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Okay, so since the strike in Hollywood prohibits actors from promoting their work, Stephen is getting a lot of hate for his opinion, and this show is amazing and it would suck for it to get cancelled because of the conditions the union has during the strike, I decided it is up to the fans to take over the promotion:
youtube
Go watch it, first Episode of the second season is amazing!
Show Stephen and the cast and crew some love.
#heels starz#stephen amell#taking over promotion for the cast#some strike rules suck#go show them some love#amazing show#2.01 was so great#from arrow to heels#oliver queen & jack spade#wrestling#Youtube#not my usual content#not my usual post#but Stephen deserves some love the guy just can't catch a break simply for being honest and real#ace spade#staci spade#wild bill hancock#rooster robbins#willie day#crystal#big jim kitchen#bobby pin#ricky rabies#charlie gully#diego cottonmouth#alexander ludwig#alison luff#mary mccormack#kelli berglund#allen maldonado
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The full trailer for season 2 of "Heels" is finally out and it looks great!!! :D Jack's dealing with his wife having left and estranged relationship with his brother Ace, Ace is struggling too, Crystal is now an actual wrestler and the DWL are actually adding more female wrestlers, Bobby seems to be now a ref and one of the announcers as well as it exploring more of his and Crystal's relationship, Rooster has a new wrestling persona, there's new cast additions like Emmy Raver Lampman from "Umbrella Academy", and looks like CM Punk is a series regular now too as Ricky. Excited to watch and it's back July 28th.
#heelsstarz#jack spade#ace spade#staci spade#crystal tyler#bobby pin#willie day#rooster robbins#wild bill hancock#ricky rabies#stephen amell#alexander ludwig#alison luff#kelli berglund#mary mccormack#trey tucker#allen maldonado#chris bauer#cm punk#mike o'malley#wrestling#emmy raver lampman
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Herbie Hancock / Keith Jarrett - Carnegie Hall, New York City, June 30, 1974
An ARP odyssey at Carnegie Hall! This performance was part of the Newport Jazz Festival's piano-centric celebration in NYC, which saw all kinds of players, ranging from Eubie Blake to Bill Evans to Teddy Wilson playing solo acoustic at the venerable venue. Herbie Hancock begins his set just like the others, with a meditative "Maiden Voyage," but he soon introduces his new "toys" — Fender Rhodes, the ARP Odyssey synthesizer, the ARP 2600 synthesizer, the ARP string synthesizer and a Hohner D6 clavinet.
"Every time you get a new toy, you gotta figure out how you're gonna incorporate it with the old toys," Herbie tells the audience. He figures it out! The 40 minutes of music here is terrific, not unlike the great Dedication LP which would be recorded in Japan a few weeks later, but a bit looser and more expansive. The tones and textures are marvelous, the mood mellow but transfixing (and yes, occasionally a little bit funky).
Keith Jarrett, alas, doesn't jam on the ARP, but he does give the audience a fantastic set, veering from soulful melodies to abstract wildness at the drop of a hat. It's not Köln, but it's klöse! And what about McCoy Tyner, who also played this evening?! I can't find a recording of his performance, goddamnit! If you've got it, send it my way, please.
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Commons Vote
On: Finance (No. 2) Bill: Third Reading
Ayes: 215 (98.6% Con, 0.9% Ind, 0.5% DUP) Noes: 19 (94.7% SNP, 5.3% PC) Absent: ~416
Likely Referenced Bill: Finance (No. 2) Act 2010
Description: A Bill to grant certain duties, to alter other duties, and to amend the law relating to the National Debt and the Public Revenue, and to make further provision in connection with finance.
Originating house: Commons Current house: Unassigned Bill Stage: Royal Assent
Individual Votes:
Ayes
Conservative (211 votes)
Aaron Bell Alan Mak Alberto Costa Alec Shelbrooke Alex Burghart Alex Chalk Alicia Kearns Alok Sharma Amanda Milling Andrew Griffith Andrew Jones Andrew Lewer Andrew Murrison Andrew Percy Andrew Selous Andy Carter Angela Richardson Anna Firth Anne Marie Morris Anne-Marie Trevelyan Anthony Browne Antony Higginbotham Ben Everitt Ben Spencer Ben Wallace Bernard Jenkin Bill Wiggin Bim Afolami Bob Blackman Bob Seely Brandon Lewis Caroline Ansell Caroline Nokes Charles Walker Cherilyn Mackrory Chris Clarkson Chris Grayling Chris Green Chris Philp Conor Burns Craig Tracey Craig Williams Damian Hinds Daniel Kawczynski Danny Kruger David Davis David Duguid David Jones David Rutley David Simmonds Dean Russell Dehenna Davison Derek Thomas Desmond Swayne Duncan Baker Edward Argar Edward Leigh Elizabeth Truss Elliot Colburn Esther McVey Felicity Buchan Fiona Bruce Gagan Mohindra Gareth Bacon Gareth Davies Gareth Johnson Gary Sambrook Gavin Williamson Geoffrey Clifton-Brown Gillian Keegan Graham Brady Graham Stuart Greg Hands Greg Smith Guy Opperman Harriett Baldwin Heather Wheeler Helen Whately Holly Mumby-Croft Huw Merriman Iain Duncan Smith Iain Stewart Jack Brereton Jack Lopresti Jackie Doyle-Price Jacob Rees-Mogg Jacob Young James Cartlidge James Cleverly James Davies James Duddridge James Sunderland James Wild Jane Hunt Jane Stevenson Jeremy Quin Jerome Mayhew Jo Churchill John Glen John Howell John Lamont Jonathan Djanogly Jonathan Gullis Julia Lopez Julian Lewis Julian Smith Julian Sturdy Justin Tomlinson Katherine Fletcher Kelly Tolhurst Kemi Badenoch Kevin Hollinrake Kieran Mullan Kit Malthouse Laura Farris Laura Trott Lee Rowley Leo Docherty Lia Nici Liam Fox Lisa Cameron Louie French Lucy Frazer Luke Hall Marcus Jones Mark Fletcher Mark Francois Mark Garnier Mark Logan Martin Vickers Matt Hancock Matt Warman Matthew Offord Mel Stride Michael Ellis Michael Fabricant Michael Gove Michael Tomlinson Mike Freer Mike Wood Mims Davies Neil O'Brien Nick Fletcher Nick Gibb Nicola Richards Nigel Huddleston Paul Beresford Paul Holmes Paul Howell Pauline Latham Penny Mordaunt Peter Aldous Peter Bottomley Philip Dunne Philip Hollobone Priti Patel Ranil Jayawardena Rebecca Harris Rebecca Pow Rehman Chishti Richard Bacon Richard Drax Richard Fuller Rob Butler Robbie Moore Robert Buckland Robert Courts Robert Goodwill Robert Halfon Robert Largan Robert Syms Robin Millar Robin Walker Royston Smith Sajid Javid Sally-Ann Hart Saqib Bhatti Sara Britcliffe Sarah Dines Scott Mann Selaine Saxby Shailesh Vara Sheryll Murray Simon Baynes Simon Clarke Simon Fell Simon Hart Simon Hoare Simon Jupp Stephen Metcalfe Steve Baker Steve Brine Steve Tuckwell Stuart Andrew Suzanne Webb Theo Clarke Theresa May Theresa Villiers Thérèse Coffey Tobias Ellwood Tom Hunt Tom Pursglove Tom Randall Tom Tugendhat Tracey Crouch Vicky Ford Victoria Atkins Victoria Prentis Wendy Morton Will Quince William Cash
Independent (2 votes)
Mark Menzies William Wragg
Democratic Unionist Party (1 vote)
Jim Shannon
Noes
Scottish National Party (18 votes)
Allan Dorans Amy Callaghan Angela Crawley Anne McLaughlin Brendan O'Hara Chris Law Chris Stephens David Linden Deidre Brock Joanna Cherry John Nicolson Kirsty Blackman Marion Fellows Owen Thompson Peter Grant Philippa Whitford Richard Thomson Stewart Malcolm McDonald
Plaid Cymru (1 vote)
Hywel Williams
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“Wow, look at that lightening.”
“Oh yes, ‘ighly electrical.”
This is my favourite episode of Hancock’s Half Hour, I put it on my first cassette when it was last on in September 2017. The last series is incredibly good anyway as Galton and Simpson move away from the formulaic plots of Sid trying to cheat Hancock out of his money, and focusing more on slow-moving conversations and slightly more realistic situations where Sid has for some reason moved in with Hancock and Bill.
#BBC Radio#Hancock's Half Hour#Tony Hancock#Galton and Simpson#radio comedy#wild to think that Bill Kerr only died in 2014
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╓┈♔◦☓◦☙◦♔◦☙◦☓◦♔┈╖
WHO I WRITE FOR
╙┈♔◦☓◦☙◦♔◦☙◦☓◦♔┈╜
-ˋˏ✄┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
List of all the characters I write for and am willing to take requests for
◤──•~❉᯽❉~•──◥
JURASSIC PARK
◣──•~❉᯽❉~•──◢
·˚ ༘₊· ͟͟͞͞꒰➳ Ian Malcolm
·˚ ༘₊· ͟͟͞͞꒰➳ Alan Grant
·˚ ༘₊· ͟͟͞͞꒰➳ Robert Muldoon
┏━━━━━━━ ★ ━━━━━━━┓
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
┌────・。゚: ∘◦☾◦∘。゚. ────┐
INGLOURIOUS BASTERDS
└────・。゚: ∘◦☾◦∘。゚. ────┘
➺ Lt. Aldo Raine
➺ Sgt. Donny Donowitz
➺ Sgt. Hugo Stiglitz
➺ Lt. Archie Hicox
➺ Cpl. Wilhelm Wicki
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
MORTAL KOMBAT
┗━━━━━━━ ★ ━━━━━━━┛
➵ Kuai Liang
➵ Johnny Cage
➵ Spawn
➵ Kung Lao
➵ Reptile/Syzoth
➵ Kenshi Takahashi
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
╔═════.·:·.☽✧ ✦ ✧☾.·:·.═════╗
BAND OF BROTHERS
╚═════.·:·.☽✧ ✦ ✧☾.·:·.═════╝
➣ William “Wild Bill” Guarnere
➣ Richard “Dick” Winters
➣ Burton Paul “Pat” Christenson
➣ Eugene G. “Doc” Roe
➣ Lewis Nixon
➣ Ronald Speirs
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
╔═════ ∘◦⛧ミ◦∘ ══════╗
CALL OF DUTY
╚═════ ∘◦ ミ⛧ ◦∘ ═════╝
GHOSTS:
➛ David “Hesh” Walker
┆ ° ♡ • ➵ ✩ ◛ °
WW2 & VANGUARD:
➛ Robert Zussman
➛ Ronald “Red” Daniels
➛ Arthur Crowley
➛ Marcus Howard
➛ Richard Webb
➛ Arthur Kingsley
➛ Lucas Riggs
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
════════════════════════╕
RED DEAD REDEMPTION
╘════════════════════════
➽ Arthur Morgan
➽ Charles Smith
➽ Josiah Trelawny
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
╔══════✮❁•°♛°•❁✮ ═════╗
TOM HARDY
╚══════✮❁•°❀°•❁✮══════╝
↪ Farrier (Dunkirk)
↪ Alfie Solomons (Peaky Blinders)
↪ Bane (The Dark Knight Rises)
↪ Eddie Brock/Venom (Marvel)
↪ James Delaney (Taboo)
↪ Pavel Sidorov/Leo Demidov (Child 44)
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
︻⋆︻⋆︻⋆︻⋆︻⋆︻⋆︻
LOTR/THE HOBBIT
︼⋆︼⋆︼⋆︼⋆︼⋆︼⋆︼
⟿ Aragorn
⟿ Legolas
⟿ Boromir
⟿ Faramir
⟿ Thorin
⟿ Fili
⟿ Bard
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
╱╲❀╱╲╱╲❀╱╲╱╲❀╱╲╱╲❀╱╲╱╲❀╱╲
TV SHOWS & FILMS (misc)
╲╱❀╲╱╲╱❀╲╱╲╱❀╲╱╲╱❀╲╱╲╱❀╲╱
⇉Indiana Jones
⇉ Holland March (The Nice Guys)
⇉ Tom Hanniger (My Bloody Valentine)
⇉ Pyramid Head (Silent Hill)
⇉Elliot Stabler (Law and Order: Special Victims Unit)
⇉Art the Clown (Damien Leone's Terrifier)
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
┏━━━◥◣◆◢◤━━━━┓
MARVEL
┗━━━◢◤◆◥◣━━━━┛
➬ Venom/Eddie Brock
➬ Carnage (symbiote only!)
