#working on a zine about queer relationship bodies and love
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odemiourgos · 9 months ago
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st-dionysus · 3 years ago
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How can you use d*ke if you’re not a lesbian?
Because I am a part of the dyke community. I spend most of my time around other dykes. Butch Dykes, Femme Dykes, Bi Dykes, Transfem Dykes, Trans Masc Dykes, FTM Dykes, Dykes, Dykes, Dykes that's what I am and who I love.
And it is a term that I reclaim. For some reason, Tumblr seems to be under the impression that only queer people belonging to certain groups can reclaim certain slurs, when that's not how reclamation works at all. As a trans man, the slur people use most against me is "dyke", it's the word that has been shouted at me on the streets and when I was in school what people referred to me as, I was quite literally stripped of my clothes in middle school in the girl's bathroom and the word "dyke" and "tranny" were sharpied across my body. When people want to misgender me as a trans man, guess what they call me? Dyke. When people assume I'm a lesbian, guess what they call me? Dyke. When people know I'm a trans man, guess what they call me? Dyke. Reclaiming that word means taking that power back and being able to say "Yes I am a dyke, that doesn't mean I'm not a man, I contain multitudes beyond your monosexual binary perception of gender and sexuality.
Dyke is also an identity that many many trans men use, both currently and historically. It's a way of clarifying that just because we are trans men that doesn't mean our sexuality is the equivalent of that of a heterosexual cis male, and that our love of women is just as queer as it was when we were lesbians and/or part of the lesbian community and used that label to describe ourselves. We might no longer be lesbians but many of us reamin dykes.
I'd also like to point you to this post from an ask "if youre a trans man "lesbian" does that mean youre a straight trans man or? sorry, genuine question"
As well as this post, on the history of Butch and Dyke as terms used by trans men. (Please note that this is a very long post, but also a very important one that will likely answer many of your questions, also it has one of my favorite zine covers, which I've attached below)
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The fact is, trans men are allowed to have complex relationships with our gender and sexuality and the terminology we personally use to label or define ourselves by. Queerness does not conform to "You must be x to be x" and "you have to choose this if you are this", it's an exhausting binary form of thinking that actively hurts many people in the queer community, especially those of whom are trans.
You'll aslo want to note that MANY trans women and transfem folk ID as "Tranfags" or "fags" in general (many of my friends do in fact) Most people will agree that telling trans women they can't refer to themselves as fags or reclaim that slur is a form of transmisogyny, since it polices trans women's language and ignores that "fag" is one of the most frequent slurs used to attack them. So why is it that people don't regonize the fact that it's transandrophobic to police the langague that trans men use and ignore the fact that "dyke" is one of the most frequent slurs thrown at us?
(also, another fun fact is that many butch AFAB lesbians ID as "Faggot Dykes" since this is a term used to refer to some butch4butch couples ((as well as gay trans men who are t4t)), there is a very nice poem that talks about this, that I sadly can't find right now.)
I hope this helps <3
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whenbacklitbylovezine · 4 years ago
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CALL FOR SUBMISSIONS
When Backlit by Love is a zine about trans people loving and being loved. Our hope is that this collection of art, poetry, and creative nonfiction can begin to encompass the breadth and depth of love so many people, cis and trans alike, have for the trans folks in their lives.
We are seeking stories and artwork that centers a love for a trans person or people in the creator's life, including yourself! We especially want to highlight work by trans and nonbinary creators, but cis people are also encouraged to submit. A great part of the purpose of this zine is that love for trans people comes not just from the trans (and queer) community, but across many identities and in many ways.
How to Participate:
If you'd like to submit your work, follow the submission guidelines under the cut. Send your work to [email protected]. We plan to accept 30-40 original pieces; if there's a huge response, we may consider future editions. Submissions are now being accepted on a rolling basis, so get yours in before spots fill up!
Please share this call for submissions with any creators you think might be interested!
If you'd like to support the zine, please follow us at whenbacklitbylovezine and share our posts! When Backlit by Love will be completely free when released.
Submission Guidelines:
We are seeking written and visual art pieces exploring and centering love for trans people. While conflict is fine in a creative piece, this zine takes a positive tone, so we ask that your submissions be consistent with that tone. Also, please note that we are looking for pieces about specific relationships; poems or essays that reflect on the concept of trans people, rather than a particular trans person or people, will not be considered.
Please submit no more than 3 poems, 1 creative essay, or up to 3 visual art pieces.
In the body of your email, please include:
Your name and personal gender pronouns
Title of the piece(s)
Medium (poetry, visual art, or creative essay)
Word count (if applicable)
Please attach written works as a Word document or other word processing format, not a .pdf. Images can be submitted either in a document or as separate image attachments. Please submit images in the form you prefer (scans or photos of traditional art, for example).
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betweentheracks · 4 years ago
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LGBTQ+ and Queer Operated/Founded Brands
A composite list of some of the notable brands I have worked with or been in contact with throughout my time as a stylist. Rooted in queer communities, founded by LGBTQ+ designers, and dedicated to pursuing gender inclusive styles as well as providing an uplifting community committed to showcasing the talents of LGBTQ+ persons. A number of these also have a deal of activity in supporting POC or black owned and operated fashion brands and design studios. 
Otherwild: Los Angeles, California. 
Queer identified and woman-owned, Otherwild was established in 2012. It is a store, design studio, and event space. They offer apparel and accessories, as well as lo/no-waste home cleaning products and personal care products. Very grassroots and have a foundation of ethics and sustainability, working in earnest to establish a countercultural relationship to exploitative, extractive, and excessive consumer capitalist culture. They’re quite cost-effective with fair pricing on their range of products.
Rebirth Garments: Chicago, Illinois.
Entirely gender non-conforming, Rebirth Garments caters specifically to all non-binary, trans, and disabled. Their clothing line is custom made upon order, touting a distinct lack of standard sizes since part of their mission and manifesto is to tailor their styles to exactly the consumer’s specifications regardless of body type. Their party line is “Radical Visibility” and have a zine under the same name; their manifesto expressed as a desire to establish and nurture a community of people that have been excluded from mainstream fashion but are still deserving of an outlet to feel confident in expressing pride in the intersections of identity. Their materials are all vibrant and wild, bold and exuberant as a means to challenge the ableist and sizest ideals of mainstream fashions which still centers on gender and binary conforming styles. -- They also offer virtual lessons on accessibility, entrepreneurship, and much more. 
Automic Gold: New York City, New York.
Queer owned and queer operated all inclusive jewelry, Automic Gold promotes their products as the most comfortable and versatile jewelry available. The founder is genderqueer and makes a point to create truly genderless accessories and does so with designs that specifically mix and warp the essence of masculinity and femininity, bringing together that which is both outside and inside to form that which is beyond. Sustainable and eco-friendly, all of their jewelry is made from reclaimed gold and 100% recyclable material. Automic Gold is the only known jeweler that carries rings in sizes 2 to 16 and utilize this point to shade the fashion industry for being so constrained by sizing standards. 
Wildfang:  Los Angeles, California/Portland, Oregon.
Women found, women run, women oriented. Wildfang is seated in the belief that women can and should wear whatever they want and be whatever they want. They give much of their profits to charities and organizations that center on the rights of the oppressed communities, namely queer, reproductive, and immigrant activism. Their collections offer full suits tailored to a female body, workwear made of truly durable materials to outlast even the worst of working conditions, and button ups that won’t gap at the boobs and are not super form-fitting. They promote the sort of modern feminism that holds no underlying toxic ideals of woman’s superiority, and works in the name of women having their rights unrestricted so that they can live their fullest lives with a true sense of self and self-worth alike. 
STUZO CLOTHING: Los Angeles, California.
Steeped in the ideals of love, people, and life STUZO celebrates existence without emphasis on identity. Women owned and black owned, STUZO offers apparel with no gender bias with designs meant to invoke thought and feeling; an experience of the self, expressed without boundary. STUZO looks at clothing as being without life and therefore cannot be limited by borders of gender; textiles worn and filled out by consumers breathing life into them.
PYRAMID SEVEN: Chicago, Illinois.
A niche brand; they provide boxer briefs for periods, not gender. Their philosophy and belief is that regardless of where you fall on the gender spectrum or identify yourself as, if you menstruate you should be wearing their briefs. Designed with comfort and protection in mind, PYRAMID SEVEN briefs offer assurance that there is no longer a need to worry about leakage or bagginess - discomfort does not exist in their brand. These briefs are made to be used either in tandem with menstrual products of all kinds or even for free bleeding, it’s all at behest to comfort during an uncomfortable time. They are also advocates of privacy and neither reveal themselves too freely nor make comments on their consumer base, only expressing the validity of their representation being that of all who menstruate. 
Fluide: Brooklyn, New York.
Beauty brand founded by a mother’s goal to establish a gender-expansive beauty line to celebrate under-represented faces and voice, supporting young people’s self-expression and creativity. Fluide is queer oriented and offers a full range of vegan/cruelty free cosmetics for all skin tones + types and gender expression. Their belief is that makeup is joyful, transformative, and meant to be inclusive of all with a wish of being expressive and to invent themselves as they want to be seen. They are a platform of queer voices showcasing queer beauty and work with many LGBTQ+ non-profits and advocate for revolutionizing the world of fashion and all of it’s mainstream conception of beauty standards and create a style space of authenticity.
Official Rebrand: New York City, New York. 
A unique brand founded by a non-binary artist, Official Rebrand revives discarded clothing and remakes designs by breathing life back into what was unwanted. The mastermind behind the concept paints or otherwise alters (rebrands) items that have been cast aside and turns them into works of art which in turn proposes an anti-waste alternative.  The rebranding process strips clothing of their proposed gender categories and promotes the fluidity of identity. Official Rebrand dominates the medium where art and fashion overlap, reintroducing his pieces without any sense of today’s arbitrary societal constraints. 
PHLEMUNS: Los Angeles, California. 
Black and queer owned/operated, PHLEMUNS is a non-binary all inclusive brand that seeks to merge elements of nostalgia and modern contemporary fashion. With a goal of bridging the gap between high fashion and every day communities, this brand takes what is called a slow-fashion approach to their designs and crafts meticulously and intentionally on styles meant to be seen as accessible, inclusive, and wholly unisex. This is a brand which exists in the grey areas of society, fashion, and thrives on the idea of intersecting identity. 
NO SESSO: Los Angeles, California.
The brand name itself is Italian for “no sex/gender” and the fashion it produces truly encompasses this meaning. This is a fashion house that cranks out collections specifically targeting conventions of art, fashion, and culture. Their lines offer ranges in color, fabrics, prints, and reconstructed materials but their true signature is hand embroidery. Much of their collections are made from upcycled fabrics and materials found at flea markets and make use of patchwork designs as a motif of their community-based foundations. Think streetwear but couture, and this is what NO SESSO is defined by. 
gc2b: Maryland, USA.
Trans-owned, founded, and operated. gc2b produced the first chest binder and snapped off transitional apparel and established themselves as the first gender-affirming company in the industry. The credence of the company is comfortable, safe, and accessible binding options designed by trans people for trans people and to accomodate the vast spectrum of humanity. gc2b has donated over 6000 binders to those in need and sponsors over 100 LGBTQ+ organizations while working extensively with LGBTQ+ communities and charities to raise funds and awareness. 
Likely I will revise this post from time to time and update the listing. 
I really like being able to use my position as a platform to provide notice of undervalued communities within the fashion industry and world of style. I have often purchased outright and incorporated many key pieces of some of my most notable styles and ensembles from LGBTQ+ brands that deserve recognition and think of it as a soft promotion of their talent and falls within the conduct my company expects me to abide. 
Originally I did intend to have links in this post to make checking them out easier, but I was having some issues with tumblr being crotchety and had to forgo them sadly. Still, I encourage anyone interested to take a peek at their online sites or social medias - they’re all very lovely and inspirational!
