#yes I really needed to write this

[bapydemonprincess]

One. Single. Time. Finny gets sick... At least he seems to be sweating and has a fever and appears to need to stop moving because he keeps getting woozy. So.. he is told he is likely coming DOWN with something.. And promptly tries to keep going.

Only for Sebastian to come swooping in to scoop him up and carry the flailing young man to his bedroom, throw off his clothes, throw him in the tub for a bath, then into PJs, and PUT HIM TO BED, practically SLAPPING an ice pack and a thermometer on him.

The next few hours Mey Rin and Bardroy see Mr. Sebastian treat Finny in a way they've NEVER seen up until now... Constantly checking on him and feeding him, even reading to him..

All because Finny somehow got sick. One. Single. Time.

....Little do they know Sebastian actually USED to treat Finny like this all the time when he'd just got here and it was only him and o!ciel at the manor...

Eventually Mey and Bard even suggest they can help take care of the gardener in the butler's stead but...

This is something Sebastian INSISTS only HE can do.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*

[ottersandfandoms]

Full Analysis/breakdown of the asmodous crystal exchange because the episode broke me and this is how I cope. Warning: long

So the first shot we have is Stolas sitting on his bed in apprehension, then Blitz jumps up on the balcony. Blitz starts the night off like any other, bringing out his bag of sex toys and just speaking in an unworried manner. Yet we have the sad music playing in the background that lets us know this is temporary. It’s NOT a normal night. Stolas knows this too and he’s just quietly watching.

Stolas finally speaks and he stutters at the beginning. This is really happening. He disregards all the other things Blitz brought and instead just asks for the book.

This is when Blitz first starts noticing something is up. We see a quick shot of his smile dropping. He was all worried about Stolas getting bored of him earlier and wanting the book back and now he began to actually think those fears are being proven true. Even if he doesn’t admit it, Blitz has a big fear of not being wanted and just pushed aside, like he has been for most of his life. 

So when Stolas admits he needs the book back Blitz panics. His fears are true. He begins to hurriedly speak and makes excuses. This book is his livelihood and the reason for his jobs so it makes sense why he is scared of losing it. He leans in and tries to initiate sex. It works every time with Stolas so why wouldn’t it work now? Stolas begins to grow sad. He does want to have sex with Blitz. But he knows that would be unfair so he gets up.

Blitz is terrified. He desperately begs Stolas for the book. Blitz is being put in a vulnerable situation and he doesn’t like it. His whole life could be destroyed if he can’t keep his business afloat. He wouldn’t be able to support himself and couldn’t support Loona. He would “do anything” to keep it.

But then Stolas shows him the crystal. Stolas presents it to him in a happy tone. He tries to be happy and hopeful even though he is clearly still very worried. Maybe everything will be ok. Maybe Blitz will reciprocate Stolas’s feelings and everything will be great.

Blitz thinks Stolas is joking. He doesn’t understand why Stolas would do this. Now his job is safe but his relationship with Stolas is not. His deepest fears are being proven once more. 

He’s not good enough.

He goes into this state of wanting to please.

When Blitz was a child, his dad clearly saw Blitz as the weakling compared with Fizz. And no matter how much Blitz tried to prove himself, it was never enough. “I can do better” is almost juvenile in its phrasing. A desperate plea and promise that might diffuse the situation. Blitz reverts back to his childlike self where he was always last choice and flung aside like he didn’t matter. Imagine how many times he said that exact sentence to his father.

Stolas explains. Stolas actually does a good job of saying what he wants. He is clear and to the point, emphasizing asking what Blitz wants. During Stolas’s speech, Blitz glances back and forth at the crystal, trying to make sense of what’s happening  and then at Stolas. Because he does want to stay. He likes Stolas. If he didn’t care, he would've taken the crystal and left, but he didn’t and chose to stay. Stolas finally just finishes his speech by confessing his feelings. He says them in a frantic way; he is putting himself out there but there is hope there too. 

Blitz thinks he’s joking. Of course he would be. Why could Stolas actually seriously care for him? How could Stolas care for him? The only possible explanation has to be that Stolas is joking. So he puts on a roleplay because he thinks it’s what Stolas wants. He refuses to accept there may be something more.

Stolas takes this as a mocking rejection. His hope has been squashed. Stolas is so used to being mocked that he immediately takes Blitz’s ‘roleplay’ as Blitz making fun of him. Stolas has been mocked by the people, the other Goatia, Stella. Blitz is just another one to add to the list.

He accepts the supposed rejection and walks away. Blitz now realizes he wasn’t joking. He is legitimately surprised that Stolas would want anything true with him. Blitz has this worldview of nobody truly wanting him; finding him useful, sure, but actually wanting him…that would be impossible. Stolas’s confession is a stark blow to that worldview and it makes sense why Blitz needs time to accept this.

