#wrote this on one go sorry

[lichanicksstuff]

Professor Gadling always knows which student wrote their paper and which one used chat GPT. Nobody knows how he does it. No paraphrasing program can dupe him. He can always tell. Every one of his colleagues is amazed by this skill, they always ask for his help judging if the essay was written by an AI or a person. And he does that with a wide smile on his face.

It's really easy. All it takes is to give his old friend a good cup of tea and a red pen to mark the ones that were not written by a human hand. "The imitations don't have souls," his friend says. And this is what he tells his students. They never understand and Hob finds it very funny.

[thegoatsongs]

I wondered where to write an in-between scene fic and I think this might fit but if you'd prefer it somewhere else please let me know!

----

Mina can no longer tell how the hours pass. She once heeded every chime of the bell from the Exeter cathedral, every tick of the clock while at the platform.

But she counts the moons passed since her Darling had drank from her veins, baptizing himself in her (and thus Its) blood. The day he let their child go (it was noon, but she could still hear his apologies).

If her memories are a distant fog, she still vividly remembers how it was for her after she had tasted the Thing's blood. A death-slumber as the days, hours, minutes, seconds passed before her hard (hadn't someone called them sweet once?) eyes.

It will be fine, in the end, as she will be there for him when he Awakes. So she holds him (like she did in his madness for weeks after their wedding) and waits. The day of Reckoning is not far, now.

Ah, but it will not be the way you foolishly still hope.

She has to still stop herself from dissolving into mist and engulf the source of that hateful, hated voice, talking in her head, always spying when the moon is high.

She quiets it.

I have forbidden speaking to me when I am with my husband.

The silence she forces stays, for a while. Then breaks. Its voice is quieter now, but goes on, indignant.

No matter how many of my old tomes you read, no matter how much you cling to your will, it will matter not, It says. The Thing is upset not at her now but at her Darling. The man who belongs to her.

Once the prodigal son is back, I will do with my little diavol as I see fit, It mocks. Perhaps we ought to tell him of what innocent blood was spilled, (memories of limbs, corpses on snow, hot blood on dripping blade), the sins of your best beloved.

She laughs. The terrible laughter shuts the voice down. Her Darling feels it (she can tell it's like a surge of electricity in his mind) and stirs, and she pets his hair as an apology for disturbing him.

Sins? No.

Everything he does for me is Holy.

"... While I nodded, nearly napping, suddenly there came a tapping, as of someone gently rapping, rapping at my chamber door..."

(Continuing on from this post)

@animate-mush This started out with giving Quincey hugs after breaking his heart reading the documents--and then my darn brain went "hey what if..."

[petrawood]

I saw someone post a tweet about how a lot of people in the Inquisition must have suspected that something was off about Solas, and out of all of them Bull knew that there was something fishy going on for SURE but the scope of the whole thing was just too big for him to have guessed exactly what was going on.

So, that made me think how the whole reveal must have been like if it actually happened in our world and oh my god it's SO ridiculous.

Btw, this is obviously OOC, but it's just. Solas makes SUCH a character oh my god.

---

Imagine you are an Interpol agent that joins the CIA for this one very important and very specific mission. Everyone knows that you work for another organization and you are a trained and highly competent agent, but the situation is so dire that the CIA is basically hiring everyone who could help.

So, there is this one very weird guy.

He wears an old hoodie and yoga pants. When asked where he came from, he tells you that he is into outdoor living, so just "outside, you know, somewhere". He has no qualifications apart from being a skilled hacker and really really really good at navigating the Deep Web. In fact, he's an expert at it, to the point of being the Deep Web specialist of the team. He walks around BAREFOOT.

He is a WEIRDO.

You assume he is just some guy probably over his head, pretty helpful but that's kinda it. You are going to keep an eye on him anyway, as you keep an eye on most people.

And suddenly, things start no adding up.

You ask him how he learned to hack into the deep web and he answers that he just likes sleeping under bridges and there is very good internet connection there, so he ended up learning. He doesn't elaborate.

For a guy that spends all his time sleeping on the floor and hunched over a computer, you notice that he is actually BUILT. You cannot tell over the oversized hoodie, but that guy has muscle. Once it comes up, he looks you in the eyes and tells you that that's just normal when you live in the outside like him.

You need somebody to pilot an helicopter. He knows how to pilot an helicopter. "Oh, I just watched a video tutorial. You know, in the Deep Web".

