#yes I’m aware of the context but—

[obscureoperations]

D’ya ever just look at the “train scene” in Martin and just lose your fuckin mind?!👀👀😳🥵

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[grelleswife]

[sokkas-therapist]

This might be a little over the top, but a lack of punctuation and or blaring grammatical errors in writing make me want to commit a crime

[vashti-lives]

I don’t have anything against YA and if it’s the main thing you read I think that’s fine, but I will say it is noticeable if an author is writing fanfic for a non-YA piece of media, say a movie or a show or a video game, but most of their non fanfic reading material is YA. YA has a lot of really specific literary conventions that don’t really translate that well to other genres.

[tonguetyd]

I know I know “all of Sleep Token’s love songs are actually about toxic and unyielding relationships and the damage of yearning and should not be the goal” yes I KNOW

But try telling me “and no matter the cost of rain, I will shelter you all the same” on its own is not a beautiful line

I *KNOW* the context yes! But “darling I’m noticing your flaws, they’re exactly what I want.”

I am AWARE of the underlying themes but “you guide me in to safety and silence” and of course my beloved “let the tides carry you back to me”

Those brief moments of love in a single lyric amidst all the bullshit. That’s what keeps me up at night

[sunnitheapollokid]

ੈ♡‧₊˚ you got blood on your shoes.

a five hargreeves long fic . . 🚇♠️

context : five had been looking for an escape from the timeline subway for over a year, and upon finding a girl in one of the other timelines, he realizes — maybe he didn’t want to find his way back home anymore? ᡣ𐭩

warnings : just some cursing .ᐟ

author’s note : THANK UUUU FOR THE LOVE ON THE FIRST ONE 🙈 you guys r so sweet <3

6 months. it had been 6 months since five saw his family. he scavenged through the depths of the subway trash can for any source of food. anything to keep his going for the next week. he sighed, then jotted down some writing on his notepad. it helped him keep sane.

he hopped on the next train again, the heavy messenger bag hanging from his shoulder. he sat, and waited for the next stop, anxiously tapping his foot on the ground as he watched the window. not like it really showed anything.

he felt his eyes grow heavy, and he fell asleep just minutes later.

— 𐙚₊˚⊹ 🚇

the brunette felt the train stop, causing him to wake up. he raised his head up to look at wherever he had arrived to. he walked out of the subway train, and it looked, much more cleaner. cleaner than any of the stations he’d been in.

he looked around the dark station a little more as he wrote in his notepad, surprised that the pen he had brought from his own timeline was still working. as he looked around, he halted at a lit-up vending machine. real food, finally. he tried to look in his messenger bag for any coins he’d picked up before, lucky enough to find a few crumpled dollar bills.

he slipped the paper money in a picked out a peanut-butter chocolate bar — and he waited. but after a few minutes passed by, he realized it wasn’t going to come down. out of annoyance, he kicked the machine, punched the side, and practically bullied the candy filled mechanic.

“you know that’s not going to work.”

he moved his head to the direction of where the voice came from. there stood a girl, she looked young. around eighteen or twenty. she had a dead-panned and bored look on her face, her right hand embraced the handle of a worn out axe.

five stared at her, before flickering his eyes at her weapon. panic rushed over his body, he stepped a few feet away. he could easily beat her in a punching match, but he didn’t have that kind of energy to win. “relax,” she rest the axe on her shoulder and took out a few dollar bills of her own.

she put them in the machine and picked out the same chocolate bar. to her luck, it had fallen down the slot. she picked it up and extended her hand with the chocolate bar in it. five only stared at it. “what? don’t you want it? you look like you need it.” and she flashed him a devilish smile.

he stared at the ground, her shoes. the black converse was covered in red liquid — blood. who was this girl? why was she holding an axe? why was there blood on her shoes and face? how did she get here?

“if you don’t want it, i’ll eat it.”

“ — you have blood on your shoes.”

she stared back at him, then down to her chucks. “i’m aware.” she replied with the same smile. five took the candy bar from her and returned the smile faintly. “thank you.” her smiled deepened, “of course.” she turned to walk away, but he stopped her.

“uh wait,” she stopped her tracks, and turned her head to him. “yes?” he licked his lips, “how did you get here?” he asked her. she parted her lips, in attempts to respond but she swallowed back. “um.. i don’t know if i can answer that.” she gave another grin, but it was sadder.

then he noticed the symbol on the top corner her short black dress. it was the commission’s. “you’re from the commission.” he locked eyes with her. her eyes grew wide, her lips parted again in a sense of wanting to say something back. “and you’re five hargreeves.”

his name slipped out of her mouth like honey. “i’m (name). (name) (last name). i was recruited a year after you left.” she flexed her fingers on the axe handle. “i was sent here to um.. assassinate someone.” he licked his lips again nervously.

“you don’t like it, do you?” he asked her. she broke eye contact — flexing her hand on the axe handle again. “i don’t like the smell of blood. i don’t like the taste. i don’t like seeing it on my shoes. on my hair. on my clothes.” she continued. he started to feel sorry for her, he watched her sit on the steps, putting the weapon down beside her.

he walked closer to her and kicked the axe away. five sat beside (name) and handed her a half he’d broken off for her. “eat. you look like you need it.”

— 𐙚₊˚⊹ 🚇

it was impulsive, but (name) had decided to follow five right then and there. they shared the same trauma and experiences working in the commission, and they were like two puzzle pieces together.

she wanted to have a normal life. a normal life like the way five described it. she learned he started working for the government, and his favorite thing was espresso in the morning. she learned about his family, and how a family actually works. he taught her alot, and she was extremely grateful for him.

they could’ve used the briefcase she carried with her sure, but it only sent her back to the commission. not anywhere else. she helped him search for a way back to his original timeline. and just like how he’d taught her many things, she’d taught him things too.

(name) was bright. she was a joy, despite everything she’d gone through and the things she’s seen. she’d taught him the greatest thing of all. being love in a world of cruelty. she’d chosen to be sweet, to be kind. when the world wasn’t to her.

and seven years later, they found a greenhouse to stay in and a cute little cottage.

“sunshine? where’s the hose?” five called from the greenhouse, inspecting the strawberries. “under the white table, fives.” she responded. she followed him out with his cup of coffee, “i finally mastered your recipe!” she smiled in victory. “oh, that’s great hon.” he took the warm drink.

upon seeing her walk away, he made a sour face and giggled at her attempt and the thought. “i saw that!” she cried. he chuckled louder, walking towards her spin her around slowly. “maybe you’ll get it next time.” she slightly pouted at him. she cupped the side of his face and pressed their lip together for a short kiss.

“i think you’re just too picky with your coffee, sweetie.” she commented. “it’s not that hard to get my coffee preference.” he shrugged, his hands embraced her waist. “oh whatever.” she sassed with a bright grin and a hearty laugh. he looked down at the ground to look for the hose, his eyes wide at her clean chucks.

“you cleaned them?” he asked her. (name) nodded pleasingly. “they could use it. i missed them.” she winked at him, he laughed. “dunno. kinda liked the blood. had edge.” she rolled her eyes. “edge my ass.”

he gasped, “woah! language!” he shared a laugh with her as she lightly nudged him on the shoulder. “weirdo.”

[bloodiedrogue]

BLEED YOU DRY (1)

SUMMARY: When you awake to find Astarion attempting to drink your blood, you find yourself making a interesting decision.

PAIRING: Astarion & Female Reader (reads as Gender Neutral but future chapters will be femme focused, just a heads up!)

WORD COUNT: 3,273

WARNINGS: Bloodsucking, that's about it?

AUTHOR'S NOTE: Okay, so I'm aware I'm way ahead of schedule for this Haunted Hoedown thing but I'm going to be gone for a few days in the middle of it so I figured I'd get a headstart now to make sure I get every day done but also to build the hype? Maybe?

Basically this is going to be a little twelve part miniseries based on prompts from this writing challenge. I'll make a masterpost either tonight or tomorrow with all the ones I chose, plus some other stuff, so you guys know what's going on!

The prompt for this particular day was "I want to watch you bleed."

CHAPTER LIST / MASTERLIST / NEXT CHAPTER

-

The squirming tadpole behind your eye is what wakes you up. Its constant movement, wriggling from edge to edge quickly prompts you to groan and palm your eye, attempting to suppress the feeling as you blink through the darkness. It takes a moment to adjust —to feel that twitch of the creature die down— and when it does there’s a sigh of satisfaction that leaves your lips.

Despite how long it’s been, you’re not sure you’ll ever get used to the fact that you have a parasite living inside your mind. Even after experiencing the insertion firsthand, you often forget it’s there, looming behind your retinas, awaiting use every time you run into another. Normally it’s so still, barely inching out of place; sitting there, incubating within your thoughts. Tonight though, something’s urging its presence. Keeping it awake as you close your eyes again, scrunching up your face once it moves a second time.

Angrily, you sit up and turn your head, suddenly catching Astarion’s gaze, noticing the open-mouthed grin he offers in response. 

“Shit.”

You narrow your eyes, focusing on his teeth. How bared they are; ready to strike at a moment's notice despite the only food lying around being you. “Were you just about to bite me?” you ask and almost immediately he attempts to play it off as if it were nothing, scoffing and rolling his eyes. 

“I wasn’t going to hurt you if that’s what you’re insinuating. I was only going for a nibble.” 

You can feel your tadpole squirm. He’s telling the truth, albeit for reasons that are more selfish than he lets on. Despite seeming otherwise, he only wants to drink from you for strength —for energy. His desire to kill you is minuscule, lingering in the shadows of his mind for a potentially later day but surprisingly such notions don’t scare you. Astarion may be a bloodthirsty creature but for now, he’s an ally.

“And you didn’t think to just ask first?” You raise a brow at him, watching his expression twist into something bordering between confusion and interest. 

“I’m sorry, just ask?” he parrots, exploring your features and how they remain calm despite the context.  

He was expecting you to be angry. To throw some kind of fit and deny. It’s what any normal person would do, but considering the circumstances, offering up a little blood to build up the strength of someone on the same side is worth more than the annoyance that forms across your face. 

“Yes, like a normal person,” you chastise, taking in the scowl he offers in response. 

His brows furrow at the sound of your words, angling upwards to appear as sinister as possible, and you can’t help but snort. Something about his constant disapproval is almost humorous at this point.

“Normal? Darling, I’m a creature of the night. A blood sucking fiend. A—“

“Vampire, yes, we’re all well aware given the teeth.” You poke at your own canine, tapping the enamel with open lips just as he swallows hard and narrows his eyes. 

“Yes, well, obviously considering such details I thought it inappropriate to ask. People don’t typically agree to such perilous sounding terms,” he says, voice light and airy. Casual, you might say, despite the context. 

“So instead you were just going to go for it?” You raise your brow, a smirk playing across your lips as he rolls his eyes. 

“Seemed like the best possible option… at the time.” 

You offer him a quiet ah, nodding your head as the two of you remain still, watching each other. Trying to gauge how the other is feeling without the use of your tadpoles. 

Based on what you know about Astarion you assume he’s too stubborn to ask. Now that he’s caught, regardless of whether or not he needs the blood, he’ll never find himself in a position to be desperate enough to say those simple little words. Being a man of persuasion, he’ll most likely just talk his way into it —make it seem like the whole thing was your idea in the first place before diving right in. 

It’d be respectable if you weren’t the victim. If it were Wyll or Gale and you were to bear witness to his deceptions, you’d fully support it. Encourage it even if he were to ask your opinion.

Since it’s you though, you can’t help but feel a bit frustrated. Astarion and you have never been particularly friendly. Having only been around each other for a few weeks, all you’ve talked about is the Illithid and how you plan to get rid of it —what you’ll do after it’s gone. But even the latter conversations hardly spark specific details. Mostly they’re just brief mentions of wanting to run away. To become hidden after the war is over. 

