#why is his backstory so fucking tragic
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IS THIS EVEN ALLOWED?!
#look at baby chuu#so tiny and defenseless#he was just a KID#fuck professor N#PROFESSOR N HATER#IF PROFESSOR N HAS NO HATERS THEN I'M DEAD#I will never forgive the sheep for betraying him like this#this is just cruel#they took care of chuuya for years...JUST TO BETRAY HIM AT THE FIRST MISUNDERSTANDING#Chuuya deserved better#why is his backstory so fucking tragic#i hate this deeply#my baby#bsd#bsd fifteen#chuuya nakahara#the sheep#bungou stray dogs
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"Oh dear," the unicorn thought. "I must've really mucked up the story beyond compare! The Red Bull Luo Binghe is protecting the last unicorn scum?! Unconscionable! He should have driven me off the cliff by now!!"
#dont ask why binghe gets to be a human but sqq has to be a unicorn#maybe hes prince lir in this au actually wait omg that would be good#half human half red bull sxy was freakay#the unicorn turning human to disguise herself is obviously sqqs plant body allegory#binghe sniffing around the castle: where is shizun i can still smell him? suspiciously sqq shaped human: gulp#binghe's tragic backstory in this au i guess is that he meets shen qingqiunicorn as a kid and sqq can sense that hes half fae and so#takes him semi under his wing but is like a prick about it until binghes seal breaks and they find out that hes a red bull fae#and shen jiu stabs him into the ocean something something abyss he comes back gets adopted by haggard kills every unicorn by throwing them#into the ocean as well before picking off shen jiunicorn last. and then sy fucks it all up#it's been like a decade since i read the book sorry#svsss#scumbag self saving system#scum villain's self saving system#bingqiu#shen qingqiu#sqq#lbh#luo binghe#my art#svsss last unicorn au
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i’m just gonna go ahead and say it - the jonathan/nancy hospital scene was the only thing stranger things 3 had going for it
#that and killing off billy#but seriously#s3 was so fucking weird and coked up#everyone shouting and trying to be sassy all the fucking time#russian this russian that as if that trope hasn’t been done a billion times#yet more el screaming and crying#mike becoming the most unlikable creature to walk the earth#plus the writing is just so… boring?? like a lot is happening but its so cliche and predictable that it feels like nothing is happening too#idk i think i liked this season more when it first came out#i just want to reach season 4 so that eddie munson can replace billy hargrove on my screen#why did people like billy so much anyway?#he did not do a single likable thing?#just because his father was abusive doesn’t make the racist/abusive/violent things he did not count#sometimes assholes are still assholes even if they have a tragic backstory#blah#stranger things#stranger things season 3#stranger things 3#jonathan byers#nancy wheeler
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will be a hater for a second but i will be real. idgaf aboutkabru And 90% of the reason why is bc me n my friends watched the dub and couldnt stand how much he talked with the super breathy generic anime protag voice
#im realizing one thing that irks me is when there’s way too much internal monologuing going on#if a character is suspicious. Or if someone is acting out of character then SHOW US !#for chrissake#if the writing is good we shouldn’t Need them to tell us if a character is acting strange#we should be able to tell. and if it’s obvious and then they state it anyways Then it feels pateonizing#kabru’s tragic backstory couldve been compelling but instead he was yammering over it the entire time#his backstory flashback i mean#establishing shit that we could have picked up on our own. and then RESTATING IT in the SAME SCENE…..#it’s an issue of turning a manga into an anime though ig#exposition is more necessary when there isn’t as much visual aid to help people understand whats going on#But then they make an anime where there is more room for that. and then keep the same amount of exposition#or fill a whole episode w characters sitting around a fire and talking about the protagonists#my rambles#definitely just my personal preference#i just get So bored when a piece of media tries to do the thinking for the audience#please Please don’t give in dont give in Whatever you do#TRUST PEOPLE TO PICK UP ON WHAT YOU’RE PUTTING DOWN#imagine if breaking bad had walter white narrating the entire thing. it would fucking suck#i think that’s part of why most animes just dont do it for me. it’s a very common trait#it’s really good in comedies though like nichijou
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Sometimes I think about my very short-lived experience watching Happy Sugar Life and how the only real potent "message" i got from it was through the fanbase with the realisation "wow okay so we are NOT past the 'women can't be paedophiles' narrative huh" because i remember so gleefully checking the comments only to be hit with shit like "they didn't have sex so i don't think it's paedophilia" or "given her past i don't think she INTENDED paedophilia" or the time i saw an rp blog for the mc like "I interpret it as platonic :)))" like mc wasn't dressing an 8 year old up in a wedding dress, grooming her, doing vows, kissing her on the mouth and making plans for how they'd elope and marry each other
Like okay, you're entitled to your interpretations ofc but at what point does it stop being an interpretation and start turning into cope because this is NOT the topic you want to do that with!!!!!!