You need to steal some nuclear codes. "Oh I know how to cancel those nuclear codes. I found a lot of documents explaining how to do it. You know, in the Deep Web".

You need to plan a coup. "Oh yeah I know all about backstabbing politics. I found a list of all the relevant politicians and the country's corrupt history. You know, in the deep web"

You are in the middle of said backstabbing and he's slightly tipsy looking fondly at the whole thing like "oh how I missed the vibe of a nepotist state. No one throws a party like corrupted politicians- Not that I've been in one before, of course. I've only seen videos. You know, in the deep web"

He drives the other two expert hackers out of their minds. "I don't know how you managed to get this position, you don't even have a Doctorate" "Doctorates are overrated, I think you all would do better if you came to vibe under a bridge like me"

He actually is OBSESSED with overthrowing institutions.

The hackers tear him a new one because they find his Hacker Drip lacking (fair). And he smells like Cheetos.

"I made a lot of friends on the Deep Web forums"

At this point you are convinced that this guy HAS to have something else going on. There is simply NO way someone would know so many things from his deep web premium access under a bridge.

Your best bet has to be that he's another secret agent, a very highly trained one at that, right? Or maybe a highcore antifa member? He either has inside information of the CIA or he's looking for it. But he has been ridiculous helpful so far, so you just can't tell what he's hiding and why.

And then one day guy, this FUCKING guy.

He shows up and tells your Boss that he's actually the ancient god Loki from the Nordic pantheon. That he created death, but is sorry so he's actually going to join the Earth with Heaven and Hell. A lot of people would die because of the Demons and you know, Earth as it is not existing anymore, but that's a sacrifice he's willing to make.

Now tell me, how the FUCK were you supposed to guess THAT.

[icepip]

tags: 18+/mdni. toji fushiguro x gn reader. cockwarming. not proofread. <800 words.

thinking about giving toji fushiguro a taste of his own medicine — holding what he wants so desperately in your hands but never quite giving it to him. dangling it in front of him, so close but always just out of reach.

sliding down his cock, your plush thighs caging his as you perch yourself so beautifully on his lap, your tight heat wrapped so deliciously around his length. he thinks you're gonna put on a show for him, thinks you're gonna ride him until your legs give out and you cry for him to help. but you have something else in store for him tonight. something that'll push him the way he always pushes you.

his fingers flex on your hips, digging into your skin and urging you to move. you tut at him, pulling at his wrists until he relents.

"you'll only get what i want to give you, big boy."

that rewards you with a groan from toji, his head falling back and hitting the soft pillows. he looks gorgeous, his defined chest flushed from arousal, muscles twitching slightly as he tries to stay still. your hands follow the path of your eyes, rubbing up his firm stomach and to his pecs. his breath hitches as your fingers graze his hardened nipples, a slow smile creeping on your face.

this is going to be even more fun than you thought.

"don't you — ah, shit — wanna move?" he hisses out from between his teeth, hips instinctively bucking up as you pinch his buds harshly.

you hum, pretending to think it over as you lightly drag your nails down his chest. toji bites his cheek to stay quiet, eyes intently watching everything you do.

"nah, i'm good exactly where i am. and you're gonna stay right where you are, too."

you can feel his body tense, can see his mind weighing his options as you tighten around him. he's fighting his instincts to grab you and fuck you absolutely senseless, his cock throbbing with desire inside you. you suppose his curiosity of what you could be planning is greater than his need to feel the drag of your walls.

a few moments pass, the only sounds the soft praise tumbling from your lips as toji struggles to maintain his composure and his quiet grunts of pleasure as you touch his body. your fingers trail lower, carding through the coarse, dark hair of his navel and sliding past his hips. you reach behind yourself, caressing his thighs and watching his expression closely.

"w-wait," toji mumbles, eyes widening as you begin to fondle his sac. "fuck, baby, wait."

his cock jumps inside you, your hand gently massaging his swollen balls and making him groan.

"hm? what is it, toji?" you tease, rolling them over your fingers. he's always been so responsive e there, always spilling into your mouth when you played with them as you sucked his cock. it only makes sense that the sensation would be more intense now.

his mouth opens and closes, opening again but no words come out. his breathing is faster, lips parting as he pants and tries to focus on you.

"c'mon, big boy, use your words." just like you do to me, you say to yourself, a satisfaction coursing through you as he feels what you experience. toji grits his teeth, your fingers continuously working over the sensitive skin. "tell me what you want."