You assume someone’s looking for him based on the way he speaks and carries himself. When you’re on the move he hides within the pack, using you all as a shield while he looks around. Always on high alert, his ears twitch at any foreign sound, his eyes dart to meet the faces of anyone you may come across. At night, he’s always the one to keep watch and over time you’ve come to realize it isn’t just because he doesn’t sleep. It’s because he’s looking for someone. 

Even now, as he stands above you, you can see his eyes looking past you to focus on the underbrush. The way they narrow with focus, pushing past your face. He can sense something that you can’t —feel the eyes of some foreign presence staring at the two of you. 

You’re tempted to use the tadpole to find out what exactly it is but quickly refrain once you hear the shuffling of branches behind you followed by Astarion’s breath of relief. 

“You alright?”

His eyes shut for a split second. His chest heaves a single breath and in that moment you’re struck with an odd sense of sympathy. The feeling of pity laces throughout your thoughts as you imagine Astarion’s life before all of this. You imagine it isn’t great. Considering he’s a vampire, there’s probably at least an inkling of trauma there after living, dying and coming back as something other than yourself. No sane person would be the same after that, especially when taking into account all the symptoms. Before his transition, he could do mundane things. Enjoy the pleasantries of life like the sun and sleeping and food. 

Nowadays, all it seems he craves is blood and power. Flesh of whatever he can get his greedy little hands on. The upper hand in any possible argument. Both make what Astarion is on the surface, but looking at him now, wondering what else lies behind that thick, defensive coat of first impressions, you know there are other things. Nicer ones he refuses to showcase. 

They’re the details of his life before everything. Traits reserved only for himself, and for some uncharacteristic reason, you’re tempted to find out what they are. 

“If you need to…” Trailing off, you feel your stomach twist at the realization of what you’re about to offer. The consequences are high, maybe even too high, but perhaps the benefits could be deemed higher. At this point, you’re certain no one else will give him what he needs. They’re all too noble or guarded to allow Astarion, regardless of his current allegiance, to drink. 

They don’t trust him. And even though you find yourself in the same boat, feeling the skepticism of your words start to echo in the back of your mind, you know it’s the most logical thing to do. Sure, it may not be the right one. By a long shot, it’s probably one of the worst ideas you’ve ever had, but you know deep down that it’s necessary for your survival. To ensure that, when all this blows over and the potential of you going your separate ways occurs, Astarion doesn’t view you as an enemy.

“If you need to drink, you can.” 

His eyes widen only a bit. Just enough for you to notice the slight shock that spreads across his features. “I can?” 

There’s a reluctance you feel begin to bubble up but instead of acting on it you merely shut it down, nodding your head. “Yes, but only a little. Don’t want you bleeding me dry before this whole thing is all over.” 

Somehow that makes him laugh. “Oh, darling, I wouldn’t dream of such a thing.” 

You force yourself not to smirk as he lies through his teeth. Knowing him, he’d suck you dry if it weren’t for the fact that there’s safety in numbers. “Unfortunately for me this isn’t a dream.” 

“Fair point,” he replies, taking a short step forward. After that he slowly begins to crouch towards the ground, watching you closely —focusing on the rise and fall of your chest as his face falls mere inches from yours. “For now though, I promise to do no such thing.”

“And you’re certain you’ll keep it?”  

He hums, a grin pulling at his cheeks. “For now,” he muses. “In the future though…”

He’s so close you can feel his breath. Hot and heavy puffs pushed through a low, far too sultry tone of voice that has you pressing your lips together in a thin line. 

Out of everyone, Astarion’s always been the most intriguing. The one you’ve had this constant back and forth with, debating whether or not to approach or run. Aside from the obvious vampirism, it’s quite obvious that he isn’t like the others. From what you’ve been able to piece together, he doesn’t have a cause. A God or some sort of leader he’s willing to lay down the law for. He’s not noble like Wyll or faithful like Shadowheart. He’s just Astarion. A bloodied wolf all by his lonesome, following the rest of the pack. 

You’re sure he has desires like the rest of them. Wants and needs that’ll inevitably be gifted to him at the end of this —so long as you all survive. Like everyone else, he has a purpose in mind, but what that purpose is is unbeknownst to you thanks to the charm he offers in replacement of the truth. Because of this, he feels almost like a treasure chest. A trove of untold riches kneeling before you, tempting you to open. 

“I’m sure the future will have us far enough away from each other where that doesn’t happen, so I won’t worry.” 

Almost immediately, he can tell you’re fishing for information. The way his brow slightly upturns and the flirtatious grin across his face transitions into more of a smirk. It makes you internally curse, knowing that no matter how hard you try you’ll never beat him at his own game. His way with words is too precise. Too calculated, even for someone like you who grew up convincing people of your lies. 

“You never know. Perhaps after this is all over I’ll follow you. Linger amongst the shadows until the time is right.” 

You can’t tell if he’s kidding. His voice is too convincing to be completely certain, so you merely roll your eyes. “Yes, well, if you do decide to drink me to death, be sure to make it quick.” 

He clicks his tongue, leaning slightly further in. “What would be the fun in that though?”

There’s an unfamiliar ache inside your chest. A rupture of pain that wreaks havoc against your ribcage, pounding. Now that he’s close to you, you can assume it’s always been there but because he’s so good at posing a distraction you weren’t fully aware of it until now. 

“Fair point,” you repeat his words back to him, deeply inhaling just as the tadpole suddenly shifts in tandem with your chest. Ebbing and flowing across your inner eye in time with your shaky breath, you notice Astarion pick up on it, humming knowingly. 

“You fear me, don’t you?” 

Despite the answer being blatantly obvious, your lips remained sealed. Closed off, regardless of the truths the rest of your body spills. 

“It’s quite alright, darling. It’s normal. Creatures of the night are hardly meant to be trifled with.” 

He’s in your face now, a mere hair’s length away, once again baring his teeth. Against your lips, you can feel the movement of his words pushing through the air, coating you in further reluctance as the withheld breath inside you finally releases. As it hits his face, he blinks and pulls away. Ever so slightly giving you the space you need to recollect your thoughts and swallow back the fear. 

He’s terrifying. Even you have to admit that. Unlike Lae’zel he’s more calculated in his intimidation, opting to pull you in —to make you feel comfortable— before he ultimately strikes. Because of this, his threats feel more authentic. Less like simple tactics used to get you to back off. They aren’t words of warning —they’re promises. Declarations of a moment he’s more than willing to make a reality if given the chance.

“Do you want my blood or not, Astarion?”

Your patience is thin. Your chest is in pain and while the tadpole inside unwittingly reaches out to his, driving you both closer as he instructs you to lie back down and get comfortable, all you can feel is temptation. Desire. 

Upon resting your head, you feel the connection between you grow stronger. Inside, your head flashes with icy sensations that trickle down towards your neck. Small tremors of what’s to come as Astarion positions himself around you. 

When he leans down, there’s a moment where you think of retracting. This is all too sudden, you think. A mistake made in hopes of gaining the upper hand. Just moments ago you were made unaware of the full potential of Astarion’s charms, but now that you’re lying beneath him, awaiting the moment he sinks his teeth into your flesh, you can feel the regret begin to build.

“It won’t last.”

Pulling yourself from your thoughts, you look to see him staring over top of you. Both of his arms are planted on either side of your head, bending at the elbow so that he’s low and close. “I’m sorry?”

“The pain. It won’t last long, I promise.”

Strangely enough, he sounds sincere. Not that that means much when a good portion of the words that exit his lips are lies. Still though, instead of returning to that previous headspace you merely breathe and nod, waiting for the moment the tadpole’s connection vibrates with confirmation and Astarion begins to lean in. 

It’s a slow process. Above you, his shoulders shift, pushing his arm to cup the back of your head and expose your neck. Against your skull, Astarion tightens his grip to steady the endless thoughts that race through your mind as you share a glance. It’s small but important. A moment of recognition that tonight is not the night you die at his hand, but merely a preview of what might come if your paths wrongfully cross. 

At the last second, you give him a curt nod and feel him dip, running the tip of his tongue along your jugular before the presence of teeth poke holes through your flesh. At first, it's painful. The blood that’s sucked through your veins pulsates through the open wound in stinging waves as you feign a soft groan. Then Astarion’s grip around your head tightens at the sound, pushing you further into his mouth. Further into the euphoria he takes as the feeling transcends into something numbingly cold. 

Your eyes flutter shut at his continued feed. The feeling in your hands begins to fade even as you somehow find them moving to Astarion’s back, one of them pressing against his shoulder, the other finding purchase in his locks. At that point, you can feel Astarion moan against you, desperation filling his every cell as his teeth shift further into your neck, prompting your eyes to shoot open. 

He’s going to kill you at this rate. To drink you drier than an insect's husk, so, through half-conscious pushes, you tell him to stop. To let go and to keep his promise as you grip the roots of his hair and pull. 

As it happens you see his eyes shift to yours. They’re blown out completely, the whites of his eyes stained red to match his ruby pupils. For a moment, they remain locked to your half-lidded ones, honing in on the way they start to flutter again before you see them tightly close. Then he finds himself ripping away and gasping for air. Coughing through the thick blood that coats his tongue as he stares down at your neck.

The wound is only slightly gaping. Two well-defined puncture wounds sit side by side, but at the moment you can’t feel them. Instead, there’s still only numbness. A space of nothing that lingers between your head and chest, making you shift to sit up and place your hand there, finding more blood. 

“See? Over before you know it, right?” He laughs but all you do is glare. 

“You almost killed me.”

“Ah, yes, but notice the key word being almost.” 

If you weren’t so heavy-headed you’d punch him in the throat. Maybe strangle him if you could get the right angle. “Yes, fine, you’ve had your fun. Now, do you need anything else or am I fine to pass out now?” 

You expect him to say something else. To make some quip about the safety measures of post-bloodsucking, but he doesn’t. Instead, he merely inches closer, staring at you as he reaches for your bloodied hand and pulls it close. 

Once again, your tadpole wriggles against your will. Throughout your skull, it practically dances as Astarion glances down, taking two of your fingers into his mouth with careful precision. If anyone were to see they’d most likely faint at the mere lewdness of it. Frozen in time, your body refuses to move as he laps the blood off your skin, staring at you through hooded eyes that make you want to scream.

You’ve never been in this kind of position before. Sure, you’ve experienced many kinds of intimacy, both sexual and not, but somehow this feels different. Forbidden, in a sense. As if sharing this moment is not only wrong but also against some sort of ethical code. 

At first, you wonder if it’s because blood isn’t necessarily something that’s given. Always taken. In battle, it’s ripped from your skin through the means of injury. Punctured or sliced out of you at the hands of a sword. No bond goes along with it. No mutual agreement that any life will remain once the deed is over. 

But then you begin to think of Astarion. The elven vampire now infected with the Illithid. Like you, he’s been changed. Subtly shifted into something new. Overall, your transformation isn’t nearly as different as his. Before the infection, you could still enjoy the pleasantries of being human, but still, there’s this connection that draws you towards him. It makes its presence known within the tadpole. Throughout the movements that echo in your minds as Astarion cleans the last of the blood away, looking at you with soft eyes.

“I consider this a gift, you know,” he says, dropping your hand, and moving away to stand without so much as a thought. 

You blink back your confusion, trying your best to focus on the genuine-looking smile that appears as he takes a few steps backwards, never breaking eye contact until he telepathically adds I won’t forget it then stalks away. 

