#why are they always doing this when I'm trying to be a normal person

[summertimesadnessirl]

It doesn't matter.

If you have done everything you can to try to get the life you want and nothing works, it doesn't matter why you got that way. All that matters is don't keep trying to get love and letting people use your desire for it against you.

I'm pretty sure it's not actually real. And it's just something they made up to sell soap.

So that's the model I work with.

As long as I refuse to allow myself to believe anyone loves me, everything works out well. When I break that, people hurt me.

People will guilt you into saying it's because you don't pick the right people but no matter what criteria you use it's always the same. And no matter what treatments you apply to yourself, it's always the same. And no matter how many new styles of communication you learn to talk to other people, it's always the same.

For me the only thing that kind of worked was doing sex work and being super fake and having several hundred shallow fake relationships that had a lot of sex and weren't boring and miserable, because whenever I've tried to not date and just hang out and do other things like working or something either people bother me all the time and are really mean and annoying or they are always "conveniently" introducing me to people they want to fix me up with. Men and women and like? Those people are always basically on the same emotional level as the people I have already dated and seem really shy and kind of uninterested in me. When I talk them out of their shell, they seem still shy, like they basically admire me for not seeming shy to them and like how I dress but don't have anything in common with me and we wouldn't have anything to talk about, or they have kind of a mental picture of a type of super assertive girl who will be into their lack of experience and want to like... put spices on them and let them sit on the counter top for a full moon cycle and then write out a recipe for them that they can use to attract someone who will love them now that they aren't virgins or something, and they don't want to admit that to me up front, which is very mean to do, to want someone to like... be your character development without asking and then not let them prepare to be left with nothing from that interaction in exchange for being a cute story you talk about with your future spouse or whatever.

Most people don't seem to want a relationship with a particular person or a particular type of relationship or even like have considered their own potential deal breakers. Not "I didn't realize this thing I thought everyone did wasn't a thing everyone did" or "i was wrong about my needs in certain areas" or whatever. They genuinely have no idea like what they do for fun that is a group activity, and they make you spend like an hour trying to figure out what they want every time they want something and most of the time when you give it to them they're unhappy.

It's like people want me to be in a relationship just so I'll be in a relationship and other people want to be in a relationship with me just to be in a relationship and even people with lots of money who can leave and who spend all their time complaining about their relationship don't want to leave their relationship. And when I'm like "I don't want to be in a relationship right now because I'm broke or whatever and I wouldn't be able to leave a relationship easily." People are like *shocked pika* why wouldn't you go enter into a relationship with someone who wants to date you based on you having a normal level of kind conversation that you would have with a person on the street and being able to give them sex? Why would you not want to break up with the person you are dating and date a random old man who did your boss a favor once because he gave you a ride in his truck? Why would you not just let other people make major life decisions for you? Why are you not jumping at every chance we give you when it doesn't look or feel right?

It feels like the goal of the whole thing is having someone else to blame for your problems. I don't wanna do that to someone. I hate when stuff isn't my fault and I have to suffer for it anyway. That's why I cut my own hair and pierce my own ears and stuff. So if it gets messed up, it's just an accident and it's because I have never done that before and I just need to figure out how to fix it and I can take all the time I need instead of trying to like... figure out the magic buttons to push to get someone who broke something to be willing to admit they messed up and will try to fix it and like... having to wonder if I can trust them if they're a specially trained and certified expert and they aren't better at doing something than a person who went on the internet and read a tutorial and kind of guessed.

Idk. It's like if you told me most people in the world don't like sex or dating or anything and they aren't in love either and there's like some kind of mystic force that attacks people who don't live with a partner by such and such a time and have a kid by such and such a time and no one told me? I'd totally be like

"That explains everything."

Was I raised without love or was I born unlovable?

[michanvalentine]

I was asked if I had any thoughts on Astarion's character development in terms of taking responsibility and making choices. And him coming to terms with that part of his past he's ashamed of. In the past I didn't dwell on it in detail, normally I write down on the keyboard what spontaneously passes through my brain. But I think they are excellent food for thought, so I will try to express what I think about it.

Here’s a little ramble, just because I love psychology and think it’s something to always keep in mind when discussing Astarion. If you’re not interested, feel free to skip ahead!

(Let’s talk a bit about the self.

The self is quite a complex concept with many facets. Briefly put, it’s shaped by various internal and external factors and reflects a conscious image of "me." In psychology, it’s key to building the Ego of an individual—the capacity to act, understand, organize, and interpret experiences. The Ego provides a sense of uniqueness, coherence, and personal continuity since the self encompasses many "faces." All this forms the personality of an individual, which naturally develops (and changes) throughout life.

