#yes we have SO MANY silly bears

[bearotonin-international]

do you happen to have any silly bears 🥺

Is this a rhetorical question?

do

we

have

any

silly

bears

[starsstillshine]

i, who has never seen hannibal, and my roommate, who watched hannibal while airing, are watching hannibal together. having the time of our lives tbf.

[llamagoddessofficial]

Llama, could you share any datemate Fae!Dream you may have please 🥺

What a lovely, silly, complicated guy.

We know he's got... issues. His whole life he's been surrounded by yes-men and people who think the sun shines out of his ass. He really, genuinely believes that his worth as a person is directly tied to how 'good' of a King he is; hence his habit of hyper-focusing on a new partner, then gradually drifting away from them as his need to continually prove his 'goodness' begins to rear its head again.

I think Dream, deep down, really wants someone who doesn't think he's all that. Someone who doesn't admire him, or get swept up in his power and prestige. Someone who actually sees him.

He would really like someone blunt. Someone who sees through him. Someone who will say "Dream, I feel really abandoned, you're being a shitty partner." or "I'm hurt that you keep sending gifts as apologies for not spending time with me, it feels like you don't care enough to actually come apologise."

He wants someone who'll talk with him for hours. But if not more, he wants someone who will stay even when he's silent. Someone who'll sit with him by the lakeside, his head in their lap, doing nothing. Saying nothing. Reading together is one of his favourite activities.

He wants someone who won't rush to 'fix' that he isn't happy.

Someone who doesn't need a performance.

Being with Dream means understanding that he's the King of a massive, sprawling realm. He will be busy. You won't always have his time.

He's much more perceptive than he lets on. He'll remember if you expressed interest in something.

He has taken many lovers to the most beautiful areas of the Summer realm. But he has a place that's 'his', where no one else is allowed to go. It has a small pond, not as pretty as the big lakes. A tree, old and wizened but still bearing fruit. A tiny garden with flowers he planted himself.

He'll take you there. He wants you to see it.

You'd probably constantly be surprised that he keeps coming back to you. Everyone else in his life says exactly what he wants to hear, why does he always refuse to dismiss you from his side, even though you're the only one who dares to tell him what you really think? All the other fae look at you like you're insane when you plainly tell him your thoughts. Yet he still brings you everywhere.

He deeply craves that kind of reality check. You're always calling him out, but never in a malicious way. It's just honesty. And even when you do tell him he'd being a (pardon my British coming through) massive git, you still treat him with kindness and stay by his side. You see his flaws but remain anyway.

He's surprisingly not overly physically affectionate. He shows physical love in more restrained ways - taking off his gloves to help you down from a horse, seeing you for the first time in a while and spinning you when you jump into his arms, quietly resting his head on your shoulder when he's so tired but the day isn't over yet, letting the kiss on your hand linger that fraction longer.

When it's just the two of you, he doesn't smile as much. You come to realise just how much that means he loves you.

[risuola]

▶ BRUTALLY HONEST — when Satoru asked you for a rather unusual favor.

contents: silly Satoru, college+roommates!au, suggestive, humorous (??), male anatomy in brief detail, reader discretion is advised — wc. 934

a/n: ok, this part is... a little more into 18+ territory but still keeping it light and friendly between the trio. a crack if you will, let's all appreciate the stupid boy Satoru.

𝙇𝙊𝙑𝙀 𝙈𝙀𝘿𝙇𝙀𝙔 | series masterlist

“Question!”

The moment Satoru stepped into the room, you could tell from the look on his face — the typical mischief twisting his features into a caricature of innocence — that there’s something going on his mind that you may or may not want to know.

“Yes?” You encouraged carefully, flipping your eyes back onto the stack of papers in your hands. Notes, that you wished would transfer their contents onto your brain before you fail tomorrow’s test.

“I have the most random question– a favor, actually and you have to bear with me.”

“Hit me.” You were ready for–

“How many dicks you saw in your life?” –well, not that. “Real life, real dudes, that is. Not porn.”

You blinked.

Once, twice. The air seemed a little thicker than just a moment before and you shouldn’t be surprised. Satoru is unpredictable, he’s vibrant, he’s straight to the point most of the time, but that took you a moment.

“Can you repeat the question?”

“Dicks. Penises, cocks–“

“Yeah, okay, I got that.” You cut him quickly, abandoning the idea of studying and now paying him your entire attention. “You have to give me some context, Toru.”

“I’m curious if you girls have a preference? Speaking about aesthetics. Do you, like, judge the look of a dick?”

“Has anyone made you insecure about the look of your dick or what is it about?” You asked, confused, though confusion would be an understatement to describe the state of your mind now.

“I don’t know, no one said anything but, uh–“ Satoru began, shrugging nonchalantly, but there was a subtle uneasiness hidden underneath his lighthearted tone that you could spot with no mistake. “Every time I am with someone, they look at it as if they saw a ghost and most often it gets me down before the party begins, so it made me wonder.”

You put down the notes, abandoning the hopes and dreams about a good grade tomorrow and your fingers found their way to the bridge of your nose, pinching it — a typical gesture when you tried to collect your thoughts.

“I highly doubt any part of you could not be appealing, Toru. Even your feet are pretty—”

“Irrelevant. So, I’m asking do you have enough picture storage in your head to compare or do girls even pay attention to the looks of a dick?”

“Well, yeah, I guess? I mean, I received a fair share of unwanted dick picks, I’d say I know how a cock look like… But I don’t know, I think the judgement happens automatically,” you said, exhaling. “I think I saw once a very unimpressive dick. The rest was rather similar, I suppose—”

“What do you mean by unimpressive?”

“God, that’s embarrassing. It was my first partner, you probably don’t even know him, but the guy had at max two inches, which is fine as long as you can work with it, but he lasted less than ten seconds and on top of that he was hairy like a gorilla what probably took an entire inch off his length.”

“Wait, you had a hairy gorilla boyfriend and we don’t know about it?”

“It wasn’t my boyfriend, we didn’t even end up having sex. It doesn’t matter, okay?”

“We’ll get back to this, but now, dicks.” Satoru got closer and kneeled on the bed. “So, the favor. Can you be honest? Like, brutally, 100% honest?”

“Honest about wha— Wait, you want me to judge your dick?”

“Yeah?” He looked at you with the pleading expression in his blue eyes, his voice got whiny for a moment and you really wished to flick his forehead right now. “Please? No other girl will be as honest as you and Suguru is not really the respectable source of knowledge about the issue.”

“Christ, okay.”

You agreed.

You said okay, but for some reason it still shocked you when Satoru, instead of talking like he usually does, pulled his sweats down. Looking away was your first reaction. You felt like you shouldn’t be looking, but he literally just asked you to judge, so you slowly allowed your eyes to run down his body, leaving his handsome face and landing finally on the now free manhood, and oh boy, there was a lot to analyze.

The word pretty usually wouldn’t be your first choice when talking about penises. They were usually very similar, more often than not unimpressive and overall uninteresting, but Gojo… He was just that. Pretty. Incredibly long, and girthy too, covered in light skin with the baby pink head. He looked heavy, mouthwatering, like a dessert of sorts. The set of veins spread from below his stomach and wrapped around the shaft. He was mostly clean shaven, with just the tiniest happy trail of white hairs that against his light body was just barely visible.

“And?” He reminded you why you are even taking in the view. “Brutally honest, please.”

“You know what… I really, really hate giving a head, but that dick I’d suck for hours. It actually makes me salivate, you’re fucking pretty Satoru. I don’t get your concern,” you told him, finally looking away and getting your thoughts together, forcing them together. Why was it so hot all of the sudden? “If they look oddly, that’s probably because you’re fucking huge. Christ–”

“It makes you wanna give me a head?” He grinned, obviously catching onto the words you said when you weren’t thinking clearly.

“Hold your horses and pull those pants up. You have nothing to worry about, you’re gorgeous from head to toe, you idiot.”

taglist: @kibananya, @r0ckst4rjk, @rixo-19, @soraya-daydreams, @hyun0200, @ilykii, @roscpctals99, @mushkasstuff, @siimp4youu, @juicedcherry, @themoreeviltwin, @stevenknightmarc, @ms5m1th

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[kizykoolors]

This was inspired by the many silly and funny posts of Athena freaking out about Odysseus being "pregnant" with Telemachus, but with my own spin!