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faorism · 3 years ago
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needing the au to drop wherein i can commit to writing a historical au,, because since i first watched the db cooper job my mind went straight to OT3! OT3! OT3! (unlike with the van gogh job, since i aint playing with that fucking lieutenant)
one day maybe one dayyyyy i will sit down and i will write the ot3 into that episode's story. so, it'll be the backgrounds for the characters in the flashback (so, stephanie ritter, steve reynolds, and reggie wilkins), but with the necessary personality adjustments (parker, eliot, and hardison respectively). basically, vintage ot3 with some hot as hell aesthetics and secrets and avoiding as much as possible producing copraganda.
so. my thoughts. what i see happening. and this got super long so im throwing this under a cut. and for ease i will call them by their modern day canon names except when making a point.
first, general thoughts about the characters.
and so: steve to eliot. nothing much here on the surface. eliot still volunteers, too much an indoctrinated white man to have been forcibly drafted. so its still one man gone to war. one man come back. eliot would had been noticed early in training for his ability to pick shit up, and they teased at maybe sending him to a special unit. maybe they do, or maybe they don't because they just need to funnel fuckers to the jungle. the vietnam invasion was a terrorist imperialist venture and there's no romanticizing from me about anything done being at all valorous or special or brother-in-arms'y. and eliot commits war crimes under the american stars and stripes instead of just to keep moreau's champaign running. but also maybe moreau is eliot's superior. he certainly would have been rewarded for this ruthlessness. (eliot of course strove to impress moreau because there aint an eliot spencer who wasn't that man's dog at some point, i!!!! dont make the rules). eliot's friend died and eliot's gone off to carry out his wishes and moreau lets him because he Knows eliot is gonna come back. whether its to come back to the same squad, or follow him into deeper spy shit for the military, or to fuck off and go private. then eliot meets parker.
now. stephanie to parker. beth plays normal so well im mad at her, but there's something edgy and strategic about stephanie that i think parker can grab onto. i feel that maybe she was kind of a thief still, but there's more realism to this world so archie wasnt a super secret spy with lasers to practice with, but just a guy with sticky fingers whos a little bored and wants a protege. parker is good really good at what she does, and not having to deal with lasers makes me easy. but she's into scams that are less grifts and more Catch Me If You Can slight of hands. she's always looking for easy money (she was into lifting cars at one point! literally she follows where the crime is). she's doing something in an airport and someone tries to recruit her as a flight attendant because she's got the Look. and yall, flight attendants? that shit was like being a model and an astronaut and a time traveler back then. and according to a teacher i had, who once worked as in the f.a. union, those ladies back in the day were rad and queer and free spirited and runnnnning shit. i think, yes, it's a Job which i think we might resist placing parker into. but! of the jobs, at the time, i really see her rocking it during the time period. (also come on, the opportunities to swindle distracted people of their shit would be endless. they would just think they dropped their stuff in the airport! not that it was stolen.)
finally, reggie to alec. i think hardison will be the hardest to translate. even tho i admittedly listen to a lot of true crime podcasts, i dont know much about fbi life and also definitely don't know about it historically. part of me desperately wants to put him somewhere else even if it does have to stay within the fbi. i might cheat and make him like a Q(uartermaster) to 007/00s like in james bond, and he's like UGH this is horrible god i hate working for the fbi but they will give me funding so...... anyway, here's this totally cool [radio term]. that said, if hardison is stuck in the fbi, why he ends up there is that he is a fucking savant when it comes to research and the man can put together a presentation like no one else. that white man gets all the credit for profiling but it was hardison who goddamn was the google of the microfilm days. reggie felt super square but that might be because he had to deal with mcsweeties db cooper shit day in and day out for years. hardison is more himself. and definitely still a nerd. alec would be into dime fantasy novels and comics and ham radios and oh god he also would be into star trek like the original star trek as it came out and he would be into the zines yes! yessss. omg. also he plays a mean arcade cabinet. but he's mostly well adjusted but lonely. his colleagues dont appreciate him because fbi esp during that time were fucking wilding out and racist as hell aaaaaand im sorry im srry im trying so hard to have fbi hardison make sense but also! acab. ANYWAY.
second, the relationship
i think it would be fun to play with what it means to have parker/eliot start off first and bring in hardison afterwards. (if white collar is your thing, it would be like this canon divergent ot3 fic wherein peter burke is the last to join in.) i feel they would be Super Intense esp since they are carrying this big ass secret. kind of broken and dysfunctional and there's the passion and the commitment, but i think there's also a tenderness that's super hard for them to achieve? and i think there's a way that hardison plays such an important part in who they are and how they are. like, sure i think parker/eliot would have joy but they won't have levity. they would have compassion but they won't have gentleness.
eliot meets hardison after being recruited by nate. i think they get close because while nate and eliot have an interesting and compelling mentorship/friendship, nate is still eliots superior; sometimes its nice to complain about your boss, as hardison will say to eliot to try to make friends. i think hardison and eliot would become legit friends and not just work buddies because they are just not cut out of the same cloth as the rest of their colleagues. they grab beers after work. after hard days, hardison cajoles eliot into going to the arcade. they are friends. real real truly deep best friends, in a way hardison didn't think he could have with a fed and eliot didnt think he would have after his friend died. but also? they are like "buds" who are buds who are desperately tryna to cross any lines because there's a.... tension? an UST between them they dont know what to do with.
parker meets eliot by way of a "lets have my friend for dinner, he's a blast." and immediately immediately hardison is like... wow this woman is beautiful but like, really attracted to her personality. and parker things hardison is kinda dorky but cute dorkie? anyway, they have a puppy love situation growing. and it keeps growing until bam. eliot and parker are like. are we into alec???? fuck we are aren't we.
i think stephanie and steve would never tell reggie (even if somehow they were to be a thing). but parker and eliot? hell yeah they tell hardison. eventually. after a while. sooner than maybe they should. the tension if they should say something is one of the things that build up as UST between them for so long; parker and eliot know they are carrying this huge thing. two huge things. eliot being db cooper and also their massive crush on him.
if i could control myself to stick to a pwp, it would be another christmas. maybe the christmas nine (more?) years down the road. the damn snow grounded hardison's flight back to his nana's, and parker and eliot hear this and invite him over. the egg nog gets flowing and parker eventually is like,, fuck this. and comes onto hardison. and hardison would be like wow wow what but... idk, free love and swinging were In The Thoughts And Minds Of The People. he still checks in with eliot who is like. her body, man; i aint gonna tell her what to do. and for a sec hardison is like, man is this a cuck situation? i guess i can be for it but also...... aint mad if i aint alone. and eliot is so grateful and idk. i just want them all to be happy and having fun and no one to be left out. and yeah i am kinda brushing over a lot of the racial politics which, in a more developed fic rather than a pwp, would definitely need to be brought in; but idk that needs to just be in the bedrock of whatever plot is going into this.
it takes a lot of maneuvering of their lives but they make it work and eventually hardison is a keeper of eliot's secret too.
(apart from the historical aspect, another reason i probably won't actually write this is because i know myself. i would want to do worldbuilding. i would follow eliot and alec to their jobs, but i wouldnt want to write outright copaganda. the grit/realism i would be comfortable with would take a level of research i dont think i can commit to. but if someone wants to take this up or if you figure out a way around this issue, pls do i wont be mad)
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arowrimo · 4 years ago
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AroWriMo 2021 Roundup
Here is the compilation of all 48 works submitted to AroWriMo 2021!
We have a lot of variety this year - short stories, poetry, non-fiction, a play, song lyrics, a zine, flash fiction and some novel/novellas! Check out the impressive writing collected here and support the writers themselves - links to their other sites/accounts are included where possible. Give them a look/follow, and share the works you really enjoy!
Thanks to all who submitted and shared for a wonderful AroWriMo 2021, and I look forward to doing it again in 2022!
Play/Script
Leaving: A (very) Unfinished Stage Play by charcharcharace (blogspot)
Post, direct link (blogspot) Summary: A fractured personal narrative on entering and leaving an unhealthy relationship and the pain of being aromantic without that knowledge. Word Count: 1200 Theme: Humanity Language: English Genre: Personal CW: Depression, manipulation, unhealthy romantic relationship, processing self-blame
Novels/Novellas
Syrinxian Diamond: Chapter One by charcharcharace (blogspot)
Post, Direct link (blogspot) Summary: After a heist gone wrong, our hero is caught up in an interdimensional prophecy that just may bring them answers to the questions they don't know how to put into words, a feeling of difference, of not feeling right acting how they're supposed to act - but what other way is there to be? Follow our hero through desert ruins, the Wild West, a royal ball, and of course, a midnight trip to the library. Word Count: 2539 Prompt: Hope Theme: Fantasy, Ancient World Language: English Genre: Portal Fantasy, Heist CW: Unsupportive sibling, chapter one features the absence of knowledge of aromanticism, and doesn't feature aromanticism directly.
Oh, the truth shall set you free by @amanita-cynth
Summary: “I know exactly four things about Alway.” She said wryly. “She’s 23, a genius, she keeps at least three feet between her and other people at all times, and she can root out the truth like nobody else.” Of course, coming from another profiler, such an assessment carried a lot of weight. Eden Alway, the newest member of an FBI profiling unit, is odd even by their standards. But as they begin to pry more into her life and struggle with some of what they find, her past is racing to catch up with her and drag them into the storm that was her life. Featuring misunderstandings, odd behaviour, the constant problems of amatonormativity, and a rapidly escalating series of bizarre problems that they are in no way qualified for but definitely isn’t magic. Word Count: 11000 Prompt: Non-romantic Relationships, Self-reliance Theme: Fantasy Language: English Genre: Crime, portal fantasy CW: Romance, Violence, Gore, amatonormativity, religious imagery, mild body horror later on, currently a WIP
Lyrics
Embers by @clad-in-sunshine​ (Wordpress, Twitter)
Post, Direct link (tumblr), Direct link (wordpress) Summary: I’m terrible at picking titles. But I have been enjoying writing songs, and this is one I wrote for AroWriMo and the Valentines theme of ‘Love, Romance and Friendship’ at my local folk club. The middle part is entirely uninteresting to me, so this is more about love and friendship than anything else, and the various forms that can take. The tune is called 'Midnight on The Water'. Word Count: 479 Prompt: Non-romantic Relationships, Self-reliance Language: English Genre: Singer/songwriter, Folk
Games/Interactive Media
Superheroes Inc. by charcharcharace (blogspot)
Post, Direct link (blogspot) Summary: It's time for your first day as the Supervising Hero Response Manager at Superhero Incorporated, the largest collection of super heroes on the US West Coast. It's a big step up from your last job managing a team of five up-and-comers out of Chicago to supervising a nearly a hundred teams. Your priority, of course, is choosing which of the 12 big league heroes to have Shadow teleport to high crisis events. Word Count: 3000 Prompt: Future Theme: Sci-Fi Language: English Genre: Sci-Fi CW: Death, Bigotry
Comics/Zine
My Aro Heart: A Zine by charcharcharace (blogspot)
Post, Direct link (blogspot) Summary:   A short zine about loving the aro community. Word Count: 50 Language: English Genre: Zine CW: Love (non-romantic)
Flash Fiction
#3 by @fuckin-fudge-nutter
Post link, Direct link (google docs) Word Count: 304 Prompt: Future Theme: Defying Expectations Language: English Genre: Realistic Fiction CW: Mild internalized arophobia
A Moth And No Flames by @voidpunk.kenku on Instagram
Post, Direct link (toyhou.se) Word Count: 337 Category: Flash Fiction Prompt: Hope Language: English Genre: gaslamp fantasy CW: insects
Future by 27twinsister on Ao3
Post, Direct link (Ao3) Summary: Hikari would be alone forever. He liked that idea. The note contains my headcanons for Hikari and what the words mean. Word Count: 146 Prompt: Future Language: English Fandom: Ressha Sentai ToQger, Nonomura Hikari Genre: Character study CW: None
Loveless by 27twinsister on Ao3
Post, Direct link (Ao3) Summary: Takeru and Akari love each other (not like that, this is genfic). Mentions “ love potions or something” in one line. The note contains my headcanons for Takeru and what the words mean. Word Count: 231 Prompt: Romo/loveless Language: English Fandom: Kamen Rider Ghost Genre: Fantasy/Supernatural, hurt/comfort CW: None given
Music by 27twinsister