[maxarchive]

"Motorsports A-Z: 'P' is for perfectly normal" Road & Track Volume 13, 2022

He’s dangerous. He’s dirty. He’s humorless. He has a death wish. He’s a poor sport. And he is the best driver of his generation. Yes, those are accusations leveled at reigning world champ Max Verstappen. But they could easily be cataloging the nastier bits of Ayrton Senna and Michael Schumacher, both of whom were accused of all of that and more. Verstappen is, for lack of a better term, normal. Or at least he is normal in the rarefied context of generational talents. Consumed by winning, they push, sometimes too far for pleasant company. Verstappen doesn’t feel compelled to engage in false modesty. Under his flat-brimmed cap, he stares stone-faced or scowls. When he smiles, you get the sense he might be savoring a moment of schadenfreude. I’m betting his jokes are never funny. He refuses to take part in Drive to Survive, the Netflix series that made the sport palatable to so-called casual fans. He shoved Esteban Ocon after a race (honestly, Ocon earned the shove). Verstappen does not use his fame to champion social causes. Publicly, he speaks only of racing. He is the single-minded, fiercely talented, unapologetic result of growing up in a crucible of racing. One stoked by his father, Jos, a one-time F1 driver of more moderate success. At 25, Max is still young but aware that every driver has a sell-by date. He is impatient for the success he knows is his. And arriving on the scene (at 17 years old) as part of the Red Bull team during the heart of the ­Mercedes era, he didn’t achieve the level of immediate domination of, say, Sebastian Vettel. Given the cutthroat circumstances of their existence, should we really expect racing drivers to be cuddly creatures? Verstappen isn’t an asshole; he’s a racer.

[itsabouttimex2]

Any fandom trends in LMK you literally can’t stand?

Urgh fucking absolutely.

Every now and then (often in the cycle of several months) there’s a new fic that circulates the fandom promising that it’s going to be “The nuanced portrayal of Macaque and Sun Wukong that all of you were waiting for!” and the fandom cheers and claps and begins to hype and recommend this fic to every little corner of the audience that it possibly can, on twitter and reddit and tumblr-

Except the author’s idea of “nuance” is fucking inevitably:

“Sun Wukong gets his asshole verbally ripped and his teeth kicked in open every other chapter and Macaque gets lightly scolded every five chapters and also everyone loves and forgives him and is on his side without any trouble. Also Wukong is a big bumbling dumbass who can’t tie his own shoes without making people hate him. Also Macaque never ever makes mistakes because the author likes him too much just doesn’t. But if he does no one calls him out on it. And if they do they’re in the wrong. And we’re going to address and rip apart Wukong for all of his shortcomings and mistakes, while pretending that Macaque has never done anything wrong. Look how nuanced I’m being!”

This also inevitably comes with a hefty helping of a side dish of “the author doesn’t know the difference between killing for fun and killing in self defense” that is never fun to deal with under any terms, where Sun Wukong puts down Macaque because the latter is a legitimate threat to either Wukong himself, his fellow pilgrims, a town or even the world, and then being treated like a cold-blooded murdered because the author can’t comprehend morality he committed the grave sin of “self-defense”.

(And yes, I’m aware that portraying a flawed relationship as nuanced isn’t a situation of splitting the blame exactly 50/50, it’s engaging with both sides of a situation and giving them proper care in regards to the context arisen from conflict and abrasion, etc. But when you’re hitting us with a 90/10, man? Just tell us that you’re biased! People will still read your stories!)

(And obv this doesn’t include villain AUS)

It’s just so fucking tiresome to hear the constancy hype around a big new “nuanced” fic and then it’s more of the fandom typical “shitting on Sun Wukong”.

The most recent one was genuinely so egregious in spite of the constant hype that I stopped reading Monkie Kid fanfic on A03 almost entirely at this point.

It’s just not worth the hassle.

[twisting-roads]

DEBUNKING COMMON RAIN WORLD MISINTERPRETATIONS

The target audience for this was for people who don't know too much about the game as well, so I'm going to explain things that a normal player might already know.

Rain World is known for how it simply throws you into the world with almost no tutorial, and is often praised for it.

But this lack of explanation if you do not go out of your way to find it has also lead to a lot of misinterpretations from those who did not read all the game’s available information, or misunderstood what they were being told. I used to watch some RW lore videos that would explain and summarize these things, and in the past I believed them.

I’ve since stopped doing that after having some time to actually process what I’ve been reading, and I’m here to say...

YOU ARE ALL WRONG ABOUT RAIN WORLD.

Ok, hyperbole. Not everyone believes these, and art can always be interpreted in different ways by different people, and I won’t stop you from having these beliefs. But also, there’s plenty of ingame content which completely disproves most of these unsubstantiated points from those who do not fully research the game before making videos about it.

Looking at you Tale Foundry…

The purpose of this is to pick apart some of the sadly far too common points I’ve heard many times before from Youtube videos, to Tumblr posts, to people I’ve spoken to on Discord.

Starting with my least favorite…

------

“The 5 karma were seen as sinful”

Obvious westernization of a game based off fucking Buddhism aside, there’s no ingame text directly supporting this claim. There isn’t any that says otherwise, but we have good reason to believe this isn’t the case.

The 5 natural urges, as they’re sometimes called, were NATURAL. They were what bound you to the cycle. They never worsened your life or made you a terrible person should you keep following them, but an aspect of life on the same level as suffering or ecstasy.

Hey, I’ll break down the 5 karma and their meanings to show you that they're not just "sins"

I believe the natural urges have 2 different meanings: an animalistic one, and a more “human” one.

KARMA 1 This obviously represents violence, as you see one guy stabbing the other. I believe it also represents competition and intense emotions, For example: Artificer experiencing intense grief and lashing out in violence as a result. It was not the violence that started it, but her emotions. (Yes, its Downpour. But it’s a good point.)

KARMA 2

They’re having sex. They’re fucking. They’re- ok you get it. Karma 2 represents reproduction. But, I also believe it’s desire. Joyful bodily experiences, and such. The 2 figures seen here are in a much more playful pose than if they were simply doing this only to reproduce. No, they’re having fun.

KAMRA 3 Connection. Bonding with others. Yet also trade and personal belongings. Attachment to things that are not yourself.

KARMA 4 It’s mentioned ingame that this represents gluttony It’s overindulgence, you know. Similarly to karma 2, it can also be searching for fulfillment. I'm not particularly good at telling what the meaning of this could be.

KARMA 5 Self preservation. Self preservation can come in many forms, from an animal running away from a predator or somebody getting defensive after being accused of something or being threatened, this one is rather vague about its meaning.

I do this to show that the 5 urges have very NEUTRAL meanings. It being positive or negative is entire dependant on context. They’re not sinful, get out of here with that Catholic shit!

The 5 karmas have both positive, negative, and neutral contexts which they can fit into.

------

“The ancients hated being alive”

The ancients simply hated the cycle itself and its unknowable properties, as well as being much more aware of things like karma and the urges. Rather, they valued being effortless to disconnect themselves from this cycle.

“This was an eternal dilemma to them - they were burdened by great ambition, yet deeply convinced that striving in itself was an unforgivable vice. They tried very hard to be effortless.” – Bright Green Pearl (DS)

Some practices did of course include things like starving yourself, but as mentioned by Moon, these methods proved to be mostly obsolete. Void Fluid fundamentally changed their culture from what we see. Rather, we do see the ancients enjoying life and valuing it in their own way, which is INCREDIBLY important to some of the games themes, but I’ll get into that later.

"[...]'In this vessel is the living memories of Seventeen Axes, Fifteen Spoked Wheel, of the House of Braids[…] Seventeen Axes, Fifteen Spoked Wheel nobly decided to ascend in the beginning of 1514.008, after graciously donating all (ALL!) earthly possessions to the local Iterator project (Unparalleled Innocence), and left these memories to be cherished by the carnal plane.The assorted memories and qualia include:Watching dust suspended in a ray of sun (Old age). Eating a very tasty meal (Young child). Defeating an opponent in a debate contest, and being applauded by fellow team members (Late childhood/Early adulthood).’...and the list goes on. I'm sorry, little creature, I won't read all of this - the list is six hundred and twenty items long.” – Deep Magenta (SH)

There’s quite a lot to pick apart here, I had to cut down some parts short, but even the cut parts have important details. Just not important enough for me to bring up here.

The Memory Crypts we see ingame are… well where memories are kept. The qualia (personalized experiences) is stored within these mutated fleshy neural organisms referred to as “cabinet beasts”. These of course, contain the “living memories” or qualia of those who have ascended. There are people smarter than me who have already covered these ideas of course, so I won't go TOO indepth.

The ancients greatly valued titles and achievements just as us. They still lived normal lives. As well as this, they valued personal experiences and memories of the carnal realm so much they built an entire citadel to store memories.

As we can see as well, Seventeen Axes has quite a lot of enjoyable memories from throughout their life. Eating nice food and winning a debate contest and getting validation from their peers? That sounds rather… complacent with the 3rd and 4th natural urges, doesn’t it?

I do not believe this screams “I hate being alive!” as much as people have made it out to be, and is honestly ruins part of the game’s messages of compassion and personalized experiences, especially in the game’s ending where Survivor dreams of home.

“You have no name. I once had! I was embalmed, adorned, readied for the journey. So proud. There was jubilation! My name was sung, loud and clear. Did they know? That I didn't quite leave, didn't quite stay? Should I be ashamed? That I linger here, where my memories are kept? Should I be ashamed that I now envy your flesh prison?” - Four Needles under Plentiful Leaves

This is leaning into personal theory territory, but...

I personally believe that the ancients were somewhat terrified of the unpredictability of the cycle and the fact that life would always have more suffering in it.

RW’s religion is heavily based off Buddhism. This is well known of course. The Cycle is a variation of Samsara. Now, I’m not Buddhist, and I’ve tried to do my research about some of these topics. Feel free to correct me, I’m simply going off what I know. (Also I'd love to hear what you have to say regarding your thoughts on the game!)

In Buddhism, each new life you could be taken into the body of an animal, or even end up being tortured in hell for a very, very, VERY long time if you made the wrong decisions, which made escaping it as soon as you could seem like a rather reasonable thing to do.

The ancients never fully grasped the scope of the cycle, and the prospects of having your soul wake up in the body of some miserable worm with no memory of your past or any ideas of your future might’ve seemed bleak.

Suffering is inevitable. But that doesn’t mean they hated being alive, like I said before.

------

“Rain World is post-apocalyptic.”

It really isn’t. There was never any apocalypse. The ancients simply left on their own accord, leaving behind their mark on the world that will slowly be buried once again in the ever so present cycle.

“The bones of forgotten civilizations, heaped like so many sticks.” - Two Sprouts, Twelve Brackets

The world is thriving, even. The purposed organisms left behind have evolved and taken over and become it’s own ecosystem.

The iterators are dying though. Dying very slowly, but soon they’ll all decay and everything will move on.

It’s all just another manifestation of the cycle.

------

“The creatures in Rain World cannot die”

This is definitely something I hear from people who haven’t played much of the game and only hear about it from outside sources and watch the gameplay.

Yes, it is easy to believe this. As slugcat, when you die, you wake back up again. This is entirely a gameplay thing and not actually related to the lore. Saying this might seem like I'm avoiding the question at hand here, but the rules that apply to you do not seem to apply to other creatures.

Every creature in the game has a 4 integer ID (it can go higher, but not in a standard playthrough).

This makes every creature you see an individual of sorts with its own randomized values or appearance.

As well as this, creatures spawn from specific marked dens. When you kill a creature that spawns from a certain den, the next cycle, that creature’s ID will never appear again. Instead, the den spawn is replaced by a creature of the same species with a different ID, or a new species entirely.

Through gameplay, you see that the respawn rules that apply to you do not apply to other creatures. I’ve heard many points about how these dead creatures are transported to another alternate universe where they are alive, but I really do not want to delve into that theory. You do that yourself.

Excuse my unprofessional language, but this is kind of stupid. Billions and billions of little timeline splits accounting for every single insect and microbe that dies seems far too complex of a solution. Occam's Razor and all that.

With this gameplay element you see, I also want to give LORE explanations as to why this is incredibly stupid.

1) If death had no impact, the 5 natural urges would not matter

If no creatures died, there would be no point in eating (karma 4), competing with other species (karma 1), or any form of self preservation (karma 5). Reproduction (karma 2) has no role and there would be absolutely no reason to do anything any longer. All natural processes would be useless.

2) Light Blue Pearl

The information received from the cycle is most likely from the Light Blue Pearl, found in Outskirts.