#gu6chan's musings#the rp blog in PARTICULAR pissed me off (perhaps personally speaking as a mun who tries to be as BLUNT with this as possible) bc its like#some of yall really want to rp fucked up and problematic characters until they get actually fucked up and problematic; huh#like i get it we ALL have limits but MAYBE before tackling a subject so sensitive you could just..... maybe think 'this muse isn't for me'#instead of TAKING OUT THE MAIN FOCUS OF HER CHARACTER AND WIDDLING IT DOWN TO 'PLATONIC'???? do u know how insensitive that is to actual#grooming and CSA victims. maybe im overreacting!!!!! but literally; when it comes to this: do it straight or dont do it at all#it was an experience and as painful as it is im glad in a way it IS two girls because for an otherwise trashy anime it sure did open my eye#to how how high the bar needs to be set before women can be considered 'paedophiles' and not just 'awww; she's so fond of kids :)'#ESPECIALLY given the mandatory anime tragic backstory!!!! because the amount of people using that as justification as for why she WASN'T#seeing shio romantically was.... *crumples*#like yeah; right!!! bc as we all know victims don't become abusers at all and when they do theyre 100% aware of it#im just saying#y'all would NEVER have pulled this shit if it was being done with two dudes and it shows#'leonard isn't in LOVE with seere; he just made out with him in SR because he was projecting his grief. he doesnt know how to show it :('#<- how some of these bitches sounded fr#anyways its happy sugar life it's not that serious 😭 yall are still stupid tho
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i can be normal about videogames i promise
#no but seriously why do you keep trying to put your son down like he's a sick dog#don't answer that i know why but like. my man. what the fuck#father of the year award#tfw your first attempt at filicide fails spectacularly so you decide to take matters into your own hands and inflict incalculable#psychological damage upon your son so that even if you fail a second time you can still scar him for the rest of his life 👍#fuck this guy in particular#yeah yeah i know i know complex character with complex motivations and a tragic backstory i know i still hate the bastard and i am not sorry#logs
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well i finished renegade. i sure was renegading all over the place
#it was alriiiight.... but man i hate to say it but i think i have more complaints than praises#i DID like florins new execution route and i liked talons deal. the entire end of night spell deal was horrifying and i loved it#i love that genre of horror like ''you die twice when you get forgotten after death''#so seeing it play out here was horrifying in a good way. talon and amber's deaths were both so fucking good like goddamn#they were just as heartbreaking as they needed to be. especially ambers like when you go talk to tesla after#but. man i dont think meta games are for me cause ngl i was sorta just like ''aight.'' to most of the meta here#like that was the one thing about talon i didnt care for. i thought ''everyone i know and love is going to die and god is screaming at me''#was a fine enough motivation to go crazy and become a rift. i thought it was compelling and tragic and a good thing to do#with a new character. but then he started going ''in older versions of the game i wasnt even there i was just a prop for the backstory''#and thats sorta when i started tuning out. like i cant explain why but i feel it made the scene more... cheap?#i think just cause personally ive seen that motivation a lot in meta games before and its gotten old to me#tbh the entire meta angle is whats really dragging this down to me. dont get me wrong i love eizen and his scenes#but i dont see why we have to canonize the game's update cycles as like a critical part of the world#and then theres m2 who i have mixed feelings on. cause i love the character type of ''ive been through so much shit idc anymore''#and they end up being kinda goofy and saying inappropriate/out of pocket things while trying not to discuss The Horrors#ive written more than one of those types of characters. but with m2 its like she doesnt know how to turn that off#like spacea and tiempa's deaths being a tera raid parody where they joke about being in a crashing plane and get bashed by extra melias#it just felt like. unfitting. (also a nitpick but goddamn that scene made my head hurt with how much the screen wobbled)#like really? this is the sendoff they get in the fucked up and evil route? and idk i just dont think m2 was all that funny.#she was more grating than anything tbh. and i just feel like her existence and the bad timeline is just Too Much#like there were already so many plotlines and arcs and do we Really need a new-ish character right before the climax#idk. im hoping v14 is more cohesive in this department#for now im taking a much needed break from this game lol
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actually you know what if you make will's dad an abusive parent i cant say i trust you much
#maybe this is controversial maybe its not#but i am TIRED of this interpretation of will's dad being some crazy abusive alcoholic who made will's childhood miserable#it doesnt make much sense and its that same thing i have with ppls interpretation of certain dc characters and their skin color#like. tell me WHY you think will's dad was/is abusive toward him. tell me about how you imagine will's childhood#and WHY you imagine it that way#is it bc will grew up poor? is it bc of some 'white-trash' southern stereotype you have in your head?#like tell me honestly and frankly bc otherwise i cant understand the choice to make his dad that way#i will fight tooth and nail to defend the good-will-dad hc bc the inverse of that makes me mad#giving will some 'tragic' backstory that involves parental abuse is in no way the compelling narrative you think it is#it actually detracts so much from will's character bc the POINT of his becoming is that he has ALWAYS been this way#nothing MADE will the way he is and the show literally follows will slow acceptance of that part of him#he's not 'dark' bc of some abusive childhood. that's not the connection we need to be making here and inserting this#cruel disparaging narrative that will's dad abused him with the only subtext being they were POOR is so fucked up#will graham
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chasing tails spoilers if anyone cares about that
can u imagine if Taeyeon was the killer and she was sooo fucking out of touch with reality and just wanted to be famous and rich so she murders her friends to try to ride on the tragedy to make money afterwards.
#like the nanny 2 where the boys friend makes a deal with the devil bc she wants to be famous so she'll just sacrifice ppl#and like she somehow blames seongbin and his whole brotherly drama with dr ju comes out so shes out of the case bc of conflict of interests#but she knows somethings up and the story kinda builds up this seongbin+dr ju are evil narrative while still having a bit of leeway#for ppl to think “hmmm i dont think thats it” so then we get the twist that seongbin was watching from the sidelines and got his memories#jumbled up while taeyeon gaslit him#and itll be even cooler if junho is a good boy in this one bc yes shell even kill junho bc can you imagine??? she lost her best friend#and she can make up that she liked him and that she wanted to ask him out after they survive#and create a whole sob story#and while sure dr ju may be guilty and still have had killed people maybe she comes to an understanding of her familys issues#and like decides not to ruin seongbins life anymore#and maybe she learns mote about her mother about how miserable she was#chasing tails#why am i wasting my braincells on this i hate this fucking webtoon#and maybe theres a whole background as to why she would do such a thing but fr whatever tragic backstory she has she shouldve just#become a communist instead#<<<<this last one is abt taeyeon not dr ju btw
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today i spent SEVERAL minutes contemplating the difference between "sympathetic villain" and "charismatic villain" and whether fandom as a whole confuses these categories sometimes
