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lillybearrie · 4 months

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I saw someone compare the stoliz breakup to the ineffable divorce and no just-

Now on the surface yeah two people who've practically already been in a relationship have a fight resulting in them going their separate ways when one decides to tell the other they wanna be official due to severe miscommunication

But that's where the similarities stop

And don't get me wrong I love blitzø and stolas just it's not even the same ballpark

Crowley and Aziraphale are two beings that have known one another since before the dawn of time the have shielded one another from the first rains and the first meteor showers with their own wings. Neither fitting into the molds they were supposed to and spending thousands of years carving out a precious peaceful fragile existence for themselves together on earth. They are an angel and a demon who have made themselves equals when everything in their society tells them otherwise they lie to protect the other and they meet inconspicuously not for their own safety but for that of the other for should their respective sides find out the possibility of a fate worse than death is astronomical. They stopped the damn apocalypse because they wanted to continue living together undisturbed. They swapped bodies so that they were the ones feared in the face of death. So they could be left alone for a short while. They spend over 6000 years carefully crafting a language of silence that it is only when words are used that the can no longer understand. The spent so long looking between the lines that when there's nothing there they don't know how to look at what's right on the page anymore. It is only Crowley gives up and starts speaking their language of unsaid words saying "no Nightingales" instead of "so this is it then?" That Aziraphale finally understands but it's to late what's done is done and Aziraphale is nothing if not a stubborn basterd. So he leaves alone after begging for Crowley to come with him and not hearing Crowley's pleas for him to stay and neither is happy about it they both are ready to break completely.

The stoliz breakup is 2 demons of different classes getting into a fight because the noble decided that after 2 season maybe pinning after the guy who literally can't run his small business without you and what you give him is very illegal but he doesn't give a fuck as long as he can do his job isn't the most ethical idea so he instead decides to gift the lower class demon a legal way to carry out business in hopes of fixing the power imbalance so the other demon no longer needs him then gets upset when his chronically stupid 'needs a neon sign to understand jackshit' partner who can't take squat seriously because then it's to real doesn't understand his love confession right away and takes it unseriously. Stolas takes it as an immediate rejection because he loves blitzø but doesn't know the first thing about him past bedroom preferences and the same goes for Blitzø himself. They don't know how to communicate because they've never needed to understand what the other was saying their relationship was purely transactional previously and blitzø has spent the entire show believing he is just another imp providing stolas with a service in exchange of something like the rest of stolas's staff that he's confused when stolas reveals that's not the case. And stolas for his part is extremely sensitive to rejection given literally every aspect of his life and currently his only Frame of reference for romance is his abusive ex-wife and romance novels of course when blitzø didn't immediately reciprocate his sentiments he took it as rejection. He shuts down and attempts to remove himself aggravating blitzø because this is something entirely different from what he expected and the fucker who sprung this on him didn't even give him a second to think as his entire understanding of their relationship is being rewritten.

While both victims of severe miscommunication

Crowley and Aziraphale get mistaken for an old married couple so often that they no longer correct people while stolas and blitzø are seen as Stolas being in a phase

They are not the same

Thank you and goodnight

#thank you for coming to my ted talk #also i might be a little more bias to blitzø in this #sorry not sorry #stoliz is tragic #but the ineffable husbands are each other's world #without the other there is little else #they made their own eden and do everything in their power to protect it #even if It's counterproductive #they are constantly protecting the other in the best way they know how #i think about them #so much #you have no idea #i just think they're neat #i go abababababa #stolitz #ineffable husbands

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total-drama-brainrot · 4 months

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i now wanna hear your very long character analysis on how the drama machine affected alejandro

Yeah alright.

So I haven't actually watched All-stars, but I did skim through this video to get a feel for Alejandro's characterisation in it, since All-stars is the only canonical material we get from Alejandro post Drama Machine.

And by skim I really do mean skim; I was mostly looking out for signs of his imprisonment's influence, which for the most part seems to be as follows:

His legs fell asleep.

He developed a minor case of agoraphobia, mostly in the context of sleeping in open spaces.

His standards of human interaction have plummeted; something he's aware and accepting of.

Interestingly enough, he doesn't really seem to acknowledge the volcano itself (outside of an offhanded comment) or the injuries he got from the explosion. His focus is solely on his time in the suit, not what out him there in the first place. He even skirts over a memory loss issue, which could contribute to this.

I'll tackle these three points in more detail, and then give examples of how they can be developed into actual characterisation points instead of (for the most part) gags.

Number one; Leggy McLatin and the paraplegia scheme.

Alejandro's inadvertant and unintentional escape from the Drama Machine, and subsequent readmission into the competition (as himself, instead of as the machine) is, for the most part, entirely focal on the fact that his legs no longer work after his year of entrapment. It's a big deal - or, at least, as big of a deal as any injury or ailment can be in the context of Total Drama, considering that he doesn't miraculously get better in the span of an episode. Of course, we learn fairly early on that he's faking the paraplegia, but it's fairly heavily implied that his legs really were asleep initially (and that, in all likelihood, the massage we see him getting from an intern is what "wakes them up").