“[...]The repeating mantra is important because it symbolizes the cyclical nature of life and death, and the termination verse is a symbol for ascension above and beyond it. I don't know how familiar you are with the nature of life and death, but I imagine like all living creatures you have some intuitive knowledge? Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring. Some ramble in agonizing longevity. But the basis is agreed upon: like sleep like death, you wake up again - whether you want to or not. This is true for all living things, but some actually break the cycle. That doesn't apply to you or me though, you are too entangled in your animal struggles, and for me not breaking that cycle is an integral part of the design. Our mantras keep repeating.”

“Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring.“

This line is very misunderstood. Moon specifically mentions birth and death. She mentions death. She never brings up the notion that nothing truly dies either.

As well as this, Moon says that “some say”, implying that even the ancients weren’t sure what the cycle was either. This is more important to my point regarding how the unfathomable nature of the cycle was why the Ancients were so averse to it from above, though.

------

“Sliver of Straw found the solution.”/"There is/isn't solution"

No she didn’t.

.

.

Ok fine I’ll explain.

If you’ve played Rain World you know that the purpose of the iterators is to find the solution to the “Great Problem”, the problem of how to ascend ALL living creatures.

You’ll also know Sliver sent out the Triple Affirmative…

“[...]affirmative that a solution has been found, affirmative that the solution is portable, and affirmative that a technical implementation is possible and generally applicable. She's also one of few that has ever been confirmed as exhaustively incapacitated, or dead. We do not die easily.[…]” - Pale Yellow (SL)

After sending out this affirmative, the iterators became conflicted. They never could figure out if she really ascended and had found the solution, or if it was some sort of catastrophic error.

The answer to the Great Problem is clearly intended to be as obscured as possible. There cannot be an answer one way or the other. The themes of it and the endless tolling of the iterators would not be as impactful if we knew there was or wasn’t a solution.

“[...]Either way, after that these different factions developed, as well as a huge forensic effort to recreate and simulate Sliver of Straw's last moments. Some of the simulations were wrapped in a simulation wrapped in a simulation, in case something dangerous might happen. Nothing much has come from it.[…]“ - Pale Yellow (SL)

Here’s my favorite way of explaining what I mean…

Imagine Schrodinger's Cat, the famous thought experiment. There’s a 50/50 chance that when you open the box, you either find the Solution, or find out there is No Solution.

Except you cannot open the box. And the box is entirely theoretical and nobody’s seen it. It seems impossible, but maybe one day you’ll find that box. That’s what the Great Problem is.

Sliver apparently having found the solution would have completely broken everything. Five Pebbles wouldn’t have ended up hurting himself and Moon had Sliver finding the solution been known with certainty. He was taking a shot in the dark.

------

“Ascension is akin to suicide.”

I strongly believe this point harms the role that ascension and the void sea play in Rain World’s narrative. Ascension is meant to be a final destination, a goal you build up to and prepare for when you’ve lived every bit of life you possible could, and can now move on.

Bringing up the Memory Crypt pearl from earlier, Seventeen Axes lived an incredibly fulfilling life from what we see, and ascended happily.

As well as this, Buddhism strongly encourages those who wish to liberate themselves to discover their own path, which is also subtly shown through the gameplay, as there are many many routes you can take to Five Pebbles, Looks To The Moon, and The Depths.

I do also think this is why Five Pebbles failed. He tried to brute force his way to ascension.

Suicide implies that ascension is only meant to be a fruitless escape and that it’s wrong to ascend. I… do not want to go into why suicide is bad. It’s a strong topic and I’m just here to talk about video games. But ascension is a neutral thing that you can choose to do or not do and to wait until you’re ready.

------

Conclusion...

I really only have the time to cover these 6 misconceptions, and I believe it should be enough. There have been many others I’ve seen, such as the ancients being malicious or that there weren’t any civilizations before them, but there’s not as much to say about them, and they aren’t as common.

Rain World is a very confusing game. I’m not upset at people who think these things to be true, and I do not believe they’re stupid or don’t have any media literacy. I just wish that the people who did actually cover this game did some more looking into it, and actually discussing it with Rain World fans.

Also I should say, that during this entire discussion I have avoided talking about Downpour- RW’s DLC- as it’s more of a official fanmade project. And so much of what it says may not be entirely in line with Vanilla. Because my life isn’t easy and of course there has to be an incredibly divisive and confusing thing like this that I need to avoid bringing up so that way the conversation isn’t muddled.

Thanks if you managed to make it through all this by the way

[chrollogy]

iv. NEW YEAR BLUES

miya atsumu x f!reader

── next: v. Misunderstandings | series masterlist

synopsis: After sending a risky text to Atsumu, you avoid your phone the next morning like a ticking time bomb until curiosity gnaws at your skin but it doesn’t take long before you cave. Thus, with a bated breath, you brace yourself for his response.

chapter content warning: college au, angst heh, shrine visit (poor depiction), implied alcohol use, tipsy reader (maybe a dumbass too), miya atsumu is an even bigger dumbass, hinata mention LMAO, mutual pining, slow burn, requited unrequited love, miscommunication (it just got even worse. rip.), not beta read.

word count: 4.1k

notes: divider: cafekitsune. woweeee one more chapter and then we’re done ehehehehe >:)

It was quarter to two.

The mellow hum of Hyōgo’s early winter morning settled into Atsumu’s bones like a pair of invisible shackles, holding him hostage between the borders of sleep, and sobriety. On other nights, it lulled him to slumber without any problem but not tonight, not when his mind was plagued with thoughts of you.

Out of all times, his brain decided to recount every single moment with you from the trip. First, it was the happy, mellow memories of the first day—stolen glances full of yearning, his crimson-tinged cheeks, and fluttering heartbeats, and then came the uncomfortable haze that drove a wedge between the two of you. God, Atsumu didn’t even want to think about that moment on the boat.

Atsumu was fully aware that you knew his response was a complete lie but could you really blame him? What difference would it have made if he said ‘yes’? At the end of the day, what he felt for you was one-sided, nothing was going to change the fact that you only viewed him as a friend.

In fact, maybe this wall between the two of you was the cure to his yearning heart—a space to help him move on, and forget the familiarity of loving you.

As Atsumu’s caramel gaze bore into the ceiling above, tracing the moonlit glow that seeped from the window, his phone illuminated the dark room for a brief second, a tinge of blue catching his attention.

Mindlessly reaching for his device that lay on the wooden nightstand, he let out a tired sigh, honeyed eyes squinting at the sudden brightness that invaded his vision. Letting his eyes adjust, Atsumu carefully read the notification banner on the lock screen.

It was a message from you. His heart violently stuttered. Thank goodness for the tight grip he had or else his face would’ve been aching from his phone falling on it.

As if on instinct, Atsumu sat up, clearly sobered up from the fact that you texted him at almost 2 AM. Were you perhaps also having trouble sleeping? Atsumu wondered if your mind was also filled with thoughts the past few days—thoughts of him. He could only fantasise.

The blonde positioned himself against his headboard before clicking onto your message with a shaky digit, and a thundering heartbeat.

It was an absurdly long paragraph.

‘hey. i know you’re asleep right now, and you’ll probably see this in the morning but whatever :) . .’

Atsumu swallowed thickly. For some reason, he felt oddly nervous about this message but at the same time, anticipated the context behind it. Maybe you were trying to salvage whatever was left of the friendship? Or maybe you just wanted to cuss him out with a long, detailed message.

Nonetheless, Atsumu kept reading,

‘. . . i’m not going to beat around the bush or anything so i’ll get straight to the point. i like you. i’ve had feelings for you since highschool and i know it’s cowardly of me to confess over text but i don’t mind being called one.

god, i cannot even remember the feeling of my heart acting normal around you. my heart is so painfully familiar to yearning for you that it hurts. whenever i see you, i just can’t seem to act right. i hate how my heart stutters, how my cheeks heat, how my body suddenly doesn’t know how to act normally. it’s bittersweet because i feel guilty for falling in love with a close friend but also i’m not ashamed of it because you’re so amazing, and caring.

i cherish you a lot, tsumu, i really do and i know you do too but i don’t think it's in the way i want you to. i’m not pressuring you for an answer or anything because i already know you don’t like me back but that’s okay. i don’t know what will happen after this but just know that i really admire our friendship.

like i said before, you don’t have to reply to this. i just really needed to get all the pent up feelings out of my chest so i can finally move on :) just give me some time to be myself again.’

One word. Speechless. Miya Atsumu was speechless.

There were so many goddamn emotions that ran through every single fibre of his body to the point where his brain couldn’t process it all. Atsumu didn’t know whether to be ecstatic with the fact that—holy shit—you reciprocated his feeling, or to be frustrated with the fact that you thought it was one-sided.

His heart hammered against his chest, the pounding of it reaching his very ears. He was so fucking nervous that he breathed through his parted lips, honeyed eyes re-reading every single word you typed. The winter chill that filled his room went awfully warm, mirroring the crimson tinge that painted his cheeks.

So he was the one you were talking about back then; that drunken confession where you told him you had feelings for a certain someone.

Atsumu didn’t know what to do—didn’t know what to respond.

In all honesty, you put him in a very tough spot. How was he supposed to respond after confessing your feelings but also stating that you did not, in fact, sought an answer. Not to mention how you practically put words in his mouth.

Who were you to decide if Atsumu reciprocated your feelings or not?

The blonde took a deep, shaky breath, palms sweating as he gripped the device. Atsumu knew he needed to respond with a calculated mind—as tempting as it was, he wasn’t going to let his heart lead this time.

Not when his mind painfully reminded him of the conversation you two had,

“I don’t even think I’m ready for a relationship.” “So . . yer jus’ gonna confess for the sake of movin’ on? Even if he likes ya back?”

He vividly remembered the way you solemnly nodded to his question, a sad, subtle smile lingering on your lips as if to reassure yourself that you’ll be okay.

Atsumu closed his eyes, letting the sounds of crickets chirping outside consume him. The gears in his head turned, and turned, working overtime to come up with a response. He had to be sensible, whatever he replied was surely going to change the course of your bond, forever.

Though, there was only one thing he knew—to respect your decision.

The morning came rather quickly, early rays peeked through your window, mellow hues of yellow, and orange painted the ivory walls of your room to cast a warm, inviting glow—a reminder of the impending day ahead.

As you reached for your device to check the time, you were greeted with a black, unlit screen, your sleepy reflection staring back. Oh, that’s right. You had turned it off right after sending that risky text message to Atsumu, wanting nothing to do with it.

Vivid memories of last night came flooding in, filling every corner of your mind. All the words you typed down, the feelings that came with it, the hammering of your heart—it came back to you, and now, you were twice as nervous. You wondered if Atsumu had already read your message, even more curious about his response—if he did send one back.

Just thinking about it made your head dizzy. There was a ray of hope tucked neatly at the bottom of your heart, it wasn’t big but you held onto it like it was the most precious thing.

You let out a sigh, and tossed the device on your bed before getting ready to brave the winter day ahead. There were four more days before the new year rolled around—how you were going to spend the last two days heavily depended on Atsumu’s response.

It was inevitable. Every now, and then, your eyes mindlessly wandered to the device that lifelessly lay atop your sheets, its blackened screen inviting you to turn it on. You turned your room upside down for anything to distract you from the silent beckoning of your device—from re-reading your favourite manga to blankly staring at the ceiling above.

There was even an urge to read a syllabus from one of your new classes this coming semester.

Four hours. You lasted four dreadful hours before curiosity settled into your skin like a painful bite—no matter how much you ignored it, it seemed to worsen.

And with a hammering heartbeat, and sweaty palms, you turned it on. Patiently waiting, you watched as it displayed the brand logo, and then a few seconds before it loaded your lock screen. A heartbeat passed as the device showed several notifications from last night, and this morning. Disregarding them, you scrolled straight down until Atsumu’s message notification came into view.

You sucked in a breath.

The thread of messages between you two quickly popped up as you clicked on the notification. Bracing yourself, your eyes wander down to the start of his response—god, it was equally as long.

