#without love it cannot be seen but if you have love the whole world
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Link to the other thread about this topic for anyone who hasn't read that version of the post. It explores stuff about Japanese spelling, unfounded expert bias, accepting mistakes, accepting other people, the whole acephobia discourse, etc. including responses from @rikeijo. Massive thanks to them for their take on the situation.
Anyway, I've been thinking about this reblog for a bit, and it's also not 4am now, so I'd like to add some context to this whole "off-putting attitude" discussion for those who aren't in the trenches. First, here's a link to the anon ask and answer mentioned by prev in case anyone hasn't seen that. If Samurai is reading this and is rushing to delete or alter that post, too late, I have it all as a screenshot. If anyone wants that screenshot, feel free to DM me. Feel free to DM me about anything regarding this or anything else tbh, whether it's to get a deeper explanation, to share your own screenshots without wanting to become part of the drama publically, or to rip my head off and call me a bigot. Use your free speech. Chop chop, Filip and give this debunker boy a treat to read (if you get that reference, I love you).
As has been established, Samurai cares a lot about engagement and has publically posted about this many times, specifically lamenting their inability to retain readership and whining about people not being eternally loyal to their fics. See below screenshots from their BlueSky to get an idea of what I mean:
(Fig. 1, 2, 3, 4, 5, 6, 7, 8, 9)
Break for those who want a usable dash.
Now, you might be wondering why I'm going so hard on this. Everyone wants engagement online, why is this bad? And you're right, it's not bad if that's the whole story. The issue I have with this is the eternal whining about people not paying enough attention but then also not actually acknowledging when people give you genuine criticism about why your way of posting is off-putting. And like prev said, there's absolutely nothing wrong with using your social medias however you please, but you also have to be aware that the readers you're trying to retain read these posts too. They see all of them just like they see the story updates and funny posts. That sucks, yeah, but that's the nature of posting everything on the same socials. If you want to separate your personal posts from your writing posts, you have to actually physically do that by having different accounts. Then the people who only want the writing updates can just not follow the personal update account.
And you have to realise that if a reader continuously gets updates from you that whine and moan about how you can't retain readership and how maybe you're just boring or how your fics are flops, they're going to feel accused. I don't care that you don't intend to do that. That's how it comes across. If a loyal reader is inundated with posts about how the support currently being given isn't enough and that that's making the author sad, then that reader is going to feel ignored and like their support is being belittled. I'm sorry, that's just how it is. You cannot both insist that you're an ignored underdog (see Fig. 16) that no one likes and hope to retain a large fanbase. That's not how humans work.
(Also the (I'm not fishing for compliments) addition under a post that's about AO3 bookmarks being treated like the end of the world is quite rich to me. You're allowed to be upset, of course you are, but removing a bookmark isn't necessarily a personal attack. People's tastes change. They clean up. Maybe they just don't like you anymore. With how many posts and statements you have about blocking people you don't like, I'd expect you to not take offence to others doing the same)
I'm also going to put these posts here. They just amuse me a lot considering who's posting/reposting them.
(Fig. 10, 11, 12, 13)
For anyone wondering about the post being referenced in Fig. 10, this is the one. I've already talked about the ace stuff in this post so I'm not going to repeat myself here. I just thought y'all should have the full context.
(Fig. 14)
And then there's this repost which is RICH coming from someone who routinely insults and belittles other members of the fanbase for simply having different takes. Yeah, Samurai. Stop being so critical. It's boring.
(Fig. 15)
Am I being petty? Probably. Do I care? Not really considering real people have been really hurt by this person's actions. They belittle the fandom they claim to be a part of, they criticise people for simply not approaching fandom like a master's degree, they claim to be so mature and yet is far more immature themselves to the point where I thought they were a teenager due to their seeming inability to take accountability and understand that their word is not law. I don't care that you like academic approaches. I don't care that you're sad you missed the "top-tier analyses" (Fig. 16) made in the past. This does not give you the right to demean an entire community simply because you're so high up on your horse that you can't just let people be and enjoy fandom however they please. You champion your own right to approach fandom how you like. Stop belittling other people's right to do the same.
If anyone is questioning their attitude towards the current YOI fandom and their percieved place in it:
(Fig. 16, 17, 18)
(Side note: Fig. 18 is such an underhanded dig at the fandom, I'm slightly flabberghasted that someone would actually type this with such a post history and general attitude. This is honestly embarrassing and kind of hurts to read. Don't even get me started on Fig. 17.)
And then this is the end of their pinned post on their blog:
(Fig. 19)
I'm sorry, but you can't whine and hide behind "I'm insecure" when people get mad at you for treating them like rubbish. If they have to be kind, so do you. The rules apply to you just as much as they do to other people. I unfortunately don't have a screenshot, but on BlueSky (iirc roughly a month or so ago?) you at one point posted about having anxiety and depression, and that's too bad, but I really do not care. Having a mental illness is not an excuse to treat others poorly (have diagnosed and highly medicated anxiety myself and don't look down on others for not doing what I want. Funny how that works). It might explain poor behaviour, but you're still responsible for your actions and rectifying any bad behaviour you display. You have to say sorry even if you did something on accident or while in a bad headspace. Just to make it extremely clear to you:
YOU DO NOT GET TO PICK AND CHOOSE WHEN THE RULES APPLY TO YOU.
They either apply to everyone equally, or they don't apply at all. And don't come in here going "But what about this very specific case?" That's called whataboutism, and I frankly do not have the patience for your whining attempts to derail the discussion. I don't know whether you're even reading this, Samurai, and I don't actually care that much. I don't believe you have enough ability to introspect to understand what I'm trying to tell you, and this post is a lot more for the people who you've used and manipulated than it's for you. I don't believe I can get through to you. But I do believe I can get through to your mutuals and followers and anyone else who might be reading this, because they don't deserve to be dragged into whatever this shitshow that is your online presence is.
It's frankly embarrasing for you that you're in your 40's. If you were a teenager, I'd just have ignored you, because you'd probably have learned how to not be utterly insufferable with time. However, you might be a parent to people the age that you act like, and while I doubt this thread will make any real impact on your behaviour, I'm hoping someone else can take this information and use it to make sure they don't fall for your tricks or anyone else who might be more dangerous. You're not a dangerous person. You're frankly just an immature embarrassment, and I cringe at the though that any children you might have have to deal with having a parent as childish as you. Do better. You owe the world at least that much. And if you can't change, then don't come whining to the fandom you belittle when you get what's coming to you.
In case anyone isn't familiar with Samurai's type and how they present themselves, here's an introduction Samurai wrote in a Tumblr comment section (that I unfortunately don't have a link to but you get the idea):
(Fig. 20)
Don't fall for this. Regardless of whether Samurai believes they're actually like this, it's not how they actually act. "[...] try to dispel the myths that have been circulating in the fandom for ages." is code for "I don't respect other people's opinions and interpretations of canon." Samurai likely disagrees but I'm sorry, Samurai, that's what this is. That's what this means in terms of your behaviour. The same applies to "You won't find any weird takes on my blog." This is a classic example of someone having absolutely no selfawareness of the fact that their opinion of "weird" is not universal. It's an absolutist statement of an opinion as if it were fact, and as I mentioned in my original reply to Blonndiec's ask, that's not a new thing for Samurai to do. It's very much a pattern. Don't fall for it. If ANYONE (including me or people you trust) says stuff like their blog being free of "weird takes", do not listen, and do not believe them. That is an opinion. It is not a fact. Don't take it as one.
And just to add some more fuel to the fire, here Samurai is accusing someone of plagiarism:
(Fig. 21, 22)
(Link to Vic's analysis btw)
What's so bad about that, you may ask? Plagiarism is bad and should be called out and yes, that I agree with. The issue is that the plagiarism being alleged is, and let me make this very clear, an analysis of a canon event that is just about the most analysed even in a 12 episode show. I'm not saying plagiarism isn't real just because a scene is popular or a show is short, but this scene is literally about a minute long and is, again, a very talked about scene. Coming to the same conclusions about the same one minute of runtime is basically guaranteed to happen every once in a while, especially when you have eight years of fans doing this. These two analyses being posted close to one another in time is just as likely as it being intentional plagiarism. Calm down. You're not important enough for people to bother plagiarising you.
And considering Samurai believes their interpretations are the most correct according to canon and that anyone who doesn't share those views is illiterate (I can't find that screenshot rn, you're free to doubt my claim), shouldn't it be good that Vic came to the same conclusions? Doesn't that mean that Samurai's analysis is being backed up and that Vic is not illiterate? But Vic's analysis gained more traction and that's apparently enough to accuse the fandom of being a waste of time and energy (Fig. 22).
I'm sorry, Samurai, but as someone who claims to not be new to all of this, I thought you'd know that sometimes traction is random and doesn't have anything to do with quality or correctness. Sometimes you're just unlucky, and that's no one's fault. Or maybe the world is actually out to get you, and you're a victim of the universe and everyone in it. I can't prove or disprove that. But I will say that I don't blame anyone for not wanting to interact with your posts. I haven't seen your version of this analysis so I can't comment on how you phrased yourself or whether Vic was directly lifting your words into their own analysis, that could very well be, I have no proof for or against that. If anyone has a link to Samurai's meta (I didn't happen upon it in my scrolling for whatever reason), I'd love to read it and compare it to Vic's. But regardless of Vic's behaviour, I would not be surprised if the reason people aren't interacting with your post is because they find your tone and general demeanour off-putting. And, to be very clear: you do not have a right to people's engagement. People can choose to engage or not for literally any reason and they don't have to explain that reason to you. It is not a crime to simply not interact with people you don't like.
You talk about blocking the haters and yet when the haters block you, you get your nickers in a twist. Why do you care? Don't you hate them? Why do you want them to interact with you? In Fig. 8 you hypothesised that the person who took you off their "super-duper fic rec list" was a "dick" so why are you upset about no longer being in the recommendations of someone you personally dislike? I wouldn't want to be recommended by someone I dislike for the same reason I don't want to be associated with bigots. I don't want my name in any way tied to them or their awful behaviour. It feels like you're crying about nothing and making it everyone else's problem. But feel free to explain yourself if you want (assuming I'm not already a blocked hater which would only prove my point that you absolutely understand just removing things/people you don't like from your life. But apparently that's only okay when you do it. Funny how that works).
Oh and just as one last thing before I end this giant reblog for now, and because I'm petty. They've repeatedly talked about how you don't need an account to view their Tumblr posts (Fig. 22) but this is what pops up when you access it without an account now. Not so confident people won't see you for what you are anymore, are we?
(Fig. 23, 24)
Oh wait, right, you have less confidence than Katuski Yuuri (Fig. 18). I wonder what could be the reason for hiding your blog then if it isn't your confidence rapidly crumbling. You're just a little anxious fella who likes academia afterall (yes, I am being exceedingly petty, thank you for noticing, I hope you enjoy).
Hey, just wanted to reach out to say that I found you pointing out and calling this person was really great and you shouldn't have apologized. It was incredibly true what you said, and to be honest it seems out of touch with the reality of a great deal of the japanese fandom, the nuances and their culture. Also, it was as you pointed out, extreme and may I say rude. I want to mention too that the way it was written, as if entitled of the knowledge and the 'explanation' made it all worse in context of the 'fucked up'. The original poster always gets away by using the 'well-written academic'' statement of their 'metas' as an excuse to do or say and make everyone else agree and if not, uses victim narrative and discourses exactly selecting wording for people to agree on it or feel bad.
I don't know if they tagging you in the way they did made you reblog and apologizing/backing up, but no one thought bad about you pointing it out. On the contrary, a lot of people had been bullied and discriminated by this person when they called them out/disagreed going onto lenghts of sending their friends to harass people, and the other persons can't even defend themselves because they are effectively blocked. To quite a few people in the fandom has been done, even accusing them as 'acephobes' (when they're not) or even Nazis by spreading lies. So yeah, I just wanted to say that. I think you were right to call them out publicly.
Thank you very much for this ask. To be completely honest I agree with everything you said here and don't actually feel bad about pointing anything out. I mainly apologised because I didn't want any potentially poor phrasing from my side to cause unnecessary hostility and because I myself have gripes with this person's behaviour but didn't want to cause a scene.
My honest opinion is that they have a serious issue with taking accountability for their own mistakes and highly overestimate their own intellect. If you're reading this, @thegirlwhorideslikeasamurai, sorry if I seem harsh, but it's true. I saw your post lamenting how you're the only academic meta writer / fan in the fandom and I didn't interact then because I honestly do not care enough to start that drama but with the information Blonndiec has just given me, I think it's necessary that someone calls you out.
You're not an academic. You're not beyond the mental capabilities of other fans. You're actually incredibly childish in your metas and analyses and I am not kidding when I say that I was halfheartedly writing essays more academic than every analysis I've seen from you when I was barely a teenager. I don't know how old you are and I frankly don't care. You're not as clever as you think you are.
Also, don't think I didn't notice that you didn't reblog my correction (link here to my correction and here to their "response" for those who didn't see that exchange) of your post so that you could control what your followers saw of the exchange. You're the opposite of an academic. You control information to tailor the narrative, you don't cite your sources properly if at all, you don't format your posts in anything close to how an academic analysis would be, you make unbased claims, you reference posts and canon material without in any way indicating where that information is from, you reference your own (equally unacademic) metas and your conclusions from them without indicating what post it's from or that it's your own theory this new one is based on and instead present it as a common fact, and I could go on and on and on. Your posts are also riddled with logical fallacies and you talk in absolutes and opinions when there's no canon basis to claim such things. I'm sorry, but that's not academic in the slightest.
