I need to be banned from watching kh3 mods because these two shots alone have made me deathly ill (/pos)
[link]
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the early s6 and post-one-son tension is actually so special to me; it's like pure pain distilled into all the things they're not saying.
did scully ever try to reach out just to pull back at the last moment? standing in front of his motel room door with her hand already raised, nightmarish fear breathing down her neck, and she considers.
would he send her away? would he let her in, but she'd know—she'd know—that he actually wants her to leave? which one is worse? being rejected outright or feeling the absence of 'them' eating away at her skin like acid?
he used to hold her hand just because. he used to kiss her cheeks and the top of her head, he used to look at her like she's everything, and now he barely looks at her at all. when he does look, somehow it hurts worse than him not looking at her at all.
they were slowly beginning to repair what had been broken, and then it all came crashing down again. what had been shards is now dust, finely ground glass, and cutting her open with every breath.
the wounds the edge of his voice had ripped into her have yet to stop bleeding, and without having offered a single word of apology, acknowledgement, anything, there he is—pretending nothing has changed. joking and flirting and touching, and she wants him so badly it scares her more than she'd ever admit.
inexplicably, they're both still alive and together, separated by walls or streets or the stretch of heavy air hanging between them in the office. her body recognises his, it misses the proximity and warmth that come with floating carelessly in his orbit. she wants to close her eyes and let go. god, does she want to let go and simply allow them to love each other the way they should.
scully presses her hand against the wood for a second and returns to a dark, quiet room.
on the other side of the door, mulder does the same.
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it's the way that emma's demeanor changes so clearly between
"and what was that?"
and
"you traded your ship for me?"
they've been flirting back and forth ("i know how you kiss" is my personal favorite) and emma's playfully teasing him. oh yeah? and what was that. what does the great captain hook who has sailed the 7 seas for centuries consider valuable to trade? he had just told her he's a heLL of a captain. HE ANSWERS PLAYFULLY BACK (to mask his feelings but we can get back to that)
but emma is like- record scratch. go back. you traded your WHAT for me? she goes from flirtatious, yearning, giggly emma to bewildered, smitten, and CONfirmed she is down bad for this man.
anyways, killian says it all in his wedding vows.
"they say that a captain’s heart belongs to his ship, but with this ring, it now belongs to you"
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Oh to be a 1920 chicago italian mafia girl and have girls hold onto your jacket long enough to notice a scrap paper in the jacket's pocket long after your death then demand justice in front of an entire court for a family she has never even met and remember the promise of never forgetting your existence long enough to confront the very same enemies who killed you
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pondering about how The Untamed was the healthiest hyperfixation i've ever had, and it lasted the longest of one and half years. the dudes i usually fall for are evil and fucked up, while Lan Zhan was the rarer occurrence of the kindest man ever. also The Untamed was such a cool thing to affect my mind, because wangxian are all about kids and marriage, and made me have good realistic dreams that align with my own desires and values. on other hand all those evil insane men i imprint on should be kept a kilometre away from babies so that's another thing
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terrible that animals can canonically leave behind ghosts, but that fact wasn’t used for anything except kaidou’s chihuahua guardian spirit. that was a GREAT bit, don’t get me wrong, but Amp should’ve gotten his dumbass haunted at least once.
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