#writers generally write what they know

[inspectorspacetimerevisited]

Why dont you use they/them when refering to the inspector as a general entity instead of saying his/her or adjacent all the time? /gen

It's sort of 'canon' from the programme itself, but personally, I view each incarnation as singular rather than nonbinary. For the overall history of Inspector Spacetime, I can see the Inspector as nonbinary, but the writers don't seem to understand the entire concept of nonbinary people. (See 'The Tame Green Hither', for how the show runner/writer dealt with a nonbinary character.) Perhaps if the writers had nonbinary friends or family members, they would better understand what it means to be nonbinary and could write nonbinary characters that actually reflect reality rather than their interpretation that doesn't demonstrate what it's really like for nonbinaries.

[slow-reader-reads-books]

Lesbingyuan au where it’s the normal set up of post extras Bingge dimension traveling into another universe to find his own Shen Yuan. Except the world he arrives in (and is stuck in, can’t opt out of this gender journey) is a slightly genderbent one.

(hidden under a read more bc this turned basically into a wonkily grammatically tensed mini-fic)

Our darling Peerless Cucumber is a 20 something self-proclaimed straight girl with untapped soft butch potential, and is currently recovering from the harrowing trauma of the sunk cost fallacy. She’s spent a lot of time spending money on, reading, and participating in the online fandom of Proud Immortal Demon Way, and she’s currently also dealing with the fact that all her hard work in making herself heard to Great Master Airplane was seemingly for nothing. You see, Shen Yuan had the brilliant idea to create an account that appeared to be a perfectly demographically targeted straight male fan of YY novels who could critique Airplane Shooting Towards the Sky as his fellow but also his better and be listened to and receive great accolades from all frequenters of Zhongdian Literature and be validated for her hate of his writing.

“Airplane’s stupid pen name is a dick joke, I guess I gotta make mine one too… Just to, you know, seem legit and like we have common ground.”

What this charade accomplished was very little, but Peerless Cucumber did become very infamous for three things. One, his nitpicking (“It’s hardly nitpicking if it harms the integrity of the whole story1!!”). Two: his Luo Binghe fanboying (“As a protagonist he’s clearly just a cut above the rest when it comes to soul and wit, the story just rarely ever shows it off”). And three: his skipping of the steamy scenes (“I highly doubt this near identical scenario that also happened twenty chapters back but with a different wife of the week with this exact same cliffside flower giving off the same aphrodisiac mist to Bingge and new wife below will now suddenly be of any plot consequence for the next arc. It didn’t last time either, SKIP!”).

His fervent online activity garnered him the reputation of being an Airplane anti-fan, but also the assumed personality of a submissive simp who hates the easily dominated women that populate Luo Bingge’s harem. 

“lol thats why he must like mingyan so much. she never let bingge push her down. cucumber-bro must want a girlfriend who’ll chain him up and whip him! hes a pervert just like the rest of us, just a worse type kek.” 

Shen Yuan, when looking at such reply comments, gets shiver-inducing flashbacks to when her meimei left her BL comics out for everyone and the Buddha to see. She accidentally witnessed frightening scenes of thin, long-limbed men pushing each other down, tying each other to beds and cracking whips on skin until they shed blood, tears and semen, the shou begging for the gong to stop and the gong never listening. 

Shen Yuan tries to put such things out of her mind if only to preserve in amber the precious, innocent image of her meimei she knows to be true, but also secondarily to focus on the insulted male pride she’s supposed to be feeling after being accused of being a wussy submissive deviant in bed. That sort of accusation requires an in-depth 10,000 character response in order to remain in character as a straight male YY novel connoisseur.

Shen Yuan, as Peerless Cucumber but also as her true self, was undoubtedly straight. Staying in character, Peerless Cucumber made sure to extol the beauty of characters like Liu Mingyan— “She’s an intelligent and cold beauty and is written with a clear and vivid personality! A true equal for our Bingge on the battlefield and in matters of the heart!” As well as occasionally Ning Yingying— “She’s not the boring choice, you all just don’t know the special value a loyal shijie character brings, even if she does lose 99% of her personality to that one singular trait…”

But don’t get it twisted! This is a part of her performance! In real life, logged off and touching grass and breathing fresh outdoor air, she’s your run-of-the-mill average girl who is just a part of the pack. 