➬ Blade
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
-ˏˋ. DC ˊˎ-
↦ Bruce Wayne/Batman (Nolan only)
↦ Bane
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
┏━✦❘༻༺❘✦━━┓
SUPERNATURAL
┗━✦❘༻༺❘✦━━┛
➩ Dean Winchester
➩ Benny Lafitte
➩ Gadreel
➩ Crowley
➩ Mick Davies
⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂ ⠂⠄⠄⠂☆
╔═══*。❅*⋆⍋✧ ✦ ✧⍋⋆*❅。*═══╗
FALLOUT
╚═══*。❅*⋆⍋✧ ✦ ✧⍋⋆*❅。*═══╝
➲ Maximus
➲ Cooper Howard/The Ghoul
➲ Nick Valentine
➲ John Hancock
➲ Preston Garvey
➲ MacCready
➲ Sturges
➲ Paladin Danse
➲ Porter Gage
➲ Mason (The Pack Alpha/leader)
➲ Old Longfellow
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My Wild Horse Story
Jul 1, 2020
Submitted by Katie Jo Smart, Mississippi
“He’s going to outgrow the pony soon, and we just don’t have the money for a Jr. High Rodeo horse,” I whispered to my husband as we looked through the panels at a small bay mare with a big head and even bigger eyes. Our son needed a new horse as he would eventually move on to Jr. High and High School Rodeo, and a professionally trained horse at $40k just wasn’t in the cards. A $25 horse, however, may be something to consider. I watched her move across the pen, her big eyes unsure and untrusting. I shrugged my shoulders and got in my car to leave. I went home and tried to clear my mind, but her quick feet and athletic nature were absolutely haunting.
“What if this could be the one? What if this is the horse to take him to Nationals? Wouldn’t that be a hoot, if a wild horse went to the High School Rodeo National Finals with all of those fancy high-bred rodeo horses?!”
I went to sleep thinking about that mare, woke up with her on my mind, and was basically only a warm body for the day until I went back to see her again.
There she was. Her pen had been sorted through, as most of her temporary roommates had been adopted. As I gazed over her wondering if I could even do any justice, a friendly face came towards me. “Well, what are you thinking?” asked Mr. Cary Frost, BLM Wild Horse and Burro Specialist.
“Honestly, sir, she is very catty and athletic but I’m wondering if I could even do her justice.”
“She is smart,��� he added. He went about his way to talk to another prospective adopter as I stared into her pen trying to envision myself even attempting to train an 800lb, for all intents and purposes, wild animal. I went home again.
This dance went back and forth to the point that I made four trips to the adoption center before I was ready and confident enough to sign the adoption papers. She was one of only three that had not been taken home and the other two may have been adopted and waiting on their ride.
“How much is she” I asked Mr. Cary. "$25 or $125?”
“That one is $25,” he replied. I nervously went to the adoption desk. After verifying that I had all necessary facilities to hold a wild horse and the proper shelter, I handed over my $25 and signed my John Hancock.
“Would you like to sign her up for the Adoption Incentive Program?” asked another BLM employee, Demerits.
“What’s that?”
“Well, you get $1,000 for adopting a wild horse.”
“I’m sorry, I have a trick ear, what was that?” I asked. “If you keep the horse and prove that it’s been properly taken care of, you get $1,000,” he replied.
I could have been knocked over with a feather! You mean to tell me, that you are giving me this horse for $25 and you’re adding $1,000 too?
This day couldn’t get any better, I had found my son a horse and this horse was basically paying for everything itself. Feed, hay, farrier work, vet bills. She was financially independent.
We loaded her up, cut the tag from around her neck and she was mine.
She was unloaded into her pen and I just stared with the overwhelming feeling of “what did I just do.” I had never trailered a tornado before.
Then the research began. I combed through every well of knowledge as if I were writing a thesis. Every movie, documentary, YouTube video or blog about wild horse training, I was studying. I learned the most from the movie Wild Horse Redemption - I felt that it was the most accurate by far.
This is where the fairy tail takes a short pause.
3 days to touch her.
5 days of begging to lead her while most of those days she was leading me.
7 days to put a towel on her back to mimic a saddle pad.
2 weeks to pick her feet up.
1 month before her first farrier visit.
4 months to fully saddle her.
5 months before our first ride.
6 months before she would load on a trailer.
6 months before I could ride her around cattle.
Needless to say, September 14 until mid-March 2020 was a trying time. Every day was a new day, as much for me as it was for her. Training went like this: If she would accept A, I would move to B. If she would accept B, we went to C. If C was a “no go”, we reinforced B.
It was 6 months of trials and tribulations but when the victories came, they rained down. I can honestly and without holding back say that this horse, this “wild mustang” that my entire family was intimidated by because of the mustang stereotype, is the number one horse in my string. She is the one I want to go ride and bring cows up on. She is the one I load first to go to the arena. She is my pick. She is my Marty and she was worth it. I know without a shadow of a doubt that she will take my son to the High School National Finals rodeo. Keep an eye out for her, she will be the little bay with the freeze brand on her neck.
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“I was gonna leave The Week In Tory until Friday the 2nd October but at their current rate it'll be very long by then, and I'm worried about you, mate.
It's OK to get drunk on at 5pm on Monday the 28th of September, isn't it? Well, that's my recommendation anyway. Here goes...
1. In June UK Prime Minister Boris Johnson said to Black Lives Matter protestors: “I hear you”, and acknowledged the “incontrovertible, undeniable feeling of injustice” that “we simply cannot ignore”
So obviously, 40 Tory MPs refused to take part in unconscious bias training
2. The government shut pubs an hour early, seemingly under the impression coronavirus (an inert, sub-microscopic infectious entity with no brain or nervous system) can tell the time.
The government demanded we all follow the rules
The government exempted House Of Commons bars from the rules
3. Health Minister Helen Whately said “people who get drunk and leave the pub to keep on partying should remember their responsibility for the nation’s health”
Helen Whateley, who is *actually* responsible for the nation’s health, was sober when she said this. Presumably
4. After 6 months of world-leading “throwing apps in the bin but taking the cash anyway”, the government finally proudly released an NHS Testing App
It didn't work with NHS tests
Or on 18% of phones
Or in Scotland or Northern Ireland
And a report said only 10% of the us will use it, cos we don’t trust Dominic Cummings with our data
Nor should we: the Data Commissioner said Cummings' proposed changes to privacy law will see the UK barred from sharing global data, and cost the UK economy "up to £80bn"
5. Meanwhile the promise of 500,000 tests per day won’t be reached because, in news that should shock nobody, the government failed to order enough raw materials
So the government stopped releasing evidence of how many are being tested, cos if you don't look at it, it isn't real
6. The government, which only weeks ago was demanding we go back to work or all get sacked, now demands we all stay at home
7. Them the government said the reason the UK had the worst Covid response AND worst economy in Europe is because we are “freedom-loving”
8. And then government freedom-lovingly banned schools from using any materials that criticised capitalism
Not content with this, they also banned schools discussing “victim narratives”, which is going to make it tough to maintain their national anti-bullying strategy
9. And then a leaked report said the government was planning to freedom-lovingly deploy the military on the streets
10. Meanwhile, the government announced only 24% of businesses have done any preparation for Brexit, and only 30% of cross-channel HGVs have the correct paperwork
11. The government finally admitted what they’d been told repeatedly since 2016, and said Brexit would create 2-day queues of 7000 lorries at Channel ports
7000 lorries (at the average 16.5m each) is 1155km. That’s a queue over 70 miles long. Every day.
To solve this, the government announced a new internal border in Kent, helpfully relocating 70 miles of queues to London, Essex, Surrey and East Sussex instead
A month ago, Tory MP Sir Edward Leigh was demanding we “take back” Calais. Now we’re essentially abandoning Kent.
Because we only had 4 years to plan for this, our lovely new border will start on 1 January and be controlled by software that – and you should probably open a second bottle around now - won’t be ready until at least 4 months later
Oh, and border checks won’t be ready in Northern Ireland either
But we might not have a problem anyway: it was revealed there are just 2000 EU haulage permits for our 40,000 UK hauliers. That’s 5% of what we need, for any Govt Ministers struggling with the maths
12. And we don’t even have enough pallets for the goods we import, cos we currently rely on a supply we share with the EU, and have neither the wood nor the treatment plants, nor the required chemicals to make and treat our own
So now the government has to make a 200m border, a mechanism for policing it, an internal passport system, software, admin, buy 38,000 permits and grow enough trees for 700,000 pallets. In 3 months.
