#why does he know theater terms

[luckycloverforducks]

Npmd AU where Max lives, the main 4 play off the failed prank, befriend him and he gets. nicer or something. That's it

[fluideli123]

I've watched the DP&W movie twice in theaters and three plus times on a pirated site, and I wanted to grant my analysis on Wade and Logan's relationship that not only respects Vanessa--because Vanessa was literally Wade's Soulmate until shit hit the fan and you can pry that fact from my cold dead hands. But also explains how Logan and Wade actually represent a a-spec experience and relationship that I feel like no one has really gotten into. Am I saying they're a-spec? No. But that doesn't mean queer relationships that are fairly normal in a-spec spaces doesn't mean they don't exist outside of them as well.

First of all, the only two reasons I believe Vanessa and Wade broke up was 1) Wade went back in time to save Vanessa and he told her after his usual routine of jokes and lies and 2) Wade finally believed he could be something more, a hero, only to be turned down by the people who are known for their heroism, leaving him lost.

I genuinely believe Vanessa had a hard time taking in that knowledge, but knowing Wade and everything they've been through she would get through that like the badass she is and work through it using her plans A-Z, as she always does. But I think to really stop that woman from continuing to start a family with Wade like she wanted to in Deadpool 2, is if Wade was no longer within the right mindset to do so.

Deadpool 1 introduced Wade as someone who believed he was a bad guy who got paid to fuck up worse guys, he refused the term hero, and the moment he even tried to reach for something selfless. An act that would hopefully spare Vanessa from the pain of cancer, it all got fucked up and he got turned into a monster. Someone he deemed even lesser than he was before. So far gone and completely removed from what he was loved for (his looks and personality, but how could his personality stand alone when he looked so ugly? As ugly as he always felt on the inside?)

So he turned to what he's always known: Tracking people down and making them pay. In his mind this only confirms that he's a monster, he isn't deserving of Vanessa, of anyone. Which is why he finds comfort in Blind Al, a woman who will only have to deal with his personality and not be able to see how ugly he actually is. Symbolism for showing only half of himself and not him in his entirety (not that he can hide it from her, she's too wise, knowledgeable, caring, and knows Wade better than he knows himself at this point.)

Eventually, he finishes his hunt and is still loved despite what had transpired. Vanessa still chose him, still loved him. So maybe despite how ugly he is, he can still be loved. This grounded him, solidified his self worth, have him such stability that he had a thriving relationship with Vanessa that they were SO ready to start a family, aspired to live that dream. Another act of selfishness. Only to, once again, be met by pain. Get his dream taken away, once again resorting to what he knows: revenge.

Wade wants to be a hero? He gets forcefully mutated. Wade wants a family? Vanessa gets killed. Both are immediately solved by death, but that self-loathing and sickening hatred towards himself do nothing to cure that same confirmation he had once thought he got over: That he wasn't a monster, he could be loved, be something else.

So of course Vanessa is who, even in death, looks him in the eyes and tells him he cares, he has always cared. He cares so deeply about the people in his life he meets who unconditionally love him for him as time passes, despite all his flaws.

Wade wants to be a hero? Colossus believes he can be. Wade wants to save the 13-year-old abused kid? Vanessa knows he can. He saves lives by sacrificing himself. He scarified his comfort to show Vanessa the full truth of his ugliness, he sacrificed his life for Russel to give him a better life. Maybe he isn't a complete monster, maybe he can believe again. He can be selfish, he can be reckless. So he goes back and saves more people. Heroes do that. They save the people they love. You don't hold the whole world on your shoulders, no, like Miles learned in ATSV you think of one person of the few people you want to fight against the world to protect. And he did just that.

With Vanessa back and a big family he can finally chase after what he wasn't meant for. Because it's only happened twice, it wouldn't happen again-

Rejection. He can't be a hero because people don't need him. He is the needy one, the one who wants to be needed, needs to be wanted. So, it's the crash. The final straw. He breaks. He breaks so hard because what the fuck is the point to trying if every time he is met with failure? Rejection? Pain? Loss? He becomes so stuck in figuring this all out he neglects his relationship with Vanessa, causing issues. They go separate ways, but still so close, because you don't just lose your best friend like that, even if you're no longer partners. They're always meant to be together one way or another.

So you have this broken man who is searching for purpose, years later still harboring this tiny flicker of hope that he can be greater. He can be great. He can be a hero.

His world is in trouble, he doesn't think twice saving it. He accepts he isn't perfect for this, not like all the big guys back in Avengers headquarters, but he can't let his loved ones die because of someone he's had a vendetta against the last two movies.

He literally fights and fights and fights to find someone to help him, Wade can't save who he loves he has to find someone else you can, anyone else.

Than a broken, desperate man walks into a bar to see another broken man who has since long given up.

The thing about Logan and Wade is that they don't need words. Wade blew himself up in order to die in the second movie, Logan drinks himself away, both knowing they can't die no matter how much they want to. How much they believe they deserve it.

So Wade sees a Wolverine who has potential, who hasn't hurt him (unlike the others, he gets hurt so much, guys) and places his faith in him without hesitation. From that moment on he has never truly doubted Logan's abilities nor his heroism, because he knew his Logan and if his world was anchored by a Logan than all Logan's are built with something he isn't. They're made to be heroes, made to be important. Yeah, they fight, but I strongly believe that's how two broken men say everything words can't possibly describe.

I mean what words could describe the way they go all out on each other, knowing the other can't die, the way Wade looks up at him, not wanting to regrow his entire body because he needs to save his world and understands Logan and has to decide to say something that'll convince him to help. Wade doesn't know if stopping the machine will completely save his world or if a new Logan will patch it up too, it's his own educated wish he passes onto Logan. Because just like Russel, he cares. He understands. He wants to help.

It's that faith, hope, and resistance and face of humor despite it all that causes Logan to stick by that dumb asses side. He lost everything, he is seeing someone like himself before he stumbled home drunk from the bar to find everyone dead. Someone who is capable of doing something he wasn't able to. He wants to help, more and more for Wade and less himself, a silent journey of healing following Wades steps everywhere they stumble into.

Because Logan was just drunk at a bar before being told he was needed to save a world, told he was the worst before being offered help anyone, getting praised over his capabilities, and than told again and again how he is able to be someone he never thought he could be. Much like Wade was and is.

Logan sees it. Wade most likely ignores it, much like anything else. He isn't very open with anyone other than Vanessa as we've learned.

So just- of course Wolverine is the honest one, of course he hits low, he sees himself and Wade and wants to hurt him. Wade wants to hurt him back, but only when he's directly attacked by his words and threats, a way of not taking shit. Logan took shit from the world and than didn't from Wade and his emotional rollercoster right. And I think without whatever happened in that Honda Odyssey things wouldn't have been the same. They needed that fight, that release, that hatred from themselves to burst into the form of someone else who could take it just as much as the other could.

Logan listens to Wade's home at the borderlands. Logan is given kindness and tough love. Logan joins. Logan begins to understand how most linger by Wade's side despite everything. He sees why. He's a force, he doesn't give up, he doesn't quit, not for others. It grants strength, though imperfect and messy.

Logan believes Wade deserves better. So he plans on sacrificing himself only for Wade to once again show how much of a Hero he wants to be and could be. Only for those two idiots to hold hands to madona and come to a mutual understanding and comfort that has Wade making room for Logan in his and Al's apartment.

And there is something so inherently a-spec about not being explicitly sexual with each other, having an understanding that goes beyond direct words and full truths. They they can hurt one another and it feels so good, so wanted and cherished. How they support one another by being fucked up and sloppy. They're wrecks and they help the other heal, do what they're too afraid to do.

What is more a-spec than two people looking at each other with adoration and trust? To be two people who cannot be placed within a single both because their relationship and meaning to one another isn't so neatly cut and within expectations? To love in a way that blood and standing side by side is a comfort? A steadying point in which everything becomes clearer with time?

They make me so fucking sick, they make me so FUCKING SICK.

[burningcheese-merchant]

Psst, hear me out: The Beast being fucking yanderes with the ancients.

You Get It™️ I mean... Did you guys see episode 6? Burning Simp Cookie is already a yandere lol. He's been there and he refuses to leave. And Shadow Milk is honestly not that far behind, he feels some type of way towards Pure Vanilla and it would be cute if it wasn't so sad and creepy lol

Really though, I just love hero/villain ships in general (always have, since long before Cookie Run ever existed) and I get a kick out of villains acting stupid over crushes (read: obsessions), and acting stupid in general. There's just something about a villain being in love with the hero to a psychotic, comical degree, and the hero rebuffing them at every turn that's just really amusing to me lol. Like what Joker sort of has with Batman, you know?

Here are my Yandere Beasts in bare-bones terms:

Burning Spice: come on, if you've read my stuff, you know EXACTLY what Yandere Spice is like lol. If not, I'll refer you to this and this, as well as my fics on AO3. If those don't tell you what Yandere Spice is like then idk how else to help you lol

Shadow Milk: if the final boss of theater/drama kids had a crush but was also a malignant narcissist of some sort lol. Absolutely DESPERATE for Vanilla's attention at all times. If he's not actively trying to worm into Vanilla's brain and harass him in his thoughts and dreams, he's in the real world brainstorming better ways to do that lol. He does not grasp why the creepy puppet shows and gaslighting attempts aren't convincing Vanilla to fall in love with him. Will attack and torment and insult Vani in one breath and then praise and love and worship him in another, because he's a histrionic clown freak with whirlwind emotions. But above all else, he literally thinks he owns Vani and is meticulously plotting the horrible and hilarious demise of any and all he perceives as a threat to their union

Eternal Sugar: World's Laziest Stalker™️. Almost exclusively haunts Holly in her dreams (I have to assume that that's what her power will entail, as the Beast of Sloth); however, she's more "effective" in her wooing attempts due to her past experience as the Herald of Happiness. She actually goes out of her way to construct dreams and the like that have things in them that make Holly happy (or what she thinks makes Holly happy; she, as well as the others, has big tunnel vision and is very selfish and self-absorbed, and thus pays more lip service to her own wants than those of who she loves/obsesses over). Thankfully doesn't run into Holly in person often because that's work... but sometimes she DOES work up the nerve to go after her for real, and... well