Her goals in life are simply not ambitious, is all. If there was a competition with ten available spots to win, she’d have no qualms placing tenth and simply feel honored to have participated. If there are ten girls and nine of them bag a good boyfriend, Shen Yuan doesn’t mind being the tenth who gets unlucky. She’s just kind to her meimeis and jiejies like that! As if she’d take that away from them! They'd probably been wanted those boyfriends for a long time! 

Shen Yuan is hardly a sore loser, and she knows the great importance of girl code and female friendship.

So, Shen Yuan being the normal average and totally straight and cisgender girl that she is decides to wallow in her Airplane-induced misery by going to a con, donning her homemade Mobei-jun cosplay. She worked hours of her life learning how to sew just for this project to the point her family thought she was finally thinking about settling down and learning wifely skills. 

Unfortunately for her ignorant family she’s actually just investing in a really elaborate excuse to cross dress. Well, it’s not really crossdressing, it’s just cosplay! Cosplay is totally different and not about taking on the gender of a character, but their larger identity! She didn’t want to explain this to them, and internally felt afraid and hesitant about it, as if they’d view her as weird for wanting to do this, so she didn’t bother to try at all.

So, Shen Yuan in her 160 centimeter/5 foot 3 inch glory decked out in dark blues and blacks, fur lining the shoulders of her outfit for style points, and wearing a long white wig styled mostly loose but with a few thin braids, chances upon a particularly striking Luo Binghe cosplayer. Not just any Luo Binghe cosplayer, but the best one! He’s tall, must be over 180cm/6 foot but also svelte and willowy in surprising ways. His hair is long and flows down his back from a ponytail ornamented at the base with a thin metal guan. Parts of his cosplay seem very benign, but others seem meticulously crafted and exquisite in quality, especially that sword at his hip! Just looking at it intimidated her, yikes! Job well done, cosplayer!

This Luo Binghe also had the most beautiful and delicately boned face she’d ever seen, eyes dark and deep and highly reflective like that of a lake on a dark and starry night. The cosplayer’s voice was also deeply melodic and enchanting.

This cosplayer… is also a woman! Shen Yuan nodded to herself internally, yes that must be it! No man looks like this in reality, this is a fellow female sufferer of Proud Immortal Demon Way impersonating a fictional man for similar psychological reasons as her. A surge of female loyalty spawns in Shen Yuan’s chest, and she doesn't even bother resisting the urge to walk over and strike up a conversation with this Luo Binghe.

She spat out her name in quick order and immediately started on the topic of female character writing in the novel. The Luo Binghe cosplayer was looking at her quietly and with a heavy amount of gravity, ink-brush eyebrows sitting elegantly low above her eyes in attentive focus. What a good listener this lady is, Shen Yuan thought. She can’t remember when someone last listened to her this closely. She hypocritically chooses to not pay attention to that train of thought any further. “In a world like Proud Immortal Demon Way,” Shen Yuan began with slight smarm, “who would choose to be a woman? I certainly wouldn’t if I wanted to see the interesting parts of the world that drew me into the story in the first place. A male protagonist can explore it freely, but the female characters are all locked away in either the marriage bedroom or the highly isolated harem palaces. Great Master Airplane clearly didn’t eat enough walnuts as a child, he must have some sort of brain deficiency when it comes to writing proper characters— ” 

The tall Luo Binghe cosplayer suddenly spoke up. “Choose?” “Hm? Yeah, I mean, in a world like that, there’s basically no choice, yeah? Gotta serve the narrative and readers and all. But the real world doesn’t have a narrative, we only have ourselves and each other to guide us. So we just do what we want, figure it out as we go. Like us two! We wanted to dress up as these male characters from this asinine story and attend this con and we figured out how to do it! We’re kindred spirits, you and I, we’re zhiyin!” “So when you leave this con, you will also choose to take this manner of dress off and wear something else?” “Obviously. Though, my go-to outfit is just a big t-shirt and sweatpants, or athletic shorts. This kind of thing is the extent of me dressing up.” Shen Yuan didn’t notice, but the Luo Binghe cosplayer’s eyes mildly glazed over in irritated confusion at the unfamiliar terms. Nor did she notice the slight expression of planning that developed in that gaze, as if they were imagining a future shopping expedition to find an outfit Shen Yuan would want to dress up in that wasn’t a facsimile of Luo Binghe’s right hand man.

