#why don’t you understand my decision?

[zahri-melitor]

Thinking about the decisions made by Tim and by Dick at the end of Battle for the Cowl again, and I just realised this is one of the few moments when Dick and Tim’s instinctual reaction to a situation flips and they take the route the other usually chooses.

Because Dick’s maxim since 1980 or so has been that, when situations get bad, you can walk away and leave. Your problems can be left behind. People will cope without you. When things get personally stressful, Dick generally leaves. (Leaving Bruce to become Nightwing after the you’re fired/I quit conversation, walking away from the Titans after his relationship and wedding fell apart with Kory, going to Bludhaven to establish his own separate identity after reuniting with Bruce, wandering in a daze after Blockbuster dies and then running off to join the mob, the manner in which the Dick/Babs breakup(s) are structured, needing the World Trip Cruise after Bludhaven is bombed, etc)

While Tim’s choice in bad situations has generally been to cling, to stay and hold things (hold people) together, because if he doesn’t take on the role, who will. Tim worries that without someone stepping up, things will fall apart. (‘Batman needs a Robin’, staying during Knightfall and Knightquest, coming to No Man’s Land to pull the city back together, returning to Bruce even after his 16th Birthday, returning to Robin during War Games, even going to Bludhaven after War Games is holding Bludhaven together for Dick while he’s not able to do so, to go on the World Trip Cruise to keep an eye on Bruce and Dick, to try and clone people/resurrect people because he’s clinging to their memories).

But then we hit the start of Batman Reborn. And Dick makes the decision to stay, to hold Gotham together, to hold Damian together, a decision that usually you would see Tim make.

And Tim chooses to leave, to believe that Dick and Gotham can cope without him, while he prioritises something else (the search for Bruce).

As characters, Dick and Tim have been arguing over this point for 34 years now, and it’s fascinating to see that on one of the big occasions when the decision flipped, they both ended up on the opposite side to usual.

[lyriumsings]

The assumptions people are making on Veilguard bc ALL decisions won’t carry over are insane to me “OH so morrigan won’t mention her ONLY SON!! or her roMANCE??”. We have no idea what context or capacity she’s going to be in the game? In skyhold, she stayed at skyhold for a while, so it made sense to chat her up and ask about her life. Also Kieran was THERE bc he was TEN. Kieran is now in his twenties and most likely living his own life. If we’re saving the world and fighting darkspawn WHY would her grown ass son come up? Esp when she doesn’t even know Rook?? Like i would understand if we had veilguard in our hands and people were complaining bc Morrigan actually had dialogue invalidating their canon but for fuck’s sake the game isn’t even out yet. They’re saying it doesn’t matter as in it’s not gonna come up bc Rook is busy doing other shit, rather than quizzing characters who aren’t companions on their lives. “What about Varric”. Varric seems to have a pre-established relationship with Rook which means you can headcanon that they already had the talk about Varric’s life story considering he called them his “second in command”. Like cancel your preorders, preorder, do whatever you want no one on the internet is the boss of you. But oh my fucking god complaining about something you don’t even fully know about is already getting so old. Best case scenario, you’re right and i guess your bitching is validated yay for you ig. Worst case, you’re wrong and like wasted so much time and energy bitching for nothing. Like I completely understand being upset the choices don’t carry over, it IS disappointing! But we don’t even KNOW what it’s going to affect if anything at all. It’s just so funny how everyone was like “it’s not about the Inquisitor” and now that the focus is confirmed to be pretty much entirely on Rook and the inquistor’s choices barely seem to matter in game and half of everybody has lost the plot bc of it and we don’t even actually know how this will affect the game like ????

[vio1315]

I feel the need to remind people,

There is nobody Jesus is unable to save

I feel it comes up far too often that I am researching a mental illness or behavior or types of people that people will comment how such people will never be saved, never come to Christ

And I honestly think this is an evil thing to say, let alone publicly, let alone where a record of it is kept for all to see for however long the website is running

Do you have any idea where people who are struggling with all manner of things and looking for help are going to end up? On those exact pages. Do you know where they might look for more information when the article/video/etc waxes on about how rare it is for these people to change or find help? Right in the comments.