"g'nna cum, shit, lemme— let me fuck you. need to fuck you."

his body is hot underneath yours, a thin layer of sweat glistening on his skin. he looks a bit desperate, his tongue darting out to wet his lips, eyes never leaving you.

"you can cum, but only from this."

it's mean. just like he does to you. so close to what he wants, but still so achingly far.

his balls are heavy in your hand, his cock surely leaking precum with even the slightest touch. you know he's close, his pride the only thing keeping him from letting go. a little bit of cockwarming and fondling and he's cumming like a virgin.

his hips thrust up as his load spills from his tip, aching to be even deeper, aching to fuck you properly. you pull your hand away, letting him come down from his high without risking overstimulation. he's gone through enough of your teasing — for the time being. you'll save milking him dry like that for another day.

"feel good, toji?" you ask as his breathing evens out, his half hard cock still nestled inside you.

"fuck you." he grumbles, throwing one of his arms over his eyes.

you can't help the small laugh that gets pulled from your lips, recognizing the conversation. you say the same thing to him.

[lovesickeros]

☆ even the gods bleed

{☆} characters furina, neuvillette {☆} notes cult au, imposter au, multi-chapter, gender neutral reader {☆} warnings blood, injury, light angst {☆} word count 2.3k

What was justice?

Focalors had asked herself that question many times during the long nights she spends awake pouring over the prophecy of a dead God, words replaying in her mind like a broken record until the sun rose like a blooming flower.

She was the God of Justice, an Archon, yet she herself lacked the answer to such a simple and yet so very complex question.

How does one define what is just and what is not? How does she know that what she believes to be just is right? Is it justice if one being alone may sway the scales of justice on a whim? What justice is there to be found in the cold, watery grave that awaits her nation?

She does not know.

Perhaps she may never know.

What she does know, at least, is that this is not justice.

It is a mockery of it.

She stands before the bloodied, broken body like the judge, her sword held so tightly in her hand her fingers feel stiff, a dull ache adding to the weight of what she's seen. For a long, horrible moment she almost thinks they are dead – something she would have reveled in, only a day prior – before she sees the subtle rise and fall of their chest. Breathing, but barely.

The rain felt heavier upon her shoulders at the realization – she was not sure if it was in relief or horror.

Her nails dig into her palm, mind stuck somewhere between that abject horror and confusion so palpable she swore she could hear the gears in her head turning.

For a long, silent moment as she stares upon the body beneath the heavy rain..she wonders if this is how it all ends instead. If the world itself will simply crumple in on itself and cease – without its heart, it will wither, after all – long before the waters ever swallow her nation whole.

Because, try as she might to rationalize it, for every drop of rain that hits her like pins and needles, soaking her down to the bone..the body of the imposter is completely dry. Even the water pooling along the stones dares not to leave so much as a splotch against their ragged, torn clothes.

She remembers the meeting so very clearly, and she thinks she is a fool to not have noticed sooner – the Creator upon their gilded throne, finger pointed in accusation at the visage far too similar to their own. The imposter. She remembers the lilt of their voice as they called for their death as easily as one would speak of the weather – and to no one other then herself would she admit the spark of fear it had ignited within her. Because beneath the divine charade there was a sick enjoyment in the way they looked upon the imposter – like a bug beneath their shoe.

She understands, now.

She had thought that perhaps finally – finally – she could do right by her people, by her Creator, if she rid Teyvat of this..intrusion.

Now she sees herself as what it all really is – blind lambs following the herder.

Perhaps she would be considered a heretic under the eyes of the law – beneath the weight of justice, heavy as the heart that bears its sins. Perhaps this is a mistake, one she would come to regret.

But for now, she sheathes her blade with unsteady hands, the sound making her ears ring – for what she had almost done, what she had already done – as she stumbles like a newborn lamb towards the broken body of..

..What, exactly? Human? Divine? She is not so sure what to call them. Creator? No. The name is bitter upon her tongue, now, burning like liquid flame down her throat.

Where once she had spoken it in reverence and admiration, it felt hollow and empty, now.

Her vision wavers as she kneels down against the rain soaked stones, the rain upon her back growing heavier as she reaches a shaky hand forth – and for a moment, however brief, she feels the weight of expectation, of a title she fears she may never live up to, wash away with the waters that fall from the heavens.

The bruises and blood smeared across their skin are like strokes of a paintbrush, their body the canvas from which such horrid art is created. It makes her ill.

