It's really interesting that Wynne actually has quite a measured, bordering on downright sympathetic response to hearing what Jowan did in the prologue -- if the mage Warden says "I still can't believe Jowan was that stupid", her answer is something like a thoughtful "Stupid, or desperate, or merely curious?". She seems to think of Jowan as a kid who got in over his head, rather than any less charitable interpretation. I do believe she genuinely is as against blood magic as she publicly expresses and as the Circle party line demands, but as a private person she clearly has a more nuanced and potentially kinder understanding of the reasons why someone might resort to it, at the very least.
(related: when she says that part about Irving telling her what happened, there's no dialogue option in the first stage of the conversation (except choosing the 'leaving the conversation' one) that doesn't net you +2 approval! no matter how the warden feels about it, she is ready to recieve it. I think that says something sweet about how Wynne conceptualizes younger mages and the honest real affection she has for them. if you didn't snitch on jowan and say you stand by that decision, though? +3 approval, apparently! what Wynne says and what Wynne thinks is not always the same thing indeed, her idea of where personal loyalty and integrity stands vis-a-vis a mage's responsibility to the circle may be more flexible than she'd have people believe, you'll be surprised to learn lol)
I have always liked wynne and found her interesting, in all her hypocrisies and her earnest care, but with slightly older eyes she's extra fascinating to me in the same ways that Iron Bull is -- seeing someone whose mind has had hollows carved out in it by the need for double-think and compartmentalization imposed by the oppressive systems and ideologies they live under, and the quiet fight of the self to still preserve vital parts of itself that the system deems unacceptable in the hidden backstage areas of the soul, as it were. (and for both of them part of that self is love and protectiveness of specific other people, beyond what their 'role' dictates is acceptable for them.) I think Wynne has managed to sneak more of her internal self through the meatgrinder relatively intact than Bull overall, but it's the same logic underlying it, for me, and it makes me feel such intense affection and compassion for them both to see how hard they try
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When I approach Yelan (or anyone else I've written), I don't just look directly at her character, but I also look at her surroundings. Both the ones that she knows by some semblance of necessity, but also those that she chooses. Like here, I talked about the Chasm, and what being 'okay' with existing down there needs to mean for a character, because it's not normal. Someone's surroundings, room, or home say a lot bout who they are and what their mindset, or specifically, their perspective is of the world. And sometimes, I think it says more about people than even the characters realize.
This brings me to the topic of the city of Fontaine. Now, I personally think it's rather obvious that a lot of the nation takes from historical France, and so when looking at it, I think it really adds to remember its monarchy, the view that the 'common folk' had of it, and its inevitable demise to non-existence today in terms of importance as a result. So my first question is, who constructed or decided on its layout? Was it Furina, Neuvillette, Egeria? Whoever it was, there's a lot that can be said about their view of the world and their placement in it when you look at locations of buildings. Look at where Palais Mermonia, its governing body, is located within the city; it sits at a rather astounding elevation in comparison to, well, everything and everyone else in the city. This frequently represents the concept of 'distance' between groups in one way or another, and seeing the consistency in other nations, this is something that is rather intriguing to me, especially keeping Fontaine's characters in mind (and considering this is the nation of 'justice'). Mondstadt has everything almost entirely uniform, with arguably the church on the highest level (but it isn't greatly elevated in comparison to all else), but it's joined with the plaza and statue which are a common gathering site for all people in the city. Liyue had the gods and adepti visibly living among the humans back in the days of the Guili Assembly for reasons of 'integration' (my apologies to numerous from our dear Guizhong!) The fact that numerous adepti now live far outside of the harbor is a different matter entirely, and the one who seems to function within a semblance of separation of sorts is Ningguang with the Jade Chamber (but I'm not one to speak on behalf of her character as I don't bear the knowledge). Inazuma also has the Tenshukaku at a higher elevation in comparison to the rest of Inazuma City. Sumeru is interesting, but ultimately Nahida was kept at the very peak of the city, far out of reach of humanity— but that's exactly the common denominator that has my interest, the distance between the 'governing body' and humanity for one reason or another.