Particular attention in the formation of the self is given to sensitive periods, such as early childhood. The self determines the level of self-esteem based on an individual’s assessment of their worth and competence in the characteristics they attribute to themselves (Real Self), their future aspirations (Ideal Self), and what they want to avoid (Feared Selves). The greater the discrepancy between these aspects, the lower the level of self-esteem. Social support and approval, as well as competence in domains deemed important to the self, obviously contribute to perceiving oneself as a person of value.

I’ll stop here, or this will turn into a full-blown psychology lecture, diving into every possible personality disorder! xD)

Astarion, as we know, has had his sense of self fundamentally undermined. For him, the world is divided between those who have power and those who don’t, with the former always being the "winners" in his eyes. The magistrate he once was is long dead, along with his moral compass and the life he used to live—especially after 200 years of servitude to Cazador.

As vampire spawn, akin to a newborn in some respects, Astarion learned to exist solely within Cazador’s world, revolving around Cazador, for Cazador. He was the domineering father figure, and vampire society functions under strict rules handed down by vampire lords. In this hostile context, without any room for self-expression or choice, Astarion developed a fragmented and damaged self-image. Constantly belittled by Cazador as an individual (small, weak, useless, incapable, all words he uses in the game), always pitted against his brothers and sisters, and degraded from a magistrate to a prostitute (this is important because it’s the only skill—or "talent," as he calls it himself—that Astarion believes gives him any value or power, forming the basis for his self-image). It’s easy to imagine just how high his self-esteem must be, right? Most importantly, he never developed the skills to navigate life as a free individual—at least not in a healthy way.

This is why, even if reluctantly (and despite his fear), he ends up leaning on Tav/Durge. Astarion is a follower, not a leader—not yet, at least. He needs a guiding figure to help him figure out what to do because making decisions and acting independently don’t come naturally to him; they terrify him. Especially outside of his talents, sex and survival. He needs to be rehabilitated, re-educated, and to achieve this, he requires a safe and healthy environment where he can experiment and grow, perhaps developing other faces of the self on which to base a new evaluation. Like, I'm not just a slave or a whore: but I'm also a companion, a friend, a lover, a hero and I'm able to listen, to help, to learn, to collaborate, etc. For instance, I think his lack of attention to detail reflects this to some extent—not just his tendency to be dismissive or distracted. In fact, Astarion isn’t stupid at all; his intelligence and wisdom stats in D&D terms are above average. He knows how to move in the shadows, remain unnoticed, and is highly skilled with his hands. Additionally, we shouldn’t forget that Astarion is an excellent observer of bodies, particularly body language. This is especially common when someone has lived in a stressful environment with abusive parents or partners. Recognizing the early signs of what they fear most—abuse—is crucial for trying to avoid getting hurt. The inflection of a tone, the light in someone’s eyes, the posture of their shoulders, arms, torso, etc. Body language is the most direct and primal form of communication and reveals intentions.

This is a skill Astarion has naturally refined, not only through survival but also by interacting with countless partners. It inevitably helps him sense certain things before others do, often saving him from trouble. So, he’s far from just some clueless fool, no matter how frivolous he might seem at times.

Sure, stress kills neurons, but the issue is deeper than intellect. To execute a plan, one needs to make decisions and lead a group—something he simply isn’t equipped to do yet. This also ties to accountability, an inherent part of decision-making—especially when others are involved.

Throughout the game, Astarion grows and begins to reclaim his rights as an individual. He realizes he’s more than an object to be used (he is no longer small, weak, useless, incapable), and he starts to establish boundaries and discover what he truly wants or doesn’t want to do, always alongside Tav/Durge. By the good ending, he even states that with Cazador gone, he can finally find out who he really is and what he wants from the life he’s regained. He’s still afraid—the road to healing is long, and the trauma is deep—but he’s willing to work on himself, which he couldn’t or wouldn’t do before.

A significant part of Astarion’s defense mechanism is dissociation, the ability to separate himself from the terrible things that have happened to him—or that he has done.

This, in my opinion, is how he managed to survive without completely losing his mind. In the game, there’s even a dialogue choice that highlights how Astarion simply repressed everything inside and kept going—a deeply unhealthy way of coping. And rightly so, the vampiric spawn retorts that it’s easy to judge when you haven’t lived through such a situation.

However, when Astarion comes face to face with his victims, that mechanism begins to falter. This time, he’s forced to confront what he has done directly, with all the consequences it entails. He has to look them in the eye, listen to their harsh words, and endure both their pain and his own—without filters, without excuses. The sequence is heart-wrenching, as we all know, but what I particularly love is Astarion’s comment about the Gur children and how, when he delivered them to Cazador, he felt nothing. I love it because it’s followed by an “oh” that speaks volumes more than all the discussions about ascension up until that moment. That “oh” seems to say, “How the hell is that even possible?!”