Doubt wavers her composure briefly – her position is already unsteady. She has never been seen as an equal to many of the other Archons. Her own people do not see her as their Archon, but an actor in a grand play that they shall simply toss aside and replace like a broken doll the moment she bores them.

What does she have left to lose?

She reaches out again, her hand settling onto their shoulder and turning them onto their back. She..isn't sure what to do, actually. She's never been particularly physically capable – she tended to avoid fights, even if she oft provoked them – and she was certainly no healer.

Yet what choice does she have but to march on anyway? She is in the heart of the city, it is far more dangerous here then anywhere else..she had little time to make her move.

Fontaine was, after all, a nation founded on the principle of justice. To know an injustice has been made against the most Divine..the entire nation was in a frenzy.

Her eyes dart around nervously, hands clasped tight on their shoulders and her lips drawn into a taut line – someone would notice her absence. One of the Archons would point out her absence in the coordination of the search.

Her options were just as limited as her time – she couldn't just take them out of the city. Security was tight, and as much as she fancied herself an escape artist – Neuvillette could hardly keep her in one place for too long – she doubted she could do the same with the limp body of the imposter in tow.

..The Palais Mermonia it was, then.

Her room had a secret entrance that few knew about, and even fewer would dare to traverse. She just..had to hide them there for a bit and hope Neuvillette wouldn't notice anything different.

Probably.

Still, there was the problem of actually..transporting the body. As grim as it sounded. Her only solace was the fact she didn't have to worry about them catching a cold, at least, and their breaths were still audible, if only barely. So she had to resort to some..unexpected methods.

Seeing the limp form of, well, the imposter – she'd really have to ask for something else to call them when they woke up – stuck in a bubble of hydro wasn't exactly on her bucket list.

Then again, neither was treason.

Well, first time for everything, right?

It wasn't breaking the law if no one else knew about it.

..Neuvillette didn't have to know about it, really. It was fine.

She could, of course, technically try to talk some sense into Neuvillette – he'd listen to her, right? She thought she was pretty close with him..but he was also the one person more obsessed with justice then she was. Such a stickler for the law..so maybe she's breaking a few, it's fine.

But he was also pretty devout, as much as he tried to keep his worship private – with Focalors around, nothing was really secret. Maybe she could get him to settle down long enough to prove it.

..How was she going to prove it?

An exaggerated groan escaped her lips as she led the bubbled imposter – she really wished she didn't have to resort to that, it would be a lot a more awkward to explain then dragging the body around – through the winding streets of Fontaine. She's just glad she's already memorized the entire city like the back of her hand..and a little dramatics went a long way. People listened when the Hydro Archon spoke, and she was suddenly very, very glad for that fact, even if they treated her more like a mascot then a God.

And partially because she, maybe, just a little..stole a few documents detailing the layout and a little personal exploration of her own – but what Neuvillette didn't know couldn't hurt him!

After what felt like hours, though was really no more then half an hour at best, she'd managed to drag herself – soaked to the bone with rain – and the conveniently bubbled imposter up through the secret entrance and into her room.

The perceived safety, as flimsy as it was, was..comforting. Until she heard the rustle of fabric, the clearing of a throat and the pop of a bubble as she, in her surprise, popped it – and then the thud of the imposter hitting the floor.

She felt a bit of regret about that part, at least, wincing.

"Lady Furina." His voice was as sharp and cool as she remembered it always being – like fresh spring water, she'd heard it described. Soothing. It did not feeling very soothing right about now.

She turned sharply on her heel, a forced smile tugging at her lips on reflex, every muscle in her body tensed – she probably looked like a wet cat right about now, soaked with rain, but that was the last thing on her mind.

"Do you mind explaining what, exactly, you did?" Not what you're doing, she notes – what she did. He was mad. Oh, she was really in for a scolding now. She twiddled her thumbs, laughing weakly, though it quickly dies out at the awkward, tense silence.

"Well, you see – it's rather complicated! I can– I can explain." Her attempts to diffuse are met with a raised brow and the sharp tap of his cane. Every single thought is plagued with the urge to run, but the unsteady breathes of the 'imposter' keep her rooted in place. "Well?"

She was sweating bullets, her nails digging into her palm as she scrambled for any excuse that could warrant her not getting hauled off and scolded thoroughly at best – she was coming up empty. How was she supposed to prove that the 'imposter' was very much not what the 'Creator' said they were? Their unconscious body was doing no one any favors, certainly.