To be clear, you don't have to be an academic to post on the Internet. You don't have to be anything at all. You could up front be a genuine idiot with no remorse and that's fine. But when you claim to be an academic and also put down the rest of the fandom for not being on your level, you have to be able to back that up. It'd still make you sound like a prick but at least your arrogance would have a basis. It currently does not.
I haven't personally seen the discussions that Blonndiec is referencing and I'm not going to claim anything definitive (because that would be unacademic of me, take notes) but if what they're saying is true and did happen as described, which I have empirical, if anecdotal, evidence to believe could very well be (a friend of mine has personally been blocked by you after they criticised you without actually mentioning your name which I of course can't prove is the reason for the block but the timing is awfully convenient), you should know that you should be ashamed of yourself.
If there's context missing, feel free to enlighten me and call out any incorrect accusations. You have every right to defend yourself. However, I encourage you to cite your sources since you're such an academic. If you don't, then it's just your word against Blonndiec and anyone else who might comment's word and that doesn't prove anything. Don't misunderstand, acephobia and nazi rhetoric should absolutely be called out but only if it's actually happening. False accusations can ruin lives. I hope you know that.
I'm not a fan of calling people out publicly and, again, thank you for this ask, Blonndiec. But considering many of the issues I've personally seen and those I've been informed of by second hand sources were posted publically, I don't really feel bad about calling this out. I could do a full breakdown of just the insulting "academic" comments alone and how there's no academia to be found in said academic metas and, Samurai, if you give me reason to, I will show exactly what I mean point by point (and academically just to give you an example of even low level academia).
If you respond to this, do it in a reblog. That's what a real academic would do. If I'm wrong and you can prove it, you'd have no reason to not show my post in your rebuttal. If I'm right, you'd have every reason to be upfront about your mistakes and how you intend to rectify them. There's nothing wrong with being wrong but there's a lot wrong with refusing to admit to it in a way that lets others peer review you (academic thing, look it up) and come to their own conclusions about the situation. That's what you did when you just @'ed me instead of reblogging my response. A true academic wouldn't hide a peer review. You'd know that if you were one.
I swing in many academic spaces and yet that doesn't make me any kind of expert and I don't claim to be one because I'm not. But since you want to be one so badly, reblog this with a response and show us all how smart you are. I'm dying to know what your academic take on this is.
#sorry for the extreme length of this but i had a lot to say#and a lot of pent up frustration#thank you to anyone who read it all#anyway i have life to attend to#i cant wait to be blocked <3#reblog#yuri on ice
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Phenomenon not unique to Umineko but starkly showcased because of it: the difficulty with separating discomfort of a character from analysis, and from judgement of others.
There are so many characters in Umineko that make people uncomfortable - Rosa is one of the first that comes to mind, but Kinzo does as well. They are such well-written, human characters - and also terrible abusers. They are uncomfortable to watch, they are uncomfortable to analyze, because it feels uncomfortable to remember and acknowledge that, yes, the abusers are human too even though they are terrible.
And there are people who will love characters like Rosa because of how well-written she is, just as there are people who will dislike or even hate her because she is uncomfortable, she is abusive. Some people will then go on, as they hate Rosa, to also hate people who enjoy her character, equating their enjoyment of her character to condoning or ignoring her actions.
I've also seen the opposite, wherein people who love a character will be upset that there are people who heavily dislike or hate a character who, while well-written, is abusive and uncomfortable. They may even equate this dislike to a lack of understanding of Umineko (a common way people are attacked for their opinions, and one I'm trying to move away from using).
People should respect that people may enjoy a character they do not, and that does not always reflect on their views regarding real-life treatment of others. They should also respect that people may not enjoy a character they do, and that does not reflect on their understanding of the text. Again, not a problem unique to Umineko fans, but I've noticed it amongst us.
#umineko#umineko no naku koro ni#for once its not spoilers#fandom musings#not sure this is as solid as i wanted it to be but#i've seen both of these reactions to people enjoying or disliking certain chars and its sad#if rosa reminds someone of their own abuse i think its fair if they dont like her#or the opposite as well#you dont need to love a character to understand them#without love it cannot be seen but if you have love the whole world#is different and the ocean is blue. does kanon love the ocean? no#but he loves jessica and it means the world has color and nuance he didn't see before#if you love the text or the author you can see even if you hate Rosa
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Can I request twisted wonderland first years or dorm leaders react to mc who have a small exhibitionist habit (but not in an extreme way).
Like the characters are going to a beach and mc just wears a unbutton white blouse that exposed their cleavage and without wearing a bra.
I'm sorry if this request is uncomfortable for you
your so good, i may have strayed a little from the original request, but i actually love thisđ
housewardens reactions to more skin showin.. ââ
Ëâ
'i cant stop lookin at her t-t-t-t-face!'
word count: 3k
warnings: more so leaning towards feminine reader, more so just saying that your chest is more exposed but that can be seen either way (all of them think your the hottest thing in the world, cause yk, u are duh) suggestive (no nsfw), sitting in lap, swearing, leona being suggestive and the little freak he is, all of them are a bit handsy, cuddling
characters: riddle, leona, azul, kalim, vil, idia, and malleus
riddle roseheartsđš
-tries to be so calm, but his face is bright red
-this is gonan be a real difficult unhappy birthday for him with you wearing a low cut and open formal wear (a dress or button up, whatever you guys prefer<3)
-ace and catter get on his ass about how flustered he gets (usually when his face is this red hes about collar someone..)
-yells at ace when he inevitably tries to make flirty remarks, even though its just to rile him up
-tries to play resonsible and collected housewarden in front of the others.. but he loves it
-physically cannot make a move or comment because hes too nervous, would keep his hand in yours or on you in some way just cause hes glad your his (ur so nice lookin)
when ace had suggested that you and the main group from heartsyble took a trip to the beach, it was a excuse to finally go swimming. finals had been stressing you all out and with a little persuasion from you, riddle was ok with a beach day reset.
that's how you got here, laying on a towel under a beach umbrella talking to cater about your guys magicam feeds as riddle and trey horribly beat ace and deuce at a game of beach volleyball.
after a while riddle called cater over to take his place, he walked over and sat next to you. as you glanced over you saw he was more rigid than normal, "you ok riddle.." you set a hand on his shoulder and he jumped. "y-yes! im completely fine" you spoke quickly and turned his face away from you.
your eyebrows scrunched as you sat up, placing a hand on his jaw and turning his face towards you, you almost laughed once your realized how red his face was, "oh my.. did they first years make you upset?" you noticed his eyes widen before flicking to your chest and back up to your eyes quickly, realization dawned on your face as you smiled at him, "seriously?"
he groaned and leaned forward, resting his forehead on your bare shoulder, "its not my fault, you look really good, my rose" he mumbled, wrapping an arm around your waist and pulling you closer. you giggled, running a hand through his bright rose colored locks, placing a kiss on his head, "thank you, love".
leona kingscholarđŚ
-could not care less
-i mean he does, but hes so nonchalant about it
-hes not nervous or anxious, he openly makes sly comments the whole time about how good you look (little shit thinks its just for him)
-constantly keeps a hand on your thigh, around your waist, resting on your hip, this man doesnt care he will show to everyone your his if yall are in public
-so grabby..
-will make you lay with him/on him while he takes a nap
you sat in savanaclaw, as usual most days where you ended up after classes. typically leona would already be with you, dragging you to his room right after classes so he could nap in his own room with his partner. but today he got dragged to a housewarden meeting by ruggie, so that left you waiting in his room for him to come back.
what youd never understand was why it was always so hot here.. you get its a dessert but the heat is ridiculous considering they have magic. the heat caused you to wear less than normal, shorts and a lose top that was leonas that slid down and showed collarbone and parts of your chest.
you layed sprawled across his bed, trying to beat the heat by scrolling on magicam, stalking caters perfect page. your scrolling was interrupted by his door opening, looking up to see leona striding his way in and slamming the door behind him. he crawled onto his bed and leaned over you, "been waiting long herbavore?"
you shook your head, smiling as you leaned up to peck his lips "not at all.. just hot as fuck" he smirked, letting out a low chuckle as he flopped down next to you, "yeayea, i know, you sensitive humans"
you slapped his chest, flipping over to set your chin on his chest to glare at him, "its not my fault, its always so-" you were cut off as leona captured your lips with his, holding your hips. you groaned and rolled your eyes while kissing him back, annoyed at being cut off.. this little shit.. when you pulled back he was smirking, "whats that for? miss me or something?".
he let out a small 'tsk', pulling your hips to straddle his waist. you smiled and leaned down, crossing your arms on his chest and resting your chin on your arms, "you know i did, you also happen to be wearing my shirt, and showing a little more than usual herbivore.. was it just for me?" he smirked at his own words, laughing as your face flushed and you hit his bicep, "leona-!"
azul ashengrottođŤ§
-he knew something was up when the twins were acting shady all day (more so than normal)
-the monstro lounge had an event that night and the twins had gotten you a uniform with more skin showing, saying it was for the theme
-doesnt know what to do with himself, locks himself in the VIP lounge for a majority of the time cause hes just sat there with his head on his desk, completely red faced
-this poor man is rocked to his core when he does come out, and floyd wont let up on fucking with him
-"dont you think shrimpy looks good boss?" than suddenly the twins turned to an only child (JOKING)
"floyd, can you lay off his for like two seconds" you scolded, arms crossed over your chest as you watched azul walked away from floyd and back towards the VIP lounge. ever since they put you in this stupid revealing uniform for tonights event floyds been tugging on azul, constantly. "c'mon shrimpy.. its funnyy~" he teased as he leaned onto your shoulder.
you rolled your eyes at him, shoving his elbow off your shoulder, "jade, watch him" you spoke behind you as you made your way back to the VIP lounge, back to his office to check on him.. these idiots are trying to kill him
you knocked on the door before hearing a small 'come in', cracking open the door to his office you saw azul sat at his desk. hand tangled in his hair as his elbow leaned on his desk, the other hand holding a pen that was frantically scrawling across an agreement paper he was working on,, guaranteed trying to rope another first year into a deal.
your lips quirked into a small smile as you shut the door and locked it, no way in hell were you letting the twins fuck with him more tonight. you walked to his desk, sitting in the chair opposite of him, "you seem stressed az..". you almost laughed at how hard his head snapped up when he realized it was you.
"ah- hello angelfish.. h-how are you?" you quirked an eyebrow at his words, leaning back in your chair as you watched his eyes flash between your chest and eyes, "your playing this real calm". he groaned and buried his face in his hands. you rolled your eyes before walking to his side of the desk standing between his legs, pushing aside the documents on his desk before sitting on the desk in front of him.
he kept quietly groaned as he rested his head in your lap, arms wrapped around your hips, "those stupid shady twins, im gonna kill them.. theyre on busser for a month.. they did this.." he mumbled almost incoherently into your uniform. you just sighed and ran a hand through his hair, "ah yes.. cause your absolutely hating this.." you remarked to his complaints. "maybe i wouldnt mind it if it was just for me.. you look good angelfish..", you giggled at his response "just for you next time, promise"
kalim al asimđ§
-hes so energetic about it
-our favorite golden retriver
-will hype you up the whole time yall are at the dorm, the second you walked out in slightly more revealing clothes.. he was all over you
-hugging you, kissing your cheek, he doesnt care, he just thinks you look so good
-jamil is so over hearing him talk about you (he secretly grateful you take some things off his plate.. hed never say that though)
-would proably be at a dorm party that he was throwing
you were in the kitchen talking to jamil about your classes, asking him about his family- this was a normal occurrence between you two. both of you tended to stay in the shadows while kalim stayed in the light before everyone.
as you sat on the counter, trying samples of the food he was making for the dorm party, you heard the door to the kitchen slam open, "where have you guys been?" he ran over to you, standing between your legs, "i missed you so much.. and you look so good!", a big smile covered his face as his hands slipped around your hips, his lips placing quick kisses on your cheeks.
you giggled, playing with the hair at the base of his neck, "i was just keeping jamil company.. do you want me to come out with you?". he just shook his head, leaning forward to lean on your chest as he spoke, "nah, i know you guys like the quiet.. id like to see you afterwards though.. you look very nice". you knew he was being a little extra clingy cause you were showing more skin today.. it was nice though.
you smiled at his compliment, noticing a small blush on his cheeks as he pulled away from your chest. you opened your mouth to speak before you saw a wooden spoon hit kalims head, he winced and held the back of his head, "jamil~". you looked past kalim and saw the vice with his arms crossed on his chest, "stop being freaky with the prefect in my kitchen". you giggled as he turned away from you, suddenly whining to jamil about how pretty you were while he just stood there looking unimpressed.. these boys
vil schoenheit��
-he couldnt care less (like hes not possessive about it like leona would be, he absolutely does care tho)
-will show skin with you lowkey
-helps you pick out the outfit that shows skin
-he loves it when others think his partners attractive (power couple who?)
