#would this work lore wise? no. but it was fun for me

[rainbowswirlything]

Neopets Lore (and Theory) - Faerie Aging and Faerie Populations

Here's another fun poking-at-the-Neopets-canon post about faerie aging and population numbers (this is a long'un, so to be nice I'll put a Keep Reading break in to make it easier to scroll past in the #neopets tag. ;))

1. Faeries are very long-lived, and don’t seem to grow old. In Fyora’s and Illusen’s Neopedia articles, their ages are listed as “Ageless.” (Jhudora’s age, for the record, is listed as “She’s certainly not telling.”)

"Go on. Ask. See what happens."

Neopets, in contrast to faeries, have been described as mortal (such as in the Altadorian Book of Ages—“Siyana, the First to Rise, blessed [the city's] mortal heroes with the gift of great longevity”—plus I’m pretty sure Jhudora calls you a pitiful mortal or something like that as one of her quest-completion messages), which implies that faeries are immortal—that they don’t die of old age. (They do seem to be able to die of other causes; there’s at least one faerie ghost out there—Valeane, from the “Aethia and the Battle Faerie” Neopedia article.)

2. Faeries appear to, at minimum, go through a “teenager” phase during which at least some of them attend a school called the Faerieland Academy, though what that actually involves, age-wise, seems to be ambiguous—in the Neopedia article for Kaia, whose backstory involves leaving her homeland of Shenkuu to attend the Faerieland Academy, her age is simply listed as “Younger than most of her kind.”

"I'm [ambiguous] years old!"

It’s not known whether Kaia is literally a teenager when she goes to the Academy, or if faeries age differently—it’s possible, as long-lived beings, that they age more slowly and reach the faerie equivalent of adolescence at a much older age than Neopets (or humans); likewise, it’s possible that faeries are “born”/created from magic and never go through a baby/young child stage, jumping straight from nonexistence to the equivalent of teen-hood. (I don't believe an infant or toddler-stage faerie has ever shown up in canon.)

3. The ongoing existence of the Faerieland Academy implies that faeries are being born/created at a fairly steady rate—there’d be no need for a school for young faeries if there weren’t an ongoing stream of faerie youths to be schooled.

(It’s not impossible that Neopets might attend the Faerieland Academy as well—there’s an old TCG card that references a “Faerieland Magic Academy” that Neopet would-be mages could attend. However, this may not be the same as the Faerieland Academy that Kaia and other faeries go to, and Kaia’s article doesn’t mention her interacting with other Neopets as students—only faeries.)

"And all of those faeries are jerks!"

4. It’s not clear how faeries are born/created.

At least one faerie mentions her mother—in the “Aethia and the Battle Faerie” Neopedia article, Aethia introduces herself as “student of Shyvara, daughter of Dreeana.” There is also an item called “Illusen’s Family Recipe Cake,” which means that Illusen presumably has a family that passed down the recipe for that cake.

However, it’s never clearly stated whether these familial relationships come about through birth or adoption. It’s possible that faeries reproduce through parthenogenesis, or--given that they're magical creatures--just use some sort of spell to conjure up children out of thin air. It’s also possible that faeries simply pop up spontaneously from Neopia’s natural magic (or something like that) and are then adopted by an adult faerie, though that option raises an obvious question—what happens if a young faerie pops into existence somewhere remote, without any faeries or Neopets nearby?

(The worst option, of course, is for faeries to be like ants or honeybees, in which the Queen is responsible for producing all the eggs necessary to keep the colony going. I would not wish that on Queen Fyora--it seems like an awful lot of work, and ruling a city-state seems hard enough on its own.) (Though there's a part of me that's strangely amused by the idea of faeries being insect-like enough to have a grub-like larval stage.)

"Why would you even suggest that."

5. However it is more faeries enter Neopia, here we run into a problem—that is, population.

If faeries don’t die of old age, and more faeries keep being born/created… eventually you’re going to start seeing overcrowding.

This presents a few possibilities:

a) Faeries do actually die of old age; it’s just that none of them have hit that age yet.

If Dr. Sloth's Neopedia article is to be believed, Neopia as we know it came into existence around 2,000 years ago—prior to that, Neopia was a wasteland without Neopets or faeries, until one day the world spontaneously became covered with greenery and Neopets popped into existence (much to Dr. Sloth’s dismay—he’d liked having a nice wasteland to fill with cool mutants!). It’s possible that faeries do have a maximum lifespan, but it’s simply higher than the number of years faeries have existed as a species. After a certain point, therefore, the faerie population could then stabilize.

b) Faeries do actually die of old age, and some have already done so, but faeries don’t like to talk about it—and might even deliberately hide their mortality from Neopets.

We know that Fyora has been Queen for at least 1,000 years (since she was the one to seal away the Darkest Faerie 1,000 years ago), so faerie lifespans would have to be at least 1,000-plus-however-old-Fyora-was-when-she-became-Queen, but (again, assuming the Dr. Sloth article is accurate) less than 2,000-and-change.

(As a side note, it’s implied that Fyora wasn’t the first Faerie Queen; according to the description of the (on-site item) book A New Day, Fyora was once an “up-and-coming faerie princess,” which raises the question of what might have happened to the previous Queen—untimely death, abdication, or something else?).

c) Faeries don’t die of old age, but after a certain point they leave Neopia in some manner.

Perhaps they abandon their physical forms and ascend to a higher plane of existence, or merge back with the natural magic of Neopia, or something… which seems a lot like death, actually, depending on one’s spiritual beliefs. Or maybe faeries have a retirement home on a planet next door (though that really just kicks the overpopulation can down the road).

d) Faeries don’t die of old age, don’t disappear from Neopia, and are, at some point, going to have to grapple with the whole overpopulation issue.

Digging too deeply into that train of thought could get a bit more dystopian than I’d necessarily like from a petsite, but hey, there it is.

"What a depressing topic..."

6. Leaving aside future concerns about faerie overpopulation—how many faeries are there, anyways?

There isn’t a solid answer for the whole of Neopia, but the Neopedia does give a few specific numbers that could be used.

The “A Dark Faerie” and “A Light Faerie” articles both have estimated populations for dark and light faeries—25,000 for dark faeries, and 33,000 for light faeries.

If we were to take those numbers and extrapolate them for the other elements—the mean of those two numbers is 29,000, so for this exercise we’ll assume that’s a reasonable average for each element—we’d get around 174,000 faeries in Neopia.

However, that is definitely not the total population, because there’s another source of faerie population data: the Neopedia article for Faerieland.