“I… also want to leave this con and wear something else.” “The busyness getting to you, huh jiejie? You must have gotten here a lot earlier than I did, you poor thing. I guess this is it, it was nice talking to you—” “I don’t have any other clothes with me, and am unable to go back home. Can you help this poor one, jiejie?” “Jiejie—” Shen Yuan coughed. “Am I… wait you can’t go back home? Did your ride ditch you or something, aiyah what a scummy thing to do! I do have extra clothes on me, though I don’t think they’ll fit you. But let’s go find out. I guess if I have to take care of you like this, it does make me feel like a jiejie. Your height made me assume you were older than me, haha.”

Shen Yuan laughed, and the Luo Binghe cosplayer rapidly relaxed and took on an easy smile. “An innocent mistake. Jiejie must often be assumed to be younger than her actual age.” Shen Yuan hummed absent-mindedly. “Eh, not really. I’m only 22, and I think I look it. It’s you who looks like a jade immortal, uh, meimei.” She stuttered when she realized she hadn’t yet caught the other cosplayer’s name, and for some reason it felt weird to just call her Luo Binghe without her also LARPing along as Mobei-jun. Shen Yuan by this point had taken the tall meimei’s hand, it pale and slender much like the rest of her, and had been pulling her along towards the public bathroom to make use of her backpack’s change of clothes, walking along the wall to avoid foot traffic. However, the moment she had finished her sentence and called the other one meimei, the Luo Binghe cosplayer suddenly slammed her free hand on the wall and yanked hard on the one Shen Yuan was holding, pulling her in close to herself, caging her in from behind. Shen Yuan squeaked and found herself crowded against the wall. Her back was encased in a warm and dark heat and she could see above her that jade-white hand curled tightly in on itself, heel practically grinding against the wall. It looked like it was trembling slightly. An earth-shatteringly tight grip squeezed the fingers of her still held hand to the point of hurting slightly. Shen Yuan winced at the sensation.

Shen Yuan heard sharp, heavy breathing above her. Not knowing what to do nor quite what was going on, she squeezed back the hand that was keeping hers hostage and leaned back slightly. Comfort is what she’s doing this for, right? Feels like the reason she’s doing it. 

Shen Yuan felt the other cosplayer jolt behind her. After a tense beat, a forehead slowly dropped onto her shoulder. Shen Yuan was wearing fur along the top half of her outfit as a part of her Mobei-jun cosplay, but nonetheless she could feel the vague contour of the other’s nose through it, burrowing deeper into its warmth. Shen Yuan now felt awkward for only bothering with faux-fur for her cosplay. But with that face resting upon her shoulder and an odd sense of vulnerability wafting off of her, a sharp sense of broad awareness filled Shen Yuan's mind mysteriously. Her mind filled up with sensory information on the one behind her, naturally taking note of every detail with ease.

“Meimei…” the Luo Binghe cosplayer trailed off, muffled slightly by Shen Yuan’s cosplay, but also seemingly by her own emotions being stuck in her throat. “Can I really be jiejie’s meimei?” Shen Yuan didn’t really know what to do or how to respond, so she simply continued to lean her weight back onto the other. She then pulled on the elbow that led to the hand positioned above her until it was brought down far enough for her to grab properly. Shen Yuan took both hands in hers and placed them in front of her in a comfortable position. They were slightly cold, so she rubbed at them with her thumbs.