Astarion is surprised, first and foremost, because what he felt then isn’t what he’s feeling now. Before, he was numb, alienated—a ghost wandering the streets. But now, he’s not. He’s more awake and lucid than he’s been in the last 200 years. This concept is crystal clear when, upon setting foot inside Cazador’s palace, the vampiric spawn states that everything feels different, even though the place hasn’t changed. It’s not the palace that’s different; it’s Astarion!

And at this point, after speaking with Sebastian and Chessa, Astarion is torn.

On one side, there’s ascension, with all the rational explanations—or justifications for Tav/Durge and himself—about why it must be done. The vampire spawn are too many and too hungry; they’ll cause a massacre, etc., etc. On another side, there’s the need to erase the evidence of what he was, of what Astarion endured, and what he inflicted upon others—what these wretches represent as a mirror reflecting his own helplessness and pathetic state. A victim, essentially. And that, for him, is humiliating because he was, in fact, humiliated for 200 years. He’s deeply ashamed of it.

But yet another part of him holds the desire to do the right thing.

In fact, if asked about the prisoners and what he intends to do, Astarion will say he’s weighing his options. Not only that, but Astarion also gives his approval when Tav/Durge tells Sebastian that their freedom depends on whether or not they know how to control hunger. Adding immediately after that they can succeed. Anyway, at this moment, for the first time, the choice and the responsibility are entirely on Astarion's shoulders—and on his conscience. There are no orders from Cazador to carry out, no Tav/Durge acting on his behalf. The most Tav/Durge can do is help him think clearly in a moment when, between fear, the scent of blood in the air, and power within reach, Astarion might not be the most clear-headed being on the planet. But ultimately, the decision is his to make. The first of many more to come.

However, I believe Astarion truly takes responsibility for his actions when, after freeing the vampire spawn, he becomes the leader of the coven in the Underdark in the ending. In this particular case, the transformation is complete—Astarion is a leader who plans, makes tough decisions every day, manages resources, takes care of his people (his old victims, let's not forget), and continually grows in his independence.

Naturally, returning to the concept of the self, each of the endings—whether he travels across Faerûn with Tav/Durge, becomes a nocturnal vigilante in Baldur’s Gate, or even ascends—offers a perspective on how Astarion has changed and how new experiences have added positive aspects to his self-concept. These enable him to increasingly perceive himself as competent and valuable. At this point, I’m afraid I might have gotten lost in the flood of words, and I’m not sure if I’ve managed to address the proposed topics thoroughly. My apologies—I tend to lose myself in my thoughts and ramble on freely! If needed, feel free to let me know, and I’ll add a follow-up! xD Anyone who made it this far is a true hero, just so you know!

[etchingsandepitaphs]

Down Time

MORE ARCANE FANFICTION I'M NOT SORRY it's CaitVi Hurt/Comfort this time tehehe enjoy

Word Count: 2703

Summary: Vi has a couple of hours to herself, and spirals when she realizes she has nothing to do. Caitlyn comforts her, and shows her something in the Kiramman mansion that brings up an old love.

CWs: Described panic attack, discussions of war-related PTSD, mentions of death, mentions of class imbalance, swearing

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No matter how long she spent there, Vi was certain that she would never get used to the overwhelming size of the Kiramman mansion. Even if Caitlyn had said it was more modest compared to some of the other councillor’s families, she in no way believed her. The place felt sprawling, endless hallways of rooms that had taken her weeks not to get lost in. Even now, despite living there, she still found herself getting turned around.

She’d found herself with a couple hours to spare while Caitlyn was busy, and immediately she was overcome with a deep-rooted anxiety.

“You sure there’s nothing I can help you with, cupcake?” She asked, hovering in the doorway to her girlfriend’s office. Caitlyn was staring at a machine that Vi knew held all of her mother’s decades of research, and she shook her head, clearly already in intense focus.

“Just give me a few hours, and I’ll be all yours. I just have a problem that I’m trying to work out.” She was chewing on her bottom lip, and sounded slightly dismissive in a way that made Vi know that the conversation was over. It wasn’t a personal attack, it was just the way she always got when she was trying to focus. 

“Right. Okay. Cool. No worries. I’ll see you in a few hours then.” She peeled herself away from the doorway slowly, allowing the office door to swing shut behind her and trying to keep herself from being stressed out.

It wasn’t like she was trying to be clingy. Caitlyn was allowed to do things without her; hell, it was healthy for them to do things without each other. But she still felt her breath quicken as she made her way down the hall, walking aimlessly in the opposite direction of the office.

She’d been in situations that would have been the stuff of nightmares for her teenage self. She’d fought monsters, and fought people worse than monsters. She truly had very little left to be afraid of.

So why did the idea of having free time scare the shit out of her?

She had genuinely nothing that she needed to do. And while her normal recourses would be to drink or to train, she’d sworn off alcohol after her weeks in the pit, and she’d just done a pretty intense full-body workout that morning. Not having to be a walking weapon anymore meant she had to learn how to pace herself. How to think a week ahead, not just a day.