-would break his own rules just to stay with you longer
-yall would be getting ready for an event together thats for vils modeling jobs
-(almost dont make it to the event)
you sat at his vanity, touching up your makeup (still gender-nuteral kids, whatever you prefer) as he got changed. whipping a hand to the corner of your lips as you saw his reflection come to vision in the mirror behind you. his outfit had his collarbone and a bit of his chest out, similar to yours..
you smiled, moving a piece of your hair out of your face and pinning it back "vil.. my love, are you trying to match with me?" he feigned shook, a hand on his almost bare chest, "i would never poison, who do you take me for?"
you rolled your eyes at his theatrics as you stood, standing before him as you looked up. wrapping your arms around his shoulders, "ok maybe i was trying to match. can you blame me? you look divine.." you rolled your eyes at his flattery, brushing a stray hair from in front of his eyes. as your hand was coming down he caught it in his, pulling your knuckles to his lips.
he placed a kiss to your knuckles, keeping eye contact with you as he left a small red mark behind on your hand, "would it be that much of a shame to miss this event..". you looked at him unimpressed, leaning up to peck his cheek, "yes, yes it will.. and your manager will kill me" you attempted to reason with him as you turned away.
before you could get far you felt his grab your wrist, puling you back into his chest. his fingers brushed under your chin, making your eyes meet his, "we can be a little late though" you rolled your eyes while smiling, giving into him, "fine.. a little late." you mumbled before pushing your lips to his.. (yall got yelled at so bad for being 30min late)
idia shroundđ§
-are you trying to set the ignyhide dorms on fire?
-are you trying to set yourself on fire?
-are you trying.. alright ill stop
-nah seriously though, it was a thoughtless decision
-it was just hanging around his dorm with him playing video games in pjs and you didnt even think about it
-man is gonna pass out with like an anime nosebleed type shit
-does it matter that you guys have been together for so long and hes actually normal and comfortable around you? nope. hes fine until he realizes how much skin is out
-would never admit it out loud.. but he loves it
you walked into his dorm room, pj pants and hid hoodie on top, "idiaa.. what we playing tonight?" you questioned as you flopped onto his bed getting out your switch. you looked up to see him locked into the game he was already playing before you got there, rolling your eyes you starting playing your own game. a comfortable silence covered you two as it did most nights.
after a while it started to get hot in his room.. i swear its his hair.. you set down your switch and slipped his hoodie over your head, a tank top on underneath. you rolled your head, yawning as you glanced at his clock, 1:27 it read, shit it was late already.
you knew it was smart to go back to rhamshackle soon, but you wanted to spend some time with your boyfriend before that. you stood from his bed, walking to be behind his chair, your body sluming forward. your arms fell around his shoulders, laying on his chest as you tucked your head into the crook of his neck, "idia.." you mumbled, placing small kisses on his pale neck, "i gotta go soon.. cmere"
he jumped slightly at your kisses, his hand coming up to rest on yours, "i-i didnt relize it was so late.." he finished up his raid with you wrapped around the top half of his body. when he was done he got up to switch off his light, following you to his bed so you guys could lay down together for a bit before you left.
he got under his covers, opening his arm for you to lay on his chest. you quickly look his offer, laying your head on his chest, your arm laying across his waist, and your leg hooking onto his. you hummed at his warmth as his arm wrapped around your waist.. only than did he realize that he could feel your.. bare skin? once the realization set in that you were wearing a tank top he froze, blushing profusely, "you- you didnt say you were- i- this is boss level actions-" his hair flared slightly at his words as he buried his face in your hair, he cant handle all that without warning (your too fine)
Malleus draconiađ
-is so excited
-smiles so brightly as you stand by his side
-lilia happily watches as he spins you around and shows you off to him, silver and sebek
-happens during a little picnic he planned for you
-he got distracted staring at your chest a couple times.. not in like a creepy way though, in a, he doesnt realize its bad and thinks hes just admiring his partner way
you giggled as you stumbled a little, malleus hands covering your eyes as he guided you to a 'surprise', "are we almost there mal..". he didnt say a word as you guys stopped walking and he let his hands drop from your eyes, resting on your hips as he stood behind you.
your eyes widened as you took in the scene, a picnic blanket and foot set out under a tree in the gardens of diasmonia dorm. fairy lights hung from the surrounding trees. you turned to face him and were faced with a small wrapped bouquet of your favorite flowers, you took them slowly as you looked up at him, "mal.. this-this is perfect" you reached up, cupping his jaw and pecking his cheek.
he smiled softly, his hands resting on your waist, "only the best for you beloved.. you look perfect". you smiled up at him, resting your head on his chest as you hugged him.
after your thanks were over he moved you guys to the blanket, sitting across from each other. you went back and forth trying the different foods he brought and talking about your guys weeks. as you were talking about your potions class with silver you noticed his eyes continue to wander between your eyes and chest.. you leaned forward and waved a hand in front of his eyes lightly, "you ok? you seem.. out of it", you let your hand fall to hold his in his lap.
as you looked up you were shocked, you never thought youd see a day where you made him flush, but here it was. you locked eyes with him as it registered that he was blushing. your malleus was blushing. his eyes widened at you calling him to attention, his hand squeezing yours as he avoided your gaze quickly, "y-yes. im quite alright beloved.. i didnt think id be so affected by you this evening is all."
you let out a laugh at his words, "im yours mal, your aloud to look when i dress up for you." he nodded at your words, "i see.." you rolled your eyes, smiling as he brought your hand up to his lips to brush a kiss to the top of your hand. he kept your hand up as he looked at you, "does this mean i am aloud to request that you wear that top more often..". you flushed at his words (back to normal), "of course mal.."
#twisted wonderland#twisted wonderland x reader#riddle rosehearts#riddle x reader#riddle rosehearts x reader#leona kingscholar#leona x reader#leona kingsholar x reader#azul ashengrotto#azul x reader#azul ashengrotto x reader#kalim al asim#kalim x reader#kalim al asim x reader#vil schoenheit#vil x reader#vil schoenheit x reader#idia shroud#idia x reader#idia shroud x reader#malleus draconia#malleus x reader#malleus draconia x reader#mochiscafe<3
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i don't want to die on any hills but i sometimes feel like I'm the only person who read the last scene of romeo and juliet
paris stands between romeo and juliet's tomb. he is not part of the audience; he has no idea juliet and romeo had secretly fallen in love and gotten married; he is not privy to the plot of the story. all he knows is that tensions between capulets and montagues are at an all-time high, and now a banished criminal is breaking into the capulet mausoleum. he does what anyone with the information that he has would think is honorable. romeo approaches, rambles at him unhinged and doesn't explain anything, and calls him a boy; a youth, the same way everyone else talks about romeo throughout the play. in fact, he does it again after he's killed him and come closer to see who it is:
this isn't meant to be a defense of paris, really; i think paris's character very much varies based on how his lines are performed, and depending on the production he could be anywhere between outright sleazy to obliviously presumptuous. it's certainly true that many of his lines are possessive of juliet, and that he is incredibly pushy about pursuing marriage, but no, he is not way older and definitely an adult. and i think that detail matters, because i think the real thesis of the play is unveiled when we reach the end and check the tally and realize that all five people who diedâmercutio, tybalt, paris, romeo, and at last julietâwere all explicitly or implicitly referred to as young at some point.*
i see the point in the original post! the enforcing of patriarchy is absolutely a part of romeo and juliet, but it's woven into the greater premise; the social order and power that maintains the rivalry between the two houses is the same social order and power that disregards the opinions and agency of all the women in the play, starting from the very beginning when both ladies capulet and montague fail to deescalate the brawl. montague doesn't show up again until the end, but we see a lot of capulet, arguably responsible for setting most of the wheels in motion. in act 1 scene 2, he's in a good mood; he says outright that it's time to put the rivalry to rest, and tells paris that if he wants to marry juliet, "my will to her consent is but a part", that it matters whether or not juliet likes him. it's clear in his initial resistance to the marriage that he cares for her. but then tragedy strikes, he's reeling and upset, and though he was hesitant, he decides that the best course of action is for juliet to marry paris; and, having decided that, he flies off the handle when juliet disagrees. he had promised juliet to someone, so if juliet doesn't follow through, it will reflect poorly on him, and that's the last thing that he needs right now. his behavior is inconsistent; sometimes he's jovial and chill, but sometimes he's overtaken with fury and lashes out at people he has power over. his wife, just as before, is powerless and falls in line quickly; the nurse attempts to defend juliet, but once they are alone, she counsels juliet to accept her father's decision as the best outcome she can hope for. they live in a patriarchal society, and in this specific society, the patriarchy manifests in the form of a rivalry based on nothing but pride.
the patriarchs themselves are fully grown adults. they know that the rivalry is frivolous and perhaps even in bad faith. capulet is able to threaten violence (over some random servants crossing paths on a public street?) during the day and then dismiss romeo montague crashing a party in his house as not a big deal that very night (tybalt tells capulet about romeo's presence, and capulet tells tybalt to take no note of it). montague's first lines on first appearance are "let me at him!!!" but then once the crowd has dispersed, he has to ask benvolio what happened and who even started it; he was starting a fight for no reason, and he knows that. but the young men in the play have grown up in the shadow of this nebulous hatred; they take it seriously, because they don't know any better, because they don't have the life experience and context to understand that they shouldn't. they take their cues from the leaders of their societyâmen who, instead of controlling their anger, blow up at random things and then call it honor. in act 1 scene 1, the first time tybalt picks a fight, he's saying dramatic shit like "turn thee, benvolio, look upon thy death"; more grandstanding than combat. he brandishes his sword because it's what his uncle capulet does, so it's the honorable thing to do, so he tries to do it again at the party that night and is so confused when his uncle berates him and calls him a "saucy boy". he's belittled and dismissed, and he doesn't understand why, so in act 3 scene 1, desperate to prove himself, he's now talking completely differently. he ignores benvolio who he had claimed to hate, does not rise to mercutio's taunts and even says "peace be with you"; he states his challenge to romeo plainly, uses formal language and frames it as defending the honor of his house, and does not even draw his sword until mercutio did it first.
romeo is repeatedly described as sensitive and well-mannered by other characters; he tries to keep his cool, keep the peace, he resists tybalt's challenge. but then tragedy strikes; his love is no match for the expectations of hatred and violence that surround them. o sweet juliet, thy beauty hath made me effeminate, he says, and kills tybalt, because that is what masculine honor demands. he's devastated, grieving, angry for how unfairly tybalt had targeted him, horrified at what he's done, terrified of what this means for his future and the life he had wanted with juliet, and he doesn't know how to process any of this except as hatred, for others and for himself; he spends the rest of the story desperate to die, threatening to kill himself when his execution is converted to banishment, because violence, as always, is the only honorable path open to him. his love for juliet was the only thing that stopped him, and then again his love isn't enough, because juliet is dead. in the last scene of the play, in a graveyard, paris calls romeo a villain and challenges him, exactly the way tybalt did, and romeo sees him for what he is: just another boy playing at being a man, in a neverending cycle. do not urge me to fury, he says. i'm a man, i've killed before, and i cannot control what i will do.
that's what the play is about. if you raise your children in a hateful environment, they will destroy themselves. the future of the noble houses, even the prince's, is ruined, because this society is unsustainable, because the men (the boys) that it creates don't know how to function as adults; they don't know how to mediate and resolve conflicts and compromise, they don't know how to express emotion and assert their personhood except through violence, and even when there is no longer anyone around to inflict violence upon, they turn it upon themselves. when the carnage is discovered in the morning, both capulet and montague vow to personally make amends, because both of them know intimately that the tragic, wild, seemingly unpredictable actions of these children were their fault.
*mercutio is the only one for whom i can't recall any lines regarding age. his behavior and friendship with romeo seem to indicate that they are peers, but mercutio and benvolio also have the air of older guy friends (boyfriends?) who are dragging their depressed younger cousin with them on outings because romeo's mom asked them to cheer him up. relatedly, i think there is a viable interpretation (although i'm not married to it) that when mercutio is killed and curses both houses, it's because he's flabbergasted that his goading on of tybalt and romeo's fight led to real consequences. like "wtf, did you just kill me for real, i thought we were playing around"
Itâs always so funny to me when people push the âRomeo was grooming Julietâ theory, especially when Paris is right there.
Romeo is around Julietâs age and we can tell by his lines that Paris is way older and definitely an adult. Like. Look at R + Jâs banter, itâs two total equals having fun with each other. They kiss and then Juliet asks for another kiss!! They match each otherâs weird vibe!! Romeo says shit like âI wish I was your pet birdâ and Juliet responds that she would literally crush it to death because sheâd love it too much. Weirdos!!! They match each otherâs freak!!!
Compare that with how Juliet interacts with Paris. Heâs predatory and possessive over her, and itâs pretty obvious sheâs uncomfortable. He pushes her dad to let him marry her even though he knows sheâs too young!! Instead of playful banter we get Juliet being quiet and subdued, the complete opposite of her fiery, weird self she is with Romeo!!
âOh, Juliet shouldâve just married Romeoâ No! If she did she would have ended up just like her mother, forced to marry an adult man and have a baby way too young, rendering her unable to connect with her child, and then the cycle would continue!
The theme of men preying on young girls and the patriarchy leading to destruction is there!! But Romeo is not the problem!!! Heâs actually the opposite of the problem !!!!