This is where Stolas makes his mistake, he doesn’t give Blitz time to think through this. He takes Blitz’s confusion as rejection, not stopping to consider that Blitz is just as scared as he is. His hope is now totally gone. Both Stolas and Blitz are eerily similar in their fears. They both just want to be wanted but where Stolas shrinks away in sadness, Blitz lashes out.

And that's exactly what Blitz does now. And he doesn’t stop.

He doesn’t want to deal with his own hurt feelings so he instead blames it all on Stolas, to hide the fact that he may be blaming it on himself. The thing is, most of what Blitz says is true. Stolas repetitively called him a plaything and ‘little imp’ so it makes sense why Blitz doesn’t fully believe him. Blitz has always been the inferior one in his relationships. With Fizz, With Verosika, with Stolas, with countless demons. This has caused him this inferiority complex that he can’t escape. 

Blitz has tears in his eyes and he is truly breaking down. He has spent so long trying to convince himself that Stolas doesn’t care and now suddenly he does? He still hasn’t actually accepted that Stolas cares for him. He can’t accept that and that makes it all more painful. It has to be some lie or game and he is begging Stolas to stop playing. To stop complicating things because that will force Blitz to think about how he feels.

"Let's go!"

Blitz fully expects Stolas to yell back. he is so used to being in arguments where the other person will lash back as well. And Blitz almost wants this. He believes he deserves it.

But Stolas doesn't...

Instead he takes Blitz sceaming the wrong way. You see this heartbreaking scene of Stolas starting to cry. Stolas has spent his whole life being told to be quieter, be more controlled, less emotional. Him crying in front of someone, rather than alone really emphasizes the hurt he is feeling. And then there is of course the most heartbreaking line: “I didn’t realize you think so low of me”.

Everyone thinks low of Stolas. He is the “pathetic” Goatia prince who is constantly scoffed at and bullied. Blitz was his escape from all of that, but now he believes Blitz thinks the same as everyone else.

But Blitz DOESN’T think low of Stolas. He thinks low of himself. 

Blitz realizes he fucked up. He went too far and hurt Stolas.

He realizes that Stolas misinterpreted what he said because Blitz was never really talking about Stolas, he was talking about his own feelings. We can see Blitz actually try to reach out to Stolas. He needs to let Stolas know that he doesn’t think that. You can hear him start to say “I’m sorry-” but as he’s saying that Stolas portals him away. 

Blitz “What the fuck” perfectly encapsulates his feelings. He doesn’t understand what happened but he knows that he messed up. Blitz needs to let Stolas know that he actually cares about him and apologize for what he said and Stolas needs to understand that Blitz needs some time.

Blitz never once said that he doesn’t care, only that he doesn’t believe Stolas can.  

[konigsblog]

fifty year old, perverted könig who lies about his age, telling you he's in his mid twenties just to meet up with you and keep you all for himself.

[dreamofbecoming]

listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[hypostatic-oath]

Hydro Archon, Hydro Archon, Don't Cry

I've noticed a pattern with 5star characters in my game - they only come home after I've done their story quest or at least the Archon Quest where they appear. From an in-game perspective it's obviously because it takes me a while to finish the quest and I raise the pity in the meantime, however... from a SAGAU perspective, it's adorable that they only come around after I've spent the time to get to know them better.

Content Warnings: Angst, Furina desperately needs a hug.

SPOILERS FOR 4.2 BELOW

Imagine Furina before the Archon Quest. She's holding it together, like she has been for five hundred years. She's been performing her role so well for so long, yet she feels like she's already gone beyond her limit. She doesn't know how long she can handle doing this for, but she knows she must.

Late at night, she takes a break to catch some air. She's aware that she's still performing - she's alone, but she cannot risk lowering her mask, even before an invisible audience. She takes a deep breath and looks up, and doesn't even feel the tears flowing down her face.

A shimmering light crosses the sky.

Foçalors, it beckons. Come home.

Oh no. Not this. She's not ready, she's not ready! Not tonight. She tells herself she'll answer your summons tomorrow. In truth, she doesn't feel worthy of answering. What if she's not what you expect?

That isn't even a question. She knows she's not what you expect.

She knows you have other Archons - real Archons - among your Vessels. She panics - she doesn't even have a Vision, much less an Archon's authority. There's only so much she can achieve with acting. What would she do when you took her out on the battlefield and she inevitably failed?

Come on... Another shooting star crosses the sky, your voice a faint, ethereal whisper in her ears. I need an Archon team...

It fills her with dread. She can't answer your summons! She absolutely can't! Not only would she disappoint you - because there's no way she wouldn't, surely, she can't imagine a world in which you are not disappointed once you figure out just what she is, a fraud who can't even use Hydro much less be the literal Archon - she'd also jeopardize her only purpose.