"The Creator is lying," She blurts out, immediately regretting her impulsiveness when she feels the sudden weight of his stare – the piercing hues of his eyes that remind her just who is the strongest between them. It is not her, she knows. It never has been. "You can see for yourself! Don't you trust me, Neuvillette–?"

Her voice is cut off by the sharp click of his cane as he strides across the room in only a few steps, his height making her feel like a child about to scolded. She hated it, but she grit her teeth through the exchange. She reminded herself that this was for the sake of the 'imposter' and any affront to her ego was..tolerable.

To her credit, too, she didn't immediately lash out when she saw him poke at their body with his cane, turning them onto their back – she wanted too, though. She considered it, but the thought was quickly shot down when his stare turned back upon her, and she felt frozen in place again, her tongue a heavy weight in her mouth.

Yet she couldn't shake the sudden tenseness to his shoulders, his brows furrowed and a distant look to his eyes. It was..haunting, in a way.

She knows it well, she realizes. The realization and acceptance, the crumbling of every solid foundation you've ever known – leaving you to flounder in the waves, alone and afraid.

The gentleness in which he picks up the limp body surprises her though, his cane set aside. The rain howls like a horrid storm outside, but she cannot focus on anything but the furrow of their brows, the soft noise that escapes their lips.

"I trust that you know that this must stay between us," His voice is soft, like the gentle lap of waves against the shore, as he sets their body down against the bed, his hand lingering against their cheek with something almost like reverence – and if her eyes do not deceive her, affection. "Lady Furina."

She does not hesitate to agree.

"Well– well of course!" She huffs, crossing her arms over her chest and frowning at the feeling of her wet clothes clinging to her skin, a heavy weight that feels like it's dragging her down. "Just what do you take me for?"

He doesn't deign to respond.

It only makes her fume more.

Not that he seems to notice, unbuttoning his heavy outerwear and tossing it on the bed, rolling up his sleeves and focusing on the injured– er..yeah, she really needed a new name for them. Calling them imposter felt wrong.

"So long as you understand, then we will have no problems." She huffs again, pouting and puffing up her cheeks, sitting down on the other end of the bed with only an occasional glance towards him as he worked at peeling away the ragged clothes and examining the injuries marring their skin.

She suddenly felt out of place.

..What was she supposed to be doing?

As if noticing her sudden quietness, Neuvillette sighed, his back turned to her though his attention very much falling upon her. She really hated the feeling like she was being dissected whenever he looked at her. It was unnerving. She doesn't know how anyone else handles it..

"If you are so eager to do something, Lady Furina, then please have something brought up for when our..guest awakens. They will need to recover their strength."

Finally! Something she can do. She perks up, her heels clicking on the floorboards as she darts out like a bullet, unable to stay still for so much as a moment.

Neuvillette, for his part..

Feels an odd sense of serenity as he stares upon the troubled features of the..guest. A peace that lessens the burdens upon his shoulders, the weight of a nation upon his back.

He cannot hear the rain, anymore.

..It must have stopped.

[yearninghabits]

Reblog w/ a pic of your f/o and I'll assign you a jellycat plush!!!!

Example!! Boris beloved gets the amuseables Bouquet !!

[ Proshippers & Comshippers DNI !!!! - CLOSED ]

[ganondoodle]

(OC redesign?)

so here is Shargons (he/they) possible redesign (of his humanoid form; basic, with clothes and one with the coat)

also wrote a few basic notes about him on there but my hand hurts now so i will write more about him in a reblog if theres interest ( •̀ ω •́ )y

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[lichanicksstuff]

"I don't remember my mother's face." Hob says, one day, while him and Dream were having their morning coffee. Dream looks at his friend. The tone of Hob's voice doesn't match the words he just said. They were talking about family and suddenly... He says this. And it seems like he doesn't even care, like it's just another thing he said.

It's not like Dream knows what it's like. He may not relate but he understands. In his kingdom there are many nightmares whose task, whose goal, is this very thing. Forgetting the most beloved face. Forgetting the voice that sang lullabies to you when you could still fit in her arms... Dream can't relate but he understands and he rots.

He rots because he remembers the face of every person that has ever lived. And Hob looks just like his mother.