How dare the people who post this stuff. To take away the only real hope for the lost. To say ‘this is where everyone can find peace for their soul except for you.’ ‘only those good enough can be Saved’

I have seen people mention being in absolute despair because there’s no help for them even though they want to change. There’s no need to make this even harder. 

No sin, no mental illness, no habit, no personality type, no mistake, no past is going to prevent people who put their faith in Jesus’s death and resurrection from being Saved, so stop trying to turn them away and discourage them.

[phoenixmetaphor]

resident evil cowboy au??? resident evil cowboy au!

or maybe more like ‘western au’ but whatever. someone mentioned the words ‘cowboy au’ within my circle and that was all it took, i was gone on another extreme au adventure. have brainrot, will travel.

bonus initial concept sketch below — leon is older in it than in the comic and has graduated to dual pistols. chris remains grizzled.

[godblooded]

before this turns into a wicked fanblog basically i’m reminding everyone i’m a glinda apologist down to my fucking core.

[baleclava]

I hate that 10+ years have passed since Inquisition, it truly doesn’t make any sense to me..

You could tell me it took solas a month to prepare for his ritual and nothing would change.. This is because we have never been in tevinter, we don’t know how much the place has changed in 10 years! If the game took place in ferelden we would definitely the passage of time! So to me, the time skip has no impact other than making characters be older…

[vault81]

wait wait a damn minute, so saving minrathous locks you out of the lucanis romance? BUT saving treviso doesn’t lock you out of the neve romance?

And not only that, if you’re locked out of the lucanis romance, lucanis and neve still get together?? So you don’t have time for Rook now bc they saved minrathous but you’ll have time for Neve now?? The logic here isn’t logicing BioWare

[camgoloud]

you know what? fuck you *takes on your me*

[the-golden-dragoness]

Not crying and being guilt ridden again :))))))

[silvery-stars]

would it be sacrilege of me to say that i am kinda hashtag Underwhelmed by the percy jackson show

[autopsytableromance]

The worst part of mania for me is that I get so restless and don’t know what to do with it when I do t have a task or I can’t listen to music that I get so viscerally angry. And then people can tell and ask me about it and that pisses me off more and I just feel like if I could make like lightning strike whenever I’m angry that would be really helpful bc if ppl are scared I’ll explode them they’ll leave me the fuck alone.

[anti-dazai-blog]

ngl that dazai anon™ reminds a little of myself when i was hyperfixated on a specific character and would go on to guilt trip every single fic writer who dared to kill her

but like... i was 10

Oh I relate to this so hard in the sense that dazai anon reminds me of my pre-teen self�� when I was like 12 I went through a phase of hating on an actor who played a character I didn’t like (the actor did a perfectly fine job of portraying the character, my 12 year old brain just couldn’t differentiate between an actor who’s really good at playing an asshole and an Actual Real Life asshole).

Luckily I never harassed anyone over it, and once I outgrew that phase I was like “That was so stupid.”

anyway that’s why I keep saying I really hope the Dazai anon just outgrows this phase naturally. I think the fact that this is all taking place on the internet instead of in some private group chat between Dazai anon and their friends is making this so much worse, because it’s creating this cycle where they have to keep doubling down and the internet will never let them forget about this and outgrow it in a healthy way.

point is the internet is the REAL problem here.