Mystic Flour: Denial, denial, denial. Not just a river in Egypt the Golden Cheese Kingdom, but she'll say and act like otherwise. No, she does not like Dark Cacao. He robbed her of her volition and the chance to enact her will. He prevented her from freeing the world from pain and suffering. He is a stubborn fool who refuses to understand the truth. He... is very handsome. She does not like how handsome he is. It is distracting. She doesn't like dwelling on her memories of him and their encounters. She doesn't like how she came to harbor a single kernel of respect in her heart after he stood his ground against her; a kernel that she inadvertently nurtured and cultivated slowly but surely, until... no. No, she doesn't like Dark Cacao. She doesn't think about him all day. She doesn't want to try to lure him back to her land so she can trap him in the flour fog with her again. She doesn't miss feeling his dark eyes on her. She doesn't deeply resent his attachment to his people, and seek to transfer that attachment to her instead. No, she... damn it, he's ruined her. He's made her feel things again. He's made her succumb to selfishness and greed, to earthly desire and attachment - desire for HIM, attachment to HIM. All of her hard work and enlightenment gone to waste... She doesn't want to like Dark Cacao, she recognizes the folly in such a thing, but she's stuck - and so stuck is she that not only does she not really see a way out, she doesn't WANT one. She's become too content with her attachment to him too quickly. Now she has to agonize over her own foolishness, and try to keep denying that she doesn't care while also longing for his attention and wanting to do away with all that steals his attention away from her

Silent Salt: probably the least awful of the five, but he's still creepy and that's not a high bar to clear anyway lol. Has a better grasp on "normal" behavior than the others (like... he pays attention to what White Lily likes/wants and tries to adjust accordingly), but he's following her around everywhere and acting extremely violent and territorial over her towards anyone who he catches approaching her. He's legitimately, surprisingly sweet and gentle towards her; he brings her flowers, he listens to her when she asks/tells him something, he's more or less respectful of her personal space (he will try to be as physically close to her as possible, but actually backs off a little if she asks him to, only to try again, and so on and so forth)... but he's still a villain, he's still violent and creepy, he still gets angry when she pays attention to other people for too long and he has brought actual harm to others out of jealousy. He's the best of the worst but that really doesn't mean much of anything, he's still a psycho creep like the others

In short, they form a tight-knit coalition of absolutely fucking deranged freakazoids and they should all probably die :)

[burntheedges]

Pas de Deux Chapter 1

Din Djarin x f!reader | 2.9k | fic masterlist | main masterlist | ao3

fic summary: When Din Djarin – principal dancer at Concordia Ballet Company and generational talent in the classical style – suddenly left CBC and joined the Nevarro Ballet Theater mid-season, it shocked the ballet world. You never would have guessed that he would change your life, too.

a/n: here we go! Chapter 1 starts sometime in late fall, November-ish. See my notes on the masterlist about reader in this fic and ballet in general. Thank you @katareyoudrilling for being the best beta, as always!!

chapter tags/warnings: gen, ballet terms (see end notes and the masterlist for definitions), a bit of angst

Chapter 1

“‘In a surprise move that shook the dance world, the Concordia Ballet Company announced yesterday that they have parted ways with principal dancer Din Djarin.’”

You could hear the sudden gasps through the open door of the large studio as you walked towards it. You recognized Clara’s voice as she read the news aloud, you assumed from her phone. 

“‘Djarin, 27, who trained at the rigorous Concordia Ballet School from a young age, has been with CBC for 10 years and is in the prime of his career. He was promoted from soloist to principal two years ago, as is the norm at CBC, where they do not promote dancers younger than 25 to principal. His performances have been highlights on the CBC schedule over the last two seasons, earning many rave reviews.’” 

You turned the corner to enter the studio and found most of the company class crowded around Clara as she looked down at her phone.

“‘The CBC press release did not indicate the reason for the split, which only makes this mid-season decision more disconcerting for fans and donors alike.’”

The group around Clara murmured and shifted their weight. You had just read the article on the bus and knew what was coming next. You slid down to sit against the wall by the door, watching.

“‘This decision comes amidst the company’s preparation for spring and for the last show on their fall schedule, Don Quixote, with no explanation as to how their roster of principals and other dancers may be adjusted to compensate for this enormous loss. Djarin is well known for his powerful physique, technical mastery, and classically perfect performances.’” Clara paused, and then continued, “then it talks about some of his work, we know all of that already, blah blah blah, ok whoa!” She gasped. “Ok. Listen to this – ‘Djarin has not been available for comment, but was seen boarding a flight to Nevarro two days ago before the announcement was made public!'”

You started to put on your shoes for barre and watched as everyone else in the room started to completely freak out.

“Here?!” Owen exclaimed, hand thrown over his mouth. “Is he coming here here?” He gestured around the studio as he asked.

Clara shrugged. “It doesn’t say, look, that’s the end of the article.”

Sophie had started rising up and down on the balls of her feet by one of the barres and you weren’t sure if she was aware she was doing it. Her tone was excited as she asked, “would he come here? Why? We’re, like, not his style.”

The room broke down into several noisy conversations at that point, and you felt your friend Adrian slip down the wall to sit next to you. “So, what do you think?” he asked, nudging your shoulder. 

You shrugged. “No idea. I can’t see any reason he’d even want to come here. CBC is so…” You trailed off, but he knew what you meant.

“Yeah. Traditional. Rigid. Not like us at all.” Adrian waved his hand towards the mismatched group of dancers in front of you and you both smiled. The Nevarro Ballet Theater was different from the Concordia Ballet Company in many ways, and the diversity of dancers in the company was one of the things that set NBT apart the most.

You nodded. “Right. If his flight destination even means anything.”

“If it does, what would that mean for us?” Adrian looked around the room. “We already have a full roster of soloists and principals.” He bit his lip. He looked nervous, and he wasn’t the only one — you noticed Sasha, Lu, Carlos, and Isaac were huddled around the bar, clearly worried. All principals, you assumed they were nervous about losing out on parts. For Adrian, you knew it was because he had just made soloist at the start of the season. A new superstar coming in might shake things up too much.

You nudged his shoulder with your own. “I was thinking about that when I read it on the bus. I don’t think you have anything to worry about. I heard what Karga said, about how good you are.”

He nodded, but didn’t look reassured. “At least you don’t have anything to worry about, Ms. Soon-To-Be-Principal.” 

You rolled your eyes and shoved down the anxiety lurking in your stomach. You’d made soloist a couple of years ago, and then first soloist this season. There were some people (including Adrian) who seemed to think you’d be promoted soon, as early as the end of the current season. But there were at least a few critics who disagreed, and for months you’d been having trouble putting the words of one in particular out of your mind. You could quote it from memory:

“While her lyricism and skill are undeniable, one wonders if she has the artistry or stage presence to carry a narrative. She more than deserves the promotion to first soloist, but is this her ceiling?” 

You wished you’d never read the article, but it had seemed to be the usual season preview and you hadn’t been expecting the targeted commentary. You’d spent the last few months trying not to think about it too much, or you knew you would get all in your head about it.

“Shut up.” You nudged him again and he laughed.

He opened his mouth to respond, but he was interrupted by the door opening next to you. It wasn’t your teacher who walked in, though, and once you saw who it was you both leapt to your feet.

Greef Karga, director of the Nevarro Ballet Theater, looked happy, but then he usually did. 

“Good morning, dancers!’ His voice was deep and loud and you all scrambled into a semi-circle facing him at the door, where your ballet instructor, Alexa, followed him in. You chorused a “good morning” in response.

“I’m sure you’ve all seen the news,” Karga continued, with a knowing smile on his face. “And you must be wondering why I’m here!” You glanced in the mirror and noted that everyone did indeed look both curious and a little wary. “Well, I am very pleased to confirm that Din Djarin will be joining us for the rest of the season here at NBT.”

There was some general murmuring and shock in response, but he was not deterred.

“I know we’re in the middle of the season, with many roles already planned. Din and I have agreed to try not to disrupt that too much this year. We’ll be adding some things to the anniversary gala and the mixed programs.” That made sense — the latter were showcases of the work of different composers and choreographers and could be more easily rearranged to include a new dancer. “We won’t be making any changes to Midsummer, Swan Lake, or Cinderella, which I know we’re already planning for and rehearsing.” You felt Adrian take a deep, relieved breath beside you. He was supposed to be Puck this year for the first time and it sounded like that wasn’t going to change. 

“Din will start joining your classes and the rehearsals for the gala and other programs over the course of the next two weeks. Please introduce yourself and welcome him — we are very excited to have him join us.”

You all nodded, of course, even though you knew a lot of your fellow dancers would be wary of the newcomer. 

“Well!” Karga clapped his hands together and smiled. “I’ll let you get started. Continue with your rehearsals as normal unless you hear otherwise. Have a wonderful day, everyone!”

Alexa moved towards the stereo system in the corner as Karga swept out of the room, and you turned to look at Adrian. 

“Well,” he said, turning towards his usual place at the barre. “This should be interesting.”

You nodded as Alexa turned on the music and you took your usual spot next to him at the barre. It definitely would be.

…

After all that excitement, you didn’t even see Djarin for a few days. He didn’t join the morning company classes right away, but you couldn’t really blame him — moving suddenly across the country wasn’t easy. It didn’t stop you from glancing around every room as you entered, trying to catch sight of your elusive new company member. 

You heard from the others that he’d dropped by a couple of rehearsals, and they’d overheard him talking about plans for the mixed programs with some of the choreographers and other staff, including Talia and Jee. You wondered if he’d ever met Kuiil, the current guest choreographer in residence, who traveled and usually worked with different companies every few years. You somehow doubted it — Kuiil’s style was much too contemporary for CBC.

You’d been in rehearsals for Nutcracker and Midsummer all week, though, so you weren’t really surprised that you hadn’t run into him yet. 

Finally, on Friday morning, you arrived early for class to find a group of your fellow company members huddled by the mirror and staring awkwardly across the room. You followed their gaze and found Din Djarin, in the flesh, warming up at the barre. For a moment you couldn’t reconcile the sight of him in your familiar space. He was tall and imposing, and dressed all in black — black ballet shoes, black tights, black sweats that cut off below his knees, and a tight black long sleeve shirt that showcased the breadth of his shoulders and just how strong he was. His curly brown hair was tousled. His signature mustache, somewhat uncommon in ballet, was in place, though you knew he often shaved for performances — there had been articles about his daring breach of the Concordia status quo when he didn’t. At least at NBT he’d be allowed to keep it, you thought. His face was blank, completely expressionless as he stretched. 