The King and Queen of Ithaca are waiting by the sea shores, with their son in the queen's arms. They seemed to be concentrated.

Penelope: Alright, love.. Remember what we practiced?

Odysseus, nodding: Yes. We tell her the truth before she starts panicking the moment the idea gets in her mind!

Penelope: Good. When is she going to appear?

Odysseus: If my senses are correct, she must be arriving... Now!

Penelope and Odysseus are now standing in front of Athena who flew down to them, divinity on full display with her spear in hand. Athena looks quite confused as to why she had been called and seeing the delighted looks on the Royal couple as she sees the Queen carrying a bundle of.. something.

Odysseus, stepping closer: Athena, we wish to have you meet our son... Telemachus!

Penelope passed their son to Odysseus and he held out Telemachus to the Goddess of Wisdom. Athena holds Telemachus carefully with a curious hoot.

Athena: Telemachus?

Odysseus: Yes, that is the name we chose for him. AND JUST SO YOU KNOW, I DID NOT CARRY-

Athena: Odysseus, i am aware that Penelope was the one who carried your son.

Odysseus: And he absolutely did come out of my head- Huh?

Athena: I am perfectly aware that mortal women are the ones who bears the child. Did you assume that i would think your son was born out of your head because i was?

Odysseus: ....Yes?

Athena: I am quite offended, Odysseus of Ithaca. I'll remind you that my father is the King of the Gods, Zeus himself. I have witnessed many births from mortal and even the weirder ones.

Odysseus: I, I apologize for assuming you didn't know, Athena...

Athena: Hmph, That is alright, for now. Next time, don't assume such a thing. It was an honor to meet the Prince of your Kingdom, by the way.

She gives baby Telemachus back to Odysseus and she flies off to Olympus, maybe

Penelope: I was sure she would've thought it was you who carried Telemachus.. It would have been quite funny to watch.

Odysseus: So did i... But i guess we were wrong, huh? She probably must have seen weirder things, anyways.

Later, back in Olympus. Zeus is peacefully sipping some nectar from his cup when suddenly-

Athena: Father, you have lied to me.

[jamiepaige]

Constant Companions Closeup #1: DYAD

(also on spotify!)

Hello everyone!! It's been a couple weeks and change since Constant Companions, my newest album, was released unto the world, and I've been genuinely blown away by the response. Genuinely, thank you to everyone who's been streaming, commenting, making mashups, changing their pfps and usernames - it means the world to me!

I wanted to give some of that love back with something people have been asking me a lot about - and, admittedly, something I love doing. Song explanations! Deep dives! Dropping the lore! Welcome... to the Constant Companions Closeups...

For the next eleven days, I'll be going into each track one by one and babbling about the process, inspiration, details, feelings, and thoughts behind each one! We're getting sappy. We're bearing our hearts. We're telling unfunny jokes. And we're starting with track one - DYAD (featuring unit.0)!

---

Naturally, since this is the first track, it also serves as a great point to talk about my intention with this album as a whole!

I'll elaborate more on this with future tracks, but to me, there are really two main things that define the sonic progression of this album versus my previous work - guitars and vocal synths. Obviously, these things have been present in my work since I first started calling myself Jamie Paige, but Constant Companions is intended to be my overwrought, sappy confession of love to these two things that time and time again have made me simply want to make music. I love rock and I love Hatsune Miku dammit!!!

I had originally written this song in February of 2023 for a game-jam-esque online festival hosted by my friend Loni called HAPPY PARTY TRI, and at that time, I had found myself at a major crossroads. I had put out People Posture Play Pretend and :women_wrestling: the previous year, and while the response was nice, I was feeling listless and lost.

I love singing. I like my voice well enough. I certainly love writing music with lyrics!! But... there was something uniquely electrifying about using vocal synths. Amidst a lot of insecurity and emotional turmoil surrounding the process of making art and putting myself out into the world, it was one of the few things that just made everything feel right. Suddenly, I was making the same kind of music that had touched my heart so many times over.

Would it alienate people, though? Would I lose longtime listeners? Yes, that weighed on my mind more than I'd like to admit, but even more than that... I was worried I'd lose some part of myself, as silly as it sounds. Maybe what I thought was a bridge would become a barrier, and the messages I wanted to send across the gap would never find their way.

Ultimately, I felt that Dyad was the only kind of opener I could've possibly given this album, and a perfect fit for the album's motif. A dialogue between myself, stricken with loneliness and a lack of inertia running in circles, and that synthesized voice (ANRI Arcane my darling), grabbing the outstretched hand and asking a question I already know the answer to -

"Baby, do you know what you wanna hear?"

Yes, it's a love song, but it's not just for a person - it's a love song for the creative impulse, and for the places I wanted it to take me.

im resisting the urge to be jokingly dismissive of myself to diffuse tension but i still need to signal that the emotionally bare part of this is over so pretend im doing a funny little dance Anyways let's talk more technical stuff

---

Like many of my songs, Dyad came together from a patchwork of different snippets and ideas I had laying around. The back half of the chorus - "dream together, we can dream together" - originally came from this idea I had jotted down something like 9 months prior, but ended up being a perfect fit for Dyad in basically every way. The verse snippet that I'd written to go with it got reused for a later song on Constant Companions as well! (I say without naming it, as if it isn't literally lifted wholesale from this demo and thus incredibly obvious)

I wasn't originally planning on brazenly quoting the bridge of a Tally Hall song when I set out to write this song, but while toying around with a bridge idea involving a shortened version of the pre-chorus melody, I realized I had inadvertently copied it anyways. I was going to scrap it... but at the request of my dear friend and certified Tally Hall lover Marcy Nabors, I made it an explicit reference. Which I'm fine with, personally! The first CD I ever owned was a copy of Marvin's Marvelous Mechanical Museum my sister bought me all the way back in 2006 - You can pry that sentimental attachment from my cold, dead hands, TikTok kiddies.

Lastly - not really behind the scenes so much as just a shoutout - thank you to unit.0 for the lovely lead guitar work on this song!! He's been a beloved collaborator of mine for many, many years now, and one of the people who ultimately convinced me this direction was the right one to go in, so it means a lot to share this song with him. Go listen to his music!!! Now!!!!!!

That's about it for this song! Not to sound like a fucking YouTuber, but genuinely, if there are any details you'd like to hear more about, let me know and I might made a bonus post at the end of all this. Otherwise, thank you for listening! Tomorrow: Not Quite There, featuring telebasher!

❤️💚

[sukunas-wife]

Sealed Pt. 5

first try 😎 (5th really)

1 / 2 / 3 / 4

It didn’t take long to buy what you needed, but your funds were running low. Which led you to believe it was a good time to return to the temple you had opened, immediately after opening the doors there was a line of women and children. It didn’t take long as you started to go through them all, “blessing�� pregnant women and healing sick children. Grateful women who couldn’t bear children or didn’t want to lose their children were more than willing to pay any price for healing. You’d been there almost all night when you felt an all too familiar presence. Your back was to the door but you turned looking over your shoulder. There he stood, tall, pale, long black hair and black robes. You turned completely to face him, “You must be Lady Y/n of the Shrine, I’ve heard so many stories of how you… help people, I’m curious of how you do it.”

Kenjaku, those stitches on his forehead would give him away easily to anyone who had common sense. “Sorry men aren’t allowed in the Shrine, with the exception of my husband and son.”

