#working on being more mindful

[chloesimaginationthings]

RIP Michael Afton.. you would of loved FLAF

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[ultravioart]

Self reflection with Art

Man, I keep wanting to draw Marvin in WoY style, Dominion Au stuff, Star Wars Ocs, maybe even some Ramattra art, but I get insecure about the quality of it. My whole plan to 'post art at the end of each month' backfired because: 1: Deadlines make my brain procrastinate due to past traumatic experiences with school/work deadlines when I fell extremely ill (yes I met 95% of the deadlines, but it left me with debilitating burnout that took years to recover from. Thanks dysautonomia, spoon debt is REAL). So this January with my new "post at the end of the month" plan, instead of drawing all the time like I usually do with no pressure to post, I procrastinated, and mostly drew within the last 3 days of the month because I felt pressured by my set deadline. This was not helpful lol, I'll try something different going forward. But within that procrastinating, it did allow me to take a long break from my PC set up, and explore different activities more. Like cooking, learning to crochet, self care (meal prep, research into foods, research into how to care for my hair texture), research in general on topics I find interesting, and deeper life discussions face to face with the people in my household. I think I will include more "days off" from my art set up so that I can dedicate full days to other activities going forward. Sometimes you have to take one day at a time with POTS (dysautonomia), and that's okay. Some days you can't draw, and that's okay too, no need to force it because you REALLY want to create art right then and there. 2: looking back on the art I did draw, I didn't post it at the end of the month because I felt it wasn't "quality" enough to post. It was quick sketching with shape use I didn't like enough, or line quality I didn't like. I have to remember that posting is better than not, and it doesn't matter if I think it sucks. So what? There's nothing to be ashamed of. Going through this internal discourse, it did suddenly remind me that I draw VERY fast, and what would take someone underdrawings + line art to look like a nice doodle, I genuinely just doodle something out in less than a minute that looks like a nice doodle. So, there is no need to beat myself up if my less than a minute art isn't perfect lol. Not every day I can physically draw, and that's okay. Those low days I can just create a prep of ref, or scribble stick figures so I at least remember what the comic was so I don't forget the idea.

[kugisakiss]

as promised, the spy x fam parody AU

I had some fun thinking about this like 2 years ago and only made a couple of sketches at the time.. but then I started cleaning them up last month and before I knew it, it spiraled out of control to become this monstrosity. I can't help it, as you can all tell by now, I love coming up with scenarios to get all my little guys interacting with each other

some details i didn't put in:

the Kudou parents are absent like in the show

whatever is happening on Haibara's end is probably super messed up but I haven't thought of any of the details

Akai gets fancy tech stuff, like the voice changer, from Agasa. Agasa comes to help babysit Conan sometimes and he gives him all his little gadgets. Akai hasn't said anything about it but figures he could use it considering the amount of crime he comes across

the facility shinichi was in is like in the original story, it exists to research esp to create super soldiers which is why he knows everything he knows

Conan regularly eavesdrops on Akai and Rei's top secret phone calls which is how he learns their real names. He can't help it, he has really good hearing

Conan and Subaru have different last names because Conan thinks "Okiya" is lame and wants to keep the one he made up on the spot. Their story is that when Subaru and Conan's mother (Edogawa Fumiyo) married, they both kept their own last names and Conan was given Edogawa when he was born. They've kept it this way to "remember Conan's dead mother"

[turtleblogatlast]

Every day I’m haunted by the fact the boys happily swim in sewer water

Even if it’s filtered somehow there’s no way it’s not still nasty 😭 Bet they can defeat any of their villains just by accidentally giving them diseases I swear

[cherrirui-official]

"You know... You didn't have to take that with you."

"But I promised him I'd take him out to see the ocean one day."

[mikkeneko]

Don't want to put this on the post itself for risk of derailing it, but that post the other day about Terry Pratchett's early work really stuck in my mind. OP had sent in an ask saying that they heard some of Pratchett's earlier works had problematic elements (not unusual for a male english writer in the 80s) and they weren't sure whether to go ahead with reading the work anyway.

What I really want to ask that person, or indeed all persons who are hesitating over whether or not to read problematic works or works by imperfect authors:

What are you worried about happening, if you read a work with problematic elements?

I'm worried that if I read this art, I will run across hateful images or words that will shock or upset me

I'm worried that I will spend money on a work of art that then financially supports a bad person, and that thought makes me uncomfortable or upset

I'm worried that I will read works of art written by a bad person, and comment or react on them, and other people will see what I am reading and will think less of me because of it, or will assume that I hold the same bad beliefs as the author

I'm worried that I will read works of art written by a bad person, and I will enjoy them, and the author will find out about my enjoyment and feel emboldened to do bad things because of it

I'm worried that I will read works of art written by a bad person, and their badness will contaminate my way of thinking and make me a worse person in turn

Because these are all different answers and some of them are more actionable than others

[mammalsofaction]

Someone pointed out to me in one of my posts that the reason Perry was SO pissed off during OWCA files was bc he's jealous Heinz was spending time with so much of his co-workers, and Ive since been thinking about this and I genuinely hate how much this makes sense.

Obviously that isn't the ONLY reason, but. This is the second recorded time where Heinz ends up working for OWCA and BOTH times Perry spends the entire episode inexplicably grumpy and pissed.

You COULD say it's bc he's wary, he doesn't trust Heinz to behave professionally as an agent when he takes so much pride as an agent himself and incompetency pisses him off (true). Also that Heinz is lumped as his responsibility, and agent Lone Wolf hates being saddled to a person.....but these arguments crumble in light for a few facts.