It had 5 months to add up some A-Level results, and that went swimmingly
13. I’m sure supply-and-demand won’t force prices sky high, cos it never does when you have 5% of the food the nation needs and a govt which boasts about breaking the law, but it was also announced tariffs will add £3.1bn to the nation’s food bill in Jan 2021
14. As a mark of confidence, Jim Ratcliffe, Britain’s richest man and a leading Brexiteer, buggered off to Monaco
15. And an unnamed minister was quoted: “We are stuck in a bind. If we try to cancel Brexit we destroy ourselves; if we go ahead with it we destroy the country”
16. The London School of Economics reported the long-term cost of Brexit will be 2-3 times the cost of Covid
So Rishi Sunak cancelled the budget, cos once again, if you don’t look at it, it doesn’t exist
17. JPMorgan shifted £200 billion out of the UK and into Germany calling it “a result of Brexit”.
At least 22% of our entire national economy depends on international banks based in the City of London, so when the largest one fucks off, it's a relaxing development
18. Former Prime Minister Theresa May said the government’s bill to break international law is “reckless” and “risks the integrity of the United Kingdom”
19. The Attorney General, who takes an oath to parliament, the Queen and The Bar to observe the law, said she was “very proud” to be breaking the law
The UK is a signatory and legal guarantor of the Good Friday Agreement, which brought peace to the island of Ireland after 3600 violent deaths. The Attorney General, who is sworn to maintain peace, says Brexit will break the GFA, and she is “extremely proud” of that too.
Turns out, the advisory Professor who told her she should go ahead and break the law and endanger peace in Ireland is the partner of Michael Gove’s special advisor. It’s amazing, these coincidences. Almost as if they don’t want to listen to anybody else
20. Speaking of which, UK Prime Minister Boris Johnson’s old friend and unfailingly irrumating backer (google it) Charles Moore, who has spent his life demanding the end of the BBC, and said the BBC causes "human misery worthy of Dickens" (does he mean Mrs Brown's Boys?) is in line to run the BBC
And it was reported ex Daily Mail Editor Paul Dacre, who shouts c*unt so much his meetings are called “the vagina monologues”, and whose paper is banned as a Wiki reference cos it lies so often, is going to be put in charge of Ofcom: ensuring decent and honest broadcasting
Oh yeah, and Boris Johnson tweeted “a free press is vital in holding the government to account”, which is probably why the people holding his govt to account are being replaced with his mates and cheerleaders
21. Tory MP and successful conscience-donor Andrea Jenkins got paid £25k from a thinktank that doesn’t exist
22. And because no list is complete without a disturbing nocturnal visitation from the smirking angel of death, Home Office Secretary Priti Patel was accused of incitement to racial hatred
23. Whilst Patel, Jenkyns and the Attorney General were busy redefining “the party of Law and Order” the rest of the govt took a wild swing at “the party of fiscal responsibility”, when it was revealed the government has wasted £3,895,556,000 since March.
This includes unsafe testing kits; face masks that don’t work; broken tracing systems; useless antibody tests; cancelled ventilator challenge; and inexplicable contracts to sweet manufacturers and dormant companies with no employees, to provide PPE that never arrived!
24. The government, which insisted schools and universities reopened, said it was now vital to lock down students and prevent them from mixing in large groups
And then the government said it was sanctioning class sizes of up to 60 which ... remind me, is that more or fewer than 6?
25. Health Secretary Matt Hancock said “we’re giving up to 11,000 iPads to care homes to enable residents to connect with loved ones”
“Up to” is a bit telling, but even if it’s 11,000, there are 21,700 care homes in the UK. I guess they’ll just have to share. Goodbye forever, nana!
26. And finally, if you feel all alone in despairing at this: you aren’t. Belief in Britain as a “global force for good” has fallen 10% since 2019. I, for one, am shocked to the core....”-Russ
#life#real life#uk#politics#uk politics#worldpolitics#coronavirus#uk government#conservative#boris johnson#health#prime minister#corruption#member of parliament#brexshit#brexit#foreign affairs#for future reference#free speech#free press#dailymail#ofcom#borderlands#borders#trade tensions#international trade#trade deficit#uk deep recession#uklockdown#uk coronavirus
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Balaeniceps rex
By Olaf Oliviero Riemer, CC BY-SA 3.0
Etymology: Whale Head
First Described By: Gould, 1850
Classification: Dinosauromorpha, Dinosauriformes, Dracohors, Dinosauria, Saurischia, Eusaurischia, Theropoda, Neotheropoda, Averostra, Tetanurae, Orionides, Avetheropoda, Coelurosauria, Tyrannoraptora, Maniraptoromorpha, Maniraptoriformes, Maniraptora, Pennaraptora, Paraves, Eumaniraptora, Averaptora, Avialae, Euavialae, Avebrevicauda, Pygostaylia, Ornithothoraces, Euornithes, Ornithuromorpha, Ornithurae, Neornithes, Neognathae, Neoaves, Aequorlitornithes, Ardeae, Aequornithes, Pelecaniformes, Balaenicipitidae
Status: Extant, Vulnerable
Time and Place: Within the last 10,000 years, in the Holocene of the Quaternary
The Shoebill is known from eastern central Africa
Physical Description: There is no other dinosaur quite like the Shoebill. It is one of the most visually distinctive creatures, with traits monstrous and familiar that make it difficult to really understand exactly what you’re looking at. They stand up to 140 centimeters in height, which yes, is the height of a human being on the shorter side. They can even reach 152 centimeters tall - the same height as a 5 foot tall person. They have very long, skinny legs, with giant toes on their feet that are widely splayed out. Their bodies are huge, with short tails and bulky torsos. Their backs are grey, and their belly feathers are white. Their necks are a lighter grey, and there is some dark speckling all over their wings and right beneath their necks. Their heads continue that light grey coloration, and have small tufts of feathers as a crest on the back of the head. Shoebills also happen to feature yellow, unblinking, perfectly circular eyes, which is unsettling at best. They have heavy eyebrows of feathers over their eyes, giving them a look like they’re always glaring at you - which is even more disconcerting considering the giant, wide, scoop-shaped bill that the Shoebill is named for. The bill is orange, and ends in a small hook, just in case you weren’t terrified enough.
By Peter Halasz, CC BY-SA 2.5
Diet: Shoebills feed mainly on fish - especially lungfish, though most large fish are acceptable. Amphibians, young crocodilians, water snakes, rodents, and young waterfowl are also fed upon by these giant terrifying creatures.
By Snowmanradio, CC BY-SA 2.0
Behavior: Shoebills are calculating bastards - they’ll hover around lakesides and swamps with low oxygen in the water, which forces lungfish to come up to breathe - so that the Shoebill can then lean down and scoop them up. They are loners during the hunt, carefully taking each step as they make sure to not sink too far into the mud and weeds where they live. Their lunging after food is hard to miss - their mouths open wide, revealing how huge those bills really are, and giving it a sinister smile. These lunges are usually startling, as the Shoebill is usually still for a very long time before it goes after prey. It is as if a statue had suddenly come to life. This is especially disconcerting when the Shoebill opts for standing on floating vegetation - just casually going down with the current as though they were a giant Jacana. They tend to defend territories for food, at least somewhat, not coming closer than twenty meters to another Shoebill during feeding. They don’t sense their prey with feel, but entirely by sight - making them very unblinking and focused, adding to their strange aura. Shoebills are also usually silent, which just makes their entire aesthetic even more terrifying. When they do dare to make sounds, they make very raucous cries - usually while they fly.
By Petr Simon
Yes, yes they can fly. Shoebills are some of the largest flighted birds today, which does not help. They hold their wings flat, pulling in their necks to their bodies to aid in making their flight more efficient. They have some of the slowest flaps of any bird, at 150 flaps per minute. They fly only a few meters at a time, and usually prefer to glide as much as possible. The farthest any Shoebill as traveled at one time seems to be 20 meters. As such, Shoebills are not very mobile birds, and they usually only move from place to place based on food availability.
By African Parks/Bengweulu Wetlands Photography
Shoebills begin breeding depending on the water levels of their habitat at a given time. They lay their eggs when the rains begin to end and the waters start to recede; as such, the chicks hatch and fledge late in the dry season. They nest alone, though there are possible reports that they may form some breeding colonies in South Sudan. They make nests out of grass in a mound that is three meters wide, usually placed on a small island or on floating vegetation amongst dense papyrus. They lay two eggs that are incubated for a month. The chickare cute, fluffy, and grey, with tiny regular sized bills. They then fledge a little more than three months later and, what’s more, usually only one chick survives. The chicks and parents will make whining and mewing to each other to get attention and beg for food. Sometimes, the young will make hiccups as begging calls. The parents are constantly with the young for the first forty days of rearing, only briefly leaving to get food and water or nest material. As the chicks age, the parents spend more and more time away, but they still bring food regularly. The chicks, after fledging, remain dependent on the parents for food for a few more years. They reach reproductive age at around three to four years. Displays often including mooing and bill clattering, which can be accompanied by the shaking of the head from side to side, which is quite the undertaking for a bird with such a large head. Breeding pairs stay together for the season, and break up when the chicks leave the nest. Shoebills can live up to fifty years, which is aided by the fact that they tend to not have predators after reaching full size.
By Hans Hillewaert, CC BY-SA 3.0
Ecosystem: Shoebills stick to marshes, especially papyrus marshes and those with reeds and cattails. They will also gather around marshy lakesides, especially near Lake Victoria. They go wherever they can find floating vegetation to stand upon, including ricefields. They tend to go where animals such as hippopotamus go, since the hippo can dredge up food that the Shoebill can then feed upon.
By Fritz Geller-Grimm, CC BY-SA 2.5
Other: Shoebills are currently considered vulnerable to extinction, with 5000 to 8000 birds thought to be remaining in the wild (though that may be low and there may be as many as 10,000). The reasons for this decline in population is partially due to habitat loss - the Shoebill is dependent on papyrus swamps and other wetland habitats, which are targeted by drainage schemes and other development activities. Animals being brought across these swamps and trampling their young also majorly contributes to population decline. It is a very unique bird and a very popular one, so luckily there are some conservation efforts ongoing, especially in zoos. Some hunting is also contributing to population loss. Despite these conservation efforts, only once has the Shoebill been successfully bred in captivity.
~ By Meig Dickson
Sources under the Cut
Elliott, A., Garcia, E.F.J. & Boesman, P. (2019). Shoebill (Balaeniceps rex). In: del Hoyo, J., Elliott, A., Sargatal, J., Christie, D.A. & de Juana, E. (eds.). Handbook of the Birds of the World Alive. Lynx Edicions, Barcelona.
Guillet, A (1978). "Distribution and Conservation of the Shoebill (Balaeniceps Rex) in the Southern Sudan". Biological Conservation. 13 (1): 39–50.
Hackett, SJ; Kimball, RT; Reddy, S; Bowie, RC; Braun, EL; Braun, MJ; Chojnowski, JL; Cox, WA; Han, KL; et al. (2008). "A phylogenomic study of birds reveals their evolutionary history". Science. 320 (5884): 1763–8.
Hagey, J. R.; Schteingart, C. D.; Ton-Nu, H.-T. & Hofmann, A. F. (2002). "A novel primary bile acid in the Shoebill stork and herons and its phylogenetic significance". Journal of Lipid Research. 43 (5): 685–90.
Hall, Whitmore (1861). The principal roots and derivatives of the Latin language, with a display of their incorporation into English. London: Longman, Green, Longman & Roberts. p. 153.
Hancock & Kushan, Storks, Ibises and Spoonbills of the World. Princeton University Press (1992),
Houlihan, Patrick F. (1986). The Birds of Ancient Egypt. Wiltshire: Aris & Phillips. p. 26.