She rushes inside, back to her room, closes the shutters and the window and the curtains and almost leaps into bed, placing the covers over herself as if to shield herself from the world.

She can still hear you calling.

The next day, Poisson is struck. The prophecy is in full swing. She's frantic, searching for something, anything that could possibly help. All the while maintaining the façade. At least you seem to have given up.

It's both relieving and heartbreaking.

At night, she doesn't even risk it - her windows are kept shut. She analises every report, and locks her door when she notices that she's crying, the papers she's holding becoming dotted with tears that fall despite her best efforts. She can hear the rain hitting her window, and the downpour has her feeling even more hopeless.

Neuvillette speaks with her in the following morning. If the pressure from you wasn't enough, she now also has to manage to assure the Hydro Dragon Sovereign that she has everything under control. It's funny, how those eyes capable of such gentleness seem to gaze into her without a shred of mercy. Just speaking to him now feels like she's been put on trial, and Furina knows, deep down in her soul, that she is guilty.

He presses. Poisson has fallen. She knows. She also knows she's likely crying, the mask is slipping, but she can't give up. She has no right - no right at all, to sacrifice the lives of every person in Fontaine for the sake of her comfort. She cannot afford to slip up. And that means she cannot trust anyone - not you, and not Neuvillette. So she gathers the little control she can at this time, tells him she knows exactly what she's doing, and dashes out the door.

Wait, Furina!

She barely hears your voice as she runs. "I'm sorry, but I can't answer!" She thinks, as she rushes to the top floor of the Palais Mermonia. She knows she gas no time to lose. She needs to get herself in check, to wipe away her tears, to figure something out. Where had she gone wrong? Five hundred years, searching for a solution. Five hundred years of observing every trial, hoping it'll finally be the one she needs. But nothing.

She has nothing, and Poisson has fallen.

She thought the Traveler - and you, by extension - would be the key. That by judgding them she'd have the "most magnificent trial" that her mirror self spoke of. And yet, at every turn, the blonde outlander had managed to evade being sentenced, or even making the trial as grand as she'd expected. She paces around in her room as she mulls it over. Should she had judged you directly? Could she have done so? That would've been a trial for the ages - the Overseer, brought to justice by the Hydro Archon of Fontaine, for the crime of... what could she even accuse you of? Posessing people's bodies? That had to be illegal - or at least immoral enough to warrant a trial...

She lets her body flop onto the bed, covering her eyes with one arm as she lets out a sigh that despite its overdramatic appearance, is in fact incredibly genuine. She's tired. So tired.

Foçalors, come home.

Furina buries her face beneath one of the pillows. She hopes it'll drown out the sound of your voice. She can't distinguish whether that ache in her chest is from your summons growing more insistent or from how much she needs to cry.

The shooting star turns golden outside the window, and Furina wonders if the fact that someone else intercepted it will be enough to dissuade you. She hopes it is, otherwise, her days are numbered.

No more stars cross the sky that night, and relief washes over her body, in a wave so intense that she once again doesn't notice the tears. She falls asleep like that, and dreams of rising waters.

Furina heads to the Opera Epiclese in the morning. She's not looking forward to seeing Neuvillette, but she prays that there'll be a trial. "Please," she thinks, as she sits down in the throne reserved for the Hydro Archon, observing the stage from on high, "let it be today."

It isn't. Instead of a trial, there is a performance... and though she usually loves them, now is not the time. Worse yet, she's spotted by the crowd as she's getting ready to leave. They're angry, of course they are. The prophecy is true, and what is their Archon doing? Furina performs as best as she can, but this time the audience is completely unreceptive. She doesn't blame them. She'd be angry, too, in their shoes. She knows they're terrified. She's terrified, too.

But what can she do? Her search has turned up empty. She has no powers, not really, none besides the power of persuasion and even that seems to be slipping more and more these days. She cannot reassure her people. Neuvillette no longer trusts her, if he ever did. The water rises every day with no signs of stopping.

"Why, mirror-me? Where am I failing?"

The crowd chases her out of the theater. Neuvillette is nowhere in sight, and even if he were, Furina isn't sure she could call upon him now. The time in which he acted as her shield if gone. Neuvillette is now just another of the many she's disappointed.

It hurts.

With no other choice, she runs - as far as her legs will take her, she dashes away from the crowd, and guilt tells her she's being a coward. That she needs to stand up and reassure the masses, that she needs to do what an Archon would at that time.

The notion feels almost ridiculous. She cannot command her element freely like Barbatos, or raise protections over her city like Morax. She cannot threaten to strike down the unruly like the Shogun, nor does she have Lesser Lord (Lesser Lord! Hah! Even someone known as 'Lesser' is leagues beyond Furina's ability) Kusanali's foresight and wisdom.

So she does what she can do.