“You have a husband and son?” His face was smiling in disbelief, you didn't trust him even if he and Sukuna had chatted more than a few times he always left an uneasy feeling in your stomach. “Yes but that’s not important , so tell me why you’re really here. I get the feeling you're not leaving so easy.” He hummed, shrugging his shoulders, “I came looking for something. You have it and I might need it. So one sorcerer to another we both know what you have that’s helping you so much, it was awakened when Ryomen Sukuna was reincarnated. Do you know who that is or did you stumble across this little artefact and decide to keep it for yourself.” You watched his hand move from his sleeve holding up one of Sukuna’s fingers. Unamused, you looked away, “Sorry to tell you the only thing I see is a rotting dismembered finger, if you're not here to benefit both of us please leave.” You tried to wave him off but persisted in following you, Morí put himself between the both of you so you didn’t bother to look back at him. “I’ll give you one warning, you give me whatever you took and I’ll leave. But if I have to take it myself-“

He was cut off feeling hot liquid run down his face, your hand held up over your shoulder, “This is your warning, there won’t be a next one.” The sound of his skull cap hitting the floor was disturbing, Morí wanted to gag at the sight of the brain exposed. “That was a mistake.” You turned around your robes ruffled noisily “No! You turning your back when RYOMEN WAS BETRAYED WAS A MISTAKE KENJAKU, your damn lucky you have that binding vow and that he never found out the truth you two faced coward, I used to think you changed bodies so frequently because you actually had a plan. It turns out you're just lowly scum and your intentions were never clear, you’re a coward and when things become difficult in one life you’d just pop someone’s else’s skull open and go for a joy ride until it’s all used up.”

You saw those Fox like eyes light up followed by that unhinged smile, “Well if it isn’t Mrs.Ryomen Sukuna, I heard the rumours you escaped the prison realm, I just couldn’t believe it.” You felt your lip twitch like you were going to bare your teeth, “Believe it, I’m free and don’t think I’m here to support your silly little flip flop grill cheese bullshit plan. I’m also not going to join your little club of misfit cursed wombs and deranged psychopaths. I’m here for Ryomen and my son, if you do anything to hurt either of them I swear on your life Kenjaku I’ll be the one pulling you out of that man’s skull and making sure you never find another life. I have my plans already and I don’t need you.” He seemed displeased, “That’s the problem here Y/n, your wedding vows can’t do a thing to break a binding vow.”

You laughed “That’s the thing Kenny, you two made a binding vow, Tyler’s say there’s this cute little red string tying to Ryomen, you can both push and pull in the same direction as long as the rope never breaks. But, what happens if a third party comes in and manages to cut that string.” Your head tilted with a passive smile, “Get out.”

————-

“Alright Mama-dori, it's time for little Itadori to go out on his own on a mission!” Gojo seemed excited about breaking this news to you. You couldn’t have given him a more bewildered look. “What do you mean on a mission?” Mori was by your side taking the cracking tea cup from your hand before it shattered over the tea table. “Think of it as a field mission … erm Lady Y/n.” Your face didn’t change much while you were staring him down, he could swear he’s seen that look before. “Where’s it going to happen…?”

He gave you a mischievous smile, “Well if I told you how do I know you wouldn’t interfere.” “If you didn't, what makes you think I wouldn’t find Yuji on my own.” Your smug smile didn’t go unnoticed. “Good luck finding us then.”

———

It didn’t take long of you spending your day at home lazing about waiting for Yuji to come back, you weren’t held captive in this dingy little house but you started to wonder if this is what Sukuna felt like now that you understood he was trapped inside of Yuji

“Mooriiiiii”….. “hm.” “MoorIIIIIIII” “I’m sorry?” “MORI.” You finally lifted your head from being laid out on the cushions on the floor, Mori sighed with a sympathetic smile, closing the book he constantly kept your records and plans in. “Yes Lady Y/n?” You rolled over laying your head on the pillow not looking at him anymore, “I miss- Yuji? Or is it your husband this time?” You fell silent huffing and burying your face into the pillow “bof” Mori shook his head with a small smile at your muffled speech. “We’ve talked about this Lady Y/n, if you do want both of them back they really do need to know the truth.” You moved around so the side of your face was on the pillow and you could just barely see Mori looking at you from the tea table, “Do you know how difficult it’s going to be to explain to Sukuna he was reincarnated into his son that he now sees he’s being held hostage in?” Mori’s eyes didn’t leave your face as you watched a ladybug crawl past you, “But he recognizes you even without your cursed presence Lady Y/n…”

Finally you sat up looking at him, “Do you wanna know a secret Morinozuka? Something almost no one else knows?” He seemed uneasy at the thought, hesitating as you continued, “I’ll have to kill you if you ever tell anyone else but do you know why I lived so long? Why don't I age? Look at us Morino, you were a child when I found you all those years ago. You’ve grown, look at me, I have the same face and appearance as the day we met.” You held your hand out to him, he took it in his looking over the back of it, he remembered your hands well. When he was a child you gave him that motherly love of wiping away his tears, he’d take your hand whenever he’d get scared walking in public. He watched you fill out every paper, he admired the way you would heal people, but he always noticed how people’s hands changed with their age, but your hands were the same as the day he met you. “You haven’t aged Lady Y/n but I can’t tell why.”

“I’m a curse Mori, there’s a beautiful story behind how I became a curse” he watched how you smiled looking at your hand, he watched a mark form over your finger, “But that’s a story for another time!” You were quick to get up, “Let’s make something to eat. I doubt Gojo’s not going to feed them so we can eat at least.”

It didn’t take long for You and Mori to throw together a hot pot with meatballs. You were serving Mori who insisted he should be serving you, “oh be quiet Mori I didn’t take care of you for years for you to take care of every little thing I do now, now eat.” He huffed and started to eat watching as you started to serve yourself, it was when you were about to eat your own meal Yuji busted into your new home excited to tell you about everything. Mori caught your food as Yuji tackled you in a hug “Mom you should’ve seen us it was so cool we…” he paused looking at the table where you had set up the pot of broth. “Oh you were eating, sorry.” You watched as he smiled sitting back on his heels rubbing the back of his head with a big shy smile. You couldn’t help but smile at him, “cmon sit I’ll serve you some if you want and you can tell us how your… field test went.” He sat cross legged beside you leaning against your shoulder rambling and stuffing his face telling you about the revolving sushi and this Girl Kugisaki he and Fushiguro met. You laughed hearing how he whined that she sighed after just looking at them. You leaned your head on his and he kept talking, you listened to every word until he eventually fell asleep in your lap.

You looked down at him, your sweet boy, until you saw that eye open up, and a mouth form, it was a soft call and out of character, “Y/n.” You looked at him, Ryomen, “Ryo…” you saw the malicious smile on his face “If this brat trusts you so much I think you could do a little talking and get me out of here don’t you?” He watched and you smiled, shaking your head, crinkling your nose, “Reincarnated not too long ago and you're already making bigger plans…” your smile fell “what the hell was that where are the women and children moving about anyways hm?”

He looked away making a “face” “I don’t know what you're talking about woman, must’ve misheard….” “Mhm.” He looked back at you before looking away, “It’s been lonely you know…” you leaned down pressing a kiss to Sukuna’s “cheek”, he didn’t bother trying to fight you, “I know it’s been lonely you’ve been locked up for centuries Ryo.” He hummed, before looking at you upset “What are you doing HERE Y/n! Why would you surround yourself with these sorcerers and this brat? Who is this brat? WHYS HES SLEEPING ON YOUR LAP!?” Yuji stirred and you rubbed his head, you should send him to sleep in his dorm, “Ryomen-“ you gave him a look, he rolled his eye, “as much as you’d hate to hear this, Yuji Itadori is our so- mm, hmm?” Yuji sat up rubbing his eyes, “What time is it?” He yawned and all you saw was Sukuna squinting at Yuji before disappearing.

“It’s 10:40 Yu,” you started to stand up, “You should go sleep in your dorm so Gojo to Fushigumi don’t freak out if you're missing.”

He laughed, “Fushigumi.” He’s gonna love that one.” He stood up from the ground stretching and yawning before he squeezed you in a hug, “Gnight mom I’ll see you tomorrow.”