You knew he had to know the rest of the group was watching him, and when you glanced back and found them still huddled you sighed. You felt someone step into the room behind you and turned to find Adrian taking in the standoff. 

He shook his head. “Great start.” His tone was dry, and you laughed under your breath. 

“Should we say hello?” You sat to put on your ballet shoes and Adrian sank down beside you.

“Who, us?” Adrian raised an eyebrow at you. “Do I look brave to you?” 

You laughed again, and were about to suggest going together for moral support when Alexa walked in. She took in the situation and sighed, shaking her head as she crossed the room to where Djarin was still warming up alone.

“Look! Alexa took care of it.” Adrian nudged you and smiled. “No need for us to take one for the team after all.”

The two of you watched as she spoke with him, though you couldn’t hear what they were saying. He nodded at her, and she smiled before walking towards the stereo.

“Alright, let’s get started!” She called out without looking to see if anyone listened, but you all did. You realized as you took your normal spot that you were diagonal from Djarin across the space between two of the barres in the middle of the floor. You’d be able to see him whenever you were working your left side, and somewhat in the mirror on your right. You resolved not to stare.

You only sort of succeeded.

The problem, you quickly realized, was that his movements were beautiful. Even while doing simple pliés or tendus you could see the power in his body, the strength in his muscles, the rigor of his training. Every movement was precise, clean, and perfectly placed. The elegant line of his arm and the curve of his hip drew your gaze like a magnet, over and over again. His effortless coordination and control were mesmerizing. You watched the slow extension of his leg into grand battement until you had to force yourself to tear your eyes away.

Well, you thought, he certainly lives up to all of the hype about technique. CBC had a reputation and he more than exceeded it.

It made you painfully aware of the limits of your own abilities. You knew you were good – you’d made it this far, of course, and now you were first soloist, despite having what was seen as a late start in ballet (at age 7). And despite what the critics said, you were considered to be one of the better technicians at NBT. But you were no match for his level of skill, for the rigorous training you’d heard about at CBC. That much was obvious just from looking at him. 

You tried to clear your mind as the class continued, knowing your worries would start to show in your movements if you let them. It was hard to do that when so much strength and technical perfection stood only five feet away from you, demonstrating the ideal version of every move and transition that you attempted.

As you finished at the barre and quickly put on your pointe shoes to work in the center of the room, you finally put it out of your mind. There was no use in comparison, you’d learned that a long time ago. In the end, the only dancer you could compete with was yourself. And NBT was not a company that encouraged that kind of competition among dancers anyway.

You found your feet going across the floor, letting yourself sink into it as you moved through some jumps and short combinations. You tried to feel nothing but the pull in your muscles and pattern of your breath. By the end of the class you felt a little steadier, a little more centered.

Alexa dismissed the class, and you started to gather your things. As you slipped off your pointe shoes, you felt someone brush past you, heading for the door — Djarin didn’t look back as he crossed the threshold into the hall. You realized as he did that he hadn’t spoken a single word for the entire class. You wondered if he was unhappy to be here, after all. 

By the time you stepped into the hallway, he was nowhere to be seen.

Adrian fell into step next to you as you walked towards the larger rehearsal studios at the other end of the building. He hooked your arms together and looked around quickly to see if anyone was nearby. He leaned in to whisper, “did you see that? He was amazing!”

You nodded. “I know. I didn’t think anyone could live up to all that hype, but he does.”

Adrian shook his head, looking dismayed. “I know they said some roles wouldn’t change but, ugh. I wouldn’t blame them.”

“Hey,” you elbowed him lightly. “Don’t. You’re going to be amazing as Puck. And you know that role plays to your strengths. I don’t see him taking that one from you. It’s not really his style.”

He sighed. “Yeah, I guess. Ok, let’s hurry, I need to tape my knee before Nutcracker.” You winced in sympathy, knowing how much he’d be jumping in practice for both the Russian dance and the jack-in-the-box roles. But his words jogged your memory.

“Shit.” You froze in the hallway. “I left my tape in the studio. Go ahead, I’ll meet you there.”

He nodded, but you were already turning as you said it, waving him on.

You heard him jog off towards the rehearsal rooms behind you as you walked quickly back the way you’d come, turning past the bathrooms and the administrative offices. It didn’t take long and your tape was right where you’d left it. 

Tape in hand, you turned around again and started walking back down the long hall. 

As you approached the offices, though, the sound of Karga’s raised voice stopped you in your tracks, just around the corner from his office door.

“We talked about this, Din. It's part of this company’s identity. You want to break away from them? You need to make a statement.” You heard the slapping sound of one hand against another and imagined Karga hitting his hand with his fist for emphasis. 

“No, Greef, listen. I don’t—“ You startled. It was the first time you’d heard Djarin’s voice and it was much deeper and more pleasant than you would have imagined. 

Karga interrupted him. “No, you listen. Din, you can do this. I know you can. And it will show them everything they’re missing, everything they let slip through their fingers. They are so stuck in their ways, they have no idea what you can really do. What you’re capable of. Let me help you get there.”

You heard Djarin sigh. “This will go badly and I’m going to blame you.”

Karga chuckled. You tried to picture Djarin looking amused, too, and failed. All you could conjure was the expressionless mask he’d kept in place for all of class that morning. Karga continued, “I’ll take it happily. This is going to be great, don’t you worry! We’ll ease you into it. Now, let’s go share the news.”

You heard them start to move around in the office and startled into motion. As you turned the corner, the door to Karga’s office swung open in front of you and Din Djarin stepped out of it. He was moving quickly, shoulders hunched, brow furrowed. He barely glanced in your direction, but when he did, you took a surprised step back at the fierceness of his glare. It was the most emotion you’d seen from him so far, and it wasn’t exactly pleasant. He didn’t stop, though, and quickly turned away from you to move down the hall towards rehearsal. You blinked, frozen mid-step, unable to shake the look he’d just given you. What was that about?

...

| next

a/n: sooo what do you think? ballet terms in this chapter:

see the masterlist for principal, soloist, class vs. rehearsal, season

plié - a bending of the needs (you've probably seen dancers standing at the barre and bending their knees -- that's a plié)

tendu - tight or stretched out - stretching one leg out long, often in brushes along the floor

grand battement - the leg is raised from the hip into the air and brought down again, both knees straight (with apparent ease)

barre - the rail that ballet dancers use in class (don't lean on it!). usually you'd wear normal ballet shoes at the barre and switch into pointe shoes (toe shoes) to do exercises in the center or go across the floor

and if you'd like a visual aid, one of the dancers I'm mentally modeling Din after is Carlos Acosta, who you can see in this compilation (~6:49) doing a variation from Don Quixote.

tag list coming in a reblog!

[starnana7]

every time I remember that the hit show supernatural made God, the literal God from the Bible, canonically bisexual but couldn’t do the same with a random guy who hunts monsters it actually makes me feel physically ill.. like blasphemy is okay but we draw the line at making the main character a little bit queer because it would “upset the heterosexuals men”? okay ig… and it’s so funny to me that they tried SO bad to make dean like really really straight and macho and a manly womanizer (I mean dude has literal porn brain and is obsessed with cars and is a film nerd) And still is the number 1 bissexual boy.. I mean no one that into cowboys is 100% straight 🙄 and if they actually wanted him to be that much of a cishet guy WHY would they make him have a codependent homosexual friendship with his best friend for more than a decade ?? and we have so much subtext to corroborates it that it’s actually insane.

and it’s also rlly funny to me that sam would be the most obvious choice for a queer storyline. like i’m not sure this is true but i heard somewhere that he actually was supposed to like be lgbt and that it’s implied in the show he’s pan bc he basically have sex w/ everyone and doesn’t care (like monsters and stuff). i wholeheartedly disagree bc sure he hited a demon and a werewolf and a kitsune and God knows what more But it still were just women and for me he’s still just straight 💀 we do have gabriel however and i would say that’s a valid argument but i don’t actually like them together because of the whole torturing-sam-every-tuesday-over-and-over-again but it’s still a good take ig. again this is just my opinion But anyways doesn’t matter my point Is that sam always felt like a freak and wanted to be normal and like was more open minded and “less-macho-toxic-behavior” than dean. he was a theater kid and talked about his feelings and all. STILL THO dean went and become The bissexual icon (Not Sam, Dean!!). and the fact that he was more manly actually only emphasized to his sexuality (and him being closeted) and sam being the straight one, and bare with me here. as sam winchester once wisely said “well you are kind of butch they probably think you're compinsating.” (to dean asking why people always assumed they were gay) and like this is so true, sam always felt comfortable in himself and like his nerdier and less cool strong man personality. But dean, oh, dean, no, no, no. and it could all be linked to john. we know how much dean wanted to gain his father approval and respect, all he ever wanted was for john to be proud of him. so he’d listen to the same music as john, same clothes… and so on. but when we really see a glance of him, we realize he’s actually much more “““girly””” (sorry for the term i lacked a better one) than he shows, Especially when compared to sam—who’s supposed to be the more girly one (again sorry for the term lol) or whatever. dean canonically likes taylor swift, chick flick films, actually liked when a woman made him wear underwear, the bailarinas shoe were “speaking to him” in that one ep of cursed objects, and so on. and every time he makes fun of sam for doing something not-manly-enough (like drinking lemon water or drinking from tiny coups) he eventually goes and do the same thing 😭 and i’m 100% sure that the writers just thought “haha funny scene this really straight deadly man does something not so convencional/more feminine(?) haha comedy relief time!!” but it actually just made him have a whole perfect queer background developed in the series. specially with the fact that He Does Overcompensate. why is he always flirting with women, why is he so butch and scary, always talking about straight sex and so on? because he’s really just deep in the closet. and it makes so much sense with john being his father, with him having to hunt two lesbians nuns in his 17 bday, always having to be strong and macho and cool and perfect—and therefore straight. even without cas, dean really does immaculate the bissexual experience and i’m so sorry but this is just true.

and now pointing to the subtext that i mentioned in the first paragraph (lol i can’t believe i’m making a whole rant as to why dean winchester is a confirmed bisexual), that whole confession to that priest where he says he wants experience new feelings, new people, FOR THE FIRST TIME. that always that the show mentioned a gay couple it ALWAYS focused on dean—not sam, DEAN. the gay hunters, the gay couple on the bar that the cupid “made”, the two cosplayers partners… the fact that every time that dean liked something it was borderline fangirl (gay) obsessive (the dr. sexy episode, that wrestler fighter). he Had a gay thing—and was all flustered about it. he flirted with a guy throughout charlie. THE MALE SIREN. the male siren like after that ep i was 100% convinced that man was not straight. he had a hot demon sumer with crowley?!!! and it’s so funny to me that not one of these things involves castiel, so if they really wanted to make dean be that straight why would they do that?? and only to dean, not even once to sam. Like. and not to mention all the homoeretic tension with benny??? sam never had a male best friend like that.. all of that and i didn’t even entered on destiel. Because this then really just confirms that he is Not straight. even if he wasn’t In Love with cas, they had something going on and the fact that if cas was a girl it would 100% be canon and filmed and Everyone would ship—and I really mean everyone—it just makes me go fucking insane. they could’ve had it all. the fanfic episodes, the parallels between dean and cas and “real couples”, ruby and cas duality and the fact that sam indeed had a relationship w/ her. Anyway i’m a # bi dean truth believer and i know this bc same boy # happy pride month to my fav bissexual boy in the whole world

also to anyone that says that “destiel” was unrequited love yes it kinda of was but only bc dean was so deep in the closet, he did love cas. he was indeed a bissexual man. i’ll die on that hill.