It was sent at 2 AM. It made you even more nervous after realising that Atsumu was indeed still awake when you had sent the message.

‘hey :) first of all, i’m very thankful that you had the courage to bring this up to me so please don’t call yourself a coward, i know how hard it is to try and confess to someone. i find it admirable, really. i think it’s brave of you to decide something like this.

secondly, i am over the moon after finding out you have feelings for me. it feels such an honour to be loved by a close friend so thank you again for letting me know. like you said, i, too, cherish our friendship. i don’t know what will become of our bond after this but just know that i am very glad to be friends with you.

thirdly, as you’ve mentioned in your message, i don’t feel the same way. .’

You stopped reading to stare at the ceiling above, a foolish smile plastered upon your lips—it conveyed anything but happiness.

Oh.

Oh.

So, you were right. Atsumu didn’t feel the same way.

That little bundle of hope deep inside your heart disappeared, dissolving into nothing but what seemed like distant memories—memories of your saccharine moments together.

God, you already had a feeling he didn’t like you back but why did it feel like a hard slap on the face? As if reeling you back into dull reality after a haze of fantasy. This was what you wanted, right? To confess with rejection in mind so you could finally move on. But now that the answer lay right before you on a silver platter, why didn’t you want to move on?

You mustered every single bit of your strength to read the rest of his message, vision becoming blurry as tears slowly formed.

‘. . . you’re such a great friend. don’t get me wrong, you’re beautiful both inside and out but my feelings for you are just platonic. i’m really sorry that i don’t reciprocate your feelings. i don’t know how much this will affect you but just know that if you want me to stay away, i will. it’s the least i can do to help you move on.

you’re an amazing person, and there are a lot of other guys out there who deserve you so much but i am not one of them. again, thanks for letting me know.’

You didn’t even realise hot tears started rolling down your cheeks until it hit the screen with a soft sound, one by one, droplets of tears scattered the surface of your device as if to wash away all of Atsumu’s words

A weird feeling blossomed in your chest, extending its sharp roots down to your stomach where it painfully planted itself. The grip on your phone tightened, other hand clutching—clawing—at your heavy heart, wanting to take it out from the confines of your ribcage and mend it with your own shaky hands.

Everything felt completely still, birds that hummed their usual morning song were no more, mellow sounds of the city became distant as you let yourself wallow in complete sadness.

It was odd, you felt nothing, and everything at the same time—the ugly feeling in your chest, the sting behind your eyes, the impending headache from your stuffy nose. Atsumu’s words repeated inside your mind, plagued it like an invasive plant which invited more pain to your strained heart.

‘I don’t feel the same way. My feelings for you are just platonic.’

It wasn’t just cupid’s stupid arrow agonisingly digging into the core of your heart, no, it also felt like he had wrung your heart dry with his bare hands, and he was laughing about it.

You felt like a fucking fool. Especially for hoping that somewhere down the line, Atsumu felt the same way.

The last two remaining days of the year were a complete haze, navigating through the last moments with a clouded mind, and an unmendable heart while putting on a brave face. And as the clock struck midnight on the 31st, you put on the happiest smile you could muster in front of your parents, and welcomed the new year with uncertainty. You tried not to think about Atsumu’s words but they were seared into your mind, a mocking reminder of your unreciprocated feelings.

It wasn’t long before the first morning of the new year greeted you with clear skies, and warm rays, paired with an early call from Suna. You already knew the reason for his call—of course, one cannot celebrate the new year without hatsumōde.

“It’s a surprise you picked up my call, you haven’t been answering my texts. Anyway, the twins, and I are visiting the shrine, coming?”

“How about Kita?” You asked. “He’s going with his grandmother tomorrow.”

With a sigh, you hesitantly agreed. It's only been two days since the confession, and you could already feel the awkwardness, and pain seeping into your bones. You knew you weren’t even ready to face Atsumu yet but you’ve never turned down a shrine visit from your friends, especially on new years.

Before you knew it, the crisp winter air engulfed your body. Clad in thick layers of clothes, you walked the quiet footpath to the local shrine, heart hammering against your chest with every step taken closer to your friends—to Atsumu.

His flaxen locks were easy to spot, standing out amongst the crowd of people with raven strands. Your heart violently stuttered but you kept your eyes on Suna, putting on a bright smile to greet them. They stood just before the grand torii gate which led straight to the shrine itself.

“Glad ya could make it.” Osamu greeted you with a hug, followed by Suna.

Throughout the whole exchange with the two men, you could feel Atsumu’s burning gaze on the side of your face, and god, was it an extreme sport to ignore it. The two didn’t notice the way you, and Atsumu awkwardly greeted one another—a tight-lipped smile, and a brief eye contact. You felt small, and naked under his honeyed gaze but it wasn’t anything intimate, you guessed this was the consequences of baring the contents of your heart two nights ago.

Tugging at the neckline of your clothes, you began to grow uncomfortable at the awkwardness that made itself known.

You weren’t going to lie, Atsumu looked devastatingly handsome as ever, and it pained your heart even more. Though, he had this familiar expression painted on his face—the one he always wore whenever he was upset about something. It was subtle but you noticed the way his bottom lip jutted out ever so slightly, the light crease between his thick brows.

It was hard not to wonder what Atsumu was upset about.

After showing respect by bowing at the torii gate, the four of you fell into a step. Since it was the first day of the new year, the shrine was packed with families, friends, couples and people alike; some were at the chōzuya—water purification pavilion—to purify their body & mind while others were already lined up to pay respects at the main shrine building.

Keeping to the sides of the main path, You, Suna, and Osamu fell into a mellow conversation—talking about the new year ahead, and the upcoming semester. Surprisingly, Atsumu didn’t join in the conversation, hands tucked deep inside the pockets of his jacket, he stared hard at the concrete beneath.

It shouldn’t bother him but it did.

You were the one who got rejected so why was he more upset about the situation? Why were you able to easily slip into a cheerful conversation with Osamu, and Suna while acting like nothing happened two nights ago? Atsumu half expected you to not even turn up today, he had to practically stop himself from overreacting after the brunette stated you’d come.

Well, it was good that you were already moving on but whatever. Atsumu decided shoving away the weird feeling in his chest was the best option.

After doing the ceremonial purification rite at the chōzuya, the four of you headed at the back of the line for the main shrine. It didn’t take too long until it was your turn, Suna, and Osamu went ahead first which left you, and Atsumu to pair up.

Watching as your two friends prayed at the shrine, you dug your nails into the plush of your palms, awkwardness eating away at you. It felt like everyone’s eyes were burning holes on both your’s, and Atsumu’s backs—as if they all knew what happened between the two of you a couple of nights back; it also didn’t help how you could practically feel Atsumu’s not-so-subtle stares from the side.

Sighing, you spoke to him for the first time since that moment at the boat, “If you’re uncomfortable with me, I’m more than happy to do it alone.”

You didn’t dare look at him, even when he fully turned to face you. It was dangerous, one look into his gaze, and you’d be a sobbing mess.

“It’s not that. It’s just . .”

Atsumu’s sentence trailed off as he noticed you walking up to the shrine. He closed his lips and silently followed, heart weighing heavy with every unspoken word that plagued his mind.

The two of you did the customs as usual: ringing the bell, tossing a 5 yen coin into the wooden saisen-bako, bowing twice, and clapping twice before praying. You, and Atsumu stayed still for a moment, eyes closed, and palms glued together to wish for good luck in the new year ahead. Ending the prayer with another bow, the two of you joined Osamu, and Suna.

“I saw ‘em distributin’ amazake. Wanna go grab some?” The younger twin pointed a thumb over his shoulder. His brother, and Suna agreed rather quickly, their throats bobbing at the mention of the sweet treat.

Feigning a yawn, you spoke up, “I think I’ll head home now. I didn’t really get much sleep last night.” This earned a unison of disgruntled sounds from Suna, and Osamu whereas Atsumu wordlessly looked over your way.

It wasn’t like you were lying, you really didn’t get much sleep, especially after waiting for the clock to strike midnight but it wasn’t like lack of sleep bothered you, no, it was the growing feeling in your chest the longer you spent time in Atsumu’s presence.

Bidding your friends a good bye, you headed home, each step taken away from Atsumu somewhat eased the strain in your heart.

Never in a million years would your old self believe that the feeling of being away from Atsumu brought a sense of comfort, a tranquillity in your heart. Albeit, not easy—nothing ever was when you’re taming a yearning heart—there were days where the urge to bask in his presence were strong, and there were days where you felt fine without Atsumu around.

Safe to say, your year started with the much dreaded new year blues.

Ever since the new semester started, you’ve busied yourself with assignments, weekly quizzes, and whatever else that allowed you to make several excuses just to not see Atsumu—whether it be movie nights at the twins’ apartment, afternoon library sessions, or simply just coffee runs with the group, you had an excuse

Before you knew it, it had already been a little over two weeks since you’ve confessed—two weeks since you last saw Atsumu at the shrine. Two weeks, and your feelings never wavered for him, not even once, that was the stubbornness you were dealing with.

“Whatever, I’ll come by your place tonight, and drag you out if I have to.”

You groaned, “Suna.” He said your name with an equally serious tone, his dulcet voice spilling from the speakers of your phone.

“You’ve been holed up in your room since forever, and we haven’t seen you that much. I miss you, the twins miss you, and Kita misses you. It’s just a few hours to let loose.”

“Isn’t it a bit too early in the semester to party? Also, Kita’s coming?” You tried your best to ignore the fact that your heart stuttered at the mention of the twins missing you. Atsumu missed you? Before you could pick Suna’s words apart, he spoke into the line,

“It’s not a party, just a small gathering with some familiar faces. And, no, he isn’t. He needed to work on an assignment.”

“I do, as well!” “Bullshit. I’ll see you at eight.” With that, he ended the call.

And that’s how you ended up in the twins’ apartment, lazily sloshing the alcoholic contents of your plastic cup. You don’t recall the amount of drinks you’ve drank but it sure was enough to have your head spinning.

There were familiar faces here, and there—which you took time to greet every single one—and some foreign faces. You assumed most of the people here were Atsumu’s teammates from the university team with how close they were with the blonde.

In all honesty, you had absolutely no idea as to why the twins were even hosting this gathering, it was so out of the blue. Though, you did hear an orange-haired male loudly exclaim to Atsumu at how much of a genius he was for organising a gathering this early into the semester.

So, it was Atsumu’s idea all along.

“Y’know, you can just talk to him, right?”

Suna’s slurred voice unceremoniously pulled you out of your trance, shifting your attention over to him. “What do you mean?” You coughed, cheeks heating, trying to hide the fact that Suna just caught you shamelessly staring at Atsumu who conversed with the orange-haired male. He sat beside you, body far back into the couch, narrow eyes fighting the sleep that slowly overtook him.

You didn’t like how your mind instantly agreed with his sentence.

The brunette let out a humourless chuckle but didn’t elaborate further, instead, he pulled out his phone to mindlessly scroll on it. Narrowing your eyes at him for a brief moment, you shifted your gaze back to the blonde, he had a big smile on his face, a tinge of crimson across his cheeks.

God, even under the shitty lighting of their apartment, Miya Atsumu still looked handsome as ever.

You stared at him for a moment, heart hammering against your chest, limbs tingling at the sudden urge to walk up to him. Oh, this was a very dangerous game you were playing, especially with the alcohol in your system. Your mind yelled go, go, go but you knew better than to play with fire, right?

Wrong.

In a heartbeat, you were on your feet, taking slow strides over to Atsumu. The sober part of your mind screamed at you to turn around, and sit back down but the tipsy part of your mind was stubborn—you wondered if it took after your heart.

The sudden urge to talk to Atsumu was fuelled by nothing but liquid courage—all the worries in your mind were magically solved; the weight that pulled your heart down was gone, and suddenly, it didn’t seem like a bad idea to even talk to him.

Deep down, you knew you were playing a very dangerous game right now but you couldn’t care less. Not when your heart pulled you closer to him.

