#will i actually write any of these

[acorviart]

not to sound like a boomer, but I need some people to learn how to write emails in a semi-professional (at the very least) format so you're not cold emailing a business/potential employer/any other stranger about formal matters in the exact same way you'd DM a close friend on instagram

the formality/language can loosen up in the email chain once you've established a rapport and you match the other person if they're being less formal, but please don't have the very first email you send a stranger be written in all lowercase ultra-casual sms slang with no greeting or signature and a billion emojis

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[akanemnon]

Shouldn't there be a minotaur in the labyrinth? Who put this goat here? This is not accurate to the mythology! /j

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[egophiliac]

Final manifestations for Book 7?

I'm trying REALLY hard not to build up any solid expectations, because I wanna go in ~fresh~! they're already so far away from anything I thought would happen (not in a bad way, I'm just accepting that I'm on Miss Yana's Wild Ride at this point and we're seeing this thing through 'til the end, by gum). so it's nothing too major, but:

they've been handing new crying expressions out like candy lately, I want to see some delicious Malleus tears.

honestly I want everyone to cry buckets. their tears sustain me. the more Silver angst specifically I get the happier I am.

SILVER!!!! 👏 VANROUGE!!!! 👏

just let him have this. the poor boy's been through so much. let him have his big "I'm proud of you, son" moment with Lilia.

I'm 100% expecting Grim's arc (and probably whatever's going on with Crowley) to be its own episode, but a nice hook to leave us hanging on would be good!

a nice hook though, please, I don't think I can take another "Grim is attacking us! now wait eight months to find out what happens :)" cliffhanger...

some Meleanor? as a treat? just a little bit, a tiny quick flashback or something, please Twst I just, I just want to see her again. let her have a little ghost cameo like Dawnathan Knight got. Lilia and his kids are all having their big group hug or whatever and she can gently fade in to be all like

(turning asks off until I'm done playing, SEE YOU ON THE OTHER SIDE Y'ALL)

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[ofswordsandpens]

thinking about a world in which RR actually committed to the path he set Percy on in hoo (wherein Percy has become jaded, angry, and resentful at the gods for breaking their sworn promises, is frequently sympathizing with Luke, is getting more and more powerful, and frequently losing himself to wrath) and instead of the subsequent Percy Jackson books being about getting recommendation letters, we could have gotten a trilogy exploring a fallen hero arc for Percy (that would ultimately have a positive resolution to it.)

[ariadne-mouse]

Tumblr media analysis gothic: In my personal opinion, based on my own individual perspective, which may not be aligned with the perspectives of others, and which is predicated on my own individual understanding and interpretation of the text, wherein the themes, characters, and events have notable elements of ambiguity such that a multitude of interpretations are possible and understandable, and said interpretations of mine are influenced by my own personal background and attributes, believe - but not at the exclusion of belief that other people may believe differently, and with full acknowledgement of the heretofore described subjectivity of my stance, which is an opinion, though I do believe in it and also wish to convey it in a persuasive manner that others will find compelling due to my argument in its support which I personally find to be well-evidenced in the text and elucidated by my interpretation of the text, on which I will elaborate at length considering all angles in order to minimize misunderstanding of my analysis - again, acknowledging the ambiguity and subjectivity at play in my interpretation - that

[abd-illustrates]

Sorry to bother you. I wanted to ask if you were willing to give advice on how to avoid the 'Friends Who Never Hang' tropes? Because I'm hesitant to make more main characters because I'm not sure if I can make their bond close between all of them and you seem to have a grip on the Heartless gang's relationship. Thanks.

I had to google what that trope meant haha - but that's a rlly interesting question!

At least for me and my storytelling preferences, I think my stance would be that there's actually no need to worry about making a close bond between *all* of your main characters at all!

It's a bit hard to articulate, and I'm definitely thinking from more of a manga mindset so bear with me lol -- but trying to make sure that everyone on your main cast all get along with everyone else on the main cast, and feeling the need to give a 'proper' spotlight to every possible combination of characters to convince your audience that 'they really are all friends with a close bond, see how they all hang out!?' Can run the risk of looking like this:

and leave your story feeling bland/stagnant as you kinda slog through unnecessary scenes between characters just for the sake of proving that they do all interact an adequate amount.

Whereas - (again, at least in my experience) - building a group primarily around their ties to your Main-main character(s) like this:

is a method that leaves much more room for you as a writer to both focus on the character that's specifically meant to be at the forefront, while also making it easier to explore which other combos could then actually be fun to give more screen time to in order to *build up* those close bonds, rather than worrying about the end result and just trying to make everybody get along right from the get-go!