[shima-draws]

One Piece where everything’s the same except Cora doesn’t die but Law’s still determined to absolutely beat the shit out of Doflamingo anyway. Cut to post Dressrosa where Law gets a VERY frantic phone call from Cora who’s like what the actual FUCK I saw the newspaper this morning you went up against Doffy all by yourself?? You promised me we would do this together you little SHIT do you have any idea how fucking scared out of my MIND I was when I saw the headline and I thought something happened to you, Law I swear to god, and Law’s like yes Cora I went up against him by myself, like HELL I was going to let him lay a single finger on you. And Cora’s like THAT’S MY LINE!!! You’re MY kid and I should be the one protecting YOU!! And Law’s like what with your shitty devil fruit powers? What could you have done? You would have fallen on your ass and gotten hurt or shot or worse and I’d be too fucking worried about you to focus on anything else. And Cora’s like this conversation is NOT over but I’m so so glad you’re okay. And he starts crying and he’s like oh my GOD Law you know how insane Doffy is I could have lost you. And I wouldn’t have even known until after the fact. And Law goes all quiet and he’s like I know I’m sorry but I could have lost YOU and I couldn’t handle that. I couldn’t. And Cora’s sobbing and he’s like I love you so much Law and Law’s like yeah. I love you too 🥺

Meanwhile the Strawhats witnessed this entire conversation and they’re like. Wow okay that was a lot to unpack. Law’s got a dad and they’re very protective of each other and apparently his dad is Doflamingo’s brother?? And Law literally dismantled Doflamingo’s entire criminal organization and DIDN’T bother telling his dad about it?? No wonder he’s pissed. And they’re also like awwwww we’ve never seen Law so soft and vulnerable before 💕 and Law looks at them and he’s like. You repeat ANY of what you just heard and I WILL kill you. And they’re like ‘Mhmm okay yup we hear you loud and clear. Btw what’s your dad like’ with the BIGGEST shit eating grins and Law’s like Okay! Killing you now!! And proceeds to chase them with his katana

[malenjoyer]

Good morning 🙏🏼

I want to thank everyone their support with reblogging my stuff over the years and reblogging some of the context of the situation.

Tumblr and Instagram is filled with the most supportive people I’ve ever had the chance of meeting. The last time something like this happened, I didn’t have much support, not even from people I thought were close to me. It took me a year or two to be okay with being perceived again in fandoms. So I’m very grateful for everything.

I just wanted to post that I appreciate all of the asks and I’ve been reading all of them. I actually get anxious I’m spamming everyone too much so I probably won’t reply to everything. Please don’t feel pressured to support me financially, there’s is a free option on patreon to follow. I’ll post future project plans and occasional updates because I still love comics and I still love DC/Marvel. I do enjoy having people following along for my art/reading journey so I would always be okay with people just following for free. My brain is telling me this post is too long now so I will go 🙏🏼😭

[aq2003]

really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:

(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")

this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks

i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:

(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)

freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama

[rpgchoices]

tw for abuse

So I tried to break up with Wyll and refuse his romantic dance and ask him about the tadpole, but why is the game SO CRUEL WITH ASTARION?

Like, if you want him to use the astral tadpole he straight up says no, So you can have a wisdom or intimidation check (if you fail them he is going to break up with you and be so mad).

But basically the wisdom check is trying to use one of his old memories (the worst possible memory) against him to remind him he is too weak, and he needs power if he wants to stay safe.

The intimidation is literally using his self hatred against him. If you play with the vampire lord ending you can break up with him and tell him you preferred him as he was, and he is shocked because he was "pathetic"

The thing is, to soften him/get the good ending (chosen by him without persuation checks) I think you need him to accept that he is who he is, and he is okay as he is. Coincidentially, trying to talk him out of the Cazador ritual is so insightful, both here in the video (this is before you get attacked by the other spawns) and later (after you get attacked) you have some options/dialogues about how he is so different now, he is not like "them"/his old pathetic self anymore.

This is the other post-attack dialogue:

When I played friendship Astarion, the most interesting part post ritual was the dev literally spells it out:

In the crypt you also find a book about Cazador's master and the rules he made for Cazador, and the abuse Cazador suffered before killing his master in revenge.

And of course:

[azu1as]

—a tangcheong reincarnation ficlet set during the shaolin tournament arc 👍

»—————————–✄

Part 1 2 3

baek cheon didn't think much of the loud commotion being made in the audience stands as a large family entered the arena.

"huh? what's all that noise over there?" yoon jong voiced out.

the rest of the mount hua disciples turned their heads in the direction yoon jong was pointing at and they watched as people unabashedly stared at the person in the center of the group.