The Luo Binghe cosplayer picked her head up and looked down at the sight with watery eyes and a warbling lip. Both of her hands were cradled in that grip, gently held in front of the shorter’s stomach in a tender and intimate fashion. Their arms were bent parallel and their front and back slotted together in a way that, to the taller one, felt predestined.

“Can you, what kind of question is that, of course you can. But, I’d like to have your name too, if you don’t mind? Only calling you meimei sounds like I’m calling out to my real little sister.” Shen Yuan laughed and looked up over her shoulder nonchalantly. 

Somewhere in the distance, she can hear people giggling and snapping pictures of the two. She felt a twinge of embarrassment. Of course this moment looks compromising from the outside, they’re cosplaying Luo Binghe and Mobei-jun!

Shen Yuan was suddenly working very hard to maintain a cool poker face in front of her very tall and newly minted meimei.

Bringing up her real little sister and then suddenly being thrust into this type of self-aware of cringe violently and nonconsensually summoned forth invented images of a dog blooded BL scenario that wouldn’t be out of place in her real meimei’s leisure literature.

Fellow con goers, please have mercy on us two women and don't be thinking of what I'm thinking! We’re merely having a pure hearted, early friendship bonding moment! Skinship is very much common and normal between people like us, disregard the kabedon! Totally normal female friendship is blossoming here, get your homoerotic dog blood tropes out of our personal lives!

“This one is called… Qiu Bingbing.” Her voice hitched and quavered with some sort of ineffable, delicate emotion. “Bingbing, ah? Written with the same character as Binghe, meaning ice? And Qiu, is that with the character meaning the autumn season or the character meaning a grave mound?”

Qiu Bingbing hummed and nodded lethargically to the first question and spoke up for the second, hesitating slightly. “Qiu as in autumn.” “What a pretty name, “autumn ice”. You fit the bill of Luo Binghe perfectly, but with a name like that it’s nearly a pity to go by something else. You’re a miraculous find in a place like this, Bing-mei.” Shen Yuan complimented with abandon, eager to make her new friend feel good, and turned around. Still holding one hand, she impulsively took the chance Qiu Bingbing’s still bowed head offered and patted it softly.

She did that for a while, not paying attention to anything else. A euphoric smile opened on Qiu Bingbing’s lips. She was lost in the moment too. 

The rest of the world fell away. As long as Luo Binghe, no, as long as Qiu Bingbing can worm her way into every crevice of Shen Yuan, she’ll be fine. He before was always grasping at any semblance of peace and security only for it to slip through his grasp like sand, but she’s found it. She’ll nestle in and hibernate inside Shen Yuan’s veins and she’ll never let go. She will never.

“Let’s go get you those clothes. Good thing I like them oversized, they should be mildly presentable on you, even if they aren’t anything girly.”

“I can live without anything girly, anything of yours will do.”

“That’s good to hear, let’s go then.”

[charmac]

How are you feeling about S17? I'm getting reaaal worried that it's going to be terrible. No Glenn in the writers room? A crossover episode?? Rob's gradual transformation into pondslime??? Help

Pondslime 😭Lmfao

I'm feeling more than fine about 17, really truly. I don't think anyone should be worried at all.

I think sometimes my interactions with Glenn come off a little more serious or abrasive than they really happened in real life (because we have to shout due to how loud it is in the bars), and my immediate transcription is just to get people *information*, which really doesn't convey tone.

For example, reporting that Glenn said "you don't want to know" in response to me asking for any teasers (as to plots this season) was met with a lot of "oh so this season is gonna suck" on Twitter, and that could not be further than the truth (sorry to the people I split-react blocked for saying that lol). In hindsight I get the reaction, because written out it's a response that can be easily misinterpreted and reads as potentially concerning, but know that when Glenn said "you don't want to know" he looked like this:

And when I was genuinely just asking for script information (regarding writers of individual scripts after he mentioned they had broken already) and mentioned Nina (Inflates) and Ross (DTAMHD), he gushed about both of them and then said, transcribed word for word, "It's been a good room, I'll say this it's been a great room. It's been an all-star room, it's been...like, breaking the stories this year has been really fun. [Me: Yeah?] Yeah. [That's great, that is great to hear.] It's been really fun."