Jasson, J.; Nahonyo, Cuthbert; Lee, Woo; Msuya, Charles (March 2013). "Observations on nesting of shoebill Balaeniceps rex and wattled crane Bugeranus carunculatus in Malagarasi wetlands, western Tanzania". African Journal of Ecology. 51 (1): 184–187.
Mayr, Gerald (2003). "The phylogenetic affinities of the Shoebill (Balaeniceps rex)". Journal für Ornithologie.
Mikhailov, Konstantin E. (1995). "Eggshell structure in the shoebill and pelecaniform birds: comparison with hamerkop, herons, ibises and storks". Canadian Journal of Zoology. 73 (9): 1754–70.
Muir, Allan; King, C.E. (January 2013). "Management and husbandry guidelines for Shoebills Balaeniceps rex in captivity". International Zoo Yearbook. 47 (1): 181–189.
Stevenson, Terry and Fanshawe, John (2001). Field Guide to the Birds of East Africa: Kenya, Tanzania, Uganda, Rwanda, Burundi. Elsevier Science.
Tomita, Julie (2014). "Challenges and successes in the propagation of the Shoebill Balaeniceps rex: with detailed observations from Tampa's Lowry Park Zoo, Florida". International Zoo Yearbook. 132 (1): 69–82.
Williams, J.G; Arlott, N (1980). A Gield Guide to the Birds of East Africa. Collins.
#Balaeniceps rex#Balaeniceps#Shoebill#Bird#Dinosaur#Birblr#Factfile#Ardeaen#Aequorlitornithian#Water Wednesday#Piscivore#Birds#Dinosaurs#Quaternary#Africa#biology#a dinosaur a day#a-dinosaur-a-day#dinosaur of the day#dinosaur-of-the-day#science#nature
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Motörhead - Ace of Spades from: Motörhead - Ace of Spades 7" (1980)
The "Ace Of Spades" is the dead man's hand, which was Wild Bill Hancock's hand as he was shot dead (he was an American sheriff who was killed during a game of poker). The hand consists of aces and eights, including the ace of spades.
“Ace of Spades' is unbeatable, apparently, but I never knew it was such a good song. Writing it was just a word-exercise on gambling, all the clichés. I'm glad we got famous for that rather than for some turkey, but I sang 'the eight of spades' for two years and nobody noticed. After playing this for years," (Lemmy)
Lemmy admitted he was sick of the song, but said he kept it in the setlist because, "If I went to a Little Richard concert, I'd expect to hear Long Tall Sally."
(songfacts)
#1980s#rock#hard rock#lemmy#lemmy kilmister#fast eddie#philty animal taylor#motörhead#ace of spades#rock classic#1980#music#music blog
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FEEDBACK LOOP #6: Cargo Cults’ “Rammellzee”
Since these symbols and all symbols are drawn, infinity’s separation from all symbols must be shown through drawing. The only proof of such a separation of the infinity would be the understanding by the majority of the planetary peers. There is no other way.
—from IONIC TREATISE GOTHIC FUTURISM ASSASSIN KNOWLEDGES OF THE REMANIPULATED SQUARE POINT’S ONE TO 720° TO 1440° THE RAMM-ΣLL-ZΣΣ (1979, 2003)
The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well.
—from Lewis Carroll’s Alice in Wonderland
Riding among an exhausted busful of Negroes going on to graveyard shifts all over the city, she saw scratched on the back of a seat, shining for her in the brilliant smoky interior, the post horn with the legend DEATH. But unlike WASTE, somebody had troubled to write in, in pencil: DON’T EVER ANTAGONIZE THE HORN.
—from Thomas Pynchon’s The Crying of Lot 49
1. I walk down the street and people look at me and say, “Who the hell are you?”
Cargo Cults (Alaska and Zilla Rocca) begin their track “Rammellzee” with the voice of the some-16 billion-years-old being himself. The song is an ode, an invocation. The organ sample provides a bizarre ride: a carousel of colors. We immediately plummet—into a well, a subway tunnel, a cosmos of linguistics. Not a nonchalant That’s deep, but a depth of knowledge where “cipher” means code, means Supreme Mathematics, means gathering with your rapfolk outside the Nuyorican Poets Cafe or in Washington Square Park: a deep connection. Mimicking Rammellzee, Alaska presents the listener with “swirling pages / forming mazes of [his] formulations” and subsequently “break[s] them down into a form that’s shapeless.”

2. Hip-hop is ageist….In blues, you ain’t official until you fifty. (Ka, Red Bull Music Academy interview with Jeff Mao, 2016)
The phrase …of a certain age has, historically, been used euphemistically to describe someone (typically a woman) who has existed for a “shameful” tally of years. Society is still undoing the stigma, but rappers have made strides.
In Adult Rappers, a 2015 documentary directed by Paul Iannacchino (Hangar 18’s DJ paWL), Alaska is [accidentally?] presented twice in the closing credits—like a double, a separate persona—which calls to mind the multiple personalities of Rammellzee: Crux the Monk, Chaser the Eraser, Gash/Olear, et cetera. Age allows for maturation, for building, for bettering. In Rammellzee’s case—and I’d argue Alaska’s—it allows for complexity to emerge organically through wisdom. It allows for reinvention, for many versions of one’s self. Age and development is how an aerosol can with a fat cap can graduate to customized deodorant roll-ons and shoe polish canisters.
It begins with jerry-rigging a nozzle and ends in diagramming a “harpoonic whip launcher/pulsating extendor” to illustrate the deconstruction of letter-formations in the English alphabet. The spirit of experience pervades the Nihilist Millennial album. As anyone who has ever sat on the couch knows, communication can also improve with age.
3.
Artists and rappers like Rammellzee and Alaska rely on wild-styles, a self-made world that warps quantum physics and disregards notions of dimensionality. It’s dream-vision. It’s liberation. It simultaneously celebrates and critiques communication: like the image of a muted horn.
“Communication is the key,” cried Nefastis. “The Demon passes his data on to the sensitive, and the sensitive must reply in kind. There are untold billions of molecules in that box. The Demon collects data on each and every one. At some deep psychic level he must get through…”
“Help,” said Oedipa, “you’re not reaching me.”
“Entropy is a figure of speech, then,” sighed Nefastis, “a metaphor. It connects the world of thermodynamics to the world of information flow. The Machine uses both. The Demon makes the metaphor not only verbally graceful, but also objectively true.”
[…]
Nefastis smiled; impenetrable, calm, a believer.

The wordplay seems just that: play—that is, until you find the thread. Alaska cobbles together words like rubbish, W.A.S.T.E. Words appear daisy-chained together—flowery, ornate, and strung together by their stems: “fatalism, Fela Kuti, razor thin” / “smash the superstitions with acid tabs and some Sufi visions” / “deep dive Sonny Liston” / “Walt Whitman.”
The track reads like a codex. Something crafted in a scriptorium. His words are warfare—double-tracked/double-barreled—and he slips into braggadocio to prove it. It’s an authoritative posture of experience. Having started atomically small—from Breaking Atoms bedroom listening, to Atoms Family—Alaska’s flow presents nuclear now: maximum damage.
There’s a refinement to what this duo is doing: “Me and Zilla well-established with a lavish vision. / Both hands crusty with Ikonklastic Panzerism.” The boasts rely on royal diction: Camelot, palace doors, Prince Paul. Each man a king, a God, and each one should teach one. Mentor texts for the masses.

4.
Rammellzee is an equation, And simply stated it’s the way of life I’m chasing. That’s why I praise the future-Gothic future-prophet. Gotta rock it, don’t stop it, Gotta rock it, don’t stop.
You find diversions on the song, exits into familiar chambers. GZA quotations (“I was the thrilla in the Ali-Frazier Manila”) and allusions to Main Source. Large Professor rapped “Dead is my antonym,” and if that’s to be proven true, money needs to be removed from the equation. The refrain of “Gotta rock it” not only calls to mind “Beat Bop,” Herbie Hancock, and Grand Mixer DS.T (or his later incarnation, DXT), but rockets—Afrofuturist angles, future shocks (Bill Laswell [Material], friend to Rammellzee, had a hand in all this). It’s not so much a “future-prophet” as a “future profit.” “Freedom in the process” means creativity without expectation, without the constraints of market value.

Alaska gives it to us straight: “I don’t care if you don’t like it, and I don’t care if you don’t buy it / ’Cause I find freedom in the process.” Despite becoming increasingly complex in his visual approach—like a heap of garbage that loses the definition of its component parts over the ages—Rammellzee understood time equals clarity of vision. A wasted world becomes a meaningful one. Of course, we got to pay rent, so money connects, but ownership of one’s art is about empowerment. “Selling out” is the opposite—an evisceration of one’s self and spirit. “We lost control from the second we sold the art,” Alaska raps. “We sold our future….We should be seeking enlightenment.”
The moment arrives, epiphanically: “I find freedom in the process so I’m grateful, / And that’s my main source: it’s my friendly game of baseball.” For Alaska and Zilla Rocca, it’s not a job—it’s a passion, a pastime.

5. Nascent imagination deep inside a battle station.
Post-9/11 meant luxury apartments displaced Rammellzee’s Battle Station loft, his living museum. But the art has been excavated and exists posthumously. His Gothic Futurism and Ikonoklast Panzerism seem at home archived on the internet—a network that appears more like a chaos cloud. Rammellzee deconstructed and transcended language—junk monk scripts and calligraphic cut-ups of consumerism. His art is the empowerment a recycling arrow-triangle could only hope to be. Recycle is also rebirth. Rammellzee’s career path is circuitous, deep-tunneled (subway-esque), eternal.
Similarly, Alaska’s multisyllabic patterns are an endless barrage, like weaponized letters tilted sideways, like bottle rockets angled into a bottle’s neck: “Armament / Now my names are built like a BattleBot / Locked inside an ad hoc Camelot, I rather not / Tangle with a rabid lot, hop inside a rabbit hole.”
Alice was beginning to get very tired of sitting by her sister on the bank, and of having nothing to do: once or twice she had peeped into the book her sister was reading, but it had no pictures or conversations in it, “and what is the use of a book,” thought Alice “without pictures or conversations?”
Boredom can make trouble, but boredom can also breed creativity. Alaska rather not spar with trolls under ISP bridges—though he’s equipped to. Instead, he channels his energies into material.
6. Our culture is done. We lived it.
Near the end, Alaska paraphrases Rammellzee: “I’m not the first or the last to don the mask. / I see it as a title, I’m monastic with these raps.”
Living a life of art—making it regardless of accolade or monetary payment—is the highest form of creativity. Live the art and die by it, like Stan Brakhage, poisoning himself at a slow pace as he applied toxic dyes to celluloid film. Like Rammellzee executing graffiti pieces maskless, huffing the carcinogenic fumes.