Whether it is fate or simply her own feelings of guilt, she finds herself in Poisson, at the base of the Spina di Rosula. The place where all those people - her people - had lost their lives to a disaster she was supposed to prevent.

When the Traveler extends their hand, she doesn't know whether it is a blessing or a curse. She wants to run again - what else can she do? But her pursuers are apparently still giving chase, and the outlander offers her aid. She can feel your presence from within them - every time she's crossed paths with them, as brief as those moments were, you were there. She can tell that the longing in the blonde's eyes is, at least in part, yours.

She's sorry.

She follows the Traveler to the hiding place - someone's home? It seems irrelevant. For a moment, she wonders if she could sue you for invasion of private property. "Oh, what am I thinking? The time for the grand trial is over... and even if it weren't, suing the Overseer for something so trivial would warrant the same result as the first time I challenged the Traveler..."

The Traveler. The outlander whose presence preceeded disaster. They were known for solving it, sure, but she knew that the moment they set foot in Fontaine the prophecy would have already started. Was it their fault, or yours?

Furina still feels like it might be hers.

The Traveler offers help once again. They extend their hand, and the look in their eyes as they ask her to confide in them is so earnest, so genuine. She swars she can hear two sets of voices saying the words - the Traveler's, and yours. It's faint, and gentle, and pained, and carries a yearning she knows she cannot fix.

Through them, you reach for her and she almost breaks. She knows you'll stop reaching once you know the truth.

Furina, please. You can trust us, love. Let me- let us help. People from your world cannot know, but neither of us fit that criteria. Your people will not dissolve, I promise you. I've seen enough worlds to know.

She considers it.

She hears your voice, and considers it. But there is uncertainty in your tone. You're gambling, and she's a good enough actress to know you're not sure yourself. They wouldn't do it, that's your reasoning. Furina doesn't know who 'they' are, but you're placing all your bets on the fact that 'they' would not erase an entire Nation. Who are 'they'? Celestia? If so, she knows for certain that your wager is more optimistic than based on facts. It's not enough - blind optimism is not enough for her to risk it, not even from a being like you. Besides, that is not her choice to make.

She cannot give up. She cannot lower her guard. Not with Neuvillette, not with the Traveler, not with you. The Traveler urges her for a response, reaches out, and she's about to deny them, when the house's walls fall.

Damn it, we needed more time! Furina, I'm so sorry.

She feels your sorrow about at the same time that she feels the spotlight on her.

Neuvillette looks down from his seat as the Chief Justice, and somehow the sliver of pity in his eyes hurts more than the coldness of a few days prior.

She's on trial.

________

She's crying.

She's not even making an effort to conceal it anymore. It's over. The curtains have closed and everything she worked so hard for has crumbled. The people know. Neuvillette knows. You know. Furina makes no effort to hear your voice. She knows you're disappointed.

If she did, perhaps she'd hear how you're screaming at the Traveler to go check on her. If she did, perhaps she'd hear how despite everything, you're reaching out, still. How you wish to hold her tight, as she deserves. She'd perhaps hear your outrage at the thought of her being subjected to the death sentence, she'd hear you trying to tear Neuvillette apart for allowing it, she'd hear you slowly realising that the fact that the sentence is addressed to the Hydro Archon means it's not her who dies.

She doesn't witness your relief.

Instead, it is you who gain an understanding of her thoughts. The Traveler reaches for her, and she can feel you pushing through, but she can't stop performing. Even now, she's still holding it, as much as she can.

You tear through her defenses with more ease than she expected. Furina had, until now, thought of you as detached. She knew you saw the world as a stage, a story for your amusement. Sure, you liked them, but only to the extent that one likes characters in a play, right? You were, as far as she knew, exactly the type of god - or, er, entity? - she emulated. Fickle. Boastful. Using lives as entertainment, watching trials and tribulations like a performance and solving the Nations' troubles like nothing more than a game. She had not expected you to care.

Not about her.

Not after knowing the truth.

You push forward. She knows it's you, and not the Traveler, who's in control. She can feel it, the intensity with which you reach out is the same she felt tugging at her very being every time a star crossed the sky. She knows it's you who's still trying to reach her. Even if she's failed.

Even if she's not capable of being in your Archon Team.

So she sighs, and lets you witness. That is your role, after all, isn't it? An audience of one, watching an interactive play. You haven't given up on her character, even though it's not what you expected. You're not what she expected, either. Funny, she finds herself thinking, you're both more human than anyone realised.

You witness her life. She lets it play out like a film before your eyes, the endless stream of memories of growing hopelessness as she realised that the prophecy was slowly setting itself up and she was not any closer to finding out how to stop it. Now you know - the truth, the whole truth. She has nothing left to lose now, anyway. Everything is lost. She was unmasked. She failed.