[zomb-rabbit]

Rubbing my hands together evily again

Wondering if I could make another request of it's alright

Tim, Brian, and Evan (I have favorites hehe) with a gn or Afab s/o whos an artist and sees them as a muse

(could be sfw could be nsfw whatevers more fun)

Tyty and your works are great :3!!

-🐟

hi !! glad to see you're taking requests for evan :) I was wondering if you could do some hcs for Evan with a reader who draws/sketches a bunch?? like they always use evan for inspo in drawings and they draw things they do in their relationship?? maybe something about how evan catches them looking and drawing him when they think he's not looking.. and maybe if you'd like you could include habit and his reaction to it as well.. I hope this makes sense and isn't too much!! if it is feel free to ignore 🫶

i decided to combine these two just to make it easier for navigation and all that, i hope that's okay !! thank you both soso much :) <333

🚬📹☠️🐇 Tim Wright / Brian Thomas / Evan Myers / HABIT x artist!reader

· · ·

Tim :

listen

he hates to pry. he really does.

but he wants to see EVERYTHING

he's trying to sneak peaks going behind the couch when your drawing in the living room, oh-so-conveniently needing to be in your guys' room when you're working on something at your desk- he thinks he's being very covert

he's an awkward and easily embarrassed man, he doesn't think to just ask to see no matter how many times you tell him he can

he is thoroughly thrown through a loop when he sees you drawing him

he has some. not great self esteem regarding all of the things he's been through and been told, and he has good reason to be anxious about most things- especially someone important leaving him

him getting reassurance that you actually do like how he looks and that you love him so much he's stuck in your mind when he's gone means so, so much more than he could ever comfortably express.

he does try to, though

through embarrassed and deeper mumbled praise, some red tinted cheeks and his finger nervously rubbing at the edge of the page

he asks if he can keep a smaller doodle on him :)

Brian :

YOUR !! BIGGEST !!! SUPPORTER !!!!

he's hyping you up however he knows possible

he was a theater and film kid, there's no way he didn't meet a couple art kids in there

he'll get a real good look at whatever it is you show him before he points out things like the shading in a particular area looks really good, the line art flows really well, things like that

as a former (short term lol) actor, he knows how frustrating it can be to just hear a "that looks great!" when you've worked really hard on something

if you draw HIM?? he's beyond flattered

and a little taken aback by how much you remember of him

Brian's big on trying to figure out other people, understand what makes them the way they are, what they're gonna do- so much so i think that he can forget how much other people soak him in, too

so when you showcase all of your focus and love for him through your art, it fixes up his worldview a little bit

he has a big burst of that "this is why i love you" feeling and he looks at you with the biggest dopiest smile

if you let him keep any of the work you do he'll try to find a way to keep at least one of them on him at all times

in his wallet, phone case, jean pocket, something like that

he just wants a little bit of you wherever he goes :)

Evan :

HE LOVES IT SO MUCH

little doodles on the grocery list, scribbles on the corner of a reminders list, drawing on his hand when you get bored; you name it and he's gonna cherish it

he thinks it's the cutest thing when you think he can't see you looking up at him every now and then while you're buried in your sketchbook across the couch

you have an entire page that's getting decorated with scattered snapshots of your life together

the two of you with your foreheads pressed together laughing at each other from when he was trying to butter you up to try and get you to go to a specific place for dinner, how he looked at you when you cut your finger making lunch and he decided he hand to kiss all over your hand for good measure- so many small moments that meant the world in both of your hearts and, eventually, you end up wanting to show him what you've been working on

and he may or may not have gotten a little bit very emotional about it

you just mean so much to him

this poor man has been through and lost so much

he's so grateful for you, and to know that you're so grateful for him as well? and enough to cherish the same moments he does and immortalize the two of you like that? he's gone

HABIT :

NOOOSSSSYYYYYYYYYY BASTARD

you couldn't hide a crumb from him

he's known you've been drawing him since the first time you did it because he is a little SPY

he can be so quiet when he feels like it, and he wants to see eeeeverything you draw

the process intrigues him

if he caught you looking up and back down to your sketchbook at him, i can see him doing two things

going over and seeing how the drawing looks already because he wants to know what you think he looks like

OR rapidly switching positions for you to draw him in, "is this my good side? make sure you get my face. can you draw me with blood? i want blood-"

he is very proud to be your muse, though

he'll hang up any finished pieces you let him have

[doctorcurdlejr]

Niko!! what'd you think of I saw the tv glow. I finally saw it last night and noticed you posting about it so I wanted to know your thoughts :)

Levi!!! I was JUST wondering what you were thinking about the movie after I saw you posting about it as well... we are so media discussion pilled in this way, it's awesome. ANYWAYS I've had so many thoughts since I first saw it and I've been trying to turn them into something coherent for a little bit now.

Ummm okay I have written 1k+ words about this movie, the suburbs, and escapism via teen TV.... clearly I was dying for somebody to ask this I guess so thank you for indulging me <3

First and foremost, I absolutely loved it! I've seen it twice now and the first time I watched it I got to see Jane Schoenbrun talk about the film right after. I already really liked it from that first watch alone. I found it so deeply relatable to my experiences - both in terms of growing up gay and trans, but where I am now in my 20s trying to navigate adulthood. Hearing what Schoenbrun had to say really cemented my feelings and thoughts about the film.

Buffy the Vampire Slayer was a big influence on the movie (it's why Amber Benson makes a cameo as Johnny Link's mom). Even though I don't have the same emotional link to Buffy since I never watched it, I recognize it as the same type of warmth I experienced growing up with Riverdale. When Owen says he feels like his insides have been scooped out but that he's too afraid to look and have that wrongness everybody knows is there be confirmed, Maddy simply responds "Maybe you're like Isabel. Afraid of what's inside you." Tears forming but not falling, breathing shallowly, I grabbed the paper and pen the theater keeps at the seats for people to order food with and wrote that line down - the slip of paper is still somewhere in my car. Writing it now almost feels lame in its simplicity, but it felt like my insides were being flayed open.

During the director discussion, Schoenbrun talked a little bit about this idea of how truly fucking bizarre it is to grow up in the suburbs. Like, when we think about the pinnacle of normality in American culture, it's the image of middle-class cis-hetero-white suburbia. At the same time, despite this cultural dream of normality, everybody is hyper-aware that the suburbs are one of the least normal things ever. So, the ACTUAL cultural understanding of it is that it's where we go to, like, passively kill ourselves (*George Costanza voice* WE LIVE IN A SOCIETY YOU KNOW!). This idea isn't new, I mean there are so many films and shows about navigating that specific bizarre dissonance from Rebel Without a Cause to Heathers to Twin Peaks. Probably half the pre-teen to teen TV I watched obsessively growing up, stuff like Strange Days at Blake Holsey High, Making Fiends, Truth or Scare, and eventually Riverdale, were never shy about being weird and morbid and saying "yes, the suburbs are exactly as bizarre and lethal in the ways you can already feel in your bones at 13." I Saw the TV Glow does a really good job of keying not only into that mental dissonance but more specifically into how those of us who have felt so intrinsically weird and different and wrong fell back on these shows like they were capable of doing the emotional version of a rescue breath maneuver after being drowned.

In high school, if there were two things about me that any person who even vaguely knew me could list off it was that I watched Riverdale, and I was a lesbian - and I was mocked more for the Riverdale. At that age, I was, without a doubt, the most miserable I have ever felt in my life. I rarely left the house because my family lived in a development that made me want to scratch my skin off when I walked out our front door. Owen didn't leave the house for days, afraid Maddy could somehow force him out. I sobbed constantly and frequently to depressing indie rock on the floor of my closet while hoping my family would just once read the (honest to god) KEEP OUT poster plastered on my door since I didn't have a lock on it. Owen didn't leave his room for days, afraid of what Maddy recognized in him. I didn't go on dates and kept my chest binder shoved to the bottom of my bookbag while wearing dresses that could've come from a how-to-be the perfect 50s housewife manual. Owen didn't leave his bed for days, afraid of Maddy touching his neck and Isabel's dress. I also watched Riverdale with the kind of zeal you see in a Pentecostal who has found God and started speaking in tongues to let you know it. I own a button that says, "Don't Make Me Go Dark Betty On You," I cherish it in a way that is only achieved by knowing exactly how corny and trite it is and then moving straight past that because well actually, and most people wouldn't get this, she's holding back something deeply dark and wild and- and disgusting. something painful yet intrinsically her. but i get it, obviously. or maybe not obviously! hopefully not obviously, but- basically, I'm just saying I get it: the experience of reflection and recognition through the other and all that.

Whatever, the point is that this movie is one big glaring trans allegory about how it sucks dog shit to live in the suburbs, and even at our most repressed we find these little snow globes of actualization in the glow of a tv screen that isn't afraid to show you the world you see. I've seen some people say that, like, in this context accepting or coming into your transness is this monumental death of self, which I get, but I feel there lacks a nuance in that because either way Owen is dying. Unlike Maddy who buries herself alive only to come out renewed, Owen doesn't kill himself upon facing the reality that the world is constructed to keep him miserable and the only way out is to take back what it is that the world wants to keep scooped out of him. Instead he just passively lets it drag him to a much more permanent death. This lack of suicide sucks in the kind of way that forces you to sit in your car on the midnight drive home and think to yourself am I letting myself suffocate because at some point knowing the misery became less scary than admitting I've been capable of doing something about it the whole time?