Post, direct link (Ao3) Summary: Shinnosuke didn’t like silence. He liked being in an environment with other people, or with background noise. That only caused a bit of trouble at home once he lived with Kiriko. Word Count: 223 Category: Flash Fiction Prompt: Music Language: English Fandom: Kamen Rider Drive Genre: Character study CW: None
Freedom by 27twinsister
Post, direct link (Ao3) Summary: Eiji likes his freedom. The note contains my headcanons for Eiji and what the words mean. Word Count: 140 Category: Flash Fiction Prompt: Freedom Language: English Fandom: Kamen Rider OOO Genre: Character study CW: None
Mirror by 27twinsister
Post, direct link (Ao3) Summary: Tsukasa doesn’t dwell in any world. He just stays for as long as he needs. The note contains my headcanons for Tsukasa and what the words mean. Word Count: 223 Category: Flash Fiction Prompt: Music Language: English Fandom: Kamen Rider Decade Genre: Character study CW: None
Hope by 27twinsister
Post, Direct link (Ao3) Summary: Haruto is nervous about coming out. Word Count: 150 Category: Flash Fiction Prompt: Hope Language: English Fandom: Kamen Rider Wizard Genre: Character study CW: None
Self-Reliance by 27twinsister (Ao3)
Post, direct link (Ao3) Summary: Tsubasa likes to be alone. The note contains my headcanons for Tsubasa and what the words mean.   Word Count: 161 Prompt: Self-reliance Language: English Fandom: Mahou Sentai Magiranger             Genre: Character study CW: None
Non-Romantic Relationships by 27twinsister (Ao3)
Post, Direct link (Ao3) Summary:   Jiro doesn’t know if his relationship with Yuki is romantic. But it’s special to him. The note contains my headcanons for Jiro and what the words mean   Word Count: 209 Prompt: Non-Romantic Relationships Language: English Fandom: Dogengers Genre: Character study CW: Romance mention
Non-fiction
Thursday Thoughts: AroWriMo Week 1: Romo/Loveless & Future by @sophieakatz​
Post, Direct link Word Count: 562 Prompt: Romo/Loveless, Future Language: English CW: Romance mention
The Future Is Arospec by aceofarrows
Post, Direct link Summary: This blog post talks about the nature of romantic attraction, why getting rid of amatonormativity is a worthwhile project, and how arospec people can help bring this about by getting involved in political activism and queer liberation. Word Count: 800 Category: Non-fiction Prompt: Romo/loveless, Future Language: English CW: None
Freedom and Music by @nzcienif
Post, direct link Word Count: 488 Prompt: Freedom, Music Theme: Defying Expectations Language: English Genre: Non Fiction CW: None Link: https://nzcienif.tumblr.com/post/642572547990421504/arowrimo-week-2-freedom-and-music Promo: https://nzcienif.tumblr.com/
The Demand for Freedom to Be Oneself  by @graces-of-luck​
Post, direct link Word Count: 363 Prompt: Freedom Theme: Defying Expectations Language: English Genre: Narrative CW: None
Thursday Thoughts: AroWriMo Week 2: Freedom & Music by @sophieakatz​
Post, direct link Word Count: 647 Prompt: Freedom, Music Language: English Genre: Non Fiction CW: None
Defying expectations by @aallotarenunelma
Post, direct link Word Count: 986 Prompt: Hope, Mirror Theme: Defying Expectations Language: English Genre: Essay CW: Romance, Amatonormativity
Aro Visions and Hopes by @penandquillcafe ( @aroacechillzone )
Post, Direct link Word Count: 729 Prompt: Hope, Mirror Language: English Genre: Nonfiction CW: amatonormativity, arophobia, loneliness (metaphor)
Thursday Thoughts: AroWriMo Week 3: Hope & Mirror by @sophieakatz
Post, Direct link Word count: 201 Prompt: Hope, Mirror Language: English Genre: Non-fiction CW: Romance mention, Sex mention
Relationship Anarchy and Hugs by charcharcharace (blogspot)
Post, Direct link (blogspot) Summary: Applying relationship anarchy to family relationships and hugs. Word Count: 522 Prompt: Non-romantic Relationships Theme: Defying Expectations Language: English Genre: Non-Fiction CW: consent issues, boundary breaking
Thursday Thoughts: AroWriMo Week 4: Non-Romantic Relationships & Self-Reliance by @sophieakatz
Post, Direct link (tumblr) Word Count: Prompt: Non-romantic Relationships, Self-reliance Language: English Genre: Non-fiction CW: Romance mention
Poetry
Untitled by @brilliantsnafu
Post, Direct link Word Count: 38 Prompt: Romo/loveless, Future Language: English Genre: Nonfiction CW: Bigotry, arophobia; amatonormativity
Little Boxes by anon
Post, Direct link (Google docs) Word Count: 456 Prompt: Freedom Theme: Choosing to be Yourself Language: English Genre: Poem/non-fiction
To My Dear and Loving... by @writingthingsilike​
Post, Direct link (tumblr) Summary: A poem about being aromantic but still wanting a life partner Word Count: 165 Prompt: Non-romantic Relationships Theme: Choosing to be Yourself Language: English Genre: Non-fiction CW: None
AroAce by Catolica (Ao3)
Post, Direct link (Ao3) Word Count: 254 Language: English CW: Choose not to use warnings
icarus' stone by @franzimaya  (@witchreyna on Twitter)
Post, direct link Word Count: 199 Prompt: Freedom Theme: Choosing to be Yourself Language: English Genre: Poetry CW: Grief
The End of the Rouse Family Tree by @turnovers-and-coke (@arbys-chocolate-turnover, Wattpad)
Post, Direct link Word Count: 144 Prompt: Mirror Theme: Choosing to be Yourself Language: English Genre: poetry CW: None
Care, uncoupled by @graces-of-luck
Post, Direct link (tumblr) Word Count: 149 Prompt: Non-romantic Relationships Theme: Humanity Language: English Genre: Free Verse CW: Romance
Human = ( X - Y ) / Z by charcharcharace (blogspot)
Post, Direct link (blogspot) Summary: A poem about human essentialism Word Count: 129 Theme: Humanity Language: English Genre: Poetry CW: Mentions of essentialism and touches on dehumanizing ideas
Short Stories
Chasing Shadows by @secret-arrow-man
Post, Direct link Summary:  A questioning aro discusses relationship problems with an old friend. Word Count: 660 Theme: Choosing to be Yourself Language: English Genre: Fiction CW: Romance, Alcohol mention
My Valentine by @bimboztown on twitter
Post, Direct link (Google docs) Word Count: 305 Category: Short Stories Theme: Choosing to be Yourself Language: English Genre: Coming of Age CW: Suicide attempt mention
Made on the Shore by @clad-in-sunshine 
Post, Direct link Summary:  Cora had never had much interest in people, and had chosen to live alone on the shore for years by this point. When a ship sails close, she has to deal with both her interest in it and the Captain’s interest in her. Based on the song ‘Fair Maid on The Shore’. Word Count: 2129 Prompt: Romo/loveless, Future Theme: Choosing to be Yourself Language: English Genre: Fiction, Ambiguous historical fiction CW: Romance, Guns, Alcohol
What is given by @amanita-cynth (Ao3)
Post, direct link Summary: A short exploration of a woman helping a traumatised, adopted girl come to terms with her newfound freedom. Word Count: 5645 Category: Short Stories Prompt: Freedom, Music Theme: Choosing to be Yourself Language: English Genre: Mildly Science Fiction CW: mentions of human experimentation
Lady in the Mirror by @amanita-cynth (Ao3)
Post, direct link (Ao3) Summary: Everyone knows the story of the lady in the mirror. How she picks those she appears to is unknown. What she offers and why it is offered is similarly a mystery; those few that have interacted with her and speak of it are reluctant to share details. Maybe that is why the stories are so well-known, so far-travelled. The mystery calls to people and they want to believe they can solve it. Word Count: 1799 Prompt: Hope, Mirror Theme: Choosing to be Yourself Language: English Genre: Fantasy CW: None
Lights, Camera, Aro! by charcharcharace (blogspot)
Post, Direct link (blogspot) Summary: An aromantic actress is conflicted over how to engage with a romantically coded improv challenge. Word Count: 1885 Theme: Choosing to be Yourself Language: English Genre: Literary CW: a ghost, pressure.
Dark secret love by @aallotarenunelma
Post, Direct link (part a), Direct link (part b) Summary:  What if an aspec Wicked Lawless Love MC was paired with the incubus Sascha? Word Count: 6941 Language: English Fandom: Wicked Lawless Love (Lovestruck app), Sascha Orosco x MC (Suna) Genre: Fantasy CW: Death, Romance, Sexual content
Thought That Cupid Shot Me With Love But It Was Only An Aro by @entity9silvergen (Ao3, FF.net)
Post, Direct link (Tumblr), Direct link (Ao3) Summary:  Soulmates were supposed to be the other half of your soul. Your one true love. Ino always dreamed of finding her soulmate. Sai never wanted one. Still, they cared for each other so they were going to make it work. Somehow.
Word Count: 10000 Prompt: Romo/loveless, Future Language: English Fandom: Naruto. Characters: Sai, Ino, Shikamaru, Choji, Naruto, Sakura, Sasuke, Kakashi Genre: Friendship/ Relationships CW: Mentioned Canon Death, Minor Aphobia
Mosaic by @entity9silvergen​ (Ao3, FF.net)
Post, Direct link (tumblr), Direct link (Ao3) Summary:  We are just mosaics of everyone we love and that mosaic shows everyone we love how beautiful they are. Bean doesn’t think she can love like everyone else but maybe that’s okay. Word Count: 2000 Language: English Fandom: Disenchantment. Characters: Bean Genre: Friendship, Self-Reflection CW: Internalized arophobia,  some self-deprecation, sex mention, drug mention, mention of canon interspecies relationships in fantasy setting Link: https://archiveofourown.org/works/29230041 Promo: entity9silvergen on Ao3, FFN, and tumblr
We Dance To Fast Music by @entity9silvergen​ (Ao3, FF.net)
Post, direct link (tumblr), direct link (Ao3) Summary: Zuko didn’t like to dance. Neither did Mai. But Ty Lee did and they’d do it for her. Fortunately for them, Ty Lee cared about how they felt and wanted to show them just how wonderful music could be. All Zuko and Mai knew were slow dances, the things of ballrooms and romance. Ty Lee only knew the dances of friendship, freedom, and fun. Word Count: 8000 Prompt: Freedom, Music Language: English Fandom: Avatar The Last Airbender. Characters: Zuko, Mai, Ty Lee, Sokka, Suki, Aang, Katara, Toph Genre: Friendship CW: None
Oblique  by @entity9silvergen (Ao3, FF.net)
Post, Direct link (Ao3) Summary: Unable to experience romantic attraction, Remus feels incomplete. Unable to feel sexual attraction, Roman feels less than. Maybe as the King, they decide, they will feel whole again. Their partners and friends, however, know this isn’t the solution and seek to help them realize there’s nothing broken about them before it’s too late. Word Count: 12000 Prompt: Mirror Theme: None Language: English Fandom: Sanders Sides. Characters: Logan, Patton, Roman, Virgil, Nate, Remy, Emile, Seth, Toby, Janus, Remus, Unnamed Orange Side, Romulus, Dragon Witch Genre: Friendship, Hurt/ Comfort CW: Romance, Sexual content, Violence
He Is Mild And He Is Meek by @entity9silvergen (Ao3, FFN)
Post, Direct link (Ao3) Summary: He is mild and he is meek, he is Momo and he is what I seek. Suki always wanted three things in life. One was to become a professional soccer player. The second was to live in a cute apartment filled with succulents. The third was to get a cat. Momo probably wasn’t anyone’s first pick as a pet but Suki was determined to get this cat to love her as much as she loved him. If only he’d accept he had a home now. Word Count: 6500 Prompt: Non-romantic Relationships Language: English Fandom: Avatar the Last Airbender. Characters: Suki, Momo, Sokka, Aang Genre: Friendship, Hurt/ Comfort CW: Mention of sex, non-excessive swearing
sick of all those love songs (sing to me about my friend on the moon). by nwhrs
Post, Direct link (Ao3) Summary: Johnny has always tried to follow the game, Ten has always stood out like a sore thumb, Chenle has always been quite vocal about himself, and Jisung really has absolutely no idea just what is going on (or does he?). And this is just a little part of their story. Word Count: 16413 Prompt: Non-romantic Relationships Theme: Choosing to be Yourself Language: English Fandom: NCT // Park Jisung, Zhong Chen Le, Chittaphon Leechaiyapornkul | Ten, Suh Youngho | Johnny Genre: Slice of Life CW: Romance, Discussions of romance & amatonormativity
he loves you (he loves you not) by @ternaryflower53
Summary:   "Who's your companion?" the man asks.   "This is Jango," he says, not adding his last name. They have a false one, a name Jango sometimes uses in undercover missions when he doesn’t  want to risk being recognized as the Mand’alor’s son, but better if they can avoid using it. "He's my husband."   The man frowns down at his datapad, then looks up to study Jango. "I wasn't expecting you to come with a partner, Master Jedi."   or, jangobi fake dating au, but make it aromantic. Word Count: 6270 Prompt: Non-romantic Relationships Language: English Fandom: Star Wars Prequel Trilogy (Obi-Wan Kenobi, Jango Fett) Genre: Fanfic CW: Romance, fake/pretend relationship, request to be in a romantic relationship that gets shut down
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floraone · 4 years ago
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So, September is coming up, and with it smutember, and we’re doing it again! (At least I hope you’re with me, lol).
Just like last year, it runs alongside to the official daily word prompts on the official smutember blog: Smutember is an event that runs all throughout September for all fandoms. The following is meant as an addition, not a replacement. If you want to do daily prompts, please use the official words prompts (linked above). However, since daily prompts can be a bit intimidating (especially for a fandom corner that’s 25+ years old like ours and people in it have busy lives), as the resident smut advocate in our fandom, I again customized an alternative that can still incorporate the official themes.
Just like last year, down below you have a list of TROPE AND THEME PROMPTS. They’re a remix of sorts of last year’s tropes, with some you’ve seen before and some new ones, meant to spark a variety of ideas. The idea is that with these you can post once (or twice) per week instead of daily.
Be it for fanart or fanfic or any other sort of fanwork, tropes can be combined, (and they can be combined with the daily themes too), whatever floats your boat. Also, specifically: This event isn’t Usamamo-centric only. I will reblog any Sailor Moon content of any pairing as long as it follows the rules! (See below)
The aim of this event is to create sex-positive content together that celebrates a healthy depiction of consentual sexuality. Erotic fanfiction is a beautiful art, especially in a fandom of ours so largely cultivated by women and for women, as well as a strong inclusive focus on queer and gender-queer content and their creators!
What’s new: I’m taking a page out of the mini-bang’s impressive book, and when smutember is over, I will compile all entries that followed the rules into an online-only e-zine! This also means that art that may be too explicit for tumblr can still be included in the e-zine!
Here are the weekly trope challenges:
Reinvent a trope!