So the idea of "no Glenn in the writers room" is really much more akin to Season 16 than 13/14. He was there to break stories (meaning he was in the room when they were brainstorming plot ideas and when they settled on which plots would be turned into scripts) but Rob and Charlie are taking the brunt of writing their (RCG's) scripts because of Sirens. This is the same thing that happened with The Gang Goes Bowling. Glenn's name is on the script, but Rob and Charlie wrote the majority of it while Glenn was shooting Blackberry. (I remember originally being convinced it was a mistake Glenn was listed as a writer for Bowling, lmfao). And Glenn is definitely still contributing, will be on revisions for the non-RCG scripts, and will classically change or improv whatever he thinks is best for Dennis when he's on set (see: the Risk E. Rats script).

Also, I know the crossover is concerning to a lot of people just given the nature of it, but as of what we know right now it's only on Abbott, so it's really just as if this season's The Gang Cracks the Liberty Bell or The Janitor Always Mops Twice took place on a different show instead of ours...

I promise promise promise Glenn was clearly holding his tongue for good things coming up, and Friday night very much restored my confidence that Season 17 will be good. (But..if you don't think Glenn has good contributions to Sunny or understands the agenda, then sorry this response probably sucks lmfao)

[blackbatcass]

sometimes the ghost of kelley puckett (he is still alive) haunts me. does he know. does he even know. he’s so detached from the comics community and he’s such a private guy (I RESPECT THAT WHOLEHEARTEDLY) that i really and truly do not know if this man knows how much cassandra cain means to us. does he know batgirl 2000 is heralded as the bible of dc solo books, as a lot of people’s favorite comic ever written. does he know how much we love cass. how we write essays over her character and how amazing she is and how she changed our lives. does he know how adored his writing is. does he know he wrote the best comics character introduction of all time. does he even. know.

[amarriageoftrueminds]

just realising that Bucky's post-WS story needs to be about a man who is radically displaced in time and has almost total amnesia and no sense of identity -- no friends, no family, no money, no shelter, no resources at all -- and he's disabled, and he's being hunted by, probably, every government on earth? (and probably a bunch of other people?) for crimes he doesn't remember. All he has is a name. That's it.

...which is SO interesting and complex!

And I almost have to laugh because, of course - of course - these idiots couldn't write a story that actually addressed such a juicy premise! They couldn't even manage a simple 'Captain America in WWII' movie without fucking something up, so of course they were never going to handle Bucky's story properly! They're simply not talented enough.

The premise was ‘so imagine if John Wick was from the 1940s and also a cyborg with amnesia’ and they said ‘...best we can do is another iron man movie??’ ¯\_(ツ)_/¯

[gloriousburden]

i think they should make a movie where the writers actually like thor and loki

[ultra-violetra]

one of the things I would love to make is a writer's bootcamp / critique circle where people get grouped together based on things like genre, age category, writing stage (i.e. outlining, 1st draft, editing) where you submit something weekly to show your progress and get critique or even just positivity from your group. and there would be deadlines to encourage accountability and getting. stuff. done.

is there interest in this? would anyone want to help me make something like it? i don't think I could do it on my own

edit: if you'd like to join, click here

[daeyumi]

What's the premise of your cycle of the stars au?

I just came across your blog thanks to the #legendofzelda tag, and I'm already invested. It's all so beautiful, and you do really really amazing art.

Aaaaaa thank u so much!! 🥹💖💖💖💖

It’s based on a theory i had about botw back before the game was released, essentially: why does link wake up alone in a tank of water with no memories? what if it was because he didn’t even exist before that point?

In my au, the holder of the triforce of courage never appears; and Zelda, knowing the prophecy that talks about the wielders of Wisdom, Courage, and Power, bioengineers a synthetic Hylian to play the role of Hero and right the balance of the world (that ofc being Link in my au).

[piracytheorist]

You know what, I don't like to complain about stuff like this. I don't want to sound ungrateful of the attention my posts are getting.