You're pushed out of her thoughts after she invites you to take your place on stage. You act in her memory, but this time the Traveler doesn't speak. You barely have time to state your piece - all you manage is an I'm sorry before being forced away. She has nothing more to share. That is enough, she figures, and far more than she ever thought she'd share. She still feels the urge to cry, but part of it is from relief.

After that, she doesn't feel your presence until after the flood.

The prophecy comes and goes and Fontaine is unharmed. The flood lasts no more than minutes, and no one is dissolved. Furina remembers your words - 'they' wouldn't do that. Though she is unsure as to 'their' identity, she is thankful that you were right. The sunlight feels like bliss upon her skin as she steps out of the Opera Epiclese, gentle rays drying the remaining water from the streets and the tears on her cheeks, and for the first time in five hundred years she breathes easy.

"They're still hoping you'll come." A familiar voice pulls her out of her trance. The Traveler, alone, stands behind her. Your presence is nowhere near. They look the same, yet different, without you within. Furina can't quite explain it, but it feels odd after being so used to seeing you within the outlander.

"I'm not an Archon." She answers, a certain bitterness in her voice as she looks down, defeated.

"I don't think they care. I know you need to rest for now, and they don't have enough primos for a ten pull anyways, but... just so you know. They'll keep trying."

Furina doesn't quite know whether that is meant as a warning or as an opportunity presenting itself. They're gone before she can ask. Either way, they're right - she is tired, and she does need rest. Out of instinct, she heads to the Palais Mermonia, but stops herself as she reaches for the door.

"Lady Furina." The gentle, deep voice she knows as belonging to the Iudex pulls her from her thoughts. She doesn't dare look him in the eye. He opens the door for her, but she simply turns away. She cannot face him, not after that trial, not after everything she'd done.

"Thank you, monsieur Neuvillette. But I... I think I'll be going, now."

The now fully restored Hydro Dragon can only watch as Furina walks away. He knows she needs her space right now, but that doesn't stop him from worrying for her. He'll arrange the best apartment he can get for her, and make sure she never lacks for anything. In the meantime, though, he'll just try not to let his emotions get the best of him, lest he causes a downpour to fall upon poor Furina, who definitely does not need rain right now. If there is one thing he knows about humans is that rain does not, for the most part, cheer them up. So he holds it in, promising himself that he'll take a small break for a walk after the aftermath of everything is over, and heads to his office.

There is so much to do...

_________

Three weeks pass. Furina lays on her bed, her window open, the soft breeze bringing the smell of a night that promises rain into the apartment. She is busy, not with work, or with renovations, but with the azure glass sphere that she holds up to the light, examining it under her lamp. A Vision... during all those years, she had never thought she'd receive such a thing, much less after being pushed away from her role as the Archon. She is thankful, yes, for her newfound freedom, and, she supposes, for the fact that she'd gotten to act again. But it still remains that this bauble was completely unexpected.

Power. This little thing can give her power. She's still unsure on how to use it, and it crosses her mind that the Traveler - or you - might know. You owe her, after all, after what she did to help you out with the play... she could feel you trying to strangle the Traveler and Paimon on the astral plane and that was perhaps why she wasn't entirely offended by their remarks. Still, she had made a great effort for that play. It was only fair that at least one of you repays the favor, no?

Furina smiles softly, sighing. She'll have to put up a commission at the Guild tomorrow.

She examines the light reflecting within, and it reminds her of the surface of the sea as seen from underwater. The holder, a silvery ornament not unlike those she's seen worn by Vision-bearers, has a distinct characteristic - four fang-like details that seem to secure the glass in place. Before she can give it more thought, the first pitter patter of raindrops reaches her ears, and she rushes to retrieve the clothes hanging on the line she has in the small balcony of her apartment before they get too wet. She rushes outside, hearing as the rain and wind pick up.

"Damn it, damn it, damn it..." She mutters to herself, quickly shoving the clothes onto a basket, trying to pick them off the line as fast as she can. Behind her, a flash of light illuminates the night sky. "Oh, I am so not in the mood for thunder..."

Furina cringes, hoping the storm is not directly above. Maybe she'll be able to sleep if it's just a faraway rumbling. What she hears, however, is not the booming sound of a storm.

Furina. Come home.

You're still trying. For a moment, she forgets about the heavy rain, and the clothes, and simply looks up at the sky. Blue flashes, one after the other, cross the clouds in rapid succession. Even after everything, you hadn't given up. The Traveler had warned her, but at the time she hadn't been in a stable enough state of mins to even care, still shaken from everything that had happened.

Now, she simply looks up.

"Overseer." She answers. You won't be able to add her to the 'Archon Team'. She knows she's not as powerful as most of your Vessels - hell, she doesn't even know how to use her Vision yet. But you still want her.

You know the truth - the whole truth - and you still want her.