#like A Good/Fun/Popular Baddy always seems to get called sympathetic? but they're not always actually?#sympathetic to me is like magneto or killmonger - you disagree with their means but their reasoning and goal are to some degree sound#but like Missy has rubbish reasons for killing people and taking over planets - she's just fucking cool while doing it u kno?#no tragic backstory no noble goals no grand vision none of that at all really#i have said before my Class Issues def make me less sympathetic to Thor-Movies!Loki - but he *is* charismatic and cool#but has fandom largely invented that Tragic Backstory to shove him into the Sympathetic category because that seems like The Good Thing?#(like i'd agree Thor wasn't ready to rule but it's hard to overlook how convenient this opinion is for the second-in-line to have u kno?)#which is maybe a writing/filmmaking issue if the Baddy might not be (allegedly) but it's hard to tell because Obvious Conflict Of Interest#ironicall(?) enough Sylvie actually does have the backstory and goals of a Sympathetic Villain being as they are VERY different#(*obligatory mention of The Class Issues there*)#but we learn those things only when we realise she isn't really the baddy anyway#Magneto thinks the normies want to kill the mutants and to be fair to him that's the plot of pretty much every X-Men film isn't it?#so he's not wrong. and we all know that he's not wrong in that regard. it's just his methods that are the issue.#and with that backstory we can absolutely see why he'd think it was kill-or-be-killed so there too there is reason for sympathy#so sometimes i feel like i could side with the villain in the right situation and sometimes it's like just like “Sacha Dhawan is rly hot”#which is also valid etc etc etc#remember kids if you write the wank in tags that makes it 95% less wanky :D somehow
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#hockey#posting excerpts from the red machine about mogilny in a desperate attempt to find other ppl on here who like him the same way#that the sergei tumblrinas like their guy (why am i writing that as if i am not one of those ppl too)#he just wanted to go to uni and then play hockey in the west !!! he didn't want to join the army !!!!#he was just a kid and they didn't let him see his mum !! for years !!!!#and then when he did leave he basically begged sergei to come with him !!!!!#that always fucking gets me. he didn't want to go alone so he asked his bestie to go to the other side of the world w him !#c'mon i know you guys like your narratives and your tragic backstories this guy has it ALL in buckets
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Dimentio's entire. Thing. dshjnfdgnmdfh Makes me go crazy go stupid and it's so annoying because I don't even LIKE Dimentio that much but I'm also tired of seeing his character butchered lmfao dshjkfdg
#I just find is very silly when people write him traumatic backstories#And don't get me wrong! I think it's really cool that people are able to take this character that doesn't seem like he has a lot going on#and like. Try to make him 3 dimensional and interesting and cool and explore his character! I think that's sick and admirable!#And like obviously even if I didn't#let people have their fun! It's not hurting anyone! Even if I don't agree with a lot of those takes BUT#*gestures to the Pixel Uprising lore and the Magician and the Magicians Son* Boy howdy do I have the content for you all dhfjkdnsgfdh#That's it that is why I find it silly not because it's cringey or bad let people enjoy things#It's just silly because Dimentio is hinted at having a tragic backstory in canon but it's buried so fucking deep in the game#that like most people just don't know about it sdhjgknffdh#Which cna be said about all the Minions' stuff! And even then Dimentio's entire thing is REALLY vague and there#there's really no way of knowing if it's actually related to him or not I just think it's not a stretch to assume it is#because why else would it be brought up#ANYWAYS I think every super paper mario fan should read Carson and Garson's dialogue because it's a really interesting read#and also it's pretty unlikely you'd come across it without thoroughly exploring boy flipside and flopside#which isn't gonna happen in most online playthroughs and probably won't happen in a blind playthrough either#that's my super paper mario ramble for the day goodbye qwq
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im gonna say it. i dont give a fuck about your tragic backstory
#vain.txt#if you can guess who this is about im sorry#BUT I SERIOUSLY DONTTTTTTTTTT CAREEEEEEEEEEEEEEE#nvm im gonna say it. sc*r*m**che#sorry for talking about g*nsh*n here but oh my god i dont give a fuck can they make you funny again#I AM SO SICK OF ALL MY FAV CHARACTERS GETTING THIS TREATMENT#LIKE YOU WERE FUNNY BEFORE THEY DID THE TRAGIC BACKSTORY SHIT#this is why asahi sas brutus is the best character. he has a tragic backstory kinda if you squint (good) but doesnt make it his whole#personality (very good) and is a funny hate sink (excellence)
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trying to nail down eli's character rn (aka my fanon version of danielle)
so here are some characters i can see her taking after
#i'm considering rolling youngblood's character into hers since i'll be honest as a character he rlly isn't THAT#distinct or unique enough where i don't think much would be lost if i were just axe him and fold him into eli's character#him and dani are both child characters who show up have 2 eps where they're plot relevant#again they're not like SUPER well defined as characters#they both just kinda act like your standard child character in a cartoon would imo#so the backstory i'm currently brainstorming for her is that instead of being danny's clone she's a girl that went missing a couple yrs ago#and was never found she's basically a runaway who tragically died and likes to play pretend/read books as a form of escapism#from the crappy life she had when she was still alive and living w her parents#ig if you're wondering as to why she's not a clone here is bc imo i think valerie could've served danielle's role in the narrative just fin#had the writers actually fleshed out her mentee/mentor relationship w vlad actually#so in my eyes it's not necessarily plus why have vlad idk like try to actually emotionally manipulate danny after bitter reunions#and get him back into his good graces instead having him yk make clones or w/e#like i think it's funny how vlad's like 'man i rlly want danny to abandon his father and be my son'#(proceeds to do literally NOTHING to make that happen bc he continues to just be an asshole to his nephew once he knows the truth lol)#also for as much as i extend sympathy to maddie/jack bc to me they're brown immigrant parents who are clearly flawed but trying#i don't want eli to get adopted by them simply bc yeah no offense maddie/jack but you guys literally fucked up the 2 kids you did have#so maybe let's not add a 3rd one to the mix ok#also i should mention that eli's name is a nickname (her given name is elizabeth but doesn't rlly like going by it anymore)#robi rambles
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i'm gonna ramble in the tags real quick lmao
#little rock.txt#long tags#anyway. got almost all the way done with what i *thought* was gonna be chapter three of this fic#(it's not a fic any of y'all know about)#and realized that no. no this needs to be *much* later#i'd intended to set up a particular relationship as the “core” relationship (it's complicated)#and the one i was setting up in chp 3 was supposed to be. well both more casual and tragic#but i realized while writing it that i wanted that relationship to be the core one#and the main character as of chp 3 is not *nearly* ready to get started on that road#so i need at least another chapter or two before i can publish the one i'm almost done with#jfkdalsfdjkasl aaaaaaaaaaahhhhhh. i mean i'm not That mad#bcus part of why i realized i needed to stop and replan is bcus i accidentally created more backstory for the main character#so this gives me more time to explore that and what it means to him#he has not had a great path in life and it's fucked with his perception of relationships!#so he needs to learn what that means for him before he can start forming ones that will improve his life!#anyway that's all fjkdlsafdsf if you read all of this then bless you#it's a lot and i'm being very vague on purpose
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can i have one were zoro realises she does things bc of truama (like doesnt speak much etc)
hold me (still)
opla!zoro; 6,680 words; slow!!!!burn, fem!reader, ex-assassin!reader, straw hat!reader, general tragic backstory/trauma, fluff, hurt/comfort, bit of angst, emotionally constipated zoro, communication? what's that?, nami playing therapist bc she's the only one with 1 iota of emotional intelligence
summary: sometimes, stillness is a virtue, and others -- a tragedy. or, in which the straw hats pick up a new member and zoro is equally intrigued and weirded out by you.
a/n: well. you guys asked for slow burn and... the burn is so slow u gotta squint to see the smoke yall. but trust. the burn does get there! pls be patient!! and i tried to combine 2 dif reqs in this one fic :)
You are of the quiet sort. Just a shadow dancing in the periphery of their vision, and when they first met you, you’d told them it was your superpower, a soft, still smile slipping across your lips. Luffy had bought into it immediately, and the invitation was out his mouth before anyone could stop him.