Clearly, I’ve been enchanted by the film’s narrative and meta-textual language. If you're familiar with it, you can see how Schoenbrun built this movie like a long-form dream episode of a canceled teen show filmed in Vancouver. Lynchian? Yeah, sure. Riverdalesque? THIS we cannot possibly deny. Schoenbrun said they included Amber Benson as an act of healing the inner rage experienced at Tara’s death in Buffy. This is a Roberto Aguirre-Sacasa ending Riverdale with a bisexual polycule after his gay Archie play got ceased-and-desisted type move. There’s probably more I could say about the soundtrack and the visuals, but I’ve hit over 1k words on this, so I’ll leave it at I enjoyed this movie a lot. :)

Maddy is an out lesbian who left town to escape the misery and found it strapped to her ankles. She slinks out, an animal pressed against the gymnasium floor, and says "I'm not telling you anything you don't already know." Owen looks into the camera and narrates. He cuts himself open with a box cutter, fully acknowledges what's there, and the movie ends with his suffocating apology parade for the unremarkable inconvenience of his excruciating suffering. You can be gay and trans, you can know it and you can stop repressing it, but you're not going to stop suffocating until you can find a way to destroy the part of you that truly deeply does want to die, reaching for the comforting euthanasia of normalcy. Stop visiting the dream of the life you want and make it into your reality with the same kind of unrepentant conviction seen in some underfunded but wildly ambitious teen television series. In other words: you must try to survive the ego death of being weird. A weirdo, who doesn't fit in and doesn't want to fit in!

[nalyra-dreaming]

What do you think about the choice to change the circumstances around Claudia's turning from the book? Lestat doing it almost just to see what would happen/baby trapping Louis vs Lestat doing it because Louis, out of his mind from grief, begged him to.

Hmm.

Difficult :) I have to expand a bit here, to explain my thoughts:

The show... made some very welcome choices, they made Louis "more", they made it all "more" in a way, they updated the story, and I'm glad they did.

But by doing that they created, let's call it repercussions.

Because... every little change has ripple effects on arcs, and there are arcs in the books. Arcs that span all thirteen books of the VC.

The Lestat in the book is very young still. Only like 10 years a vampire. 30 years in mortal age. He has had a shit life, has been raped into darkness, impossible choices laid at his feet (letting his mother die and his lover behind, both of which he could not), got beef (to put it mildly) with Armand almost immediately because he unknowingly broke the rules that Armand lived by, and then traveled the world, increasingly disillusioned, until Marius found him. And sent him to live out a human life after the little fiasco with Akasha, because Lestat was so young still.

A lot of the events unfolding hinges on the fact that Lestat is still very young. And almost naïve. Rash. Very impulsive. He wants to see what happens. He is hungry for the world (again). And he is very close in powers to Louis.

He falls head over heels in love with Louis, fatally, and wants to keep that love, because of all the shit that already has happened, in such a short amount of time.

The Lestat in the show is not that.

He is ~130 years old when he encounters Louis. A lot more jaded, a lot more... angry. A lot more powerful, too. We know he returned to Paris, and I think the show has already given us the hints as to the "why" with the dates on Nicolas' tomb as well as the Talamasca files.

We know he encountered Akasha (and therefore Enkil and Marius) as well. We know Marius still slapped him with a gag order. Likely also threatened him, like in the book. But we don't know why Marius had sent this older Lestat away (or why Lestat may have left, which is also a possibility, given the backstory Armand told). The Lestat who had not only been turned at a later point in life, but also had likely encountered Marius and Those Who Must Be Kept at a point where he had already lived "a mortal life".

This Lestat knows a thing or two about covens, and the passage of time, better than the book Lestat does. He addresses the loneliness in the opera, with Louis, they address it at the trial. He knows that loneliness. This Lestat has had, by returning to Paris, to deal with Armand, repeatedly. He and Armand have not found a way to consume their relationship, for reasons that will likely stay the same as in the book but which weigh much more heavily, imho, if broken up again and again, over the decades (by Lestat returning). Something likely also happened to make the theater relocate.

This Lestat likely knows the rules a lot better. Knows what Armand can do, and does, too.

This Lestat knows that there's only a few dozen of them out there and what that means for them in terms of loneliness and pain much better, too.

This Lestat knows what it means for Claudia if he turns her this young. Maybe he's seen it. Maybe not. But he has experience. A LOT more experience living this existence.

There were hints that he understands, very well, like the not-translated rant at the chess game. Like the resistance to Claudia being turned, even in Louis' first version. Like the opera. A lot of discussions and comments to Louis.

And there were hints that there were things that made him afraid. And that he really, really did not want them to go to Paris.

Which must have had reasons, obviously.

There were hints already in the show and interviews, that Armand might have more to do with Nicolas' death than... even in the book (where he starves him, drives him even more mad, and chops of Nicolas' hands!!).

This Lestat must have known about Armand's reasoning there, the reasoning we hear some of as well when Armand is threatening to burn Louis in the tunnels in s2. Because he must have heard them, or heard of them, after Nicolas.

All this combined....

All this combined made it quite logical for me that this Lestat... would not have the drive to "see what happens". He has likely seen what happens. Maybe not first hand, but he has seen enough.

He also knows the rules others live by, and knows what would happen if she would encounter certain other vampires.

This Lestat could only be forced emotionally, despite his better judgement - because he already had that better judgment.

This is the "Lestat side of things". :)

The "Louis side of things" has similar changes to consider which carry repercussions.

This Louis is a bit older, too. He is also harder, or can be harder, has a "business persona" that he carries like a shield.

He is under constant pressure, a lot more and way more stifling pressure than his book counterpart. This Louis wears a lot of hats (as Jacob put it), never really fitting in anywhere.

And Lestat, obviously aided by the mind gift :)) - sees him.

Challenges him on that.

For Louis this being seen must have felt cataclysmic. And it was, it came with life-changing events, of course, but the decision to accept those events was born from this being seen, this awareness of the entirety of his being, the good, the bad, the ugly.

It came with the promise to free Louis from the shackles of the world around him.

And of course that promise... had to fail.

And it made Louis suffer.

Of course.

The disappointment stemming from that simple fact, the disillusionment of that promised freedom being an illusion ... must have been like poison, on every breath.

I would like to point out that it was not a deliberately "fake promise", imho. The Dark Gift did free Gabrielle, she quite literally threw off the shackles of society, I bet we'll see that in s3. But it could not do the same for Louis, and it must have hurt them both.

That breaking, broken promise then tainted everything, whether they wanted it to, or not.

Louis' moral arguments re killing were never that in the book, and I don't think they're here as well. Louis' efforts to control his eating are means to regain control over a life that has spiraled out of control, because he cannot return.

When the Storyville arc unfolds, Louis is watching the repercussions of his actions. He has been rash, he has been arrogant, and he has reveled in it, for a moment. And now others suffer for it.

Letting himself go in the "vampiric way" has resulted in a lot of suffering.

That is the lesson that sticks.

His mother sees the devil, he has frightened his sister and her children. Deep down Louis knows that there is no way back, that he is other. Deep down he knows he will only find happiness with his own kind.

And he rejects that notion, of course, because the promise has broken.

He leaves Lestat, because ultimately Lestat is the reason he killed the Alderman. Because Louis cannot help but reject the vampiric aspects of himself at that point.

But Louis loves Lestat.

And he knows it, too.

And so he is stuck in that catch-22, in that predicament, needing to find a way out, aware there is none, unable to truly leave, and wanting to return.

And Claudia... Claudia is the answer.

Claudia is the band aid for the rift. Claudia is the reason to return. Claudia sees him as an angel. Claudia is the bargaining chip.

It's never about her. Unfortunately.

Claudia, the daughter of a family he cannot have (had) otherwise.

Because Louis knows, that even in a mortal life, he would not have had children, in all likelihood.

Because Louis is gay. Oh, he has of course the possibility, if he bends himself into shape. But when we meet him it is clear he only keeps the facade. By entering a relationship with Lestat, no matter the vampiric aspect, he dismissed that possibility, too.

And that, too, gnaws at him.

Louis, in the show, has to ask Lestat to turn her, because Lestat knows better.

And Louis needs to ask, because it is the only way he can consolidate all the warring pieces within himself, his self, his world, his state of being, his morals, his hopes - for a while at least.

[blueiight]

“Armand as theater director comes up w “My Baby Loves Windows” to break Claudia & drive her to madness/suicide.” Wow, I can’t believe I didn’t pick up on this!!

I thought it was the coven being POS and “hazing” her and Armand was too busy with Louis to even stop it. Plus, he probably didn’t give a shit. But the moment I read your post everything started to make sense!

You’re so incredibly smart and I am going to cry about all things Claudia again.

armand promises to spare louis , but does not promise him mercy, and the sparing of louis to armand necessitates the exclusion of both sparing and mercy toward claudia.

She doesn't need looking after. She won't be here very long. You made her at 14. A most turbulent chemistry. Her mind, as fierce as it is now, will not endure. It will break apart in time.

this line being followed by the sequence of events where we see the infant’s dress and claudia being put back on stage in the role she crossed oceans to escape to begin with…armand is with who he wants to be, and moving pawns too.

mblw fails to drive claudia into mad suicide, but drives her into a complex web of self-preservation meets self-doubt. she doesnt want to die, she just wants an out from this role. just watch how layered delainey’s acting + the expressions on her face, the crack in her voice when when claudia tries to tell the coven the truth of why this role reminds her of her biggest prison, only for her to be disciplined into embodying that role constantly by armand + the subsequent convo devolving into an interrogation on louis& armand’s love life. then her seeking out madeleine to make a woman’s dress to both defy that ruling (rightfully so) and find someone who’d simply hear her out: how madeleine offers her such plain and heartfelt reassurance, then how that fortifies claudia when armand drags her out the shop through the street. only does armand pinning her in the alley & telling her he knows about lestat is she stunned into silence…. and isnt it convenient that the coven is now mutinous! armand is powerless to stop them, even as they move to do what he wants.

also compare what armand told louis to what he later tells madeleine. armand even holds some admiration for madeleine’s ruthless survival instinct, to the point of finding her to be a more suitable vampire than claudia is, and in the show-trial, shes offered an ‘out’, but madeleine has chosen claudia to begin with and will not be swayed.

he treats claudia’s death as a such an assured inevitability, constantly spoken in terms of when and not an if, which is why i think ppl miss how cruel it is — to armand, claudia is just the mechanical flea whirling around in his circus-freakshow.