WEEK 1 (September 1st - 7th): Pick 1 or 2
🍋 Reunion Sex 🍋 Sex Fails 🍋 Second Chance Sex 🍋 You Talk In Your Sleep 🍋 Unresolved Sexual Tension 🍋 New Old Flame 🍋 Go Seduce My Archnemesis 🍋 Bedsharing 🍋 Sex with the Ex/Break-Up Sex 🍋 In Public 
WEEK 2 (September 8th - 14th): Pick 1 or 2
🍋 Make-Up Sex 🍋 Battle Couple 🍋 Mission Sex 🍋 Work-Out Sex 🍋 Accidental Pervert 🍋 Bathing/Shower 🍋 Pool/Onsen 🍋 Sexual Fantasies 🍋 Blind Date 🍋 Aroused By Your____ (pick a feature) 
WEEK 3 (September 15th - 21st): Pick 1 or 2
🍋 Established Relationship 🍋 “Thank God We’re Alive” 🍋 Caught In The Act 🍋 First Times 🍋 Introduction By Hook-Up 🍋 Pining 🍋 Locked In Together In A Small Space/ Trapped Together 🍋 Huddling For Warmth 🍋 Socially Distanced Sex 🍋 Stupid Sexy Friend 🍋 Caught In The Rain 🍋 Living Food Platter/Eating Off You 🍋 Shunga
WEEK 4 (September 22nd - 30th): Pick 1 or 2
🍋 Mutual Masturbation 🍋 Awkward/Clumsy Sex 🍋 Oh Crap There’s Fanfic Of Us 🍋 Talking In Bed 🍋 Fidelity Test 🍋 Fake-NOT-Dating 🍋 Mindlink 🍋 Sex Games 🍋 Tinder 🍋 Blackout/Quarantine/Disaster Warning/Weathering The Storm
RULES
1. Rating: These fics don’t necessarily need to be M or, in the case of Ao3, E- rated. Obviously, they are very, very welcome to be explicit for this event, but you can also go T-rated and stay in lime or ‘blacked out’-territory if you’re uncomfortable with writing explicit scenes! Both is perfectly and absolutely welcome! This of course also goes for fanart - your fanart may depict sexy scenes, but does NOT have to be explicit! (It can, though! Be aware that for tumblr’s guidelines, when sharing your art first, you may have to clip your images as a sort of preview. The original can then be sent to me privately to include into the e-zine!) 2. Minimum Age of Characters: Since this is a community event, if you do go explicit M rated material: age them up where necessary! So that everyone can be comfortable writing and reading these, let them be 18 at the minimum if they’re going to openly and explicitly wohoo. (16-17 is the global average age of consent worldwide, and also the average age for first sex among girls in many western countries. However, since most fanfic readers are located in the US, where the age of consent is 18, we’re going with 18 so that everyone can be comfortable reading!) If you go for canon fics at a time they are below this age, where you do not want to age up (say you’re going for an episode fix!) please stay in T territory for this event. 3. Off limits: Depictions of sexual acts that contain harmful, violent and non-consenting behaviour with non-consenting individuals (or those that aren’t able to consent, for instance because of their age, or state of mind among else!). If it doesn’t fly by law or the ICD in real life, please refrain from depicting it in the context of this event. This means that dubcon and noncon will not be reblogged for the event, so that people can be safely consuming the content without being triggered. All content will be screened in this regard, and I may contact you regarding trigger warnings. This is not at all to censor content, or that this content is in any form less valid (as long as it is properly tagged and not including characters that aren’t of age), but simply to ensure a safe environment for everyone reading. 4. Tag your triggers. Except the aforementioned limitation of harmful content, nothing is off limits. Explore your kinks! But if you write something that might be offensive to your readers, please tag it. This is ALSO a good way for your readers to find exactly what they ARE looking for! On Ao3 this can be done directly on the fic tags, for FF fics and fic links you can do it here on Tumblr via the fic post tags or in ANs. This is in consideration of your readers. 5. You can obviously post art for this event too. All previous rules apply here, as well. Unfortunately, Tumblr is now against tasteful nudity. That doesn’t mean you can’t link to a deviant art or similar account though, should you want to. And, since this year will include an e-zine at the end of it, all art will still be included fully in it. Here too, please tag your triggers. If you still want to post art on Tumblr, choose a T rated image - clip them where needed, or keep them (semi-)clothed, show us a heated kiss, etc! (Obviously we would love ALL the art and the nude body is a beautiful, wonderful thing, but obviously Tumblr doesn’t agree with us anymore!) 6. Have fun! Celebrate sexuality in an open, sex-positive way with us, try to be unapologetic about your likes while you write this, and appreciate the beauty that comes in the form of content with a largely female-gazing creator-base and audience! Smut in fanfiction has been beautifully put as the subjectification of sexuality (as opposed to  objectification). So let’s celebrate this art form together! 7. Reviews: No one is forced to review. It can be uncomfortable to review a fic that contains sexual acts for any number of always valid reasons. Keep in mind, however, that much like a Burlesque dancer on stage, putting out sexual content can also be very intimidating to an author, and nothing is more discouraging than silence when baring yourself to an audience like this. That being said: Both Ao3 and FF have the option to review in anon mode. That means you have the option to remain anonymous while cheering the author on all the same. Just like the Burlesque dancer, your resident smut authors prefer to go on stage to loud cheering - it makes it all less awkward for them, and feels a little more like a big celebration!
If you’re unsure what sex positivity entails and want to read up, I wrote a post about it here.
This event is not supposed to cause harm. This means that I will screen all content before I reblog it here, and include it in the e-zine. So that everyone of age can feel safe reading the fanworks in the event, dubcon and noncon will not be reblogged and included in the e-zine, and accurate tagging and content warning will be watched. This does NOT MEAN that you cannot post this material: your own desire to write it and someone else’s desire to explicitly read this material are valid. I do not entitle myself to censor. It just means it will not be reblogged and shared through the event so that everyone may feel safe to read to the best of my ability. (But, of course, remember that I, too, might be biased, and not discover subtle forms of it, either. We’re all, in the end, a product of our upbringing and society, and I cannot be completely unbiased.)
During the event, I will be posting all Sailor Moon Smutember contributions in this format on my blog if you @ me to the post.
The official hashtag for the event is #smutember2020 hosted by the official smutember blog. Using it helps people find the content who search for it as well as those who wish to block it!
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lyrsui · 4 years ago
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Hi! I’ve made a new zine and digital copies are available for purchase!
About me: I’m Lana, I’m a writer, and I make zines - they’re traditionally a DIY medium for making short booklets on just about anything! In my case, I do (analog/digital) collage art & combine that with ORIGINAL poetry & short essays to bring you GLXTCH, a Zine series that covers subjects like sexuality, relationships, and existentialism.
I’m proud to announce issue #5, “sorry i’m late,” is FINISHED and available for purchase. Here’s what you can expect:
Queerness as it relates to the body
the body as it relates to the internet
mild nudity, menstruation
MEMES and social media
dating in the age of quarantine
glitch art, vaporwave aesthetics
blackout & emoji poems
collage art
$7.50ea, 8x8” .pdf file, 36pages
Please support by sharing even if you can’t purchase - I worked really hard on this issue and would love others to have a chance to read it.
You can buy a copy and check out more of my writing & the rest of the series, here: http://lanalbxe.com/shop/glxtch-issue-05-sorry-im-late-digital
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ko2vo · 4 years ago
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Do you have any queer horror media you recommend?
Sorry to take a couple days to answer! At first, I didn’t think I knew very many but the more I thought about stuff I’ve found over the years, the longer the list got. I’ll put some stars beside personal faves.
BOOKS/FICTION
Picture of Dorian Gray by Oscar Wilde - It’s pretty typical for a list like this but I’d still like to include it because it is a great read.
★★The Wishing Game by Patrick Redmond - Two boys at a boarding school in the 1950s become very close, intimate friends and mess around with a Ouija board. The main cast isn’t overtly stated as queer (I like to interpret them as such though, they hug and kiss behind locked doors), but there is a very depressing but influential queer subplot. Heavy warnings for homophobia, f-slur, suicide, mental health, psychological horror. As well as an extremely dynamic relationship that has all the elements to be healthy but goes sour. But honestly I love this book and really want more people to read it and talk to me about it haah.
The Wasp Factory by Iain Banks - Messed-up kid grows up on an isolated island and has some unusual ideas about the world. There are gender themes that make me interpret the MC as a trans man (and both me and the other transguy that rec’d this to me just pretend the last five pages dont exist PFFF). 
The Little Girl who was Too Fond of Matches by Gaétan Soucy - Very similar to the Wasp Factory but more fucked up. The death of their father causes two siblings to realize they have very strange misconceptions about the world. Another one that does gender themes but very different, I’d recommend checking out the wikipedia page before the book cuz very fucked up.
★ Dangerous Saviour by tenuous - NB author with an original m/m work. It’s got a very stereotypical slasher movie feel and it really is a lot of fun. Mind the tags and Explicit sexual content. But tenuous is great at introspective terror.
Claustrophlia by Ezra Blake - Another title available for free, homoerotic horror. Scroll down on the page for the EXTENSIVE trigger warning list, definitely not for everyone. If you like Saw movies, this could be for you.
WEBCOMICS
★★Nasty Red Dogs by kosmicdream - Surreal horror. Dogs roam the night. Absolutely love the moral grey in all the characters this artist creates and the entire cast is some shade of queer. They also write Feast For a King, which has 6000+ pages at this point and equally terrifying moments and queer cast, so if you like NRD, definitely check FFaK out too.
★ Ninety-Nine Righteous Men by K. M. Claude - A complete and finished webcomic! Religious horror themes with discussions about forgiveness, rape, and power imbalance. If you can handle the themes, its a really beautifully crafted story. This artist is also part of a duo that runs a zine called Two Dead Queers and I haven’t had the chance to explore the site yet but eyes emoji
GAMES
Boyfriend to Death - An 18+ horrorporn vn, it’s pretty popular around this site and I really enjoy Lawrence in the second game LMAO. A dating sim with a torturey twist. MC is gender neutral so I’m throwing it in as queer horror jlhkfjhk
Hello Charlotte - Not explicitly queer but another game series that I love and is open to interpretation, especially in EP3. Surreal horror in a surreal world.
OTHER
Rope (1948) - A really interesting movie? About two men that kill someone and host a dinner party while the body is in the room. Homoerotic subtext.
★ SPINES (podcast) - Love this podcast. Wren wakes up in a pool of blood with no memories and attempts to find the people she remembers being there. Grotesque, body horror, weird superpowers with repulsive consequences. And Wren has a voice that I absolutely love. In the second season, there is a NB androgynous character who becomes a very important character and I love them a lot.
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rattusrattus3 · 5 years ago
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Hey! I hope this isn't super weird or anything, but I'm writing a paper for my queer theory class about the relationship between queer and punk identity and I was wondering if you personally felt like there was a relationship between your queer and punk identities, I'm trying to make sure that there is actually something to this and it isn't just something that me and the people I know are perceiving? Again I hope this isnt super weird and I'm sorry if it is! Have a good day!!!
aegszdfxcghvbjklm,. bcfi !!!!!!!! FUCK YES i LOVE THIS 
i 10000% feel there is a relationship with my punk and queer identieis, in fact my thesis im working on is DIY fashion and queerness lmao (and several of my uni friends would agree that queerness and punk is correlated, esp because within the subculture we are more free from heteronormative and capitalist expectations like makeup is only for girls and ripped clothes are not professional so theyre not ok etc etc)
heres some sources i used that might be helpfulf to u, the more relevant ones are at the top! (sci hub if u cant find them)
 Gunn, M. (2016). CLOTHING AS A PERFORMATIVE CHALLENGE TO HETERONORMATIVITY. 18, 175.    PLEASE LOOK AT THIS PLEASE I BEG U 
   Aberle, C. (n.d.). “Serious is Bad”: A Queer Reading of Punk, Midwest Emo, and Connecticut DIY. 65.       
Sharp, M., & Nilan, P. (2015). Queer punx: Young women in the Newcastle hardcore space. Journal of Youth Studies, 18(4), 451–467. https://doi.org/10.1080/13676261.2014.963540   
Cherry, B., & Mellins, M. (2011). Negotiating the Punk in Steampunk: Subculture, Fashion & Performative Identity. Punk & Post Punk, 1(1), 5–25. https://doi.org/10.1386/punk.1.1.5_1    
  Downes, J. (2012). The Expansion of Punk Rock: Riot Grrrl Challenges to Gender Power Relations in British Indie Music Subcultures. Women’s Studies, 41(2), 204–237. https://doi.org/10.1080/00497878.2012.636572   
  Dunn, K., & Farnsworth, M. S. (2012). “We ARE the Revolution”: Riot Grrrl Press, Girl Empowerment, and DIY Self-Publishing. Women’s Studies, 41(2), 136–157. https://doi.org/10.1080/00497878.2012.636334    
Garrison, E. K. (2000). U.S. feminism—Grrrl style! Youth (Sub)cultures and the technologics of the Third Wave. Feminist Studies, 26(1), 141–170. https://doi.org/10.2307/3178596      
Persephone Is Pissed! Grrrl Zine Reading, Making, and Distributing Across the Globe. Hecate, 30(2), 156–175.   
 Dwyer, A. (2009). Identifiable, queer and risky: The role of the body in policing experiences for LGBT young people. In M. Segrave (Ed.), Proceedings of the 2009 Australian and New Zealand Critical Criminology Conference (pp. 69–77). Monash University Criminology, School of Political and Social Inquiry. http://www.arts.monash.edu.au/criminology/c3-conference-proceedings/index.php  
 Geczy, A., & Karaminas, V. (2013). Queer style. Bloomsbury.  
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olderthannetfic · 5 years ago
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It’s International Fanworks Day and also the 30th and final post in this series. If you follow my tumblr, you know that my true fandom isn’t buddy cops or Highlander or any of those things. No, my true fandom is...
WANK
No matter which bitchy piece of fujo-course nonsense you’re looking at on tumblr, no matter which debate about WNGWJLEO or women in slash or fanfiction vs. media you're reblogging, your grandma was having that fight in a zine somewhere in 1985 and at Escapade in the 90s.
Here’s a vid review from 2002:
"History Repeating," [...] was an Amanda vid. In-fucking-credible. Who knew? Who knew I could like Amanda? Who knew there were fresh HL clips I hadn't seen a thousand times before in HL vids? (Of course, as someone pointed out, she had her own spin-off.) This rocked--sharp, fast cutting and pretty, pretty shots, with a hot bisexy vibe running through it. And, you know, people like to say that there's all this self-hating misogyny in fans--you know, that women hate shows about women, hate women characters breaking up the OTP, etc. But when you see a femme-centric vid like this bring down the house, you really have to wonder. Is it misogyny, really, or is just that we usually see a bunch of crap representations of women in media and resist them?
So on the theme of There Is Nothing New Under The Sun, here is a selection of past Escapade panels on gender, representation, and problematicness:
1993 - Anti-Feminism in Slash Fandom (Or, how 'it was never this good with a woman' syndrome... where are the women, and why do we care?)
1995 - Why Lesbians Read Slash - (What's the attraction? Why do they care? Why do they write it?)
1996 - Character Bisexuality: Convenient fiction or character trait? (Is this a good compromise between "We're not gay, we just love each other" and "I was gay all along and just faking it with women"? Or is this too easy? Special mention for the stereotypical bisexual villian who's evil, sexy, and can come on to everyone.)