But you know how there's a lot of talk around tumblr, from creators talking about how other tumblr users like their stuff but almost never reblog? Well, there's just something here.

That's a 1-to-5 ratio. And like, you know what? I get it. That one was a meta post with only two images on it, and I understand there are people who aren't interested in having long text posts on their blogs. I get that, and respect that. And hey, it's over 1k notes overall. That's something, right?

But in the SxF fandom in particular, I've noticed a kind of pessimistic stance since a big meta writer left the fandom after they received bullying. And I'm not saying we should ignore or forget the reason they left... but like, if you want to see people write metas, you can support meta writers.

Sadly I notice similar ratios in fanart posts. But I am motivated to keep writing metas because I am certified Analysis Gremlin™ so I'll keep writing no matter what; similarly, fanartists whose posts easily get 2 and 3 thousand notes are motivated to keep going even with such low ratios because hey. 3k notes, right?

But I acknowledge I am an outlier in this, and that there are meta writers who are just (or more) knowledgeable and capable of doing this, but for one reason or another, their posts don't get a lot of attention. Similarly, an artist with the same amount of skill and expression as the popular fanartists could have their art forgotten because people don't bother reblogging stuff they like. Both cases can lead to creators not sharing their creations anymore.

And yeah, metas might not be cool fanart, or heart-wrenching fanfics, or whatever, but meta writing still takes time and effort and we like interaction and acknowledgement just like any other creator out there. It's not like "I'll sit for hours to write this post after I've already sat for hours watching every little detail of the story, and I'll post it online not caring at all how much attention it gets." Whenever I see someone reblog a meta of mine and add the tag "great analysis!" or something similar, I get as giddy as I get when someone leaves a comment on a fanfic of mine. Just because a meta is a little more detached and may appear more "formal" than your average fanart or fanfic, it doesn't mean we as the writers of them are detached from the meta itself; we crave acknowledgement just like any other creator out there does.

So like, yeah. I'm not saying people should find this exact post I'm talking about and spam it with reblogs, nor that they should change the way they work and organize their blog. It's just that, as someone who joined tumblr ten years ago for the sole purpose of writing meta, I have noticed across all those years a big separation in how people interact with meta, and how they interact with fanfic and fanart. And by all means, fanfic and fanart deserve their praise! I'm not saying they don't. But meta posts do too. Literary analysis is a different kind of skill than drawing or creative writing, but it's still a skill, and treating meta posts as those you can just leave a like as a thumbs-up and then completely ignore... that's how you lose meta writers. When you show people that their posts aren't worth reblogging, eventually they stop making them. And can you blame them?

And to be honest, in comparison to my standing as a meta writer in my previous fandoms... I have the impression I'm among the "popular" meta writers in this fandom, despite being anime only and having less than half of the context manga readers have. Still, my posts get a "1 reblog for every 5 likes" ratio. Like, if my posts get such a low ratio, what chances do less popular blogs have?

So if you want more meta analysis, from people with various points of view and experiences, show your support by reblogging their metas.

[raifuujin]

“I just don't like Gosho's use of ideas nowadays” do you have some examples? I’ve been feeling the same but I still don’t have like articulate thoughts on it

Well, 'nowadays' has been for. About ten years, ish? The most glaring example that always sticks out in my mind is the Sun Halo MK chapters, with the complete and utter waste of the very common fanfic tropes of 'Aoko gets suspicions' and 'Kid gets injured around someone'. But it kind of matches the general problem I have with his writing that I don't think used to be this bad: He's trying to stuff too much around the strict case-by-case structure (or for MK, introducing the heist-by-heist structure) without actually giving anything focus. (And for MK it's so much worse because he writes it so rarely, that he makes everyone cameo every time but they tend to just get hand waves to whatever drama plot gets instigated by Kid having his next heist.)