The next star that crosses the sky turns gold, and glows brighter and brighter until it lands in front of her, hovering above the railing on her balcony. It emits a soft, warm light, and Furina reaches for it like she'd reached for her Vision.

Warmth spreads over her body, and it feels like every time she'd looked at the Traveler with you in them, except everything feels more... intense. It's not like she's seeing the filtered bits of you that shine through the cracks in someone else, no. She can feel you directly, and she understands why they call it 'coming home'. It's warm. It's comfortable. And for the first time she can truly, honestly say she doesn't feel alone.

You're happy she's there. Time seems to stop around her, and she finds herself dry and in a field full of stars. If she squints, she can barely make out a form, a swirling swarm of stardust in the vague shape of a person. She reaches a hand out.

You place the cursor over her outstretched hand.

Welcome home, Furina.

[lazylittledragon]

right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"

[bibewilderedandbuck]

First time they say ‘boyfriend’ this or ‘my hot pilot’ that. What about the crew finding out tommy and buck fucked bc he thinks he cant donate blood?

Only the worker at the drive tells him that the only criteria for Not being able to donate in California is: close contact/lived with someone with hepatitis in the last three months, having tested positive for HIV, or undergone dental surgery in the last 72 hours.

Everyone looks at Buck expectantly and he nods holding out his arm. “Can’t believe i just told everyone that we had sex.” He doesn’t look the slighted bit ashamed.

Tommy slaps a hand on Buck’s shoulder and eyes the clearly visible hickeys that go from his ear to under his collar. “I think they already knew, babe.”

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[dindjarindiaries]

Hauntings

character: Hunter (The Bad Batch)

prompts: "How is it you always know what I need, huh?" / "No one’s ever going to hurt you again. I promise you that on everything I believe in." / "Don’t go. Stay."

main masterlist • hunter masterlist

You woke to the sound of shuffling footsteps through the corridor beyond your bedroom door. Blinking a few times into the darkness, your tired mind drew a quick conclusion about who would possibly be up in the middle of night—and who would have to pass your door on the way out.

When the name came to mind, your chest tightened with worry and sympathy so prominent that you lost your breath for a moment. All sense of exhaustion dissipated as you instead pulled on warmer clothes and slipped on your boots.

You slipped out as quietly as you could, though you knew it wouldn't matter. The only person who would possibly wake up at the sound of your escape was the same person you were currently pursuing.

The exterior door opened, and you resisted the urge to shiver when the island breeze blew upon you with no sun to warm you. You wrapped your arms around yourself and let out a soft exhale as you saw him exactly where you thought he'd be.

Hunter was standing by the stone railing of the balcony adorned with flowers. He made no move for the wooden gate that would take him to the rest of Pabu, and so you didn't bother to look away from him.

It was almost odd to see him in the relaxed clothing the villagers had supplied him with, a loose-fitting tunic and pair of trousers, but it also fit him well at the same time. You were also grateful that it gave the healing wounds beneath his clothes the proper space to breathe.

And your eyes the proper space to wander.

There was no doubt that Hunter already knew you were here, so you didn't hesitate in making your approach. You relaxed your arms and set a hand on his shoulder once you reached his side. You looked up at him as he looked down at you.

"Hey." You gave his shoulder a gentle squeeze. "It's a bit late for exploring out here, don't you think?"

Hunter huffed, though his brow furrowed as he leaned his elbows against the railing. He let out a heavier breath and blinked a few times. "Sorry if I woke you." You frowned when his expression grew weary in guilt. "I just... needed some air."

You let your hand slide from his shoulder to his back. "Maybe you're starting to give me your enhanced senses by association."

That got another amused sound out of Hunter. Still, he remained tense, his gaze set on the homes and shores below.

"And it's okay. I'd actually prefer if you did wake me up at times like these." You fought the urge to hesitate; Hunter was clearly hurting, and you were done hiding from him. "I don't want you to be alone. Especially not after what happened there."

Your stare dropped to his left side. Because of his tunic's loose fabric, you could just barely catch sight of the gauze that was still wrapped around his middle, protecting the bacta that continued to heal a set of badly broken ribs.

Injuries that hadn't been treated, much less healed, when he'd been tortured.

You resisted the urge to pull the hand you still had on Hunter's back into a fist. The wave of rage these memories and this knowledge brought you was so powerful that you felt as if you could run headfirst into battle.

Hunter's head turned slightly towards you. His dark gaze still managed to glitter in the night as it caught your own. "How is it you always know what I need, huh?" He stood up to his full height once again and ran a hand over his hair. "I didn't even realize it myself."

Your brow furrowed. Hunter's hand took yours off his back, and he watched as his fingers slowly entwined with your own. Suddenly, the warmth of the Pabu sun that you had been missing burst within your chest.

The action said everything he couldn't. So did the trembling you felt in his grasp.

