Saw a post making fun of Asexuals in the year of our Good Vibes 2022 so a reminder:
The A stands for the Asexual community and spectrum (it also represents the Aromantic and Agender communities but I’m Asexual so I’ll be talking about that specifically in this post)
Celibacy is a choice to abstain from sex. Asexuality is a sexuality defined by a lack of sexual attraction to anyone, not by the choice to abstain from sex.
Every asexual person has different feelings on sex (an activity, not an attraction) - some are sex repulsed, some are sex neutral, and some are sex favorable. A physically pleasurable experience is not equal to an attraction to parties involved.
The Asexual community has been around since the dawn of the Queer liberation movement, and Asexual individuals have always existed.
Aphobia is real and has done tangible harm to Asexual people. Listen to and learn from their experiences.
If you make fun of Asexuals and their community jokes (dragons/cakes/cards) you are Aphobic. If you’re Asexual and you make fun of these aspects of your own community or consider them ‘cringe’ you have internalized Aphobia.
Sometimes teenagers and young people will identify as Asexual and change their label later in life. This does not mean that all young people who identify as Asexual will change their minds, nor does it mean that all people who identify as Asexual are young.
Seriously what do you people have against the dragons and cake jokes those are classic and hilarious please deconstruct why you have so much rage for harmless jokes that’s not a healthy response to silliness.
Anyways reblog this post if you’re Asexual, support Asexuals, or really want a dragon.
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
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Obviously, I can't ignore the funny pics of AFO either
AFO getting insulted for the first time on the web be like:
He looks like his fingers would be flying across a keyboard if he were on the internet.
AFO went and made himself into a troll face, man.
"MOMMY LOOK AT WHAT I FOUND!"
YEAH BOY, YOU LOOK REAL WEIRD BUT YEAH! RAISE YOUR TROPHY
MA! AN ALLIGATOR GOT INTO THE TRAILER AGAIN!
AFO's that arm being pummeled into the ground.
[All Might Doesn't Know How to Fucking Hold Back Against Kids: Case 47]
Feat. Accidentally twink-ifying AFO to the point he's become a twig
NEWS: AFO fails again, "Desperately trying to play it cool", All Might says, for at least the 3rd time in this fight
AFO tried being so cool with the "Shigaraki—my other self" and failed instantly. Livestreamed all over the world. Ugggghhh. The embarrassmenttt
Proceeds to split his face to smile, saying "I'll have to do the legwork myself".
As if to them, he didn't just go "Watch me do this. Come now, my other self. ........ I'll have to do it myself."
"Look how cool I am" *fails* "I CAN DO IT PROPERLY I MEAN IT"
He flip-flopped so hard here that if it were me, I'd give All Might the finishing blow to end me of my embarrassment. The world saw it. My life is over
AFO's ego is just so big and he's trying so hard to play it cool and keep his pride in his fight.
As if he hasn't been running around half-naked in a cape this whole time
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*me waking up in a cold sweat in the middle of the night*
Wriothesley and Uncle Iroh
Just- those two
Tea besties in another life change my mind.
They would be the best tea duo
They would exchange recipes
They would spend hours talking and everyone would think it’s some serious diplomacy stuff- EXCEPT NO. ITS TEA AND THEM CRYING AT THE FACT THAT THEY FOUND SOMEONE WHO IS AS INSANE ABOUT TEA AS THEY ARE
Wriothesley would totally play pai sho with Uncle Iroh if there’s tea. And of course there’s tea, Uncle Iroh is not a degenerate, he is a man of true culture
Wriothesley just inviting Uncle Iroh to tea, not expecting much since fucking everyone keeps turning him down (I’d join you for tea Wrio, even though I only like green tea, because I’m polite dammit and my anxiety wouldn’t let me say no, I’d still be happy to join you, please someone join this man for tea, it’s all he’s asking for-), and then Uncle Iroh says “yes” and Wrio just.
Freezes.
And is all like :0 really????
And from then on, Wriothesley would die for Uncle Iroh like the rest of us
Wriothesley would full on deck Zuko for his complete disregard of tea pre-Ba Sing Se tea shop. It would be glorious.