#laughs awkwardly#shakespeare#romeo and juliet#idk if this even makes sense anymore man. tumblr deleted my first draft and i had to start over. this took me several hours#basically sorry about all this i just saw it and immediately crawled out of bed to grab screenshots and now i'm committed i guess#i know i have a pretty specific vision regarding romeo and juliet and even i don't think it's necessarily entirely 'correct' but i just#had to respond to the paris thing man. i've seen several posts talking about how paris is this gross old man juliet is being sold off to#and i'm baffled. like yeah she is being forced to marry but the forcing is entirely done by her father. and in all the times#paris and juliet have been in each others' presence she's never expressed the opposition to HIM. again depends on the performance#but just. idk. the whole play hinges on miscommunication because not being able to Talk About Feelings Honestly is one of the biggest thing#about toxic masculinity. the realization that all these deaths were the fault of the patriarchs is rooted in the realization that#they have made it impossible for their children to talk to them. because their behavior made their own children feel unsafe#romeo and juliet go to insane lengths to conceal their affair because they're CONVINCED that if found out their fathers will kill them#but is that true? can we really be sure? isn't there a world in which juliet just says 'hey dad i love romeo and want to marry him instead'#and capulet (who again we SAW praise romeo as a nice young man) just says 'wow that's so unexpected. but i guess it's about time#montague and i made peace' (which we ALSO see him say. he just only said it to paris and not in front of juliet)?#isn't there a world in which juliet reveals the truth to paris that she doesn't love him and in fact loves another and paris being a man#is able to break off the engagement without damaging anyone's honor? was that truly as impossible as it seemed?#but romeo AND juliet AND friar lawrence AND the nurse all sincerely believe that they cannot let the truth get out#why? because when you live your whole life in the power of an angry man who may fly into a rage at the smallest most unpredictable things#you must always fear the worst.
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LAST POLL OF ROUND 6
Propaganda
Ingrid Bergman (Gaslight, Casablanca, Notorious)âA lot of the time hotness in a movie is just about words and framing. "You're the most beautiful person here" [vaseline lens] well I sure hope so because that's who you cast. But when, in Casablanca, they call Ingrid Bergman the most beautiful woman in the world... they were not fucking lying. And such a dynamite actor too!! I'd only seen Casablanca up until last year, and there she's confined to love interest. But in Gaslight she was maybe one of the most incredible actors I've ever seen!!!! Goddddd shes so fucking hot and cool.
Lauren Bacall (To Have and Have Not, The Big Sleep, Key Largo)â"Just put your lips together...and blow" excuse me ma'am i'm briefly going to turn into a kettle. She's the quintessential Femme Fatale who may betray me in the end but I'd let her it'd be worth it
This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Ingrid Bergman:
God, she's fantastic. She's both beautiful and a compelling actor who's more than capable of putting the whole movie on her shoulders if necessary. It's worth noting that while her beauty is conventional, she was seen as refreshingly "natural" with more eyebrows and less makeup than many other leading ladies of the time. She's well known for her role in Casablanca, but in Notorious, Spellbound, (both available on archive.org ) and Gaslight (1944) she shows how immensely capable she is.
I mean...she's Ingrid Bergman. I feel like that should be enough, you know? She's physically beautiful (her eyes!) but watching her is like a transcendent experience. Her voice, her expressions... beautiful woman, beautiful actor.
I'm a gay man but even I understand her appeal. I'll watch any movie she shows up in. Gorgeous woman.
Just try and watch her movies without sighing wistfully, then get back to me!
Choosing 1-3 movies where Bergman was at her hottest was agony because, of course, she was always at her hottest. Not just because she was beautiful but because she was absolutely willing to go up against the bs women in Hollywood were constantly dealing with. When exiled from Hollywood for having an affair with Roberto Rossellini, not only did she refuse to apologize at any point, but she went on to say that Hollywood's films had grown stagnant and boring to her. Though she said she appreciated her time working there, she wanted to try new, different techniques (hence starring in Italian neorealist films, working on stage, and acting under directors like Ingmar Bergman). She was not afraid to chase after her artistic ideals and go outside the box regardless of what society had to say about it. From her first movie to her last she killed it. There's so much more to say about Bergman's career and life, but I've already written five million words so I'll stop at that.
One of the most incredible actors I've ever seen on film. Her facial expressions are so intricate and poignant that I cannot look away. I'm either ace or straight, but damn she made me question that.
SEVEN TIME OSCAR NOMINEE QUEEN. Girl also PULLED, having affairs with famously hot men Gary Cooper and Gregory Peck IN ADDITION to her three marriages...sexy
She has a very natural beauty to her, and she's from Sweden!
She left Hollywood and only became more beautiful. You could drown in her eyes. She can look innocent AND like she's seen it all. She is effortlessly elegant. She's played Joan of Arc (automatically hot) AND was in the movie that coined gaslight as a term. And where would we be without that!
She was known for being a breath of fresh air on the movie scene at the time with her windswept hair, dreamy smile and soulful eyes. I have loved her in every movie I have seen her in - she was just magnetic!
Where do I even start. There's a neighborly quality to this beautiful, talented actress that makes her hotness one of a kind and her looks impossible to forget
With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. Known for her naturally luminous beauty, Bergman spoke five languages â Swedish, English, German, Italian and French â and acted in each.
She's hot, don't get me wrong, but I've always found her very approachable, like she could easily be a member of my friend group
Where do I even begin with Ingrid Bergman? I fell in love with her with her astounding performance in the 1956 version of Anastasia -- the best Anastasia movie in large part due to her wonderful and touching performance. She's got this amazing, fascinating intensity to her in whatever role she's in. She commits 100%, and she's got this light in whatever she's in that's stunning. She's utterly convincing no matter what she plays, from an amnesiac possible lost princess, from a nun, from a woman taking her revenge on the town that wronged her, to light romantic comedy. She's never missed in any role I've seen her in! Also she became quite the MILF.
Lauren Bacall:
"She is soooo neat. And hot. And everything. That one scene in To Have and Have Not where she says "you know how to whistle don't you? You just put your lips together and blow" altered my brain chemistry during media archaeology class and here we are."
youtube
"The VOICE, the SLINK, the EYES. Woof."
"Lauren Bacall was a major lesbian awakening for me. Every picture of her makes it look like sheâs about to destroy you physically and emotionally (why is that so hot, I may need help). She had incredible long running chemistry with her husband, Humphrey Bogart, but was an absolute star in her own right. Iâll never be over my crush on her."
youtube
"She's got that confident, no-nonsense air about her. She's a boss babe who knows what she wants and gets it DONE. Staunch liberal Democrat her whole life. Campaigned for RFK. From Wikipedia: "In a 2005 interview with Larry King, Bacall described herself as "anti-Republican... A liberal. The L-word". She added that "being a liberal is the best thing on Earth you can be. You are welcoming to everyone when you're a liberal. You do not have a small mind."" Beautiful hair. Beautiful eyes. Beautiful lips. She's just beauty. LISTEN TO HER VOICE. TELL ME THAT'S NOT THE STUFF THAT DREAMS ARE MADE OF."
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. . . . . . listen this is a personal thing, everyone has their own takes, so don't take this as me trying to yuck anyone's yum, this is just a quickie lil' vent post off the dome, BUT:
When a fic does a no-powers AU and makes Kon a fully normal high school student and/or farmboy who has lived a fully normal rural or even SUBURBAN life, no matter how well-done the fic itself is, I just kinda feel like that's just not a very good translation of his character, especially when it's usually standing next to a MUCH better translation of Tim. Like, it just ain't the vibes, you feel me? I cannot TELL you how many times I've seen a real good and lovingly-crafted Tim take standing directly next to a quickly-scribbled "this is not even recognizably Kon" take, and it just takes me RIGHT out of even really, REALLY good fics/art/anything.
Kon also never gets to be the mermaid, in my experience. Or the vampire. Or whatever magical creature or whatever in human/magical creature AUs. And like . . . guys I am so sorry I KNOW it's fun to give Tim a mermaid tail, I LOVE giving Tim a mermaid tail, but the whole point of Tim Drake is that he is a totally normal dude who is just Like That(tm), he would be Like That(tm) if he had been born in Star or Metropolis or CENTRAL, and he was like that WITHOUT any dead parents. The dead parents came after, for Tim!! So if you make TIM a half-angel vampire while KON is the totally normal dude, you EXPLAIN why Tim is Like That(tm) and Tim Drake quite frankly should defy all explanation.
Anyway be the change you want to see in the world; I def need to write more homunculous!Kon or maybe the selkie or centaur concepts that have been percolating in my head or maybe just some new weird fun thing about Tim "Totally Normal Dude" Drake and the supernatural bad bitch he pulled by being [ FEASIBLE EXPLANATION NOT FOUND ].
( and how LONG have you been sixteen, Conner?? )
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obsessed bf x pretty gf trope hcs w sero & shoto pls & ty đđ (seperately pls)
Itâs only 7 months late but here u go anon đ
a/n: I wrote this in an hour in the bathtub so if it is shit- donât tell me bc Iâm just getting back into writing đđ
Shoto Todoroki
He fits this trope so well.
He is THEE resident pretty boy of UA so it makes perfect sense that he has the prettiest girl in all of Japan. (The world)
He is the teeny weeny ist bit dense on like how to take proper photos of you for the âgram but trust that he WILL be searching up everything about lighting and angles and exposure and zoom- all that nonsense.
If youâre a social media girly he may leave like one or two comments. He isnât the best about being outwardly obsessed with you, he is all about those private small moments. Not being able to take his eyes off you anywhere. Always needing to be beside you. If he canât be with you then trust he is texting you at every free moment and expects a response within 5 minutes.
He loves shopping with you and helping you pick out outfits or jewelry or how to style your makeup that day. He has no real opinion on what looks better tho he just loves seeing you get all prettied up. (Yk that tiktok where the girl is trying to decide on a dress color and her bf is just like âwtv u want mama u look breathtaking in bothâ ?Thatâs him.)
I feel like he doesnât really buy you anything in the beginning of your relationship bc he doesnât really see the point/value or something in that BUT all it takes is for kaminari to get you some product youâve been wanting for a while for secret santa and seeing how touched you were by the gesture sends him into over drive:
âOH MY GOD! KAMI!!â You exclaim- wrapping your arms around him. âHow did you know? Iâve been looking for this everywhere!â Shoto notices how big your eyes got and the slight blush on your cheeks from excitement and he feels, something unpleasant. Jealousy? Envy? Possessiveness? Whatever it is he doesnât like how grateful youâre acting toward the blonde. I mean sure, he got you something nice youâve wanted but thatâs not his job (he just so happened to get you for secret santa so he kind of had to get you something) heâs not your boyfriend only your boyfriend- HIM- should be gifting you stuff. Then he kinda has a âohh.â Moment and realizes he has never really gotten you anything just because.
Anyways after that whole interaction he is getting you anything and everything you look at for more than a second. You keep looking at some necklace at the store? Bought. He sees you liking tiktoks about girls getting flowers? Now youâre getting a bouquet every date night. Does he himself have money? No, but that No.1 hero daddy sure does. And letâs be honest he kind of owes shoto for making his childhood - for lack of a better word- awful.
In conclusion, Shoto loves his pretty girl and will do anything she asks of him without question.
Hanta Sero
Clawing at my cage for this man.
Now sero has been⌠infatuated with you since he first laid eyes on you one faithful morning. You were ordering at some coffee shop he passes by on his way to school and just one glance had him stopped dead in his tracks. The way your hair framed your face perfectly, your face in general because holy shit- you were gorgeous. Straight out of a magazine. He quickly took notice of the little embellishments you made to your uniform.. uniform? The same one Mina has. OH MY GOD YOU GO TO UA AND HE HAS NEVER SEEN YOU BEFORE?
He literally cannot stop thinking about you and boom you appear again in the halls. Your going the opposite direction has him with your friends and he sees you all have a little cafe cup. Did you buy them all a drink before class? So youâre stupidly gorgeous and nice. Great, he, for sure, has no chance with you now.
But oh thatâs where he is wrong.
When you guys start dating he actually cannot believe it. He is very guarded at first because- now itâs my personal hc that sero is a bit insecure- he canât fathom how you, YOU, would actually want to date someone likeâŚhim.
But once those walls come down he doesnât shut up about you. Seriously all his friends are so annoyed:
âGood god soy sauce if you mention your little girly friend again Iâm hurling you across the city.â
âYouâre just mad you donât have a girl as pretty as mine- donât worry baku-man, Iâm sure one day some poor person will take pity on your soul.â
Sero did in fact get hurled across the city that day.
Now where he differs from Shoto is that this man is a GOD with a camera. He has that artistic eye and is able to capture you being your baddest/cutest/authentic self.
Literally yaâll
He also has a good sense of style. He never thinks you look bad in one thing versus another but he will take into account the vibe of where youâre going and whatâs youâll be doing and give his opinion based on that. Because he grew up with sister and knows how to get around the âwhich one looks better?â Type question without hurting you.
Now sero doesnât have money to spoil you senseless but what he does have is the forever lasting instinct to put your comfort above his own. Itâs freezing and you didnât wear a jacket because âa hoe ever gets coldâ? Donât worry sero will give you his and be visibly growing icicles on his body to keep you warm. Feet hurt from those impractical shoes? Heâs caring you all the way home even if he is still terribly sore from a killer arm workout the day before with kirishima. A no a mudy puddle and youâre wearing your new white shoes :(! Well sero is laying his jacket down over it or simply caring you over the puddle. He isnât the type to roll his eyes at how âridiculousâ or âspoiledâ youâre being. You are y/n freaking l/n. Heâll do whatever you need to make sure nothing in your life goes wrong.
He also is the type to spam comments in your TikTok or Insta post and makes all his friends do the same. Not that you need it- he just loves fueling your ego.
