#yelling about writing

[snugspheal]

I love Russell's writing style so much!!!

[nibbelraz]

A writer and His number one fan hater

[notquiteaghost]

as we know i have a starkly different take on tatooine era obi-wan to ~canon. because now the canon is in the hands of cowards. he is NOT experiencing hope he is laying facedown on the floor for nineteen years waiting for someone else to do something because demonstrably he cannot be trusted with action.

the point of the hell cody fic is not to diverge from the correct timeline of events (the republic falls > obi-wan spends 19 years wallowing in despair > leia tells him about the death star > he kills himself to avoid actually training luke) but to. have cody be there. in no better shape.

and like i don't want the end note to be depressing but the hopeful element is the fall of the empire. circumstances will improve, for everyone else, offscreen. fic postscript: okay now go watch the return of the jedi

trying to articulate to myself the tone i want the back half of the hell cody fic to have. why does caring about the art mean making it is so difficult

[buddie-buddie]

“So,” Buck says, blinking up at Tommy. He still hasn’t gotten over how good that feels– looking up at his partner. Being with someone whose warm, protective hand settles on the small of his back and nearly spans the distance between his hips. Someone whose big, strong arms envelop him when they hug, someone who can tuck Buck into his chest almost effortlessly. Someone who makes him feel grounded, protected, safe. In more ways than one.

“So,” Tommy returns the word, accompanying it with a warm smile, the kind that reaches all the way to his eyes and makes them sparkle as he looks down at Buck. 

“You met my parents,” Buck says with a laugh, because really– how could he not? It’s a little ridiculous, now that he’s saying it out loud. “On our third date.”

Tommy nods, leaning against the wall outside of Buck’s front door. “Mhmmm,” he hums, watching Buck with a fond smile as he fumbles for his keys. “Sure did.”

It takes a minute, but Buck finally manages to get his keys out of his pocket and into the lock. Tommy is nothing but patience and fondness, watching him with a sparkle in his eye that makes Buck feel warm all over. When he finally gets the door open, Buck’s chest swells as Tommy’s big hand comes out to hold the door open for him, nodding for him to head inside first. 

That’s a first. Buck’s stomach flips, a warm, pleasant feeling skating across his skin as he pulls his key from the lock and steps inside. It’s the same feeling he had on their first date when Tommy pulled out his chair before he sat down. The same one he had the first time Tommy texted him Be safe at the start of a shift. 

A smile tugs at his lips as Tommy follows him into his apartment and the door clicks shut behind him. There’s something so simple about it, something so mundane and normal and domestic that it makes Buck’s head spin and his heart pound against his ribcage in the very best way. He wants this again. And again, and again, and again. Wants to come home with Tommy. Come home to Tommy. Wants the door to close behind them, wants to leave the world outside and exist only in this world here, in the one with the warm glow of the kitchen lights casting shadows on Tommy’s face as he toes his shoes off beneath the bike that hangs on Buck’s wall. The one where he pulls two beers out of the fridge and sets them on the counter, and Tommy opens them wordlessly, the silence comfortable as it stretches between them. The one where the necks of their bottles clink and their knuckles brush and Buck’s skin hums and his heart sings from just one small taste of Tommy’s skin against his. 

Buck’s the one to break the easy, comfortable silence. He does it with a small laugh, just shy of a giggle, as he thinks back to the look on his mother’s face when he walked into Chim’s hospital room with Tommy by his side and she connected the dots. “You were covered in soot.”

“Wasn’t the only one,” Tommy points out, grinning against the lip of his beer bottle as he takes another sip.

keep reading on ao3

[spacedace]

Okay but the Justice League finds out their new baby hero teammate Phantom is the Ghost King by virtue of the Fright Night showing up while they're in the middle of a meeting, looking terrifying and such and scaring the shit out of everyone- even more so when Constantine starts freaking out over the fact that the sworn night of the King of the Infinite Realms is in the Watchtower what the fuck that's apocalyptically bad Pariah Dark is supposed to be locked the fuck up forever - but instead of trying to smite them all or yeet them into the nightmare dimension he just pulls out a space themed packed lunch??? And gives it to Phantom??