Lanky 16 year old exiled prince with anger and daddy issues vs tired deadpan tea fanatic who could freeze his ass with one punch and has passed the midlife crisis stage of his life
Wrio is an orphan right? Or is that still just speculation? Point is-
Iroh would 100% adopt this deadpan humor stray kid after one convo of Wrio managing to bring up tea in every other sentence
I just-
I need this duo
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PART 20
of the dfk 2023 audiobook translation
@cnka
Narrator (audiobook):
Robert puts another piece of wood on the trunk and swings the axe.
Bökh: „And you never wanted to get in touch?"
The Nichtraucher picks up a piece of wood.
Silence.
Nichtraucher: „Why should I? We didn’t see each other for the past ten years either.“
He rips the piece of wood apart with his bare hands. While holding eye contact with Justus.
Silence.
Justus lowers his head.
Jo: „Uh.. weren’t you-"
Martina, quietly: „Jo, leave it. Lets go.“
Martina, louder: „We need to go! We still have something to do.“
The kids leave. Jo and Martina are holding hands as they walk away.
Bökh: „Yeah… Thank you, kids.“
Jo, whispering as they walk away: "What was that just now?!"
Robert picks up the chopped wood and walks back to his wagon. Justus looks after him.
Narrator (audiobook):
If the two friends will find back together? Matze isn’t so sure of that.
Matze, sarcastically: „Well, that was a great success!“
Jo: „Yeah, so much for friendship between Internals and Externs.“
Narrator (audiobook):
At least Robert granted Herr Bökh access to his wagon. He looks around lost in thought more or less, while Robert washes the dishes.
Dishes clatter. There is silence otherwise.
Justus stares wistfully at Robert while he washes the dishes.
Justus takes his eyes off Robert and starts looking around while Robert continues to ignore him.
Bökh: „I thought you were living in London.“
Nichtraucher: (silence)
Bökh: „It's nice here.“
Nichtraucher: (silence)
Justus starts walking around.
Bökh: „I told the kids about our friendship.“
Nichtraucher: „As a cautionary tale?“
Bökh: (chuckles/scoffs) „No. Of course not.“
Narrator (audiobook):
Bökh spots the poster of „the Bandits“, the same one hanging in his apartment.
Bökh: „The 'Wild Dog' that we always played in is still there.“
Nichtraucher: (silence)
Bökh: „Should we meet there sometime? For a beer?“
Robert looks up.
He lets out a small huff, almost like an incredulous laugh or a scoff.
He dries his hands on a towel and folds it.
Nichtraucher: (silence)
Nichtraucher: „I don’t know what we would have to say to each other.“
Bökh: „Hm. Well. A lot of time has passed.“
Narrator (audiobook):
Robert sits down at the table and lights himself a cigarette.
Justus turns as well and starts looking around again.
Nichtraucher: „Why didn’t you come to Marie’s funeral back then?“
Nichtraucher: „You didn’t even get in touch.“
[„You didn't even get in touch“ -> parallels to „And you never wanted to get in touch?“]
Justus is silent. He starts fiddling with his jacket and pulls it off his shoulder. He lets out a deep, shaky sigh and is silent for another few moments.
Bökh: „…I don’t know, you met her and… and suddenly you were gone.“
[Parallels to „suddenly your closest loved ones are gone“]
Bökh: „As if everything -our friendship, the band- as if that had all just been a dream.“
Justus turns around and looks at Robert.
Bökh: „Wir zwei. Wir hatten doch Pläne.“
Bökh: „That really hurt me.“
Nichtraucher: „It hurt you.“
Silence. Just the music.
Bökh: „Yes. Very much back then.“
The Nichtraucher lets out a soft incredulous laugh again, almost like a scoff.
Nichtraucher: „I see.“
Long silence. Justus stares out the window. Finally, he turns and walks to the door.
Bökh: „You know where to find me.“
Justus leaves the wagon. Robert nods to himself silently.
Narrator (audiobook):
And with these words, Herr Bökh leaves his friend’s train wagon. If the two will ever see each other again?
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