“Come with us!”
“Oh…” your lips pressed into a thin line of consideration.
Zoro’s fingers itched towards his swords because something about you makes the hairs on the back of his neck stand up. But something else — something uncomfortable and strange, something very much like curiosity — seizes his chest and twists his stomach. Strange, he thinks, too strange.
“C’mon! It’ll be fun!”
And then, you’d smiled wider, and nodded, and that had been that.
It’s been three months since then, and you are still of the quiet sort, though it had receded a bit with time. What with Sanji’s gentle flirting and Usopp’s not-so-gentle stories and Nami’s bright, dry-humored companionship, you’d begun to “open up a bit”, so Luffy observed.
Zoro, for his part, has kept his distance. Because sometimes he still catches you at the bow of the ship, staring out across the midnight waters, still as a stone-carved statue. Still as a wooden beam — stiller, even.
“What’s with that?” he asks one day, strolling up to Nami as she traces a fine line over a new map she’s working on.
“Hm?” is her very eloquent response.
Zoro ticks his tongue against his teeth and casts his eyes about the ship, finding them drawn to the shape of you, up at the bow again, reading in the shade of the tangerine trees. Nothing moves except for the wind as it whisps through your hair and the slow scanning of your eyes as it skates across the page.
“New girl,” Zoro says, crossing his arms as Nami finally looks up at him and then off towards you.
“Why don’t you ask her yourself?”
Zoro lets out a puff of breath, unfolding his arms to glare at Nami. He finds her grinning a lopsided grin as she clicks shut her compass and puts down her pen. She leans a hip on the barrel she’d been drawing on and folds her own arms.
“Oh, you like her.”
“I’m weirded out by her. ‘S not the same thing,” Zoro snaps, but when he tries to leave, Nami blocks him with an arm and pins him with a sharp, leveling look.
“No, no, no — we’re gonna work this through.”
“No thanks, I’m good.”
“Uh-uh, you still owe me after that round of drinks the other night — remember when you bet you could drink more than me?”
Zoro narrows his eyes, “I did drink more than you.”
Nami’s grin is gleeful, “No, you didn’t. You had to be dragged back to your room after clogging up the toilet. Or do I need to show you the evidence —”
“Alright — fuck, fine. But really? This is what you’re gonna waste your favor on? You could’ve asked me to —” Zoro gestures around vaguely, “clean the bilge or something.”
Nami shrugs, looking almost too pleased, “Nope! This is what I wanna use my favor for. And, really, you think a bit of bilge water is gonna gross me out? C’mon.”
Zoro heaves a sigh and leans back against the main mast, closing his eyes.
“Fine then. Go.”
Nami sits back on the edge of the barrel.
“No, you go. Admit that you like the new girl.”
“I don’t.” He doesn’t open his eyes.
“I’ve seen you staring at her. We’ve all seen you staring at her.”
“What, that a crime now?”
Nami fights the urge to roll her eyes, “No, but I’ve never seen you try so hard to avoid someone before.”
Zoro lets out a bark of laughter, hard and mirthless, “Yeah, so that must mean I like her.”
Nami cocks her head, “It means you feel something towards her. And I’d suggest you figure it out.”
“And how’d you propose I do that?”
Nami once again waves in your direction, “Go. Talk. To her.”
Zoro lets out another breath, eyes scanning across the ship, anywhere but towards where you’re still sitting and reading, finger flipping a page in a perfect, smooth, singular motion.
And Zoro’s not blind. Blunt though he may be at times and careless as he is about most material things, he can still appreciate beauty when he sees it. And you — there’s no denying that you’re beautiful. Your strange stillness aside, when you do move, it’s with a dancer’s lissome grace, fluid lines, not a single movement wasted. When you smile, it seems to light you up from the inside, and your words, though soft, carries the well-worn weight of river stones, glittering beneath the clear, spring stream of your voice.
There’s a sharpness in your eyes, a straightness to your spine, a way of carrying yourself as if you’re afraid that one wrong move might shatter you and the entire world around you.
Sometimes when he sees you, he wonders at the hands that had sculpted you this way. He wonders at your life before they’d picked you up in Loguetown, when you’d oh-so-silently slipped up the execution platform and helped Luffy down, all the while staying free of Smoker’s watchful gaze.
The few times he’s seen you fight, he can’t help wondering if you’ve eaten some kind of devil fruit as well. No human could be so fast as that. Or be so quiet. But then again, he’d fought Kuro, and they’d seen stranger things. Still, he marvels at the way you flicker in and out of sight, slipping around the edges of battle like a dark, haunting thing, and men would drop like flies beneath your quick, quiet hands. With nary a sound or shout before their eyes roll back and their breathing is no more.
On the instances when Sanji had asked about your past, your eyes had gone misty and dark, unfocused. You’d gone still, freezing for so long that Usopp would cough just to fill the silence. And then slowly, ever so slowly, you’d turn back towards them with a small, sad smile and say:
“There’s… not much to talk about. I grew up somewhere far away, where if you didn’t keep quiet and still, bad things would happen to you. And then when those bad things happened, if you weren’t quick — the quickest of all, you’d die.”
Bad things, huh? Zoro thinks as he makes his way towards you, a hand resting on the hilt of his swords. He comes to a stop next to you and leans against one of the white planters, casually peering over your shoulder at the book in your hands.
For a long moment, neither of you move. Then, Zoro clears his throat and forces himself to speak.
“Is it good?”
It takes you a second, but eventually, you turn towards him.
“The book? Yeah, I suppose.”
“Not exactly a glowing review.”
You laugh, a soft, breathy little thing as you look back down at the page.
“It's about a girl who falls into an enchanted sleep, and a prince who wakes her up with a kiss.”
“Must’ve been one hell of a kiss.”
“Yes, and one hell of a prince.”
Zoro finds himself chuckling, his shoulders loosening as he takes another breath.
“And then what?” he asks.
“And then… he asks her to marry him.”