According to that Neopedia article, the total population of Faerieland is 1,620,000, 80% of which is composed of faeries. 80% of 1,620,000 is 1,296,000 total faeries—and that’s just in Faerieland; there are also faeries living outside of Faerieland (though the ratio of non-Faerieland faeries to Faerieland faeries is unknown).

Still, this leaves us with a few options:

a) Normal option: Whoever wrote the Faerieland Neopedia article simply didn’t use the numbers from the “A Dark Faerie” and “A Light Faerie” articles (which is fair enough; it’s not like those population numbers were a vital part of Neopets lore that would cause issues if retconned) Besides, other aspects of those articles are a bit outdated anyways--the dark faerie article straight-up says that dark faeries are evil (vs. the current canon that they can be good or evil, like any other faerie).

b) Hilarious option #1: The population numbers in the “A Dark Faerie” and “A Light Faerie” articles were accurate to the state of Neopia at the time the articles went live, but the faerie population has exploded exponentially in the years between those articles and the Faerieland article. How or why this could have happened is anyone’s guess, but now faeries have a massive Baby Boom generation.

c) Hilarious option #2: The population numbers in “A Dark Faerie” and “A Light Faerie” are accurate; dark and light faeries are extremely outnumbered by faeries of every other element.

If we were to assume that literally every dark and light faerie lives in Faerieland (demonstrably not the case, but let’s roll with it for now), then that’s a total of 1,238,000 faeries who are neither dark nor light vs. 58,000 total who are. Assuming a relatively-even population distribution between earth, air, fire, and water (though you could argue that there’d be a lower ratio of water faeries, as given that they have mermaid tails instead of legs they’d likely prefer to live in… well… the water), then that’s around 309,500 faeries of each of the non light/dark elements, which would mean there were a little over 9 faeries of any other of the “main” elements for every light faerie, a little over 12 faeries of any of the other “main” elements for every dark faerie, and, grouping the dark/light and earth/air/fire/water elements together, a little over 21 non-dark/light faeries for every dark/light faerie.

But again—that’s only using Faerieland numbers. The numbers from the “A Dark Faerie” and “A Light Faerie” articles appear to be for all Neopia, so the ratios would be even more lopsided as long as there are significant populations of faeries outside of Faerieland (which is surely the case; I don’t think Balthazar is walking right into to Faerieland and bottling faeries in the streets).

"Personally, I think we could use a few more of us around... but at least dark faeries are in the same boat."

But really, this one can probably be chalked up to those two older articles having relatively-arbitrary numbers slapped on them years before the Faerieland article was written and someone having to ask themselves "hey, Faerieland seems like a pretty big city... what's a reasonable population?"

[astralprisms]

[ Strains of The Power echo through the Astral Prism ]

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[torgawl]

when will genshin give us any sort of information on the underground intelligence network? we don't even have a name for it... GIVE US A CRUMB. A SINGLE ONE, I BEG.

[haemosexuality]

fuck it fnaf tierlist

[samarecharm]

i finished pokemon violet! And i have some thoughts to share on it!

1)-

[bitchfendi]

if i graduate its over for you motherfuckers

[snowave]

Just another brainrot of mine regarding Zayne, but then again, what's new?

Zayne who...

...is the type to play with your hair idly.

...enjoys quality time with you, no matter how busy he is with his shifts (or how tired he is).

"Dr. Greyson said you came to visit but you almost immediately left when you saw me napping. I told you, you should wake me up, my time with you is considered as resting."

...is the type who makes his presence known despite of being away from each other from time to time.

...always tries to understand you and your quirks, and grows to love them as they makes you, you.

...who subtly leaves his things in your place to have the perfect excuse to come and stay over whenever he feels like it.

"I can't find my tie, I think I left it on your couch. Can I pick it up and maybe see you as well?"

...is the type to keep track of your schedule, so that he can match his time with yours.

...is the type to give you space, and give you silent encouragement when you feel down, because sometimes, we all just need a presence to hold onto; something to keep us grounded instead of words that we usually hear.

"I'm here, don't worry. I'm not going anywhere, cry your heart out."

...thinks of you before himself. He always talks in a way that will cater you, your interests, your needs, your wants, etc.

"Hm? What am I doing here? Well, my day is free so it's all yours. What do you want to do?"

...scolds you for not having self-preservation. The man just wants you to see healthy and well all the time.

...probably does not makes you lift a finger whenever you're with him. Zayne isn't a vocal person, but his affection can be seen at the way he delivers through acts of services.

...lets you make fun of him, and you'll get away with it. It amuses him to no end how the gears in your brain work, and how you always manage to think of things that you tease him about.

...talks to you in the most gentle way. Despite his image, Zayne always talks to you softly, and probably never raises his voice even though he's upset or mad.

...gives you space when you get into fights or arguments with each other. It gives you both the mental capacity you need to talk everything out in a proper way, without the need to throw useless and hurtful words to each other.

"I'm sorry. Are you in the right headspace to talk about it now? Or do you need some more time? I can wait."

...probably keeps a photo of you, or photos of both of you in his office and home, framed and delicately placed somewhere he could see immediately.

...becomes clingy in the morning. He relishes in the feeling of you wrapped in his arms, the feeling of your body pressed against his, and the calming beating of your heart. He loves it when you snuggle closer to him, like a cat seeking for warmth.

"It's my day off today, I can stay more in bed with you. Just let me be, hm? Let me hold you much longer."

...the type to look at you with eyes filled with so much longing, yearning, and love, that sometimes you feel like you'll be lost when you stare at him.

And finally, Zayne who loves you more than you think. Lore-wise, he really does. But in general setting, if he can, he'll do everything just to make sure that you're always happy, that you always feel loved, cared for, and needed.

Feel free to add more, I really, really just like talking about Zayne. I guess, it would be nice to have someone to yap with about him.

[callooopie]

Modern!Davos Blackwood headcannons (pt. 1?)

— SFW —

I’ll hit it from the back, just so you don’t get attached — i like the way you kiss me // artemas

I can definitely see myself making more of these. Adding to the modern! Davos lore. Not proofread. LMK if y’all have other ideas or headcannons too!

Benjicot Davos Blackwood. People call him Davos. Only close friends call him Ben. Only you can call him Benji. Although, he goes by his middle name usually. Now, bloody Ben? That’s a story to be told later on how he got... (There is no story. It’s just people saying “Shit.. there’s bloody Ben..” or something like that. There’s no violence to the name, only pure exasperation when people see him)

This is the boy you need to hide away in your closet or under your bed when your parents come checking in on you randomly. You could’ve been working on homework, or just hanging around. And somehow this “annoying” guy appeared outside your bedroom window—and you just had to let him in. “C’mooon, let me in sweetheart.. you think I can’t climb up there? Stand back, I’ll show you.”

