#wow. what an episode

[dabidagoose]

OUGH THAT ENDING

[angel-derangement]

for the first time, I feel…

[the-meme-monarch]

i love the interpretations of Any of the pines being trans but to me mabel and dipper Are fraternal twins they are just also both trans. they just swapped names and ‘pretended’ to be the other. i know dipper being transmasc is like the most popular trans hc in the fandom, so to me this is why dipper’s name is mason but he always wanted the name tyrone

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[sparring-spirals]

oh this whole conversation and dynamic is fascinating. i love you. i hate the source of your power. you keep walking towards your power. do you love me? i love what you can do with your power. but not more than i love you. can you say the same?

you wouldn't lie to me again. would you. this isn't a one way road. im not feeding her, she's feeding me-

i don't understand.

if you can't reconcile with that, it's okay- *interrupts her with a kiss*

I'll never let you go. And if you need her. Then that's my answer.

(oh you two are fucked up fucked up. :'D)

[mixmangosmangoverse]

The discussion around the fandomization of the I/P conflict is so fucking relevant because why did I just see someone in a discord for a reaction channel that reacts to musicals and cartoons suggest them to react to the Columbia ""protests"" with a heart emoji as if it's another episode of their favorite show and SIX other people agreed with that

[334iwatchshit]

what the fuck are these gay doctors doing on my screen

WHY ARE THEY DOOMED I CANT

[sweetsouldhavernas]

Tony DiNozzo and Ziva David ↳ UNDER COVERS

[maggiecheungs]

"The path you must take has been prepared for you. You have no choice but to revolutionise the world."

REVOLUTIONARY GIRL UTENA 🌹 BLACK ROSE ARC

[michaelsgavey]

“fuck aemond targaryen” i’m trying! believe me i’m trying

[roseyswords]

FULL MOON SPOILERS!!!!

So first of all..

I was not expecting to see the cherubs this episode. That... That was a big shock. Seeing them and their plotline was certainly interesting. It was funny seeing their reactions to just everything going on with Blitzø.

And speaking of Blitzø. Um fuck?! My heart that hurt!? "I think so highly of you. I didn't realize you think so little of me" like OUCH? I keep adding question marks to my sentences because my brain can't quite comprehend how it's feeling.

I find it really interesting that Blitzø brought up Stolas's imp butlers. This is a part that has stuck out with me really strongly. Cuz we've seen Stolas squeeze the shit outta one of them when angry on the phone with Stella. And it really makes me wonder just what kind of behavior has Blitzø exactly seen of Stolas interacting with his butlers. Because Stolas is a very rich man, who has only imps working for him and Blitzø noticed.

Which is funny because he notices literally nothing happening around him this whole episode. Which feels thematically relevant. He's always been oblivious to the more emotional side of Stolas's affection for him but that is also by design of how Stolas treats him. Remember Stolas is the same guy who used to get routinely bleeped due to his sheer level of hornyness. Blitzø has only ever seen their relationship through a sexual lens.

I also find it very interesting that he goes into that interaction already extremely worried and insecure and scared out of his mind that Stolas is tired of him. Which makes going in and being confronted with Stolas's emotions even more jarring and confusing for him. He's already coming in with an intense amount of anxiety with the singular goal of pleasing Stolas, which just highlights the unhealthyness of their dynamic that Stolas is trying to break away from.

Moving on to Stolas's mind for a bit. It has got to fucking hurt that when you finally put yourself out there emotionally and the other person immediately thinks you must be fucking with them. I think it really opened his eyes to how their relationship has truly been when Blitzø assumes that this serious conversation must just be some really weird roleplaying scenario.

And when Blitzø yells at him and reveals that he thinks of him as this rich pampered jerk, it is a startling difference of perception between the two of them that Stolas now has to contend with. It is so interesting to me how Stolas in this scenario is trying really hard to think about things from Blitzø's point of view in terms of how their deal must be affecting him, but he's also not prepared or emotionally equipped to think about how that must shape how Blitzø sees him as a person.

So overall that just leaves us with a lot of pain, and anguish, and a really beautiful episode.

And wow...that hurt.

[fiona-fififi]

You know, I can't stop thinking about Buck asking Tommy to move in with him.

Buck, that man has a garage with a Muay Thai setup AND a car lift. Which probably means he has a house. Or at the very least he's renting somewhere with a good amount of space. In what world would he move into your shoebox loft?? Babyboy, be SO for real.

On a more serious note, though, I also find it fascinating that even though we know this about Tommy, Buck's instinct is to ask him to move in with him. Not to talk about moving in together in a more general sense. There was never a thought here for him about maybe moving into Tommy’s place or finding one together, and I think that says a lot about where Buck's head really was and how he thinks in these relationships he tries to force to move forward. That man wants so badly to dive in head first, but he is absolutely unwilling to remove himself from his comfort zone or really even to relinquish control over the forward movement of the relationship. He's pushing, pulling, dragging his partners into his comfort zone with him instead of stepping in with them, and I think that says a lot about where he really is with understanding himself and what he really wants and needs in a relationship.

[turtleblogatlast]

I am once again reiterating that Leo could and should be a figure skater because what are ice skates if not twin blades? What is dual blade swordsmanship if not a dance-like performance? Using the skates as blades themselves could let Leo make portals be his ice rink no? I rest my case. ⛸️

[catocappuccino]

Her favourite colour is yello w

[its-a-me-mango]

Be honest what were some of you guys expecting to get so mad over? You guys knew it wasn't another major story arc or anything like that, they're not gonna resolve or change anything, they're just having a few episodes with an overarching plot for the sake of... having a few episodes with an overarching plot. I wanted SMG4 to be evil just like everyone else but I'm not dissapointed that he wasn't because it's not the story arc to do that in, we'll get our evil meme guardian another time. I had a great and fun time regardless because funny meme show is funnyyyyy

Anyway, Underfell SMG4 /j

[atlassx0]

- Much Better -