[cosmic-metanoia]

Masculinity Concepts in FFXVI

***Spoilers for Final Fantasy 16***

I wanted to focus on the concept of masculinity in Final Fantasy XVI.

I really love how we see different aspects of masculinity portrayed in the characters. I won't go over every male character in the game but I'll mostly focus on the Dominants along with some side characters.

*Clive - I have a whole character analysis post dedicated to him but to highlight a couple points - he has many wonderful qualities that make him very admirable not just as a man but as a person. Despite his handsome looks that we all know and love, he has a surprising softness inside him and wears his emotions on his sleeve at times especially when it comes to Jill. We see moments when he bares his soul and weeps out of sorrow or joy which makes him more masculine, in my opinion, not less.

*Joshua - His masculinity is incredibly refreshing as it is the complete opposite of toxic masculinity. His face has soft and almost feminine-like features. He may have spent his young life being physically frail but he demonstrates a fiery strong spirit. He has this honest chivalry to him yet views everyone as equals and has a gift for poetic words as a result his study of books. He is merciful and incredibly kind but is unafraid to demonstrate his prowess on the battlefield like his older brother.

*Cid - Now this guy is your classic smokin' cowboy archetype but with MUCH better attitude. He oozes masculine charm, wit, and charisma but he uses it for the betterment of society and to persuade others to join his revolutionary cause. But his motives are candid and straightforward. I love how he didn't exist just to flirt, be eye candy, or simply be the comic relief. He becomes the mentor whose legacy lives on through Clive and bonds the hideaway folks into a real family.

*Dion - He IS the reason why Sanbreque was able to tip the scales to its favor - because he is the powerful Dominant of Bahamut. He is the prince but he climbed the ranks and earned the respect of his elite dragoons. He exudes military spirit and possesses a flair for political language as a future leader yet has a sense of honor and duty to his people. And along with that I can bring up Terence who is also a military man and climbed the ranks to be by Dion's side. Their love for each other is tender and beautiful and perceived as just another aspect of themselves.

*Kupka - Now this guy is your typical gym bro and is quite the buffoon (I cracked up when Sleipnir says something like "seems Hugo's head was filled with rocks afterall.) He gives the strong impression that he does not respect women (ahem, that servant he kicked) with the exception of Benedikta who could care less about him. Kupka is your stereotypical toxic masculine type.

*Barnabas - Another villain who uses his masculine aura to dominate and overpower. Even when it came to the intimate scene with Benedikta, he certainly gives the impression that carnal pleasure is just a means to an end. Benedikta knew immediately that he'd throw her away as soon as she lost her use to him. Also... I mean...the dude carries a huge sword like he's trying to make a statement LOL!

In terms of side characters, we see that even the hardened Blackthorne is encouraged to open up his feelings which (through many side quests) he is eventfully able to do and make peace with his past. We see the rugged Otto and his eyes brimming with tears when speaking about the late Cid or about the Bearer son he lost. We see Goetz as the gentle giant who is working on his own self-confidence. We also see Gav who gets emotional after a few kegs of ale and cares deeply about Edda and her baby. And even Uncle Byron who shows his sense of power through his financial generosity but loves to put on a good show (he would be quite the actor in Shakespeare theater!)

There are many male characters that I missed but I wanted to focus on a handful of characters. We're so used to seeing the typical battle-hardened and gruff heroes that eventually claim victory over their enemies and get the girl. It's nice to have a story where you have men with different pasts and drives that pull them forward to their futures.

I will also (hopefully soon) write about the female characters as well! :)

[hotdaemondtargaryen]

TOM GLYNN-CARNEY INTERVIEWED FOR DEADLINE MAGAZINE.

IS THAT YOU LYING IN BED IN EPISODE 5, GETTING THE BURNT VALYRIAN STEEL PEELED OFF OF YOUR BODY?

"It certainly is me."

I THOUGHT YOU WERE DEAD. SO YOU'RE NOT DEAD YET?

"I say a word … unless dead people can speak."

SO YOU ARE SURE AS YOU'RE SITTING HERE, YOU ARE NOT DEAD.

"I’m not dead yet."

LET'S BACK UP TO THE DAY WHEN YOU SHOT THAT EPIC DRAGON FIGHT.

"Well, that day was, in fact, probably about three weeks work, trying to get all these certain angles and these set pieces together."

"It takes a while to coordinate something like that."

"And it was great fun."

"It was a little different."

"The stuff I had to do previously with the big dialogue, the heavy council scenes and the moments in the pub … that felt more theatrical."

"And by theatrical, I don’t mean hammy and stuff, I mean being in theater and doing a play."

"But this [dragon fight] felt very filmic, being strapped into this crane and having this big camera on a long hydraulic arm thrown in your face."

"There were lots of green screens and gray screens and tennis balls on sticks and wind machines."

"It was great."

"It was a big learning curve for me as well, because I’ve never done anything quite as elaborate as that before in terms of CGI work."

DO YOU THINK CRISTON SAW WHAT AEMOND DID TO AEGON'S DRAGON IN THAT FIGHT? THAG AEMOND IS TO BLAME?

"Criston definitely sees Aegon on the ground and Aemond near him with his sword drawn."

"So he can make his own mind up about Aemond’s intentions, which is still unclear even to me."

"I’m not sure the story was there."

"There could be various outcomes."

WHAT HAS IT BEEN LIKE TO PLAY SOMEBODY WHO'S SO BLOODY UNLIKABLE?

"So you’re not team Aegon, then?"

"Who wants to be liked?"

"Where’s the fun in that?"

"I think it’s great playing someone like Aegon because he’s so unpredictable."

"He’s so volatile."

"He’s not just someone who people don’t like."

"He’s a tragic case."

"He’s a complete and utter tragedy of a person, and I feel deeply, deeply sorry for him."

"And I guess that’s kind of why I’ve wanted to investigate his vulnerabilities, his fragilities and his boyishness, all the things that he lacks in his life that kind of inform his decisions, that have given him a certain reputation."

"There’s a lot to unpack in him."

"He’s way more layered and complex than just an unlikable character."

IT'S BEEN AN INTERESTING JOURNEY WATCHING AEGON AND AEMOND BECAUSE THEY'RE OBVIOUSLY BAD KIDS, WHICH DOESN'T MAKE SENSE BECAUSE IT'S NOT LIKE THEIR DAD WAS AN AWFUL GUY. SO WHERE DOES THAT BADNESS COME FROM?

"I dunno."

"I mean, they’ve got Targaryen blood running through them, so there’s going to be an element of madness somewhere."

"I think if they had a different upbringing and a different experience of childhood, things may have been different."

"If they had the treatment that Rhaenyra got, for example, their lives could be different."

"She was very much the golden child."

"She came first."

"She was the one whose picture was on the fridge."

"So yeah, I think that in many ways they’re a product of their history and their upbringing."

"But then again, they’re spoiled as well."

"They’ve never had to work for anything and that can have its effects."

"That’s probably a question for a psychologist, not for me."

WHY DOES HE DISLIKE HIS BROTHER SO MUCH?

"I don’t think he does."

BUT HE WAS SUCH A SHIT TO HIM IN THAT BROTHEL SCENE.

"That’s brothers."

"Aegon was pissed off that for weeks that Aemond has been in the small council and he’d been conniving and plotting with Criston behind his back."

"That kind of clique-ness and keeping Aegon out of the situation for Aemond’s own self-gain, knowing that Aegon would take over the position of King should he get the opportunity, Aegon needed to bring him down a peg."

"I don’t think it come from a place of disliking him."

It comes from a place of being like, ‘you are my little brother, know your place.’

"It’s dismissiveness and also, I’m from Manchester."

"From where I’m from, there are so many sibling relationships that are completely flawed and fractured."

"It’s very normal for me."

"I’m lucky I have a great relationship with my sibling, but it’s very normal and not out of the ordinary at all for you to see two siblings who actively want to hurt each other."

"It doesn’t come from hatred."

"That’s just the way people behave."

[see-arcane]

Well. I just read the Robert Eggers Nosferatu (2024) script in its nascent 2016 form. Quick and haunted thanks to @nosferattusx2 for making me aware of its existence. It’s here on the Internet Archive if you want to give it a look yourselves.

I don’t know if it’s legit, but it seems precariously close to the trailers. Even if it is the real thing, it’s also an eight-year-old rendition of the script, so there’s no guarantee of it being an exact mirror of what will hit theaters. That being said?

It’s. A lot.

SPOILERS BELOW

I won’t regurgitate the whole thing here, just the main bits that stood out to me for better or worse:

For a guy who says he's very against the sexy romantic vampire trope, Eggers makes sure to have everyone getting scared and horny over Orlok at every opportunity. I will give him grudging kudos for not confining this strictly to Ellen or otherwise Just the Ladies~. The thing opens on Knock stroking himself to the concept of the guy and Thomas gets his own erotic/assault-flavored attack from Orlok at the castle with future allusions framing it in a distinctly sexual framework. Ellen is set up as the ~darkly tempted Eve to Orlok’s Adam~ but it’s not aggressively mega-hetero about it. Progress?

Thomas arrives in Orlok territory and immediately gets swarmed and pickpocketed by smelly-masculine Romani people (referred to strictly by the g word through the script) bar the one pretty young teenage girl one who we later get to see riding naked on a horse because only naked virgin girls can lead the group to hidden vampires for their destruction. Yeah.

…

Bobby Egg, I can get behind the VVitch using seductive evil weirdness and I see why mermaids would swim around topless, but. What the fuck? And also follow-up what the fuckery to the whole portrayal of these guys, period? On that note.

Here we see the first example of Thomas being Assigned Twink at Comparison to All the Other Men. Eggers frames him as insecure beside the masculine Romani and has a future character refer to him as a ‘dandy’ (despite that being a term reserved for men who were well-off, not just effeminate/less than manfully manful). To Bobby Egg’s slight credit, Thomas is not portrayed negatively or milksop-shaped because of this; it’s just. Kind of there. All the time.

Count Orlok’s description isn’t bad. Very ominous, very classic gothic-supernatural. I do appreciate that he’s explicitly given more corpse-like attributes, making him seem like a mobile cadaver more than anything else. And Eggers does keep him creepy—no stealthy Count Fuckula spit-shining on him.