She was struggling to grasp the concept.

Having downtime wasn’t something she had been used to, in recent years. Definitely not since Vander died, but probably a bit before that. She’d been itching to fight from the moment she was old enough to comprehend the hand that the undercity had been dealt.

So she made sure that she could. She honed her skills in every spare moment she had. She got in street fights to practice, she went running to improve her stamina in case they needed to escape. She was watching her family, or she was training. Those were her only goals. For years.

And then she got thrown into Stillwater, and all of the sudden she was in survival mode.

She was almost certain that she’d never left.

Her breath was coming quicker now, and she mentally berated herself for being so ridiculous. She was perfectly safe. She had nothing to be afraid of here.

Yet her body was reading signs of panic anyway, on the edges of her mind and threatening to overwhelm her system. Her hands had begun to shake, and she couldn’t help but sink to the ground in the hallway, back pressed to the wall. She felt dysfunctional and childish; she shouldn’t have to rely on her girlfriend to give her tasks. What happened to having hobbies? She was certain that she’d had hobbies once, hadn’t she? Things that she wanted to accomplish with her time, before it had all been overcome with war?

She pressed the heels of her hands into her eyes, trying to calm herself down. She didn’t even know what she was freaking out about, truly. Was she honestly that upset about not having anything to do? She could go take a nap, for fuck’s sake. This wasn’t that big of a deal.

But her brain wouldn’t listen to any of that, not once the panic attack had started. All she could do was sit on the floor and unravel while she waited for her mind to get its bearings. She only hoped that nobody would —

“Vi? What’s wrong?”

Fuck.

She moved her hands away from her eyes and saw a very concerned looking Caitlyn Kiramman at the end of the hall. Caitlyn rushed over to her side instantly, clearly scanning her body for physical injury as Vi was overcome with an undue feeling of embarrassment.

Of course she’d find her like this. Of course.

“Did something happen? Are you okay?” She seemed to have concluded that there were no external signs of damage, and Vi just shook her head slightly as she attempted to breath well enough to speak.

She held up a finger signaling for Caitlyn to wait a second, and she gave her the space she needed, watching in concern as Vi forced air in and out of her lungs. After a moment, Caitlyn joined her, sitting up against the wall next to her girlfriend and taking in calming breaths.

Vi had no idea how long they sat there like that. How long it took for the fog in her mind to clear and for her thoughts to unscramble themselves. Only that when they did, she was overcome with the urge to cry.

Caitlyn seemed to notice that she’d calmed down, because she turned to her again, lightly placing a hand on her leg to get her attention. Vi flinched a bit, refusing to look at her for a second before Caitlyn spoke.

“Did I do something wrong?” She asked, and Vi’s heart broke at the concern in her voice. She turned to her instantly, shaking her head.

“No, no, it wasn’t anything you did. I just… got overwhelmed. For a minute.” It was a bullshit explanation, and they both knew it. But Caitlyn just gently wrapped an arm around her girlfriend, allowing Vi to fall into her embrace.

She didn’t want to cry, but she couldn’t help it. Her body relaxed instantly, tears running down her cheeks as she let her head rest on Caitlyn’s shoulder.

“I don’t think… I don’t think I know how to be a person anymore,” She said, struggling to get the words out, voice choked with emotion. She had a hard time crying around other people, but that had long since gone out the window with Caitlyn. At this point, they’d both seen each other cry enough that they were well aware of what the other one needed.

And Vi just needed to get it out of her system. She pulled herself back together pretty quickly as Caitlyn gently ran her fingers through her cropped hair, but she still didn’t move from her girlfriend’s arms even after the tears had stopped. She just sniffled, feeling suddenly exhausted.

“What do you mean, you ‘don’t know how to be a person’?” Caitlyn asked once her crying had slowed. Vi just sighed, shaking her head.

“I don’t know. I’m being ridiculous.”

“Hey,” Caitlyn said, tilting Vi’s chin up so she was looking her in the eye. “If it’s impacting you, it’s not ridiculous.”

She nodded, taking a deep breath before speaking again. “I’m pretty sure I haven’t had free time since before Vander died. Before… all of this. I don’t know what to do with myself now.”

“Oh, darling…” She was clearly thinking hard for a second, nodding to both herself and Vi. “I had a similar experience after my mom died. Everything in my mind was war, and anything that wasn’t didn’t feel like it had any place at all.”

“Exactly. And now that it doesn’t all have to be war… it’s like I don’t know how to be a regular functioning adult anymore.”

She felt Caitlyn’s arms tighten around her, and both women sat there in silence for a second, thoughts racing. Finally, Caitlyn spoke again.

“Well, what did you like to do? Before, I mean.”

Vi laughed a bit. “Hell, Cait, I was like ten. I don’t even know if I remember.”

