#why am I so bad at tagging

[transmurderbug]

I'm so very late, but I got tagged by Evie @energievie (hi, neighbor!🤪),💙 Nosho @creepkinginc💙 and Jess @jrooc 💙 to answer some of these wonderful Gallavich- related questions by @callivich, so imma dive in!

0-0-0-0-0-0-0

What’s a fic you’ve read more than once? So many. Africa by @ian-galagher, Paragraphs, Restoration and Life, or Something by @palepinkgoat, Anyways... and Here and There by NotAWriterButITry, Lost Lullabies and Silent as Sunlight by @wellimhavinga3outof10day .... Oh, yeah so many 😂 I like repetition. But also these are so good.

What’s an idea you’d love to create if you had the time/inspiration? A lot of drawings. My skills are VERY rusty, but who knows. Maybe one day. Also a ton of fic ideas. I have many, many plots in my head. However, I need to finish my current WIP before I start any bigger projects ✍

What’s something you’ve discovered since entering this fandom? A new trope you love? A different analysis of the show? Something else? A very open and loving community I've rarely seen before. So many creative people, so many different interpretations. I love it here.

What’s an underrated trope or concept you’d like to see more of? I'm obsessed with trans!Mickey stories and I love any kind of content that works around/with both Ian's and Mickey's traumas. Let it be AU, different meeting, canon- compliant trauma from each other, etc. Anything. (I'm a big fan of healing through creativity, can you tell?)

What’s your favourite season? And has this changed after multiple rewatches of the show? I can never point at one season and say it's my favorite. I love all (even the weaker ones, I just like getting through them faster) for different reasons. With that said, the early seasons (1-3) will forever hold a special place in my heart. S4-S5 and S10-S11 (maybe not plot-wise...) are honorable mentions too. (Did I just basically list almost all seasons? Yes. Does it matter? No. I say there are no rules). Through all my rewatches, this hasn't really changed either 👀

What scene or moment do you feel isn’t discussed enough? Slight TW here. Ian's attempt at the the bridge, before the car accident at the end of S6E3. It was a very short scene, and I feel like it's not talked about enough. I partially blame the writers, because it was essentially just used as a way to introduce Ian to the EMT carrier path, but still.

What do you think is next for Ian and Mickey post-finale? Expanding their business, maybe getting their own house/apartment. They will definitely get a cat. 0-0-0-0-0-0-0

I'm not tagging anyone, because I'm like 2 days late, but if anyone hasn't done this before, consider yourself tagged. 🐄

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[acid-ixx]

a loving family, an unpalatable desire

reblogs and interactions are encouraged and appreciated.

a/n: would anyone hear me out if i ever wrote romantic yan! bruce (ft. platonic yan! batfam AND romantic yan clark kent alongside the superfam ofc) with a neglected spouse reader... because uhm, i've been thinking about it lately just yk... so anyways PLSPLSPLS send in asks about this, ive been thinking about it so much lately.

imagine wanting to raise a family so badly with a man who adopts problem children as a side hustle. you're not some invasive spouse, you've always been good, always been loving, so... so accepting, never questioned where or how he picked them up from the side of the streets, never once complaining about the hickeys on his neck or the once neat tussles of his hair now tangled accompanying lipstick stains on his white suit.

you love your children, you tell yourself all the time. you love them, you love bruce— even if he doesn't love you. you said it in your vows, despite it being scripted, despite your family finally sighing in relief in the sidelines at finally being able to sell you off to one of the wealthiest man in the world, rather than being wasting off under their care— your vows are real.

you wanted someone to love you, unconditionally, so viscerally eternal that it eats you up.

really, all you wanted was to play that fantasy life of trophy house spouses. all you wished for was a loving, healthy relationship. the american dream: the picture perfect family frames, your husband kissing you on the cheek as he leaves for work, your children bickering at the dining room, with the scent of homemade meals wafting about the vicinity. all you wanted was the warmth in your chest to flicker like candlelights. all you dreamed about was that domestic life, an escape from the abusive household you were raised in.

yet the manor is too cold, too unforgiving for a soul such as yours.

the longer you stay inside claustrophobic, yet oh-so large hallways, the quicker you drown in a neverending pool of self-hatred.

but you're not allowed to show them your sufferings. they've been through much worse, you tell yourself. they've suffered more, and as what good spouses do, as what you're taught, you stay silent, enabling them to turn you into their own emotional punching bag.

