#wizard novel

[ragnarokproofing]

finally, a picrew that lets me make my characters as scummy as they're meant to be.

(here.)

someday i need to make them actual portraits for my files but until then this will do.

[benevolenterrancy]

(Unseen Academicals, Terry Pratchett) I think Shang Qinghua and Ponder Stibbons should have tea and compare notes about somehow accumulating so much behind-the-scenes power by doing menial jobs no one else wants that they could basically run the show if they wanted...

meanwhile we have Shen "meh good enough" Qingqiu

[giantkillerjack]

Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!

Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*

Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!

[callmevenus]

⭐️🎀🎃｡☆ ﾟ ＊ ¸* .魔法使いの女の子 ｡ ☆ ﾟ ＊ ¸* .⭐️🎀🎃

[comebackali]

HE BURNS LIKE THE SUN INSIDE!! I WOULD BEAR YOUR BURDENS FOR YOU IF I COULD!!

[theartofknightjj]

Happy Halloween and HAPPY 10 YEARS since I drew these two for the very first time!! 🎃💚💜

I drew the first characters of Les Normaux exactly 10 years ago today during a livestream. They were just 3 sets of monster couples drawn spontaniously for fun! I could’ve never ever imagined where that night would lead me 10 years later.

It feels crazy yet poetic that so soon these two will have their own /published/ book in bookstores. What a way to celebrate 🥹✨

But ofcourse I had to also come on here and embarras myself by posting my oooold art so I could redraw them! So here are 2024, 2014 and a bonus 2017 redraw of the boys. (Will be redrawing Ronnie and Drew later dw!!)

Thank you all for loving them for this long. So excited for this next chapter in their story!! 🐰✨

[plant-ago]

I just really want to shout out @quiddie and Brennan for creating the running theme of Suvi's "justification machine," because this is such a critically useful concept. The fact that when Steel approaches her about the memory wipe/sleeper agent deal, she explains that Suvi is a perfect (manchurian) candidate precisely because she is so smart, that she can come up with a reason for any impulse.

As someone who is in my own right probably too smart for my own good, this resonates with me to a frightening degree. My own people-pleasing mechanism, all the imposed desires and motivations and shitty habits I have accumulated over the years that are not really my own and do not really serve me -- my justification machine can always leap into action to defend them. Brennan said this in Mentopolis when he made Justin Fication a hound dog. If he's loyal to your conscience, you're in decent shape, but if he could just as easily do the same job for ambition, self-doubt, or even a sense of comfort or a fear of change.

Everyone does everything for a reason. Any action, anywhere, anytime, can be justified, if you're clever enough. That doesn't make it right.

[nevertheless-moving]

unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.

Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.

and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.

(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)

Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self. 

Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.

The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?

Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!

Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and— 

Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—

You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...

What—when did you lose—

I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...

So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.

And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.

When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.

Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.

It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.

Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.

Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??

the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.

Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.

FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?

“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.

Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)

And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.

Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic,  being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.

Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life. 

Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.

Is mildly disturbed by the revelation.

Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.

It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal. 

Things REALLY become stressful after he rescues that carriage full of noblewoman.

What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.

I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.

So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.

Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.

Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—

well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—

and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?

i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”

Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).

But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.

Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.

And then the partners change again, the moment ended.

Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.

Hes almost excited when the first assassains start coming after him. It's like a hobby.

Everyone tells him he should get a hobby.

Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.

needless to say he ends up fired again, life under real threat after offending some high lord.

Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.

Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )

Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?

And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?

Opening drabble Vimes Vetinari Meta (Unwell) Scene from the Uberwald Grand Sneer

[whimsy-of-the-stars]

guys guys guy GUYS!!!!

THERE’S GONNA BE AN EARTHSEA GRAPHIC NOVEL AND IT LOOKS SUPER PROMISING!!

also the cover looks like THIS!

and here is the article:

it comes out on March 11, 2025! I’m so excited!!

[literaryvein-reblogs]

Writing Guide: 3-Act Structure

ACT I

EXPOSITION

Establish your protagonist, their everyday life, and their "desire"

Sample Synopsis: Young Dorothy Gale lives in rural Kansas and dreams of something more.

Your Synopsis:

INCITING INCIDENT

An event forces a change in your character, setting their adventure in motion.

Sample Synopsis: A tornado whisks Dorothy away to the magical land of Oz, ripping her from the comfort of her everyday existence.

Your Synopsis:

PLOT POINT 1

Your protagonist crosses the point of no return.

Sample Synopsis: Realising that her only way back is by finding the Great and Powerful Oz in the Emerald City, Dorothy sets off down the Yellow Brick Road.

Your Synopsis:

— 25% through your story —

ACT II

RISING ACTION

The protagonist encounters roadblocks on the way to achieving their goal.

Sample Synopsis: Dorothy befriends the Scarecrow, the Tin Woodsman, and the Cowardly Lion. Together they encounter minor obstacles (e.g., apple-throwing trees).

Your Synopsis:

MIDPOINT

The hero faces their biggest challenge, which threatens to completely derail their mission.

Sample Synopsis: Dorothy discovers that the Wizard is a charlatan.

Your Synopsis:

PLOT POINT 2

The protagonist — who has so far been reactive — makes a choice to become proactive.

Sample Synopsis: So that she may have a chance to go home, Dorothy and her friends decide to take on the Wicked Witch by themselves.

Your Synopsis:

— 75% through your story —

ACT III

PRE-CLIMAX

As the protagonist faces their final challenge, it would seem that all is lost.

Sample Synopsis: On the way to the castle, Dorothy is captured by the witch who reveals her plans to kill Dorothy.

Your Synopsis:

CLIMAX

The protagonist manages to overcome whatever is holding them back. They triumph over the antagonist.