Caitlyn laughed as well, before shaking her head. “Okay, then what did you wish you could do when you were a kid? Like, when you had free time, what did you want to do?”

“I mean, I’ve always genuinely loved boxing…”

“But aside from that. I know you love boxing and that’s great, but that’s also a survival tactic. What sounded like it would be fun to do, if you were able?”

She thought about it for a minute before her mind was drawn back to the job they’d done that started all of this. When she broke into Jayce’s lab, and the first thing she’d run to was the bookshelves lining the wall.

“I’ve always wanted to get more into reading. We didn’t have a ton of access to paper books in the undercity, but I remember when I was little devouring whatever my parents could get their hands on.”

She looked over at Caitlyn to see her grinning, a slightly mischievous smile that made Vi’s stomach flip. “Well in that case, I have something you’re going to be very excited to see.” She unwrapped her arms from around Vi’s frame, before asking, “Can you stand?”

“Yeah, I’m all good now.”

She rose to her feet, holding her hand out to help her girlfriend up and remembering the first time they were in this position. On the streets of Zaun, right after Vi had been stabbed. The first of many times that she had called her “cupcake.”

That felt like a thousand years ago now.

Still, she shook off her reverie as she felt Vi’s hand firmly in her’s, pulling her to her feet and quickly taking off in a brisk walk down the hall. Vi jogged a little to catch up, watching Caitlyn with a wary enthusiasm.

“Cait, where are we going?” She asked. Caitlyn just grinned again.

“You’ll see!”

They turned the corner to a hallway that Vi had never seen before, and were soon standing in front of a pair of double doors. Caitlyn was practically bouncing on her feet now, and she looked over at Vi excitedly.

“Are you ready?” She asked. Vi just raised an eyebrow at her, trying to act concerned even as a small involuntary smile flickered over her face.

“I think so?” She replied, the answer taking the form of another question. If Caitlyn noticed though, she didn’t care, just throwing open the doors in front of them to reveal the most beautiful room Vi had ever set eyes on in her life.

Just when she thought that Kiramman mansion couldn’t get any nicer, all the air left her lungs as she walked through the doorway and into an ornate library. Floor-to-ceiling shelves filled with books lined the walls, and she wondered to herself how anybody could possibly read all of these in their lifetime.

And her second thought was of how badly she wanted to try.

She didn’t say any of this to Caitlyn though, of course. Instead, she just smacked her arm and said, “You fucking people have way too much money.”

“Hey, don’t look at me! I didn’t build the house.” She put her hands up in defense, even though it was clear that Vi’s tone was lighthearted. She still wasn’t really sure if she was truly upset or not when she marveled at Piltover’s wealth. There was a strange sense of guilt that ate at Caitlyn every time she mentioned it, despite the fact that these were simply positions they were both born into.

“How…” She was snapped out of her thoughts by Vi’s breathless exhalation, the two of them having now moved into the middle of the room so that her gaze could trace every single shelf. “How many are there?”

“Oh god, I have no idea. A lot. Some of them are my parents’, but a lot of them belonged to my grandfather as well. He was quite the collector.”

“But they all belong to your family?” Vi asked, hardly able to believe it. Caitlyn just nodded. She had never viewed the library as mundane, but she was relishing in seeing it through new eyes. Recognizing just how beautiful it truly was.

“And you can read every single one of them, if you want to,” Caitlyn said, and Vi’s gaze snapped to hers. She was grinning like an idiot now, and it made Caitlyn’s heart melt.

“I cannot believe I’ve been here for two weeks now and you haven’t shown me this yet,” She remarked, her tone carrying a joking accusation. Caitlyn just laughed.

“I didn’t know you were passionate about reading! And also, in my defense, we were both a little bit preoccupied.” The cleanup and restoration efforts after the fight with Viktor and The Arcane had been immense, and were nowhere near done yet. This was just the first time that either of them had had even an hour of downtime.

Vi just laughed, though her expression turned a bit more solemn with the reminder of everything that had happened over the past few weeks. Still, the shine in them wasn’t dimmed as she looked at the room around her. “So… you’re sure you don’t need help with anything?”

Caitlyn laughed too, and she shook her head. “Nope. Nothing. I’ve got it all taken care of, and you’re welcome to spend as much time in here as you want.”

Vi grinned, pulling her girlfriend in for a kiss. When they broke away, both of them were smiling. “Thank you so much.”

“Of course. I’m just glad that I could help.”

“You always help,” Vi said, a sincerity in her voice that made Caitlyn’s eyes water.

“I love you,” She said, pulling her in for another kiss before Vi could get a word out. She laughed when they broke apart again.

“I love you too, cupcake.”

Caitlyn took her leave from the library after that, leaving Vi to stand there marveling at her family’s collection. For a moment, she wasn’t even sure where to start. The shelves didn’t appear to be labeled in any particular organization system, and none of the titles sounded very familiar.