What's interesting about this particular plotline choice is that it would, realistically, be entirely feasable for Alejandro to have mobility issues after spending a year inside a robot.

Now, I'm no doctor, nor do I have any formal medical training, but I do know that not being able to move your body for an extended period of time results in a serious case of muscle atrophy. We see in canon that Alejandro was essentially locked in a seated position for the year; his arms, head and (assumedly) torso had place to move around, but he couldn't really stretch out his legs. This would explain the "weakness" of his legs in the first episode - i.e. their wobbliness, and the fact that they couldn't hold up Alejandro's body weight. The numbness he cites would be explained by poor circulation - again caused by him being sat down for a solid twelve months.

Or it could be nerve damage from the eruption, but given that Alejandro doesn't seem to have any long-term issues that stem from the volcano itself, it's unlikely.

So it can be assumed that the numbness of his legs was offset by the massage he gets after the first challenge. The masseuse kickstarts the blood circulation back into his legs, resulting in him regaining sensation in them - enough feeling to notice a crab pinching at his feet.

And, if I really want to reach into headcanon territory/realism, the reason he keeps up the "ruse" is because, despite having feeling in his legs, the muscles there are still fairly atrophied and he has a lot of trouble walking, let alone running, for extended periods of time. Though, as it stands, any long-term impact on his health would be entirely headcanon/fanon territory, due to the nature of the show itself.*

Then there's the psychological aspect to consider. Alejandro's a very prideful person by design - that's evident in both the way he portrays himself and the physical standards he holds himself to. Having use of half of his body stripped away from his is bound to be distressing, perhaps even traumatising. Hence why he tries to make himself as useful to the team as possible despite still recovering; he needs everyone to see that he's still capable.

Eventually his legs fully recover, because this is Total Drama and things like "realistic healing processes" and "lasting damage" don't seem to exist in-universe.

Number two; snug as a bug in a rug.

Alejandro's shown to have started sleeping in a sleeping bag throughout All-stars. He even canonically states that he needs to, because of his time in the Drama Machine. He cites that sleeping whilst srpawled out makes him uncomfortable, unspokenly referring to the fact that, for a year, he'd only had the option to sleep in an incredibly cramped position/environment.

This is interesting since, for the most part, you'd assume that someone held in close-quaters captivity would develop claustrophobia instead of a form of agorophobia, and yet Alejandro seems to have internalised the need to be in an enclosed space to sleep. Maybe it's symptom of just how long be was encased for - a year is a long time - or maybe it started out as claustrophobia, but the indefinate nature of his captivity morphed the initial fear into a twisted sort of coping mechanism.

It begs the question; what else can't Alejandro do in open spaces?

Is he perpetually uncomfortable with the openness of the outside world? Does he resort to hermiting himself into closed-off corners and enclosed rooms, just to feel a semblence of normalcy after he escapes the confines of the Drama Machine? Would he take to wearing tighter but more concealing clothing, just to immitate the feeling/pressure of being trapped in a too-tight enclosure?

Is his need for a snug sleeping space indicitive of him missing his isolated imprisonment?

Which brings us nicely into the third point.

Number three; long-term isolation and the effects thereof.

Alejandro explodes out of a glorified toaster and one of the first things he really comments on is Heather's off-putting personality and her facial hair. In a positive manner. He's so starved for human contact that he attaches himself to the first "friendly"/familiar face he sees, which in this case is Heather, and focuses on the aspects of her that make her human.

If he were a "weaker man", I have no doubt Alejandro would be clambering for attention from his team, mostly for proof that he's no longer completely isolated. It's a well-documented phenomenon; people who experience a long time in isolation, or who suffer through long periods of loneliness, become desperate for socialisation (and physical contact), to the point their immune systems and biological rhythyms (from circadian to infradian) start to deteriorate.

Realistically, Alejandro would've come out of the Drama Machine a desperate and sickly mess, riddled with insomnia and paranoia and incredibly touch-starved. But, as established, the show isn't exactly true-to-life when it comes to things like this, so...

As it stands, the fact that he emerged from his prison and immediately jumped back into his charming persona attests more to the fact that his flirtatious act is so deeply ingrained into his psyche than it does to his mental wellbeing. It could be argued that he's using the same act/mask/persona as a tether to his old self and an anchor to normalcy, as he'd likely crumble into an inconsolable mess without the scaffolding of his "TV personality" keeping him upright (metaphorically of course, as Alejandro is in fact not upright in the show. He's upside down for the majority of his time on All-stars).

Or maybe he's just built different? Who's to say.

