. Is getting kids excited about actually reading the actual text. I also speak often and passionately about the evils of sparknotes etc. not because they help kids get better grades or whatever but because they present you with the husk and shell of a story, stripped of all that makes it interesting, and that by reading that alone they’re reading something so dry and dull and are not achieving what I always want them to achieve —which is, have an Experience with the Literature.

Again, it never works perfectly by any stretch and there are so many ways I want to explore in my quest to get better at it but overall I think, at my very best, I can create this wave of energy and excitement in the story itself which is the most organic and ultimately most helpful way to get them to want to read.

Also no haha. I don’t let them annotate! Though occasionally kids DO of course. But sometimes they bring in their own copies in order to do that. The spoilers absolutely happen and are annoying but I sort of get by it by moving on very quickly and/or talking about how it’s often not the ending but how you get there that makes it interesting. Because that’s just true!

[babyfairy]

my beloved @motherish sent me the sweetest package today…when i tell you i was in tears reading the notes and her letter! i have been following sushi for years. have ALWAYS thought of her as such a radiant and kindhearted person. and befriending her has shown me she is even more wonderful than i ever could’ve imagined. it was a really tough day and getting to read her kind words and the thought she put into these gifts warmed my heart. and aren’t these earrings so pretty? i could cry again!!! i can’t wait to wear them! they remind me of a mermaid, like something anya would wear 🥰 i’m so lucky to be her friend. she has done so much for me!!! more than i could ever put into words. has ALWAYS supported and uplifted me during difficult times. i’m so thankful for her! no wonder everyone loves her so much!!! an angel. i love her!

[uniiiquehecrt]

https://www.vanityfair.com/hollywood/story/chris-hemsworth-cover-story

It's like the Prequels again. Everyone blamed the actors when it's the director who deserves the blame.

OKAY BUT REAL TALK I ACTUALLY JUST READ THIS WHOLE ARTICLE BEFORE CHECKING MY BLOG RIGHT NOW AND I JUST NEED TO SAY THAT CHRIS BEING SO DOWN AND OUT ABOUT HIS ROLE IN THE MCU IS SO SAD TO ME.

Now that I've gotten that out of the way: to put my full thoughts into words... I want to say first that Robert Downey Jr. has this to say about Chris (in response to Chris feeling like he's not as important or as cool as the other heroes):

"Thor as a character was super tricky to adapt [...] but he and Ken Branagh figured out how to transcend, make him somehow relatable but godlike. Hemsworth is, in my opinion, the most complex psyche out of all of us Avengers. He's got wit and gravitas, but also such restraint, fire, and gentleness."

And this is SO true. He took the words out of my mouth.

Reading the article.. and how and where Chris notes feelings of inadequacy, or feeling he's complaining to much (and therefore being narcissistic by complaining), the burning himself out, etc. Suffice it to say I was struck by one thing in particular: There's a lot of Chris in Thor. A LOT of Chris in Thor. It's not a surprise to me, in that case, that he felt down and out about his role in the Avengers, and the MCU as a whole when Thor is, inherently, consequently, alien. But alien in the sense of being SO important, SO regal, so otherworldly in sheer scope and in depth that where he fit in was ... quite simply grander than the others in the overall scheme of things.

It was the Asgardians who brought the Tesseract to Earth and safeguarded it, and the Aether. Two entire infinity stones within their protection. That, is Thor. Who was the one to have a vision about the role of the infinity stones? Thor in "Avengers: Age of Ultron". Who was the one to bring the Vision to life? Thor, also in "Avengers: Age of Ultron". Who was the one to realize as far back as "The Avengers" (2012) that someone was working behind Loki? It was still Thor.

And what I find most interesting is that Chris isn't exactly wrong about what he says here:

"Sometimes I felt like the security guard for the team," he says. "I would read everyone else's lines, and go, Oh, they got way cooler stuff. They're having more fun. What's my character doing? It was always about, 'You've got the wig on. You've got the muscles. You've got the costume. Where's the lightning?' Yeah I'm part of this big thing, but I'm probably pretty replaceable."

Ignoring for a moment that this is absolutely not at ALL the truth, it's not a surprise to me that he felt this way for... particular people and branches within the overarching fandom spaces I won't name for the sanctity of this post. And it is unendingly sad to me to have undeniable proof from the horse's mouth that Chris lost sight of how much depth and beauty he brought to the table as Thor. And how important Thor is as a result.

And yet, I honestly don't blame him FOR losing sight of that. There's a lot he had to - and still has to - contend with. And almost everybody sleeps on his portrayal of Thor in particular. It's depressing to see.

RDJ saying he's got the most complex psyche is so true. Gentle and gravitas, restrained but filled with fire. I love that about Thor. I will always love that about Thor.

I genuinely hope, with Chris seemingly realizing just how far out of touch he fell whilst chasing the high that Taika Waititi's dipshit behavior allowed him to chase, that he does do better. Performs better. But I mean that more in the sense of...

Chris, should you ever happen to read even a small part of this: I hope that you fall back in love with Thor. And I hope you see how lovely he is - and has always been - specifically because of your portrayal of him. You and Thor are not replaceable. You're not boring. At no point have you ever been. And I hope for your last foray into Thor's franchise you get to feel the energy you did when you first put on the costume in the first place. When the costume came on, and it felt like it just fit, and you were transformed into the character entirely. I hope your final goodbye to Thor is filled with all of the love that you first welcomed his part to play with; for you and for all of us.

– and sappiness aside, genuinely, I really do hope that Thor 5 can be a film that Chris feels proud to be a part of. A note he's proud to end on. He deserves it; we all do.

[soracities]

Do you like to listen to music while reading? If yes, can you recommend some of your fav songs?

oh i wish i could but unfortunately music while reading is literally THE worst possible thing for me, truly...as it is i can barely read on public transport (or even outdoors sometimes) because there's just way too much going on for me to concentrate and i am in perpetual awe of people who can. anyone who does though please feel free to share your faves for anon!!

[rowanhoney]

I think my least favourite brand of Christian is the grew up catholic, rejected Catholicism, only to adopt a way more extreme culty denomination and make it everyone else’s problem

[rilinda]

.

I didnt know the tags woulr be so much i shouldve just wrote a long vent 😭😭😭 rip

[dancing-with-stars]

guys. guys !!!!