He is the type of person to rant about how the education system is rigged, set up to fail students, or rant about it in general and as a whole. Anyway he’s got a 4.0, and makes it onto the dean’s list every semester in college. However he is always late to class—complete with either a Monster or Red Bull drink in tow.

He invites you over to his place like a gentleman. Ignore his “annoying fuckass” roommate.. (it’s Aeron.) He does the whole (“it’s a little messy :3”) as he leads you down the hall of their apartment. “Hello MTV, welcome to my crib.”

He cooks at that desk, game-wise. Faceit level is between 5-6. CSGO rank is Master Guardian II (He does tell you he once hit Global Elite. But he stopped the grind to focus on school, not because he’s washed or anything—maybe you could be his Valorant duo? Or be his support in League; he’ll have you know he makes a mean ADC.. do you do overnight discord calls?—)

If you play more casual games (Minecraft, stardew, etc) he will play with you, HOWEVER, he will either ruin the aesthetic of the minecraft world via automated farms OR speedrun the mines in stardew (he passes out so much it starts to affect the money you’re trying to save for farm upgrades). Every time he goes fishing in either game he puts on a country accent and makes “gone fishing, getting away from my bitch wife” jokes. “I’ve uh- carved out an area for the iron farm. Nothin’ too big—just something to get started.” (Shows you an utterly decimated and leveled biome)

Davos Blackwood fun fact no. 43; he does rallying (rally racing). He went to a rally school for fun over the summer. Ignore the price tag; yes he saved up for that! no it’s not dangerous! Regular driving wise he does donuts in empty parking lots, and takes corners way too fast. He is the type to street race a random ass pickup truck or some other car that pulls up beside him. It is thrilling, and he knows you enjoy it too despite your protests and how you grip the handle above the seat. “No it’s fine.. pfft—don’t worry don’t— I’ll smoke him. Just watch.”

Speaking of cars. Do not complain about his car. This is his baby. His one and only. It’s an old car; it’s so old it’s bordering not being considered street safe anymore. Ignore the anime girl stickers with their tits and ass out, that was there already he didn’t do that. “It’s safe don’t worry—I’m getting the bumper and everything fixed like Monday I swear.. no I did not hit anything why would you say that-“

He’s oddly in-tune with his emotions and emotions of others despite appearances. He’ll KNOW if something’s bothering you. Maybe you’re just a little too quiet, you laugh at a joke a little too late or even if it sounds unenthusiastic. Whatever it is, Davos is on the case. A hug, some pep talk, he’ll let you punch his palms to get any anger out. He’s your ride or die, of course he’d do anything for you. And maybe if it’s a person who upset you he might pay them a visit.. “Who was it this time? Oh—that bitch? Ugh. I’m sorry about that… I have a gun just saying—“

Needs your hand in his. Or some part of you touching him. Whatever works. If he does not get a modicum of affection in 5 minute intervals he shrivels up like a plant—no he’s not being dramatic. Is the type to whine loudly about it regardless of where you’re at. On occasion he lets out bloodcurdling screams as a joke, lamenting about being denied tender love from you. You think it’s funny in private, you do not think it’s funny in public. Which is why he always does it in public. “Gimme your hand. Wha? What do you mean ‘it’s too hot out’? I wanna.. I wanna hold your hand… I don’t care if you’re sweaty—LET ME HOLD YOUR HAND”

I do believe his brain would be.. a little rotted. He sends you tiktoks, niche memes, shitposts. He will watch twitch streams or league/csgo content creators on YouTube. His vocab is normal, but does consist of slang from the gaming community. This can be good and funny, or sometimes bad if he uses it during serious moments. However he’s at least a normal human being and knows when to talk ‘normally’. He says joever unironically

Shadow boxes you. No matter what’s happening or where. You could be looking at something in a store and you just see slow, dramatic punches going toward you. He makes the whooshing sound too. This is how you know he’s bored. He’s also the type to tackle you to the bed. Not in a sensual or cutesy way but in like a WWE way that initiates a caged fighting match between you two.

Regardless of your mastery level of skateboarding he will hold your hands and pull you around on his board. Late at night when the parks or lots are empty, you both will be there. And he’ll be a smiling goof as he gently steers you around on the board. He usually says fuck helmets (his one big flaw), but carries one around just for you. His safety be damned. Yours? No question about it, you’re wearing all the gear required.

Smoker. Red flag. Marlboros, sometimes he uses zyns. It’s bad. Yes he knows he’s going to get lung cancer and succumb to nicotine. But he just can’t help it—it helps him relax. It’s why there’s a plethora of gum and also a cologne bottle in his car. Does it help? That’s to be determined. Does not smoke near you however if you don’t like that, he’s not that bad of an asshole.

[hazshit-hotel-hater]

“Excuse me sir! There must someone you’ve confused me for!”

Having Angel withdrawal again sorry guys :/ its time for some uhh… prologue stuff?? I think thats right. Anyway! As I mentioned in this lovely post, when sinners die the time it takes for them to wake up in hell and where they wake up depends on how they died. So for Angels case his body was formed in hell in a hospital bed cause thats where he died so theres like fibres and metal in his body from being formed around a hospital bed! This is also going to go into how regenerating and how injuries work so get ready! Basically whatever your body was originally formed and made out of regenerates eventually, you can have scars if theyre really big (uncommon since the injury usually kills you) but if you die again in hell they go away. Angel gets injured quite a lot and none of these injuries are permanent. That isn’t to say you can heal by killing yourself though! If you do die while injured there may actually be lasting complications since bodies in hell are typically made to regenerate while gravely wounded. Its kind of like a fucked up computer so if you have a broken leg and die by say snapping your neck the body may get confused and regenerate bones and such incorrectly. Or it may not! Its hell who knows! Ill likely figure out a more concrete plan and way that it works but at the moment I enjoy this aspect of hell to not have a random cheat code and instead include some body horror. Its hell so like some stuff is probably confusing right??

Back to Angel, later on around season 1 in the rewrite he also has throat surgery to remove his deformed inner fangs and those DO actually stay gone because certain hospitals in hell (usually expensive ones) have tools from sloth that have been permitted by Lucifer. Similar to how Stolas got that lust portal gem or whatever. Angels body wasn’t supposed to form like that and this is a common thing to happen with sinners that die “long-term” and that sounds confusing but it really just means sinners that die in comatose-esque ways like Angel. His body was dying over the course of months (December to March to be exact) so parts of his body formed over complicated or were underdeveloped like the aforementioned fangs (that were originally meant to form inside of his mouth and not his throat) that would randomly bare themselves and stab his own throat, paralyzing Angel temporarily. Other examples would be parts of his legs and smaller stomach.