But Fontaine really takes separation to a different level in my opinion (and again, think of this when you think of the person having designed the whole city), not only because of the above which I'll elaborate more on in a moment, but also its separation from the outside world. Now, this is interesting to think about if you keep in mind that it was perhaps done in eventual protection of the city's inhabitants in terms of the prophecy (which means that this would have been constructed anywhere during or after Egeria's reign), but then why is only Palais Mermonia far above the water's reach? If the walls surrounding the city were ever breached during said prophecy, all its inhabitants are pretty much immediately caught in the flood and would drown, which tells me nothing positive of the city's 'architect' or whoever signed off on the designs. But if not done for the prophecy, then why? Stand in the middle of the Court of Fontaine and really look around you, the only sights you really have of the outside world are the sky, and it's obstructed by a fair bit of the waterways and gardens that hang overhead, which you can only properly enjoy when you take the ages long elevator to the upper level where the palace is located (which, credit due, seems freely accessible to everyone in present-time). But if you don't venture up, how much of the outside world do you get to see? It feels very secluded, very much under lock and key. On some level (and this is one of the many reasons why I think that the Meropide is so excessively important in Fontaine and it's likely why we spent so much time there; it's all to show the ever, ever important contrast and nuance between this 'autonomous nation within Fontaine' and, well, 'Fontaine'), it almost feels like a prison, regardless of how pretty it may look or come across (and despite not 'lacking rights'). And considering how people in the Meropide speak of not always wanting to return back to the 'overworld' following their sentence, I think that there's definitely quite a bit of truth in that. But again, stand there and look around for yourself.
Now to return to the original topic, but keeping the last one in mind as well, look at one other thing that I'm unsure how many have really kept an eye on: the massive effect Palais Mermonia's level has on the rest of the area (inside and outside of its walls). Have you ever walked through the city of Fontaine at any given time of day or night, north to south, east to west, clockwise or counter-clockwise circling through it; have you ever seen how it overshadows an immense part of the streets below it either entirely on its own (which to me signifies a very domineering presence), or together with those outer walls that surround the city? I know how I've spoken thoroughly with people before about how much I enjoy Fontaine and how dark it is in its storytelling, but despite how gorgeous this region with its water- and landscapes are; its city bears quite a heavy weight to me. I don't know who designed it, or ordered it to be constructed in this way, but nothing about the city itself truly, rationally, shows a healthy perspective versus its citizens.
Me: /continues on to ramble in tags because I'm me and I'm a nuisance with always more to say than I know how to coherently put into these posts.
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young, shy reader and price who is just a little too old for it be considered fine. it’s not like that’s stopping either of them. soft spoken, jittery shy reader who’s really sick and tired of boys her age—she can barely hold a conversation with them—who is just so taken aback at how assertive price is. they meet, and plans for a first date are cemented before the end of the hour. he actually comes to pick her up—and while she’s scrambling to get shoes on, thinking she needs to rush outside to meet him, he knocks on the door.
he’s brought flowers. the whole thing seems like something out of a movie. everything about price is so… gentlemanly. the way he holds doors open, pulls chairs back, walks on the side of street closer to the road. the way she doesn’t have to fret and die over bad communication. no, he does all of that, without even being asked. it’s a little dumb, but that’s the state of dating right now. so this is such a breath of fresh air it’s like getting the wind knocked out of you. as enamored you are with him, you hope you’re not reading into it too much—is he like this with every girl he picks up in a bar?
but then days turn to weeks which turn to months—and john price has become the most consistent part of your life, the best part of each day and whose voice can lull you to sleep each night. and you settle nicely into the role—a cute pretty thing in a sundress that fits perfectly on his arm, attached at his side. and maybe you are just a little too young for him, but you can hardly care when he has you creaming all over his dick once, twice, three times a day, sometimes. yes, your boyfriend is a little older. just a little.
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Nanny Danny
“That is a whole ass baby,” was the only thought running through Lex Luthor’s head when the scientist proudly showed him the tube containing Project KR. It was not remotely the sort of thing he would normally think and most definitely not what he had expected to be thinking the first time he saw the clone.