#woohoo first day back after my 6 month leave#not that any of yall care#also I started watching jjk (yeah in late I know)#sero x reader#sero hanta#mha headcanons#hanta sero#hanta sero x reader#shoto x reader#shoto todoroki x reader#shoto torodoki
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The differences between the FNAF movie and the Minecraft movie are so fascinating to me. Here you have two different movies made out of beloved video games. They've both got a million games based off of/created with them, with FNAF having all its "Five Nights At [INSERT FRANCHISE HERE]" games, and Minecraft having the most gorgeous stories and worlds you've ever seen literally built on it. Both movies went through production hell, presumably went through a fuckton of scripts and a whole lot of edits, and then were made after a whole decade.
The FNAF movie is 95% practical effects. The animatronics are 1 to 1 recreations of how they are in the games, moving robotically, being puppetted and worn. I cannot stress enough, they actually made those things. They actually built the sets and built the animatronics, and the movie is just ten thousand times better for it. I can't even put it into words. And I remember, the atmosphere leading up to the movie's release was pure excitement. And when it finally DID release? From what I personally have seen, a lot of people really liked it! I certainly did! This was a project ten years in the making, and you can tell! There's so much love for FNAF in this movie, and you can feel it! I really love the retake on the FNAF lore, the interesting characters, the clear passion behind everything in this movie, and how they've redone one of FNAF's longest-standing characters. Because by god, they did William Afton justice, and he's in about three scenes.
The Minecraft movie, on the other hand, is a complete CGI nightmare. A green screened CGI nightmare that may not be AI generated, but sure fuckin looks that way. It looks like there is zero passion behind this movie, just the cold motivation to make money and appeal to The Youths. They referenced the fucking "the children yearn for the mines" meme without understanding the meme was making fun of someone suggesting we bring back child labor. That by itself shows that they do not care. I cannot find a single frame that has an iota of love for Minecraft, the love that we have grown up on for years. The atmosphere leading up to the Minecraft movie's release is dread. Dread and anger. Between the awful CGI, the stupid fucking Marvel-esque quips, the whitewashing Steve, the lack of love for this goddamn game, everybody saying a teenager could do better is fucking right.
#cassie rambles#minecraft story mode will 10000% be better than this stupid movie#because minecraft story mode actually loves minecraft#five nights at freddy's#fnaf movie#minecraft
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WINDBREAKER | iâd let the world burn for you
Synopsis â° which boys i think would relate to that song lyric âid let the world burn, id let the world burn for youâ and why i do or donât see it happening
Characters â° Haruka Sakura, Hajime Umemiya, Hayato Suo, Akihiko Nirei, Choji Tomiyama, Jo Togame
Haruka Sakura ᥣđŠ -> okay hear me out. i see this being 50/50. i feel like Sakura is such a crash out at times especially when it involves you. this man will 100% crash out over you and bring hell on whoever hurts you. on the other hand⌠he is main character and is very heroic which is why i cant see him fulllyyyy resonating with this lyric. a hero simply cannot unleash hell onto everyone. but if its just targeted towards one individual heâs for sure going to jail for attempted murder. heâd most likely succeeded tbh so maybe not even attempted
Hajime Umemiya ᥣđŠ -> yes. no doubt about it. HEAR ME OUT. i know heâs also a hero and heâs a leader so he shouldnât sacrifice everything he has for just one person. BUT HE WILL ANYWAY. this man is ready to die on that hill if it means youâre safe. being in love and having someone be so dear to him brings out a whole new side to him. if it had been any other person, definitely not, heâd be more rational. however, since itâs you and heâs madly in love, heâll 100% set the world on fire himself. Ume is ready to stand up for the ones he loves. no question about it, heâll take extreme measures without hesitation.
Hayato Suo ᥣđŠ -> okay. i want to say yes but in reality itâs like maybe 60%? iâm a helpless romantic and Suo is practically the definition of romantic so i like to believe he would for the plot. when Suo loves he loves hard and desperately. heâs the kind of man to sacrifice himself more than anything. he loves you like a bruno mars love song. yk grenade, the song, we all know it. thatâs him. thatâs just his song. he gives the vibe of sacrificing himself than the world for you.
Akihiko Nirei ᥣđŠ -> âŚno. DONT HATE ME but i dont see it happening at all. i mean heâd most likely die for you and take a bullet for you and all that romantic stuff. BUT SACRIFICE THE WHOLE WORLD?? now thatâs a bit extreme in his book. he loves you and would die for you. off topic but Nirei just gives me the vibe that he would want to be buried next to you so that way the two of you can find each other in every timeline <3
Choji Tomiyama ᥣđŠ -> have you seen this man during his villain arc??? itâs a clear cut yes. this mf will actually kill someone with his own bear hands for you. heâd carry all the blood and taint himself if it meant you would be okay. he prioritizes you more than anyone else, so he will absolutely lose it over you. if anyone even had the audacity to put their hands on you. itâs game over. all that development heâs had and has worked on will vanish in less than a second. heâs the core definition of â0 to a 100 real quickâ. itâs not even worth testing.
Jo Togame ᥣđŠ -> this song was made for him. literally his fucking song. hes made himself the bad guy before and heâll do it again. especially for your sake. Togame might be a nice guy but dont ever mistake that for anything more. just because he can have a polite mouth doesnât mean he wonât completely pummel someone into a state of oblivion just for making you uncomfortable. biggest crash out next to Sakura.
#sakura haruka#sakura haruka x reader#hajime umemiya#hajime umemiya x reader#hayato suo#suo hayato x reader#nirei akihiko#nirei akihiko x reader#jo togame#jo togame x reader#choji tomiyama#choji tomiyama x reader#wind breaker#wind breaker x reader
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[2.7k] two weeks have passed since your life completely crumbled before your eyes. but life goes on for you and charles. it just so happens life brings an unlikely friend swooping in to help too.
series masterlist
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It felt like an olive branch from the universe that Imola was cancelled.
Charles knew he should have been more upset about it, and to some extent he was. Racing was the first love of his life, it was the love he shared with his father and his brothers and his godfather. It was the love that took over his world, his dreams, his ambitions. It was the biggest constant in his life since the day he was born.
And racing in Italy was a kind of special that very few tracks could compete with. It was the heart of the Tifosi, of the fans who supported him for years and years. It was his home away from home, the country that held a part of his heart like Monaco did, along with Monza.Â
But he couldnât deny that a huge part of him was relieved that the race wouldnât go ahead, that he wasnât expected to go into the paddock with a smile on his face and be swarmed by fans and cameras and whatever else they would throw at Ferrariâs Golden Boy.Â
He could just hide away in Monaco a bit longer.Â
It was easy when he was with you, when he had someone who understood his suffering and pain in the same way. But it was also brutal. He didnât like seeing you upset, seeing you cry or shut down. He didnât like that he couldnât take away your pain, and he guessed you most likely felt similarly to him.
Unfortunately for the both of you, there was very little you could do about the matter. The damage was done and now you both had to deal with the aftermath together.Â
It had been over two weeks since Miami and he felt no better than he did then. On one hand, he was grateful that no one knew his pain beyond the people close to him. The world wasnât preening or poking into his relationship, they had no idea. They were blissfully unaware like Charles wishes he was.
But on the other hand, it just made everything so much worse. Nobody knew he was suffering. No one knew he was just as broken as you were. No one knew why his smile didnât seem as genuine when fans stopped him on the street, or why his eyes looked so red and dull, or why he hadnât even touched his social mediaânot even to post about landing on the podium back in Miami.Â
And the people around him who did know were understanding, but even his team were starting to lose their patience and Charles honestly couldnât blame him.
âWhatâs this?âÂ
Charles lifted his head from the screen he had been blankly staring at for the last thirty minutes to see his mother enter the room, bags of groceries in each hand. He wordlessly took them from her, smiling a little when she pressed a kiss to his cheek before he began helping her put everything away.Â
âValâs plan,â Charles answered, his nose scrunched up in annoyance at your PR managerâs name. âShe wants to make sure the whole thing doesnât look badly on us, if we are seen together withoutââÂ
âThatâs ridiculous,â Pascale frowned. âShe cannot expect you both to avoid each other, not during a time like this.âÂ
âThey just want to protect us, maman,â Charles said with a heavy sigh, saying the same words he kept repeating to himself since he opened the email earlier. âThe last thing she needs right now is for people to think sheâs moved on from Pierre and using me andââ
âOh, mon amour,â Pascale sighed as she closed the distance between them, wrapping her arms around her son and squeezing tightly until his head dropped to her shoulder. âYou shouldnât be worrying about things like this, not right now. You should be together, leaning on each other, planning on how to cut off that putainâsââ
âMaman,â he chastised but his lips were twitching at the protectiveness in her voice. It was comforting, in a weird way. Not that he ever thought his mother would be on Pierreâs side, not for a single second. But he had known him for just as long as Charles had, it eased something that she was just as angry as he was (even if he couldnât quite show it just yet).Â
âThey shouldnât be sending your fifty page documents on how to hide your relationship,â Pascale insisted, lifting her chin. âRelationships are human occurrences that require human reactions. Not whatever is in that file.â
Charles smiled sadly. âThey just want to protect us, just like you do.â
âIâm your mother, I know best,â Pascale said, but the slightly teasing tilt in her words broke whatever serious facade she was trying to hold onto.Â
âOf course, maman,â he hummed, pressing a kiss to her cheek.Â
âAnd as your mother, I demand you stay for dinner,â Pascale said with a knowing look. âYouâre getting thin.âÂ
âI am watching my weightââ But his mouth quickly snapped shut when his mother levelled him with a glare. âFine, fine. Iâll stay.âÂ
âGood,â Pascale smiled, pleased with herself. âYou both need a home cooked meal made with love. God knows she wonât be getting it from your cooking skills.â
Charles frowned. âHey!â
âLike I said, mother knows best!âÂ
...
...
You had initially found out from your doorman that Pierre had finally returned to your shared apartment in Monaco.Â
Pablo was a kind and caring man, somewhere in his seventies and proud of the job he had in the apartment complex. He was sweet and talkative, always there to chat away with you on the days where youâd be returning to an empty home. He tended to look out for you, whether that was because he was genuinely a kind person or because your father had somewhat asked him to do so, but you always appreciated the man and the texts he would send you.Â
He never used his phone often, and very rarely did he message you when you saw him almost daily. It was usually only reserved to message about a parcel or to relay a message to your boyfriends about the race.Â
And you knew the man didnât use social media. You knew he probably had no idea what happened between you, Charles and Pierre. But something about his message made you believe he caught on to something being wrong, that he seemed to realise something was different when you and Charles had yet to return home in the last few days despite being in the country, and Pierre showed up alone.Â
The only issue was that despite knowing very well that Pierre was in the apartment and spending the last two weeks itching to finally see his face and give him a peace of your mind, you couldnât even bring yourself to get out of your car.Â
You had arrived over forty minutes ago, determination and anger fuelling you after you left the meeting with your team. And yet, the second you pulled into the parking spot across from the apartment complex, the fight completely left you and you were left staring at your steering wheel with a mixed look of apprehension and uneasiness.Â
It was stupid. So fucking stupid.Â
Once upon a time, Pierre Gasly was one of the few people in the world that you felt safe around. He saw you for you, he was the one who made you feel comfortable and accepted and loved. He was someone you saw yourself spending the rest of your life with.Â
And now, the mere idea of coming face to face with him made your skin scrawl and your stomach twist to the point you were surprised you hadnât brought up your lunch.Â
A part of you wished Charles was with you. The other part of you was glad he wasnât here.
You were so lost in your own thoughts, in your spiral about what the fuck he was doing up there that he hadnât even tried to contact either of you, that you didnât notice the person approaching your car until he was knocking on your window.Â
You jumped as you let out a scream, your hand placed over your pounding heart as you turned to find Max Verstappen smiling sheepishly.
âSorry,â he said through the window, looking genuinely embarrassed. âI didnât mean to scare you.âÂ
âItâs fine,â you smiled awkwardly before nodding towards the passenger seat. âHere, justââÂ
Max seemed to accept your offer, rounding the car and slipping into the passenger seat with a warm smile. His eyes focused on your face, seeming to contemplate what he was about to say but you opened your mouth before he could.Â
âIf I look shit, lie to me,â you tried to joke but it fell flat.
âYou donât look shit,â Max said, his voice blunt and honest like it always was. âYou just lookedâŚlost.âÂ
Your lips twitched. âLost?â
âLost,â he said with a nod. âMonaco isnât that big so I hardly imagine you need directions but I thought I would offer some help.â
You smiled a little at his offer before nodding towards the building across the street. âThatâs my apartment.âÂ
âOh,â Max said.
âThe apartment I share with Pierre, who is currently upstairs and who hasnât spoken a single word to me or Charles since Miami,â you blurted out before you could stop yourself.
âOh,â Max repeated, but it sounded more understanding now.Â
âYeah,â you said because you couldnât quite bring yourself to say anything else.Â
âWere you going to talk to him?â Max questioned, genuinely just curious. The âaloneâ part went unsaid.Â
âI donât know,â you confessed, letting out a heavy sigh. âI just drove and I thought I would know by the time I got here butâŚhere we are.âÂ
Max hummed, nodding.Â
You leaned your head back against your seat, a voice in the back of your head telling you to keep your mouth shut, to stop dumping your problems onto the boy next to you but you couldnât seem to stop once you started.Â
âHe just went completely off the grid for two weeks and didnât say a word. And now heâs here and heâs probably going to stay there until the next race and I donât even know what the fuck Iâm supposed to do because that was meant to be our place. But I donât want to stay there and neither does Charles and Val doesnât want us to publicly look for new places because of the fucking scandals andââ
âYou can move in with me.â
The car fell silent.