Until her eyes caught on a book that dragged up a memory she had completely forgotten that she even had.

“Holy shit,” She exclaimed under her breath, pulling it out and assessing the cover. It was in significantly better condition than the copy that she’d had as a kid, but the memory was vivid all the same. She opened it up, thumbing through the pages as scenes came rushing back to her.

Her ninth birthday, when her parents had given her a small package. It was her favorite gift she had ever been given. She read the entire thing that night, and then the next day she read it again, and again, sitting curled up in a corner booth at The Last Drop as she devoured the pages until they were practically falling apart. She’d lost it at some point in the move from her parents’ house to Vander’s after they were killed, and the loss devastated her.

And now she had it in her hands again.

It was a children’s book. It wasn’t like it was the peak of literature. With all the books in this library, she could surely find a better one. But at that moment, there was nothing she wanted to read more.

 She held it tightly in her hands like it would slip away again, moving over to one of the armchairs in the corner of the room. Surrounded by books, nestled into a safe spot in the Kiramman mansion, she allowed herself to relax for what felt like the first time in years. She opened the cover.

And she felt the warmth of home.

[harrietswriting]

Hihi! Im so sorry if this is pushing a boundary or something, but personally, I struggle with an eating disorder. I was wondering if you could write like a Curtis sister imagine where one of them finds out that reader is dealing with an ed and tells the other brothers? Just like a shit ton of angst + comfort. Again, I’m so sorry if this is pushing some sort of boundary. I hope you have a lovely day 🫶🏻

Your Brothers Found Out You Have an ED

Curtis Brothers x gn!sibling!reader

An: I wish everyone out there struggling with an ed the best of luck at recovery. Yall are beautiful and deserve the world. 💕 I hope this is kinda accurate. If it's not and it's weird then please let me know!

Word count: 750

W: discussion of ED, reader with ED, Darry is a bit insensitive at first

"I'm not really hungry, Darry." You stand in the kitchens entryway and mess with your sleeves as your older brother cooks dinner. "I ate earlier."

"Well, you need to stop doing that. You're always spoiling your dinner. When was the last time you ate with us, y/n?" He looks over at you.

Your cheeks flush and you avoid his eyes. It's been awhile since you've eaten dinner with them. You normally just drink a glass of water and talk about your day as they eat, trying to talk over the grumbling of your stomach. But you lie, "I ate that pasta you made a few nights ago." You had taken a bite of the Alfredo pasta, but you felt awfully guilty and regretted it.

Sodapop had been sitting in the dining room and had over heard your conversation with Darry. He'd noticed your lack of eating and was really worried about you. Maybe Darry couldn't see that something was wrong, but Soda could. He couldn't remember that last time he'd seen you eat a healthy amount of food. He's also noticed your abnormal weight loss and how fatigued you've been lately.

"I'll eat leftovers when I get hungry." You lie.

Darry sighs then goes back to cooking. "Okay, y/n."

"Sorry."

"Its fine, but you're eating with us tomorrow."

Damn it. You'd have to ask one of your friends if you could stay over or hang out at their house tomorrow evening to avoid that. But you say: "okay."

You turn around and walk out of the kitchen, heading towards your room. You try not to panic about potentially having to eat dinner tomorrow while you walk.

Soda watches you go towards your room. Hr waits until he hears the door close, then he gets up and heads into the kitchen.

"Hey Darry, we need to talk about y/n." Soda says.

Darry looks up from the pot he's stirring and gives Sodapop a questioning look. "What about 'em?"

Soda hesitates for a moment, then begins. "I don't think they're eating Darry. Like, at all. Or at least, not nearly enough."

Darry's saddened by this idea, and a long, sad, heartbreaking conversation follows. He doesn't want to believe Soda at first.

Ponyboy finally finished his homework and joined his brothers in the kitchen. His heart dropped when he heard what Soda thought.

"You really think... why would y/n do that?" He asks quietly.

Soda shrugs. "I don’t know. So, what do we do now? Do we have an intervention kind of thing?"

"Y/n is eating dinner with us." Darry states, then calls your name.

"Darry, I don’t know if rushing them into eating is the best idea." Soda counters.

You come out of your room and make your way to the kitchen where all three of your brothers are. "Yeah?"

"You're eating dinner with us." Darry crosses his arms. Soda looks at you sympatheticly and Ponyboy looks worried. They can't know, right?

"I ate earlier though." You say quietly, trying to mask your panic. Soda frowns.

"What'd you eat?" Darry asks.

You pause. "I.. I made eggs."

"Don't be a liar."

"I'm not-"

"Both of you stop." Soda interrupts, "Y/n, you're not eating, and we're worried about you. That's not good for you. I'm no genius, but I'm pretty sure eating a healthy amount of food is super important."

You stare at them, unsure of what to say. They know, so you can't deny it, but you don't want to admit it either.