MF DOOM (née Zev Love X)—a Rammellzee descendant—taught us how to revel in anonymity, the importance of not spotlighting yourself, but instead seeking out the shade, secret passageways, and the trapdoor in the stage floor. Not all of us heed the advice, but some do, and they feel the throb of real success, not the sort that shows up in bank statements and 401(k) plans.
Images:
“Beat Bop” test pressing, Rammellzee and K-Rob, art by Jean-Michel Basquiat, 1983 (detail) | Rammellzee black-and-white portrait photograph (unknown) | Ikonoklast Panzerism diagram from IONIC TREATISE GOTHIC FUTURISM ASSASSIN KNOWLEDGES OF THE REMANIPULATED SQUARE POINT’S ONE TO 720° TO 1440° THE RAMM-ΣLL-ZΣΣ (1979, 2003) | Page 34 (muted post horn) in Thomas Pynchon’s The Crying of Lot 49, Bantam Books edition (1966) | “A scribe at work,” from an illuminated manuscript from the Estoire del Saint Graal, France (Royal MS 14 E III c. 1315-1325 AD) | Herbie Hancock, Future Shock cassette cover (1983) | Grand Mixer D.ST comic book image (unknown) | Stan Brahage at chalkboard (unknown) | Stan Brakhage, Mothlight celluloid (1963) | “Beat Bop” test pressing, Rammellzee and K-Rob, art by Jean-Michel Basquiat, 1983 (detail)
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ₒₗd ₛcₕₒₒₗ
Grandmixer D.ST.
Derek Showard, better known by the stage name GrandMixer DXT, is an American musician, one of the earliest to use turntables as a musical instrument in the 1980s. Renowned for his scratching techniques and his showmanship on stage, such as breaking in to dance or scratching records with other parts of his body other than his hands
Early in his career, he was known as Grand Mixer D.ST, a reference to Delancey Street on the Lower East Side of Manhattan, New York City. He was featured in the influential hip hop film Wild Style.
Widely recognized as a pioneer, Grand Mixer DXT is credited as being the first turntablist. He was the first person to establish the turntable as a fully performable and improvisational musical instrument. Especially important is his technique of altering the pitch of the note or sound on the record.
He is also credited with helping to popularize DJing through his scratching on Herbie Hancock's single "Rockit", from the Bill Laswell and Material produced album Future Shock. He is featured in the 2001 documentary, Scratch.
D.ST’s original group was The Infinity Four MC’s consisting of Kingpin Shahiem, Mike Nice, Baron and Legendary female rapper Kimba.
While working with the Infinity Rappers n 1982, he was part of the first hip hop tour to Europe with Afrika Bambaataa, Rammellzee, Fab 5 Freddy, Rock Steady Crew, the Double Dutch Girls, and graffiti artists Phase 2, Futura, and Dondi.
Phase 2
In late 1972, Phase 2 first used an early version of the "bubble letter" or "softie", a style of writing which would become extremely influential and is considered a "giant leap" in the art form.The puffed-out, marshmallow-like letters drawn by Phase 2 were soon copied by other artists who added their own variations.
Phase 2 quickly embellished on his original form, creating and naming dozens of varieties of softies, such as "phasemagorical phantastic" (bubble letters with stars), "bubble cloud", and "bubble drip".He described the thrill of tagging subway cars as "impact expressionalism".He is also credited with having pioneered the use of arrows in graffiti writing around this same time. Hip-hop journalist Jeff Chang has noted that Phase 2's canvasses from 1973 have "been widely recognized as defining the early genre."
Futura 2000
He started to paint illegally on New York City's subway in the early 1970s, working with other artists such as ALI. From 1974 to 1978, he served in the U.S. Navy and traveled all over the world. In the early 1980s he showed with Patti Astor at the Fun Gallery, along with Keith Haring, Jean-Michel Basquiat, Richard Hambleton and Kenny Scharf.
Futura painted backdrops live on-stage for British punk rock band The Clash's 1981 European tour. In 1985, he was on the first meeting of the graffiti and urban art movement in Bondy (France), on the VLP's initiative, with Speedy Graphito, Miss Tic, SP 38, Epsylon Point, Blek le rat, Jef Aérosol, Nuklé-Art, Kim Prisu, Banlieue-Banlieue. More recently, he is a successful graphic designer and gallery artist.
One of the most distinctive features of Futura's work is his abstract approach to graffiti. While the primary focus, during the 1980s, of the majority of graffiti artists was lettering, Futura pioneered abstract street art, which has since become more popular. Conversely, his aerosol strokes are regarded as different from those of his peers, as they are as thin as the fine lines usually associated with the use of an airbrush.
Dondi
Graffiti became a serious part of Dondi's life in the mid-1970s. He tagged using "NACO" and "DONDI", and worked on refining his style, gradually moving from simple tagging to building more elaborate pieces. Using the name Dondi (a version of his own name) was considered very risky at the time, as the Metropolitan Transportation Authority and the New York Police Department (NYPD) were trying to crack down on writers. In 1979, Dondi officially adopted his name when he painted a giant piece on the roof of his house.
He became a member of TOP crew (The Odd Partners) in 1977. In 1978, Dondi formed his own crew, named CIA (Crazy Inside Artists), which included other prominent artists such as his good friend DURO. For the next 20-odd years, Dondi became recognized as the stylistic standard, influencing generations of graffiti writers.
Dondi pioneered many of the styles and techniques still used by modern graffiti artists. Though he would often do wildstyle pieces for the benefit of other writers (like the famous 2MANY piece), he wanted the public to be able to read and enjoy his work, so he would focus on readable letters with intricate fills and characters.
scratch
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championship and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs.
Graffiti
In the early days, the ‘taggers’ were part of street gangs who were concerned with marking their territory. They worked in groups called ‘crews’, and called what they did ‘writing’ – the term ‘graffiti’ was first used by The New York Times and the novelist Norman Mailer. Art galleries in New York began buying graffiti in the early seventies. But at the same time that it began to be regarded as an art form, John Lindsay, the then mayor of New York, declared the first war on graffiti. By the 1980s it became much harder to write on subway trains without being caught, and instead many of the more established graffiti artists began using roofs of buildings or canvases.
The link between hip hop and graffiti evolved as a competition, much like the dance moves of the hip hop culture. Graffiti began to show up on subways in New York and other cities as a form of expression of the culture who listened to rap music. Graffiti distiguished by "tags" or distinguishing marks of the originators and a way to distinguish or stand out from other graffiti artists. Graffiti quickly spread and was picked up by others.
Graffiti is viewed as a form of artistic expression by some and trash by others. Graffiti has been seen adorning the album covers of some rap artists, on sides of buildings, on busses, on clothing, and various imaginative places where you sometimes have to stop and wonder, "how in the world did they manage to get up there?"
Young rappers growing up and wandering the city streets still see graffiti all around them. For some, graffiti represents decay, but for hip hop culture, graffiti provided the visual inspiration that encouraged other forms of creativity and expression, such as emceeing.
Ed Piskor
Ed Piskor is an American alternative comic book artist. He gained his first fame illustrating stories in Harvey Pekar's 'American Splendor' series. Among his original works are the satirical comic 'Wizzywig' (2011) about hacking culture, and the educational graphic novel series 'Hip Hop Family Tree' (2012-2016), which deals with the history of hiphop. In 2017 he created another historical passion project, 'X-Men: Grand Design', a nostalgic look back at the history of Marvel Comics' 'X-Men' franchise.
Hip Hop Family Tree
In 2012 Piskor started a monumental project, named 'Hip Hop Family Tree' (2012-2016). It narrates the history of hiphop and various legendary artists and groups, among them the Sugarhill Gang, Grandmaster Flash, Run DMC, Schoolly D., the Beastie Boys, Ice-T, Public Enemy, Dr. Dre, Rakim, Will Smith... Piskor said he was inspired by Robert Crumb's biographical comics about old blues and country artists. Just like Crumb loves music from the interbellum, Piskor is a hardcore hiphop fan. Even as a child he'd try to dig up the oldest singles by certain hiphop artists, particularly trying to find out where a certain musical sample came from? He is so well-educated in the genre that he felt he would be the right artist to make a comic book about the genre. As a bonus he would learn more about its roots too. 'Hip Hop Family Tree' doesn't just focus on the historic facts, but Piskor also illustrated many fascinating and occasional funny anecdotes about certain artists. Graphically Piskor gave the stories a yellowish newsprint effect to match the "old school" feeling.
From January 2012 until December 2015, the stories ran weekly on the website 'Boing Boing'. Fantagraphics later published the series in comic book format. In 2015 'Hip Hop Family Tree, Volume 2' won the Eisner Award for Best Reality-Based Work. It also entered the New York Times Best Sellers list, landing the artist an interview in Time Magazine. Rap legend DMC (of Run DMC) praised 'Hip Hop Family Tree' with the words: "I'm happy this book is here, because it tells a truth." Fab Five Freddy (Grandmaster Flash) shared a panel from one of the comics on his Facebook page and stated: "Being in an Ed Piskor comic is cool enough to freeze hot water." Chuck D. (Public Enemy) also tweeted favorable comments about Piskor's work.

As a huge fan of comics and hiphop since childhood Piskor also saw a correlation between the two art forms. Both are trash pop culture, initially scorned by true art lovers but eventually gaining more critical respect. Many cartoonists and hiphop artists take pseudonyms to give themselves a different public persona and alter ego. Both rapping and cartooning are often said to be easy. Most importantly, Piskor noticed that both hiphoppers and cartoonists have a tendency to borrow material, or sample, from their predecessors and colleagues. It motivated him to pay more homage to other comics in some of his panels.
Hip Hop album covers

Idea influence
vision boards



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Part 23 : Best day of the year
She felt warm lips on her cheek and she woke up to the darkness and her husband caressing her side. - "Happy birthday, Perona." He whispered and littered her with soft kisses. She tried wrapping her arms around him, but he chuckled and got out of her grasp. -"Just a moment," he smiled and left the bed before coming back and softly putting Zoro on top off her chest. "I think he wants to congratulate you too." - "My precious little prince? Thank you Zoro." She started to unbutton her shirt. - "As usual leave everything to me. And I mean everything. No nappies or stupid things like that. Just the best he can offer for you. Today I'll bake you a cake and Moria said he would be over. You know for the-" - "I know." She smiled. "For the best day of the year."
Perona sighed.
Even if she had promised in her mind to start fully living, somehow she wasn't really feeling like starting it just yet. Making arrangements for the anniversary party was making her feel gloomy. She wasn't really feeling it even if everyone she had invited were encouraging of it.
Hancock and her family was invited too. Dragon had offered to barbecue there and Shanks had promised Mihawk he would film the thing. Shanks had a lot of memories of Mihawks son even if the two of them weren't that close. Perona felt bad she had not known earlier, she would have invited him at the wedding and the funeral, had she known, though Mihawk did say that Shanks didn't feel bad about it, but she would apologize anyway the next time she'd see him.
A year was closing in of her husbands death, but there was one thing even closer: Her own birthday.