you only allow yourself to cry at the dead of the night, under the sheets of your too-cold blanket and your too-hot pillows. when the manor is filled with deathly silence and a looming sense of dread and ill fitting thoughts of ifs and when they'll come back in one piece, will you grant yourself temporary respite; worry for a family who never even called you their parent.

yet you've always been so considerate. despite the pang in your chest every time bruce flirts with anymore potential love interest at a gala, you chose to instead monitor your chaotic children, who have always never bat an eye on you despite you always gazing lovingly at them.

you know of their interests, they don't know yours, yet you still give them extravagant gifts on their birthdays, with tired, yet glinting eyes, and a silent excuse to return to your room; one separate from bruce.

you know of bruce's hardships, but you don't push too hard, don't force him to talk, only provide him your silence and an offer to serve him dinner; all the time he refuses without looking at you. you give him comfort only if he ever allows you, only if he allows his walls to crumble— but not even his spouse can amount to a warm, crackling fireplace. to him, you're probably only a matchstick under the deadbeat glaze of the snow in a winter night.

maybe that's why you're such a ghost in the manor, stalking through the hallways, looking out for any of your children in case they come across you with any injuries. maybe that's why eventually your resolve weakened.

and maybe the absence of familial love led you to find comfort in another man's arm.

''til death do us part,' is such a tragic saying in your case, because you know it in your fragile heart that bruce's love for you was never alive in the first place. and yet you allow him to play you like a fiddle, allow him to slowly allow you to slip away from his nonexistent grasp.

and now, you're a stand-in parent for clark's son, jon, after the tragic loss of his wife. now, your world seems a lot less bleaker, as you play the fantasy of a loving house spouse, fully abandoning the life you left behind, a life you've never been gifted with until now. you want to feel guilty, you want to feel absolutely terrible but the heartache of neglect has become too much and all you do was allow clark to warm you up each night, kissing away your tears and spooning your deep-seated anxieties away.

you don't let the past eat you up, not when the present is too perfect, too freeing, too delusionally beautiful.

your son, jon provides you every joy a parent could have. parent's day gifts, heartfelt letters at every nook and cranny of your shared bedroom with clark— even reading him bedtime stories, allowing him to sleep in your lap after he slowly nods off, with clark knocking softly on polished wooden doors, greeting you with a loving kiss on the lips and a bouquet of your favorite flowers in hand—

it's everything a parent wants, needs even.

and you're everything clark, and especially jon wants, needs in their life.

so it's such a stupid mistake, really. a slip of the tongue, a too-enthusiastic smile, incredibly bright, shining eyes. it's not jon's fault, you still love him either way. but it's an error still— one a complicated matter at hand, so dreadful for you, that jon accidentally, all-too-suddenly, mentions you as his parent to damian.

a loving, wonderful parent, he says, with a picture of you in his wallet shoved right in front of his friend's face.

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[zecoritheweirdone]

wanna preface this by saying that i am. So normal. anyway i just spent the last week redrawing scenes from mystery skulls animated but as that hermitcraft au i posted about a couple times. you guys should watch msa it is. so so good.

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[artofmirthos]

Oh boy. It has been too long since I've drawn her. This woman singlehandedly developed my love for villain women (and probably a large portion of how fruity I am)

.

.

The idea of this is that I redesigned Catra during her Leader of the Horde era.

[nyxofdemons]

THE WAY THAT THEY INVENTED ROMANCE WITH THIS SONG???? HELLO?????

[usercelestial]

okay but literally what if buck and tommy end up together? like what if we get to see them moving in together or saying i love you for the first time or getting engaged or getting married? what if we get to see buck having a husband? literally what then...

[evilkaeya]

skk au where everything is the same except Chuuya and Dazai have literal red string of fate tied to their pinkies. It appears when Chuuya kicked Dazai down in Suribachi. No one else can see the string. They've tried to untie it, cut it, burn it, rip it, bomb it- but to no avail. There's no limit to the length of the string. No matter how far they go, they're always tied to each other.

[njere]

I feel like Kaku occasionally babysits Hattori while Lucci runs off to throw hands with his next target

[s-sextape]

i am writing an accidental haiku to attract haiku bot

[rbtlvr]

smth for @remedyturtles new fic firefight! the twins ever <3 i'm sure they're fine

[acekindaneat]

an evil spirit and an ex-terrorist getting along? mayhaps.