[queers-mdears]

so much of who i am at this moment in my life revolves around grief and the loss of my dad. not in a “i’m sad all the time” way because that isn’t what grief is. i just am always thinking about grief in some way. my perspective on life is colored by my grief! it’s always there. it’s been there for four years now.

and i am not happy izzy died. that will never be true. just like i will never be happy my dad is dead. i love my dad and boy do i love izzy hands especially this season. but i am feeling this grief and these feelings and this LOVE and it is so familiar but it isn’t all bad. because we got closure. we got a fucking incredible izzy arc. it’s devastating. but like, it’s supposed to be. if i didn’t love this character so much i wouldn’t feel this way. if this show and this character weren’t well written i wouldn’t feel like i’m microdosing on grief! but i do and i love having characters and stories that help me process my grief and feel my feelings!

someone else pointed out that it is such a sad way to look at life thinking “why go through all that growth if he’s just going to die.” everyone dies! people you love will die. you will die. everyone still deserves to grow and be loved anyway.

i am sad. i am crying about it! but i just feel so much love? like the way they did it didn’t feel cheap. i didn’t feel like i was being robbed. or like it was just bad writing. which i often feel like when it comes to character deaths. but this time it really felt full of love for izzy and the journey he went on. and for ed, for that matter. and i feel very emotionally connected to it all.

all of that being said the one (1) thing i didn’t like at all about s2e8 is izzy saying “you’re surrounded by family” and then stede and ed leaving the crew immediately after. feeling very “wtf is that” but i know why they gave us that ending just in case and i do really appreciate the writers for that.

[n--n]

Can’t sleep so I’m reading a really good pjo fanfic exploring an older Percy and his trauma in little vignettes and the author sprinkled in some explorations of the implications of Lupa eating the “failed” demigods and in the latest one it’s implied Percy had her kidnapped and is killing her slowly and now I’m like. Hold On Buddy you were doing so good until now.

I initially really liked the execution but having Percy torment/kill her is so so silly to me. Like idk maybe Lupa ate those kids bc 1.She has what, like a hundred others to take care of 2.is it not more merciful to just swiftly kill the demigod instead of letting it die randomly to a monster or of starvation /neglect bc she isn’t caring for it. Yeah the monster will eat the kid too but it’ll just as easily torment them for a long time before finally eating them. I can’t remember how old demigods are when they go to her but it’s really young iirc so she’s probably doing a lottt of work raising them even with magic god powers. I just think it’s a stretch to give her such a brutal fate bc she was doing her gods given job. Like if Zeus/Jupiter wanted to hire more caregivers he fucking could and Percy could have strong armed him into it but no let’s blame the literal animal mother for making an animal decision animals do. Ancient Roman mothers made that decision too in the myths do you know how many myths start with “x was abandoned in the woods/cliff/bears to die by their parents”?!? So if anything Lupa’s demigod kid murdering has more to do with her animal nature and enforcement of antiquated Roman rules in the modern age than it would with her being an evil baby eater.

Like yeah it sucks but I don’t see Percy taking in every single demigod no matter what personally like she has to. (It’s almost as if that’s impractical and a massive burden for one person!). In the fic series he has great mentorship/bonding with some demigods and literally adopted one but that’s //one//. He’s not the one doing all the chores and menial tasks to keep the camp demigods alive he just visits makes sure they’re treated well gives advice and leaves to be depressed in these fics.

And another thing! Like yeah she’s a god and can split her consciousness but how far can she go she only has so much energy as a minor god. Idk idk it just really rubbed me the wrong way, it’s not a deal breaker for me but I guess it just annoys me that the story seems to hate her for making a normal decision for wild animals to make that’s sanctioned by (and thus the blame should go to) Jupiter/Zeus anyways. That’s a law/culture/lack of extra caregiving support problem not a Lupa specific problem. Why is Chiron given a pass for his neglect and endangering of the demigods but Lupa isn’t?

Anyways I’m probably tired enough to sleep now moral of the story is Lupa Did Nothing Wrong

[iliveinprocrasti-nationn]

my mum is coming to visit tomorrow and i’m going to talk to her about getting a wheelchair. or. well. i’m going to tell her i’m getting a wheelchair tbh. it’s not a question of if i can anymore. this’ll be more about if she’ll support me or now

[creatingblackcharacters]

“It’s Giving” AAVE, and the Denied Yet Undeniable Impact of Black Culture

I grew up knowing it as Ebonics; I didn’t hear 'AAVE' until I was an adult. Apparently it’s used derogatorily- I did not know. But when Robert Williams coined the term in the 70s, its meaning was:

“…the linguistic and paralinguistic features which on a concentric continuum represents the communicative compentence of the West African, Caribbean, and United States idioms, patois, argots, ideolects, and social forces of black people…Ebonics derives its form from ebony (black) and phonics (sound, study of sound) and refers to the study of the language of black people in all its cultural uniqueness.”