You run your fingers along the page, smoothing your palm over the ink and parchment. Zoro watches you, wondering, always wondering.
“What’s she say?” and it’s then that he notices his own voice, hushed and low, barely a whisper.
You look back up at him and smile a smile a sphynx would have been proud of.
“I don’t know. I haven’t gotten there yet.”
Zoro takes a breath, and the breath tastes distinctly different than all the breaths he’d taken before it. As if the world takes the breath with him, and some fundamental truth had shifted on the exhale.
The moment breaks, as moments are wont to do, when Sanji calls out for lunch and Zoro jerks out of his almost-reverie. You slowly close your book and rise to your feet, turning back to smile at him.
“C’mon, it’s lunchtime.”
Zoro nods and follows you into the kitchen, where Luffy and Usopp are already digging in, and Nami is pouring herself a drink. She spots the pair of you and catches Zoro’s eyes. A grin ticks at the edge of her lips but before she can say anything, you’re accosted by Sanji sweeping into a deep, flourishing bow, and ushering you towards the table, where he’d set your place in a manner fit for a princess.
“Where’s my setup?” Zoro asks as he drops into the seat next to you, cocking an eyebrow. Sanji shoots him an unimpressed look.
“I’m surprised you can use a fork and knife, moss-head. Just be grateful and eat up.”
Zoro scoffs but digs in nonetheless.
When next they dock, it’s on a rare, peaceful island — an island of light and books and learning, where the air smells of salt and ink and drying parchment, of unwritten words and untold stories. But it smells of a stillness too, and Zoro knows without having to ask that you’d like it here.
And you do.
He’s never seen you smile so much, never seen you so vibrant and full of life. You chat and laugh and read with a voracious hunger, and he finds himself drawn to this new, warm, moving side of you. He finds himself, more often than not, by your side, even when neither of you speak. And he basks in the comfort of the quiet that permeates the air when it’s just the two of you — him hanging in the hammock on deck, you reading by his side.
But now, there’s the soft tapping of your foot, the shuffle of pages when you flip forward to see what’s coming next, and of course the ever-present shush of the ocean as it washes against the Merry’s side.
The Log Pose needs two weeks to properly calibrate to the next island, so they’ve got time to kill.
On the fifth night, over dinner and drinks, Luffy asks the question that everyone’s been thinking since the day they’d all met you —
“So. Why’re you so still all the time? Not that it’s weird or anything — well, actually — it kind of is, but it doesn’t bother me. I’m just asking cause I'm curious!”
You look up from your half-finished wine but Zoro feels it happening, like the hush of a fan blade slicing through air, the gasp before a porcelain vase tips over and shatters. You stop. You stare. You’re frozen in every sense of the word. And he’s known you for long enough to know that you only go still as a reflex, only reach for it as a shield. Against what? He doesn’t quite know.
“It’s… something of a long story,” you say, your voice low and hoarse.
Luffy grins, smacking his lips as he sucks the meat off a chicken leg, “We’ve got tons of time! Right?” he looks around as if for validation, but everyone’s eyes are caught on you and your unnatural stillness.
Zoro shifts slightly in the seat next to you, opening his stance and turning towards you.
“Could do with a good story.”
Your eyes flash in his direction and he offers you the barest hint of a smile.
You relax, ever so slightly, drifting back in your seat, your glass cupped in the palms of your hands. And then, you begin to speak, your voice smooth and lilting, your words washing over them like the faint lull of the tides.
“When I was three, my father sold me for a barrel of beer.”
A dull clack echoes around the room and everyone turns to see Sanji hurriedly righting the thick stein he’s knocked over. Thankfully, it’d been empty.
“Sorry — I just — what?” he sounds furious but Usopp lays a hand across his arm and shakes his head.
You take a deep breath and continue, your voice oddly emotionless as you say, “The man who bought me took me to an island. It was… a dark place. A quiet place. I only learned its name after I escaped — an island called Elysium.”
Nami gasps before clapping her hands over her mouth.
“I’ve just — I’ve heard of that place before, but I thought… I thought it was just a made-up place.”
Luffy swallows hard, frowning, “What’s it like?”
Nami’s eyes flicker between you and Luffy, “Supposedly… it’s the home island for… for the most feared group of assassins in all the seas combined.”
Usopp’s eyebrows jerk up, “The most feared?”
A faint smile seeps across your lips like blood.
“Yes. The Shadows that Live.”
Everyone turns to look at you. Luffy picks up another drumstick.
“Whoa… cool name!”
Zoro hums, “I’ve heard of them before — but mostly, it was just an old wive’s tale about… shadow assassins who hunt in the dark. Mercenaries for hire. But… no one’s ever seen one before.”
“Because… once you see one, you’ll never live to tell the tale,” you say, your eyes now downcast and fixed on the glass in your hands.
“Then…” Usopp’s voice is soft, “What about… you?”
“I… I ran away.”
Silence greets you. But after a moment, Luffy spits out a bit of bone and uses it to pick at the space between his teeth, his eyes round.
“Wow! You must be pretty good to run away from an island full of shadow assassins!”
You almost laugh, his boundless trust hitting you like a punch to the stomach.
“So…” Sanji lets out a puff of silvery smoke, “the staying still thing… that’s just part of your training, yeah?”
You nod, “Something like that.”
Someday, you think, you’ll tell them about the hellscape that was Elysium island, of the long echoing halls, dark and still and silent. Of the mechanical beasts that hunted by sound and movement alone. Someday, you’ll let them know about the poisoned pomegranate seeds that they feed all the “recruits” to keep them hazy, of how you’d kept six of them suspended in your mouth and spat them all out when you’d finally made it far enough from the island to allow yourself to breathe.
“And… are these shadow assassins gonna come after us?” Nami asks, her voice careful and light.
You purse your lips, “I… I don’t know.”
Nami sighs, but a moment later, she moves to refill her drink with a slight shrug, “Well, just one more enemy to add to our growing list. Soon, we’re gonna have to post a sign-up sheet.”
At this, everyone laughs, and the tension snaps like a wounded spring.
Luffy burps loudly, patting his stomach, “I’m not worried — I mean, if you were able to run away from them once, that means you’re stronger than them, right?”
You pause, your hand hovering over the wine bottle. Zoro gently reaches over and refills your glass for you. You shift back into movement, casting him a small smile and taking a sip. The wine is cool and tangy as it hits the back of your throat. You breathe, and the world keeps spinning.
“I… I’m not sure — I’ve never fought… any of… them… before.”