Shovel scene sort of happens as an original Dracula nod, but with no payoff. An attempt was made and thrown away.

Ellen. Oh, Ellen. Such a double-edged piece of work here. On the one hand, this version of the script implies that she isn’t doing the classic bastardized Mina thing of deciding her lame lameo human husband isn’t good enough for her and she needs herself a REAL MAN. There’s a lot of the original Thomas and Ellen’s genuine love and regard shown in the couple…

…up to a point. Eggers writes them a very very ugly and basically wholly OOC argument to do with Thomas claiming he wed her out of pity and saying she ought to have been sent to a madhouse when she was young, which itself was a follow-up to Ellen yelling that Orlok’s work is all his fault in a weirdly victim-blamey way and a scene that felt less like a badly done seduction and more like she was trying to actually assault him. They seemingly both reconcile after this, but like…what the entire hell?

Okay, to get this out of the way—I think Eggers is trying to lean hard into the ‘well in the actual time and place of the story things would be so grimdark and depressing, so it has to be nasty even between the loving main couple, and it adds to the horror-misery of it all, and it makes Ellen’s dark temptation~ more reasonable!’ thing. We can see a lot of that in how he sets Ellen up to have a history of dark thoughts, a lot of stigma surrounding her sanity/insanity, and there’s some very cruel medical ‘treatment’ she gets subjected to during her fits while waiting for Thomas and/or Orlok to arrive. Naturally those fits are all sexual/orgasmically twitchy because of course. Eggers is very much trying to set Ellen up as sympathetic in her situation and as a kind of next evolution to the Francisified Mina character who wants to fuck Dracula/Orlok/Death so so bad~

And then we get to the Van Helsing stand-in, Von Franz, and he is…oh man. 90% of his bits are fun. Interesting. The last 10% would make Abraham van Helsing in every iteration punch through the fourth wall and beat him to death with their library books. Surprise, Von Franz and Ellen both secretly colluded to set up the sunrise trap that will inevitably kill Ellen via Orlok feeding on her into the dawn. Von Franz purposefully leads the vampire hunter crew astray, including Thomas. When Thomas discovers this—from Knock who he mistakenly staked in Orlok’s place due to a mix-up with the coffin—Von Franz laughs as Thomas and Dr. Sievers the pseudo-Jack Seward make a run back to the house to try and save her.

The climax comes with Ellen and Orlok playing out the original Nosferatu ending. She dies happily cradling Orlok’s carcass. Thomas reaches her bedside and collapses in despair. The script closes on Von Franz showing up with a lilac bouquet and putting his hand on Thomas’ shoulder as he grieves, still unmoved from the bedside. Close on Ellen’s dead face ‘at peace.’

Somehow the scene doesn’t end with Thomas wringing Von Franz’ neck.   

There’s a lot more to read in there, obviously, but those were just all the big lumps sticking out of it to me.

I will grudgingly say it is not the absolute worst-case scenario I was afraid of. It’s not what I was hoping for—but that is keeping in line with Dracula and Nosferatu-adjacent media, per tradition. I do still want to see the film, I do want to like the finished product, even with the worrisome second trailer and sundry interviews throwing up red flags. Like The Last Voyage of the Demeter, it is at least an earnest attempt at taking this vein of classic gothic vampire horror seriously as a horror story.

But also.

I would really like directors to stop turning the Mina-Ellen figure into the vampire-pining gothic blowup doll for the latest ‘Bold and Subversive’ take #1654237 of GIRL AND THE DRACULA DO KISSY SEXY ROMANCE TIMES. An impossible dream, I guess.   

[silverzoomies]

Ok so I've been a fan of Evan since days of future past came out. Like, the day it came out. I saw the premier or whatever it's called in theaters so DUH I LOVE QUICKSILVER SO MUCH 😞😞 anyways I know you're not taking requests but like I'm a little bit chubby (this is relevant I swear) and I CANNOT stop thinking about Peter and reader! being in a serious long term relationship, but they haven't gone all the way yet. Like, heavy make out session? Yes! Peter getting painfully hard during said make out session? Check. Make out session turns into peters desperately grinding, letting out the neediest little whines. Absolutely. Him definitely busting in his pants at readers! breathless little moans? Every. Single. Time. Never all the way though. He desperately wants to bone but he's willing to wait as long as he wants to because he thinks reader! doesn't want to, but they're just as desperate as he is but scared of what he would think because they're chubby. During one of their heated.. laundry day inducing make out sessions one thing leads to another and reader! ends up telling Peter why they haven't wanted to go all the way, and Peter proves to them he doesn't think that [;)] and talks reader! through it the whole time.

YOU DONT HAVE TO ADD THIS TO YOUR REQUESTS OR TURN IT INTO A FIC IF YOU DONT WANT TO. I just had to share this with somebody and OBVIOUSLY because you're one of my favorite writers I had to come to you with this (hi I've sent u a lot of messages 🎀) and since you're another huge quickie fan I thought you'd enjoy this :3 SORRY IF THIS WAS SUPER LONG OR IF IT DIDNT MAKE SENSE I'm mad at typing sometimes smh

helllooooooo anon, my lovely !!! i love you so much !! forgive me, i haven't written in a while !! i tried my best to make somethin' out of this because it was such a cute idea !! i hope a headcanon list will suffice !! also, please don't ever apologize for sending me long asks. i'm not kidding when i say they make my day, i love them so much !!

headcanons || peter maximoff x chubby!reader

to preface, i think we should consider some key things about our speedy goofball

peter’s a mutant. he knows exactly what it feels like to be alienated for something he has no control over

second of all, the guy’s a little bit of a weirdo

i legitimately doubt he would judge, or think less of anyone for something as superficial as looks

seriously. If he vibes with you, and you’re patient enough with him - you’re sexy as hell

it’s as simple as that, sorry. just bein' honest

so what if you’re a little thicker? he can’t get enough of you

he’s so addicted to you, in fact, you’ve got him trippin’ a little bit

like, he’s kinda goin’ cuckoo

the two of you make out a lot. so much. it’s like you’re glued to one another. any free time you have together usually consists of hanging out, and making out. not that he’s complaining

it’s definitely awesome. and it feels totally great. he does this freaky thing with his tongue that makes you squirm under him every time 

and the way you whine into each smooch - oh, man - you have him longing to get even closer

make outs eventually turn to dry humping. it’s kind of humiliating the first few times...

...since the grinding always seems to end with him busting a load in his jeans. and he whimpers too much...jeez...

but you always praise him for it, which never fails to turn him on even more

things get so heated between the two of you, escalating so often - peter finds himself confused

like…why haven’t you let him…y’know…

once or twice, he hints he wants to go down on you. and there’s no way you misread his signals. he’s pretty blunt about his needs

but you’re always so reluctant. you feign ignorance, or try to distract him with more intense kisses and pretty moans

peter’s never been a patient guy. the fact that he’s willing to wait this long for you says a lot. like, shit…he must really really really like you

but even now…fuck…he’s so worked up. he’s getting a little too bored of being limited to smooching

like, c’mon…do you think he’s ugly or something?? does he smell?? what’s the deal??

he never considered you might be self conscious. his brain doesn’t really operate like that. he’s all impulsivity and living in the moment

in the midst of making out, his hands travel where they don’t usually dare to go. he takes confident chances, fondling your tits over your clothes. but just as things heat up, you redirect his attention again

his blood almost boils. he’s way too hard for this, aching to get closer, and you’re just…gah! why’re you holdin’ yourself back? 

at last, you confess…you’ve been self conscious the whole time

ah

why didn’t you just say somethin’ before? peter tries not to laugh at how silly you sound. obviously, he’s super attracted to you. why else would he spend all his free time with you, tryna get up close and personal?

as things finally move forward, he dials up the sweetness a few notches

and damn, the wait for this was more than worth the uptick in laundry days (thanks to one too many nuts busted in his boxers)

he covers every last inch of your gorgeous body in kisses, as you let him shed you of your clothes

his masculine hands are more gentle than you expect

unclothed together, he doesn’t hesitate to get as close as he possibly can

you’re soft and cozy, and his body is like a furnace

months of pent-up desire leave him so horny, he can’t hold back anymore

through it all, he’s quick to remind you how much of a fox you are. peter teases you with his tongue in ways you never imagined possible. before rocking your world, flowing with the motion of the ocean

and by that, i mean…you bone. balls deep. hellz to the yeah

embarrassingly enough, it ends just as soon as it starts. but as usual, he recovers fast. and his endless stamina means he’s willing to go at it for hours

which he does. until you’re so exhausted, your limbs are like limp noodles. whoops...sorry about that !!

say...uh...no chance you'd wanna go another round, is there?

peter hopes you’ll be more up front with him from now on. so he spends less time dreamin', and more time goin' at it 🤍

[pastriibunz]

Hey, fun TKWDLM fact for all of you to chew on!

Pokey didn’t know Kai was going to sacrifice herself at The Starlight Theater.

He was expecting Paul. It was supposed to be Paul.

I mean, why do you think Kai sang let it out, and not some personalized song?

Why do you think Curses was Kai’s final number?

Sure, Pokey does try playing this off as a personal choice:

“Usually, I write my own numbers, but I just couldn’t pass yours up.” — ACCURSED - KAI’S PERSPECTIVE, DEC 6TH, 2023

but, i think we can all agree that pokey isn’t the most reliable narrator.

wanna know the truth?

He was bullshitting all of it.

He was SCRAMBLING for an ending.

Kai was never supposed to be in hatchetfield during his apotheosis.

At least, she wasn’t supposed to be with Paul and Emma.

He didn’t even WANT kai.

Well, not until Let It Out and Curses, anyway.

That was where it got interesting.

Because Kai didn’t let him take her.

As the parasite lodged itself in her skull, eating away at her brain, killing her from the inside out, Kai didn’t back down.

For the first time in a millennia, he struggled to take someone.

And, he’s not even sure if he can call it a win! Technically, Kai went out on her own terms.

And then? Somehow, she freed herself from the apotheosis. Not once, but twice.

And that little miracle was the worst mistake of Kai’s life.

Because that cemented her as the most interesting person in the world to the Lords In Black.

Black Kai-day? It was basically a test. For Kai, at least.

They needed to see if that was just a freak accident, a blip in their plans.

But, BK let them know it wasn’t.