This is the surgery Angel got by the way (expenses covered by Velvette but thats a whole other plot line)

On top of this I also wanted to draw Angel’s old markings (at least one of them). Prior to Valentino, Angel looked much similar marking-wise to his original comic designs where he was more purple and yellow with all the fun skulls and stripes. Though, with how contracts work in my rewrite, Angel loses the markings and they change into hearts after his contract and cannot return to normal after his contract is terminated. The same is true for Husker and Niffty. This whole piece is really just supposed to capture to horror of waking up after being comatose and you’re suddenly not yourself anymore and also not where you were for the past months and your entire anatomy is changed. Can you imagine waking up without bones??? In 1947??? Id have a breakdown personally!

I also wanted to use green for that sick gross feeling. Kind of the dread you feel before throwing up, but also to represent Angel’s later feelings of envy that I was unable to present in his design. I really like pink characters in green atmospheres if you can’t tell. If I think of more stuff to add to this post I will, but for now it’s just a lot of lore. Hopefully you all enjoy it!

[ironunderstands]

Topaz appreciation post because she’s been rotating around my brain like a rotisserie chicken and I need y’all to get her like I do 

Genuinely, I believe her to be the most underrated limited 5 star in the game everything wise, because she is so damn interesting and nobody talks about it ever and it drives me nuts.

So, I’m going to make you understand why exactly I love her and what makes her so amazing in the first place.

Her lore 

Topaz’s lore is rather simple, at least compared to other characters in the game, but simple ≠ bad and her story serves her perfectly.

Long before Topaz was Topaz, she was a girl named Jelena, living in a desolate planet at the edge of the galaxy. The economy of this planet was based around mining and industry, which resulted in her home becoming more and more polluted as time went on. The wildlife almost completely disappeared, people had to wear masks to breathe, and it seemed like her planet was reaching a hopeless, dismal end.

Until the IPC came. They promised to fix everything, and heal her planet of its environment problems, in exchange for every person on the planet signing a contract of indentured servitude to the IPC. Seeing no other way out, Topaz’s home accepted, forever tying her and the rest of the planet to the IPC.

Topaz is was (and still is) incredibly talented and competent, excelling in science, economics, finances, math, etc. Her exceptional talents caused her mentor  and parental figure Dvorski, who works in the Strategic Investment Department to recommend her to Jade, one of his superiors. Presumably, this is how she started her climb up the corporate latter, eventually becoming the Topaz we know and love today. 

Throughout this, she maintained her friendly and headstrong attitude, and never abandoned her love for animals or the people in her life like Dvorski, a trait which will be important for later. 

So, I’ve established the basics, so what makes this interesting?

Topaz’s trauma and how it affects her character 

I feel like a lot of people ignore just how much trauma she really has, and how it affects the way she behaves in the present.

For starters, her love of animals. Sure, Numby is adorable and in general this is a rather fun trait for a character to have, it’s not something you would consider to be a sign of something darker. 

However, remember that Topaz’s planet almost lost all of the life on it, and she witnessed firsthand almost every creature she knew and loved either go extinct or become severely endangered. 

So, when you view her love for animals through this lense, it’s easy to see that she’s so attached to animals because Topaz almost lost them forever, and this trait manifests in a lot of the behavior she exhibits.

According to Topaz herself, her efficiency goes up 27% when Numby is with her, and it seems to be blatantly obvious that being around animals give her at the very least a peace of mind/sense of comfort. I mean in game she is Topaz and Numby for a reason, and her relationship with them is a core part of the way she behaves. When Topaz can’t ground herself, she has Numby to help her with that, which hurts even more considering she is likely going on these missions alone 90% of the time, meaning her literal only friend is a pet/animal. 

Considering Topaz’s biological parents never get mentioned, it’s not hard to assume she is orphaned or at the very least estranged from them, likely due to the disaster on her planet, leaving her only loved ones to be her pets and Dvorski. Losing one half of the only support system she has would be devastating for Topaz, which is likely why she brings Numby everywhere (also considering I don’t think she has mentioned him in the present, her pets might literally be the only things she has left). 

In her own home, Topaz collects a myriad of species from across the galaxy, as if to preserve them so at least even if they disappear on their home planets like hers did, they won’t go extinct entirely. 

Personally, I think her fixation around them cooperating and coexisting also reflects on how she feels about other people. If animals from completely different planets can get along, so can people. If she can convince creatures lacking in intellect work together, then she can do the same for ones that possess it, as ultimately Topaz is a massive people person, and believes what she’s doing is best for the galaxy. 

It’s almost like an experiment, with every little change to their ecosystems, every new organism added, every new abiotic feature taken or removed, Topaz can simulate what that might be like in reality. In a way she wants to take care of humans  like she does her pets, however instead of doing it through her own means, she uses the IPC and her power as a Stoneheart as a vector for that.

But why is she so confident? What makes Topaz wholeheartedly believe that what she’s doing really is the best for the galaxy, even if we know it isn’t perfect, even if only ~80% of the planets she works on are “saved”?

Well, like always, it’s her trauma again.

Imagine you’re living on a planet slowly dying due to its people’s greed and ignorance, in which everything you know and love is falling apart, and absolutely nothing can be done about it. But you don’t need to imagine this, I mean this is a situation we are all going through, as it’s already what’s happening to our planet right now, so perhaps instead picture what it might be like to live here in a few decades if nothing changes. How miserable that would be, how upset you would be at those in power, how disappointed you would be in humanity for doing Nothing when we had so much time and already knew the consequences almost a century in advance (seriously we have known about climate change since like the 50s). 

So you give up hope and accept your fate, accept that everything is going down in flames and the humanity, the planet you know and love is going to be snuffed out forever.

Only to get saved when an outside influence comes to your assistance. Sure, they make everyone sign a contract binding their lives to them, but you wouldn’t have a life to give had they not helped. Besides, you owe it to every other thing that shares your planet with you, every plant, every animal, every organism has been utterly wiped out by human greed, so it’s only fair to pay them back, right? 

I mean it’s your whole world at stake, so how could you say no? How could you deem their terms unreasonable if clearly your own people didn’t deserve the responsibility they had over their own lives? If their situations could only be fixed by giving it to others who could guide them? By giving it to the IPC? The Preservation ?

This is the mindset Topaz grew up on and has known for her entire life. She has seen humanity utterly fail itself and is unwilling to allow that fate to befall others. She doesn’t trust other people to make the right decisions, she doesn’t think they know what’s best for them, because the people she was closest to, her very own people couldn’t do that, so how could she ever expect strangers to do the same? 