1996 - Female Heroes: Female Empowerment, or male power in women's bodies? (Give a woman a gun and make her really tough. Wow, cool! yes, or no? Are we celebrating women, or are we merely putting breasts on male action heroes? Heroines under discussion may include (but not be limited to) Sara Connor, Ripley, Vasquez, Thelma & Louise.)
1997 - Gender Astigmatism (The Gender Continuum: in what we read, in what we write, and what we are, there is always a connection with a point on the gender continuum. How do our definitions of "feminine" and "masculine" influence our creativity? Where do bisexual characters fit in? (besides there, you dirty-minded person!)
1998 - Xena: Does Girl-Slash Get Us Going? (Xena is the first show with a feminine couple to be really popular. What kind of slash fans are interested? Does gender orientation matter? Or do slash fans love slashy couples regardless of their gender? Can m/m fans be 'converted' to f/f fans?)
1998 - Bastards & the Women Who Love Them (When Methos says, "you live to serve me," any normal '90s woman says, "I don't think so!... or does she? A happy contemplation on the virtues of handsome thugs.)
1998 - Slash: a Continuation of Women's Writing, led by Constance Penley (In case you didn't know, in her recent book NASA/TREK (yes, the slash is intentional), she addressed slash as a continuum of women's writing, combining women's romance, and the male quest romance. Join her for a discussion of slash -- where it was, where it is, where it might be going.)
1998 - The Trauma of Slash Fans in Het Fandoms (Or, what to do when find women doing all that cool, tough-guy stuff you love.)
1999 - Male Slash Fans - Welcome Voice, or Infringement? (Slash is written by women for women — or is it? The Internet has attracted new fans, including the "male slash fan". Who is he? What does he think of what "we" do? Do we care?)
2002 - Femslash (General discussion on female/female slash fiction. If Buffy wanted something cold and hard between her legs, why didn't she just choose silicon?)
2003 - Slash: Feminist political act or really good porn?
2005 - Where have all the lesbians gone? (When some slash lists explicitly state m/m only, where do you go for femslash? Are there any hot femslash couples? Pimp your femslash fandom here, or bemoan the lack of strung female characters in the current conservative social climate.)
2007 - Femslash: The Other Love That Dare Not Speak Its Name (Femslash. It's a work that makes some of our hearts leap for joy and inspires complete and total disinterset—or even dislike and disdain—in others. Where can we find the good stuff? What makes it good? And what's up with the haters?)
2007 - SGA: The Women of Atlantis (What do we like about how the women of SGA are written and portrayed, and what makes us wince? What do we think about how their issues are being woven into the show's narrative?)
2008 - Gay is Not Slash (...even though slash is sometimes gay. The current argument about m/m romances by women as taking recognition *away* from male gay writers, depends on m/m writing being intended as gay lit. And slash, for one, isn't, even if there can be overlap. What overlaps? What doesn't? What examples do fans like?
2009 - Female Character Stories: Halfamoon, Full Moon or Just Moony (F/f slash, and other stories centered on female characters, are gaining visibility in fandom. Are there things fens will write about women that we won't about men? (Given MPreg, *are* there?) Should f/f be like m/m, or is it unavoidably different?)
2011 - My ***** is Not Ideologically Driven, But is it Homophobic (Slash fandom often sees itself as a mostly liberal community. IDIC, right? But recently there's been a slash backlash: it's anti-feminist, a 'symptom' of internalized misogyny. We're 'erasing' the women characters after all. Is slash homophobic? Does slash fandom appropriate gay culture? Is it awesome and ennobling as it makes us happy in our panties, or is all that self-hatred bubbling just beneath the surface of our porn?)
2012 - Natural Woman (We've lamented the lack of strong, believable female characters (who dress appropriately). But now we have them: Gemma Teller and Audrey Parker; Salt and Haywire; we've got Bechdel-passing women who look like they can throw a punch. Still, most of them are in the sci-fi or action genre, so are we really seeing progress? And what are we doing with them, as fans?)
2012 - Don't Call It a Bromance (It's Just Canon) (TPTB are increasingly aware of slash, and bromance is regular fare on TV canon these days. Does overt bromance make the fic and art hotter or just vanilla? Is there an anti-slash backlash in our shows? Is the emphasis on men's relationships making women disappear? Inquiring minds want to know. If you have answers, theories, or just want to squee, join in the fun!)
2014 - (The End of?) Ladybashing in Slashfic (Slashfic used to regularly feature bashing of female characters. Now, blatant bashing seems less fashionable. If you recognize this trend, let's talk! Were most ladybashing fics ones for juggernaut pairings in megafandoms, or were they everywhere? What's causing the change: more women in leading roles/ensemble casts, fic writers being more conscious to avoid bashing ladies even if they're not their favorites, more willingness to blame show writers' bad writing (instead of the character being just bad/evil/stupid) for bad female characters, or something else entirely?)
2015 - Fifty Shades of Fandom (Fifty Shades of Grey has become the representation of fan fiction in mainstream culture. It’s bad fan fiction, and it’s being used to ridicule women while making millions off women readers and viewers. Can we connect with these women: proto-fans who would love to read, and maybe write, great fan fiction if they found it? Can we use the FSoG phenomenon to expand our community? Does keeping our doors closed and our mouths shut perpetuate both monetization of our fan culture and misogynist scorn?)
2016 - Who Are We? (How do we define ourselves in this age of so many OT3s and team orgy pairings? Does m/m/f count as "slash"? Is slash-only space slipping away? (And would that be bad?) Do m/m and f/f belong together more than they do with m/f? Is "Media Fandom" a valid term any longer? Who are we if we start shipping het?)
2016 - Ladies Loving Ladies. (There would seem to be enough queer women in fandom to write/want more f/f. Do lesbians write f/f, m/m? Both? Do straight women? Or are we still missing the iconic female characters and relationships that create a great slash fandom? Did they figure out the answer to this question at TGIF/F and if so, what is it?)
2016 - By Us For Us (Fic, even kinky slash, is practically mainstream these days. The ebook revolution puts publishing within reach of almost anyone. Sundance hits have been filmed on iPhones. So why aren't fangirls making more media? Or is it happening right under our noses? Is this a place where our women's gift economy does our community a disservice? Discuss what's out there, what we'd like to see, and what's holding us back.)
2017 - LGBTQIA+ in Slash Fandom (Queer fans have always been here. In a subculture often defined as "for" straight women, what do we as fans have to say about non-straight, non-cis, and non-conventional sexuality and gender in fanfiction, in fandom, and in the larger culture?)
2018 - Confronting the Tensions Between Slash and Queer Representation (Slash fandom thrives on homoerotic subtext. Many queer fans are unwilling to settle for this quasi-representation. Part of every slash fandom seems loudly invested in their ship becoming canon. Some are queer fans who want actual textual representation in their favorite shows, and some are fans using queer politics to fight ship wars. Then the “slash is not activism” posts make the rounds. Is slash activism? Is advocating for slash ships in canon the same thing as advocating for queer representation?)
2018 - Representing Slashers (What does "representation" in the media mean to us? We know what more gay or POC representation means, but what about slash fandom, which is largely female and focused on bodies that don't resemble our own? Would better female characters in media better represent us? Or male characters written for a female audience? Come talk about the intersection of slash, personal identity, and media representation.)
2018 - Anonymity in Slash Fandom: Choosing to Hide (Why do the majority of slash fans hide their hobby? Is it fear of blackmail? Embarrassment? Fear of losing employment? How does this affect your happiness? How does this affect your security? What would an ideal world look like? Who would/have you told about your interest in slash? Who would you never, ever, tell?)
2019 - Fandom Post-Slash? (In an era of "ships" and #pairing #tags on Tumblr and AO3, has the "slash" label lost its meaning? Same-gender pairings are as popular as ever and fans still ID pairings with a virgule between the names, but how many fans still call m/m and f/f slash or femslash? How many fans identify as "slashers?" Het and slash were opposing binaries which few fans crossed. Are these barriers breaking down? What purpose has the term "slash" served? Has fandom moved
past it and, if so, what does that mean?)
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slaughtergutz · 5 years ago
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I NEED to know more abt the dear Vigo boi and spiky goth Aquarius. May or may mot have a crush on both of them ; w ;
TIME FOR SOME PARAGRAPHS [tw: child abuse, cult mention, death; ask to tag for other things that i might miss]
ALRIGHT SO Virgo boy is Judas Punch. He usually just goes by Jude.
Born in 1970 to a well-off family in Los Angeles, Jude’s older sister, Michelle, was secretly a huge Manson groupie. After a particularly intense LSD trip while listening to The White Album,  the song Hey Jude came up and she took it as a sign. As he began to grow older, she started grooming him for her vision of Helter Skelter, to carry on Manson’s work. 
November 16, 1978 was scheduled for Manson’s parole hearing, and that, she believed, would be the perfect time to send a message. 
Jude, in the meantime, has been a worry for his family. He doesn’t speak. Doesn’t like eye contact. He moves very strangely--born with hypermobility, he bends very easily and comfortably, and this worries his mother. He’s had three exorcisms, none of which seemed to have helped any. That doesn’t even cover what sort of things his sister has been having him do. His twin brother doesn’t seem to have half of the problems he does and is much more well adjusted.
But he’s smart, and learns quickly. What Michelle does, it makes him feel bad, and he doesn’t want to do what she’s making him do. For tomorrow, she explains, when she tells him to, he needs to give this knife to their neighbors, right in their belly as hard as he can. But he knows that won’t feel good, because his back and forehead still hurt where it kissed him. He doesn’t like being bossed around, and he doesn’t like her. 
So the night before the hearing, Jude kills his sister. It seemed to be the right thing to do, why didn’t anybody else understand that? 
Jude spends the next five years in a mental institution, receiving no real help and no support from his family. Eventually he is shipped off to the east coast, to a small town called Pockmark. Unsuspecting though it may look, they boast one of the best institutions in the country, specializing in music therapy. 
There, Jude is finally able to open up and takes up various instruments quickly. They help him organize his thoughts and keep his hands busy.  And eventually, there, he meets an obnoxious punk rocker named Sisco who won’t stop asking him to join his band. Jude’s therapist says it might help his social skills. Whatever. Jude doesn’t really care, but relents as it gives him a chance to challenge himself musically.  He still can’t stand listening to the Beatles.  Other tidbits: He’s in the closet because he’s seen the sort of trauma Sisco has gone through and he doesn’t want to go through that himself. He’s also clairvoyant and sees white crows nearby people who are about to die, and can otherwise speak to the dead. Nobody ever believed him, of course, so he doesn’t talk about it. Corinne’s the only one that really believes him. He can seem airheaded sometimes because he often experiences missing time.  --------------------------------------------- AND AQUARIUS, that would be Xenon. Born 1952 as Adam [Redacted], he had medical complications from early on. Albinism was the most apparent but due to developing alopecia, he was completely hairless by the age of 10, which also affected his immune system. Xen was in and out of hospitals from various illnesses through most of his life, in addition to be very serious and introverted, left him with few friends. He bonded closest with other black sheep, his best friends being beatniks and those in the freak scene. 
He was only in the sixth grade for a week before falling horribly sick once again, and was stuck in the hospital for the rest of the year. Two of his classmates, however, would visit him daily. They were outcasts too. Dmitri, Beatrice, and Adam were inseparable. 
They didn’t bother to wait for graduation to pack up and run away to New York City. It may not have been any more accepting of them than other places, but they had ways of getting work, and it was much more exciting than a small town. And more dangerous. Especially for three young queer kids. 
On June 28th, 1969, a police raid on Stonewall Inn turned into a riot. All three of them spent the night in jail. 
After that, Adam and Dmitri became less hidden about their relationship. Beat got in the most trouble usually for being both an outspoken Black Panther supporter and an outspoken feminist lesbian. But the two men stood behind her every step of the way. 
Dmitri eventually founded a wildly successful underground zine called Fantasy Planet, which showcased queer models (like Adam) and queer art and literature (with many contributions made by Beat.) In their off-time, Adam and Beat were apprenticing as a piercer and tattoo artist respectively. 
With a supportive network and community, Adam was finally able to explore parts of himself he ignored before. His gender. His sexuality. His humanity. Morals, worldviews, politics, ideas, purpose. Around this time, he began to go by Xenon, taken from the noble gas. On occasion he would publish articles and stories under this new name before using it in public. Many of the characters in his stories were alien, and used new and ungendered pronouns. It was safe to do so, in fiction. And it was safe to do so, at home, when it was just the three of them. 
Hard drugs weren’t uncommon in the scenes they frequented. They didn’t have a name for what killed Dmitri. It was pneumonia, they were told. 
Xen completely shut himself away and became solely focused on his own work. The remaining two left NYC and opened up a shop in a small town called Pockmark in PA. Dmitri’s grandmother lived there and she needed to be taken care of. She raised him. It was the least he could do. And, despite how bigoted the townsfolk could be, there was a growing market for body modification.  Their most frequent visitor was a man named Billy, and his entourage. He often visited from Crater City. There were rumors he had mob ties. Nothing Xen wasn’t familiar with. His only concern was the boy who followed him around. A young orphan they called Francis who couldn’t have been older then thirteen.  Not stepping in sooner ended up being one of his greatest regrets.  (But don’t worry, he sort of made up for it by being the only person to visit him in the hospital after the fire. He’s basically his dad now.) Other tidbits: One of Xen’s most hardcore body modifications was the removal of his nipples and genitals. He also has the majority of his body tattooed and, being a huge fan of the movie Alien, has a heavy biomechanical theme. He considers himself to exist outside of gender and being human. After Dmitri’s death, Xen and Beat became legally married--in case either died, the other would be able to get their assets. They love each other deeply but platonically. Beat frequently dates other women (though not as much in the small town), while Xen does not. If he had the words we have today he would call himself asexual and aromantic. (He was in love with Dmitri and found no reason to continue romantic exploits after his death.) While he is a father figure to Sisco especially, he also very much plays a mentor role for Jude as the two are rather similar (introverted, serious, and both contenders for being the King of Deadpan Humor.)