"you missing a cousin or something, samae?" one of the disciples joked.

the man in question looked closer to a tang than he did his own family members who walked beside him. whereas their hair were varying shades of light brown, his was dark and closer to tang soso's own color.

tang soso frowned, narrowing her eyes as she tried to peer at his features which were slightly too far to distinguish properly.

"I don't recall having any cousins in shaolin..." she mutters as yu iseol also tilted her head in question.

the man's gaze sweeped lazily across the arena. even from afar, baek cheon could tell that the man's gaze was contemptuous.

he didn't need to use his qi to enhance his eyesight to know that the gaze that was thrown towards the sect leaders' stand was absolutely scathing.

jo gul scratched his cheek. "he must be the rumored son of the zheng merchant family. see the crest on his robes?"

"what do you know of him?" baek cheon asked. he doesn't really understand why but a part of him felt like he had to be on-guard towards the strange man.

"not much," jo gul winced, "just that he's a bit older than us and that he...mildly poisoned one of the daughters of another family in sichuan."

"..."

they all turned towards tang soso.

"are you sure he's not part-tang or something?" yoon jong asked.

their conversation is abruptly interrupted by loud shouts cheering for shaolin.

the disciples of mount hua shared resolute nods as they began marching forward, letting the praises pouring out from the audience straighten their spines and walk more resolutely.

chung myung seamlessly slipped back into their fold, the money pouches he brought with him noticably emptier than when he had arrived.

it felt as if the cheers for them rang louder than those for shaolin. it was a very ovewhelming feeling and all of them could feel the pressure on their shoulders.

once again, they watch the reliable back of their sajil as chung myung finally sets foot on the stage, gazing up.

the current head of the zheng family was not influenced by the excitement that seemed to radiate from his fellow tournament-goers. rather, his eyes were locked on the face of his elder brother who he had never seen look as emotional as he did now.

there was disbelief on his face. he wore a strange expression which wavered between hope and doubt. unfathomable emotions swam in his eyes.

"ge, is everything alright?" he worriedly asked. "if you wish to leave, we don't have to—"

"no." zheng bo cut him off. "we're staying."

he shared concerned looks with his other siblings, but they silently agreed to let it be.

their eldest brother had always been distant, but he was never unkind to them.

they could never understand where the weight zheng bo seemed to always carry on his shoulders came from, but he never lashed at them.

they had never known zheng bo to be anything other than melancholic, so seeing the way the beginnings of a lively spark enter his eyes...

it was as if they were watching him transform into someone else for a moment.

"hyung...?" zheng bo murmured as he practically threw himself over the railing to get a closer look.

luckily, their youngest sibling, about the same age as the youngest second class disciple of mount hua, managed to pull their eldest brother back by the robe.

"zheng bo, what's gotten into you?" their mother worriedly clutched at him.

a string of incomprehensible muttering escaped zheng bo's lips. "...a descendant? no, he—a wife? no, as if..."

questioning stares were thrown their way from other audience members, but they were quickly distracted by the start of the deciding battle between the two finalists.

it was a battle that no one could have ever expected.

it felt too one-sided and the zheng family, as with the rest of the spectators, found themselves at a complete loss over the practically one-sided battle between shaolin's hye yeon and mount hua's chung myung.

there was heavy and glooming feeling charging the atmosphere. the previous racuous and excited cheers turned into silent feelings of apprehension and confusion.

“this is nothing compared to what mount hua has been through.”

zheng bo let out a pained, heartaching noise.

"ge," the second zheng son started, still lost. "do you know what he's talking about?"

it seemed to him that chung myung was talking about something beyond the prior slow decline of their sect.

zheng bo seemed to be too overcome with his own emotions to answer.

they all turned back their heads to the stage and were graced with the sight of a soft curve of a blade that arched beautifully, tearing apart all the golden winds thrown towards its weilder's way by hye yeon.

"beautiful..." someone in the audience behind them mumbled.

and it truly was a mesmerizing sight to see.

and it became all the more so when plum blossoms pink, an unstoppable multitude, bloomed from chung myung's sword.

tang bo crumpled where he had was standing.

happiness, guilt, and, most of all, /relief/ wrapped themselves around his heart—his heart which, for the longest time, for over three decades, had been hollowed and emptied out of any possible feelings.

"you're here too."

tang bo didn't have to be alone anymore.