“Guess we’ll find out if they try to come for you then — but you’ve got us now!” Luffy says, reaching for an apple and chomping into it, “ — Sho… you duon gotta wourry —” he licks his lips as he takes another huge bite before tossing the core towards the waste bin, “We’ve got your back!”
Nami makes a disgusted face, “Don’t talk with your mouth full, ugh.”
Sanji chuckles, tapping out his cigarette, “Yeah Luffy, mind your manners.” But his voice is full of laughter and you find yourself relaxing into the sway of the night, the swing of conversation. Beside you, Zoro refills his own glass and leans over to clink it against yours.
You turn, but he only raises his glass before taking a sip.
You mirror his movement, cradling the cup to your chest when you finish.
Later, he finds you by the tangerine trees, ghosting your fingers over their lush green leaves, dark enough to look black in the evening light.
“Hey.”
You turn, “Hi.”
Zoro sighs and looks out over the darkened waves, the moonlight refracted into a million shattered bits of sky.
“Luffy’s right, y’know.”
“What about?” you ask, joining him by the railings. The night air is cool and crisp. Behind you both, the island oozes with lamplight and laughter. Even from here, you can hear the joy, the peace that permeates the air here. It wouldn’t be a bad thing, you think, to stay here forever.
“If they come for you,” Zoro says, “we’ll have your back.”
You let out a small chuckle, looking down at your hands, “I know.”
“So,” he turns towards you, his earrings glinting in beneath the scimitar moon, “you don’t have to be afraid anymore.”
You lick your lips, and instinctively, you reach for the stillness. All the days and weeks and months with the people around you have softened you, and for that, you know you should be thankful. Still, old habits die hard, and you have to clench your fists and dig your nails into your own palms to keep from freezing completely.
You take a shivering breath and force it out again.
“Fear’s a hard habit to break.”
At this, Zoro grunts, though it sounds something like consent. The moment stretches, long and soft and taffy-sweet.
He turns back towards the sea, “Yeah,” he says, and then —
“But we can take it slow.”
You swallow hard, passed the broken shards of forgotten words lodged in your throat (you find that they all somehow taste like thank you), and you nod. Warmth tickles your cheeks and you wonder why he’s said we instead of you — and later, lying in your bed at night, staring at the moon-slatted ceiling, you wonder if he was really talking about fear or if it was something else entirely.
You don’t get a lick of sleep that night.
The next few days pass in a light, repetitive blur. You and Zoro are sent on a few short shopping trips in the city, and you’re glad for something to do that involves movement. Shocking how quickly the body adapts once the weight it’d been holding on to is lifted.
You are still quiet, and he, the same; but the silence has shifted around you, and whereas before it’d been solid and steady, it’s now thrumming and charged with some unspoken energy.
Neither of you are blind to it; nor, it seems, is the rest of the crew.
Sanji’s taken to openly teasing Zoro about being with you all the time, complaining loudly that he can’t get a word in edgewise because Zoro refuses to leave you alone. Nami keeps on trying to drag you out for “girl's day” shopping trips, hinting at all the cute clothes you could get and how “green really suits your skin tone, y’know?”
Luffy and Usopp for their part, both just grin whenever they see you together — Luffy stoked at the fact that you seem more happy and talkative, Usopp gleeful at the way Zoro always seems so much softer when he’s next to you.
You’ve taken to watching him when he trains, sitting in the shade of the tangerine trees, a cold drink in your hand as Zoro runs through his katas. You content yourself with watching him flow through the movements, one and then another, and then another after that. He contents himself with your presence, knowing that you’re here, feeling your eyes as they skate down the length of his back or the width of his shoulders.
It’s a peaceful sort of companionship, even if it is living on borrowed time.
When you all wave the little island goodbye, it’s with heavy hearts and tearful smiles. It had treated you well, and you think you’d miss it. But adventure is as adventure does — it calls, beckoning to those with wandering hearts to listen.
The first week back at sea is a strange one, full of a ringing nostalgia. As if you’re simultaneously coming home and leaving one at the same time. Everyone is a bit quiet, except for Luffy, of course, who literally bounces off the freshly waxed planks, humming to himself as he sits on top of the great ram’s figurehead.
“Is he ever still?” you ask one day, sometime in the second week.
To which Zoro makes a sound between a scoff and a laugh, “You’ve been here a while. What’d you think?”
You sigh softly and tear your eyes away from the bright, shivering ball of energy that is your captain towards the far horizon. A sliver of uncertainty twines through you and your breath slows. Zoro glances at you, now long since attuned to your subtle shifts in movement and stillness. He narrows his eyes.
“What is it?”
You shake yourself back into the moment, forcing a smile.
“Nothing. I think…” your words fade as the feeling twists in you again, knife-sharp and stinging. You clear your throat and reach up to brush away a strand of hair. Skin grazes skin as Zoro’s hand meets yours in the same gesture and you both freeze — hands held up, his finger caught against the bend of your cheekbone, your fingers curling over his.
Time slows, slackens around the pair of you, and the moment stays, suspended in space — garnet dark and perfect.
Neither of you dare to breathe. It’s then that you realize how close Zoro is — close enough for you to see the entire ocean reflected in his eyes: big and dark and so endless it nearly unmoors you. Close enough for you to feel the warmth of his skin; his body, emanating heat. You’d often wondered, in the long hours of watching him train, at the glistening copper of his skin and the light-kissed quality, if the sun himself favored Zoro as well.
Like this, it’s easy to believe that beneath his skin, there pulsed something like sunlight.
“Look! It’s an island! It’s an island!”
And just like that, the moment shatters. Time slips back into motion and you pull away from each other, breathless, with warm cheeks and thundering hearts, feeling somehow lightning-touched and static-ridden.
You take half a step back, reaching up to press a hand to your mouth as if to stop something from tumbling through. But what? You can’t really say.
Zoro tips back as well, whipping around to help Usopp and Sanji with the sails as Luffy continues to holler, waving his hat. On the horizon, you see it looming — the silhouette of an island. You lower your palm from your lips to your heart and wonder what kind of island it will be.
Deserted — seems to be the answer when you all make landfall. The island is quiet, but the occasional chirp and cricket staves off your nerves as you all wander cautiously about the beach, squinting into the dense forest that seems to encompass the whole of the island.
“Looks like a good place to camp for the night!” Luffy says, grinning as he plops down on the sand.
Sanji nods, dusting off his hands, “We’ll need some wood for a fire, but I reckon I can whip up some grilled fish from the fresh catch.”