Familiar Examples include but are not limited to:

The History

It was unbelievably difficult to find a solely Black perspective on the subject. I’m gonna need everyone to let Black linguists talk, it’s literally their job. Anyway, I need y’all to actually WATCH this video. Don’t skip it thinking I’ll summarize. Watch it. Actually listen. That’s part of the problem to begin with, is not listening. Even if you have to read this lesson later, so be it.

One of the points emphasized in this video was that AAVE was formed of the need to communicate, and specifically to communicate in a way that hid what we were saying and thinking from antagonistic white society.

“…“the disguise language used by enslaved Africans to conceal their conversations from their white slave masters to the lyrics of today’s rap music, [the magical power of] the word has been shaped by a time when, as observed by Harlem newspaper writer Earl Conrad, ‘it was necessary for the Negro to speak and sing and even think in a kind of code.’””

Because it was in a form that white people could not understand, as well as already existing racist biases against the humanity and intelligence of Black people, naturally it was assumed that our way of communicating was ignorant and ‘false’. Even acknowledging it as a valid language was seen as abhorrent, by nonblack and certain Black people.

“For decades, linguists and other educators, pointing to the logic and science of language, have tried to convince people that Black English exists, that isn’t just a politically correct label for a poor version of English but is a valid system of language, with its own consistent grammar. In 1996, with the unanimous support of linguists, the Oakland School Board voted to recognize AAVE, or the more politicized term “Ebonics” (a portmanteau of “Ebony” and “phonics”), as a community language for African American students, a decision which might have opened up much needed additional funding for education. Instead it resulted in intense public backlash and derision due to the still widespread, incorrect belief that Black English was an inferior, uneducated form of English associated with illiteracy, poverty, and crime. It’s hard for a language to get ahead when it keeps getting put down. Some linguists, such as John Russell Rickford, have noted how even sympathetic linguistic research, which has derived a lot of benefit and understanding from Black English grammar, can unknowingly focus on data that represents African American communities negatively, giving “the impression that black speech was the lingo of criminals, dope pushers, teenage hoodlums, and various and sundry hustlers, who spoke only in ‘muthafuckas’ and ‘pussy-copping raps.’” The term “Ebonics” even now is used mockingly by some as a byword for broken English.”"

(Some of) The Rules

AAVE is a full dialect with grammar and social rules. But the ones most people are familiar with include:

Th becoming D (“dats”)

Double Negative (“I ain’t see nobody”)

Habitual Be (“It’s cuz he be on that phone”)

Possessive s absence (“I’m going to my grandaddy house”)

Question word order (“who that is with the ice cream and cake?”)

Zero copula (“who that?”)

"Why do you talk like that" Would you rather I code switch?

“Code switching, or adjusting one’s normal behavior to fit into an environment, has long been a strategy for BlPOC individuals to navigate interracial interactions successfully. Code switching often occurs in spaces where negative stereotypes of Black individuals run counter to what are considered appropriate or professional behaviors and norms in a specific environment, and regularly happen in work settings.”

In this context, you might recognize it better as “using your white people voice”.

Some Black Americans, for varying reasons including internalized antiblackness and a desire for assimilation, hate AAVE! Some people will hate that you don’t use AAVE! Never assume we’re all on the same page about its use! My own mother used to be big on speaking ‘proper English’.

Regional Differences

The same way regional differences affect standard pronunciation, it’ll affect the AAVE used. Culture in the area as well will affect the words that come from it. So someone Black using a phrase in Philadelphia might not automatically know what someone Black from Compton is saying.