Any other year she would have advertised it and kept noise, but not this time. She didn't want to have it at all. It just meant she was ageing while he was frozen in time. She was older than him already and now...
She felt sick just thinking about her birthday. Last year they had excitedly just spend the whole day together and celebrated as usual. She hadn't even gotten a present from him, since they had decided to save money, just in case there was going to be a rainy day. Now most of what they had saved had gone into the funeral and bills. Her balance right now would be near zero had not Mihawk stepped into the picture.
She owned him so much.
Not money, that he had made sure for her to understand, but still she felt indebted to him. He had helped her financially, provided food and shelter, been there as emotional support. Yet through it all he didn't ask for anything back. Even to be supported back, he didn't ask for, but he definitely needed it. She wanted to somehow pay him back, but it felt impossible. Even though they had celebrated his and Zoros birthdays, she wasn't giving him the same opportunity. She felt bad about that too, but no amount of feeling bad would make her want to celebrate so she kept silent.
To avoid it, she tried keeping herself busy and the birthday might just fly past. No problem at all. Maybe Mihawk might ask later if they missed it, but she hoped he wouldn't notice. Right now today was just another day of hanging around the house with Zoro, tending to his needs, doing the chores, getting a little bit of time for herself, which she honestly didn't need as she would have just thought about her past birthdays and the happiness she had had. Why had she been so big on them in the past? Big parties, lots of advertising, OH WHY!? Just the memories were making it so hard this year.
- "Mommy." Zoro snapped her out of her thoughts. - "So what's the best you can offer for me today?" She kneeled beside him as he was on his potty waiting for her to whipe. -"Poopie." He said as he lifted his bottom a bit to let her do her job. - "It smells like one, doesn't it? Smells like eww." - "Eww."
His playful mimicking made her smile as she pulled some new diapers on him and then went to clean the potty as he look from the side sucking his thumb a little. She picked him up and put him on a stool by the sink. He held his hands out while she washed them for him.
- "Humgry." He announced as she dried their hands. - "Pappa will be home soon. Is it a big hunger?"
Zoro nodded leaning out his tummy slightly moving from side to side.
-"Biiig hunger." - "You want cookies?" - "Yes." Zoro nodded and patted his tummy. - "Cookies it is."
They made their way into the kitchen and Perona gave Zoro a cookie on his plate before lifting him on his chair. From the fridge she took out a carton of milk and poured some for him in his sippy cup. She watched as Zoro ate and sipped his milk while waving his chubby legs in the air.
She felt content with this day being mundane. Even if everything else would turn badly, she would still have Zoro and she would do her best to keep him with her. He was keeping her happy and busy. She wouldn't need anyone else than him to live a joyous and fulfilling life. A lie she told herself, slowly making it reality.
She sighed a little. She wanted to see Moria at that moment, but at the same time didn't. He was always there for her birthdays, but this year she wished he wouldn't be. She dreaded the idea of Moria coming over, when she was feeling so weak. She had kept her mouth shut, hoping he'd forget in his rush. So many needed him and she played that fact to her benefit.
Today just couldn't feel like a birthday, no matter what. She wouldn't be able to deal with the guilt that joy would bring.
- "More!" Zoro demanded. - "Aren't you being a little glutton?" she laughed and went to get him another.
Normal quiet day was enough.
-----
- "I'm home." Came Mihawks calm, but strong voice. - "Welcome home." Perona greeted back.
She was in the living room with Zoro just watching him play as he would make angry noises if she tried to take part or if she didn't watch. So she kept on watching kind of getting lost to her thoughts at the process so having Mihawk back home was a welcome change. He was another welcome distraction. Trying to pass her birthday quietly was getting to her.
- "Hello!" Zoro waved before continuing playing. - "How was work?" She hummed.
There was a strange bit of silence, so she turned to look at him. She could have sworn there was a bitter sorrowful look to him. Like he was regretting something.
- "That bad?" she asked and Mihawk nodded. - "Hughf!! Mommy!" Zoro tapped Peronas lap. - "Yes, yes. I'm looking." She laughed and turned back at him.
She could hear Mihawk slump upstairs. She wondered what had happened.
Maybe... maybe he knew about her birthday?
Perona shooked her head. - "Brrrrr a doggy!" Zoro laughed and shook his head. - "Just like a doggy." she smiled feeling bit less uneasy. - "Pat pat. Pat dog." Zoro stood up and patted her head. - "Wof wof" she barked.
- "So will it be dog food for todays meal?" Mihawk was back down to ask.
Perona kept barking feeling her heart a little cold. No, today she should have... Just no.
- "Hmmm?" He cocked his head and walked up to them. "Zoro, what do you want?" He patted Peronas head. - "Cookie. Big hunger." Zoro said gleeful. - "Thats snack, not real food." Mihawk hummed. "Guess I'll just think something myself."
He was just about to go when the doorbell rang, so instead he headed for the door. Perona knew who it was and braced herself, while praying to herself that it wasn't Moria.
- "Oh Moria? What are you doing here?" Mihawk looked at the giant of a man.
Perona wanted to crawl under the sofa.
- "What am I doing here? Kishishi, you must jest." Moria snickered, but after getting a blank stare back he frowned. "It's Peronas birthday, of course I'm here."
Mihawks eyes grew wide for a second and he turned to the livingroom and walked straight up to Perona and Zoro. He stared at her and Moria got in a bit awkwardly. They didn't need to say anything, just Mihawks burning gaze to the back of her head was enough to break her.
- "I don't want to celebrate." She said meekly and hugged herself. "Not when he... I just don't."
This was enough for Mihawk to understand so he sighed and looked over at Moria.
- "I see. Then I'm just visiting my grandchild." - "Right on time, I was just asking what to make for dinner." - "Hmm, how about spaghetti?" Moria signed towards the kitchen. - "Sounds good..." Mihawk looked a little confused but nodded.
He gave Peronas head a pat and Moria picked up Zoro while they all went to the kitchen. Perona stood up and went for her room. She laid on the bed and covered her face.
It felt awful.
Why were they so understanding, when she had denied them the right to celebrate her birthday? She would have been pissed off beyond belief any other year, but right now she just felt hurt. She was hurt because they both just gave up so quick, but also thankful they did.
- "I'm an idiot." she groaned. "Stupid idiot."
She sulked there and listened to a cheerful explanation from Moria, but it got covered with Zoro going buck wild. It was not everyday dear Boo was over. Perona sighed and got up. Like Moria had said, he was just there to see his grandson, nothing more. So there was no reason to sulk like this. She walked to the kitchen and gasped feeling tears rise to her eyes. Moria was making bagels while, Zoro and Mihawk looked from the side.
- "You've got an interesting birthday tradition." Mihawk smiled to her. - "You shouldn't have-" she started to grumble, but Moria cut her short. - "Of course I did! I've done you your birthday bagel every year and I'm not going to miss it this year." He stated.
Perona just broke into tears and went to hug Moria.
- "I'm sorry, dad." she rubbed her face against him. - "It's fine. We understand why you wouldn't want to celebrate, but do you think he would have wanted you to stop, when he knows how much you love birthdays?" - "No, he wouldn't, but this year... It hurts." - "We'll just keep it small." Moria rubbed her back. "Is that ok?" - "Yeah, thank you." she looked up and smiled. - "Happy birthday, Perona."
They got to the table to give the bagels a taste. Perona cried as they tasted just as good a they had the first time she had ever eaten one.
-----
The people around Perona were beaming. The weird doctor was happy too as he was explaining things. The purple onion man was the happiest.
-"You're getting out today, isn't it grand? I got you new clothes, but we'll keep the old ones too." Onion gave her a shiny toothy grin.
She tugged her gown with pastel coloured bears on it. She looked up at him and smiled.
- "Ah not that one. The ones from before, ah never mind. You'll remember them eventually. Do you like this one?"
Onion held up a bright red dress with white collar and she jumped and squealed. Yes, she loved it. With a little help from him she was in the red gown. She jumped up and down happily. She was very happy. She grabbed onto onions out stretched hand and they started walking. Walking out of the pale room with coulourful pictures and her bed. She could see the other kids wave and she waved back. But when they were at the door, she grabbed onto it's frame and wouldn't budge. Onion looked worried.
- "Did you forget something?" - "Scary." - "Oh there's not going to be any tests today. You're getting out, remember." Onion smiled and knelt down. - "No tests?" - "No tests. We're going to walk down this aisle all the way to the doors and then we'll go outside. Outside might be scary but you've been there before so there's nothing to worry about."
Onion patted her head, and let her hold his hand again. She was happy to go. Tests were scary even if the ladies were nice. Onion was the best. Onion was safe.
- "Oh Perona, are you getting out today?" A nurse walked towards them. She nodded and the lady looked happy. - "Good, I thought I might have missed you going. Hold still, I've get you a gift."
She knelt down and slowly combed Peronas hair with her fingers. She reached into her pocket and took two red ribbons. She tied them onto her hair. Perona shook her head and laughed as two big tails swung and bounced.
They were getting nearer to the exit with every step. She had a vague idea on what to expect, but remembering things was hard. The doors slid aside and they stepped outside. It was bright and loud, overwhelming really. She grabbed onto onions leg and he laughed. Onion started taking big steps with her clutched onto his foot and she too started laughing. They made it to the car and she bounced excited as she got front seat. It was her first time inside a car.
They stopped at the yard of an old creaky house. She looked up and down excited but anxious. Together they stepped inside. She explored the house with onion and eventually they were together in the kitchen. He was making something that smelled so mouth watering. She had never ever smelled anything so good had she?
-"Here's for you, a hot bagel."
He put it in front of her and she wasted no time as she devoured it. He chuckled amused.
- "Was it good?" He asked. -"Thank you, Onion." She nodded profusely. - "Ah, no no, It's Moria remember. Not onion, Moria."
Perona laughed as he tried to make her understand. Onion was funny.
----
- "I hope you're not angry." Perona said to Mihawk as they were sitting in his study. Moria was on his way home and Zoro was sleeping downstairs.
- "I'm not." he answered and looked at his collection of wine bottles. - "You should be. We celebrated yours and Zoros, but I would have just let mine go by quietly." She said depressed. Mihawk sighed deeply and took a bottle. - "I'm not angry if you don't want to do something painful. If anything I'm only a little annoyed I couldn't get you a present." he opened it and poured some into his glass. - "Having Moria over was enough of a present." - "I think so too." he offered it to her. - "I don't want that." Perona gave him a pout. - "Amuse me." he hummed. "I want an honest opinion on the taste." - "Ugh, fine."
She took the glass and gave it a sniff before taking a good sip. She crunched up her nose.
- "I don't hate wine but this is undrinkable." she groaned. "Don't tell me you like this." - "No, I had it as a present from a person who I knew loathed me. Its been years now." - "And you haven't tasted it yet?" - "Because I knew it would taste awful." He gave her a mischievous smirk. - "Ah! I didn't deserve that you baboon." She looked at him absolutely betrayed.