He’d been pleased when he’d read the reports indicating the success of KR after years of failures. Lex had poured millions of dollars and literally his own blood into ensuring a clone of the alien could be made, one that would be under his total control instead of the unknown aspirations of Superman. He’d wanted to see the fruits of his labors personally but this…
It. No, not an it. He scrunched his tiny face and smacked his lips and…did he smirk? Was that HIS SMIRK on that baby’s face?! No. No. Babies this small didn’t smile or smirk. They passed gas and their sleep deprived and addled parents mistook it for an intelligent response. He’d heard enough inane conversations in the Lexcorp office about the various progeny of his employees to pick up on that but still. This child had Kryptonian DNA, not to mention his own contribution. Surely, he was far more advanced than the dribbling potato shaped lump of an infant whose pictures he’d been forced to smile and nod over when Mark from accounting had rudely shoved them in his face at the last quarterly budget meeting. Yes, that was definitely a smirk. His, that was his smirk.
“So as you can see its growth is well within expected parameters and we’re planning to start phase one of accelerating the maturation process tomorrow once the testing is do-”
“Take him out.”
“Sir? The testing can all be accomplished while it remains in the tube. There’s no need to-”
“I said, take him out. The project is cancelled.”
“What?! Mr. Luthor you can’t!”
“I think you’ll find I can. Now get me my son.”
*****
Two years later
“Call them again”
“Sir, I’ve called them seven times. They won’t answer.”
“Then call another agency!”
“There isn’t another agency, Sir”
Lex glared at his assistant who stared back at him impassively. Mercy stood by the door staring off into the distance and pretending she didn’t notice him being bested by his own secretary.
He stopped himself from shouting again and took a deep breath before asking, “Then what, exactly, do you propose I do Mrs. Anderson? Adjust my entire schedule around naptimes? Find a toddler size lab coat and safety goggles and bring my son with me to tour the new clean energy project on Thursday? Perhaps buy a tiny business suit while I’m at it for the next board meeting?”
“I’m not suggesting anything of the sort, Mr. Luthor. I’m telling you that no childcare agency in Metropolis will return my calls anymore. Most won’t even answer. You’ve gone through 27 nannies in the last 3 months. You need someone better suited to your son’s…special needs.”
Lex snorted. “Special needs might be a bit of understatement. He can lift a car over his head and his favorite word right now is No.”
He sighed and rubbed his forehead. “Thank you for…clarifying the situation, Marjorie. If there’s nothing else, you can leave.”
His secretary didn’t move. She looked at him like she was waiting for something and now that he was paying attention, he saw she was holding a file. “Did you have a suggestion?”
Looking pleased with herself she responded, “Actually, yes, I did.”
“Well?”
She set the file on his desk and flipped it open. He looked down at the first page and raised an eyebrow, “What am I looking at here?”
“This,” she responded pulling out the top set of papers and spreading them out, “is the employee file and background check for Daniel J. Fenton, an intern that started in our engineering department about 4 months ago. He has one sibling, two parents and several close friends he regularly meets with. His current supervisor has nothing but good things to say about him and reports he gets along well with all his coworkers.”
She set out the next set of papers, neatly arranging them on the desk to be easily seen. “These are newspaper articles and screenshots of social media posts regarding a small town vigilante locally known as Phantom. The same small town, Mr. Fenton is from coincidentally. Also coincidentally, Phantom made his first appearance only a few weeks after Mr. Fenton was involved in a minor accident in his parent’s home laboratory when he was 14, the medical records for the incident are included.”
“Hmm,” Lex said observing several photos of Phantom and a younger Fenton arranged in order of similar poses and facial expressions and printed out side by side.
“Finally,” she said handing him the last set of papers directly, “this would be a report from the lab Mr. Fenton works in from an incident that happened yesterday. A test with a new protype went wrong and started a fire. Everyone evacuated per protocol when the alarms went off but one of the other interns was working on a programming issue off to the side of the lab while wearing headphones and didn’t hear the alarm or notice the fire. Mr. Fenton noticed his absence and returned to the lab to get him out.” She stopped talking and let him look at the last several pages in the file, a series of photographs of the lab.
“Is this ice?”
“Yes, it is. It’s several inches thick and covers half of the lab. It completely put out the fire leaving minimal damage.”
“This machine was moved?”
“It was. It was very close to the flames and would have required replacement if exposed to extreme heat or cold. That particular piece of equipment also weighs several thousand pounds and was bolted to the floor.”
Lex read through everything in detail then clasped his hands under his chin and stared at the photo of Daniel Fenton for several moments before turning back to his waiting secretary.
“Have HR send Mr. Fenton up. I’d like to offer him a promotion.”
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