âWhat?âÂ
âI just mean,â Max cleared his throat, a light blush painted over his cheeks. âIf you need a place to stay and keep a low profile. My apartment building is pretty good at keeping annoying journalists away and it gives you time to find a new place. I think I know better than most how busy your schedules are.âÂ
You swallowed back the emotions thick in the back of your throat. âYouâd really do that?âÂ
âYeah,â Max smiled softly. âThatâs what friends are for?âÂ
âWe are friends?â You asked before you could stop yourself.
âOuch,â he replied but his lips were twitching upwards. âIâve known you for, what? Ten? Fifteen years? Donât tell me Iâm just a glorified stranger to you.â
âNo, Iââ You huffed out a laugh. âIâm just surprised, thatâs all. You donât owe us anything, let alone a place to stay. We couldâve stayed with my dadââ
âIn Switzerland?â Max pointed out.
âOr Charlesâ mother,â you said, pressing your lips to bite back your smile when Max gave you a knowing look.Â
âIt sucks to be cheated on,â he said, and you almost flinched at how bluntly he said it. How easily he said the words that you were still in denial over. âAnd I know how lonely it can be, even if thereâs someone else. Youâre both suffering and,â he paused as he shrugged. âIâve known you both the longest in the paddock. I want to help. I wouldnât have offered it if I didnât mean it.âÂ
âThank you, Max,â you whispered softly, reaching over to squeeze his hand. âIt wonât be long. Probably just a week or two so we can get our stuff in storage and find a place after the Monaco Grand Prix because it will be too hecticââ
âDonât worry about it,â Max smiled, squeezing your hand back. âLike I said, thatâs what friends are for.â
âFriends,â you repeated with a smile.
...
...
âThatâs very nice of Max.âÂ
âThatâs all you have to say?âÂ
âDid you want me to say it wasnât nice of him to offer you and Charles to move in?âÂ
âI expected something more than five words,â you retorted, already able to imagine the smile on your fatherâs face even if you couldnât see it right now. âHe has no reason to do this for us. Iâm just surprised.âÂ
âHeâs your friend, no?âÂ
âApparently everyone got that memo except me,â you murmured, your brows furrowing in concentration as you continued to attempt squishing your shoes into one box. âI think I have said a total of fifty words to him.â
âAre you okay, though? Moving in with Max? Moving out of your apartment?âÂ
You let out a sigh, the concern in your fatherâs voice was comforting and sweet. But you were tired of hearing the same question from so many people in your life, mostly because you didnât know what the answer was.Â
No, you werenât okay that your boyfriend cheated on you. No, you werenât okay at the fact you now had to move out of the place you called home for the last year or so. No, you werenât okay with the fact that everything felt so unsure and unstable in your life right now. No, you werenât okay at the fact Charles was hurting just as much as you were but he seemed adamant to hide how he felt, to act strong in front of you like you didnât hear him crying in the shower or when he thought you had fallen asleep.
No, you werenât okay.
But that wasnât the answer people wanted to hear. And it wasnât the answer you wanted to give people. You didnât want more people worrying over you anymore than they already were.
âIâm okay,â you said to your father, the lie leaving an acidic taste in your mouth. âPlus, Max has cats. You never let me get one when I was younger.â
Sebastian snorted. âYou loved the fish I got you though.â
âUntil the cleaner accidentally flushed Mr Bubbles down the toilet,â you reminded, your lips twitching at the boisterous laugh your father let out at the memory. âMay he rest in peace.â
âI am sure he is alive and well in the ocean somewhere.â
You shook your head in amusement.
âI was thinking of flying out for the next race,â Sebastian said, so casually like you didnât know the implications behind his words. Like you didnât know he had probably conspired with Pascale to fly out as soon as he could. âI miss the track.â
âMhm,â you hummed knowingly. âYou donât have toââ
âI do,â he said, simply and bluntly. âI want to see you. Both of you. And I do miss the track.â
âShouldnât have retired, old man,â you murmured, but something in your chest warmed at the thought of having your father nearby again. You left Switzerland so quickly after the pictures dropped, even when a part of you desired to stay in the farmhouse, far away from everyone and everything for the rest of your life. âThe track misses you too.â
âYouâre going to make me do a Fernando and come out of retirement.â
You snorted. âThe people would be thanking me.â
âHm, we will see.â
âCharles will be happy to see you too,â you told your father. âI think he needs you here as much as I do.â
âIâm there for you both, always.âÂ
âI know,â you smiled softly, even if he couldnât see it. âI still need to finish up these last few boxes before the moving van comes. But Iâll call you later, okay?âÂ
âI love you, honigbiene.â
âI love you too, Papa.âÂ
You were thankful the apartment was completely empty the second the call disconnected, sobs leaving your mouth before you could even stop yourself. You werenât okay. Far from it. And you werenât sure you would ever be properly okay again.
But you were a Vettel and you would persevere, even if it killed you a little bit inside.Â
...
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#lestappen#max verstappen#charles leclerc#formula one#f1#max verstappen x reader#max verstappen x you#max verstappen x y/n#max verstappen fic#max verstappen one shot#charles leclerc x reader#charles leclerc x you#charles leclerc x y/n#charles leclerc fic#charles leclerc one shot#formula one x reader#formula one x you#formula one x y/n#formula one fic#formula one one shot#f1 x reader#f1 x you#f1 x y/n#f1 fic#f1 one shot
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kate hcs? like what u did w nika plsss
ăťâĽăť- gf!kate hcs
warnings: harddd smut under the divider at the end and suggestive content :p
afab!r
a/n: i genuinely love doing hcs more than writing full on fics cause my lord i cannot write a whole story without going off track and ruining the entire thing⌠got carried away like always. also this is longgg overdue as well. iâve been procrastinating everything and i feel bad for not releasing anything sooner like i promised. thank you for being patient w me lolz
iâm glad that we all agree⌠kate is theeee golden retriever girlfriend
i mean who wouldnât say that
blonde masc that gives off happy vibes and literally has a tattoo that says âsunshineâ
treats you like a real fuckinâ princess like she knows what sheâs doing
okay kate lovesssss the kids
her and carson are so adorbs đ
when someone asks her what her profession is she is not gonna say a pro hooper
shes gonna say that shes carsonâs aunt đ
def takes you over to kennedyâs house when sheâs gone and makes you babysit carson w her đĽš
loves when they hold her fingers she thinks its the cutest thing in the world and you photograph the whole thing
spoils you fosho!!!!
mention one lil thing and shes buying it for you
new clothes, bags, shoes, jewelry, accessories. ANYTHING YOU WANNTTT!!!
yk how she likes tswiftâŚ
takes you to a concert for your bday if you do too
and wears that stupid cowboy hat đ
but you guys would be matching soooo
DEFINITELY loves physical touch
hands hands handssss
theyâre all over you in public like she is not afraid to show people youâre hers đŠ
on your waist or hips. her fingers are always on you somehow
also does it romantically like sheâll intertwine pinkies with you and always holds your hand no matter the situation
the thumb thing is her favorite
loves pda foshooooo
i donât think sheâd be possessive but i feel like shes the jealous type
sees you w a girl at the bar or sumn and starts to FREAK!
sheâll sit next to you immediately and is touching you all over so that the girl goes away đ
or shes burying her face into your neck and kissing your skin in front of her
WHEW!!!
everyone can disagree w me on this but i see her as lil spoon when you guys cuddleâŚ
FIGHT ME ALL YOU WANT BUT THIS GIRL LOVEEESSSS WHEN YOU PLAY W HER HAIR WHILE SHE SLEEPS
kisses your neck or your collar while shes half asleep đŁ
back rubs are her fav thing too
shes the one getting them tho cause sheâs always so tense after practice and she believes that if you do it sheâll feel better already
we all know shes a passenger princess.
she probably has a car but refuses to drive it alone when youâre there cause she thinks sheâll crash it or something
lets you wear her clothes
if she was taller (most likely) sheâd have you in all her shirts and stuff cause they look bigger on you
you think you shouldnât wear anything under cause it hides everything anyways and kate agrees
in reality she just loves the easy accessâŚ
total baby when sheâs drunk
and super clingy :(
arguments donât happen often but when they do it ends real fast cause she knows how to calm you down đĽšđĽšđĽš
if anything though the arguments start cause its about something real stupid
teaches you how to play basketball if it isnât your sport
canât cook for SHIET!!!! burns eggs easily or somethin like that cause she canât bring herself to learn
knows how to bake tho 100%
super adventurous
have you guys seen the pic of her zip lining⌠like sheâs fearless when it comes to that stuff
hits the gym and weight room every fuckin day w you so she can build those arms đ¤Ť
spots you when you think its too hard
KATE IS A MUNCH
ik yâall have seen that pussy eater jawâŚ
kisses are her thing as well
making out w you is the highlight of her night week day whatever!
initiates it all the time cause she knows you love it too
whines during it too me thinksâŚ
when she needs you to shut up during it i firmly believe that sheâll kiss you to muffle the noises đŠ
she isnât straightforward but when she wants to sheâll make it obvious.
GROANER AND GRUNTERRRRR FOR SURE
cusses all the time
hard breather too
sheâll breathe out a bunch of words that you can barely hear cause of your own noises đ but you love hearing them cause you know sheâs engaged
her strap game is crazy though i can tellâŚ
feel like sheâd sometimes just wear it for fun
sheâll wear it just for the looks and not to use it on you đđ
she doesnât wanna have sex w you for her pleasure b/c during it, everything is about YOUUU
your pleasure >>>>> anything else
soft dom 100% but will also switch sometimes if thats what youâre feeling
especially after games like she loves having sex after cause she knows youâll do everything for her
FUCKIN LOVES WHEN YOU RIDE HER ITS HER FAVORITE THING EVER
always grabbing your hips really tight when you do and theres always marks afterwards on them
and she likes seeing your face when youâre on top
missionary is her thing
eye contact during sex is important
to her at least
LOVES DIRTY TALKING
degrades you but only when youâre being cocky about something while she fucks the shit outta you
i donât think sheâd be aggressive but sheâd be a lil rough when sheâs upset
hickeys.
leaves marks EVERYWHEREEE
in the most visible spots so that people can see them when you two are in public
only happens during makeout seshes or when you guys are havin your own time tho
she so talks you through it.
always reassuring and asking if you feel good or not
âis this okay?â âdoes that hurt?â âitâs okay, baby. iâm right here, i promiseâ âtake your timeâ lil things like that
praises you hella too
call me cringe or whatever
but sheâll call you a good girl if she has toâŚ
when she eats you out sheâs SOOO FOCUSED
quiet the wholeeee time but you can feel her getting all breathy against you
kisses your thighs after you cum so you know sheâs still there đâ¤ď¸
aftercare queen
sheâs already cleaning you up and getting you a new pair of clothes or running a warm bath for the both of you đĽ¸
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What Ghost Fuckers shows us about Blitzø, his face scar and eye trauma, and his deepest fears.
As we already know, Blitzø's scars come from the same accident that maimed Fizz, killed Blitzø's mom, and burned Blitzø's life as he knew it to ashes. We also know Blitzø blames himself for the accident, because he inadvertently caused it by pushing aside the imp carrying Fizz's cake.
In Oops, we also saw Blitzø's eye got badly hurt during the accident.
And, even though it seems to have fully recovered given his precision with a gun, it is still permanently and completely surrounded by scar tissue.
It's his most visible scarâthe only one he cannot cover up with his daily attire. It represents his vulnerability and broadcasts it to the world. So much so that, when he's feeling at his most helpless, he shields it from view as a means to protect himself.
Eyes are typically represented in fiction as windows to the soul, so one's eye being hurt or scarred can be a representation of how broken, hurt, or tainted they are/feel inside; an unclosable window that displays their deepest trauma for everyone to see.
We also know Blitzø privately crosses out his face in pictures with his loved ones, and we've seen across multiple episodes that the side of his face that is highlighted in each scene can relate to his emotional state. His scarred side is in full view in moments when he's losing control of his emotional state and unable to hide his vulnerability, whereas his unscarred side will be in view when he's trying to avoid/hide his insecurities and pretend everything is fine. On key moments when he's being honest with himself and others about his emotions, his front side will show, a representation of him acknowledging both sides and approaching a balance between them.
In Ghost Fuckers, eye trauma is also used to represent Blitzø's emotional turmoil, except the eye trauma is no longer his ownâit is very blatantly extended to others.
In his Millie hallucination, every single Millie except for the one with the broken arm has got something wrong with one or both of her eyes. Each of them is the realization of Millie being hurt because Blitzø put her in harm's way: the bottle shards from Murder Family, the fire in Loo Loo Land, the giant fish from Spring Broken, the angelic arrow in CHERUBS, and the final Millie, which seems to match the hotel bellboy, implying Rolando has hurt or affected her in some way.
(Notice how Blitzø's scarred side is showing again in this moment).
All these Millies have been ruined in the same way Blitzø is ruined, and they've been ruined because of Blitzø. Because he needed her. Because he put her in harm's way. Because he cared about her enough to selfishly keep her in his life.
All of these Millies have ended up "like him": permanently marked as broken.
This is what his love does, in his eyes (pun not intended). It damages people beyond repair. It is a contagious and unstoppable force that will inevitably destroy anything and anyone itâheâtouches.
Just like it did his mother.