(Also! Don't feel like if you start out with a bunch of varied colorful connections that they all have to be turned into bright green friendly bonds by story's end! Making some characters a bit closer over time but still not besties is a-ok! They can unite for a common goal but still get on each others nerves forever! There are no rules! Be cringe, be free!)

[starssoblue]

“things were so hard with dad in recent years...how did he go from paparapluie to père? i wish i could face him and understand, but while he was still here i didn't dare try to tell him [any of my feelings] and now...it's too late.” * paparapluie is a pun on the words papa and parapluie (umbrella) since the plush is a frog. père is the french word for 'father.'

[lexosaurus]

If you're only commenting on a fic to ask for an update or worse, to be passive-aggressive about wanting an update, then please do both yourself and the writer a favor and don't comment at all.

Saying things like "Can't wait for the next update!" as part of a comment about how you enjoyed the chapter is one thing, but just going into the comments and being like "Where's the update?" or "You haven't finished writing the next chapter yet?" or something similar is not only rude, but also I ASSURE you it only serves to make the writer anxious about writing at all.

Fic writers are not content creators. We're not robots. We're real people with careers, families, and other irl responsibilities. Writing is something I do in my thirty minutes before I go to bed to wind down from the day. Whatever I want to write that evening is what ends up getting written.

So by making me anxious and putting pressure on me to update a fic, especially in that passive-aggressive way that so many people do, all you've ensured is that when I open up my folder that evening to see what I feel like writing, my eyes will completely skip over that WIP that I got the rude comment on that day because I Feel Bad about it and now I don't want to even look at it.

So please, just follow the golden rule of "if you don't have anything nice to say, don't say anything at all."

[mandukkul]

My sister: i cannot give you good criticism on your writing because my writing is not on the same level as yours

Me: this is fanfiction

[kohi-karasu]

little scribble for my post canon shuake au 🤭

[shepscapades]

Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D

(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)

-ˋˏ ༻ ❁  OVERVIEW ❁ ༺ ˎˊ-

Name: C.B.F.N.4000 (Cub) Pronouns: He/Him Species: Android Height: 5’9’’ Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies

-ˋˏ ༻ ❁  ABOUT ❁ ༺ ˎˊ-

CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present! 

Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself. 

Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.

The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids, to give him a chance to find deviancy on his own terms. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.

Cub is closest with Scar (there's something there, I think), but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!

-ˋˏ ༻ ❁  EXTRAS ❁ ༺ ˎˊ-

Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3

[keferon]

Two Peas in a Pod: part 2/?

*slips another piece into your mailbox*

_____________________

Jazz was still feeling a little woozy from his donation in the dark hours of the morning. Blaster had breakfast changed from the usual to something that felt more like a treat, probably a reward for his good behaviour, and to help his body recover. Fish heavy in proteins, fat, all that healthy stuff. Something that normally he would have tried to savour, but he wolfed it down from excitement. Too many questions ran through his head, and most he couldn't bring himself to voice.

The mer, the mer would pull through. Blaster told him about how he had saved their life with his blood. Praised him high and low. Because Blaster knew how Jazz felt about seeing blood, about how hard blood tests were for him, and that was only a tiny vial. Not three big bags of it. Jazz hadn't seen how much they had taken – because he had kept his eye closed until they left in a hurry –, and hearing about it made him dizzy for other reasons, but he honestly felt real proud of himself.

It was a new feeling, different from other moments of pride – like when he figured out the lock codes. Yeah, this gave him butterflies and the drive to help more.

Blaster laughed when Jazz offered that the vets could take more if the other mer needed it. His handler didn't think it would be, but he would pass it on to the vet team.

Jazz's morning checks were a little off, expected with having a little less fluids and feeling off-balance, but it was kept short and quick. Blaster told him that if he learned anything more, he'd tell him next time he came by and then hurried back down to the staff area. Blaster was needed elsewhere, understandably as there weren't many mer experts here, though he did leave Jazz his waterproof stereo if he wanted to play some of his favourites.

But, the orca mer was far too busy causing a whirlpool from the laps he was swimming. He was too excited to sit still, and embarrassment be damned he started practising old vocals. He didn't remember much of his mother tongue, and he was pretty sure that his pronunciation was off, that or had one hell of an accent. Echo-speech was even more rusty. And once he had gone over and over what he could recall, Jazz began to really worry. A few sentences and handful or so of words was all he had? Gods, I hope I can at least make a decent first impression. Blaster said they were just like me, so hopefully, that will give me some starting points.

More than he cared to count, Jazz would swim into the shallow waters of the medical bay and hope to see something through that window. But no one ever came close enough for him to hear any news of the mer. He couldn't even see anything on his radar, wherever they had done treatment, it wasn't in the hospital ward. It almost felt like he was being purposely kept in the dark.