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queerwelsh · 5 years ago
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Bisexuality pages from ‘Freaky Queer,’ a punk, anti-war, working queer zine published in Cardiff in 1992. Transcript below.
Sources (that they used in these pages of the zine):
Off Pink Publishing, Bisexual Lives, London, 1988.
Lorraine Hutchins & Lani Ka’ahumanu ed. Bi Any Other Name: Bisexual People Speak Out, Alyson Publications, USA, 1991.
This whole copy of ‘Freaky Queer’ is available to read here.
PAGE 1: clippings of quotes on a photo of a man.
Bisexuality
“I’d rather be bisexual half the time than heterosexual all the time.” ♀️ 
“It is entirely for me as an individual to decide exactly where my attraction may lie and for nobody else to insist that I conform to their specifications. Bisexuality for me has nothing to do with ‘swinging’; it is about the ability to respond to someone without the obligation to leave well alone because of gender.” ♂️ 
“We must not think of ourself as second class gays, but as first class people. No bisexual I have ever known though of themselves as a second class straight.” ♂️ 
“We are not sitting on the fence - we are building a new garden.” ♂️ 
“If people could only accept that sexuality is infinitely variable and that it was never meant to be confined to the parameters it has been, then not only would MY life be easier but the world would become a much better place.” ♂️
“Like many people I was so scared of my own gay feelings that I found it easier to dislike in others what I disliked in myself. Looking back I must not criticise myself because the anger I felt then was protective in keeping safe a part of me I could not handle. I found that liking men did not alter my feelings towards women. In fact I got on better with women because I was more relaxed.” ♂️ 
“A heterosexual lover once said that she would always love the part of me that could belong to her, but she understood that to possess me entirely would be to smother the essential ‘me’ that made me so dear.” ♂️ 
“I feel VERY bisexual at the moment and very positive. I just wish there were more bisexuals around and that non-bisexuals would accept my choices more.” ♀️
“So what if I WAS sexually attracted to men as well as women? Did it make me any less of a human being? Was my friend any less of a human being for being gay? Why did I feel that intolerence towards gays was intolerance towards me? I wasn’t gay. I loved women too,
[CONTINUED ON THE SIDE OF THE PAGE:]
but if you loved men at all, you were a ‘poof’ or a ‘queer’ and that meant you were dirty and that you couldn’t love women. I mean, NO ONE is going to believe you can like both and not be ‘confused’. I’ve fantasised about men and women so much that I wouldn’t know which I preferred.” ♂️
“For me, being bisexual is a part of being open to myself. I have always tried to see things from both sides. I don’t understand why more people don’t acknowledge that both men and women can be sexy. I guess it’s because I like people.” ♂️ 
“I’ve always seen myself identified as loving both sexes. Until I came across the term bisexual I was a long time without a label. I’ve very ambiguous feelings about labels but despite the misconceptions about bisexuality, saying I’m bisexual seems less of a non-statement than saying I’m neither straight nor lesbian.” ♀️
“Since heterosexuality is so ingrained in the prevailing consciousness, it becomes almost impossible to get some heterosexuals to recognise that any valid alternatives exist. I think the word ‘normal’ was created by those people who are afraid to say ‘heterosexual’ just because their fear of the body is such that they dare not admit to sexual feelings.” ♂️ 
Handwriting at the bottom of the page:
“1st Bit: Nicked from “Bisexual Lives” (off Pink Press)
2nd Bit: Nicked-> ‘Bi Any Other Name’
PAGE 2: Clipping: ‘Myths/realities of bisexuality’ by Sharon Forman Sumpter (from Bi Any Other Name)
“Sexuality runs along a continuum. It is not a static “thing” but rather a process that can flow, changing throughout our lifetime. Bisexuality falls along this continuum. As Boston bisexual activist Robyn Ochs says, bisexuality is the “potential for being sexually and/or romantically involved with members of either gender.”
“MYTH: Bisexuals are promiscuous/swingers. TRUTH: Bisexual people have a range of sexual behaviours. Some have multiple partners, some have one partner; some go through partnerless periods. Promiscuity is no more prevalent in the bisexual population than in other groups of people.”
“MYTH: Bisexuals are equally attracted to both sexes. TRUTH: Bisexuals tend to favor either the same or the opposite sex, while recognizing their attraction to both genders.”
“MYTH: Bisexual means having concurrent lovers of both genders. TRUTH: Bisexual simply means the potential for involvement with either gender. This may mean sexually, emotionally, in reality, or in fantasy. Some bisexual people may have concurrent lovers; others may relate to different genders at various time periods. Most bisexuals do not need to see both genders in order to feel fulfilled.”
“MYTH: Bisexuals spread AIDS to the lesbian and heterosexual communities. TRUTH: This myth legitimizes discrimination against bisexuals. The term “bisexual” simply refers to sexual orientation. It says nothing about sexual behaviour. AIDS occurs in people of all sexual orientations. AIDS is contracted through unsafe sexual practices, shared needles, and contaminated blood transfusion. Sexual orientation does not “cause” AIDS.”
“MYTH: Bisexuals are confused about their sexuality. TRUTH: It is natural for both bisexuals and gays to go through a period of confusion in the coming-out process. When you are an oppressed people and are constantly told that you don’t exist, confusion is an appropriate reaction until you come out to yourself and find a supportive environment.”
“MYTH: Bisexuals are not gay. TRUTH: We are part of the generic definition of gay (see Don Clark’s Loving Someone Gay.) Nongays lump us all together. Bisexuals have lost their jobs and suffer the same legal discrimination as other gays.”
“MYTH: Bisexual women will dump you for a man. TRUTH: Women who are uncomfortable or confused about their same-sex attraction may use the bisexual label. True bisexuals acknowledge both their same-sex and opposite-sex attraction. Both bisexuals and gays are capable of going back into the closet. People who are unable to make commitments may use a person of either gender to leave a relationship.”
“MYTH: Bisexuals can hide in the heterosexual community when the going gets tough. TRUTH: To “pass” for straight and deny your bisexuality is just as painful and damaging for a bisexual as it is for a gay. Bisexuals are not heterosexual and we do not identify as heterosexual.”
“MYTH: Bisexuals are in “transition.” TRUTH: Some people go through a transitional period of bisexuality on their way to adopting a lesbian/gay or heterosexual identity. For many others, bisexuality remains a long-term orientation. Indeed, we are finding that homosexuality may be a transitional phase in the coming out process for bisexuals(?). It is important to remember that bisexual, gay, lesbian and heterosexual are labels created by a homophobic, biphobic, heterosexist society to separate and alienate us from each other. We are all unique; we don’t fit into neat little categories. We sometimes need to use these labels for political reasons and to increase our visibilities. Our sexual esteem is facilitated by acknowledging and accepting the differences and seeing the beauty in our diversity.”
PAGE 3: Bisexual Groups and other Contacts
BRITAIN
BI-MONTHLY - the magazine for bisexuals. Write to: LBG, BM-BI, London WC1N 3XX. Obtainable from alternative bookshops nationwide.
MEN’S ANTI-SEXIST NEWSLETTER exists as a forum for exchange of news, ideas, thoughts, feelings and information who are challenging sexism and particularly for people who wish to find for men alternative roles to those which society casts for them. Write to: MAN, 60 Rhymney Street, Cathays, Cardiff.
THE FEMINIST LIBRARY AND INFORMATION CENTRE works to provide information facilities on subjects of importance to women and the Women’s Movement. The possess many facilities including a newsletter every two months. The library is open to non-subscribers but membership is necessary to borrow books. Subscriptions vary according to income. Write to: Hungerford House, Victoria Embankment, London, WC2 6PA. Tel 01-930 0715.
IN HANDWRITING: WE AREN’T ALWAYS WAT WE SEEM!!! NICKED FROM “BI-LIVES” (OFF PINK PRESS)
LONDON BISEXUAL WOMEN’S GROUP, write to: BM Box LBWG, London WC1N 3XX.
BISEXUAL AND MARRIED GAYS GROUP, Phone: Nigel 01-558 5203 (5.30-10pm.)
SIGMA is a support group for relationships where one partner is gay or bisexual. Details from Gay Switchboard 01-837 7324.
BISEXUALS IN NALGO, write to: BM-BI, London WC1N 3XX.
EDINBURGH BISEXUAL GROUP meets every Thursday, 8pm, at the Lesbian and Gay Community Centre, 58a Broughton Street, Edinburgh EH1 3SA (no disabled access). Write to this address for further information or send an sae to join the Pen-Pal Scheme. The Bisexual Phoneline (see above) operates a contact serice.
MANCHESTER BISEXUAL GROUP, Write to: Box 153, Manchester, M60 1LP or Phone: Paul Owen, 061-228 3554 (2-4pm.)
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gotatext · 5 years ago
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by this point im p sure u all know the drill.... i’m nora, 23, she/her, gmt and tonight matthew im going to be greta o’driscoll, a terrible person but a hot one which frankly makes it almost ok. here is her pinterest..... this intro is literally just copied n pasted frm the last time i played her so soz if u’ve read it like 10+ times.... 
「 diana silvers. cis-female. 」have you seen greta o’driscoll around yet? i hear she decided to be in POTENTAS for their SOPHOMORE year as a CRIMINAL PSYCHOLOGY major. the 20 year old SHEPHERD is known to be tenacious, magnetic, capricious and evasive. ➨ the muse is written by nora, she/her, gmt.
was adopted as an infant. had two foster moms and two older sisters so always surrounded by women. lived in a boarding house, very much like the one in 20th century women, with lodgers coming in and out all the time, mostly artsy young women because her gay moms were both high school teachers trying to set up their own arts collective. one of her moms left when she was 4, n she doesn’t really remember her.
while living with entirely women made her super into catlin moran and the guilty feminist, as a teenager she often let boys walk all over her bc she just craved male attention jst bcos she’d never really experienced it. saw it as something aspirational, like sitting in the back of chad’s second-hand truck while he drove you to macdonalds and offered you and his five friends with identical haircuts weed was the height of being cool to greta, she wanted to be their dream girl, even if it meant compromising her beliefs
was always a really sporty bitch. it started with a junior athletics squad, which turned into athletics and cheer, which then became athletics, cheer and hockey until she basically was doing a different activity every night. she came to see her body as a tool that she could make work for her if she trained it up and this attitude’s always kind of stayed with her that as long as her body is strong she is capable of anything. runs every day. 
bubbly bitch but also massive snake. metaphorically and literally, always shedding her skin. loyal to few, ruled by none, out for herself, babey!! every place she goes, she becomes a new character, someone who’s a figment of her imagination, as if each city is repertory theatre and she’s a character actress, so as a result som ppl think she’s called rita, some ppl know her as margot, she just flicks through identities like nobodies business.
left school at 18 n went backpacking around the states making money in the casinos by being a shot girl (yeehaw) and trying to make it as a mysterious 1920s widow with a smoky voice, a dark secret n a heart of gold, looking for love in the big city. all she found was producers and acting agents who’d promise her stardom n actually just fuck her in a motel n then ignore her calls.
TW domestic violence, TW gun, her watershed moment came when she met luke in sioux falls while she was working at a strip club. he was a few years older and had a car, and they kind of went from seeing each other to being that super intense couple who are just necking all the time.
they got engaged like 3 months after they met n rented a flat together, much to her family’s annoyance but she was 19 so there wasn’t much they could do. their relationship was super super intense though, often really heightened and when they fought it could become quite violent, but she’d pass it off as just him being really passionate.
one of their fights got really heated and greta threatened him with the gun he kept in the glove box of his vauxhall corsa, but the safety was off and she accidentally shot him. she pleaded self defence in the trial n cos of the amount of times she’d been hospitalised for various concussions n things like ‘fallling down the stairs’ the police were like yea… pretty watertight evidence that he was a bastard who [chicago voice] had it coming….. 
she’s now under witness protection, rehoused in livingstone as a sports-scholarship student, due to the amount of police involvement in the area, it would mean should one of luke’s family members try to track her down, she’d be relatively safe
massive sports fanatic. plays tennis. on the cheer team. was a track superstar in her high school. honestly just that sporty bitch, you’ll see her doing lines at a party at half four and then on your way to your 9am lecture you see her running across the park like a fresh fucking daisy who is this bitch. maybe it’s maybelline, maybe its coke.
massive feminist. low key quite scared of powerful men bcos of her ex. wants to start a female only lesbian commune bc she misses her childhood in a south dakota boarding house and has endless support for women. honestly annoyed that she is attracted to men, would so be 100% gay if it was a choice. cuffs her jeans and can’t drive. is That bisexual. skateboards. wears backwards caps.  i hate her 
isn’t a foward-planner, however. greta prefers to leave her options open, play the field, live in a spontaneous manners so her study style is mostly cramming a few days before a test, or staying up all night writing an essay on a massive adrenline boost powered by red bull or probably adderall, scribbling (or typing) furiously into the night.
has an addictive personality. seems unable to do anything in a small dose, she has to let it utterly consume her. with sports, she’s fiercely competitive. with alcohol, it’s never a shot, it’s a whole bottle – wine or whiskey – she’ll be table dancing before the night’s up and making out with someone she’ll regret in the morning. 