She, too, loses an eye in his hallucination. An eye that falls right in his hand as she burns away, marking him as responsible for her corruption; an eye that looks at him even as she vanishes from his grasp. Almost as if she knows. Knows what he did, knows he's to blame for her death. Knows that if it weren't for him, and his feelings, and his love, she'd still be whole. She'd still be alive.
This masterful visual representation of Blitzø's guilt and fear is perfectly summarised in Millie's line, âwhen was the last time you loved someone without hurting them?â Blitzø truly believes anyone who stays close to him will end up just like him: damaged, and traumatised, and broken, or worseâdead.
And all because he was selfish enough to let himself be loved and cared for by them.
#Helluva boss#helluva boss meta#hb spoilers#helluva boss spoilers#Helluva boss ghostfuckers#Helluva boss ghost fuckers#helluva boss the full moon#helluva boss apology tour#helluva boss oops#Helluva boss unhappy campers#helluva boss blitz#blitz helluva boss#eye trauma tw#Eye trauma
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WRITING THIS POST BECAUSE I'M SO SICK OF PEOPLE MISCHARACTERIZING FORD!!!!!!!!!
Before we begin, everyone is entitled to their opinion. If you really think Ford wouldn't truly care, you do you.
That being said, I feel like people who claim that Ford wouldn't do a single thing to bring Stan back if their places were switched do not understand his character at all.
Don't get me wrong, I don't think that he would open the portal. At least not right away. The one thing I agree with is that Ford wouldn't put the life of his brother above the whole planet like Stan did. He realizes the threat of the portal and Bill too much to do that.
But have people forgotten that Ford also loves his brother? Yeah, he was angry, bitter and resentful, but he wouldn't have just let Stan die in the multiverse. Especially since that would be entirely his fault he got stuck there in the first place.
For people thinking, "But Ford was too blinded by rage! He didn't care for Stan until after Weirdmaggedon!", have you seen the show? Have you read the journal? Through everything that happened, Ford kept a photo (tattered and worn, obviously taken out a lot) of him and his brother in his left, inner breast pocket which is the one closest to the heart. If that wasn't enough, for those who haven't read the journal, Ford kept reminiscing about and mentioning his brother before the portal incident. Even though those lines were often crossed out, it was obvious that at least unconsiously he had Stan in mind a lot. And at the end of the journal, it is written that he worked day and night, to the point of passing out, to bring Stan's memories (and essencially Stan himself) back. (Oh and have we forgotten about the absolutely shattered expression he had when he erased Stan's memories? You don't look like that for a person you don't deeply care about).
Still not enough to believe that Ford cared about Stan before Stan's sacrifice?
Let's talk about the fact that when Ford was at his lowest, that being paranoid, sleep deprived, tortured by Bill, drowned in guilt, and completely alone, he reached out to Stan? He says it himself, "I needed help, someone I could trust." After everything, he still trusted Stan to an extent and believed him to be his last hope. You don't give trust like that to people you truly hate.
Ford was self-absorbed and egocentric, but also hurt and betrayed. That feeling came from a misconception, but that doesn't make it any less valid. It is understandable that he acted towards Stan the way he did, with venom and bitterness. But we can be angry at people we love and still care for their well-being.
How I said earlier, I don't think Ford would really open the portal. He wouldn't risk the entire world for Stanley. But I do think he would do anything in his power to be able to bring Stan back safely. You cannot be telling me that he'd be able to live with the guilt and not do anything about it if he could. After all, in his head, it would be his fault. He got tricked by Bill, he built the portal, he made Stan come to him and showed him the portal and he wasn't able to let go of the journal and fought Stan for it. I'm convinced he'd still throw some blame at Stan for some of the fight to make himself feel better at first, but after some time he would just blame himself completely (the same way I think Stan did with the science fair incident). The guilt for all of that would eat him alive.
Let's not forget, Stanley worked for 30 years, basically half his life to bring Stanford home and I believe Ford would be willing to do the same. He would just go about it differently. He would either try to get rid of the threat of Bill and then be willing to upgrade the portal and turn it on again, or maybe try to find a completely different way to get Stan back from the multiverse, or in the end something entirely different, I'm not fully sure.
What I am sure of is that Ford wouldn't just let Stan be stranded in the multiverse without doing absolutely nothing. Maybe he wouldn't succeed, maybe Stan would actually have to find his own way back home because Stanford wouldn't be able to find a solution without risking their entire universe. But Ford would at least try, give it his all, because despite everything, he still loves his brother. Differently than Stan loves him, because Ford is a different person than Stan, but he still does.
So I beg you, people. Stop taking Ford's complex character from him. He can be a selfish, self-centered asshole, but he's not heartless.
#gravity falls#gf#stanford pines#ford pines#stanley pines#stan pines#gravity falls stanley#gravity falls ford#gravity falls stanford#gavity falls stan#pines twins#mystery twins classic#stanley and stanford#stanley and stanford pines#the pines twins#OSEHFOIHFOIFOIHEWOIEHF#I AM STANFORDS NUMBER ONE HATER BUT ALSO NUMBER ONE DEFENDER#honestly i thought about if ford would bring stan back for a long time#and ultimately decided that yes#definitely#ford was angry at him for forty years#but he still loves him#ughhhhhhhhhh i hate those two sm
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i really hate it when people act as though zuko is being selfish or self-serving in some way when he tells aang in the finale that the only choice he has is to kill ozai because a) at this point, zuko is right and b) zuko's brutal honesty here is coming from a place of fear for both aang and the world.
are we all forgetting that unlearning his own idealization of his father and realizing that ozai never had been, and was never going to be, the person zuko thought he was, was a significant part of zuko's own arc? it took him sixteen years to understand that giving ozai any grace or understanding or forgiveness was a mistake, because it would be just another tool for ozai to manipulate him with. and that's not zuko's fault, because he was an abused child growing up in an incredibly damaging environment, but it does make sense that he doesn't want anyone else, especially aang, doing the same thing.
zuko is harsh on aang here because he sees in aang the person that he used to be - the innocent, naive kid who wanted so desperately to believe that ozai wasn't a monster, that there was any shred of humanity within him at all to be appealed to. it's not a coincidence in this show so rife with parallels that aang goes to face ozai at around the same age that zuko has his agni kai. and what did it get zuko, when he threw himself at his father's mercy and counted on ozai's non-existent humanity and compassion to save him?
zuko isn't coming down hard on aang because he's angry that "aang won't do his dirty work for him" or whatever other bullshit version of this argument i've seen zuko antis make - he HAS to impress upon aang how dire this situation is because he knows better than anyone that believing for even a second that ozai can be redeemed is incredibly dangerous. aang cannot give ozai an inch because it will only be used against him (and indeed, this does happen in the final battle when aang turns down the opportunity to redirect lightning at ozai and in return ozai presses his advantage to the point where aang would almost certainly have been killed if not for rock ex-machina).
furthermore, this idea that zuko wanted ozai dead for self-serving reasons doesn't really have much basis either, because if that was the case zuko could have just killed ozai himself during the solstice. he doesn't because at that point, he still had an alternative: aang (and you'll notice his word choices never explicitly refer to what ozai's fate will be; it's only "i'm going to help him defeat you" or "taking you down is the avatar's destiny"). as with many abused children, it's likely that zuko himself didn't really know if he wanted his father dead, but when it came down to the final battle without any other viable options presenting themselves, it was something he had to resign himself - and aang - to.
zuko himself does not lack faith in others (in fact, his whole journey is about understanding that his love for and belief in humanity is a strength, not a weakness) but he's learned the hard way that having this faith in the wrong people can result in devastating consequences, especially when the stakes are so high.
i imagine it terrified zuko to see the echoes of his younger self in aang, knowing he's sending him to face his father at the height of his power. at this point, with no knowledge of energybending or any alternative way to defeat ozai, well aware that a fight with his father can only end in bloodshed, zuko has no choice but to give aang the reality of the situation: kill, or be killed and doom the world alongside you.
#zuko#zuko meta#pro zuko#anti aang#once again it's really not but i don't have the energy for Aang Stans
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The Blacksmith
Yan Deity HCs [Request]
Tw: Self Harm
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- Blacksmith isn't what most would gods would consider being one of their own. For the better part of its existence, The Blacksmith has functioned akin to a machine rather than his own individual self. Acting on orders given by those above him was all he knew until the punishment of gods through extensive torture was shunned upon by many. Blacksmith was free to do as they wished, but they're generally stumped to the workings of society outside of what their created purpose.
- Love as humans and even some gods express it is unfamiliar to the Blacksmith. Their creators greatest mistakes was teaching it the painful side of love without the innocence of something puee. He was instilled with the knowledge that any sign of weakness should not be allowed. That being said, a strange warm fills its chest whenever you treat it kindly. He does not deserve the gesture- Are you toying with it because you truly believe he is beneath you?
"My Lord.... I do not understand the purpose of this so called "hug" you have bestowed upon me.... I did not ask you to stop."
- There is no room for error in Blacksmith's eyes. As he adapts to the mortal understanding of affection, Blacksmith showers you with gifts and gestures to prove they are willing to even the playing field with you. If he brings you something you are allergic to or simply not a fan of its wise to keep sharp objects from him until you can calm him down and assure him it was a common mistake.
"May the spill of my blood grant me your forgiveness.. Had I heard you clearer I would not have made this mistake."
"It's cool, dude- Pizza is pizza."
- The Blacksmith is immortal and heals relatively quickly, which is why if you bother to patch them up when they do get hurt their brain just kinda shortcuts for a while. You are the mortal in the situation. Those supplies would be better saved for you. Is this what it means to care for another out of the generosity of one's heart(s)? Is this love? Logically, when you are injured they must return the sentiment.
"Please hold still, My Lord. The cast is almost complete."
"Isn't this a bit excessive? It was only a splinter."
"... Negative."
- The Blacksmith has a hidden profession of making music boxes. It is a tad embarrassed due to the macabre nature of the other objects it creates, but as they learn more if your world it develops a small obsession with the melodies they produce and their mechanisms. He leaves ones he is most proudest of in your bedroom - expecting you to somehow have no clue how it ended up there.
- Blacksmith can easily remove their helmet - they just don't want to. He has been described as beautiful by gods who have met it after the incident due to their eyes, but as for the appearance of its face as a whole no-one knows. It wears the iron maiden to atone for its sin of nearly condemning an innocent god, but it also believes those gods were liars and that its face will disgust you. If you argue back that are gorgeous regardless of if you've seen it or not, The Blacksmith has no choice but to take your word as truth since they trust you not to lie to them.
- Enjoys classical music. Cannot dance to save it's own skin, but would greatly admire your dancing no matter your skill level.
- One rule you must keep in mind is to not give Blacksmith access to the Internet. He will absorb modern lingo and relationship advice like a sponge. It confuses him greatly, but considering you are from this time it might be the key to winning your heart.
"Have a good day at work...Pookie."
#yandere x reader#yandere imagines#yandere x you#yandere scenarios#yandere insert#yandere headcanons#yandere#yandere oc#yandere blurb#Yandere deity#yandere god#The Blacksmith
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in re: âcas knows dean better than samâ
âcas sees dean as a whole person and sam just sees deanâs façade as his big brother slash parentâ but like how and where. outside of your fanfiction. season and episode. scene and line. if itâs so obvious and apparent you should have at least 3-5 concrete examples right? âsam doesnât know dean carried him out of the burning houseâ yeah but did cas? outside of a footnote in the angelic manila folder they gave him between seasons 3 and 4 so he could better manipulate him and sam into doing heavenâs bidding? like if youâre going to say âcas knows dean better than samâ than you need to show how cas succeeds where you perceive sam to be failing at the very least. but even your perceptions of how sam doesnât measure up are so warped, blinkered, and moronic that it wouldnât even be worth much if you could provide the textual evidence, but at least youâd have a semblance of a point. like say anything without going âas an eldest daughterâŚâ âwell my relationship with my sibling isnâtâŚâ please say anything without fucking projecting your own self-pitying crybaby bullshit onto your little woobie dean and using the actual canon text of the show. Iâm literally begging you.
like the thing of it all is and always has been that youâre so hell-bent on twisting the sam and dean relationship to fit into this narrow and almost entirely inaccurate mold which is the basis upon which you build the entire Destiel Mythos that you literally lose all sense of media literacy. you donât even miss the forest for the trees, you miss the trees for like, the pretend invisible things youâre seeing in between the trees, the forest is a whole long way away from your current level of perception. because the Destiel Mythos is based entirely on the fact that dean is Not Seen and Not Appreciated and Not Loved and Cannot Be Himself until cas comes along, and that Family (read: sam) Is Only A Burden on Him That He Must Be Freed From In Order to Flourish, so you keep trying to warp the sam relationship into something that is only one dimension of it â and keep ignoring the ways in which dean is seen, loved and understood within it, because you need to keep lying to yourselves that there is a narrative need to emancipate dean from something that he has never wanted emancipation from because it is ultimately a net good for dean in the particular circumstances of their lives. itâs also profoundly unhealthy, codependent, evil and toxic etc. (a lot more deanâs fault than samâs but I will nawt be getting into all that right now) but that doesnât change the fact that sam and dean both know and understand and feel deeply that they are each otherâs person â that they know the best and love the most in the world. but that â which IS true canon fact â is incompatible with the Destiel Mythos so it must be ignored and all good sense must be thrown out the window in order to do it.