————-

“Hm, it’s July… I wonder if Yuji will want to go watch the fireworks later this month…” you yawned leaning against the post on the porch of the little home. The afternoon sun shining on your face, eyes closed, head resting back against the post. Ungratefully one leg was propped up the other was swinging off the porch just barely grazing the grass, the vibrant red of your robes shining bright. The shoji doors were open wide with fly nets set up, futons were airing out for when you wanted to laze about on the porch or in the living room on the floor, Morí had gotten tired of watching you throw all the cushions in a pile just to complain when you were on the floor and the cushions wouldn’t stay still. You heard him hum still scribbling away, you looked over picking up the hand fan laying at your side, “This was my wedding fan, did you bring it?” Morí hummed again “you said bring ALL your precious belongings when we first left the temple I assumed since it was wrapped in fine linen and in a red wooden box it was preserved for a reason. Then I saw a painting in your temple and it all made sense, Lady Y/n.” You waved it around unceremoniously watching the little charms sway around, “Lady Y/n… was Ryomen Sukuna really your husband?”

“Is he really my husband" is what you mean, he still is my husband even after all these years being forced apart…” you paused looking down on the school, “…he’s my husband…surprisingly he was different then to now. I still love him regardless, he gave me his heart and I gave him mine, sure the wedding vows today would probably sound occult but I was his he was mine, it took years to be comfortable by his side and then we he’s our first child, Yuj-” Morí watched the panicked look on your face, when you pulled your sleeve up grabbing your arm where your binding vow has marked you. He watched you squeeze the muscle hissing through gritted teeth, “Yuji.” It sounded like a forced grunt. He watched you cough from trying to bear the pain, it stopped and you let go, you were visibly confused “Lady Y/n what- I don’t know” you cut him off, “that’s never happened before.” You watched as the mark became a lighter colour almost blending into your skin then you understood, “I NEED TO FIND YUJI.”

———

“….s..Go..” You couldn’t get the words out, you wanted to scream at Satoru, you wanted everyone to die and it filled the room the moment he didn’t let you enter and you forced your way in to see your son laying on the cold metal bed. He was stripped bare with a gaping hole in his chest, the woman in a lab coat and Gojo watched you walk right past them. You could still feel a faint lingering of Sukuna’s cursed energy. Your hand moved up slowly taking Yuji's. He was so cold. The hand you squeezed as a child, the tiny chubby hands that wiped your tears “It’s okay mommy!” The hands you held onto walking him to school, you shook your head, tears in your eyes, it’s always these damn sorcerers who are so prideful in what they do they try to play heroes and fix the world. Putting the lives of others at expense even if it means they’ll only save one or two people. Your hand trailed up his arm fingertips brushing over where your binding vow was disappearing. “Some proud jujutsu sorcerer you must be.” You could feel Gojo’s stare, having ignored all his rambling but knowing he was upset.

“My son is dead at the expense of what Satoru Gojo?”

Your hair fell over your face when your tears started to fall, ducking your head down feeling like your chest and shoulders were curling in on you. You placed your hand on his chest and it felt like everything changed. You weren’t in that room, you were standing in an all too familiar place.

“Oh,” you felt the heat in your cheeks rising when you heard Ryomen’s voice, “Well if it isn’t my pretty little wife finally coming to visit me hm?” He was behind you, his left arm lazily wrapped around your waist the right around your shoulder so his hand could hold your jaw, he turned your face to look back and up at him. His eyes were lidded and smiled down at you, “Ryomen…” he moved in closer, his lips ghosting over yours, “y/n.” He closed the gap kissing you, he could feel the way you broke out and smiled against his lips, it made him crack his own smile when you tried to hold back your giggles. You were so happy to be able to see him after so long, “Ryo.” You pulled away and he frowned slightly looking at you, “what- LET GO OF HER-“

All you saw was Sukuna grabbing Yuji’s fist and throwing him and sending him flying into the liquid a distance away. “Oh Yuji..”

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[iwantmochisoup]

mochi soup's sappy happy crying session

i'm so sorry, please bear with me, but i really need to be super sappy rq. (it's gonna be a long one, so imma add the read more here)

i just recently hit 10k likes and lost my shit over it qwq;; i was overthinking a lot, i wanted to run away, and it kinda hit me because honestly, i don't think i deserve all this ;; like i'm just being silly on here and having fun ;;

but that aside, i have been thinking how to properly say thank you, since words are really hard for me (wow big shocker ikr lmao) but i realized it's thanks giving, despite me not being from america i saw all the love today and i thought maybe i can try, this time, to put it to words. (i'm sorry if i don't make sense at all, and honestly don't mind me honestly, i've always been super scared of talking on here but i need to ramble)

so, idk how to start this, i honestly quit art for good like 4 years ago, won't comment on it but this year i tried to pick it back up. i am so scared of people, especially online but i thought why not, so i made a lil acc on here, i wanna say i'm so lucky to have met you all and seeing people like my art, seriously it's what keeps me going. (that sounds so sappy but for what feels like the first time in my life i am genuinely being myself and i am so happy idk what to do) this is way too long of an intro...

i'm gonna start off my twin of course, it feels fitting hehe ;; so, @saltedbiscuiit you know how shit i am at words, and you know how thankful i am for you, and we talked so much about it already so i'll try to keep this short ;; i am genuinely so happy to have met you, kinda feels like it changed my life back then, it honestly hasn't been that long really, since the art trade back in july, i honestly feel like i found my other half (that's so sappy pls don't cry but i'm being honest) thank you so much for everything, you do so much for me, even if you don't know it and i am honestly so so grateful and happy. thank you so much <3 hehe, salty soup salted mochi

the next one is @cryptid-juzou we just recently met, but i fell in love with your writing, almost instantly!! you're such a great friend, and it's sm fun talking and playing games with you!! and i'm so happy and grateful to have met you!! Really, thank you so much for all you did for me and for accepting the collab! To be working with you on our thing (i won't go into detail, yk big surprise and all) honestly, i'm so so happy and i can't wait to finish it!!

next!! @k-aez !! you've been haunting me in dreams, scolding me and i still think about that raw chicken art you did. okay jokes aside, i'm so happy to have met you and i feel the need to thank you like forever for creating the server and everything you've done. you've been supporting me and pushing me to get out of my ass and kept encouraging me sm. i can't put it into words, but i will be forever grateful for everything!

big big thanks to @ohhcinnybuns, @anticidic and @ediblepandas ya'll have been feeding my brain so many good ideas and enabled some brainrot i will thank you forever for. cinny, you know how much i love your fics and your massive brain in general, i'm so happy i was brave enough back then, and did some art of your ideas, idk if i would even tried to join the server if i didn't see your reblog. rosie, you know how much i love your fics, i'm not about to fangirl in public but i'm truly thankful, you've inspired me so so much, i love with your writing, your kitsunezai au and your scream in phasmo still is the best scream ever! pandas, hehe yk i need to thank you here too! your yapping about dresses and in general talking to you is so much fun! i love your brain sm! thank you so so much for enabling me so much, and please send me more dresses, i love them all!

and, ofc i have to give big thanks the chaos trio too @thatghostinyourbog @spccts & @msshinylemon !! yes, i'm calling you that, that name is fitting, shovel fight if you disagree, losers >:3 i have to thank you three a lot, ya'll are so fun to hang around and play games with, i seriously love what you all do, be it drawing, writing or just the way ya'll yap nonstop! it's sm fun hanging out and i love how we bounce off each other so well and ya'll inspire me so much!! also tysm @nolongerforthetainted for babysitting them!! i really love your writing sm and it's always sm fun yapping with you, and also pls make more coleslaw beds!! i need them! but honestly, thank you so much, i am so happy to have met ya'll and i always look forward to talking and hang out with ya'll!!

WAAAAA THAT IS SO LONG OMG BUT!!! I also need to thank each one of you, all my moots and everyone that just takes their time to look at my art, leave a like, reblog, comment what ever really, i appreciate each and every one of you so so much! thank you all so much, from the bottom of my heart, i can't explain how much it means to me! i also want to give a lil thanks to @noakiie @nevertheblood @altruistic-meme @artsyaudience @konbupie @jellyphink & @lethargyinafishbowl i wanted to tag more but i'm so sorry but i'm too scared, really ;;;

idk how to end this, honestly, i feel like i wrote too much and rambled way too much. i guess i'm just gonna-- *runs*

WITH MUCH LOVE AND A BIG HOP STEP JUMP -mochi soup

[evergreen292]

Hmm, maybe I should elaborate on why I am so furious with the 600 strike and therefore totally disappointed in Epic the Musical.