Someone did their dissertation on this topic, and while I’m going to link the summary for yall to give it a shot, Imma be honest- I do not understand this. I tried. It’s interesting how something that comes so innately, once written out like this is like WHAT. But the research has been done!

Easier examples include:

"Aaron earned an iron urn"- Baltimore

GloRilla and "Mursic"- Memphis

A lot of AAVE from New York City is popularized; so you might hear words from anywhere that originated from Harlem or Queens, or New York Ballroom culture

Tonal Languages

One major source of misunderstanding AAVE is people not understanding tonality. AAVE is often tonal, similar to many African languages, languages in general- meaning that unless you hear it or are innately familiar with how it’s spoken, you might not know HOW I’m saying something and therefore will not understand what I’m trying to convey. Given the history, this was on purpose!

Black language- Black culture in general, really- is often conveyed orally. Everything we say and do is not going to be written down for someone else to study. Doesn’t mean we weren’t saying or doing it. If you want to understand, you have to listen!

“Linguist Margaret G. Lee notes how black speech and verbal expressions have often been found crossing over into mainstream prestige speech, such as in the news, when journalists talk about politicians “dissing” each other, or the New York Times puts out punchy headlines like “Grifters Gonna Grift”. These many borrowings have occurred across major historical eras of African American linguistic creativity. Now-common terms like “you’re the man,” “brother,” “cool,” and “high five” extend from the period of slavery to civil rights, from the Jazz Age to hip-hop: the poetry of the people. This phenomenon reflects how central language and the oral tradition are to the black experience.”

Some examples:

1) "You Good" can mean, depending on how it is said and the context in which it is spoken:

Are you okay?

Do we have a problem?

You’re okay.

You don’t want these problems so chill.

Do you have enough money/resource?

It’s fine! Don’t worry about it.

2) This was an interesting experience, watching the misunderstanding of AAVE occur live. It’s the realization that people read this as “This is something Bugs Bunny would wear” versus “Bugs Bunny would wear the fuck outta that outfit”. But if you didn’t know that, if you aren’t familiar with the tonality of AAVE, of course you’d think the first one is what it meant! And it's not wrong-wrong - he would wear it, but that's not necessarily all it meant.

3) “Chill-ay” versus “Chile”. Yeah, we didn’t forget that. This is often why AAVE is used to sound “aggressive” on the internet- if you perceive (however subconsciously) how Black people speak is aggressive, then when you decide to emulate my speech in your moment of aggression, it is because you think my Blackness will make you seem more intimidating! You find Blackness… intimidating. Same reason you think it makes you funnier than if you were to deliver the same joke using your own dialect. It means the jokes not funny; my language is what’s funny.

Black American Sign Language

We even communicate differently in sign language; there’s an entire history and culture behind the Black deaf experience.

“In April 2020, Nakia Smith, aka Charmay, created a TikTok account introducing five generations of her Black Deaf family and how they communicate in Black ASL. As a social media influencer of Black ASL content, Charmay made a series of educational and informative videos on the history and practice of Black ASL. Charmay’s video went viral, landing in a New York Times article, Black, Deaf and Extremely Online, and Blavity: TikToker Has Gone Viral For Putting The Culture On To Black American Sign Language. Additionally, Netflix requested Charmay to explain the difference between Black ASL and ASL.”

Everyone doesn’t speak AAVE!

If your Black character is not Black American, and has never once been connected with Black American culture or people, they are probably NOT going to speak AAVE! They’re going to speak whatever dialect THEY have! And that doesn’t make it any less “Black” of them!

Different dialects and languages across the diaspora include but are certainly not limited to:

Black British English

Haitian Creole

Gullah

Jamaican and Caribbean Patois

Everyone Owes Rihanna an Apology

Y’all remember the song Work. I know you do. It was mainstream’s love and joy when this song dropped to be overtly racist about it, Black Americans included. Everyone claimed it was ‘gibberish’, that she was just mimicking language on a song and ‘it would be popular’.

Meanwhile, it was her singing in her native island patois! The people who spoke her language understood it! Anybody who actually tried to understand it, understood it! Another popular song, Sean Paul’s Temperature, is also in patois! And I thought we loved that song!