She wasn’t immediately taken by the Tickle Me Dolls. In fact, she didn’t even really want one after she was. she didn’t give two shits about the doll. she just wanted what it promised her.

Kai was a fighter.

and they decided that she was the greatest thing in the world.

Nightmare Kai-me is THEIR show. They wrote the plot.

Well, not melissa. That was an accident. they just needed to throw kai somewhere for the time being. they had no idea mel would do..all of that. But it was funny, so they kept it in.

they planned nightmare Kai-me beforehand.

They all had a specific order.

Why else do you think wiggly’s episode fell where it did?

so kai would choose HIM to summon.

why do you think blinky knew that his game was just beginning ???

because they PLANNED it that way beforehand.

Kai defied everything they thought possible.

One girl from the tiny town of unington became their little court jester.

Pokey didn’t plan for her.

But the rest of the lords did.

[thomatri]

Haikyuu boys as love languages

Synopsis- Haikyuu boys as love languages (separately) featuring Shiratorizawa

Paring- Wakatoshi Ushijima, Tendō Satori, Semi Eita, Shirabu Kenjirō, Goshiki Tsutomu

Warning- cursing

——————————————————————-

Wakatoshi Ushijima -Acts of Service

———

Wakatoshi Ushijima is what some might say emotionally unavailable. And he’d agree, hes emotionally unavailable not an idiot. Because he knows his behavior hes ruled that doing acts of love for you will suffice showing his love and you agree. I feel like he doubles at acts of service. Like he’ll do something and then it results in you two spending time together or making plans to. He offered to plant, plants you love and you offered to help. He has a garden btw. He takes very neat notes so he’ll let you borrow them but he knows how you like highlighted notes so he’ll highlight key terms and stuff for you.

———————————————————————-

Tendō Satori - Physical Touch

———

Tendō was very touch starved before he met you so trust he’s catching up on all his physical touch with you. On top of him being a flirty person his physical touch ain’t just rainbows and kittens nothing super sexual though. Just making out here and there. He does love biting you, he doesn’t know why and neither do you. If your not comfortable with it that’s fine he won’t do it duh. Hand holding 247. One time Semi brought up you two dating and Tendō had the audacity to be confused when he never explicitly told the team yet except maybe Ushijima. Semi stared at him to see if he was joking. “You two literally are always holding hands,kissing and hugging I’m starting to think y’all are melting together the way y’all are on each other” Semi says rolling his eyes

———————————————————————-

Semi Eita - quality time

———

Semi loves spending time with you. His ideal date is definitely going to the movies. He refuses to watch a movie if it ain’t in the theaters. If you don’t have money at the time for it dw bbg he got you. He feels like it makes every movie better and he has a point. He won’t cry scream throw up if you just wanna watch a movie at home but you know he prefers to see it in theaters and you dont mind so y’all usually go. Your parents think it’s the cutest thing. Y’all go on other dates occasionally but movie dates are always something you can look forward to in y’all relationship.

———————————————————————-

Shirabu Kenjirō - gift giving

———

Shirabu gives the type of kid to get good asf grades and be rich but humble when it comes to money. Don’t get me wrong he’s still snobby but only stuff he achieved like grades and volleyball you feel me? With that being said he definitely spoils you. He buys his friends stuff sometimes if he knows they’ve been eyeing some shoes or something but being his lover is a whole another of gift giving. It was so bad at first that you had to tell him to tone it down on gifts or at least the prices. So instead he decided to listen to the second part of that statement. He doesn’t get you super expensive gifts anymore at least not as often. But he still buys you stuff. Like snacks,jewelry, and books/manga or whatever your into. He argues that he literally doesn’t use his allowance for anything else and it’s just sitting around. Don’t you dare let him see you glance at anything he’ll try to buy it. Mall dates have been band sorry. On the other hand he loves gifts too his only thing is he loves handmade or homemade gifts. Like if you make him a bracelet he’ll want to jump for joy but his nonchalant energy won’t let him

———————————————————————-

Goshiki Tsutomu - words of affirmation

———

Goshiki loves praise in all shapes and forms. Especially from his partner. If he does a powerful spike he’ll towards you for praise. Bonus if he has a pet name. It pisses his coach off but whatever makes the players happy. He loves complimenting you. He always somehow knows what to say. Hes a bit too shy for physical touch and he can do task but he’s not really good you fell me? He’s always playing volleyball so I guess that counts as quality time but no fr. He’d be pretty good at making gifts but like I said he’s married to volleyball and dating you :,) so he doesn’t have a lot of time for it. But he can always give you a compliment to hopefully brighten up your day and you can do the same

——————————————————————-

Fun au

- I originally had Daichi instead of Ushijima cause I lokey forgot about him and I needed 5 characters for 5 love languages. I really said let’s all be shiratorizawa and not tell Daichi

-I spelled Ushijima name Ushiwaka and had to edit his entire thing 😔

- I love Goshiki❤️ (really unrelated but I jus wanna mention)

[twstfanblog]

This is more of a worldbuidling question but what do the commoners live like in each district??? I'd there more of an emphasis on art in the west and everyone has like. Crazily painted houses or elaborate gardens, and do southern commoners have a higher cost of living because it's so expensive to shop there? In southern schools, is there a surplus of those kids that bring snacks to school and sell them because if how ingrained business practices are? Or is it just normal? I want to know more about the more middle class characters like Jack and Trey T_T. Speaking of which how did Ace and Deuce become Riddles servants 🤔?

Also what about the slums and Ruggie? Are there more slums in a certain district, I'd assume he'd be placed in the east... maybe the kingscholars like to cut costs and corners to make more profits, even though it leaves the general population poorer? Also do leona and ruggie ever meet in this au???

That's all my questions for now! I'm probably gonna have more but if you don't want to answer them that's totally fine! Hope you have a good day ^^!

*Cracks knuckles*

Ok, here we go. Long Answer coming!

The price of living increases the closer you get to the capital. So the slums of each area are around the edges of the district on the opposite side of where the palace sits.

Class-wise, the southern district is mostly populated by nobles since no matter where you go, it's considered prime real estate. So the South doesn't really have a slums, since its main population are rich commoners and business-owning nobles.

Oh the kids try...but the schools are already running school stores where you can purchase lunches, snacks, school supplies, small plots of land. You gotta be a very crafty school child to get your foot in the door starting a business while still in school.

Schooling is pretty standard across the empire, the southern district puts a heavier focus on math and reading though, just because most of the kids who do attend school normally end up working for their family business. East has a number of culture studies, the west has so many electives to pick from it's almost scary. Northern children basically get funneled into the military (The fuck are you feeding these kids? Why do they all grow up to be TANKS????)

Lord the West district is a nightmare to HOAs. So many houses all with different vibes and color palettes. The scholars who picked the middle ground and became architects building the most insane 'shouldn't be standing against a strong wind' kind of houses. The theming gets more uniform the closer to the capital, but that's just because that's the more tourist area, where all the big theaters and conference halls are.

Speaking in terms of just size, the East has the biggest slums of the empire. Since they are the main resting point for visiting diplomats, it became a culture hub and most of the immigrants moved their because it was more familiar to their homelands. in turn there's just A LOT of people there and sadly not enough work for everyone. at this point it's just cheaper to live on the edge of the empire than moving to the second cheapest housing; the West slums. The Northern slums are basically just living on a mountain and surviving off the land.

Ruggie and Leona do meet! As he gets older, Leona's fights with his dad get worse. One night it was bad enough that Leona just ran away and was missing for nearly a week. Ruggie finds who he assumed was a homeless man and helped him out a bit 'We've all been there man'. In his time in the slums, Leona finds a bit of purpose and wants to help the people he technically rules over.

Leona is found and leaves without saying goodbye to Ruggie. YEARS LATER, a servant of the Duke Kingscholar comes to the slums asking for Ruggie to come with him. Farena is slowly taking over the Duchy from their aging father and Leona listed Ruggie as a good choice for a consultant. Ruggie actually does pretty well in the role, just gotta give him a crash course in etiquette before every formal dinner he has to attend now.

Let me list where everyone is!

North

Jack lives with his family after his mother secured a tutor job for a noble child when they first came to the empire. Once in the north, his family of wolf beastmen flourished and lowkey are treated as untitled nobles.

Sebek's family has strong ties to the royal army since his grandfather served and is friends with THE LILIA VANROUGE. Sebek's dream is to join the army to continue his family's legacy (And maybe see the prince. HE RESPECTS HIM OKAY!? DON'T TEASE HIM ABOUT THE POEMS HE WRITES!)

Epel lives with his family on one of the many farms contracted to supply produce to the palace. As such they have very high standards of their produce and won't let you talk down to them even if they aren't nobles.

East

Ruggie moved to the empire with his 'grandma' in a big group of refugees when he was very young. He does odd jobs around the district to help support his community.

Rook was born and raised in the upper-middle-class East District. He only moves to the West District to further his art career once he comes of age. From there he meets Vil and they fall in artist love.

South

Azul's mother owns a very popular seafood restaurant. It's half in the water and displays the first shell coin her great-great-great grandmother made in the sea (For luck!). She married into nobility with Azul's stepfather who accepted Azul as his own.

The Tweels family aren't titled but with how many dirty dealings they've done with the various shady business owners, they might as well just buy a title. A very wealthy and dangerous commoner family

Trey's family owns a very nice bakery! With the high-quality baked goods and fair pricing, they're normally packed by commoners and noblemen alike.

West

Vil and his father live and breathe the theater. They've been living in the West since Vil's dad moved from the capital to help an old friend establish his theater.

Riddle lives with his mother and live-in attendants and is lowkey miserable but working hard to achieve in his studies. They use to live in the South, but his mother said he was distracted too easily there.

Deuce lives in fairly cheap housing with his mom and grandma. Deuce's mom travels from the West to the capital to work for a week then to come back for a week off.

Ace has a similar situation to Deuce with his mom AND older brother going off for work. It's why they take the jobs to be aids for Riddle. Also known as 'Riddle's mom had to buy him friends'.

The Capital

Cater's dad is a senior member of the imperial bank! He and his family live pretty cushy lives even though they don't have a title. Cater's looking to change that and has been studying how to bag a noble beau every social season since he was seven.

Silver lives in the palace with his father and Malleus since Lilia brought him home. His curse is slowly getting worse with age but he's still working hard so that he can try to pass the army entry exams.

I hope this answers everything! Let me tell you guys, world-building is much FUN!!!!