Mihawk just laughed at that and left to clean the glass.
- "Hey! Aren't you going to say you're sorry!?" She followed. - "No." His answer was curt and amused.
He was happy, that her gloom hadn't gotten the better of her.
#MihawkxPerona#dracule mihawk#mihawk#perona#one piece#OP#onepiece#ミホペロ#mihopero#mirona#Irreplaceable#fanfic
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What sort of internet users would the companions be? Like who's the sad nihilist meme shitposter, who has a youtube channel and what's it about, who has a pretentious inspirational quotes aesthetic blog, that sort of thing. Ellie, DiMA, and Father included just because I think it would be amusing.
Ada runs a general mental health and wellness blog, dedicated to helping people manage their mental illness as well as just general tips for staying emotionally well. Her blog gets really popular around finals week, when the panicked students need her advice on managing stress and anxiety. Her techniques are guaranteed by many a therapist and psychologist.
Cait’s channel is solely dedicated to posting fortage of assorted bar fights. Most of which she is involved in. A friend films them for her, and she posts them later along with a picture of how she looked after the fact. Some of her videos are her just doing increasingly dangerous shit to see if she can. Front flipping off the roof, for example.
Codsworth has one of those “how to adult” blogs where he teaches people about landscaping, how to get stains out of clothes in an emergency, how to make coffee in a mug using only a microwave and some coffee grounds. Also assorted other posts about properly doing the laundry for people moving out of the house for the first time.
Curie is the science side of literally any website she can manage. She probably has a “fun science fact of the day” that she posts every morning. She’s like a Bill Nye on the scene, being nothing but sweet to everyone she interacts with, no matter how hostile they are. She has been known to stumble into some unsavory content on occasion, but always with only the desire to educate on what is and isn’t scientifically possible.
Danse’s fitness inspiration blog is actually full of good advice. He has meal plans, workout models, and a couple videos of him demonstrating proper form for difficult exercises. Constantly features other blogs and transformations as motivation for those struggling. Posts motivational quotes as well. Has a collection of workout shirts with said quotes on them.
Deacon has a very successful makeup YouTube. His everyday looks are absolutely to die for, but his most popular videos are the ones detailing his disguises, etc. The most interesting thing is that he is never his own model, and instead gets a variety of guests that he puts the makeup onto. Everyone has to wonder who he really is, and there are tons of theories.
DiMA runs a zen/aesthetic blog with sprinklings of philosophy. He has some meditation and yoga tips, as well as a lot of nature shots that are just generally soothing. It’s a great study break blog. If you stay on it too long, though, you will inevitably run across a post that makes you question the entire nature of your identity and the universe.
Ellie wishes her twitter was just a shitpost generator like everyone thinks, but in reality it’s her trying to make light of her real life. It holds legendary tweets such as “When your boss gets kidnapped and you’re wondering if it’s ethical to forge a recommendation letter” and “Fellas, if you put another guy’s memories in your head, is that gay? I mean, you’re sharing a body with another dude…”
Father has one of those blogs that you probably will end up blocking at some point in time. You followed it at first, thinking it would be similar to Curie’s, and it is, on occasion. However, he also tends to get tangled up on the wrong side of ethical and moral debates, and you’ll get tired of seeing the discourse in your feed every morning.
Gage doesn’t actually post original content, he just comments on other people’s stuff. Literally an internet troll. He loves to try to get a rise out of people, and he considers internet arguing to just be a pastime. It’s probably to distract himself from the chaos of his own life, so he feels like he has control over something, anything.
Hancock runs a YouTube channel that’s just full of his own high ramblings. Essentially he just turns on the camera, gets high, and goes about his usual shenanigans. Sometimes he has guests on the show, mostly Fahrenheit who accidentally gets featured when she wanders in on him. But he’ll take pretty much any guests, as long as they’re willing to get high, too.
MacCready has a gun tips YouTube channel which is mostly just him showing off his sick sniping skills. His son makes frequent guest appearances, helping his dad demonstrate how to use proper gun safety with handguns and the like. His safety videos are really solid, but his most popular ones are of him shooting the bullseye on the target in increasingly difficult positions. For example, standing on his head.
Nick runs a blog mostly dedicated to dad jokes, but there’s also some pretty solid life advice on there. He’s the unofficial dad/grandpa of thousands of people across the internet. He’s somehow active 24 hours a day, and is always ready to give crisis comfort to one of the many people he’s adopted. The jokes are funny, too, but no one is willing to admit it.
Old Longfellow has a YouTube where he details both hunting and alcohol, sometimes both. He reviews certain alcohols, shows off his favorite drinks, and is always drunk by the end of his videos. This includes the hunting ones. Sometimes, he just baits creatures that are three times as strong as him to see if he’ll live. Whatever he posts is always a wild and entertaining ride.
Piper is trying to run a legitimate news blog, but mostly she gets labeled as a conspiracy theorist. She tries to fight back with facts and accuracy, and she has a huge following. She’s never sure which of her followers are legitimately interested in what she has to say and which ones are just there to laugh at her “crazy” ideas.
Preston likes to run his own little diy and gardening blog. He loves to post his composting and recycling tips, as well of pictures of his garden and latest recycling project. He quietly encourages people to make a living for themselves instead of relying on someone else for their livelihood. The number of things he can make out of a pickle jar is impressive.
Strong has a literature analysis blog. He’s got a specific taste for Shakespeare, going on for huge paragraphs about the subtext and picking apart all the jokes and innuendos while still maintaining a huge respect for the works. Every so often, he lets his followers give him something to read and analyze, which led to the most epic demolition of 50 Shades of Gray anyone had ever seen.
X6, to everyone’s surprise, is the sad nihilistic memer. It takes literal years to pin him to his content, because nobody would expect he’s the one making the casual depression and anxiety memes. He has the largest following of anyone, because his memes honestly are funny and relatable. He’s now constantly irritated by everyone he knows as they ask him if he’s okay, though.
#fallout#fallout 4#fo4#fo4 companions#fallout 4 companions#fallout 4 companions react#ada#cait#curie#codsworth#danse#deacon#ellie#dima#gage#hancock#maccready#nick valentine#old longfellow#piper wright#preston garvey#strong#x6-88
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8 years ago: UIC Pavilion, University of Illinois - Chicago, IL - 2011
Phish • August 17, 2011 • UIC Pavilion, University of Illinois • Chicago, IL
Set 1: Colonel Forbin's Ascent > Fly Famous Mockingbird, Gumbo > Possum, Weigh > Divided Sky, Alaska, Bathtub Gin, Maze, Cavern > First Tube
Set 2: Crosseyed and Painless -> No Quarter > Timber (Jerry The Mule) > Tweezer > Prince Caspian > Piper > Ghost -> Makisupa Policeman[1] > Sleep > Buffalo Bill, Golgi Apparatus > Character Zero[2] > Run Like an Antelope[3]
Encore: Funky Bitch, Show of Life > Tweezer Reprise
[1] Lyrics referenced Trey's favorite music ("Dank Sinatra," "Herby Hancock," "Nat King Bowl", "Harry Chronic, Jr.," and "Van Inhalin'"), as well as Page's House and Mike's House. [2] Page's House reference. [3] Fish's House reference.
This show featured the first Forbin's opener since November 3, 1989 (1,249 shows). Timber, Piper and Zero all contained Crosseyed teases and quotes. Tweezer contained Tweezer Reprise and the theme from Close Encounters of the Third Kind (aka Wild Signals) teases from Trey, and a DEG tease from Page. The Makisupa lyrics referenced Trey's favorite music ("Dank Sinatra," "Herbie Hancock," "Nat King Bowl'," Harry Chronic, Jr.," and "Van Inhalin'"), as well as Page's House and Mike's House. Sleep was played for the first time since August 7, 2009 (105 shows). Character Zero contained a reference to Page's House. Antelope contained Crosseyed teases and a Fish's House reference. Funky Bitch and Tweezer Reprise also contained Crosseyed quotes.
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TWO WEEKS TODAY until Record Store Day 2019!
Everyday until RSD we plan to give ya'll updates about what will be happening at Beatdisc Records on April 13th. We have our biggest party planned, so stay tuned for all our exciting news!
#BeatdiscRSD update 1;
Below you will find our list of ordered exclusive titles, broken down into the 3 lists (AUS, USA & UK).
PLEASE NOTE: We are not guaranteed all these titles and some titles we may get cut down to only one copy and others we may never get. We won't know exact titles until a few days before RSD, so please bare with us.
All titles are sold on a first come first served basis and we cannot hold any titles - sorry. If you see something that's missing, get in touch ASAP and we may be able to squeeze something in.