Okay, there’s no problem with the help from the souls of the crew; let’s collectively forget that they should hate him because he was the reason for their deaths, and that they shouldn’t even be there since they died not near Ithaca, and Hades wasn’t likely giving them a day off from the underworld.

No problem with the wind bag, so conveniently delivered by the trident; okay, just a really wild coincidence.

But here the problems start:

1. Since when does a totally uncontrollable and turbulent storm act like a controllable jetpack?

2. Since when is Odysseus totally capable of not only using this jetbag with ease from the very start but also using it in a damn battle? Is that believable in the slightest?

3. Since this is Poseidon’s storm and Poseidon is fully capable of controlling it (as we see at the end), why didn’t he just turn the storm off a little bit earlier, right inside the jetbag, to get rid of Odysseus without any problem? Because the author says so? That’s just silly.

4. Why doesn’t Poseidon fight back but mostly just float helplessly? Yes, he is supposed to be a worse fighter at close range, but not helpless at close range! Why didn’t he even use his own sea for attack or defense? It’s his domain, after all! I saw an opinion that he was shocked because he felt pain for the first time in his divine life… but that’s just not true. He was eaten by his own father and spent his childhood in his stomach, where there was surely enough pain. Also, gods fought their own wars with titans and giants, so he must have experienced enough pain in battle. He even fought in disguise alongside mortals in the Trojan War. So it can’t be the reason. What is the reason? Masochism? Or does the author simply understand that there’s no way for Odysseus to win if Poseidon fights back or at least protects himself with water?

5. Why does Poseidon just let his trident lie on the ground for Odysseus to pick it up slowly? Poseidon was already pretty well beaten by this mortal, so I just don’t believe he didn’t consider Odysseus a threat at that moment. So… just why? Another author’s decision for the sake of a desirable (but totally illogical) Odysseus victory?

6. Why does Poseidon let himself be stabbed repeatedly by his own trident and not even try to take it back, run, or use water to evade? Is he really this masochistic? Another “because the author wants it so”? And we can see that Poseidon bears serious pain well enough, by the way.

7. Poseidon calling Odysseus a "monster" as an accusation is just hilarious because with all his ruthless philosophy, it should rather be a praise! So we have a clearly out-of-character Poseidon here. Also, I think he would rather die (being immortal, yes) than ask a mortal (!) for mercy! And all the “how would you sleep at night” is just so out of character for Poseidon from all the gods! He is ruthless himself, so… is he sleeping poorly at night all these thousands of years? Really? Does he genuinely consider his ruthless deeds something to regret? Do we have a straight PJO Poseidon here instead of our old epic one?! This line seems just forced for the sake of a “badass” Odysseus's response.

So we already have too many illogical moments that the author uses to get a desirable but totally unbeliveable result. But what about mythological accuracy? In Greek mythology, we have no examples of a god being literally defeated (not tricked or captured) by a mere human. Only wounded—twice—in the Iliad, but in the first case, it was Aphrodite, who is specifically described as weak in wartime. And in the second case with Ares, Athena was there invisibly, literally guiding Diomedes's spear to the weak spot with her own hand. So we can’t even say that it’s mythologically possible for a mere human to defeat a god, especially one whose power is comparable to Zeus.

So… now you can see why I am totally disappointed with the 600 strike.

Thanks for coming to my TED Talk.

[laswells-ashtray]

Your writings are so good that I’m entrusting you with this simple prompt: Dragon Hybrid Price and (Any Hybrid) Nikolai.

Do what you will dear wizard writer.

For the sheer sake of you never implied how silly I could get with this, I'm sillying it up:

Bear hybrid Nikolai [because it's too fucking good] and dragon hybrid Price standing about one day, the two sergeants and the lieutenant are training together while the older two men watch. They're on someone else's base, a hybrid-less base but they're making do with what the have.

John's leaning back against the wall, wings pressed up against the brick in a way that has to be uncomfortable or at least that's what everyone assumes. He's rubbing at the base of one of his horns as if trying to soothe a headache and he looks quite frankly exhausted when another Captain appraoches.

John decides that in comparison to this man, he looks like Marilyn fucking Monroe.

"Captain Givens, you look about as good as I feel." John is at least trying to keep a good relationship with the other team even if they have a habit of pissing off each of them.

"Too fuckin' right. Just got off the phone with the Missus and had to help her convince my little boy not to shove his Batman figure up his nose. It's exhausting." The man complains, running a hand over his face tiredly.

John makes a sympathetic noise but doesn't hide his amused look. "Oh, I'm all too familiar with that feeling." The other day he'd had to convince a group of rookies that Soap is indeed a liar and that oil paint is in fact not edible just because it has oil in the name.

"You have kids?"

"Yes." John should've been smarter than to think that Nikolai's silence was a good thing, he doesn't get a chance to correct the bear hybrid before the other Captain asks:

"How many?"

"Three." Nikolai tells him while watching the boys train in the distance.

For a brief moment, John wants to tug on one of his fluffy ears and tell him to quit it. On the other hand, fuck it, why not?

"Yeah, three over there are mine. Different mums but I was a bit of a tart back in the day." He's reliant on the fact the human knows nothing about hybrids, specifically dragon hybrids for it to work. It's no secret that dragon hybrids can live a lot longer than the average human if they're careful about it but to those types of hybrids, John is still a toddler, horns still in one piece with wings that are still vibrant and healthy.

He can see the amusement in Nik's big brown eyes, he likes it when John sinks down to his level of teasing humans. The only one exempt was Kate, they respected her too much and she wasn't an idiot, she'd never believe half of the stupid shit they've all told people throughout the years. Besides, Kate is family. She has five hybrids protecting her back and the average CIA agent is still more scared of her.

"Riley, MacTavish and Garrick? They're yours?" The human asks in disbelief. Simon was going to kill him for this later, Kyle and Johnny would inevitably laugh themselves hoarse.

"Aye. Didn't find out about Riley until he was a teenager and his Mum got in contact. Looks fuck all like me but he's certainly mine. Lad certainly wasn't a chipper wee thing but I managed to win him over, SAS was his choice, I just put him on the task force because I owed it to his Mum to keep an eye out." He's talking out of his arse now and he knows it but the captain seems to be hanging on his every word. Nikolai is making the conscious decision to look away from him but he can see the faint shaking of the bastard's shoulders, he's laughing.

"MacTavish was from an eventful night up in Glasgow one evening, we didn't know if he was mine or Nik's until we saw the little blighter's eyes."

Good on Nik for how quickly he sorts himself, turning around and nodding approvingly. "Ah, but young MacTavish has always favoured me. Would've been a good bear cub, very grizzly."

The captain looks over to the three men training with wide eyes, tilting his head as he stares at them all, surveying them before he looks back to John.

"And Garrick is yours too?"

Kyle had been ripping on him for being old earlier so maybe he plays it up just that little bit more.

He nods, looking over at Gaz with the most proud look he can muster, it's real but he can pretend it isn't just for the bit. "He was an angel when he was a tot, good sleeper and learned to talk quick. Was always a little grumpy that he didn't have horns too but he got over it eventually. Got him a blanket with a dragon on it when he was two and he didn't get rid of the thing until he was fifteen. Big Mumma's boy though, spitting image of his mother and more than proud of it."

It almost saddens him that the interaction ends when a sergeant whose name he can't remember calls over the captain about something but the sound of Nik's deep, gruff laughter is anything to soothe his short-lived annoyance.

Truthfully, he forgets about the entire interaction within a few hours until Soap barges into his temporary room on the base with a positively gleeful look.

"Price, I don't know what the fuck you did but Gaz is due to kick yer heed in."

"Excuse me?"

"Givens won't stop asking him about his dragon blankie."

Shit.

"And what's this about you and Nik playing who's the daddy when I was born?"

Shit.