How could she ever give the leaders of these planets the benefit of the doubt, knowing that doing that for her own almost caused it to be wiped out completely? How could she see them as anything more than the selfish bastards who ruined everything? How could her heart not ache thinking there were people on the planets she helps who would be doomed to experience the fate that almost fell upon her had Topaz not stepped in. 

How could Topaz feel guilty over the planets that don’t succeed? The ones she can’t save? As after all, she thinks they were lost from the get go? Does it eat her up at night knowing she failed them? That she couldn’t prevent the folly of humanity this time, so the next planet she must work harder, be more stubborn, push back even more, so nobody ever experiences what she did instead?

I mean being an indentured servant hasn’t been that bad for her, she’s succeeded in every endeavor she’s set her mind to after all. Sure, she’s entirely alone, and sure, if the IPC no longer deems her or her people useful, they could cast them aside once again. 

But Topaz is smart, she climbed to the top of the latter, she’s been praised to hell and back, she’s known far and wide through the department for her efficiency and drive, surely she hasn’t done anything wrong?

Sure she’s heard whispers, rumors and projects of other departments, of the deep dark secrets of the company she owes her life too. Inwardly she wonders how those who follow the Preservation would even be willing to commit such atrocities, inwardly she hopes they are just rumors. The IPC saved her planet, so how could they destroy others? 

The Preservation’s power will protect all, will save them from their miserable existences. Nothing else matters in the process, no dissenter understands this as like Topaz does. She will save them, she will protect them, even if it means she is detested by everyone she encounters, it must be done. All for the Amber Lord.

I find it very compelling how despite the fact that Topaz has become a Stoneheart, she is still dressed in the fashion of an average IPC worker. As if she is an equal part of the puzzle as them. Equally useful, equally disposable, equally biased, equally ignorant, and equally foolish. 

I mean, how could she be anyway else?

Her future

Belabog was just as important for Topaz’s development as she was to it.

She was wrong. 

As stubborn as Topaz is, she is not arrogant, and when Bronya proved to her that the people of Belabog can and would fight for their future, Topaz did everything in her power to help them.

As that’s what she really cares about, people. 

I think Topaz the determination she has in Bronya and it shook her to her core. 

Because so far, the only way Topaz has seen real progress is from the hands of the IPC.

But Bronya doesn’t give into them, and she puts everything she has into saving her people. Moreover, Jarilo-VI follows the Preservation as well, but they don’t agree with the IPC’s method of it. 

Is the IPC wrong?

That is the question Topaz is faced with, what is the thing she has to grapple with once she leaves the planet. When they demote her for not getting the debt back immediately, does Topaz wonder why they were so concerned about that in the first place? Shouldn’t they be happy that a world blessed by their very own deity managed to pick itself up without their help? Isn’t that the point?

Does she think back to her previous projects, the planets she saved and the planets she failed, and wonder how it would have worked out without the IPCs involvement? 

Did Aventurine teasing her about “failing” the Jarilo-VI project confuse her, because they were still saved like Topaz wanted them to be in the first place? How could they ever be considered a failure?

She believes debts and payback are what holds planets together, but it only ever seemed to cause Belabog to fall apart.

This is the first time Topaz really is forced to reevaluate her priorities, to question if her methods are justifiable, if she’s really doing the right thing.

Belabog didn’t break her, it didn’t topple her worldview and turn everything on its head, but it did plant some seeds of doubt in her brain, seeds of doubt that will grow into a new mindset. 

HOYOVERSE IF YOU ARE LISTENING HOYOVERSE, GIVE HER THE MENTAL BREAKDOWN + PRIORITY REEVALUATION ARC SHE DESERVES!!! DO THAT AND MY LIFE IS YOURS PLEASE.

Like you don’t get it you don’t get it what do you mean they set all this up and they might not go anywhere with it. Please hoyo please please please let her break away from the IPC’s condition and warped perspective, please let her truly follow the Preservation, please make her turn away from them, please make her an emanator of Preservation after she does this. Topaz stoneheart form, Topaz emanator form. Please please please let her save the crew let her save her subordinates let her save the people she failed previously let her save Aventurine and Ratio let her save Numby let her save herself.

Her instability 

I have already somewhat touched on this in point #3, but Topaz just cannot exist in the state she is now permanently.

Like a radioactive element she’s going to slowly decay over time until she ends up in a more stable form, and who that will hurt in the process, and how long that will take, we will have to see.

Hypocrisy is not something that can exist for long within characters, as due to its inherent contradictions, it messes with the way they are characterized until they are eventually forced to either eliminate it themselves or have the story do it for them.

Topaz is a hypocrite, desiring to do good and help people, but she ends up hurting them in the process. 

However, she has only just begun to realize this, and as more and more of the IPC’s atrocities get revealed, it gets harder and harder for both the audience and her herself to justify her behavior as we witness the extent of their crimes.

So how has she remained this stable for so long?

Well, the IPC has done everything in their power to keep her that way. From a young age she was involved with them, as they not only saved her planet, but her only known parental figure worked in the Strategic Investment Department. Soon, he recommended her to Jade due to Topaz’s exceptional talent, and presumably the other Stoneheart quickly picked her up and took her under her wing, causing Jelena to rise fast within the ranks and become one herself.

The IPC has been Topaz’s only frame of reference for how things should be done, her only perspective on write and wrong for so long. The only hints she gets of other points of view are that of the people who destroyed her planet, her own people. Unintentional or not, Topaz has been made to feel her whole life like the IPC are heroes and the common people are foolish and greedy and evil, and only now has that worldview started to crumble piece by piece.

Sure, we have always known how terrible the IPC was, a perception that has only gotten more and more true over time. However, Topaz is not the audience, and in universe the IPC presents themselves in a very positive light.

Think of the Myriad Celestia trailer and how it portrays the IPC; that’s quite literally how they want to be viewed in game, how they market themselves to other people. If Topaz has only ever known them to be that great, shining, progressive company who vows to follow the Preservation and improve the universe, how could even begin to criticize them? After all, she had never known any other perspective. Even when she did fail in the past, Topaz viewed it as a strike on her own record and an unfortunate situation in general, not as a demonstration of the IPC’s misdeeds. 

The IPC is good, the IPC saves people, the IPC follows the Preservation, Topaz is a good person, Topaz does good things, Topaz helps people, Topaz saves people, there is nothing wrong, there won’t ever be anything wrong.

Until Belabog

They don’t want to cooperate with the IPC. To roll over and let themselves be gutted for all they are worth. 

Well that’s fine, that’s happened before, at least that’s how Topaz justifies it to herself. She thinks of their massive debt, it must be paid after all, otherwise how could the galaxy remain stable?

