#yeah fuck capitalism for real

[hangmanssunnies]

when the urge to quit my extremely cushy job starts hitting just right

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[mejomonster]

Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).

They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).

Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.

The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).

Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.

And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.

Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo

[stealthnoodle]

I see there's a new post on AO3 on AI and data scraping, the contents of which I would describe as a real mixed bag, and the sheer number of comments on it is activating my self-preservation instincts too much for me to subject myself to reading through them. Instead I'm thinking about how much daylight there is between does or doesn't constitute a TOS violation and what does or doesn't violate community norms, and how AO3 finally rolled out that blocking and muting feature recently, and how I think it would be good, actually, if most people's immediate reaction to seeing a work that announces itself as being the product of generative AI was to mute the user who posted it.

That's my reaction, anyway!

[gen-is-gone]

hrgh every time I think I've come close to forgiving lance fucking parkin I skim the gallifrey chronicles. and then I remember the Horrors.

[chamerionwrites]

While these protests succeeded in disrupting normal operations at the targeted arms companies, they were unable to meaningfully halt the manufacture of weapons, in part because the group best poised to shut down production was conspicuously absent from each of the actions: the companies’ workers. More than two million US workers are employed by the weapons industry, which produces over 80% of all of Israel’s arms imports, including “precision guided munitions, small diameter bombs, artillery, ammunition, Iron Dome interceptors and other critical equipment,” according to the Pentagon, as well as F-35 aircraft—the most advanced fighter jets in the world. In the past month and a half, Israel has used these weapons in a genocidal assault that has killed more than 14,000 Palestinian civilians in Gaza, at least 5,600 of them children. The violence has prompted direct action against the Israeli war machine’s supply chain, with protesters targeting not only munitions factories but also ships transporting arms to Israel and financial firms with significant investments in the weapons industry. But unlike in many other parts of the world, where weapons workers have led the disruption in response to an urgent call for solidarity from Palestinian trade unions, in the US, unions in the weapons industry have so far remained outside the fray.

This is despite the presence of tens of thousands, if not hundreds of thousands, of unionized workers in the US weapons industry, some of whom are employed at the very factories that protesters have attempted to shut down this fall. As journalist Taylor Barnes reported earlier this year, each of the five major Pentagon contractors—Lockheed Martin, Boeing, Northrop Grumman, Raytheon, and General Dynamics—employs some unionized workers, although union density at the firms ranges from as low as 4% at Northrop Grumman to as high as 32% at Boeing. Many of these unionized workers belong either to the International Association of Machinists (IAM), or to the United Auto Workers (UAW), which is part of a renaissance in the US labor movement. Both unions include employees at Boeing, Lockheed Martin, Raytheon, and General Dynamics; the IAM additionally represents workers at Northrop Grumman and M7 Aerospace, a wholly owned subsidiary of the infamous Elbit Systems, while the UAW represents workers at Woodward, Inc., an aerospace firm that gained unwanted attention last month after a viral photo from the ruins of Gaza appeared to show a used missile component with the company’s logo on it. The unions are also actively organizing more workers in the weapons industry: Just last month, for example, the IAM unionized 332 Lockheed employees in Kentucky.

For anti-war labor organizers in the United States, unionized weapons workers present a paradox: Serving such members ostensibly requires making weapons industry jobs stable and remunerative, but the principles of global solidarity call for dismantling the war machine altogether. Traditionally, US unions have only pursued the former mandate. As one anonymous local union president in the industry put it to researcher Karen Bell earlier this year, “my top priority is trying to make sure that we have work in jobs in the United States . . . I don’t make a lot of judgments on anything other than, what can you do to keep the people I represent in work? That’s my job, and to be anything other than that, it would really be a disservice to the people that are paying my salary.” Rather than questioning their role in the industry, unions have reconfirmed their relationships with weapons companies since the start of Israel’s assault on Gaza. Last month, 1,000 IAM members in Arizona and 1,100 UAW members across the Midwest separately ratified new contracts with Raytheon and General Dynamics respectively, during a period when both companies were actively implicated in the mass killing of Palestinian civilians. When the Raytheon contract deal was announced on October 22nd, one IAM leader said he was “proud to support our Raytheon members and excited for this contract’s positive impact on their lives”—a statement that highlights the seemingly irreconcilable conflict between the economic interests of weapons industry workers and the anti-war, anti-genocide movement.