Sample Synopsis: Dorothy defeats the wicked witch!

Your Synopsis:

DENOUEMENT

Our hero returns to their previous life, having changed. Loose ends are tied up and tension is released.

Sample Synopsis: Dorothy waves goodbye to her new friends and returns to Kansas, grateful for the life she has there.

Your Synopsis:

Note:

Use this outline to define all 9 of your story's major plot points.

You can then use the 'Scene-by-Scene' guide below to plot out your entire story.

As you write, revise, and edit, return to this guide and update the structure to reflect your latest draft.

Scene-by-Scene Guide: 3-Act Structure

Scene Number (1, 2...):

Act (I, II, III):

Plot Point (Exposition, Inciting Incident...):

Location:

Date/Time:

Characters in Scene:

Synopsis (What action takes place in the scene?):

Changes (How are the characters or situation now different?):

Note: Not every scene features one of the major plot points.

Source ⚜ More: Writing Worksheets & Templates Writing References: Plot ⚜ Character ⚜ Worldbuilding

[ragnarokproofing]

i uh, i think my similes and metaphors are a little too grounded in my fantasy world/historical knowledge. i just compared something to a reading crystal. does anyone who will ever read my thesis know what the fuck a reading crystal is???

[myokk]

Eloise is really, really bad at chess😐

(this is a scene from my fic & I typed it up here:)

"Milady, you cannot send him there! He will surely die a terrible death, and Murdoch is our finest knight!"

Eloise blinked her bleary eyes at the wizarding chess board, not really comprehending what the tiny pieces were yelling at her. The one that seemed to be doing the most talking was gesticulating wildly and jumping up and down, trying to get her attention. When she had taken the pieces out of the box Sebastian had lent her, they had immediately recognized her and started protesting, appealing to 'their benevolent lord's innate sense of goodness', but their protests fell on deaf ears. Eloise was positive that Sebastian took some sort of perverse pleasure at watching her lose at chess.

In the background, she could hear Ominis's laughter echoing through the Undercroft. His own pieces were quite happy at the moment, preening and occasionally sending rude gestures towards Eloise's, much to Sebastian's amusement. He was narrating their every action to Ominis, whose laughter was egging on his soldiers even more.

"Eloise," Sebastian said, propping his chin up by one hand (entirely too amused, infuriatingly so, why did he have to look so handsome when she was trying to be annoyed at him?), "maybe you should move the knight..." his other hand pointed to an empty space on the board, "...here."

This declaration caused an uproar. There were shouts of betrayal, tiny pieces gesticulating wildly to the carnage surrounding the board as they shouted in vain. She didn't see any other viable moves, so Eloise sighed and ordered the brave little Murdoch to where Sebastian had suggested. Chaos immediately ensued and Ominis's queen gleefully knocked his head off with a violent swing of her scepter. Eloise's pawns all doubled over, sobbing as their most valient knight fell, and her remaining bishop shook his tiny fist in outrage up at her.

After a few more minutes, much to Eloise's ashamed relief and the boys' disappointment, her pieces refused to move for either her or Sebastian. They solemnly collected the remains of their fallen comrades with as much dignity as they could muster and marched off the board and back into their box in a mourning parade of sorts.

Sebastian joined Ominis's pieces as they jeered the losing team off the board, causing Eloise to glare fiercely at him. "You were the one telling me what to do, and they're your pieces! Show some loyalty."

He shrunk away from the intensity of her gaze and held up his hands in protest. "I was suggesting the moves as a joke! After last week's fiasco, I didn't think you'd fall for it again."

Ominis was laughing so hard he was gasping for breath, and the two of them turned to watch him. Even through her irritation, Eloise couldn't help but smile at him - he was always so solemn and these bouts of mirth were few and far between. He managed to speak between bouts of laughter. "I...I couldn't...I couldn't believe it when you sent your bishops one by one into my trap! It was so obvious! And then...and then you..." Ominis dissolved into fits of laughter again and couldn't finish.

Eloise turned her angry glare to him. "We can't all be chess geniuses!"

"I've tried teaching you and you don't listen! For the next time, I'm only going to give you one piece of advice: don't listen to Sebastian." He chuckled once more to himself and then turned slightly to the board, addressing his men (and queen) and giving them a debriefing. He always did this after he won the matches; it was a strange sort of ritual that he seemed to look forward to.

[stayuntilthefoglifts]

Born to spend all my free time reading and writing fanfics about dead gay wizards/chinese men (who never got justice due to the censorship), forced to have responsibilities.

[callmevenus]

(⁠◡⁠ ⁠ω⁠ ⁠◡⁠)✿⋆.˚⋆₊ ⊹⭐️🎀ＡＳＵＫＡ⭐️🎀

[comebackali]

Obi-wan immediately after he and Siri rescue Ferus from being kidnapped: Why doesn't Ferus smile at me when I walk in a room like Anakin does? Why doesn't Ferus tease me and make snarky quips like Anakin does? I miss Anakin so much, I need to find him right now immediately, I sure do hate being separated from him.

[theartofknightjj]

After months and months of having to keep this secret I’m sooooo exited to finally be able to announce that Les Normaux will be published by Bloomsbury this February! Just over 10 years after starting the original version of Sébastien and Elia’s story 💜💚✨

Bienvenue to magical Paris and the enchanting love story of 2025! ✨

Boy moves to new city. Boy meets vampire. They kiss, then become friends. But both would like something more . . . Les Normaux is a webcomic now turned graphic novel about friendship, love, magic and world dominating bunnies 🐰🔥✨

Pre-order your copy now! https://knightjj.carrd.co/#preorder