For DC, it's the whole. 1) Overarching plot with the BO and suspects and 'here's the available suspects for who's involved with the BO that we introduce one at a time at the end of cases and then maybe leave more clues about them during future cases'. 2) Dangling character or relationship progress and then constantly pulling it away, usually as a joke. 3) When we do occasionally get some of the major plot, it's all at once and then maybe mentioned once in the next case, but otherwise completely dropped. (Amuro and Akai and Kudo tea party tease also lingers as a 'Gosho is just evil at this point'.) Basically rigid structure that doesn't allow for much of the subplots aside from breadcrumbs.

For the current situation, it's also tied into interview comments. Which. have no bearing on the story until he actually uses them. But instead of even that, the movie gets exciting stuff instead and puts it in a giant limbo of is it meant to be canon or not, because no one has been able to settle on that for any movie, even as some details get connected back to the manga more and more.

It's bad writing. Gosho has been a bad writer for a long time, and it's kinda just getting worse. It's my opinion that it's because he tries to have his case after case after case (because mystery manga), and then stuff little bits of everything else in the seams, whether it works well with the case he's writing or if it's a good delivery or (more usually) it's just. Kinda tacked on.

It's partially because of time investment, partially because I have low standards of entertainment, and partially because I want to see how it all ends that I stick with DC. MK is. Similar, but hurts more because I really hate how it morphed into the DC structure when old MK had more you could do with it. Gosho will never drop his rigid case-by-case structure at this point, but it really would be better if he did at this point. Things need development that they're not allowed to have. Or at least smooth out the lines between his hints. And stop with Heiji and Kazuha, just. God. Stop. Is this how people felt about Kid appearances? I feel like at least when people were mad about Kid, they knew nothing was going to happen from the get go, the romance 'tease' is just painful.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[sarcasticgaypotato]

I know some people have a hard time commenting on fics because they don't know what to say, so allow me to let you in on my personal hack for a super easy, 2-step comment that authors appreciate:

Say that you liked it. "This fic was great," "I love this chapter," "I really enjoyed this," etc.

Mention (1) thing that happened in the fic/chapter that stood out in a good way. You don't have to do a line-by-line analysis, just point out something specific. "The fight between (x) and (y) had me on the edge of my seat," "The conversation at the end of the chapter was perfectly in-character," "(x)'s internal dialog during (scene) was really good," etc.

That's it! You can leave a two sentence comment with this method and I promise, you will make an author very happy.

Of course if you feel able—expand on this! Point out multiple things you liked, do a full scene analysis, gush about stuff that made you laugh or cry, we adore those comments. But if that's too daunting, just try this version and work your way up to the bigger stuff.

Now, go out and make a fic author's day!

[tswwwit]

Wait, does the cheating thing on the bond always works? bcs that would be kinda freaky for R!Dipper like imagine you get pinned down by someone in the corner of a br or smthng and then said person kissed you and proceeded to explode into red mist and you literally have no idea what happened.

Also, would the constellation mark be a "cursed" Mark over the years, like you would give birth to a baby and the doctor says "😟 I am so sorry ma'am,,, I'm afraid your baby has the Cipher Companion mark. ( could also be something equally as science-y like Ursa Major, Constellation Calamation, etc idk)" And you just burst into tears.

Would that mean that dipper would get into a special program(demon wrangling program or smthng, demonologist? Maybe)? Or would the parents hide it away hoping that Bill would never take their child away?

(Sorry this au is just very interesting to me,,,, I hope u get more motivation, keep writing author 💪)

These are all options! The fun part of reincarnation AU being left ambiguous is that technically any of them could happen.

[foggieststars]

ayo!! i’m so fed up

[bythehearts]

not to bring tiktok drama on tumblr but like every time a ‘scandal’ comes out with one of these ‘production companies’ that make fan films i always hope we’re finally gonna discuss how they professionalize something that should be an hobbyist endeavor… and yet every single time i’m disappointed.

[distraughtlesbian]

literally the best part of this whole stupid book iwlove weird obsessed horndogs thee villain archetype of all time. he’s so silly. “we could’ve had a life together”, he says to his lesbian ex-neighbour who he’s just shot with a crossbow bolt meanwhile her girlfriend who he’s also just shot is half dead across the room. god i love it here he said me and the bad bitch im going to fumble