As you neared, Atsumu cut the conversation short with his friend, and stared at you with expectant eyes, brows sky high in surprise. He sucked in a breath as you looked up at him through your lashes, the corners of your lips subtly turned upwards. Heart pounding, he shifted his weight from one leg to another as he waited for you to speak first,

“‘Tsumu, can we talk?”

Atsumu’s knees almost gave out upon hearing his nickname roll off your tongue, an icy shiver running up his spine.

—

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[musicalmoritz]

It’s canon Mitsuba’s gay?

I’m gonna use this as an excuse to yap because Mitsuba’s queercoding is either weirdly downplayed by fans or used solely for BL shipping purposes so I want to talk about it through the lens of what it means for his character, role in the story, and relationship with Kou

Yes, Mitsuba is canonically gay

Things don’t have to be explicitly stated in order to be canon, subtext is a major part of media analysis. This is something a lot of fans miss which leads to a misunderstanding of the source material. I do have some credentials for this, I’ve taken two undergrad college literature classes in which the subject of queercoding did come up multiple times. Meaning analyzing queercoding has literally gone towards my degree so I feel like my opinion holds some weight (not as much as that of an actual English major but yk I assume I’ve had more education on it than the general TBHK fandom)

There are multiple ways to queercode a character, sometimes it can be as simple as feminizing a man or masculinizing a woman. Though that method might be a bit outdated nowadays with gender roles becoming less strict, it’s still worth keeping in mind when analyzing queer characters. Another way is through romantically colored scenes with characters of the same sex, or by having them hint at disinterest in the opposite sex. Mitsuba checks off all three of these boxes and then some

First off, Mitsuba is attracted to men. This is made extremely obvious through his relationship with Kou but I’m gonna explain it anyways because unfortunately I’ve seen a lot of fans say they’re just platonic

Mitsuba and Kou went on a date. When this is brought up, fans typically jump to the excuse of “but Kou said it wasn’t a date,” which is where my American Lit class is going to come in handy. One of the major things we learned is that authors have to understand that everything they write has some sort of real world connotation. If you write a scene with a doctor, you have to understand that your readers already have preconceived notions of what doctors represent. You can choose to either lean into that or subvert it, but you have to be aware that as soon as a doctor enters the scene, readers have already made assumptions about that character

The word “date” is clearly being used in a romantic context here. When Kou texts his friends and brother about it, they all assume he’s talking about a romantic date. While in the actual context of the scene, Mitsuba and Kou aren’t quite ready to use such a strong label yet, the romantic wording here is still very intentional. AidaIro would not have labeled this moment as a date if they didn’t want readers to view it in a romantic light, because they understand that their readers are going to associate dates with romance. Japanese censorship is really strict, it’s hard to publish stories with explicitly queer characters unless the series is labeled as a BL or GL. And so Japanese manga writers often have to find roundabout ways to express that characters are gay without outright stating it- such as suggesting that they’re going on a date with a character of the same sex

In the printed volume for Vol.20, there’s an editor’s note that mentions that when Kou and Mitsuba are making plans to hang out at the school festival, it holds a romantic implication for the Japanese audience. Cultural differences are important to keep in mind, to western fans this scene might not raise any eyebrows but for its primary audience, it is confirmation that Mitsuba and Kou are romantic. I also find it interesting that the editor felt this context was important enough to warrant clarification

And frankly, their relationship doesn’t make a lot of sense if it’s solely platonic. Male friendship is something TBHK writes very realistically, the male characters aren’t as touchy-feely with their friends as they are with their female love interests. Yokoo and Satou don’t directly ask Kou how he’s feeling when they notice he’s upset, instead they give him a task to distract him- similar to how men in real life cheer their friends up through quality time rather than talking through their emotions like women do (not every man ofc but a good majority of them). When Teru is down, Akane doesn’t hold him and reassure him the way he does with Aoi. There are no grand declarations of ultimate “friendship” the way you see in fan servicy series like Haikyuu. Instead, he used his and Teru’s rivalry to indirectly motivate him to get his head back in the game. When Hanako is sad, Kou cheers him up by making donuts for him and then giving them to Nene so she can pretend she’s the one who made them. This is a very healthy portrayal of male friendship, and Mitsuba and Kou are nothing like this

Mitsuba and Kou both cry and vent to each other multiple times (the Mitsuba Arc, the Picture Perfect Arc, the Nightlife Arc), and instead of comforting each other indirectly they do things like offering to die for each other. You would never see Akane offer to die to make Teru feel better, nor would you Aoi and Nene or Kou and Hanako. It stands out so much from other friendships in the series, even Kou’s friendships with other characters. That is a conscious writing decision, AidaIro make a point to show Mitsuba as an exception for Kou. It’s worth noting that in the same chapter where Yokoo and Satou cheer Kou up indirectly, Mitsuba attempts to directly have him talk about his feelings

They’re also incredibly possessive over one another, in a way friends usually aren’t. When Kou was in the Red House, he was shown his greatest desires, and Mitsuba appeared in one of these. Kou said he knew Mitsuba would appear, which is interesting because at that point he had already picked up on the house showing him what he wanted. But what does he want? He wants Mitsuba to rely on him entirely, to be completely useless without him. He wants Mitsuba to be “no good without him,” to need him so badly that he begs him to die so they can be together. I’m not exaggerating, these are lines pulled straight from the chapter (paraphrased but still). Later on in the Nightlife arc, Kou breaks down when he discovers Mitsuba has been relying on Tsukasa for life-saving help. As for Mitsuba, he wants to die by Kou’s hands. He says it wouldn’t be satisfying if anyone else killed him, and that he would be happy if Kou were to be the last person he spent time with before he died. He tries to trap Kou in a picture perfect world just like Hanako does with Nene, because he wants to live a normal life with him. It’s also shown in one of the extras that Mitsuba cries when Kou ignores him

They’re also drawn very romantically, again we don’t see Teru and Akane this intimate with one another unless they’re fighting. We especially don’t see Kou this intimate with anyone other than Mitsuba, and while Mitsuba is sometimes clingy with Tsukasa we certainly never see him posed romantically with a woman. This comes back to authorial intent and real world connotations, AidaIro know that male friends aren’t typically this close, and therefore casual affection like this will be interpreted in a romantic light. We see them hold hands/wrists multiple times too, Kou gives Mitsuba a piggyback ride in one scene, and in ASHK they had a classic “pinned against the wall” page

I’ll also mention the AUs, because those indicate a lot about the characters as well. In Hanako-Kun of the Opera, Kou poisoned Mitsuba so he could take him away from the opera house and protect him from Tsukasa. He basically kidnapped him. He also stayed with Mitsuba at the opera house for a seemingly long period of time despite hating opera. Aaaaand they’re childhood best friends in this au and Kou took care of Mitsuba while he was sick

Then there’s the Ghost Hotel, where Kou is a werewolf who takes bites out of mummy Mitsuba during full moons. Despite this, the two appear to be friends and Mitsuba helps Kou out around the kitchen. Cannibalism is consistently tied to romance throughout TBHK, most notably with Hakubo and Sumire but other romantic pairings have cannibalistic moments or official arts. During the zombie mokke chapter, Nene panicked when Akane tries to eat her because she assumed it would put her in a love triangle with Aoi. So yeah, cannibalism in TBHK is directly tied to romance and we see that with Mitsukou both in canon and in this au. Speaking of which, I’m not even gonna get into the symbolism of Kou holding a heart out to Mitsuba. Connect the dots for yourselves

Now that we’ve got Mitsukou out of the way, let’s talk about Mitsuba’s disinterest in women

Remember how I said one of the ways queercoding is done is by having a character hint at disinterest in the opposite sex? Yeah, very rarely are we going to see a queercoded male character outright say “I have no attraction to women.” Instead they say they just never saw the appeal in dating, or that they never had time to settle down. In more obvious cases, we have scenes like Reiner from AOT joking that Ymir isn’t all that into guys

I couldn’t find the second scene but there are TWO extras where the subject of Mitsuba’s disinterest in women comes up. C’mon guys I’m trying not to be mean here but you have to be blind, oblivious, or in denial to not pick up on that. Whyyyyy would they mention Mitsuba not having a crush on any girls twice if it weren’t to suggest something about his preference?? Coupled with his appearance (which I’ll get to later) and relationship with Kou, these scenes carry a lot of weight. Even if those other aspects weren’t included, scenes like this would still indicate he has no interest in women (which would make him gay or aroace, though due to his relationship with Kou the aroace thing is kind of ruled out)

Compare this to a scene where Mitsuba thinks he’s being asked out by a man. He doesn’t say “hmmm nope no guys, I’m cuter than all of them~” he specifically says “I’m not interested in guys with lame earrings.” The way this is worded implies that Mitsuba is discussing a type, though it’s v much a comedic scene and we know from everything else that he absolutely does like guys with lame earrings, it’s still worded in a way that makes him appear queer. If he were straight, they would have had him say he’s not interested in guys at all (like Dazai from Bungou Stray Dogs, John Watson from BBC Sherlock, Finn Hudson from Glee, idk there are a lot of male characters that are explicit straight sorry for the crazy random list). Also note how he teases Kou about it, he knows that Kou is fond of him and doesn’t hesitate to use that against him (like when he was comforting him during the Nightlife arc)

They don’t go overboard with Mitsuba’s disinterest in women because, well, that’s not really necessary. Two scenes is already a lot, and he doesn’t have any romantic relationships with women in canon (even as a crush/a joke scene). It’s rare for TBHK characters to have absolutely no scenes expressing interest in the opposite sex, since the series is partially a romance. But Mitsuba consistently only ever shows interest in one man, and when girls are brought up he’s quick to brush it off. His mom did think Nene was his girlfriend when they met, but this was depicted as a very awkward and comedic scene. Because the premise of Mitsuba having a girlfriend is objectively hilarious

(Due to Sousuke’s young age it’s reasonable to assume he wasn’t out to his mom yet, he’s around the age where most kids are closeted. It’s even possible that Sousuke hadn’t come to terms with his sexuality yet, though it’s still a prevalent part of both his character and No.3’s)

Now let’s move onto appearances. I want to give a quick disclaimer, not all gay men are feminine and not all feminine men are gay. Androgyny is also very common in anime and doesn’t automatically mean a character is gay, but there are cases when it’s used for queercoding. Mitsuba is one of these cases

Mitsuba is a very feminine character, this is addressed as soon as he shows up in the manga. He was bullied for his appearance (and personality), but unlike his personality he never tried to change his feminine appearance. He kept his hair long, continues to wear scarves and cardigans and earrings. No.3 wears these things as well, and I would argue has a more feminine personality since he seems to be more open about his emotions and idk. I struggle to categorize feminine and masculine traits because imo that’s subjective but there are things society deems feminine vs. masculine. The problem is that I really dislike the whole “men are strong and women are emotional” thing but ehhhh I guess I have to talk about it for this. Hmph. But yeah although Mitsuba isn’t exactly the biggest sweetheart ever, he does act somewhat feminine compared to the other male characters (as I’ve said he’s p much the only man in the series who attempts to work through emotional conflicts directly)

Once again we circle back to intent, AidaIro know that a male character dressed in pink with pink eyes and long pink hair is going to raise some eyebrows. Even by androgynous anime standards, it’s a bit much. And good for him, although not all gay men are feminine, some are and that’s also fine. I can’t speak on how well he represents feminine gay men because I’m a lesbian but he does dress similar to some of the feminine gay men I’ve known irl (or slightly less feminine in some cases…I knew this one dude in high school who used to wear corsets to class and he was so badass I hope he’s doing well)

I could get into how Kou is a bit feminized too with the whole housework thing but this ain’t abt him. I will say that Kou is still a very masculine character but despite this his character is feminized in some ways compared to the other men. I’m not really here to discuss whether that’s good or bad, I’m just stating the evidence as it is, you can make your own conclusions as to how you feel about it

So how does being queer impact Mitsuba’s character arc?