And the mildly eldritch giant murder ghost is talking about how "The Queen Mother commanded me to ensure you ate my Lord, she says you missed your morning meal."

And Phantom is just grumbling about over protective sisters and "there's a cafeteria i would have been fine" what the fuck is happening right now?

What do you mean "oops you forgot" Phantom I thought the ghost thing was just a theme!

[miriamforster]

I HEARD Y’ALL LIKE SHARKS

Well I ALSO have a big pretty shark book, and it’s 50% on Amazon as of this posting.

[catnykit]

SOOO TIRED OF EMOTIONLESS MAD SCIENTIST LIKE MOTHERFUCKER SCIENCE AINT FUCKING LIKE THAT OK

OK HEAR ME OUT

SCIENCE REQUIRES A STUBBORN LEVEL OF CURIOSITY AND PASSION.

IF YOU'RE GONNA DO A MAD SCIENTIST,MADE THEM COMPLETELY HYSTERICAL ABOUT IT. MANIAC. LET THEM GO ACTUALLY CRAZY AND SQUEAKY AND EXCITED CUZ IF YOU LOVE SCIENCE YOU DON'T WANT TO KNOW,YOU NEED TO KNOW

GIMME A MAD SCIENTIST WHO EVERYONE IS NOT ONLY SCARED OF BUT ASLO CONCERNED. BECAUSE THATS AN UNHEALTHY OBSSESION BABY.

GIMME A MAD SCIENTIST THAT GAVE UP PROFESIONALISM FOR SHEER ENJOYMENT. WHO'S GONNA JUDGE THEM FOR THAT IF THEY'RE EXPERIMENTS AINT EVEN LEGAL

GIMME HYSTERICAL,PASSIONATE,MANIATIC AND OBSSESED MAD SCIENTIST. BECAUSE SCIENCE IS MESSY AND CONFUSING. SCIENCE IS FUCKING AROUND AND FIDING OUT AND IF YOU'RE MAD YOU CANNOT DO THAT AS CAREFULLY AS IT NEEDS TO BE

AND MORE IMPORTANTLY,

MAKE THEM SO UNPREDICTABLE THEY'RE SCARIER THAN WHATEVER COLD PSYCHO YOU'VE SEEN WITH A LAB COAT

[honeypiehotchner]

reader and hotch in the enemies to lovers fic btw

[mobius-m-mobius]

You wanna hear a good story? Listen to this one.

Mobius + comfort

[bluewolfangel01]

Random human: "Why are you sitting in a circle of salt?"

Mc: "Oh because my partners are demons and I am mad at them."

Demon Brothers: "YOU CANT STAY IN THAT CIRCLE FOREVER!!!"

Mc: "YOU LET ME HAVE A CHILL DAY WHERE MY LIFE ISNT IN DANGER AND THEN WE WILL TALK!"

(Not exact) Quote from Chikn Nugget and idea to use from @h0ney-mushroom

[anachronistic-falsehood]

ok this could be so nothingburger and maybe im complaining over nothing but ive been thinkin abt this lately like a lot but is anyone else a lil bothered when ppl blatantly ship shilo bathory with like. anyone. bizly said shilo's aroace and the only other aro rep i have in fictional characters are lilith from toh and that fuckin radio demon ass from hazbin hotel and lilith is literally the only one i ever see that's Not shipped with anyone ever. there r other characters to make yaoi of. guys please

[artsy-1diot]

doodling and i start cooking so i say "i might color and post this actually" and then i made it a full render god damnit

[starry-bi-sky]

Blood Blossom Au: before the nightingale sings

---------

for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons

TW: Major Character Death Warning

-------

Not all deaths are created equal.

That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite. 

He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go. 

He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids. 

They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum. 

They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.

Not all deaths are created equal.  

Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.

Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy. 

But most are just… unremarkable. Unintentional. Clumsy. 

Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens. 

It happens like this: 

Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.  

Something had to give. 

Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later. 

He stops what he’s doing to fix it.  

It wasn’t supposed to be permanent. 

Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer. 

He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them. 

So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for —  a sheet of metal for his wife to melt down — and disappears back downstairs. 

He does not make that call; it slips from his mind. 

It is not his fault. 

One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.  

Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half. 

He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new. 

This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident. 

It’ll never happen again. 

His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab. 

The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention. 

She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes. 

When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.” 

Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away. 

That is the last conversation she ever has with her brother. 

Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost. 

Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console. 

Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed. 

Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed. 

Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms. 

Danny’s family die in their sleep; painless and unaware. 

It’s not Jack Fenton’s fault. He didn’t mean to.  

Nobody wakes up with their alarms. 

Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm. 

There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers. 

To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork. 

He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks. 

At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of. 

Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off. 

He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.

‘Where are you?’ 

He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried. 

The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”

A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent. 

He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;

“Mom? Dad?” 

Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him. 

Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in;  he simply lets muscle memory guide him. It’s been the same since he was little. 

The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal. 

“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down. 

It was four in the afternoon, they should still be down here. 

Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked. 

He checks the garage, the car is still there. 

“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!” 

Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong. 

He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off. 

He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?” 

There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house. 

Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”

Not all deaths are created equal. 

But many of them are accidental. Unmeditated. Shocking.

Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home. 

He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill. 

Not all deaths are created equal

But all of them are unforgettable. 

[buddie-buddie]

Buddie + “Who did this?”

“Who did this?” Eddie’s voice is hard and icy in a way that's almost foreign to Buck. Almost, but not entirely. His eyes drop to where Eddie’s lips are pressed into a line, his jaw set, and memories of derailed trains and risky rescues and Abby flash in his mind. 

Buck doesn’t have time to focus too much on that, though, because Eddie's closing the distance between them and taking Buck's chin in his hands. Everything else fades away until there’s nothing but the familiar warmth of Eddie’s gentle touch and the pleasant ache in Buck’s chest, the same one that blooms behind his ribs each time Eddie’s nearby. 

Eddie touches him like he's something sacred, holds him like he's something precious.

“I–” Buck hesitates. It’s not that he wants to hide anything from Eddie, he just… he doesn’t want to worry him, is all.

It’s bad enough he has a fresh bruise blooming across his jaw, blues and purples swimming beneath swollen skin. Swollen skin that’s split in one spot, held together with a butterfly bandage that Hen insisted he actually needed, despite his protests and attempts at bargaining. Of course Eddie’s going to worry when he sees that.

And see that, he did. About three seconds after Buck walked through the door of Eddie’s house– no, not Eddie’s house. Their house. His lease on the loft had officially ended two weeks ago, but he’d been living at the Diaz house for the better part of the last four months, since the morning he woke up sleepy and cranky, grumbling about having to stop by the loft before their shift to get more clothes and Eddie had kissed the spot behind his ear and murmured, “What if you bring them all over?”

Buck had turned over in Eddie’s arms, suddenly wide awake. “E-Eddie.”

“Bring them all,” Eddie had said, bringing a hand up and tracing Buck’s birthmark with gentle, reverent touches. “And all your shoes, too. And the frying pan Bobby got you for Christmas two years ago that you said you want to be buried with. And the books on your coffee table and that plant you keep killing and honestly? Your mattress. It’s better than this one.”

“Eddie,” Buck had breathed, unable to get anything else out past the lump that had suddenly appeared in his throat. 

“Buck,” Eddie said simply. Buck would never tire of hearing his name on Eddie’s lips. “Stay.”

And Buck did.

This isn’t just Eddie’s house anymore, it’s their house. And a few minutes ago, when Buck got home, Eddie had come to the front door to greet him, just as he always did when he heard Buck’s key in the lock. He rounded the corner with a warm, easy smile, one that instantly fell the second his eyes landed on Buck. He had stepped forward, closing the distance between them and reaching for Buck’s bruised face with a gentle insistence that was still fond, even when laced in desperation. 