But the weapons the IPC gave Jarilo-VI were never used in its defense. The thing they owe the IPC for never ended up being valuable. Belabog stood on its own, without the help of IPC in its defense.

They saved themselves.

As if it couldn’t get worse, they did it with the power of the Preservation.

And it didn’t come from the IPC, it came from them.

The Interastral Peace Corporation, who claim to be followers of the Preservation, standing against people who really do have their blessing and being proved wrong.

Do you know how that would feel to Topaz.

She’s wrong, and she’s proven wrong by the very deity she claims to follow, she believes she follows.

So Topaz makes her choice.

Stick with the IPC’s plan, or stand with the people of Belabog 

And she stands with them.

Topaz’s character never changes. I hate when people act like she switched up on them and changed her whole worldview, but in reality that was the most in character thing Topaz has ever done in her entire life.

Because she cares about people, so when the opportunity presents itself, she will always stand with them. 

This is the first time Topaz goes against the IPC’s wishes, and it won’t be the last.

She made her choice, she demonstrated who and what she truly cares about, and that will only drive a wedge between her and the IPC further and further until she snaps.

I find it funny how Topaz is a fire type character, when the song core to Belabog’s themes is “Wildfire” 

However, maybe it isn’t just about them. I think it’s about the Preservation, about what the game in general is trying to tell its players.

How fighting for your right to exist will hurt, but it is not impossible, and that pain will be the only way to enact change.

Well, Topaz,

you made your choice

go fight against your fate 

Thank you so much for reading! I really enjoyed making this and I hope you at least understand why I think Topaz is such a compelling character. I need an arc centered on her in the future and if I don’t get one then trust me things will be dealt with. She will get her just desserts.

[doodler16]

long one ahead. discussion of ableism and disability.

i have a very strong feeling viv only added disabled characters for clout/praise. none of the disability "rep" is good or realistic imo. yes, it's hell and heaven etc etc. idc. not to mention she's ableist towards disabilities, mental or physical, she can't or doesn't want to romanticize. look at the bellhopper from ghostfuckers and the goat lady at the reception of the hospital blitz and loona went to. ableism is funny there, but when someone is mean or ableist to fizz, it's wrong?

not to mention every single disabled character gets their disability "fixed" without any issue or actual impairment of their life. it doesnt impact them or shows itself as an actual disability, just as an event that happened to them that got fixed eventually. which is fucking wild. wouldnt be surprised if she "fixed" autism or anything in that regard too in the future.

vaggie - gets her wings back for no damn reason. never mentioned or tackled how she manages with only one eye. how does she coordinate with dancing and fighting? depth perception? it seems like her getting attacked/ her eye torn out by lute was just for shock value. its literally never mentioned again.

lute - gets a perfectly working arm prosthetic. why did her arm get crushed in the first place? only for drama?

fizzarolli- perfectly working prosthetics yet again. at least its shown that he struggles with self worth and confidence with his remaining horns and 'disfigurement'. yknow, seeing that the disability had an actual impact on his life. like those in real life do.

blitz - literally had half of his face burned off, plus most of his arms/hands, and his eye on the affected side is perfectly intact, and his hands are too.

what even is the logic in all of this? (there is none surprise surprise)

i wont even get into how addicts & mentally ill ppl are treated... maybe another time.

sorry for the ramble.

I don’t think Vivziepop and Brandon thought much about the disability aspect besides making into a punchline/dark humor. Because Helluva Boss was supposed to be a comedy while Hazbin Hotel handles all the serious lore and drama. Now in Helluva Boss they want to be serious about their topics, creating a double edge sword.

You are right about Fizzoralli, Anon. The Mammon Special bothered me for 2 reasons: Blitz and the way Fizzarolli is babied in and outside of the show. The fans would shower Fizzarolli with praise for leaving his abusive environment and gaining weight (I’m sorry I barely see a difference regarding his weight, dude is built like a twig) but meanwhile nobody in and outside of the show keeps the same energy with Moxxie. I remember making a video all about that because that episode was so hypocritical and the double standards.

It’s not fine for Fizzoralli to be made fun but Moxxie, the goat nurse, and the bellhop can be? Like cmon. Fizzoralli got like a whole protection squad it’s not even funny.

Vaggie getting her wings was not only awkward animation wise but out nowhere and I have to question is that how all the angels get their wings back by.. dancing and jumping around while another person is singing confidently about love?

Like what is the process/requirements of getting your wings back? Looks it is not a permanent situation. I get what they were trying to do, Vaggie coming full circle similarly like a butterfly except hers was nonexistent/rushed. I’m honestly surprised nobody in the hotel asked about her eye or Vaggie has not been insecure about it.

Like Angel Dust can make fun of her tits and name but never mentions her eye. That would be great character development for both Vaggie and Angel Dust. He pushes her to edge and goes too far, in the process Angel Dust learns more about Vaggie and why she is so guarded and closed off to sinners.

Vaggie’s eye being ripped, It was definitely for shock value and show how ruthless the excorists can be especially Lute. Lute losing her arm kind of adds to drama but it’s mainly Adam dying that takes the cake. Lute is the type to use anything that happened negatively towards her as an example of why sinners are dangerous.

I’m surprised Blitz can see properly, I thought he would be blind, wear an eye patch like Vaggie, or his vision would be 10x worse than before. Blitz getting that main character plot armor. 😂 Overall, the person who truly acknowledges their disability is Fizzarolli (even if it’s brief). I would love to hear your thoughts how addicts and mentally ill characters are treated in the show, no need to apologize for rambling. I find these conversations interesting.

[genericpuff]

Hello! I’m just here bc I’m a little confused on what you meant by Smythe drawing out “each individual asset” when she was making comics? Now, granted, I can see that it made her file ginormous, but me personally as someone who knows nothing about making online comics but is really wanting to get into it (and also as someone who has a ‘too many layers’ problem myself), is there a way to avoid using too many layers?

My current way of making comics has been to draw the panels individually and then format them (which I know is terrible management wise and also messes with the quality) but I honestly have no other idea of how to do it properly, and seeing how stunning Lore Rekindled looks, I don’t know how you would manage to put all that lighting effects and little details on the same layers. (But also I may be thinking of it wrong so I’ll let you talk qwq)

Ah I can actually give you a visual breakdown of what I meant by that!

So in this you can see there are a TON of layers, and not even all of them are visible because some of them are stuffed into FOLDERS that have been left closed. BUT if you look REEEEALLY carefully-

^^^ These layers right here? That's specifically Minthe from this panel in Episode 61:

(the unique pose here makes it real easy to tell that this is the corresponding panel, you can see the matching body shape with the dark shading that's clipped to the base layer below it!)