Darry speaks, "This ends now, this not eating thing."

"It's not that easy." You mutter.

"It's a disorder, Darry." Pony chimes in. He glances at you then looks at the ground.

This sucks. You're feel helpless. You feel cornered. You can't get yourself out of this. Its embarrassing having them know, and its worring. Yeah, you need help, but sometimes you dont want it. You hug your arms around yourself as you look at the ground and tears blur your vision.

Darry sighs, walks over, and hugs you. "It's okay, y/n. You're not in trouble. We just want to help you." Soda joins in the hug, "Yeah, y/n." Then Ponyboy joins in too. You can't help but smile a little with your brothers hugging you. You know they love and care about you, and in this hug, you feel safe.

The group hug eventually breaks up. You sniffle and wipe your eyes. Soda looks at you tenderly. "How can we help you?"

an: argh! I hope this is sweet and lives up to your expectations. I didn't want to have the reader give specifics on how the brothers can help them in the fic, because everyone is different and needs different things.

[llitchilitchi]

next time I go out to touch grass dnf will post a photo of their engagement rings or some shit

[leatherbookmark]

Huh... just connected the dots between my soul-crushing shame and inability to imagine myself "carelessly having fun" without feeling a Heavy Judging Gaze That Thinks I'm Such A Funny Stupid Little Baby on myself and like... my parents finding it the funniest thing in the world, worth bringing up over and over despite my discomfort, that I used to bob funnily to the music as a toddler

[nobodybetterlookatme]

Guess who's going on an actual fr date on Saturday ahsjakkskaksl

[novadreii]

i can hardly put into words how grateful i am to have regained the use of my brain in the past 6 months or so. before that, i struggled with terrible brain fog that persisted for years, making me feel i had a fishbowl popped on top of my head 24/7. i spent what limited brainpower i had trying to root out a cause from my diet. but it turns out that the culprit was a lethal combination of unhealed childhood trauma, as well as the stress and chronic insomnia from being in a relationship with a neglectful and inconsistent partner.

did you know that stress and trauma physically shrink your hippocampus (responsible for learning, memory) and increase the size of your amygdala (responsible for survival and fear responses)? my hippocampus must have been the size of a fucking pea, and my amygdala a baseball. i was basically a feral cat.

since quite literally fleeing that situation, i've been militant about therapy and taking care of myself: exercise, eating right, 8 hours of sleep per night without exception, and keeping my stress low. contrary to all the advice i've ever received before my current therapist, aside from occasional socializing with my extremely small circle of family and friends (whom i love dearly and who've all really rallied to support me through the shitstorm my life was earlier this year), i've fully indulged my love of solitude and being a homebody.

that, instead of shaming myself and pushing myself to be social when i don't feel like it, which is often. my mother used to do that plenty when i was a kid, because as a giant extrovert herself, it pained and disappointed her greatly to have a daughter who preferred to read in her room all day. i've finally learned how to decouple my inner voice from hers and it has brought me the freedom to just...be who i am.

throughout all this i started noticing that i'd wake up with a clear brain, once in a while. it'd come and go at first, but now, as long as i keep to the regimen of caring for myself like i am my first priority, a concept apparently completely foreign to me up until recently, the clarity is here most days. i'll have an occasionally foggy day, but it's usually easy to trace the cause to shit sleep or food.

the ability to not feel like i'm existing behind 2 inches of foggy glass day in and day out is everything to me. to understand people as they're talking to me. to not have to read a sentence 10 times over to glean its meaning. to enjoy learning again. this used to bring me so much pain and sadness, feeling like i'd lost the use of what i consider to be my greatest asset, feeling like i'm stupid when i know i'm not. i have a bachelor's degree in business with straight As to prove it!

having to go through it and knowing that certain people in my life were not taking me seriously and thinking that i was just being lazy and unambitious. it made me want to fucking scream. but i never lost hope that just like most problems, there was a solution. i was just not seeing it. i needed a different perspective.

i'm currently taking an online chemistry class just for fun. next up is going to be "astronomy: exploring time and space", then probably a cyber security intro class and some data science classes to refresh what i learned in university. i'm having fun learning again!!!! i am quite literally crying writing this, because while i always remained hopeful, there was a small part of me that was scared that this would just be my life from now on. i'm so fucking grateful.

[unproduciblesmackdown]

what if we held on to whatever we get the idea of as Normal as unquestionable & think all you can do to this normal is apply some veneers overtop it to be more polite & also resent that. maybe we could project that everyone who seems to be Annoyingly Disruptively doing more than this must be putting on a performance to look good &/or humor others b/c that's all we ever believe we're doing, & again, we resent even that much....maybe we could use our show of More Polite language to make the same points blaming everyone who our Normal mistreats for their own mistreatment

[runawaycarouselhorse]

There was a primary healthcare center I only worked at for a few days and then, they didn't want me anymore, because I didn't get along with the other staff members. One woman was OBSESSED with my weight, tried to force me to march around outside on concrete, refused to learn about my health conditions or knee injury, was absolutely convinced I was overweight due to my eating habits, was baffled by why my parents didn't force me to get married young like she was, tried to force button my labcoat until she realized the last two buttons would not close at the time... a male coworker brought lunch that'd make me sick (too greasy) and gave me two sandwiches, like one wouldn't be enough?! What do they think I am?!