Buck didn’t want to worry him any more than he already had. Plus, really, there’s nothing to worry about. Their last call of the shift had been to an overturned vehicle, and the driver was more than twice the legal limit and just as combative as he was plastered. Buck had tried to stop the guy from crawling out his window– Chim and Hen had wanted to get him on a backboard– but it was no use. The guy was out of the car and stumbling towards Buck with a fury in his eyes, accusing him of being the one to call the police. Buck was halfway through denying that claim when a fist flew at his face, pain exploding from his jaw as he reeled back, stumbling to the side as his hand flew to his face.  

There’s a fire burning in Eddie’s eyes, dark and protective. But more than that, there’s a softness there, a gentleness hidden in the way Eddie’s eyebrows lift just slightly, his eyes wide and searching as he waits Buck out.

“Buck,” Eddie says finally, barely above a whisper. It’s a plea more than anything. 

Six years of knowing Eddie and six months of dating him and Buck still folds like a cheap suit when Eddie looks at him like that. “It's nothing. Just a drunk idiot on our last call.”

Eddie makes a dissatisfied sound under his breath, running his fingers over the bruised skin with a touch so light and careful, it sets Buck’s heart on fire. “And this person was dealt with.” It’s not a question so much as it is a statement, one that speaks to his trust in the rest of the 118. His faith in them to have Buck's back, especially when he can't be the one to do it himself.

Buck nods the best he can with his chin still in Eddie’s hands. “Bobby,” he says, and it’s explanation enough. “And then Athena.” 

Eddie hums, and Buck can tell that while the answer satisfies him, it’s not enough to chase away all of the concern that’s needling at him. Buck brings his hands up, curling his fingers around the warm skin of Eddie’s wrists. The steady beat of Eddie’s pulse beneath his fingertips is instantly grounding. And maybe just as much for Eddie, too, if the small sigh that falls from his lips is any indication. 

“Baby,” Buck says softly. “It’s okay. I’m okay.”

Eddie’s voice is small when he answers, quiet and resigned in a way that splits Buck open just as much as Eddie’s words do. “I wasn’t there.”

Through no fault of his own. Christopher was running a fever the night before their shift started, and with Pepa out of town and Carla at Morongo again, Eddie had called out to stay home with him. Which he feels guilty about, if the resignation in his voice and the regret in his eyes are anything to go off of.

“You were exactly where you needed to be,” Buck reminds him. 

Eddie lets out a small sigh. “Yeah,” he agrees. “Doesn’t mean I hate it any less, though.”

Buck shrugs. “Never expected you would.” A small smile tugs at his lips, and he ignores the way that even the slight motion sends a fresh wave of pain radiating across his jaw. “Chim says we’re ‘sickeningly codependent.’” 

“Maybe,” Eddie admits, his thumb ghosting over Buck’s bottom lip. His gaze skates from Buck’s eyes to his lips, then back up again. Buck can see the moment Eddie hesitates, can see the flash of trepidation in his eye. 

“You’re not going to hurt me,” Buck assures him. “In fact,” he says, almost conspiratorially. “It could be what heals me.”

Eddie hums, a smile playing on his face. “Better give it a try, then.”

“Guess so.” 

Eddie finally, finally kisses him, and it may not patch Buck’s skin back together or undo the broken blood vessels, but it chases away every last bit of the pain. It ebbs away until there’s nothing but Eddie. Nothing but the feel of Eddie’s fingers in his hair and Eddie’s lips on his, nothing but the way Eddie grins against Buck’s mouth and Buck feels good and right and whole. He feels like an unmoored ship who’s anchor’s just hit the sand, no longer adrift. Steady. Grounded. Safe. 

He feels like he’s home. 

After all, he is. 

prompt game

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[lazylittledragon]

right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"