So what this means is that Rachel didn't draw all her characters on one base layer, she drew every single character in every single panel separately. Now of course, she could merge all these layers together as working on separate layers helps make it easier to work on elements that collide separately (like one character being 'underneath' another character like Hades is here) but because she has all of those clipping layers with the shading already added in, she likely didn't merge them afterwards because that would actually create MORE problems (because if she merged the Minthe layer in with Hades, then the shading for Minthe that she painted outside of the lines would show up on Hades and then she'd have to erase it which is just a bunch of extra work).

You can also tell all these characters are on their own layer because the layer thumbnail EXCLUSIVELY shows those characters. A layer will show as much canvas length as it needs to cover what's in that layer, so if the thumbnail is only showing one character, that means there's NOTHING ELSE on that layer. If there were more elements on this layer than just Minthe, the layer thumbnail would look more like this:

Now let's compare it to Rekindled's layers! I'll use a completed page to make it fair as we use a lot of extra layers in the post-production phase where we add the texture effects and glow and all that fun stuff, plus I'll even make it a more complicated page like that big nymph explanation spread from Episode 51:

So I'll break it down to make this make more sense:

BG 2 Copy (technically this is supposed to be BG 1) - Basically the panel shapes, what I'll do is mark out the panels with flat blocks and through that we'll add background elements in a clipping layer (usually done by Banshriek). Often times they'll do multiple layers to make the process easier and then merge them all together in the end. With these shapes operating as panels, it means I can just auto select the whole layer, invert the selection, and easily erase whatever's outside of it (such as the lineart and base colors that I put down afterwards). I could just use masking layers like I did in [AFTERBIRTH] but I find this way works better for the process of making Rekindled.

BG 2 - This is where we add objects / foreground elements. So stuff like furniture, interactables, anything that needs to be kept separate from the larger background to make it easier to work with. This can also include "floating" panels that need to be above other panels, such as this:

All of the backgrounds are then nested in a folder for organization purposes (we also sometimes use clipping layers on top of those folders to apply extra effects over anything contained within that folder without affecting other folders, that's a common technique that Banshriek applies)

Then we get into our Characters folder:

BASE - This is where I do the majority of my work, all the characters in every panel on a page are flatted into this layer. Sometimes I do have to create separate layers to, again, make it easier to work with overlapping characters, but usually those layers will be merged before I go into the shading process. I simply shade on a single layer by using the lasso / magic wand tool to select my area for painting, the flat colors make it really easy to do that. Sometimes I need to create a secondary shading layer if I've put down dark colors that start to bleed into the lighter colors, but again, I merge when I'm done into a single shading layer. We also sometimes employ an Add (Glow) layer into the clipping set if we need a glow effect that's exclusive to the characters and doesn't travel outside of their base colors.

There's a (leaves) layer here that I used for the dryad because I needed the leaves to be above the base layer, after that I selected the leaves elements so that I could erase the lineart in the layer above it where needed.

LINEART - It's lineart, enough said haha That said, I do think Rachel actually uses clipping layers for her lineart in places, it seems to be visible in some of her process videos where you can see the lineart present in a clipping layer, and that would explain why there are panels where the lineart suddenly 'cuts off' and doesn't travel outside of the base layer, like so:

GLOW - This is where we do an Add (Glow) layer that isn't restricted to the base layer, it's where we add all the fun lil' glow and sparkle effects over the characters !

The CLOUDS layer is, like the leaves, a background element that needs to be above the base layers rather than constricted to the background.

Above the Characters folder you can see what I mentioned earlier where Banshriek has added more post-production effects that are exclusively clipped to the contents of the Characters folder. This means the effects / blend modes do NOT affect the background layers or anything above it.

The BLUR (Overlay) layer is something we just started doing over the past several episodes, it's a technique I actually picked up from 66 of City of Blank where I merge all the layers into a new visible layer which I then apply a Gaussian Blur to at around 60% and then set to Overlay (and then I adjust the layer opacity until it looks right, usually around 25-35%), it gives it a bit of a softer "dreamier" vibe in the final colors and really helps unify everything!

CANVAS - This is an Overlay layer which is also set to an opacity of 25-35% where I go over the panels with the Add Canvas brush from the Kyle Webster set, unlike the Canvas overlay texture in CSP I can actually choose the colors I want to use which means I can match the canvas texture color to the mood and environment of the scene (ex. I'll use a very light blue for scenes in the Underworld). Not only does it give it that signature texture from S1 of LO, but it also helps balance out the effects of the BLUR layer.

The SKETCH layer sits on top of everything and gets turned off once all the base layers and lineart are down, and ofc the SPEECH folder is just where all the text is kept.

I know everything I just laid out is a LOT but ultimately it's how we operate, it works for us! But it also begs the question of why Rachel operates the way she does because a lot of it seems extremely unnecessary and more likely to bite her in the ass (the more layers there are, the bigger your file size gets, the risk of drawing on the wrong layer increases as well as the risk of posting a panel that's missing elements because the layer was left turned off by mistake, etc.) And it's more so concerning with how she operates with her assistants because if she's still using this many layers when collaborating with other people, hooo boy. Though based on what I've observed of what her assistants contribute, I get a lot more of the sense that she circumvents this by having the artists do the flats separately and then importing them in as separate assets that she then just imports into the page and places them where they need to be. Still not a great workflow IMO because it's what's led to a lot of the issues of characters "floating" rather than feeling like they're actually in the environment-

-but that's still an issue that could be solved by Rachel just taking more time to actually flesh out the backgrounds and lighting to give more of an impression of the characters actually existing in the space. Like that Hestia panel could easily be fixed by just giving the background a bit more detail and putting actual shading underneath her (and lighting from whatever direction it's coming from).