You wrap your arms around yourself and look around, glancing back at the darkening horizon.
“Something the matter?” Zoro’s voice is soft as he helps you carry some of the camping supplies from the ship.
“No… yes… I —” you look up at him, pursing your lips, “I don’t know. I’ve just… this island is…”
Zoro looks around, his dark eyes scanning the thick swath of forest just beyond the beach, “Too quiet?”
You let out a tiny laugh, “Yeah, something like that.”
He nods, “Don’t worry, I’m — we’re here.”
And he leaves it at that, hoisting a stack of wood over his shoulders and going to help Nami with the fire. You watch him with a smile, wondering what on earth you’d done to deserve this level of caring, this magnitude of kindness. Soon, dinner is had and drinks are shared and laughter is spilled like so many silver coins over the white sand beach. The lull of the evening takes over you all, and before long, Luffy and Usopp are slumped over each other, snoring loudly.
You stare into the depths of the fire and try to tamp down the growing dread festering inside your bones. All those years of holding still, of breathing and listening and feeling — you shake yourself — no, not all stillness is a bad thing. Not all silences are made the same.
“You’re doing it again,” Zoro’s voice almost makes you jump. Instead, you turn, finding him next to you as he nurses a half-drunk bottle of wine in his hands. He doesn’t look at you, but there’s a loose grin hinged across his lips.
“Sorry,” you say, ducking your head, feeling a now familiar heat creep into your cheeks that has nothing to do with the dwindling bonfire.
“Don’t be,” Zoro takes another drink, “But I told you… you don’t have to be afraid anymore.”
“I know… and I’ve said before —”
“Fear’s a hard habit to break,” Zoro echoes back at you, finally glancing over and catching your eye.
You breathe out, looking down at your own hands, “Yeah… but I’m trying.”
You both fall silent, and for a while, the only sounds are the crackle of the dying flames, the shush of the ocean waves, and the occasional snores from the rest of your crew. It’s late — later than you realized.
“Do you… want me to grab a book for you?”
You smile, “No, I don’t think it’s bright enough.”
“I could restoke the fire.”
“No, it’s — it’s okay.”
“Alright.”
A bird coos the distance.
“Why don’t you tell me a story?” you ask, turning to look at Zoro proper, shifting till your body is facing him.
In the faint light, you can see the edge of his adam’s apple bobbing as he swallows.
“You’re asking the wrong guy — you should wait till the Great Captain Usopp’s awake.”
“Yeah, but I want to hear one from you.”
Zoro sighs, his eyes fixed on the last of the flickering flames. He takes another swig of wine before he starts to speak, his voice low and a bit stilted, but he pushes on. He tells you about his childhood, the village he’d trained in, the doujou in the middle of the wood, his friend who he’d never beat — not even once.
He tells you about he early mornings and the late nights, and how the world had seemed large enough to conquer.
“… And then… there came a morning when she didn’t show up… and sensei came and told me that there’d been an accident.”
His voice almost breaks then, and your eyes catch on the shining white hilt of the Wadou Ichimonji — his thumb pressing against the guard, running along it’s hard metal edge.
“Oh… I’m sorry.”
Zoro shrugs, “Don’t be.”
You nod, “Still.”
Zoro slates you a lopsided smirk, “So. Now you know my tragic backstory too.”
You laugh, leaning back to cast your eyes up towards the sky, “And you know mine — it’s almost like we’re friends or something.”
Zoro lets out a long breath, “Yeah… or something.”
There’s a tightness to his voice that makes your skin tingle and it takes everything you have not to look over at him, to try and see if he’s looking at you, watching you the way you’d imagined him to be. You fancy you can feel his gaze on your face, but you close your eyes instead.
You let yourself fall into the warm haze of sleep, and for a while you drift there, your mind sifting through shards of memories and slivers of sound, casting them against the backs of your eyelids as you slowly slide into the darkness of dreams.
You wake up to a gasping stillness — the silence pressing in on your eardrums like thumbs, the darkness around you so complete it’s almost a solid thing. You freeze, your breath hissing to a halt inside you. Then distantly, ever so distantly, you hear the sounds of battle — metal clashing against metal, the hard thud of boots against flesh. You shake your head and reach up to clap your hands over your ears and only then do your senses return to you, snapping back as if you’d been abruptly shunted back into your earthly body.
“Gum Gum — Pistol!”
“Seize her!”
You whip into movement, fast as a flash, dashing away, hoping against hope that it would draw your attackers far enough from your crewmates.
“No one… ever… leaves us…”
The voice is serpentine and susurrus, sinking into your skin like sharpened teeth, but before it can reach you, it’s cut short by a bright flash of silver.
You gasp, whirling around, reaching for the nearest pulse, instinct taking over as you sink your fingers into muscle and flesh. The rush of blood thrumming beneath your fingertips comes too easy, even as a familiar scent accosts you. A moment later, your hands are being pinned above you, and thick, rough bark is digging into your wrists as Zoro stands before you, a sword in one hand, the other holding you still.
His eyes are a little wild and a lot worried. There’s a ring of red rawness around his neck, thin trickles of blood trailing along his jugular, disappearing into the wide scoop neck of his shirt.
“Hey, look at me.”
You nearly whimper, struggling against him, fear still coursing through you like a drug but Zoro is strong enough to keep you held. Behind him, you can see the rest of the crew fending off several shadowy figures, Usopp waving a torch, screaming at the top of his lungs, Luffy whooping as he whacks another figure with his fist.
“Z-Zoro?”
“Yeah, it’s me — eyes up here.”
You swallow in a breath, and then another, and you feel the bright thrum of urgency leave you as your body slowly falls slack. And then you’re slipping, and he’s looping an arm around you to keep you upright.
“Th-they’re here — they —”
“They’re gone — we got rid of them — hey.”
Zoro takes you by the shoulders and gives you a gentle shake. Finally, your eyes catch on his and your gaze holds. You see yourself reflected in them, stark and terrified, but alive — somehow alive.
“They’re gone,” he says, his voice soft and low by your ear, his arm still wrapped around your middle. Shivers wrack your body as you bury your face in his shoulder. He smells of steel and skin and the metallic tang of blood. It’s then that you remember — the wounds on the sides of his neck. The marks in the shape of your hands —
You jerk back and feel a sticky wetness against your cheek.
“Zoro, I hurt you!”
At this, he scoffs, pulling back far enough to flash you a look.