"What's wrong?" You drew yourself closer to him before you could stop it. You wanted to see his eyes up close, as if the answer to your newfound worry would be spelled out for you there. "Did something happen?"

Hunter's jaw tightened, and he looked out at the distance against. Your stare continued to study the side of his face, particularly the muscle that continued to flex in his jaw as he composed a response.

"Just hauntings." Hunter's characteristically low voice was somehow even lower when he finally responded. He gave his head an aimless shake. "Ghosts of things that already happened." His free hand absentmindedly drifted by his bandaged ribs.

You tightened your grasp on his hand. "No one’s ever going to hurt you again." Hunter turned to face you again, and you offered him a reassuring nod. "I promise you that on everything I believe in."

You leaned close enough to rest your head against his arm as you looked out at the quiet Pabu night. Your lips curled up in a meaningful smile, your anger shifting into relief.

"We're safe here."

Hunter began to return your smile. "I know." He sighed. "And I'm no stranger to getting hurt. It's just..."

He trailed off, a knit forming in his brow as he searched for the right words. You shook your head at him.

"But this was different, Hunter." You lifted your free hand to his cheek, relieved when he visibly relaxed at your touch. "Your senses were targeted. It was... so malicious."

Even just remembering what he and the others had detailed to you made you breathless with fury with despair. You had to thank the stars that you were distracted from it in the moment by helping Echo at that base.

Hunter's eyelids began to flutter closed in a palpable exhaustion, one that was even more evident when he leaned into you, the warmth of his forehead meeting yours. You tightened your lips and ran your thumb over the skin underneath his eye in soothing, repetitive circles.

He really had been through way too much over the last few months; if you were being honest, over the course of his entire life. All the clones had, though as the leader of an outcast group, Hunter always shouldered a burden you couldn't imagine carrying, especially after losing Crosshair and Omega temporarily—and Tech permanently.

It was all too much, and he just needed to let himself rest.

You let out a soft exhale and gently patted his cheek. "You need to go back to bed. I can literally feel your exhaustion."

Hunter's eyes reopened, and all he did was nod before you began to guide him back towards his room. If you had left him on his own, he would have continued to stay out there all night, and that was something you simply refused to allow. Even if he still wasn't ready to share a bed, you certainly preferred that he remained in his own rather than standing outside alone.

But when you arrived at Hunter's door and prepared to drop his hand to go towards your own, he only held on tighter. He even gave it a little tug that urged you closer to him.

"Don’t go." Hunter's voice was nearly timid as he pleaded with you, his dark eyes wider than usual. "Stay."

You didn't need convincing. You nodded and continued to hold on to him as he took you through the threshold of his room.

You had always imagined your first night spent together in each other's arms to be different than this, but you were more than willing to make an exception. This is how he needed you, and you were going to be there for him, acting as his anchor to reality when the hauntings returned.

You had indeed won yourselves a life of external peace, but it was still a long road to earning that peace internally, and you weren't letting Hunter go on that journey alone.

[dolphelecat]

I Will Follow - Chris Tomlin

Wonderhole Edition

[viperwhispered]

Rest

Guess what? I've got more Jamil x reader for y'all. You can also find this on ao3. No warnings, just 866 words of kinda fluffy(?) caretaking stuff with gender-neutral reader.

At this point, you know Jamil’s schedule almost as well as he does. So, when you have the chance, you head to Scarabia’s kitchen, hoping to spend some time with Jamil while he and the other students prepare dinner. 

However, when you enter, it takes you but a moment to notice Jamil’s uncharacteristic fumbling and the tired look in his eyes. The way Jamil’s chopping the vegetables has you worried about him cutting himself with that knife he’s usually so adept with, and it seems it’s only force of habit that’s keeping him on track.

You frown, and when your eyes meet Jamil’s, you can already see him put his guard up.

So he knows what state he is in, huh? And still, here he is.

It seems Jamil is reading your thoughts, all of him telling you drop it before any words are even said.

At least he still lets you lean in and give a quick kiss to his cheek in greeting.

“Hello love. Do you still have a lot on your agenda for today?” you ask, keeping your tone low for at least some semblance of privacy in the busy kitchen.

“Nothing I can’t handle,” is the response you get.

Of course.

It takes a little more pestering before Jamil actually answers your question. Your lips purse. That list is far too long to your liking.

You take a moment to think, juggling your own plans and to-do list against the urgency of the things Jamil mentioned.

“Will Kalim be eating from that?” you ask, pointing at the food Jamil is preparing.

“Yes.”

“Alright, I won’t be touching that one, then. I’ve gotta do a few things but I’ll be back when you’re done here.”

“Don’t,” Jamil says with a glare, clearly aware of what you’re thinking.

Yet even his disapproving look doesn’t have the usual weight behind it.

“Yes. I will,” you say firmly, even as your heart curls inwards with another bout of concern.

Really, when did he get so tired?