So next time Black people speak and you find yourself thinking- ‘wow, this makes no sense’, I want you to think to yourself: ‘does it make no sense, or do I just lack the context/knowledge/language to understand it?’

NOW THAT WE’VE HAD SOME EXPLANATION BEHIND THE LANGUAGE!

Writing AAVE

Me personally, I admit I don’t like it being used in stories where it is clear the author doesn’t understand the dialect, or where it’s clear the only person who speaks it is the “Black character who OMG DID I TELL YOU THEY WERE BLACK”. I’d rather it be the regular Queen’s English. We speak that too. I’m not going to decry your fanfiction or your regular modern-day original story as “bad” if you choose to use whatever language your region commonly uses. We know how to speak it. We will be okay. Using AAVE is not going to sell me that this character is “Black” if the rest of the character writing is still bad.

If it means that much to you, because it is important to the character, then you as the writer need to commit to learning proper AAVE! This isn’t going to be a “look up every turn of phrase on google” or “ask Ice what every single thing means”. You’re going to have to do what everyone who learns a language does- immerse yourself in it! If you can’t be bothered to learn my language, I’m going to know that when I read your work.

Obviously if there’s a context where the Black people involved do not know how to speak a language, it is perfectly fine to show that, as long as you are showing that it’s not due to some innate stupidity or other stereotype that this person cannot communicate the same way others communicate around them.

“The N Word”

I know someone’s thinking it, so let’s address it. There’s a translation for this word in damn near every language that’s ever come across Black people. So don’t go “oh we don’t have that word in my language-” I bet money you do.

Yes, it could be used in historical context- the ‘hard -er’. Yes, it could be used in social context- the ‘-a’. It follows the tonality rules I discussed earlier; that is, the way it’s used and who is using it makes ALL the difference in how it will be received.

Everyone is not on the same page about the use of this word within our community. Some Black people think it should never be used, period, even by us! Some Black people think that it should be reclaimed and use it as such! The only thing we’re on the same page about is that YOU should not be using it.

I say this to say to nonblack writers: put the pen down.

My stance is, if you can’t understand AAVE, you CERTAINLY aren’t going to be able to incorporate the social use of this word. Period. If you scared of the potential smoke incurred if you fuck it up- and if we see it, you will catch it- don’t bother. Trying to “write realistically” does not cut it. You should be doing everything in your power to understand and write a great Black character in all ways before ever thinking this is something you should do. In fact, if you're that thirsty to use this word, you have some other things you need to consider.

In the historical context, just watch yourself. If you’re gonna drop that word, you need to be damn well-researched on every other aspect of Black life and oppression in whatever era you’re writing. Just dropping this word to say “life is racist” shows a lazy lack of understanding of antiblackness. You don’t even have to drop the whole word. A “ni-” at the end of the sentence is enough for me to know exactly where we’re going! But if you not gone do the rest of the work… you know what they say about stupid games.

The Fundamental Disrespect

If you watched the prior videos (and you should have) and paid attention up to this point, you have already heard the struggles that both AAVE as a dialect and those that speak it go through.

There’s a societal connotation of stupidity, aggression, and silliness behind the way I speak. None of those things are true, and it’s hard to be told that even the way you communicate with others is bad.

But the other reason it’s so hard is because we spend our lives hearing that those are the connotations… when WE speak it. It is not the language- it’s ME that makes it so! And that gets into the other part of this lesson, something that AAVE is oft victim to.

This part is a little scarier for me to write, because people don’t like it when you talk about Black Americans as a separate entity from the US of A as it is known. I’m gonna put on my political hat for a second, but I promise this ties into my overall point so stick with me!

Stolen Cultural Hegemony

The reality is that the United States of America has forced a cultural hegemony upon the planet (amongst other forms). Yes. That is due to the capitalism, colonialism, imperialism and damn near just about every other -ism at the US government and military’s disposal. I am not saying that part somehow changes, of course not. That’s just facts. There are people far smarter than I (Edward Said, take the wheel) who could explain this far better. But I’m only here to explain this one point.