[ahmoseinarus]

Why I'm not okay with Vax'leth...

okay, hear me out before you come for me, "their love was used to break the world"ers, cuz I'm seriously not trying to start a fight... First and foremost... this is only my opinion. And my opinion has absolutely no bearing on your thoughts, views, opinions, or what is canon. The Eight Nerdy-Ass Voice Actors have spoken: Vax'leth is canon, end of story. And I'm certainly not going to say Vax'leth shippers are wrong, or stupid, blah blah blah... hell no. That is not my place, nor my right (well, legally it is my right, but my personal morals and feelings on the matter say that it's a dick move, so). I don't care who you ship (as long as it ain't pedophilia). That's the beauty of fandoms. We can all have our thoughts, ideas, opinions, and somewhere, find someone of like mind to share them with. Second, yes. I ship Perc'ildan... But I also ship Vax'more. Hell, when I was watching Campaign 1, Vax gave Percy a big ol' smooch on the cheek, Liam said "Percy and Vax, people! Ship it!" I said "O, captain, my captain!" and never looked back. But otherwise, there wasn't much else in canon to go off of. Not like there was with Vax & Gilmore. Very quickly, the chemistry there blew me away, I was shipping them so damn fast, and I had so much hope for them! But then... "You know I'm in love with you, right?"

💔 ... that single, Iconic moment that kicked off the Vax'leth joy for nearly a decade for so many, was a moment of shattered hopes and heartbreak for me. And it came out nowhere! I was not expecting it! I knew people were shipping them (I was not in online communities yet, I got into the fandom very late, they were between C2 & C3 when I started watching C1) but I didn't know how the campaign ended, I didn't know if anyone ended up together... I had not recognized any interest between those two characters except for one brief moment, when Vax went unconscious in the fight with the Briarwoods in Emon... He pictured his mother, his sister... and Keyleth. And I thought "oh god, please don't go there." And for a couple more eps, it seemed okay, but then he dropped that line...

"You know I'm in love with you, right?"

... fuck.

Part of me wanted to stop watching. But that was silly and childish. And holy shit, the Briarwood Arc. I think I paused, though, and stared at the ceiling and had a silent mental tantrum. Later, watching him pseudo-break up with Gilmore from their pseudo-thing that was never really official to begin with, because of what looked unrequited love, left me feeling nauseous. And... it never got better. Nothing about Vax and Keyleth ever felt right.

Now, I wasn't particularly happy about Perc'ahlia either, but... I was okay with it. I mean, damn, Laura and Tal played it well, Vex & Percy had the chemistry... They came together, they said "yes, you are what I want", and "Lady in the streets, tiger in the sheets" Vex said "Great, let's fucking go," grabbed Percy by the short & curlies and has been dragging him around, plucking his flower ever since, and making him a very, very happy man. But I digress. No, Vax'leth just never felt right. The chemistry wasn't there. They always seemed just a bit out of synch, never quite in harmony with each other... I know the arguments have been made before. Keyleth and Vax felt forced; yeah, they really did. They were awkward; yeah, I mean, Keyleth was already socially awkward, Marisha played that brilliantly, but this was... more. Vax carried everything; yyyyeah, he did. He seemed desperate to make it work. Sure. I saw all of that. Every single one of "their moments" was so incredibly uncomfortable for me to watch, it was almost unbearable... There were a couple of times when I physically squirmed in response. But... why? I didn't have this response to Percy & Vex... I see Perc'ahlia fanart online, I've even read a couple of Perc'ahlia fics... but Vax'leth? I actively avoid it... I've never read anything that might include it... I block the tag on every platform, because stumbling across fanart with them in any... intimate position just brings a visceral cringe reaction from me... ... But... I'm fine with Percy/Grog. Or Percy/Tary. Or Vax/Grog. I've read a Vex/Percy/Grog. I'm down with Vex/Zahra/Kash... Vex/Percy/Zahra. o.o I've read Polymachina where it's "hm... whose bed am I sleeping in tonight?" And that's where I figured it out... because whenever characters started getting mix-matched up together, occasionally I'd find myself skipping stuff, just "oof, no, not interested in giving that paring/threesome/grouping a chance..." And I finally realized it all had the same thing in common. It was Keyleth herself. And between that, and watching C3, I started to realize something. Or recognize something. There was something about Keyleth that was resonating with me. There was something about her, that I was relating to. And once I figured it out, I couldn't believe it had taken me so long to see it. Keyleth full on fucking screams Aromantic Asexual so hard!

And she doesn't even know it herself!!!

This is an incredible woman of strength, power, wisdom and compassion. She is one of the leading figures in the entire world. Her life has been nothing but a journey of seeking knowledge, and power, and self-control, and wisdom and leadership. She has had incredible burdens and responsibilities heaped upon her shoulders since she was just a girl. Her Aramente was supposed to be about finding herself, yes, but that's also what the journey of life is. I realized that the reason that Vax'leth made me so uncomfortable, was because I recognized what I was seeing. I was watching Keyleth, who had no understanding of herself, and who had not yet had the time to explore and figure herself out, being confronted with someone that she cared about, expressing feelings for her, and she was going through the motions of trying to to respond. She was just doing what she thought she was supposed to do, playing the part she was supposed to play, and even wanted to play, because this! This is what people do! This is part of what everyone gets to have! Something that is normal, but special, and just for her, in this otherwise insane, overwhelming chaos that is the rest of her life, with the world crashing down around her... "This is what I'm supposed to do! I care for this person, he cares for me, he loves me, so I'm supposed to fall in love with him! That's what's happening! I'm supposed to do this! This is what I'm supposed to say! Is this what it's supposed to feel like when we hold hands? I'm probably just nervous and overreacting. This is what we're supposed to do. Yes, we're supposed to kiss. I'm supposed to like it. Yes, act like I like it, tell him I like it, tell myself I like it, this is what I want because I care about him, and this is what you do when you care about someone!"

At some point, you start to question. "... is it... really supposed to fee like this? Is this really what I want? Is this really love? Or... OMG have I just been playing along because I'm trying to conform to the expectations of society... and myself?!" It's confusing... because you genuinely do want it!!! Until you realize... that you don't. And then you're just confused. And trying to figure out why. Maybe you weren't really in love? Maybe you didn't really want it with this person? Or... did you ever really want it at all?

Let me tell you, some of the best smut fanfiction is written by asexuals, in case you didn't know that. There is a big difference between loving sex, and loving the idea of sex. Or loving romance, and wanting to have your own. There are so many written works of love and romance and erotic, explicit sex, being written by people who can't get enough of reading and writing it... but have no interest in having that themselves... But I'm sure quite a few of us went through the motions in our youth, of dating, kissing, or even a bit more, before we realized OMG no, keep it out of my reality and in fiction, please. Keyleth never had the fucking chance. Perhaps in their year off between the Conclave and the final Arc she started to wonder and question... I think at some point, maybe on a Talks Machina, Liam did say that Vax and Keyleth's relationship was mostly asexual. But then, of course... Vax was gone.

I wonder if he knew, on some level... Especially after his deal with the Matron. That as much as she loved him, it was not as much as she thought she did. Or, if I may, even as much as Marisha loved Vax. Maybe Keyleth has figured herself out by now... maybe she hasn't... In Dalen's Closet, she asked the Champion how she is supposed to get over him if he keeps sending her Ravens. But I can't help wondering if she isn't clinging to Vax's memory, in part, because as long as she is still grieving him, it gives her an excuse to not move on. If she hasn't moved on, and isn't moving forward in a state where someone might be trying to catch her eye, she won't have to deal with that self-reflection, and start to question if what she had with him was ever real to begin with, or just another lie she was telling herself. I have to wonder if she is ready to see and accept that part of herself. It takes a lot of time. I was in my mid thirties by the time I realized I was on the asexual spectrum. And nearly 40 when I realized I was aromantic. And now, looking at Keyleth as an Aromantic Asexual, everything just seemed to slot into place, and make sense for her, and everything that bugged me about her suddenly... doesn't anymore. I've always enjoyed Keyleth's character, outside of Vax'leth. But I'm curious, if I go back and rewatch C1 now, with this perspective, while I will certainly never like it, and will certainly never ship it... I wonder if I can at least find some peace in it. But, for those of you who think I'm stark raving mad, that Zephrah is for lovers, and the Raven & the Tempest is the love story for the ages, well... You've waited a long time for LoVM Season 3! Enjoy and savor every Vax'leth moment you get!!! But I will respectfully be filtering them out, and shall let you have your moments of triumph and delight in peace.