We don't exactly know what went down during his year away, so it's impossible to make any concrete statements as to whether Alejandro was afforded the luxury of other people's company, or if he really was kept 100% isolated in the machine. The only thing we do know is that he likely had access to a phone, though didn't have the capability of using it without assistance, since he calls Heather out for never trying to contact him but also states the impossibility of him doing the same in turn.

Number four; lava damage and the lack thereof.

It's sort of explained during his scene at the end of World Tour, but Alejandro's whole "being trapped in the Drama Machine" deal - alongside being a parody of the scene where Anakin Skywalker is first put into the Darth Vader suit - is stated to be for his own benefit. He's essentially being locked away into a healing suit. Again, just like Anakin - they both even sport similar burn wounds.

He mentions at the beginning of All-stars that he doesn't really remember being put into the machine, and it's safe to assume that the majority of his time in the contraption is likely fuzzy to him as well; being fully concious of complete isolation for a whole year would be enough to drive anyone completely mad, and Alejandro is decidedly not insane (for the most part). Ergo, it's also a safe assumption that the inner mechanisms of the Drama Machine act as a sort of stoporous healing chamber, keeping Alejandro semi-concious and healing his various lava burns over the course of his concealment.

Sort of like a medical coma. Inside of a robot. A portable medical coma.

The "healing properties" would also justify why Alejandro's whole body hadn't deteriorated from muscle atrophy, or developed any (visible) burn scars from his stint in the Hot Sauce. Of course, as far as burn scars go, unless they're significantly deep they do tend to fade into near-invisibility over time. That, paired with the ~magical healing properties~ of his confinement, likely resulted in his lava burns scarring over into insignificance.

Then again, I once again have to take cartoon logic into account - the show itself likely just didn't consider the semi-realistic consequences of a year of entrapment, and wanted Alejandro to be near-enough the same character he was at the end of World Tour before the consequences™.

The main point here is this; Alejandro doesn't seem to remember the majority of his injuries following the volcano eruption in the World Tour finale, or if he does he's had a year of semi-conciousness to work through his thoughts and feelings on the matter, and as a result he doesn't seem to carry any (reasonable) trauma regarding lava, volcanoes, or other related stimuli.

He does, however, retain some "quirks" from his time in the machine.

Number five; an overview.

Alejandro comes out of the Drama Machine with a surprisingly little amount of visible trauma, both in terms of physical damage/scarring and observable mental changes.

He developed a very minor case of agoraphobia, spurned on by him becoming accustomed to existing in a very small, very cramped space, but otherwise attunes himself to the outside world incredibly fast.

Is this probably related to his social training, as a diplomat's son, and his heavy reliance on a "suave and charming" persona. He's likely battling with a lot of internal issues throughout the season, but squahing down his inner turmoil under his determination to win, which explains how/why he falls so easily into his scheming mindset - it, in and of itself, is a coping mechanism, though not a very healthy one.

*The paralysis of his legs was in all likelihood genuine, and a result of poor circulatory issues and minor muscular atrophy, which was almost immediately treated by the masseuse intern after the first challenge. Realistically (and how many times have I said that word) he'd have some lasting weakness in his legs, and maybe require the use of a mobility aid and/or physiotherapy. This is not the case, because... Total Drama.

There are subtle signs of the mental impact of his imprisonment, mostly in his immediate attachment to Heather (despite her taking away his reproduction privileges the last time they spoke, and her being Heather) and his innate need to prove himself as useful/capable despite his gameplan riding on him appearing pitiable and unthreatening (due to his "sleepy legs"). He's so starved for social interaction and validation that his actions are directly contradictory to his gameplans.

Though in the case of his Heather attachment, he could just be like that. He was also fairly infatuated with her in the latter half of World Tour, and the pineapple scene speaks for itself.

In conclusion; Alejandro is either completely goated and (for the most part) just shrugged off the trauma of being trapped in a tiny box for a year, or he was already so traumatised that the imprisonment was just another needle in his haystack of turmoil.

#I'm partial to the second conclusion myself. Alejandro shrugs off additional trauma because he's already hit his quota. He's immune.#Vaccined against The Horrors thanks to his piss-poor homelife and whatever else he experienced pre-TD.#From a strickly canonical standpoint he gets off pretty lightly - most of the other antagonists are punished much worse by the narrative.#If we're taking headcanons into account? Or even a modicum of realism? He's like 50% invisible scar tissue and 50% PSTD.#I can't really think of a way to justify him NOT being scared of fire/lava without taking the “I barely remember anything” line and--#running with it. Giving him a little dissociative amnesia to excuse his lack of rational fear.#... That DOES open up an avenue of him rediscovering his volcano-based trauma at a later date...#It's actually a little bit shocking that his character remained pretty much the same between seasons. He was locked in a tiny cage--#for a YEAR and when he broke out he was IMMEDIATELY back to his old tricks. It's almost iconic.#total drama #td alejandro #character analysis #long post #replies

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