1. Perry doesn't have THAT much respect for OWCA, and certainly not Francis, ESPECIALLY if they piss him off. See the aftermath of Undercover Carl. Its not a respect issue.

2. Perry knows what Heinz is like. He LIKES spending time with Heinz, and as early as the events in "Come Home Perry," HE knows that he can trust Heinz to always have his back. Its not a trust issue.

3. Perry is hugely supportive of Heinz reforming, and in MML, it's HIS money being the first and foremost funds provider for Heinz to start a time travelling agency. He likes Heinz turning tide fine, so long as he doesn't shut Perry out or leave him behind. It's not a Being Good issue.

So why was he pissed off?? Well. What's the ONE thing that upsets Perry, without fail, when it comes to his loved ones that isn't them being in undeniable danger.

Sharing. Perry hates sharing.

[eli-am-confused]

I think them as a childhood group of friends cold be very fun! Like they kinda work as a Scooby Doo/Solve It Squad kinda group except most of the crimes are actually supernatural and connected to the occult (I’m sure that’s a thing i guess Gravity Falls?) thinking of calling them the Hatchet Catchers or something like that?

Anyway Duke mostly handles the “civilian” stuff (talking to witnesses and adults) and patches everyone up with the first aid kit he keeps in his bag. Holloway is also very good with adults but she mostly handles research and take-down. Wiley is more the action type but he has a way with cult members that can get kinda creepy at times. He also sews which is fun! Sheila is best as long-cons and waiting shit out, she’s also very good to have in a fight.

Here’s them as teens too. This is like a month or so before the Accident™️.

Duke(definitely lying): Sorry dad. We’ll never sneak onto an active crime scene again.

[chloesimaginationthings]

Oooo I love the way you draw Jeff he's cute <333

I hope I did Jeff justice.. gotta love tired men

[mary-kasexual]

hi *throws this at you and runs headfirst into a lamppost*

[gunsatthaphan]

#best interns ever <3

[ofswordsandpens]

imagine writing this. imagine writing percy increasingly losing himself to his anger and his resentment, sympathizing with Luke, spiraling, being immensely powerful, burning away at his mortality, and not knowing how to deal with any of it. Desperate for help and the one time he breaks down enough to try and get it (Jason) his worst thoughts and perceptions of himself are inadvertently affirmed. He never talks about it to Annabeth. He never talks about it to his mom. Oh but everyone is aware of it. Aware of his anger. Afraid of his anger. Concerned for him and by him. They give each other looks, worried, because they recognize what a danger he could be — to himself, to others, to the gods. But no one says anything, at least not to Percy. No one helps him. No one intervenes. They don't know how to, it seems. (Or maybe they're afraid to). And so they all pretend everything is fine. Percy pretends, bottling it all up inside until the pressure gets too great and that anger boils over and he loses it all over again. He's so desperate for normalcy that he'll take anything, believes in all of the sweet, sugar-spun tales of New Rome and looks away from the rotting underside. He lets himself believe that once he's there the gods will have to leave him alone, because he's done with it all, he's retired (and the gods always keep their promises don't they?).

Imagine writing what is arguably the well-plotted, compelling, and tragic beginnings of a fallen hero arc for percy and none of it being intentional.

RR's penchant for Percy to be explosively angry and scarily powerful, alongside characterizing him as jaded and resentful and desperate, mixed with his refusal to write any in-depth emotional resolution to any time Percy snaps has created an enthralling narrative of a hero just about to fall from grace. and it's all seemingly an accident.

Oh, and another, amazing, unintentional coincidence? if you're taking RR's word that Percy is still 17, that's also the age Luke was when he failed his quest, marking the beginning of his fall as a hero. Like. The narrative parallels are all there. And without any meaning for them to be.

[turtleblogatlast]

Something I really like is that April’s constant stream of odd jobs she goes through is somewhat reflected in the boys as well. Like, you have April working at random pizza places or getting a crane license or being fully willing to apply for a job at a place clearly made out of cardboard. Then you have the boys as well who do anything from working as a basketball mascot, building a massive dog park, being waiters, getting a whole band gig at a theme park, etc, etc-

Main difference is that April actively applies for these jobs (and is hopefully paid for the short time she’s in them) whereas for the bros the jobs usually find them (and they practically never get paid.) It doesn’t even stop at jobs either, they just seem to casually amass skills in general.

I don’t know, I like how both April and the turtles are just so ready and willing to do things. Sure, they’re not always good at these things, but they do them readily! In a way, being heroes is just another job (well, more like volunteer work/vigilantism/another fun activity) that they initially took on because of their general sense of “why not?”

They’re very willing and open to trying out new things despite their tendency to revert back to what they enjoy (and how commonly trying new things ends up going wrong), and I think that adaptational interest of theirs really helps them be well rounded in multiple regards.

[aseuki]

Heard there was an @kirbyoctournament going on and decided to join the bandwagon like any good upstanding citizen--and also use this as an excuse to let folks be properly introduced to my little menace hahaha

He has a Reference Sheet and their own dedicated tag, but for those that want the quick rundown of his deal:

Parhelion Knight is the lone guardian of the ancient wishing star Parhelic Anima. A volatile, foul-mouthed spitfire, Stell isn't exactly the most sociable puffball in the cosmos, quicker to resort to violence and insults over diplomacy. To be fair, when the extent of one's social interactions for the past several centuries is speaking to a soulless AI, talking to oneself, and spewing death threats, it makes sense that their conversational ability vastly suffered. It certainly doesn't help that they're desperately pasting flex tape over their many, many complexes over their short stature and lack of wings. Projecting? Overcompensation? What's that?