💖Fandom is for Shippers (Canon Compliance not required) -Responses are fine, I just ask that you bear in mind all I have put forth is my opinion, and nothing more, and I have tried to do so in a manner that is respectful to those that I know will likely not share my opinion. Should someone feel the need to come back at me with considerably less respect than I have shown, well... then in the words of one Pike Trickfoot in LoVM S1 E01... "Easy Grog... we don't waste our time on talking assholes, remember?"

[sealinredshoes]

let's talk about names in The Folk of The Air

I realised today that I physically CAN'T shut up about how great of an author Holly Black is when it came to reference to folklore. I mean she basically build her carrier over her fairies knowledge. So anyway, here's some info about her character names because names are so important in the Fae world.

Let's start with Jude. The lies queen, the oath traitor, the one who

gets to turn a geis at her advantage, the mind trickster, the betrayer. According to multiple etymology work, "Jude" is a alterative form for Judah and therefore Judas, the bretrayer of Jesus. In old hebrew, Jude also mean " to praise". I mean, we are all accusating Cardan of being a simp, but maybe this little fairy-boy was just doing what the name was saying.

Speaking of our silly fae king, Cardan name was formed around the word "cairn", in old english. What is a cairn ? Nothing less that some rock pile that, in some stories, where supposed to gard the sleep of old fae king that where once trapped underground because they were too dangerous (or, dare I say, wicked ?). But it doesn't stop here, since "cardan" manage to became a surname for a stubborn person, and guess where the name "Cardan" first appeared ? Cheshire (wanna guess who he relate the most to when he read Alice in Wonderland ?)

Nicasia turn. One of the oldest and most powerful ocean spirit in the celtic folklore is called Old Nick, and I think there is some reference here made by Holly Black.

Taryn. Oh dear, do I have a lot to say about Taryn name. On the matter, she is probably the most gifted. Taryn name came from a variant of Thualta, the name of the godlike people that once rulled of Ireland before leaving to the undying island. Taryn represent the embodiment of the travel from mortal land to Elfame itself. But she also wear the same name as Tara, an old Irish fairy queen, wich name blend the meaning of "hills" and "star", showing the great extent of her power. Taryn is also a name given to the river that tend to overflow often. So, just like for her name, there is much more in Taryn that what we see at first.

Vivi complete name is Vivian and I think it speak for itself. Vivian is one of the many names of the Lady of the Lake, gardian of Excalibur. Her name in particular make me feel a little bittersweat. It bear the love of her step-dad for weapon, but also, it's maybe the first name her parent assimilated to fairies, and they may have chosen it quickly since they were still recovering with all the fae-related trauma. On the other hand, Vivian is also know to have managed to trap Merlin into a rock, so they were maybe wishing for her to be capable of overpowering any fae that could have wanted bother her.

Oak means oak (breathtaking I know), and oak trees are often associated with royalty in Celtic traditions. In France, it's said the king saint Louis was use to take court under a oak trees, and oak seed are often use to keep Fae treasures safe in fairytales

Hazel share some trees linked symbolism. It's known to be a symbols of righteousness and loyalty ( quite fitting for a knight if you want my opinion)

Jack sometimes means " to take the place", and, I mean, he is a changeling after all, but jack is also a name often give' to scarecrow, a parody of human beings

Benjamin's name means "second born" . Wtf, are you thinking if you have read the Darkest Part of the Forest. Isn't Benjamin the oldest sibling? Well yes, but he is the one the fairies like the most. The one who get the gift, the one who gets the story, the one deserving of a fairytale. And in all fairytales, it's the youngest son who is the hero, and who live the story. It's the benjamin brother who gets the magical gifts from the fairy lover who's head over heels for him. Ben might be the first born but by fairytale's logic, he is a Benjamin.

I haven't read the Oak saga yet so you'll have to tell me if it fits, but Suren's seem to means "the heroic one, the strong one"in Armenian, while her second name Wren, is the one of a small bird symbolising determination, enthusiasm and happiness

Some bonus for the Spiderwick Chronicles saga, because YES, I still believe they are part of this universe even if I know they legally can't.

Mallory etymology is from the french "malheureuse", wich means "unhappy", "unlucky", but something about the name of the others characters make me think it was choosen as a reference to Thomas Mallory, academically known as the first person to mention king Arthur in a written document (actually is more complicated but the meaning is still here)

Helen can be a reference as Helen of Troy, a female character who is often perceived as irritating and uninteresting until you start to rethink the story from her point of you, just like Jared have to learn that his mom is not trying to work against him, she is just a single mom trying her best.

I believe there must be some cultural references with Simon names, but I did not find it. All I've got is that his name means"to hear and to listen" such is kinda fitting,not gonna lie, my boy is trying to hold this family together by will alone so he have to play mediator all the time. (And of course It was saint Peter first name, like @amr102 say, everybody in this family is a reference)

I think Arthur Spiderwick name is a obvious reference to king Arthur since they bear (ehee, bear,king Arthur, you have it ?) the same narrative purpose of being the focus point of action without doing anything. (Update, @amr102 also reminded me that Tony Diterlizzi, the other author of the chronicles was massively influenced by Arthur Rackam style for his illustration, so, yeah, there is a reference for both of the authors)

For Lucinda, her name etymology come from lux, the light. But in a lot of gaelic tales, such as Cuchlein and Olwein, characters associated with light tends to turn crazy and / or see what the rest of the world cannot

And finally, Jared, my favourite one yet since the theory that he was named after Jareth the Goblin King from Labyrinth 1986 will never leave my brain.

[whoisneo404]

Hello! First, I wanted to say that you are my favorite Nick writer! And I wanted to know if you could do a Nick x Baker!reader where the reader teaches Nick how to bake! 🤍🫶

Sweet tooth.

Summary: baker reader and Nick have a baking date.

Disclaimer: I don’t know hot to bake lmao, so I’m making thing up. Apologies to the people who do know how to bake): pls don’t murder me.

“Do we really need that much sugar?” Nick asks concerned looking at the bowl in front of us.

“Yes Nick. Have you never baked a cake?”

“I mean… not really, wow that’s a lot.” He says. “And salt… why salt?”

“Nick…”

“Okay, okay. I’ll stop, I was just curious.” He says grabbing the rest of the already measured dry ingredients and putting them in the bowl.

“It’s okay, baking can be… interesting, might be a word to describe it.”

“I don’t care. As long as you keep doing those chocolate cookies. God, I’m hungry now.” He hugs me and kisses my cheek.

“Wait.” I laugh a bit. “I’m mixing the ingredients.”

“You can mix and pay attention to me at the same time.” Nick places another kiss on my cheek.

“We are working here. Go get the eggs and the milk.” I give him a little kiss on his lips and he smiles widely.

“Yes chef!” Nick does a silly army salute and goes search for the things I asked for. When he told me he would love to bake with me I knew it was going to be funny.

---

“Keep mixing it.” I say while checking the temperature of the oven.

“How did you know I wasn’t mixing?” He gasps.

“I couldn’t hear the spoon hitting the bowl.” I turn around and look at him pouting. “Are you tired?” I chuckle as he nods. “Give it too me.” I grab the bowl and the silicone spoon and star mixing it.

“I don’t get it. It’s hard, the batter gets all heavy and hard to stir.” I complain. “But it tastes nice.”

“Did you eat it?” my eyes open widely and he nods.

“I mean, not to brag but we made a great job.”

“Nick, we still have to cook it.” I say.

“I know, and?”

“You ate raw eggs…”

“Ah, don’t worry, it’s the same as cookie dough. I have eaten it so much that my tummy is immune to any disease.”

I laugh as he pats his tummy proudly. “That’s not how that works but okay.”

---

“How long did you say we have to wait?” The cake was sitting in the oven, Nick and I were sitting on the couch.