And how did you not notice it earlier?

You leave the kitchen before Jamil can protest further, hurrying through the dorm corridors to find Kalim.

Soon you have an enthusiastic – and concerned – supporter for your plans. You have Kalim point out a few reliable Scarabia students to help with a few of the most urgent matters Jamil mentioned – cleaning up the common areas, delivering some paperwork to Crowley, preparing some dorm-wide notices – while you see to Kalim getting his school supplies in order for the following day. You even recruit a couple of third years to help Kalim with his homework.

You’ll see to the rest tomorrow – after all, you do also have a boyfriend to look after.

Your conversation over dinner can hardly be called anything else than an argument – despite Kalim’s best attempts at acting as a moderating force between you two. It is very tempting to ask Kalim to tell Jamil to take the rest of the day off – it’s not like Jamil would be willing to openly disobey a direct order. Still, you really don’t need to remind Jamil of his position on top of everything else that you’re already doing more or less against his wishes.

Eventually, however, Jamil’s had a square meal, the most urgent things on his to-do list are being taken care of, and you’ve managed to drag him to his bed.

“I really wish you wouldn’t push yourself so hard,” you murmur, your arms wrapped tightly around Jamil. You’re telling yourself you really do just want to cuddle, to offer some respite to Jamil. Still, there might also be a part of you worried that if you were to let go, he’d just jump up and get back to working himself to the bone.

Yet, for all his protestations, just the fact that you’ve gotten Jamil to lay down with you speaks volumes of his current exhaustion.

“I can’t just leave my duties, albi. You know this.”

“Making yourself too indispensable, is what you’re doing,” you protest.

Oh, you know it’s not so simple. Not with his background, not with all the expectations and assumptions.

But sometimes you really wish it would be.

Jamil merely scoffs in response to your words.

Still, it is undeniable that he is slowly beginning to relax in your arms, slowly bringing his head closer to yours. His eyes are starting to flutter, too.

“I will still need to help Kalim with his homework, at the very least.”

You wonder who he is trying to convince more, you or himself.

“Amin and Khalil are helping him. They’re basically top of their classes, aren’t they? I’m sure they’ve got it.”

Still, Jamil frowns.

You sigh. He really is not letting go, is he?

“Do you want me to go supervise?” you ask.

And leave you, unsaid yet hanging there right after your words.

“Don’t,” Jamil eventually says, the word barely more than a breath.

It seems he has accepted his fate.

You softly caress Jamil’s hair, listening to his softening breathing.

And when you wake up, wholly unaware of having been lulled to sleep in the first place, it’s to the lightest of touches from Jamil’s fingers.

Tagging @diodellet @twstgo @crystallizsch @jamilvapologist @jamilsimpno69 as per request If you'd like to be tagged for any future works, let me know!

[allastoredeer]

Just had a hilarious thought.

Yes, Alastor is attracted to power. But his coming to that realization was not prompted by Lucifer or even Vox.

It was seeing Zestial!

Imagine: He first arrives in Hell, and he's still building up for his big reveal, and then sees Zestial putting on some impressive power display and was like: Oh.

Z was his first aesthetic crush. Thankfully a passing one, but it explains why he respects him so much.

It puts a whole new spin on his reaction to Zestial appearing in front of him on the street in Episode 3. Then his immediate order for the EggBois to shush, despite barely tolerating them before. "Shut up, he needs to think I'm cool."

Okay, okay, okay, I got, like, 3 messages side by side the other day (including this one), that involves Vox as well, and I've been super sick the last few days, so I read this in my migraine, dehydrated addled state and cooked up an entire backstory with Alastor and Vox, which includes Alastor's attraction to power (and his previous attraction to Zestial), and his falling out with Vox, and why they are what they are, and Velvette was in there somewhere, but now that I'm not longer sick I only have fragments of that glorious, complex, multi-faceted, super emotionally charged relationship, and I'm pretty sure most of it spawned from this.

That's all to say, I am so so SO fucking on board with Alastor's first crush being Zestial because when I watched episode three when it aired, and saw them interact, my first thought was "I ship it."

Literally, I shipped Alastor/Zestial before StaticRadio or AppleRadio. Alestial was my first Hazbin ship 😂 So this is just dasdfjlnsaklfjna YESSSSSSSSSS

"Shut up, he needs to think I'm cool." It's okay, Alastor. Zestial thinks your the coolest. Your the most entertaining Overlord on the block. He told me himself.

[cairos-wing]

Runt is the younger sister Troy needed and Troy is the hypeman Runt needed send tweet

(Also I have a new HC that the Overseer couldn’t see Blink’s face through the cog mask thing but could see wing tips and chin and kinda assumed Blink looked like Wolverine Hugh Jackman and they were totally gonna co-ordinate something less formal the moment “the right hand” was done hunting down the Inventor)