Either way, regardless of whether or not Rachel's process is productive or not, I hope that breakdown helps explain how we do it in Rekindled! Learning how to manage layers is definitely a skill that can be tricky to harness, but once it "clicks" there's a lot you can get away with. Ultimately how you do it is up to you, but my best piece of advice to offer is to just be open to other types of workflows because you don't know how much you might be shooting yourself in the foot doing things the hard way when there are often way easier and more efficient ways to get the same job done. That's basically the vibe I get from observing Rachel's workflow, it seems like she's still using methods that she thinks are working for her (and probably did work just fine for her when it was JUST her) but could be vastly improved for her and her team if she'd just get over the initial hump of stepping outside of her comfort zone. Would probably make for a better comic too LOL

I hope that helps! Good luck! ( ´ ∀ `)ノ～ ♡

[autismprotocol]

TMAG Theory Board Update (EP 11-12)

Hi guys sorry about the late posting I've just started a new quarter of college and its been pretty hectic. also got into my school design BFA program so pretty stoked about that! Anyways lets get into the Episode Breakdowns because even though not a lot of lore related things happened I still have a lot to talk about

For the breakdown I'll separate each by episode in sequential order

What Happened in Episode 11: Marked

Celias Rude Awakening- we jump right into the weirdness straight away with Celia waking up on the side of the interstate. she indicates that this is not a weird occurrence and ends the scene by telling someone named Jack that she's "on her way." If you remember episode 8 after Celia and Sam talk to Gerry and Gertrude, she mentions stuff about wanting help with her own mystery. When Sam asks about it she says she's looking into Time travel, other dimentions and teleportation. Many people have theorized that maybe Celia is just a super heavy sleepwalker, but I think the she teleports random places out of nowhere. This could be a side effect of her reality hopping if this Celia is originally from The archives universe.

As for the identity of Jack I'm not quite sure about that yet. I cross referenced the name Jack with past episodes of TMA. The only thing that came up was Jack Barnabas from the statement about dating Agnes Montague (aka an avatar of the desolation and Jesus-like figure for the cult of the lightless flame) So Unless Celia is secretly Agnes of Agnes reincarnated , I can't find any way to link Barnabas to Celia. (if anyone has a theory feel free to send it my way.)

Sam Lore- this one is pretty minor story-wise but I thought it was interesting. Before the statement for the episode is presented we get some classic Sam and Alice Banter ™ most of it is pretty lighthearted but I noticed Sam mention something that could indicate he might be an amputee.

These could not mean anything and I find it weird that it hasn't been mentioned until now but thought it was kind of cool and I will probably be drawing sam with a prothetic leg in the future cause I really like this head-canon. It also begs to question if he is missing a leg. it might have anything to do with his past as a Magnus institute test subject but then again could just be a fun character detail added by Jonny and/or Alex .

The Statement- Getting into the statement we get another Ink5oul appearance. Also possible Ink5oul identifying as she/they. (and lets be honest being a fear avatar is pretty non binary core). I found this Episode gave me a feeling of a hybrid between the Vast, Buried and the Flesh some people are theorizing that is might be a new entity called the Deep but I think that the fear of the ocean could easily apply to the vast or buried. Not much to say about this story though pretty standard Magnus horror that also gave us a hint to what Ink5oul's goal could be/which entity they serve.

Post Bonzo- Gwen has a debrief with Lena after her first Externals Liason assignment and her meeting with Mr. Bonzo. Undoubtedly Gwen is still pretty shaken from her encounter, even arriving late to work due to sleeplessness. Gwen is able to ask Lena a few questions mainly she wanted to know who's name was written on the letter given to Bonzo

Lena is largely unhelpful but tells Gwen she should have worked it out by now and if not to pay close attention to the case load for the next couple of days. before the latest episode my guess was Klaus because that is the only person mentioned so far that the OIAR intends to kill. but more on that later

Marked- Now were getting to my favorite thing about this episode. This episode title can have two meanings. The first is the more literal interpretation. Tattoos are marking of the body and the case this episode was all about tattoos so easily a good name would be marked. But I believe this is a red herring meant to misguide listeners who have not consumed all 200 episodes of TMA because if you know the world of Magnus Archives the term Marked takes on a entirely different meaning.

In TMA the term marked is used to indicate that somebody has been influenced by one or more or the fears and are one their way to becoming an Avatar. I think this could be a coded way to tell the audience someone in the OIAR has been marked. I have two potential candidates

Alice Dyer- Alice has been having dreams about the Institute after her and Sam's adventure into the ruins. also she mentions feeling like someone's watching her (common to people influenced or fed upon by the Ceaseless Watcher/The Eye) My guess if she is marked it would be by the Eye.

Gwendolyn Bouchard: Probably the most likely culprit. The main way an entitly tends to mark people is through encounters with other avatars. Gwen has just had an encounter with Mr Bonzo last episode who I strongly believe must be an avatar of some sort.

What Happened in Episode 12: Getting Off

Aww Sam!!- Sam asked Celia out and it was adorably awkward. not much to say I just loved this interaction and I'm longing for a new Magnus brand office romance hopefully is wont be an agonizing slowburn that ends tragically like a certain pair of morons from Archives (I love you Jon and Martin but Jesus christ)

It's Bonzo time bitches!!- Probably one of the most gruesome Magnus statement I've ever listened to (good work Alex) Mr Bonzo completely annihilated some poor dude at his bachelor party. Based on the date of the Incident the I can confidently say that whoever Baz (the groom) was he was our mystery person the OIAR sent Mr Bonzo to get rid of. Along with some of the bloodiest imagery we learned a few things about Bonzo. The most interesting detail is that Bonzo has to be summoned by playing his theme song I think the CD of his theme song acts somewhat like the tapes did in TMA by materialising out of nowhere. Also fun fact you know that torn seam that is right down Bonzo's middle? that is actually is his mouth lined with rows sharp teeth so I guess I know that now (so fun) Moral of the story dont f*ck with Mr. Bonzo

Alice knows something: Theres been this recurring audio glitch throughout TMAGP thatnks to a few extremly observent fans we have started to relize that these glitches are not at all random and are actually letting the audience know when a character is lying (i actually reposted somones deepdive into all the istances of this glitch so far if you guys are intrested in knowing more) why i bring this up now is becuase since we know when any charater is lying we also know when they are being truthful if there is no glitch when they say somthing and at the end of this episode this interaction occurs

Alice goes ahead and makes a joke about this to annoy Gwen but the fact theres no audio glitch when she says "I know" means she does actually know who is behind the OIAR and is activly refusing to share it with Gwen or the others. What do you know Alice!?

and that's about it im already loving these next batch of episodes and am so excited to learn more (ERROR has to show up somtime )

thanks to everyone who resonded the poll on the last update I will continue to include drawings into the breakdown even if it takes me a little bit of time to post. anyways I wrote this all in one sitting and I'm about ready to pass out so thanks again and the ask box and comments are always open for discussion and theory crafting.

-Echo

[leverage-ot3]

okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭

bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)

but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good

some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember

he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business

one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man

he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)

they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)

not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it

and then the long goodbye job happens

hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.

so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.

and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.

not this time. not to sterling crowley

he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)

nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to reapir fully.

he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.

the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.

but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.

‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.

watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it

[skitskatdacat63]

Happy One Year Anniversary to Boy King AU!!!! 🎉

Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh

Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece. 

Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there’s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:

First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!

Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-

So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb. 

The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!

It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly. 

Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!

 Happy anniversary to  this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.