And just when Jazz was starting to worry that things had taken a bad turn, a group of staff turned up around four pm. He wasn't able to ask any questions, or rather they refused to answer. Shooing him away as they got to work. Starting with closing the gate to the bay to 'keep him out'. Jazz could easily climb those walls, but that wasn't the point. Even if the gate window was closed, he could pick up that they were setting up the water hammock. But it wasn't until he heard the cautionary beeping of the hoist lift approaching that it dawned on him – the mer was coming. Now.

"Jazz," Blaster called, "… Jazz," he blew the training whistle and finally got his mer's attention. "Stop pacing and get over here."

"But–" Jazz looked back longingly up the wall.

"Jazz," his tone dropped to a firm one, and Jazz begrudgingly swam over to the pier. The human crouched and made sure that they held eye contact before he spoke. "I need you to promise me that you will stay in your enclosure."

He sunk a little, trying to play into his cuteness, but being far too anxious to really pull it off. "What do you mean?"

"Jazz," now warning him. Blaster knew full well that he was more than capable of getting into or out of places he shouldn't, bloody Houdini mermaid, "this is serious. Things are going well, we want to keep it that way. Which means keeping things calm and feeling safe. You're excited, I get it, we all are. But in about an hour, they'll be waking up and – from past experience seen with wild Mers – they will likely freak out. And the last thing we need is you hauling your tail over that wall and making things worse. Understand?"

The beeping was louder how and the hiss of hydraulics caused Jazz to look up. The arm of the lift was visible over the wall. They're here!

"Jazz," Blaster hopelessly called for his attention once more.

Within moments, a massive bundle was carefully raised, the staff calling out and coordinating. Jazz's gaze was fixed on the black and white fluke poking out, it was the only part of them he could see, and his heart began to race. Once they became hidden by the wall again, Jazz moved back to pacing by the gate without even thinking. Listening to people hopping into the water to unstrap the mer and call back n' forth. "Careful, careful! – Watch the head! – Someone give me a hand over here! – We're clear on this side! – Keep the head up!"

Really starting to sound like a broken record, Blaster chirped the whistle and called out to him again. The expression he wore must have been pretty pitiful because the look on Blaster's face dropped. "If I open the view port… will you promise me that you will wait, that you will stay in your enclosure?"

"I promise," he answered hastily, placing his hands on the gate, over the panel that would slide open.

"And that you will wait until everything is in the clear, till the staff come to oversee the integration. There will be no rushing things and no asking staff when we will open the gate."

"I promise," he repeated, trying not to beg.

Satisfied, Blaster pulled out his radio, "Blaster to Control; when the team is out of the Mer enclosure's medical bay, open the view port. Jazz's stress is mounting without a visual."

"Can do," came a quick reply.

Though, opening the panel was not. Several minutes went by, the hoist had cleared out, and much of the staff had returned to their other duties. Only two remained double-checking the mer's breathing and pulse. The moment that the last of them left, Jazz heard the lock disengage, and he retracted his hands as the panel shifted and began to slide open. The window was too small to get more than his hand – maybe up to his elbow if he wanted to push it – through, and sat just at water level– any movement sending water hopping to either side. But it gave him a clear view of the surface area inside.

Oh.

Oh. Jazz stopped breathing. While the mer's body was mostly supported by the fabric of the hammock, cradling them on their side, effectively hiding most of them from Jazz's angle. Propped up on a soft floating platform was the mer's head, face towards the gate. Sharp features and elegantly shaped finials, with flattering lines of their markings complimenting the peaceful expression as they slept. The butterflies from earlier came back stronger than ever, his heart thundering as words fumbled from Jazz's lips, "he's beautiful…"

_____________________

-GLC

Orca Prowl really is just-- too fucking pretty, omg, I'm living through Jazz in this moment like when I first saw your designs of him.

I'm more than happy to continue writing for you, you bring me so much joy. I screamed when I saw how much you liked it. If you have any requests you would like me to add to the story, leave it in the tags or comments ♡ I now plan to continue until the tsunami and a bit afterwards, maybe more, we'll see~

Upd: There is a next part!

Previous

Oh. MY GOD. OKAY ALRIGHT OKAY ALRIGHT OKA

I'M ABOUT TO START PACING IN CIRCLES JUST LIKE JAZZ OVER HERE KDLCNFJFLFB PL E A S E THIS IS SO GOOD. The tension?? You can fucking TASTE it IT'S SO GREAT GLC I LOVE YOU

The way it all starts at night and then you (as a reader) have all this additional time to boil in your anticipation?? So fucking great. Like you can really feel how little power Jazz has over the wholse situation. The plot is moving but he doesn't have any saying in it. Well. Yet heheh

Anyway haha. Im normal and I made some art>:D