I'd never eat two shawarma sandwiches, even those big ones they serve cut in half, I always ate only half and reheated the rest another day, and I usually wouldn't eat them for dinner when the parents bought them because they'd give me reflux. Another doctor thought I was wrong about my diagnosis when I was in horrible pain from the reflux and the cramps... it was just. A nightmare.

I actually went back through my me, dical file to find the diagnoses so he can know that no, I'm not wrong, yes, my suffering is caused by GERD and a sliding hiatal hernia...

So, naturally, I guess they got mad when I requested that no one except patients come see me in the clinic, staff members can only come in if they want to discuss work.

I came to work another day and the doctor in charge was shocked I came in place of some other doctor (who HATES clinic duty and just. Closed the door when she was there, so patients didn't even realize she was in???), so, he realized she was trying to shirk work and lied, as if our hospital and this clinic had no connection, she tried to claim the main hospital needed her for something not knowing her employer and the the head doctor in the PHC kept in contact. He sent me home, told me to ask my employer to be sure before attending in someone else's stead, said I shouldn't be working post-call (what a nostalgic word! I haven't heard it in years... I'm made to work the day after I'm on-call, in this hospital...) and told me not to come again.

I'm glad to see I'm not alone in this "oh, you're making the work environment unfriendly by not wanting to engage in chitchat with the other coworkers."

They're bullies and presumptious and rude. I don't want to talk to them! They're projecting all their stupid issues on me and nitpicking everything from the colour of my headscarf to my weight to how they imagine I eat or move. I exercise regularly, more than most of these women, I just have always had weight fluctuations and I have a hormonal issue that makes it worse because I have PCOS. I'm also mixed, I am never going to be flat all the way up and down like most Saudis!!! The North African genes gave us curves and we're naturally on the heavier side. Even my literal bone mass is greater than most women. Sorry?

[crystalisopod]

I'm so grateful that my autism has sort of mellowed out as I aged, and that I'm less sensitive sensory-wise. because it's just so... I don't know, embarrassing? to think back on every meltdown.

it's embarrassing because everything hurt so badly, but it's not something I could talk about because it was all just mountains out of molehills. it's like having a breakdown and screaming over a paper cut, it's hard to even talk about without it sounding incredibly silly or making myself sound oversensitive and pathetic.

[icewindandboringhorror]

I still very loathe the Media Trope of ‘’cold genius man doesn’t feel emotions and never has relationships... UNTIL.. one random relatively bland Preddy Woman comes along and warps his entire personality and ability to think, his heart has grown and his seeming asexuality has evaporated, he is now Normal :)” or whatever like... AS a walking generic hermit archetype myself.. we would NOT act like that .... just let people be detached weirdos in peace, you cowards .. OR, don’t bother to write one in the first place if you find us too boring to exist realistically in our natural state lol.. pathetic 

[fragglerockopinions]

.

[goldentigerfestival]

Using this as an audio reference for the posts I'm making, but to summarize:

Yuri starts out mad.

Yuri tries to calm himself down with a deep breath to ask for details instead of going through it angry.

Flynn doesn't say "like a good knight" in the sense of putting himself down. He simply says "as a knight" (the tl here doesn't use that, but with that included it's basically along the lines of "even though I had doubts, as a knight, I was determined to follow my orders").

Once Yuri has answers he calms down significantly.

Yuri uses " 'ttaku", which is a shortened down version of "mattaku" (Yuri often shortens words and speaks very casually), which in this particular situation basically would mean "geez", or "good grief". In this manner, it's expressive of exasperation/frustration/etc.

Yuri never mentions that "Flynn told him what to do" like the dub does (because in fact Flynn did not ever tell Yuri what to do. He only gave Sodia and his other knights orders. He expressed his own desire to take responsibility, but never told Yuri and his friends what to do).

At this point you can tell the anger has gone out of him and that he's calmed down, now that Flynn is approaching this with admission and responsibility.

Sodia is asking that Flynn returns as soon as possible (I believe this was a general translation error).

Flynn's thank you to Yuri is tonally much more heartfelt.

Yuri's response and gratefulness at Flynn coming back to himself is tonally much more heartfelt, relieved and sincere.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[idontdrinkgatorade]

couldn't fall asleep and started feeling depressed and anxious and horribly paranoid about my future so guess who's on tumblr at 12:15 a.m.