anyway i digress there are two main categories of Bad Thinking that i will be addressing below
childhood/ âparent/childâ / blah blah blah
every single thing people are saying in favour of the deeply stupid thesis in the title of this post is proof positive of the very silly form of âanalysisâ I just described. a few things:
âwah sam didnât know that dean carried him out of the burning house :( this means that dean withholds things from sam to protect him because he is a PARENT and sam can only know things about him in the context of him being a PARENT to himâ â what the fuck are you on about genuinely. first of all reducing the sam/dean relationship exclusively to parent/child is in itself foolishness for so many reasons that I donât have time for right now. but also, itâs clear that this is just something that happened when sam was a baby that just never came up. in the scene (1.09) where this is brought up, dean is mildly surprised that he or john never mentioned that detail and then states that sam knows the rest of the story (i.e. the actual traumatic stuff) just as well as dean does â which is true, demonstrably whenever they talk about it.
obviously there are some things that happened to dean in their childhood that sam doesnât know about (or didnât know about, until told in whatever episode they come up in). equally, there are things dean doesnât know about samâs childhood, e.g. the fact that he was so lonely he needed a zanna (11.08). or how dean didnât remember that sam was friends with barry cook until he mentions it when they go back to their old school (4.13). or about the nature of samâs relationship with amy pond (7.03). these donât mean that âsam withheld these things to protect dean out of parental loveâ lol, itâs just that there are details and events in each of their lives that the other happens to not have been told about.
similarly âsam didnât even know dean wanted to be a firefighter Lâ girl did dean know sam wanted to be a lawyer? in 1.01 heâs pretty surprised that sam has a law school interview. the point here isnât âneither sam nor dean know each other well,â these are minutiae that arenât relevant to how well you know someone as a whole, and very poorly demonstrate the bad and inaccurate point that dean withholds things from sam the way a parent does a child (on a constant or regular basis). obviously the way they were raised, sam was deemed too young to know about certain things until he got older and dean had to keep that secret, but as shown in 3.08 flashbacks, most if not all of this is eventually revealed throughout their childhood when sam is still fairly young.
or possibly the dumbest one is that âwah sam doesnât even know that dean reads books Lâ whenever that was he was also obviously joking because in more serious moments (e.g. 8.14) he admits that dean is smart/a better researcher than he is, literally remembers dean reading to him as a kid (8.21) so like. clam down Â
one of the extra annoying variants of this type of âproofâ covers things that are very clearly novel pieces of information about dean that dean, sam, and the audience are learning about dean in real time. like if youâre actually watching the show to comprehend it as it was intended to be comprehended, instead of funnelling everything through the Destiel Machine until itâs unrecognizable slop that fits neatly into your pre-ordained molds that Make Destiel Necessary In the Narrative (when it actually isnât, at all) itâs abundantly clear. the top two worst offenders:
âsam didnât even know that dean is good with kids :( he doesnât even realize that dean raised him :(â first of all you people need to understand that parentification does not literally create a parent-child dynamic between siblings but I digress â this doesnât make any sense bro. in 1.03 dean admits he doesnât know any kids as an adult. dean being good with his own kid brother when they were both kids is to any reasonable person not necessarily linked with him being good with other random kids when heâs an adult. in 1.03 itâs clear that dean himself is a bit surprised that heâs able to connect w/ lucas so well because heâs clearly not dealt with a lot of kids since sam grew up. the whole point of this is that dean, sam, and the audience are all sort of seeing a new side of dean. who again is just 26. after this very early episode, thereâs no question from sam that dean is able to connect w kids. sam being a bit surprised by this also has absolutely zero connection with him not understanding or realizing that dean looked out for him when they were both kids â sam is standing there at 22 years of age talking about adult dean and children â of fucking course he doesnât mean himself are you stupid.
from the very first season, sam is very clearly aware of everything dean ~did for him~ when they were kids, see e.g. 1.21: âDean...ah...I wanna thank you. [âŚ] For everything. You've always had my back you know? Even when I couldn't count on anyone I could always count on you. And I don't know, I just wanted to let you know, just in case.â
and 1.06: DEAN: Well, Iâm a freak, too. Iâm right there with ya, all the way. (SAM laughs.) SAM: Yeah, I know you are.
and then possibly even more stupidly, the one where itâs like âwah sam doesnât even know dean can cook :( he doesnât even know that DEAN was the one making him food as a babe in arms :(â â when sam is surprised that dean made something fairly gourmet and from scratch literally the first time they have ever had a permanent living space with a functional kitchen. in this VERY scene (8.14), dean himself points out that they havenât had a kitchen before and when sam remarks on the irregularity of him doing serious cooking, he says âIâm nestingâ, clearly showing that this is a novel development because they now have a kitchen, and that itâs irregular relative to past behaviour â both of them acknowledge this. because real proper in-depth cooking and making box mac and cheese for sam until he was like 11 and old enough to be left alone are two different things, which sam understands because heâs smart, unlike whoever chooses to make this point. dean never showed significant signs of liking to cook before this, which is what the exchange is about, but he did have to prepare food for them both when sam was too young â of course sam knows he had to, there are childhood memories referred to (e.g. 14.11) where sam is mentioned to literally help dean do the cooking as kids lol (and yes, genius, sam says âI didnât know you knew what a kitchen wasâ or something to that effect, but if you think heâs being 100% literal there I have an oceanfront property in Kansas to sell you)
again, obviously there are pieces that sam doesnât know about dean, e.g. when heâs talking about his response to mary dying in 1.03. but again, Sam is 22, dean is 26, the last time they were in regular contact was when sam was 18-20, these are things that happen when people grow up, theyâre able to reflect and share on childhood experiences if theyâre close with their siblings as adults. itâs clearly not something that 26 y/o dean wanted to hide from 22 y/o sam. yes sam didnât know everything about how dean felt when they were young, but thatâs equally true in the other direction, and itâs such an irrelevant point in this discussion when, crucially, sam does learn these things about dean mostly fairly early on in the series (i.e. when theyâre really not that deep into adulthood yet). cas was also not magically blessed w/ knowledge about dean, he also had to learn whatever it is that he knows, but somehow sam has to know everything about dean from age 7 or it doesnât count when itâs sam lol.
âsam doesnât know the One True Dean / doesnât see through his facadesâ
the next branch of defending this flawed thesis is invariably that sam has little idea of the fronts and facades that dean puts up and is content to just believe them, whereas cas digs deep and sees the One True Dean that stupid sam always misses. there is nothing in the text that demonstrates this is true. multiple times, we see sam being very knowing of the fact that dean puts up fronts and facades. sam is also knowledgeable of the way dean perceives himself, and â demonstrated in multiple episodes before such sam lines were very poorly recycled and regurgitated into casâs dialogue in 15.18, but keep acting like that was the first time anyone ever showed that they knew the One True Dean.
Obviously there are times where sam teases dean when heâs being more touchy-feely than usual, but 9.99 times out of 10 (as a conservative estimate in case there's something i'm forgetting otherwise i would say every time) thatâs very clearly coming from a place of knowing the real dean vs. the façade he puts up because thatâs the whole joke. and itâs allowed to be a joke because theyâre siblings and thatâs what siblings do lol. esp since sam and dean have touchy feely moments at the end of like every episode.
examples of all of the above off the top of my head (there are more than these, but these are the ones I can think of):
2.02 (about Johnâs death)
Sam: âI mean this âstrong silentâ thing of yours, it's crap. [âŚ] I'm over it. This isn't just anyone we're talking about, this is Dad. I know how you felt about the man.â
Dean: âYou know what, back off, all right? Just because I'm not caring and sharing like you want me to.â
Sam: âNo, no, no, that's not what this is about, Dean. I don't care how you deal with this. But you have to deal with it, man. Listen, I'm your brother, all right? I just want to make sure you're okay.â
2.03 (Sam to Dean, also about Johnâs death): âYou know, you slap on this big fake smile but I can see right through it. Because I know how you feel, Dean. Dad's dead. And he left a hole, and it hurts so bad you can't take it, but you can't just fill up that hole with whoever you want to. It's an insult to his memory.â
Note that Dean essentially admits that Sam is right in these two instances in 2.04 bc I know yall have stupid shit to say about john too that has nothing to do with how anyone actually felt about him in canon
3.07 (about Deanâs demon deal â also proven true in later episodes)
SAM: Dude, drop the attitude, Dean. Quit turning everything into a punch line. And you know something else? Stop trying to act like you're not afraid.
DEAN: I'm not!
SAM: You're lying. And you may as well drop it 'cause I can see right through you.
DEAN: You got no idea what you're talking about.
SAM: Yeah, I do. You're scared, Dean. You're scared because your year is running out, and you're still going to Hell, and you're freaked.
DEAN: And how do you know that?
SAM: Because I know you! [âŚ] Yeah, I've been following you around my entire life! I mean, I've been looking up to you since I was four, Dean. Studying you, trying to be just like my big brother. So yeah, I know you. Better than anyone else in the entire world. And this is exactly how you act when you're terrified. And, I mean, I can't blame you. It's just [âŚ] I wish you would drop the show and be my brother again. 'Cause... (can't find words; tears in his eyes) just 'cause.
5.18 [Sam figures out what Dean is doing re: his plan to let Michael possess him, tracks him down, and eventually is the catalyst for Dean âmaking the right callâ, which he predicts] â e.g.:
SAM: No, you wonât. When push shoves, youâll make the right call
DEAN: You know, if tables were turnedâŚIâd let you rot in here. Hell, I have let you rot in here.
SAM: Yeah, wellâŚI guess Iâm not that smart.
DEAN: IâI donât get it. Sam, why are you doing this?
SAM: Because⌠youâre still my big brother.
8.14 (basically the o.g. version of whatever went on in 15.18 + sam intrinsically understanding the trials are a death wish for dean): âI'm closing the gates. It's a suicide mission for you. I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't â I am. But it's there. And if you come with me, I can take you to it. [âŚ] I AM smart, and so are you. You're not a grunt, Dean. You're a genius â when it comes to lore, to â you're the best damn hunter I have ever seen â better than me, better than dad. I believe in you, Dean. So, please â please believe in me, too.â
10.22 (understanding how much dean has ~done for him~)
SAM: I'm saving my brother.
CASTIEL: You told Deanâ
SAM: âI know what I told Dean. Cas, look. I've been the one out there, messed up and scared. And alone. And Deanâ
CASTIEL: He did whatever he could to save you.
SAM: Yes. I mean, it's become his thing. I owe him this. I owe him everything.
10.23 (basically the o.g. version of whatever went on in 15.18, x2 â from Sam to Dean): âYou were also willing to summon death to make sure you could never do any more harm. You summoned me because you knew I would do anything to protect you. That's not evil, Dean. That's not an evil man. That is a good man crying to be heard, searching for... some other way. [âŚ] You will never, ever hear me say that you -- the real you -- is anything but good.â
11.13 (Sam understanding exactly how Dean feels about Amara being his âdeepest desireâ, and confirming that it doesnât make him a bad person)
Dean: Why? Because if she is that means that IâmâŚ
Sam: Means youâre what? Complicit? Weak? Evil?
Dean: For starters, yeah.
Sam: Dean. Do you honestly think you ever had a choice in the matter? Sheâs the sister of God, and for some reason she picked you and that sucks, but if you think Iâm gonna blame you or judge youâŚIâm not.
Dean: You know that I want her ass dead.
Sam: Yes. Of course. And I know youâve also probably beaten yourself up a hundred times over it, but where has that gotten us? (Long silence) Just how bad is it?
13.02 (Sam perfectly explaining Deanâs psyche to Jack)
JACK: Is that why Dean hates me?
SAM: Dean doesnât hate you. It⌠Look, sometimes the wires in Deanâs head get crossed andâand he gets frustrated, and then he mixes frustration with anger, andâand fear.
JACK: Why would he be afraid?
SAM: Because Dean feels like itâs his job to protect everyone. And right now, we need to protect you. But we may also need to protect people from you.
14.03 [Sam assesses Deanâs psychological/emotional response to the Michael possession; end of episode, Dean confirms that Samâs assessment was fully accurate]
14.10 [Sam is the only one able to snap Dean out of his weird Michael mind loop by using their code word]
14.11 [Sam figuring out that something is troubling Dean just based on the fact that Dean hugs him]
15.17 (self explanatory at this point)
DEAN: Chuck has to die. He has to! Otherwise he'll keep us tap dancing forever, and I can't live like that, man! I can't live like that! I won't!
SAM: I know you feel like that right now, okay. I know you do. But you gotta trust me. My entire life, you've protected meâ from Dad, from Lucifer, from everything. I didn't always like it, you know, but... it's the one thing in the whole world that I could always count on. It's the only thing I've ever known that was true. So please... put the gun away. Just put it away, and we'll figure it out, Dean, we'll find another way, you and me. We always do.
like maybe there are some cas moments w dean along these lines too. i don't know, i don't remember what the guy says or does anymore it's been too many years and he is not memorable. but the point is where and in what capacity and based on what metric other than the amount of bad fanfic you've read does cas exceed sam in these respects.
so basically just. genuinely, what are you people literally ever talking about. go watch the show instead of saying stupid wrong stuff about sam on the hellsites all day. or watch another show (please for the love of god watch any other show this one is absolutely lost on you and itâs such a stupid one too i'm embarrassed for you)
#sorry i wasnt gonna be able to sleep otherwise my blood pressure got too high#sam winchester meta#sam winchester#anti destiel#sam and dean#whatever else my tags are#haven't done this in a minute#i'm sorry for being a cunty sam stan (tm) in this but have you considered we'd be nicer if you ppl were less dumb#this is not proofread it's not real meta
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