When I get around to writing my analyses of all the TBHK characters I WILL be talking more in depth about the queer allegories with Mitsuba’s character but for now I’ll give ya’ll a quick summary. Supernatural characters have been used for years to represent queerness, the same could be said for villains and any character trope that represents a feeling of “otherness.” Sometimes it’s more broad like X-Men, where the superpowered characters are used to represent all types of minorities (though I believe X-Men is more closely tied to race, there are rampant queer themes as well). Then there’s books like Interview with the Vampire that get more specific with it, where Louis denying his “true nature” as a vampire is used as an allegory for him denying his queerness. Well I’m here to tell you that Mitsuba and Louis de Pointe du Lac are in the same boat

Mitsuba differs from the other supernaturals because he desperately tries to hold on to feelings of normalcy. He wants to be a normal human and live a normal human life. He doesn’t want to be othered, to be outcasted from society for something he can’t control. We don’t see Hanako, Tsuchigomori, Mei, or any of the other supernatural characters struggle with this. You could argue that Akane does but his situation is more related to learning to empathize with others than any internal battles within himself. Hanako may have moments of wishing him and Nene could have something more, but that’s more about romance than his identity.

This desire to be “normal” is unique to Mitsuba’s character, and it’s a very queer desire. Being an angsty teenager who hasn’t fully accepted themself yet and hasn’t realized that being queer is not only normal, but a beautiful experience. It’s also so interesting to me that as he’s trying so hard to be normal, it creates a push and pull between him and Kou. He wants to be normal for Kou but he also feels that he’s hurting Kou just by existing, that this could only end bad for him. Oh the inherent guilt of having your first gay crush and feeling like you're corrupting them hist for pining from afar

So, can you ship him with women? Technically you can do anything, shipping isn’t illegal and we all have free will. Should you ship him with women is more subjective, I personally think no!! Queerness is not just a sexuality, it’s an identity that deeply impacts who you are as a person. It shapes your experiences and your view of yourself, and in an allegorical way it has certainly done this for Mitsuba. Yes, bi people are queer as well and this is still true for them, but bisexuality is not Mitsuba’s experience. Mono-attraction exists and that specification is very important to gay men and lesbians. For some people sexuality is fluid and that’s beautiful, but it doesn’t work that way for everyone

Some queer fans don’t care if gay characters are shipped with members of the opposite sex, and they’re entitled to their own opinions. It makes me immensely uncomfortable tho, so please block me if you ship Mitsuba with women. That goes for any ships between canon gay/lesbian characters and the opposite sex. I respect people’s right to have opinions but that doesn’t mean I have to like the opinions themselves, and I don’t have to engage with anything that makes me uneasy. That goes for all of you btw, never let people convince you that you have to put up with shit you hate on the internet lmao, this is not real life babes. Block and move on

TL;DR

Mitsuba is too gay to function

[dollarbils]

i like you better with me | b.e.

billie eilish x fem!reader

context. billie’s tired of chasing you to break up with him. what happens when you do, but struggle to regain her trust?

warnings. smut, angst, mean billie lowk, hella teasing, strap.

part 1, part 2 masterlist

your desperate. pathetically desperate. she’s been dodging your calls for days. you’d do anything to get her back which is what prompted the hasty drive to her house. the knock on her door was surely quieter than the continuous thump of your heart.

“billie!” you called, noticing the kitchen window was open so she could hear you. after a long pause, the door opened. but it wasn’t an invitation to come inside.

“what?” she asked, seeming unsurprised at your surprise turn-up.

“can we please talk?” you pleaded and she hesitated opening the door wider, for you to come in. she hesitated forgiving you without an apology like she’d done so many times.

“it depends. are you here to apologise?” you furrowed your brows, confused.

“for what?” she widened her eyes at you, as if you were stupid, and shut the door in your face. you knocked on it incessantly for the next thirty seconds before she gave in and opened it again.

“would you stop that?” she huffed, you could tell she was tired of your shit. it made you feel awful, and revealed all the reasons you should be here to apologise.

“I’m so sorry bils, genuinely. please let me in so that we can talk.” you were a rejection away from getting on your knees.

“i don’t wanna talk.” she said childishly, but however waiting for a response instead of shutting the door again.

“please give me another chance, i really need you to hear what i have to say.” it took her a while, but she was as weak as you. and she opened the door, letting you into her house, but back into her heart as-well.

“well?” she shut the door and perched herself up on the back of her couch.

“i miss you billie, and i’m so sorry.”

“are you now? because i’ve heard that before.” she wasn’t taking you seriously and she had every right not to but it was frustrating.

“come on billie, you know i still love you, i told you. i want to be with you. properly. we didn’t do it right last time. give us a chance to do it right.” you approached her, her position meaning she was a few inches beneath you. her eyes were wide and behind them, her head was spinning with contradictory thoughts. you looked at her in adoration and she folded.

“i fall for this shit every time.” she reached for your face and brought your lips to hers in a soft kiss. it wasn’t what you expected but when she smiled into the kiss, a weight lifted off your shoulders.

“ask me the question.” she stood up as you spoke, pulling you into her arms. she smiled, knowing exactly what you meant.

“did you break up with him?” her words were a whisper on your lips. a silent promise you made to her that you’d failed to keep for too long. she held her breath as you spoke, drowning in anticipation.

“yes.” her smile slowly began to widen, chuckles coming out because she couldn’t believe it. her lips leaped onto yours, this time more passionate, more desperate.

“for you.” you added in between kisses and she groaned into your mouth, it was sweet. so sweet, but you couldn’t help but want more.

“mm, you taste so good baby.” she commented when she pulled her tongue out of your mouth, licking your swollen lips.

“need you so bad.” you whined into her ear as her mouth did unholy things to your neck. she pulled you harder against her waist, wanting you to feel her. you quickly became aware of what was underneath her jeans and it made you tingle.

“been waiting to fuck you properly for so long.” she kept her mouth on the skin of your jaw while she spoke, devouring the taste of your skin.

“finally can,” she blabbed on, “my girl.” her words made you grow more desperate for her, feeling the ache in your heat. it’d been present for days.

“billie.” you repeated her name every time she sucked your skin, snaking her arms around your lower body, caressing your ass.

“i like you better with me.”

“me too.” you confirmed when her hand came to the back of your neck, providing warmth and comfort.

“mh, you like the sex.” she chuckled on your skin. and you grabbed her face bringing it up to yours before speaking.

“so do you.” she tilted her head looking upwards in animation of thought. “only with you though.” you added.

“i see what you’re doing, it’s too late to act cute.” she took your bottom lip in between her teeth, biting down softly. she pushed her hips into yours again, reminding you of her position. you couldn’t stifle the groan it caused. you were pulled into her bedroom as she removed your shirt. her hands were never in the same place as she let herself discover your body all over again. she leaned on you, the strap beneath her jeans digging into your heat. you were whining for her to do something other than kiss you.

“patience baby.” she smiled kissing your face.

“you always say that shit.” you whined when she made no move to satisfy you. you rolled your hips back and forth on her clothed dick and she laughed on your skin, her teeth grazing sensitive places. she let it happen for a while before gripping your hips to stop them from moving. she slid your sweatpants off, along with your underwear. she was painfully slow with it too.

“please billie.” she kissed across her stomach, finding every last bit of skin she hadn’t touched yet, before finally moving lower. her breath was on your heat, her lips inches from your clit. she made an effort to blow softly as she watched you squirm and clench on nothing. your whines were getting louder as she still refused to touch you where you needed her. she was so turned on watching you writhe at nothing but her breath. she moved away completely and came back up to your face.

“you’re gonna look so pretty sitting on me.” she whispered seductively before pulling you close to her and flipping you over, having you straddle her. she spread her legs so that you could feel her through her jeans.

“you’re making a mess on my jeans baby, are you gonna take them off?” you looked at her hesitantly, before pulling them off quickly. your eyes widened at the size of her and she smirked.

“can you take it?” she asked, watching your eyes wander the strap. “baby?” she called for you again and you nodded.

“what are you waiting for? do you need me to do everything?” she teased before you gathered the courage to line her up with your entrance. she watched your face as you sunk down on her, the strap disappearing slowly. you got half way before you stopped and she raised her eyebrows.

“i thought you said you could take it? is it too much?” she said in a condescending voice, it made you flush in embarrassment.

“no.” your voice was reduced to merely a breath, her affect on you evident in your expression.

“then take it.” she pulled your hips down onto her as your vision became blurry and your head started spinning. you’d never felt this full. the weight of your body pressed down on her perfectly as she groaned. you felt incapable of moving your own hips.

“move or i’ll do it for you.” she threatened as you looked at her.

“i thought you wanted me to be patient.” you replied, a slight rasp in your voice, and her mouth was agape, in shock of your clap back, as she rolled her tongue across the inside of her cheek. she showed off her strength as she lifted her hips until you were fully off of her. she ignored the fact you were wincing and whining before she pushed you back down on her strap, filling you up again without any warning. the moan that left you was guttural and she bit her lip as she heard it.

“fuck, billie.” a few tears spilled free from your eyes as she rolled your hips back and forth.

“you look so pretty crying on my dick. i like you a lot better with me.” her words were a ruse for what was to come. and the sweet undertone wasn’t about to fool you.

[showtoonzfan]

Ganna rant about Episode 4 of Hazbin again. For starters it has the same issue that Seeing Stars did for Helluva boss, that being Loona giving Octavia advice in comparison to Husk giving Angel advice. While the characters situations are different, both Loona and Husk were the wrong characters to pick to give advice, or simply just comfort the other character. I’ve already seen some people say that Charlie or Vaggie should have been the one to cheer Angel up, and that would have made more sense. They’ve known him longer and it’s in character for them to do that. For it to be Husk, not only does it feel forced as an excuse to just hook Angel up with a boyfriend and get the shipping fuel going, but it doesn’t make sense narratively.

In Loona’s case, her situation was flawed because she just MET Octavia, didn’t know a thing about her struggles and spouts to her about how she should be thankful just because her dad is “trying”, and the show tries comparing both girl’s situations when they’re not the same. This is practically the same situation with Angel and Husk. While Husk is aware of Angel, he barley knows him. He hasn’t been at the hotel that long considering the pilot took place only a week ago. On screen, all that Husk knew about Angel was that he was a porn star who constantly flirts with everyone, him especially, and we as the audience only see that and only that when the two interact. However episode 4 claims that Husk can see right through him and know that this is all part of his persona that he displays. If we had more time with these two characters outside of flirty banter scenes, this would make more sense, but instead it’s all tell and no show, being rushed with the little time we’re given. Husk even says that the hotel residents go to him to rant their sorrows while they’re drunk and even THAT happens off screen and that’s the problem, the audience has no reason to believe that Husk knows Angel deep down or even cares enough to want to help him, in our eyes, all Angel’s been doing is sexually harassing him.

There’s no reason why these two need to have an emotional scene together, it’s unearned and unwarranted because we haven’t had enough time with these characters, just like Loona and Octavia, there’s just no purpose or buildup. I also resort back to what I’ve said before: Husk selling his soul to Alastor is not the same as Angel selling his soul to Valentino. The show tries to compare Angel and Husk’s situations and it’s just not comparable because Alastor isn’t a rapist who’s trapping Husk to sell his body and be used like a rag doll constantly. Had it been something like “you’re a drug abuser and I’m an alcoholic”- THEN that would have worked, but that’s not what we get, and this leads me to talking about why “Loser Baby” isn’t good.