not afraid to go after what she wants !! ambitious academically and romantically thirsty !! she loves the adrenaline of the chase. when someone’s easy to get, she becomes bored. very bisexual and very proud of it. feminist as fuck nd part of a queer representation in the arts group which holds fortnightly meetings to discuss lgbt representation in film, literature, art etc.
old soul in a young person’s body. all the shit that has gone on has kind of aged her. she’s quite cynical about everything now. always smoking smoking smoking. very edie sedgwick in that way.  little girls skirts bought for next-to-nothing at the market because she’s skinny enough to get away with it, barely long enough to cover your bum, and then the ugliest baggy sweater you’ve ever seen thrown over it.
likes old things. old books, old music, old houses, it reminds her of happier times like when she wasn’t alive. buys all her music on vinyl and has a gramphone because “The Sound quality is Better” kfdsjj.
super into pop art and andy warhol. puts female friendships above everything but at the same time, would fuck her best friends man
her clothing style is like…. vintage thrift store but make it preppy. berets and cute hats, neck scarves, large fluffy cardigans or like those leathery jackets with big suede fringes on them, mini skirts (very 70s), and knee high socks or boots. quite often she’ll be in sports kit, maybe a cute tennis skirt, n when she’s feeling casual she’ll wear like, a talking heads tshirt with a pair of mom jeans and converse, but otherwise, the library is her catwalk.
aesthetics:
a bubble of pink gum on chapped lips, mom jeans, a beaten up pair of adidas, denim jackets, strawberry laces, knee-highs, chapped lips, peeling sticky plasters, split knuckles, bruises you try to cover with concealer, stick and poke tattoos, hot coffee, sleep caught in your eyes on a lazy afternoon, kissing girls, cigarette smoke shrouding you like a veil, alien conspiracy theories and sci-fi paperbacks, doc martens with fraying laces, the red string of a thong peaking out purposely from jeans, leonine arch of your back and that stellar smile that says ‘you have no idea who you’re dealing with’, a rucksack permanently packed for the move, a streak of red across your lips, roller blades, cut knees, not eating your greens, smiling with a mouthful of blood, and piercing your own ears with a safety pin when your mom wouldn’t take you, kate moss posters lining the walls of a teenage bedroom, his name scrawled in rage across the pages of a diary, thumb holes poked through the cuffs of your sleeves, a tennis racket you punched through in a fit of temper, feet pounding the earth until your soles bleed crimson, sleeping in a cherry lip balm and scrunchies to keep the wild locks from your eyes.
wanted plots
frinds !! unlikely friends !! toxic friends !! former best friends separated by sports rivalries ! sporting friends who are on other teams but who she absolutely loves playin against!!! 
since greta literally can’t differentiate between romantic and platonic love, she’s got off with so many of her mates, so i want awkward friendships where they nearly dated, or exes that have now just turned into weird friendships
 girls from the cheer team who she’s like, weirdly intimate with like the shower together but its not a Thing cos the other girls straight !!! what do u mean !! aha just fun !
and I want like, fellow criminology students who are like?? how is this bitch still passing?? i swear she goes out every night?? 
she works part time at a fast food restaurant, i want a mate that just goes and sits in there talking to her until her manager gets angry. 
ppl she did a few modules with ie. art history, bio-med, film studies, before changing course and somehow sort of remaining in touch with
 ppl who she runs track with. 
someone she’s trying to make a zine with. 
here’s a list of plots on her old blog if u want any of them w her.
would love plots of any type, throw them all at me please, i cnt wait to interact w all of u. like this if u want me to message you about connections / plots! xo
full biography if u can be bothered
trigger warnings: drugs, domestic abuse, gun.
you never meant for it to happen. you’d heard the stories, of girls who let their man walk all over them, and thought to yourself “i’ll never be one of those girls…” the kind that eat low-fat yoghurt and drink slim fast to shred a few extra pounds because he said she was getting round in the tummy, or the ones who spent their evenings tied to a kitchen sink drinking wine while him and the boys played poker, wishing god, if only I could get out of here. not you, not you raised by strong women, four bright shining beacons. single mother with her hard-as-nails attitude and her stony glares, elder sisters (twins) one ginger, one blonde, one doctor, one lawyer, both determined to take a bullet to the brain and a hammer to the patriarchy before they let a man touch them without asking. you were always so inferior, so insecure and small, like a bird (like a sparrow) with blonde plaits down your back sucking tropicana whilst your busom buds sucked dick, their lips permanently ripe with stories of their sexual exploits, fake tan and glittered nails whilst you sat in the unbroken egg of virginity wondering what it was like to be loved. one day you found out.
lily milligan’s parents gone and a free house for the night, bottles of ouzo and tequila swiped from your mother’s liquor cabinet thinking she wouldn’t know (she always knew) your legs, hardened from pep squad, slut dropping on a kitchen table because the boys thought it would be fun to get the quiet girl drunk. you’d never had a sip before that night. band t-shirts, denim shorts and the split soles of rotten converse that you refuse to let go of, you still clutched with both hands to your youth, but in a tube top now (borrowed from alice carmichael who had a sister in college) and a short tennis skirt, your feet not in trainers but in thigh-high boots. uncomfy as hell but lily said you needed to look sexy. you didn’t know if you wanted to be sexy. you didn’t know what kind of girl you were, if you were even a girl at all. but robbie looked at you like he knew exactly who you were, like he knew you better than you knew yourself, and his lips had the pink cupid’s bow of a movie star, and his hair was dark locks, curling like a mane. his hands were soft, and suddenly on your waist, and after three more shots his lips were on yours and his name was the only sound in your head and on your lips as you lost it in lily’s college sister’s bedroom beneath the glare of a T-Pain poster. you bled for what seemed like hours, his hand still in yours, kissing on the sofa as truth tellers and dare devils continued to spin a bottle of unprecedented youth. you thought it was love. robbie was the one. he loved you, you knew it, how else could someone be so soft? but soon he grew bored, scrunched up your paper heart and set it alight. then came the tears, the hatred, the ‘fuck robbie, in fact, fuck all boys.’ and that you did.
you were known for being easy. any boy could be yours for a night, as long as he promised to love you for those few short breaths and pants before you cried yourself to sleep. you felt poisoned, but poisonous as well, as if by ensnaring these young boys you were gaining power over them, and not the other way around. soon it started to work. they’d want more, but you’d deny them it, sick of sucking off silly schoolboys, they’d call you a tease, a vixen. maybe you were, but you couldn’t help but want older men. you got the history teacher first time, him bending you over his desk to sneak a hand up your tennis skirt as the after-school clubs carried on next door, unawares. love didn’t exist, not for you. it was nothing but a game for pretty young girls to play, bubble gum in their canines and a hand tugging at the hem of their cheer skirt.
there was so much anger inside of your small body, ‘beware of boys and their hook-like words’. hockey helped. there was something formidable about the feeling of a stick like a weapon in your hands and the thwack it made against thighs in the heat of a scrum - “slipped, sorry!” - you’d utter with a snakeskin smile, millicent quinn knowing that you’d hit her on purpose because she shagged robbie at that party last week. she couldn’t prove it, cobbled acne on her forehead turning green with disgust. ben came into your life like a car crash. two years your senior, with a baseball jacket and shoulders like a god. he became your personal hero. on the pitch, he was lethal. together, you could bring anyone to their ruin. each day after last period he’d be waiting in his car. you’d leap into his arms like a girl-half starved, love me, love me, love me, your heated kisses the envy of every junior girl. he was yours for three blissful years, utterly yours, and you were his, his star-spangled girl, and he was your knight - you were both the same, playing games, always difficult to predict. it was a shock to all when he proposed, high-school sweethearts find love in south dakota.
the engagement was a bittersweet affair; three months – you barely out of your gingham print skirts and into a graduation gown, him, a surly quarterback towering above your sisters, cigarette at his lips and a scowl like a fart in a lift. they hated him. so did you. but you were eighteen and in love, and he fitted the cookie cutter mould. everyone wanted him, and you had him. you had him and you were happy, happy, happy, and he loved you. he said he’d give you the world, anything you wanted hand-picked and given to you. instead, he gave you a jack russell terrier and a flat you couldn’t swing a cat in, wallpaper peeling like the rotten bits inside of you, the bits that only he knew. and you got tireder and tireder of the sad excuse of a life he’d picked out for you, him out doing god knows what to pay the bills, and you dancing on tables to pave your way to stardom, and this was love, this was real, until the shine wore off and your fresh-faced, dimple-cheeked cheerleader facade faded and the ugliness started to reveal itself, the whining, the petulance, the sharp-tempered cruelty, the mind games, the need to always win, win, win. he was dull, he was boring, he was nothing like the boy the girls had said he was and no chiselled six pack could hide his lack of anything remotely interesting, your patience wearing thin until it snapped like rubber, a rucksack on your back, running shoes on your feet and the joint bank account emptied into your eighth grade birthday wallet.
you built your small fortunes working the casinos of sioux falls, a crimson dress and an attitude to match. bookish archie with his little dipper freckles was fun for a month, before he became just as dull and dreary as the rest. a three hour bus and you were in minneapolis, bright eyed and bushy tailed, fresh meat ready for the pickings. a hostel here, a friendly co-worker’s sofa there as you made what you could by taking off your clothes and shaking your ass like you were back in pep squad, doing what you did best. you met your fair share of creeps, and soon it was back on the road to escape a wide-eyed stalker and a restless itch for more. milwaukee, chicago, you made the roads your own. log cabins and lodgings, and the occasional motel, a beaten up pick up truck purchased at a scrap merchants – you got a few miles out of it before it bit the dust, and when you finally set it alight after nights spent lounging across the driver’s seat, a parka tucked over you as a duvet, you were sad to see it go. you’re nomadic by fault, never attaching to place, people or things, creating a new personality in every place you go like a character actress; each town is a different repertory theatre, and you’re the star. a compulsive liar, you even fib about your own name, to some you’re ellen, nineteen, bookish, a law student who likes smoking and cosmos. to someone else you’re rita, you’re twenty five and look young for your age, like smoking, comics and fucking in public places.
in the bright lights of michigan, you found charlie, sweet charlie, too good for you, though you let him spoil you while he thought you were the small town girl of his dreams. next came abigail, who was fun until the jealously kicked in, and then luke, gorgeous luke, dangerous, exciting, who despite his temper, despite the fights, despite bruises down your spine and your teeth marks on his arms, loved you with the strength of a wild fire. there was destruction in your wishbones, a savageness from the field, from the pitch and now somehow in his arms, you were godly. he was cruel, he was careless, and he refused to fall at your feet like so many other boys had, which only you made you want him all the more. you were rage incarnate. you hated him so fiercely you thought you might kill him, so he played the only card you wouldn’t predict; proposed.
the house you shared was a backstreet flat in detroit, you making your name as a downtown singer while he footed the bill with pills. they had a drug for anything these days, to dull the senses, to pick them up, to drive you to insanity or pull you out of the madness hole. the two of you lived like criminals on the run (you never told him that you were, living out your days as the enigma he wanted you to be), you with your voice like caramel and fishnet legs. you were his and his alone until his hand was at your throat and the gun was in your hands screaming at him to stop, stop, stop, until a bullet stoppered his brain, crimson staining linoleum as you cast yourself out like lucifer. self defence was decreed the moment they saw your violet neck, black tears and headlight eyes and mind screaming red, red, red like the pom-poms you shook so willingly in school and the insides of his skull. you were gone, and “you” was born, renamed “greta”, boxed, shipped-out, and next-day delivered to livingstone where under witness protection you were a student, blank slate, fresh-faced in a place where no one knew your name, doing what you always did and starting again.
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indige-zine · 6 years ago
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Spotlight Series: Creative Disruption
Making noise, redefining language, wielding raucous imagery—these things serve an important role in our collective quest to decolonize relationships to our oppressors, our lovers, ourselves. Sometimes, you have to destroy and rebuild from the essentials.
indige•zine caught up with three Indigenous creatives who use their art to disrupt the boxes   that dictate the way Natives love.
Tatiana Benally
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Age: 24
What she does: Hailing from the Diné Nation in Shiprock, New Mexico, Tatiana lives in New York City as a working-class student of anti-colonialist practice, resiliency, and movement. When she’s not freelancing as a media artist or barista-ing in Flatbush, she’s helping to organize events like the Indigenous Creatives Festival with Manhattan’s American Indian Community House, making interdisciplinary art and music, curating the meme page Asdzaaproletariat, frequenting a Diné communist reading group, and much more.
How do you define love?
Love is an organic and necessary connection between human beings. Love is also complex, powerful and is certainly not perfect. There are many notions of love, but the most important love is one that is conscious and respectful of the conditions we are living in.
A noteworthy quote by [political theorist and philosopher] Hannah Arendt addresses the power of an anti-colonial love as:
“Love, by reason of its passion, destroys the in-between which relates us to and separates us from others … Love, by its very nature, is unworldly, and it is for this reason rather than its rarity that it is not only apolitical but anti-political, perhaps the most powerful of all anti-political human forces.”
I find this quote so beautiful in recognizing the power of love in building solidarity and its nature to be anti-colonial. The only thing I would argue is that love is absolutely political in our time. Destroying the “in-between” that [Arendt] writes about, things like individualism and social constructs, could be read as bi-products of capitalism and colonialism. Love is anti-colonial strength in our times.  
In which ways do your concepts of love and creativity meet in your life?
For me, this is mostly observed in the healing process of expression. I often turn to creativity as a way to grapple with feelings of ennui or as a tool to explore the roots of my feelings in times of confusion. Other times, I am just plain happy and the art that I make is then a document of a time that I felt full and warm. The healing power of creation is medicine for the maker and hopefully for people who connect with the art. That’s love.