What DOESN’T get acknowledged is how much of what is deemed American pop culture across the world is both 1) stolen 2) Black culture! We do not have equivalent political power despite what our hypervisibility would suggest, but our social currency is raw diamond- so naturally, it has to be plundered! The white American dollar might mean far more than my life, but it’ll pay for my creations- even more so when I’m not involved!

The issue is that if your society says that I am less than, how can you justify how you covet everything I create? If I’m supposed to be so much less than you, why do you seek my language, my fashion, my music, my body? Why do you feel entitled to my creation, but you think you should have it… Without me?

Sit on that one for a second!

Appropriation of AAVE

Let's refer back to that chart at the beginning. How many of these have you seen or even used before? How long did it take for you to know it was AAVE? Don’t get me started on the influence of AAVE in queer spaces!

Of course I’m going to get started. Ballroom culture, created by Black and Latino people in New York City in the 80s (Paris is Burning, anyone?), has spawned so much popular “gay” lingo, and it’s not even just “gay”- it’s of color! Black English in particular is the source of many of the words that queer people use now in casual conversation, brought into the ballrooms, normalized, and then proliferated with other communities.

I can always tell when a new phrase from AAVE has hit nonblack audiences because it’ll suddenly be in every sentence I see, often butchered. Remember that historical context- of having to speak in code. Have you ever considered why AAVE is always evolving? Why we have to find new ways to communicate with each other? Have you considered that when people are constantly taking and misplacing your words, they may lose meaning or value, and so you have to come up with something else?

Appropriation of Black Music

Jazz, swing, the blues, disco, rock and roll, pop, even rap and hiphop have all been subject to appropriation- intentional or not. Far more intentional than you might want to believe. And it all comes back to money!

White audiences in the 1900s loved Black music- as long as they didn’t know Black people were singing it! Often, songs would be completely lifted and given to white bands to re-record. When Frankie Lymon first came on stage to perform, some of the audience was stunned! Even you know Itty Bitty Pretty One!

A more modern-day example: not to pick on the K-Poppies, but unfortunately it’s a low hanging branch example.

What K-Pop groups are doing now is heavily influenced what Black pop, rap, and R&B artists were doing from the late 90s to this very day. Part of the reason I enjoy K-Pop is because it reminds me of the stuff I used to listen to growing up. How many times have you heard someone think a Korean rapper in a K-Pop group is “fine”, but “don’t like” rap otherwise? Or will listen to K-Pop groups, but have very few to no one Black of the same sound on their playlists?

Examples:

Rover by Kai (2023) vs Swalla by Jason Derulo (2017)- Idk how popular Kai is outside of EXO, but I do know that some influence was had. And I like the song, btw! I prefer the music video! It’s just not the first time it’s been done!

Sweet Juice by Purple Kiss (2023) vs Say It Right by Nelly Furtado on a Timbaland beat (2006)

Taemin and Michael Jackson, period. Taemin having a song called The Rizzness. How did ‘rizz’ get to him? How did he know? More relevantly, how did the people who wrote his music know? How did something that started with Black people in Baltimore get all the way to Taemin in South Korea without influence?

I’ll use another example, so it doesn’t feel like I’m picking on K-Pop. I’m currently listening to CĂN NHÀ TRANH MÁI LÁ (Vietnamese, if you couldn’t tell) and as much of a banger as it is, with its own amazing cultural spin on the delivery… it is CLEARLY influenced by Black American rap. He nicknamed himself Vietgunna. Yall.

A non-American musical example: Afrobeats has taken the music industry by storm… How many of those people who enjoy an afrobeat from a nonblack artist will enjoy it from Wizkid or TEMS?

Those polls, where they ask how many Black artists you listen to… try paying attention to see just how much of your music takes inspiration from Black creators, but there’s a non-equivalent amount of Black artists that you support!