AUS LIST TITLES Bob Evans - Suburban Songbook [LP] Broderick Smith – Suitcase [LP] Jebediah - Of Someday Shambles [2LP] Johnny Diesel & The Injectors - Johnny Diesel & The Injectors [LP] Mother & Son - Mother & Son [LP] The Amity Affliction – Youngbloods [LP] The Birthday Party - Mutiny/Bad Seed [2LP] The Hard Ons - Harder & Harder [7”] The Loved Ones - Magic Box [LP] The Mint Chicks - Screens [LP] The Reels - The Reels [LP] US LIST TITLES Ace Frehley - Spaceman [LP] Adrenalin O.D. - Let's BBQ [LP] Alien Weaponry - Tu [LP+7''] Anderson .Paak - Bubblin' [7''] Andrew Oldham Orchestra, The - The Rolling Stones Songbook [LP] Angelo Badalamenti, David Lynch - Twin Peaks: Season Two Music And More [2LP] Aretha Franklin - The Atlantic Singles 1967 [5x7'' Boxset] AxCx (Anal Cunt) - Picnic Of Love [LP] B-52's, The - Mesopotamia [LP] Bad Religion - My Sanity [7''] Basement - Be Here Now [7''] Benjamin Gibbard - Me And Magdalena / The Concept [7''] Bill Hicks - Revelations: Variations [2LP] Billy Joel - Live At Carnegie Hall 1977 [2LP] Bingo Hand Job (R.E.M. w/ Bragg, Hitchcock & Holsapple) - Live At The Borderline 1991 [2LP] Bob Dylan - Blood On The Tracks: Original New York Test Pressing [LP] Bone Thugs-N-Harmony - E. 1999 Eternal [2LP] Broken Social Scene - Let's Try The After Vol. 1 & 2 [LP] Buari - Buari [LP] Buffalo Tom - Buffalo Tom (30th Anniversary) [LP] Canned Heat - Remember Woodstock [LP] Captain Beefheart and His Magic Band - Trout Mask Replica [2LP] Charlatans, The - Us And Us Only [LP] Chris Robinson Brotherhood - Dice Game And Let It Fall [10'' Chuck Mosley - Joe Haze Session #2 [7''] Courtney Barnett - Everybody Here Hates You [12''] Craig Mack & The Notorious B.I.G. - B.I.G. Mack (Original Sampler) [LP+Cassette] Crosby, Stills, Nash & Young - 4 Way Street (Expanded Edition) [3LP] Culture - The Nighthawk Recordings [LP] Curren$y, Freddie Gibbs and The Alchemist - Fetti [LP] Czarface - Double Dose Of Danger [LP] David Bowie - Pin Ups (2015 Remastered Version) [LP] David Bowie - The World Of David Bowie (Compilation) [LP] David Bowie / Marlene Dietrich - Revolutionary Song / Just A Gigolo [7''] Death Grips - Steroids (Crouching Tiger Hidden Gabber Megamix) [LP] Def Leppard - The Story So Far, Vol. 2 / B Sides [2LP] Desmond Dekker & The Aces - Pretty Africa [LP] Devo - This Is The DEVO Box [6LP] Doors, The - London Fog [10''] Dr. Dog - Live 2 [LP] Dr. Dre - Nuthin' But A ''G'' Thang [12''] Duran Duran - As The Lights Go Down (Live) [2LP] Ed O.G. & Da Bulldogs - Life Of A Kid In The Ghetto [LP] Elton John - Live From Moscow [2LP] Elvis Costello & The Imposters - Purse EP [LP] Elvis Presley - Live At The International Hotel, Las Vegas, NV August 23, 1969 [2LP] Eric Clapton - One More Car One More Rider [3LP] Fatlip - The Loneliest Punk [LP] Flaming Lips, The - King's Mouth: Music And Songs [LP] Fleetwood Mac - The Alternate Fleetwood Mac [LP] Frank Black - Frank Black [LP] Frank Black - Teenager Of The Year [2LP] Frank Zappa - The Guitar World According To Frank Zappa [LP] Gorillaz - The Fall [LP] Grateful Dead - The Warfield, San Francisco, CA 10/9/80 [2LP] Green Day - Woodstock 1994 Live [LP] Green Jelly - Cereal Killer Soundtrack [LP] Green River - Live At The Tropicana 1984 [LP] Greta Van Fleet - From The Fires [LP] Griot Galaxy - Kins [LP] Hawkwind - The 1999 Party: Live At The Chicago Auditorium 21st March, 1974 [2LP] Herbie Hancock - Dedication [LP] High On Fire - Bat Salad [LP] Hockey Dad - Dreamin' [LP] Idles - Meat / Meta [EP] Iggy Pop - Hippodrome - Paris 77 [2LP] Iggy Pop - The Villagers b/w Pain & Suffering [7''] Insurgence DC - Broken In The Theater Of The Absurd [LP] James Brown - Sho Is Funky Down Here [LP] Janis Joplin - Woodstock Sunday August 17, 1969 [2LP] Jeff Buckley - In Transition [LP] Jeff Tweedy - WARMER [LP] Jethro Tull - North Sea Oil [10''] Joe Strummer - The Rockfield Studio Tracks [12''] John Cage Meets Sun Ra - John Cage Meets Sun Ra: The Complete Film [7''+DVD] John Lennon - Imagine: The Raw Studio Mixes [2LP] Julien Baker - Red Door / Conversation Piece [7''] Kooks, The - Live At The Moth Club [LP] Kool Keith - Complicated Trip [12''] Kristin Hersh - Crooked [LP] L7 - Burn Baby [7''] Lemonheads, The - Can't Forget / Wild Child [7''] Lightnin' Hopkins - Strums the Blues [LP] Lou Reed - Ecstasy [2LP] Madonna - La Isla Bonita: Super Mix [LP] Madonna - True Blue (Super Club Mix) [LP] Mark Lanegan Band - Stitch It Up [7''] Mark Ronson - Nothing Breaks Like A Heart [12''] Mastodon - Stairway To Nick John [10''] Matthew Sweet - Pleasure Island, Live [LP] Menzingers, The - No Penance b/w Cemetery's Garden [7''] Midnight Oil - Pleasure Island, Live [LP] Mikey, Leo, Donny, Raph - Pizza Power Single [7''] Mission Of Burma - Peking Spring [LP] Mo-dettes, The The Story So Far [LP] Monty Python - Monty Python's Life Of Brian [LP] Morrissey - Lover-To-Be [7''] Moses Sumney - Black In Deep Red, 2014 [12''] Motorhead - Overkill / Bomber [2x7''] Motorhead - Rockaway Beach [7''] Mumford & Sons - Delta Acoustic Sessions | Live From Electric Lady [10''] My Chemical Romance - The Black Parade Is Dead! [2LP] Noel Gallagher's High Flying Birds - Wait & Return [LP] Ol' Dirty Bastard - Intoxicated [LP] Olafur Arnalds - Re:member + String Quartets [LP+7''] Otis Redding w/Booker T. & The M.G.'s + The Mar-Keys - Just Do It One More Time! Live At The Monterey Pop Festival [LP] Parliaments, The - Baby I Owe You Something Good [LP] Pearl Jam - Live At Easy Street [LP] Pelican - Midnight & Mesaline [7''] Peter Gabriel - Rated PG [LP] Peter Howell & John Ferdinando - Ithaca, Agincourt And Other Psych-Folk Fairy Tales [2LP+CD] Pink Floyd - A Saucerful Of Secrets (Mono) [LP] Police, The - Message In A Bottle [2x7''] Prince - His Majesty's Pop Life / The Purple Mix Club [2LP] Prince (The Artist Formerly Known As Prince) - The VERSACE Experience: Prelude 2 Gold [Cassette] Queen - Bohemian Rhapsody (Soundtrack) [2LP] Queen - Bohemian Rhapsody / I'm In Love With My Car [7''] Ramones, The - Live At The Palladium, New York, NY (12/31/79) [2LP] Robert Johnson - Kind Hearted Woman Blues / Terraplane Blues [10''] Robert Plant - Fate Of Nations [LP] Robyn - Body Talk [2LP] Rolling Stones, The - Big Hits (High Tide And Green Grass) (UK) [LP] Rolling Stones, The - She’s A Rainbow / Live At U Arena, Paris / 25.10.17 [10''] Rolling Stones, The - Through The Past, Darkly (Big Hits Vol. 2) (UK) [LP] Roxy Music - Roxy Music - Remixed [2LP] Rush - Hemispheres [LP Picture Disc] RZA - Birth Of A Prince [2LP] Salvation Army, The - Live From Torrance And Beyond [LP] Santigold - I Don't Want: The Gold Fire Sessions [LP] Serj Tankian - Harakiri [LP] Sherman Brothers, The - Simply Sherman: Disney Hits From The Sherman Brothers [LP] Shocking Blue - Single Collection (A's & B's), Part 2 [2LP] Sigur Ros - Lunar Halo 22° [LP] Sigur Ros - Variations In Darkness [LP] Sly & The Family Stone - Woodstock Sunday August 17, 1969 [2LP] Soccer Mommy - For Young Hearts [LP] Stargaze & Greg Saunier - Instruments (A Track By Track Re-Composition of Fugazi's 'In On The Killtaker') [LP] Steve Earle - El Coyote / Don't Let The Sunshine Fool You [7''] Sublime - Nugs: Best Of The Box [LP] Sugar Hill Records - Sugar Hill Records: The 12'' D.J. Boxset [6x12'' Boxset] SUNN O))) - Life Metal [2LP] Tangerine Dream - Le Parc [2LP] Tangerine Dream - Machu Picchu [LP] Ten In The Swear Jar (Xiu Xiu) - Fort Awesome: Complete Recordings [2LP] Teyana Taylor - Gonna Love Me / WTP (Remixes) [12''] Thrice - Deeper Wells [LP] Todd Rundgren - The Complete U.S. Bearsville & Warner Bros. Singles [4LP] Too $hort - The Pimp Tape [2LP] Townes Van Zandt - The Best Of Townes Van Zandt [2LP] U2 - The Europa [LP] Used, The - The Used Live From Maida Vale [10''] Van Morrison - Astral Weeks Alternative [10''] Various Artists - Boy Meets Girl: Classic Stax Duets [2LP] Various Artists - Brazil Classics 30th Anniversary Box Set [3LP] Various Artists - Coneheads (Soundtrack) [LP] Various Artists - Folk And Pop Sounds Of Sumatra Vol. 2 [2LP] Various Artists - Ghost World (Soundtrack) [2LP] Various Artists - I Am Sam (Soundtrack) [LP Various Artists - Lost In Translation (Soundtrack) [LP] Various Artists - Malcom X (Soundtrack) [LP] Various Artists - Mickey Mouse Disco [LP] Various Artists - New Jack City (Soundtrack) [LP] Various Artists - Office Space (Soundtrack) [LP] Various Artists - Poppies: Assorted Finery From The First Psychedelic Age [LP] Various Artists - Rockabye Baby! Lullaby Renditions Of Weezer [LP] Various Artists - South Park: Bigger, Longer & Uncut (Soundtrack) [2LP] Various Artists - Spider-Man: Into The Spider-Verse (Soundtrack) [LP] Various Artists - Stax Does The Beatles [2LP] Various Artists - The Crow (Soundtrack) [2LP] Various Artists - Vitamin String Quartet: VSQ Performs Bjork [2LP] Various Artists - Where The Action Is! Los Angeles Nuggets Highlights [2LP] Various Artists - Woodstock 3 Days Of Peace Music (Mono PA Version) [3LP] Violent Femmes - Hallowed Ground [LP] Weezer - Dusty Gems: The B-Sides [LP] Weezer - Weezer (Teal Album) [LP] Wes Montgomery - Back On Indiana Avenue: The Carroll DeCamp Recordings [2LP] Wipers, The - Alien Boy [7'' EP] Wonder Years, The - The Wonder Years Live From Maida Vale [10''] X-Ray Spex - I Am A Cliche [2LP] Yes - Yes [LP] Zero 7 - Home (Alternative Mix) / Somersault (Danger Mouse Remix ft. MF Doom) [10''] UK LIST TITLES Dexys Midnight Runners - At The BBC 1982 [2LP] Fall, The Medicine For The Masses - The Rough Trade Singles [4x7" Boxset] Ginger Wildheart - Maggie [12"] Grandmaster Flash & The Furious Five - The Message [2LP] JJ Cale - Stay Around EP [7"] Mighty Boosh - The Complete Radio Series [3LP] Parcels - Tieduprightnow / Tape EP [7"'] Ronnie Lane & The Band Slim Chance - At The BBC [2LP] Thin Lizzy - Black Rose [2LP] Various Artists - The Freakbeat Scene [2LP] Various Artists - The Mod Scene [2LP] Various Artists - The Northern Soul Scene [2LP] Various Artists - The Psychedelic Scene [2LP] Various Artists - The R&B Scene [2LP] Venom - Manitou [7" picture disc] Yazoo - Reconnected: Live [2LP] CANCELLATIONS Dio - Last In Line (Live) [LP] Stray Cats - 40 [12''] Sigur Ros - Variations In Darkness [LP] Sigur Ros - Lunar Halo 22° [LP]
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Record Store Day Australia
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