Some people have already misinterpreted my opinion, so here’s a few things. Is the song in character for Husk? Yes. Is the song about Husk telling Angel not to act and just embrace himself? Yes. On its own, the song is fine outside of some distasteful lines. The CONTEXT, execution, and placement of the song is the issue. Episode 4’s whole purpose is to see just how much Angel suffers. He’s forced to work like a dog at the studio day in and day out, and he gets abused and SA’d by his boss and other demons constantly. He doesn’t have a say in anything and can never say no because he’s under contract. He can’t Fizz his way out of this one and just go “I quit”, he’s literally forced to work in the porn industry wether he likes it or not, and we see all of that on screen. We also explore just how much this affects him. They reveal some pretty dark stuff here, how Angel doesn’t even want his position as a famous porn star and is so desperate to be numb from the pain and suffering he endorses that he’ll get high constantly and let people drug him for nefarious reasons, it’s his escape. They dump ALL of that info onto us, only for this bullshit to come up:

So the writers slut shame him, call him a freak and an addict to laugh at because “haha he’s addicted to drugs and a slut”, even though we JUST got done with a scene that confirms HE DOES ALL OF THIS AS A TRUAMA RESPONSE. He said himself he does the drugs and is addicted to numb the pain, and his own flirting (while problematic) is shown to be an act of him hyper sexualizing himself due to what he goes through. It’s not excusable but it’s still a fact, and we’re supposed to LAUGH at him??? That’s what’s wrong with his character and what continues to be wrong, because Viv sees him as the butt of the joke. Every line of dialogue he has is always about sex and how we should laugh because he’s a slut, an it comes off as so distasteful and insensitive to not only people who have been abused/SA’d, but porn actors in general. We’re supposed to laugh when he talks about cock and sex, but the reason he’s doing it is so dark that we shouldn’t be laughing about it at all cause he’s a VICTIM, yet Viv thinks it’s funny. It’s so disgusting and makes my stomach twist. Angel is trapped being in a position he doesn’t even want to be in, yet his entire character revolves around comedic sex jokes, and once you figure out the reason behind said sex jokes, it feels so wrong.

And this is why Loser Baby doesn’t work. Aside from everything else I’ve already said, It doesn’t line up with what Angel is going through, it doesn’t line up with the rest of the episode. If you wanted Angel to have this arc about realizing he doesn’t need to stick to his persona, fine, but you should have done it in a different episode. This is why Husk comes off as telling him to just suck it up and stop whining rather than what he’s actually trying to say. It looks bad with how they executed it, it just looks like he’s telling an SA victim to get over it and stop whining and what’s worse is they compare their situations when it’s not the same. You literally have a scene of Angel telling Husk he lets people drug him, and not even a minute later Husk is calling him a loser. That’s the issue. The show doesn’t know how to read the room, build character relationships slower, is just so incredibly tone deaf and is hypocritical. We’re supposed to feel bad for Angel cause he’s sexualized to the maxes and is having trauma responses of that, but then we’re also supposed to laugh at him and his sex jokes while also finding him hot. Pick a fucking side Vivienne, the show wants to have its cake and eat it too and look where that’s gotten us. The writing is a fucking atrocious mess and yet it had so much potential if Viv actually cared enough to take Angel seriously, instead of just desperately wanting to give him a boyfriend, and a rushed arc where he magically feels better in the end.

[bloop-bl00p]

When you forget there’s sin in Seven Deadly Sins

[I guess this could be treated as part two of my rant about Hell’s ruling class.]

The Seven Sins are the embodiment of their vice, in a modern setting, they will probably be seeking to indulge in harmful activities themselves since they are immortal and can’t face consequences and influence others into falling into dangerous lifestyles. I can even see a scenario when each of them tries to make propaganda through the internet with platforms like Instagram or TikTok, like Beelzebub promoting Bezzle Juice except that it’s purposely made to be extremely addictive and one shot of it gets you hooked forever.

We’re gonna start with Lucifer, the only angel of the Seven. He’s a dreamer quirky cutie patootie with dePwezIOn that just wanted to give humanity Fwee Wil🥺.

What were Lucifer’s plans/dreams for humankind in the first place? He was dismissed as a troublemaker, okay…? What portrayed him as such? He’s a socially awkward silly guy but honestly, that’s all there is to his character. But I won’t get too deep with these questions maybe we’ll get more answers in Hazbin. However, what I can ask is…

How did Lucifer manage to find himself so close to The Garden of Eden? If I’m making something important I ain’t letting the petulant kid get close to it because… you know he might ruin it.

Elder or not Lucifer is still a Seraphim, did he not know that giving Free Will to humans would mess up everything? Even if HE didn't know what about the others? Were the angels even aware of Evil as a whole? If yes, why didn't they warn Lucifer before giving him access to Eden? Like “Hey dude the glowing red Tree in the middle of the Garden is bad news don’t let the mortals near it.” was it that hard?

Can someone explain to me how is this the embodiment of Pride? I personally don't see anything prideful in his attitude at all. Pride is the belief that you don’t need God in your spiritual journey, in a worst-case scenario, you think yourself above him. In the Bible, Lucifer was too Proud to bow before mankind and tried to overthrow God which led to his banishment. But since Viv totally changed the story and forgot to add the Pride elements, there’s nothing justifying Lucifer’s title as Pride incarnate.

TW: Mention of sexual assault/rape and a brief mention of other sexual practices.

Following with Asmodeus, why is he like this? Don't get me wrong, I can understand why he isn't a fan of rape as a whole, rape is rarely, dare I say never, about sexual craving, it’s about control. Val doesn't rape Angel Dust, and his employees because he feels needy, he assaults them because he knows that’ll break them psychologically and physically which makes them vulnerable to manipulation. Sexual assault as a whole is never about lust.

It makes sense if we drop out of the fact that Lust isn’t just physical but religiously speaking just an intense craving for something, like power or control. Viv took the easy way and reduced it to a physical craving so Asmodeus could be anti-rape I can’t blame her for that, it’s her ✨interpretation.✨

So Asmodeus is Pro Concent and it kinda makes sense. Since he’s the Prince of Lust, he technically should have influence over the culture in the Lust Ring and other species like Succubus should at least be weirded out by innuendo of non-consensual sex.

Well, shit.

“OooOoooOOH But Tiz is Not Rape!”

Compare the succubus’ abilities to aphrodisiacs and it all makes sense. Increasing someone’s libido without their consent alone is sexual misconduct proceeding to have sex with them later is rape. And it’s not the only instance of succubus assaulting people.

[Context: Ep3 S1, Verosika’s crew basically made condescending comments on how Moxie was cute and how they wanted to kiss him despite his discomfort and the fact that he mentioned being married. They still eventually kissed him by force and it was treated as a joke. “I care about male victims.” Sure we believe you.]

So Asmodeus is a hypocrite for giving succubus and incubus a way to get to Earth while knowing they are raping as many humans as possible.

“D3mOn @re BAAAAAAD Pweple So |t makse sense.☝️🤓”

I know, I wouldn’t complain that much if Asmodeus wasn’t painted as this cutie patootie lovely doe who is so in love with his lovely cute good boy partner.

Talking about partners, why does the Prince, no… why does LUST INCARNATE have ONE partner? The dude’s sex drive should be higher than the Olympus Mons and you’re telling me he doesn’t have a harem at disposition and he’s FAITHFUL?!! No free relationship, no hookups, no polyamorous relationship, and no mention of orgies he organizes to test the efficiency of his toys! Hell, we’re talking about Lust shouldn’t he be more inclined to have exhibitionist behavior (In recent episodes Lust’s citizens were desensitized about voyeurism so showing a bit of skin shouldn't be a problem)? Or, I don’t know, the ability to change his appearance and sex to appeal to a larger audience. Maybe the smoke secreted by his fire can serve as an aphrodisiac he only uses to put his partners in the mood (With their consent if she’s so attached to that idea.)

Viv, with two shows whose humor is mostly based on sex you certainly lack representations in terms of positive sexual activities, every time sex is mentioned in both of her projects it’s either a joke or diabolized. I’ve seen teens on Wattpad and AO3 writing foul smut with sexual practice so taboo it’ll make you gasp out loud! Take an example! (This was obliviously a joke but seriously, smut’s writers scare me with their tags.)

This leads us to Beelzebub, she’s supposed to be…. an animal tamer? She did not give off this vibe at all, she’s a party girl at best, stop saying things on Twitter Viv, and show it in your shows!

Is there a reason for her to be so nice? What do you mean you don’t want Bliztø to lose himself in alcohol and sex, you’re all about overindulgence. If anything she should actively invite people who are mentally distressed as they’ll be more willing to drink excessively in a “forget my life’s issues” type of way. This could also explain why so many people in her parties are minorities, Hellhounds and Imps are treated like shit by Hell’s society so being invited to one of Queen Bee’s parties will be a great honor and a way for them to forget how difficult their life is.

“E3RmS Actoualli, Bee ite the Viiiibe! S0 ze kant let Peple b3 s@d or ze will be sad too. ☝️🤓”

Ah… okay, still don't explain why she can’t be a bitch about it. Since she “eats the vibe” and feels for her people she could be affected by Blizt's destructive behavior and be absolutely furious someone is ruining her parties for her! Then she could have gotten to Loona and been like “Look your dad doesn't have the vibe I’m looking for so get him out unless you wanna learn what happen to party pooper.” implying that she will most likely kill him (or eat him) and that this isn't the first time she offed someone for that. But I guess we can make another EMBODIMENT OF SINS a decent girl, it’s Viv ✨interpretation.✨

Going forward with Mammon, Viv humanized the Sins mentioned up there, so you would think Mammon would also get the humanization treatment?

“T3re Is NOO g0od s|de to GrEed!!!!! 😡”

Okay.

What’s Greed, it’s a selfish desire for more than what you already have (money, fame, etc...) The mention of selfishness doesn’t give Greed a positive connotation but you forgot…. This is Viv ✨interpretation✨ she reduced Lust to craving sexual intimacy just so she could make Asmodeus Pro Concent. Beelzebub doesn't need food she eats the Viiiiibe so she can’t let people self-destruct! Here she’ll politely ask you to go away because she caaaaaares. And Lucifer isn’t Prideful at all.

She removed part of the definition of each Sins so she could make them good people and you’re telling me that she couldn't do the same for Mammon?!

“But H0w can ze posibli m@ke Greed Pozitif?”

If you remove the selfish aspect, Greed is wanting something more. There’s nothing wrong with that, like wanting more recognition, and more money when you’re poor. Mammon could have been this guy who worked himself at the top and his money could have been the fruit of his hard work.

So why, of all the Sins that got turned down was Greed the only one who got the “I’m pure Evil” treatment?

The Seven Deadly Sins aren't supposed to be decent beings. They represent the worst of what humanity can do and they are embodied by equally bad entities. With a setup as shitty as the Hellaverse, where there are little to no rules, slavery, classism, and drugs available everywhere I was expecting them to be a tad bit vicious, purposely making the life of everyone worse for their benefit. Mammon could have been the reason for this capitalist society as it’s the perfect environment to develop other sins and his. Yet, Beelzebub is friendly to the Hellhounds while letting them be treated like lesser than how we treat dogs. There’s even rehabs in Hell, Verosika and Barbie were in the same one.

Asmodeus will sue you if you rape someone unless you’re a succubus. Ironically he said that he’s against love potions when that’s literally what the succubus do with their abilities, get you in the mood without you knowing.

Lucifer is the number one silly guy and he even has an attraction parc for others to have fun.

I know it’s Viv ✨ interpretation✨ but you have to make it make sense. You can’t have demons this high-ranked being nice portray them as good people in the narrative when they are responsible for Hell being so unfair to the lower class.

As for the other sins…

Traditionally speaking Wrath isn't just unjustified violence but hatred and a desire for revenge. I think that’s one of the main reasons Satan and Lucifer are treated as the same person as Lucifer is both prideful, hates God, and seeks revenge. I don't see how Viv’s Satan could be vengeful as they were no war with Heaven to begin with.

Envy isn’t wanting something that someone else has (it’s jealousy), it’s hating someone because they have something that you don’t. Which often results in trying to make the life of this person worse but that’s another thing. I didn't see anything about Sloth and judging by the Sloth Ring, Beelphagor is going to be medical-themed, we know he makes drugs and has a brand of anti-depressant named “Happy Pills.” (Nothing to do with the circus aesthetic she was going for.)

I don’t know if Viv really has a good grasp of what these Sin are traditionally as she claims but we have to see in future episodes. My guess is no.