Political Bastardization of Powerful Black Colloquialisms

The appropriation of Black English isn’t always for entertainment. Sometimes, it’s a purposeful, malicious tactic to demean the words, and therefore the intent behind them.

“Woke”

“Michael Harriot, columnist at TheGrio and author of the upcoming book, Black AF History: The Unwhitewashed Story of America, explains that this kind of insidious takeover and flipping of Black vernacular to anti-Black pejorative has numerous parallels in America’s past and runs all the way up to present day. “When you look at the long arc of history and America’s reaction to the request for Black liberation – every time Black people try to use a phrase or coin a phrase that symbolizes our desire for liberation, it will eventually become a cuss word to white people,” Harriot says in an interview with [Legal Defense Fund]. It’s perhaps this very context — Black people’s awareness of their history and their power to resist injustice — that made woke so ripe for the pernicious mutation it has now undergone. Indeed, the forced transformation of the colloquialism echoes how countless other Black ideas and intellectual contributions have been maligned. “When people during the civil rights movement began saying ‘Black power,’ all of a sudden it became a term that people equated with communism and anti-white sentiment — and then it eventually gave birth to ‘white power,’” Harriot tells LDF. “The ‘1619 Project’ [which centers the ramifications of slavery and the contributions of Black people in American history] has become an insult. ‘Black Lives Matter’ became an ‘anti-white sentiment’ that was banned in school and spawned ‘all lives matter’ and ‘blue lives matter.’”

#SayHerName

This discourse is happening again, it happens like every six months on here, and it’s one of the things on here that fills me with a hatred that I struggle with every single time. It is hard, I literally feel that hatred in the pit of my chest right now as I type this.

Kimberle Crenshaw (Black woman and the originator of the legal term ‘intersectionality’), the Center for Intersectionality and Social Policy Studies, and African American Policy Forum coined the hashtag in 2014. TWENTY FOURTEEN.

It was meant to highlight the violent deaths of Black women and girls at the hands of police, which happens at a high rate like Black men and boys, but often goes far less acknowledged. By appropriating the hashtag, you are actively choosing to speak over the very names and deaths of Black women and girls we don’t know, because we are NOT SAYING THEM, and therefore are allowing those deaths to continue as though they do not matter.

I’m going to stop before I get more upset. But know what violence you’re contributing to in your negligence.

How to Avoid Cultural Appropriation while Showing Appreciation

Everything is obviously not appropriation. It is possible for people to appreciate, replicate, and take influence without being disrespectful! It happens! And because it is possible, is why it’s so infuriating that it does not.

It’s frustrating that when something is on me, it’s ghetto, ugly, ignorant. But when it’s on the right stick thin pale girl, it’s chic, it’s fashionable, it’s new. So if it’s not the language, and it’s not the fashion or music you don’t like… It must be… Me. I am somehow not worthy of respect for the very culture I create.

Can you imagine being told that? That you are not worthy of being�� you?

If you are worried about cultural appropriation, both in your writing and in your life, the easiest way to avoid that is to:

1) acknowledge and support the culture that created what you’re saying or doing and

2) actually treat them like human beings instead of zoo animals or a species to study. Show respect! It’s not hard!

This is my body, my language, my creation. It’s not just to entertain you! It’s my life! I talk like this because this is how I speak, not because I want to get Tiktok cool points. If I’m around people who treat the way I talk like childish babble, it makes me feel stupid and disrespected. We can see that, and we can read it in your writing.

And yes, you may be saying “well none of that is unique to AAVE, that’s how other languages work!” Okay then go speak those languages then lmao. But if you’re absolutely determined to understand and utilize mine, then you need to treat it with respect and not like the Gen Z slang babble (or worse- the threat) y’all treat it as. It’s a form of antiblackness that is so normalized that we don’t even think about it… but now that you’ve read this lesson, you can start! You can start taking the time to actively dedicate a thought to what you’re saying and doing and where it came from. You can take the time to notice when something isn’t right- and maybe even choose to speak up, because it’s the thought that counts, but the action that delivers.