“About 35 or 40 minutes. Not to long.” I kiss his cheek; his arm is wrapped around me and a random episode of Ru Paul is playing on the TV.

“I can’t wait to decorate it. I bought so many things to make it all pretty and yummy.” He says and starts to list all the things he bought.

“We should make donuts someday.” I suggest.

“YOU KNOW HOW TO DO THAT?!... oh my god I’m gonna marry you.” He kisses my cheek once more.

“I will keep you by my side with all the sweets I make.”

“God, I have the biggest sweet tooth. You have me at your mercy chef.” I laugh and kiss his lips; he still tastes slightly like chocolate batter.

taglist: @freshloveforthefit @shywolfapricotfan @sturnphilia @matty-bear @thenickgirl @stvrniolvsp @paige05 @soursturniolo @miloisdone1 @teenagetrash00 @lovely-calypso @h3arts4harry @malirosee @m3laninangel

[drdemonprince]

I'm a trans guy and tbh I feel like I don't fully understand the transandrophobia debate. Based on my understanding of intersectionality & transfeminism, I think that trans men (largely) experience transphobia and misogyny, while trans women (largely) experience transphobia, misogyny, *and* transmisogyny -- I also think it's necessary to discuss issues that specifically affect men without describing them as forms of oppression or discrimination against men. But that's just accounting for intersecting identities (including both marginalized and privileged identities) rather than only accounting for intersecting oppressions, right? I feel like some people using the term "transandrophobia" either seem to be confusing these two concepts or mistaking gender essentialism for discrimination against men (though some just use it to describe a subset of transphobia rather than an intersection, it seems like). In any case, even though misandry isn't a real systemic issue, I can understand why some people feel like there's missing language or frameworks when it comes to discussing the ways men, and trans men specifically, are treated (and the ways they/we treat each other). I'm not sure what better alternatives are available, but I'm sure some are possible. I'm wondering if I'm misunderstanding something or if you have any other thoughts on this. Thanks!

It sounds like you understand this 1000% better than every sincere transandrophobia poster. Not every unique experience is a locus of oppression that needs a systemic oppression label -- but yeah, of course, it merits being talked about.

For example, lots of trans men have a hard time in coping with the shift from being treated with emotional deference and warmth by strangers, to suddenly being treated quite coldly or even in a mistrustful way by strangers. That is a real, painful experience -- and it's one that is wrapped up in damaging gender norms that do also negatively affect cis men. It's not androphobia, but it is a consequence of sexism and the gender binary that sucks, and it merits speaking about.

Where things get dicey and fucked up is when men (either cis or trans) take a painful experience like that and declare that it means they're actually more oppressed than women.

(And, as Lee ButchAnarchist often points out, women's emotions are even more policed than men -- yes men are denied tenderness and warmth from total strangers, but they are showered in affection and caretaking by the women close to them, and they are allowed rage a whole lot more than women, in general. so it's overly simplistic and sexist to say men are more societally emotionally repressed. this dynamic plays out among trans men too -- we are given a lot more latitude to be emotionally explosive. trans women, meanwhile, are told they're being "scary" if they have any negative emotion. This is all also racialized -- Black people of any gender are basically never afforded the chance to voice negative feelings in public no matter how much they police their tone.)

I think a lot of trans masc people have a sudden rude awakening that being treated as a man can be painful and complicated, and that the gender binary harms everyone, and that there is a social price to pay for the privileges of being deferred to, respected, and so on. They also don't want to acknowledge when they are being respected and deferred to -- owning up to having any male privilege feels dirty and wrong to people, which is silly because it's just a reality, it has no moral bearing on the person experiencing the privilege. And of course it's often an incomplete privilege because of sexism and transphobia. But it still happens. Particularly within trans spaces.

I don't think this conversation will move forward productively until more trans men are capable of acknowledging that many of us have privilege and that we are very capable of hurting other people, being sexist, and speaking over trans women. And that's why we gotta make this transandrophobia stuff just completely socially unacceptable in our spaces. It is exactly the same as being a Men's Rights Activist. There are real men's liberation issues! Any worthwhile feminism will also liberate men! There are lots of aspects of the gender binary and patriarchy that are harmful to men, and that's worth talking about. Same with transphobia. But we can't have that conversation when men commandeer it to talk about how actually women have it better and all that vile shit. That talk is used to silence women, trans and cis alike.

[aheathen-conceivably]

Sunrise was only a few hours away, and the pack of cigarettes that Zelda and Antoine had brought out into the sand with them was almost empty. Somewhere around midnight they had realized that lying awake under the open sky would be easier than trying to sleep in the confines of their bedroom, and for hours they had been right.

All her life, Zelda had been used to it, the way the stars began to blur around this time, turning into tiny cosmos all their own as your body begged for sleep but your mind refused. It was a different kind of sleeplessness than the one she had known in New Orleans, one that was driven more by dread than wild nights and champagne. She imagined that for Antoine, this feeling must have been quite new. At least, she told herself, he didn’t have to feel it alone the way she had once been so used to.

She moved her legs restlessly, the bed of the truck still poking into her back uncomfortably despite the armfuls of blankets they had brought outside with them. He shifted his arm under the spot where it was bothering her, taking her hand in his as he spoke. “You should try and sleep, we can go back inside, let Gio find the blankets in the morning and wonder what Okie made it their home last night.”

One small look told him that she didn’t need to sleep; but he already knew that. He traced his hand along her cheek as she studied every small detail of his face. Every day it seemed like there was a new line to memorize, as though she could reconstruct it in her mind to keep him from aging or disappearing forever. It seemed inordinately silly to be doing it now as though he would be off to war or across the sea and not merely on tour for a few weeks. But they hadn’t been apart since she left for England. Night after night he was there with her, and every morning after he awoke by her side.

She suddenly realized that maybe he was right. She should sleep, because it would be unlikely she would be able to do so once he was gone.

“Zelda…” the words froze in his throat, as if he had been keeping them there and was afraid to make them a reality. She knew that even at the best of times he weighed every word he spoke, often so much so that many of them were never uttered at all. But she looked up to him earnestly, and that was all he needed to voice the plea that has been on his mind since sunset. “We can figure something out. Anything. I won’t go. Just say the word and I won’t go.”

The air caught in her lungs, because she knew that he meant it, and then the burden of their panic and his missed opportunity would be on her for the rest of their lives. It was an inconceivable amount of guilt, but one she so badly wanted to bear. Only one thing stopped her from saying yes, and that was that it would have been more selfish than she possibly knew how to be. They needed the money, and he at the very least deserved the chance to try. With one word she could have stopped everything that was in motion: Jo’s intricate plans, Antoine’s chance at success, Gio’s last opportunity to save his dream. But for that exact reason, she couldn’t do it.

“Please go. Please be as great as I know you can be and come home in one piece. That’s all I ask.”

His expression was unreadable. Part of it seemed like he had resigned himself to his fate, and maybe another part of it was relieved that she hadn’t said yes. Relieved that at least this way, he could make sure they were safe, and he wouldn’t have to spend the rest of his life wondering what could have been. A small laugh covered up whatever ability she may have had to figure it out before he pulled her closer. “I suppose I see why you don’t sleep so easily now.”

As he pulled away to look at her again, their sad, shared smile lifted some of the melancholy from them both, even if it added to the deep sorrow that they would lose it for a while. He lifted himself up onto the truck, pulling her up with him as they looked out at the mountains in the distance. Then he gently moved her in front of him and wrapped his arms around her as tightly as he could. “Just close your eyes. Close your eyes and float, even if you don’t sleep. Sooner or later you’ll open them and I’ll be back.”

She listened. Not just because part of her was tired, but simply because she didn’t want to look at the stars blur and contort any more. She had long learned that it was easier to pass the final hours until daylight like this, in some sort of trance between sleep and wakefulness. It was even easier now, because he was here, and with her eyes closed and his hands around her waist the stars behind her eyes didn’t seem like reminders to open them again. They seemed like shining distractions, all encompassing centers of light that could blind her to the fears and the pains that kept her awake in the first place.

But when she opened them again, the stars were gone, and so was he.

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