[bunnihearted]

the earth is getting hotter and hotter and nobody's doing anything about it but im misanthropic and depressive because i can see nothing that inspires hope 🤙

[shinobicyrus]

He’s only officially owned Twitter for 17 days.

[parasitoidism]

the reason i specifically try to avoid any and all persona related leaks is because if I hear anything about a persona 1 2 or 4 remake it's going to pre-emptively kill off a substantial number of my braincells. different reasons for each game

[coulson-is-an-avenger]

breaking out my Buried playlist like a fine wine and i was so right about everything. btw

[dalesramblingsblog]

anarchists when you tell them that you're not reassured by the ten millionth quotation of "from each according to their ability, to each according to their needs" when you politely say that you have some reservations about their ability to give a shit about disabled people after their glorious revolution

[queer-reader-07]

.

[dankovskaya]

Not going to lie I enjoy ewan mcgregor's tango de roxanne more than mr. tveits. I can't write his full name out because I am scared of his fans.

[dockaspbrak]

thinking your opinion is the correct and only one and you're better than other people because you know best is the mind killer. Even about dumb shit. Even about big things. People have different lives than you!!!!!!!! Have some open minded empathy!!!!

[sigmundthesorcerer]

M would be obsessed with the fact that vault-tec dropped the bombs bc she's a paranoid freak who's been running off a conspiracy theory that america nuked itself as a population control tactic and the rest of the world is doing fine

but the point is that she's supposed to be wrong!!!!!

[bunnihearted]

sorry but ppl on the internet are so naive when they genuinely believe the majority of people "hate capitalism".... that isnt anywhere near the truth. most people are sheep that just go along with what society says is right. when im out there and talk to "normal" people and listen to their convos they are literally pro capitalism. they talk about how the 8-5 work day 5/week is GOOD bc they get to work a lot and make "a lot" of money. many people will complain about unfair work hours and too big of a work load but they dont do anything more than complain... they wont vote for the left, they wont join unions, they wont stage protests or demonstrations... most ppl are like "omg fuck capitalism lmao ahhhaha fuck capitalism am i right???" but they still dont actually do anything to change it... because the entire point with capitalism is that it is comfortable and convenient. netflix and spotify is capitalism. ordering takeout is capitalism. having packages arrive to your door or close by is capitalism. concerts by your fav artists is capitalism. flying a plane to resorts all over the world is capitalism.... ppl only say "fuck capitalism" bc yes they're overworked and underpaid, but they dont actually want to live in a society without capitalism. it would mean a profound change of our entire reality as we've known it for centuries. it would be extreme. it would actually feel like it does in movies where the world is ending and society resets. it's too scary to actually go through with, and no one wants to do that. saving the planet and tearing down capitalism... would mean an extremely different world and life. no more driving your car to work and to the store and to the gym and back and forth to your parents or friends. no more going to multiple concerts every year. no more going to luxury resorts in ibiza or greece. no more online shopping. no more ordering takeout. the truth that nobody wants to admit, because no one wants to admit that they would choose to continue living in comfort even if it means destroying this planet, is that no. you dont hate capitalism. not truly. most people do not hate capitalism. if most people did... we wouldnt have the world we have now and always have had since capitalism was introduced. humans make this world. we get the world we deserve. and nature trying to kill us is what we deserve. it's like when we're sick and our bodies get fever to burn the virus. we are a virus. we could choose to stop. but we dont. only a small handful of people are willing to actually do what it takes to save earth. most ppl who make silly comments about oh my god fuck capitalism tihihihihi are not part of that small amount of people. it is sad, especially for the people who do get it, who do want to save earth, because we are such an extreme minority we have no power at all. the masses win. and the masses have chosen to live in greed and consumerism and comfort even if we'll pay the highest price thinkable.