“This is nothing. C’mon.”
He offers you a hand, and after a second you take it, letting him pull you to your feet. Wordlessly, he presses his palm to the small of your back, his arm extended to keep you steady as you both make your way back towards camp.
“Phew! That was a workout!” Luffy is saying just as you both reach the outskirts of the now-darkened bonfire. Sanji is pulling out a cigarette, striking a match, and first lighting the end before tossing it into the remains of the firewood, fanning it up into a slow flame.
Nami and Usopp both look a bit shaken, but none worse for the wear.
They all pivot to look at you.
You go still against Zoro’s side, uncertainty flooding through you. Faintly, you feel Zoro’s fingers as they press into the bend of your waist, solid and steady.
Then, Usopp coughs, “C’mon y’all — the Shadows that Live? Psh! More like — the Shadows that Fled, am I right? Yeah? Didya see the way I sent ‘em runnin’ with my brand new fire-powered explosion rounds?”
Nami chuckles and Sanji follows suit, shaking his head and letting out a thin wisp of smoke. Luffy’s grins at you, pumping a fist in the air, clapping his right shoulder.
“See? Told you we’d have your back! We are your crew, after all!”
Weakness seeps into your limbs as you nod, hot pin-pricks of tears itching at your lower lashes. You lower your head and rub at your eyes before looking back up again with a smile. Sanji grimaces as he looks over Zoro.
“Got something on your neck, mate.”
Zoro glares but you glance over and feel your stomach twist with guilt.
“Sorry… I can clean that up for you. They’re not deep but they do need to be bandaged up.”
Zoro wipes down his sword before sheathing it and motioning towards the ship. Behind you, you can hear Nami yawning and saying something about catching up on some more sleep and Sanji reassuring her about having the last watch anyway.
The kitchen is still dark, but the dusty dawn sweeps against the far horizon and neither of you bother to turn the lights on. You carefully set the first aid kit on the kitchen counter and collect the supplies as Zoro leans back against the edge and folds his arms. You work in near silence, reaching up to first wipe the thin threads of drying blood before tending to the tiny, crescent-shaped puncture wounds.
You press an alcohol-soaked cotton ball against one of them and feel Zoro wince.
“Sorry.”
“I’m fine.”
You bite your lips, “If this had been a bit deeper or a few inches over —”
“But it wasn’t. So it’s fine.”
You don’t look up at him but you can feel his eyes on you. Your movements are fluid and sure; you’d clearly done this before.
“Hey, look at me.”
You freeze, eyes slowly gliding up the planes and divots of his neck, slipping up the line of his jaw, so sharp it might’ve been turned on a diamond cutter’s lathe. Your breath hitches as you finally meet his eyes, and there’s a dark, knowing glint behind them that makes your stomach flip.
“I’m fine.”
And for the second time in a handful of hours, you’re caught by the realization of your closeness — only a breath of space between you. There’s a crimp at the corner of his mouth that looks dangerously like a smile and then you’re tipping forward, a thumb reaching up to trace the line of his bottom lip once —
The movement acts like a trigger, and suddenly, he is leaning in and the breath of space disappears.
For all your life of stillness, you thought you’d learned to appreciate the depths and widths of movement. But nothing could’ve prepared you for this — for the push and pull of lips on lips, for the force and friction of skin against skin. For the gasp and hiss, for the breath and kiss.
For the feeling of his large palm as it settles along the swallow’s-nest bend of your neck, the way his thumb runs along your jaw like tracing the guard of his beloved sword, tilting your mouth towards him. For the way your heart might flutter like a tiny, caged bird, or the way you might feel his heart thumping like a fist from his chest to yours.
For the way his voice rolls over your name like a ship at sea; for the way it would shake your body from your bones and leave you more liquid than solid in his arms. For how you never used to think your story would be a love story, but then you realize that every story is a love story if caught in the right moment, in the right light.
And here, breaking apart from Zoro, with a thick, stolen streak of lemon-yellow sunlight leaking in from the kitchen window — that’s exactly what it feels like.
“Oh,” is all you have the strength to say.
Zoro, in all his solid brilliance and quiet audacity, laughs.
You taste the smile on your own lips before you realize you’re smiling. But when you try to bury your face in his neck, he winces slightly as you brush his still-fresh wounds.
“Crap, I forgot about these.”
Zoro chuckles as you hurry to press a few small bandages to the wounds.
“It’s okay. So did I.”
You finish dressing his wounds in silence, though this silence is markedly different from every other silence that had ever existed between you. There’s ease and tension, both, and when you’re finally finished, Zoro takes both your hands in his.
“So…” you say, unsure suddenly of where to look.
Zoro’s laugh is just as soft, just as uncertain.
“So.”
You try to look out the window, but by now, the dawning sun is so bright that it temporarily blinds you and you jerk back. Zoro smiles, reaching up to run his thumbs along your closed eyelids before dropping them to hook around your wrists again.
“Do you… wanna talk about it?” he asks, quiet as always.
You purse your lips and let your lashes flutter open. You find him watching you. Heat crests up your shoulders and into your cheeks, and suddenly, the exhaustion of the night before saps at your limbs. You sigh.
“Right now? Not really.”
“Yeah, neither do I,” he says, sounding as relieved as you feel.
You bite your lips and cast your gaze shyly across his face, your bird-wing heartbeat still flapping in your chest. You fight the urge to go still, to reach for that shield that has always protected you before. Faintly, you feel Zoro’s thumbs tracing circles along the insides of your wrists.
“Can I ask for something else, though?”
“What is it?”
You reach up a finger, nudging one of his golden earrings. You don’t miss the way he shivers, or the way his breath quickens in his chest.
“Kiss me again.”
Zoro grins, tugging you towards him, leaning into the curve of your palm as he does.
And does.
And does again.
reqs are: temporarily closed
but feedback is much loved and appreciated!!!
#Anonymous#one piece#one piece live action#opla zoro#opla roronoa zoro#roronoa zoro#roronoa zoro x reader#roronoa zoro x you#x reader#opla#one piece netflix#opla zoro x reader#one piece live action x you#one piece live action x reader#roronoa zoro fluff#one piece fluff#opla fluff#roronoa zoro imagines#roronoa zoro scenarios#floofy floof floof#scheduled post#angst mcgee#and yes after some consideration and that poll#im giving Proper Caps a try LOL#its strange i think it actually changes my voice a lil bit#but i dont think i mind???#anyway -- any feedback would be much appreciated! <3
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