What’s one toxic thing about romance and relationship you’ve had to unlearn?
The idea that it is cute or normal to be owned by someone (i.e. “She’s mine,” “You belong to me,” etc.) Language and behavior with possessive logic are only another vehicle to integrate colonial notions of property and other outward rippling capitalist-centric lifestyles into practice. From the many recognized and unrecognized Missing and Murdered Indigenous Women (MMIW) cases, to everyday practices of consensual intimacy being breached in relationships.
Love should be founded on mutual respect and compromise, and exist without power dynamics. The purpose of love is not to be used to cushion one’s oppression, nor as a tool of coercion into capitalism. We need to do better.
What is your most potent practice of self love as an indigenous woman?
Existing unapologetically. There is so much joy in embracing who I am and what I do without fear. It is wholesome and pure and everyone needs to do so much more of it.
Dio Ganhdih
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Age: 31
What they do: Dio is an Akwesane hip-hop artist with brash, bold flows packed with humor and wit. Born and raised on Haudenosaunee Territory in Upstate New York, they’re also an educator and speaker whose work centers their experience as a queer, gender non-conforming Indigenous artist seeking community amongst their intersections. They’ve made music with Anishinaabe electronic artist Ziibiwan, Peguis First Nation producer Exquisite Ghost, mestiza hip-hop artist Chhoti Maa, and many others.  
How do you decolonize your love?
With reflection and accountability of my own toxic behaviors. I take my own internal spiritual temperature and sit with self to process past traumas and explore new paths of healing. The impacts of colonization are thick and dense. Without question, colonization confuses the love that I want and contradicts my intrinsic ability to love. I work to unpack and unfold the whitewashing and heteronormative culture I was surrounded with and inevitably influenced by growing up in a small town and Native community.
As a queer indigenous musician, how do you protect your spirit?
I protect my spirit by trusting my intuition and using my powers for good. I use smoke, sweetgrass, tobacco and prayer. I attend ceremonies and carry with me traditional medicines from my people. I work with teas, herbs and plants which offer external protection and vitality as well.
If you could tell your teenage self one thing about self-love, what would it be?
Teenage me: Believe it or not, you have everything within you to provide yourself with the love, attention, and the validation you are seeking. You will never actually fill that void until you learn how to embrace yourself fully. Dig deeper and push past that binary—you got this! Konarronkwa!
Gwen Benaway
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What she does: Gwen Benaway is a trans girl of Anishinaabe and Métis descent. She has published three collections of poetry, Ceremonies for the Dead, Passage, and Holy Wild. Her fourth collection of poetry, Aperture, is forthcoming from Book*hug in Spring 2020. Her writing has been published in many national publications, including CBC Arts, Maclean’s Magazine, and the Globe and Mail. She’s currently editing an anthology of fantasy short stories by trans girl writers and working on a book of creative non-fiction. She lives in Toronto, Ontario and is a Ph.D student at the Women and Gender Studies Institute at the University of Toronto.
How have you used language and poetry to decolonize the institution of love?
I don’t know that language or poetry really can decolonize love. For me, poetry and language are an embodied reflection of a living, not an artifact nor a tool as commonly used by Western mentalities. Language and poetry arises from the love and the living, but can’t liberate us in and of itself. I use poetry and language to explore and narrate my embodiment and intimacies, but decolonization happens through what you do, not what you say. I think people get tripped up on that point, thinking that their language will be their liberation, when it’s their relationally and doing/living that is the revolution.
What is one misconception about desire and relationships you wish you’d known when you were younger?
I wish I had known that it was possible to live inside multiple intimacies and not focus so much on monogamous intimacy as the ultimate relational bond. What I’ve learned is that non-sexual intimacies are very powerful and important, as are polyamorous intimacies. I have several intimacies that I’m present in which are love affairs, but none of them supersede each other. That feels really comforting to me.
I also have several deep intimacies which are non-sexual and fill a lot of spaces for me in terms of kinship and care. I think when I grew up, I just saw abusive monogamous relationships and internalized that as normal. Now, I look at extended networks of kinship, care, and multiple intimacies as my safe normal. I also wish I had embraced my bisexuality sooner but I guess some things take time to grow.
What advice do you have for fellow Indigenous trans people trying to tell their story?
My advice to other trans Indigenous folks is to stand in your language, traditions, and kinships, but also embrace your own sense of selfness.
Transness is complex. It doesn’t have to be one thing. It can look and feel like many different paths or ways of being in the world. I think it’s important to see your ancestors in your transness, but to know that you can innovate around yourself as well.
There is still a lot of transphobia around us, but we are going to find a way through it towards a different future. Never be afraid to be traditional, but never be afraid to not be traditional (or adapt traditions).
Sometimes, I think Indigenous trans people get pressured to take up a certain space in the world. But like all Indigenous peoples, we’re diverse and not all of us need to be activists, writers, healers, leaders, etc. Some of us can just chill and support other folks who want to take on those roles. I want to see more trans NDN voices and bodies in the world doing a bunch of things, from every nation, and in their own ways. That’s my dream for us: a future where we are vibrant, visible, and varied.
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mwritesink · 6 years ago
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The never ending shelf of WiPs
(Working titles are italicized. this is my attempt at organizing myself. Includes both Original and Fan Works. Post under a cut as this got long real quick...)
Original Works
“Rebel Songs”: November 1920. Dublin, Ireland. A chance meeting brings WW1 veterans Shannon Maxwell and Lawrence Barton together and into a whirlwind romance. Their first problem? Shannon is an IRA soldier and Lawrence works with the RIC Special Reserve. (currently writing random scenes, outlining, and researching)
“iceskating”: Modern day. Somewhere. Danny Reid is hired by Esmé Caldwell - renowned former Olympic Ice Skater and current coach - to help get her protege back into competitive shape. Jason O’Rinn - scarred, intense, and guarded - is just the sort of man Danny should stay away from, but he can’t turn away from fixing broken things, especially when Jason reaches back to heal Danny’s own scars. (I’ve maybe an eighth done of a first draft. fully outlined. need to do research)
“Red Headed Bastards”: [fictional year. fictional city name]. Lauren Lowfey, marked from birth as an outsider by her red hair, is just trying to make a life. One day she gets a package to deliver at the Aesir Castle that sends her life into far more adventure than she ever asked for or wanted. Outside the city, though, forces are moving to make the first moves of Ragnarok. (need to write scenes, need to outline, need to research)
“Chicago History Poetry Zine Series”: Poetry to inform about significant, and some not so significant, details about Chicago history. (have a set written about Camp Douglas, though several are in edit mode. Need to figure out the best way to arrange and publish. constantly in research)
“My Squire, My Knight”: visual novel idea. Arthurian based. the MC is related to a king allied to King Arthur - leaning towards being the youngest son of King Pellinore -  and is assigned to be a squire to one of Arthur’s knights: Sir Kai, Sir Dinadan, Sir Palomides, Sir Galehaut, or Sir Mordred. The course of the final days of Camelot are changed depending on the path and choices of the MC. (have the ideas, outlining, researching)
“Mad Ladies Ghost Stories”: Visual novel idea. MC is a Paranormal Investigator trying to find and free the ghosts of a haunted mental hospital without joining their number herself. Each ghost is of a woman falsely deemed insane and fell victim to the cures of her time. (have ideas, need to outline, need to do more research than one book)
“Crow Merwin”: Fantasy inspired by the French Revolution, but with more figures who are not white, presumed straight men. (idea there. I had notes from a year ago, but lost them. need to recreate notes)
Fan Works
K. J. Charles series
“The Magpie Lord - Script Adaptation”: for Charm of Magpies series. Writing exercise. Is what it says on the tin, just me practicing script writing by adapting The Magpie Lord by K. J. Charles. (in progress)
“Damned Spot”: for Green Men Series/Secret Casebook of Simon Feximel. Simon and Robert resolve the story of a haunted theatre. At one point Robert gets stage blood thrown on him. I get to indulge in how much I love MacBeth. (in planning)
“Elaphromancer”: for Charm of Magpies series. A Jono/Doug AU, where Jonothon “Chamber” Starsmore and Doug “Cypher” Ramsey are remade for existing in the world of Charm of Magpies. Jono is a magician who works as a fire breather and sword swallower for the Hellfire Freak Show and Circus. His life gets infinitely more complicated than it already is when he encounters a runaway autonomous Automaton who insists on having Jono help protect a political fugitive. Then the Justiciary gets involved. (in planning, opening scenes written)
Jordan L. Hawk series
“Griffin’s Queer Chicago”: for Whyborne and Griffin Series. Collection of one-shots and other shorts speculating on Griffin’s time in Chicago. So far planning to include the following: bed-sharing w/ Elliot [finished!], almost getting caught having sex under a bridge, having outdoor sex in one of the parks, the Columbian Exhibition World’s Fair, hotel sex w/ Glenn, and the Chicago Athletic Club. (In planning, first short finished!!, may be a while until the next one, in research)
“Seduced by the Shark-Man”: for Whyborne and Griffin Series. Fishborne AU. Instead of an Umbre, Griffin and Glenn find a shark-man who says his name is “Fire In His Blood”. He got very lost, ended up in fresh water, and would like to go home. But not without first finding out everything he can about land-dwellers. (the idea is there)
“Jono, Doug, and the no good, very bad haunted adventure”: For Spirits Series. A Jono/Doug AU where Jonothon “Chamber” Starsmore and Doug “Cypher” Ramsey are remade for existing in the world of the Spirits books. Doug and Jono are both Mediums. Jono’s talents reside in Pyromancy, and Doug has a willing “Spirit Guide” named Warlock. Doug enlists the help of Henry, Vincent, and Lizzie to free Jono from a haunted asylum after one of Jono’s seances goes horrifically wrong and he is confined as mentally insane. (in planning, have beginning scenes written)
“SPECTR: Hunter of Demons - Script Adaptation”: Writing Exercise. Practicing writing comic book scripts by adapting the first book of the SPECTR Series. 
Marvel Comics/Movies
“Hellions AU”: Jono/Doug AU. Jonothon is invited to join the Hellions by Emma Frost when he is 14. He and the Hellions get entangled with Doug Ramsey and the New Mutants, which leads to a radically different Jono, and a different Doug. (in outlining, some scenes written)
“Jono Frost AU”: Jono/Doug AU. Jonothon was adopted at a young age by the Frost Family, and followed Emma to the Hellfire Club. Along the way, Jono gets involved with Shinobi Shaw and other 90′s X-Men villains. (in planning)
“X-Force AU”: Jono AU. the NHS catches Jono’s mutation when he is 16 and sends him to Muir Island to be taken care of by Dr McTaggart. While there he becomes friends with Terry and Maddrox and follows Terry to X-Force. Various relationship entanglements ensue as well as morality questions regarding what X-Force does. (Idea is there)
“Excalibur AU”: Jono/Douglock AU. After exploding, Jono is sent to Muir Island, instead of getting an invite to join Generation X. While there, Douglock befriends him, and (along with Rahne) they begin a romantic relationship that goes rocky when Warlock comes back on the scene. (in planning)
“Savior”: personal/fan essay. tying “Savior” by Rise Against to the wreckage of Jono/Paige. (idea is there)
“Guthrie Family Dinners”: personal/fan essay. the implications of the New Mutants and Generation X staying together/breaking up and the number of times each team gets invited to Guthrie family dinners. Sam regularly takes the New Mutants to Guthrie Family dinners, and they mostly stay together. Paige only ever brings Jono over (once, and not to dinner), and Generation X is never really brought back together. (idea is there)
“Holistic Villains AU”: Jono/Doug AU. Jono is nabbed by Clan Akkaba right after his mutation explodes his body and he’s given the Apocalypse look. Taking on the codename Leviticus, he sets out to assemble his own horsemen and become a new Apocalypse for a new age. His Death is the newly revived Doug Ramsey. (in planning). 
“Really a Villain AU”: Jono/Doug AU. Jono was brainwashed by Clan Akkaba from a young age, and has been their agent. After M-Day, he turns himself over to Utopia. Doug becomes interested in him and in his apparent reformation. theme song: Sedated by Hozier. (in planning)
“In the Flesh AUs versions 1 and 2″: Jono/Doug AUS. setting Jono and Doug within the world of “In the Flesh” tv series. Version 1 has both Jono and Doug as PDS and wrangling their lives post treatment. Version 2 has Jono and Leeland (oc child character belonging to @stem-cell who lets me and @nobiliorpomis use) are PDS, and Leeland gets his living father together with his PDS friend. (in planning)
“that one Burnside AU”: Captain America AU. Set in the MCU somewhere. Steve gets kidnapped by William Burnside, a historian of WW2 and the super soldier project who looks uncannily alike to Steve. back and forth pov of Steve’s captivity by Burnside and the other Avengers trying to find and rescue Steve. (the idea has been there for a long while)
Fire Emblem
“Ride Across the River”: Palette Swap AU where Arvis and Sigurd switch roles and families and what happens with the fallout from that. (first few chapters on AO3, in progress)
Dragon Age
“The Salt in the Ashes”: Inquisition AU with Samson as the Inquisitor. somehow I get him and Dorian together. (in hiatus/in progress)
Mo Dao Zu Shi
“Untitled”: mash up with Exalted. Detailing the rise and fall of First Age Twilight caste Solar Wei Wuxian, Zenith Solar Lan Wanji, and the Death Lord “The Yiling Patriarch”. (idea there)
“Untitled”: a Mo Xanyu lives fic, where he and WWX share his body, and freely go back and forth between who’s in control of the body.
Castlevania (Netflix)
“Untitled”: Get Alucard out of the house a bit and rescueing Hector from Carmilla’s clutches. Romance ensues. (idea is there, plus a paragraph or two)
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