#who? ME? writing fan theory? WHAT? had that ever happened?

[pearl-kite]

Someone in our little server mentioned that we don't really know what happens when a demon dies:

And it got me thinking, which is dangerous, but also I'm operating on a layman's understanding of the physical world so don't, like, quote me on the science here.

We're told that Aria doesn't obey the laws of physics the same way that Elegy does, that it is a completely different system that's hard to explain. But, being human, we can only grasp concepts that abide by the laws we understand, so I was considering an analogous explanation.

On one hand, as a sort of disclaimer, there might not BE any conservation laws, the system might be so vastly different that analogies cannot be made, and when a demon dies the magic just ceases to exist. That's kind of boring to speculate about though, SO

Our universe, Elegy in context, is made up of matter, energy, and space. Matter comes in different forms depending on the amount of energy within it: solid, liquid, gas, plasma, and other stuff above my pay grade to understand. Those main ones are what I'll be considering.

We humans are walking forms of energy, solids, and liquids. Sorry for that picture.

Aria, we're told, is magic. Dæmons are also magic. While we might immediately and instinctively think of magic as an energy, I think it's not illogical to compare it with matter in this fictional context. Why? For one, dæmons exist as a physical presence in Elegy, which means that magic, at least in Elegy, exists as a solid. In addition, dæmons need energy from human emotions to sustain their form and use their magic, similar to the way that we need calories (energy) to sustain our forms and use our bodies (matter).

So if we consider dæmons, and magic by extension, as a form of matter, we can think of them as different phases of matter.

Aria and dæmons are both made of magic, but they're also separate and distinct from each other, so we can conceptualize Aria as a gaseous form while dæmons exist as a solid within that gas.

So, what's this mean for conservation of arcana and what happens when a dæmon dies? I posit that the magic they consisted of returns to Aria in a "gaseous" form, conserving the amount of magic within both universes, but losing the sapience and physicality of its former solid state in the process. That magic can then be recycled in the system by eventually coalescing as a new dæmon.

Now, this doesn't really consider where Sovereigns fit. Maybe they're one of those forms of matter above my pay grade. Maybe they're even further outside of our of understanding and cannot have an analogous equivalent.

It also can lead us down a path to understanding that while dæmons are analogous to matter, Hush is analogous to dark matter. Familiar to Vega in one way, but completely alien and wrong, the opposite of what he should be.

[skyfallscotland]

Ok so Rebecca did a one hour panel today in Sydney with Lynette Noni hosting, where she asked questions and then they opened it to fans. I've kind of summarised the things I haven't seen mentioned over and over, but I don't frequent the subreddit anymore or use TikTok, so there might be overlap. In any case, it's long. Settle in. I've sectioned it into plot/character relevant first, then themes and interesting facts about her and her writing. Basically, you all came with me. 💗

• In book three (and every book thereafter) we'll be going to more and more new places. She specifically worded it as "watching the map expand" whether that's significant or not, I don't know. (I was thinking Isle Kingdoms for OS, but maybe that's just my wishful thinking).

• She implied Jack will have a reason (explained) for uh...being a power-hungry prick? lol

• She's hella defensive of Dain, which I love. #DainApologistsClub 😌 Some highlights include:

"You guys give Dain so much shit for the same thing Xaden does. You really do and you're so fast to forgive Xaden and not Dain. Why? Is it because he's hot?"

And, "when push comes to shove, all Dain did—yes he violated her boundaries, as does Xaden—but all he did was trust his dad when his best friend no longer spoke to him. That's it."

"When Dain looks at her (in the interrogation chamber) and says 'if you had just told me, none of this would have happened', he's not just talking about the interrogation, he's talking about Liam, he's talking about if she had just trusted him (in Fourth Wing) it never would have happened." 😢

• She was asked about Liam's appearance in the interrogation chamber and definitively put to rest any signet theories involving that. "She's so alone in that moment and...I don't read fan theories but sometimes they reach my ears; she's completely disconnected from her magic in that moment, she can't even reach out for Tairn or Andarna, which are the bonds that are actually most important to her. She can't reach out for Xaden. And that's the one person who would have prevented that from happening the last year, so it's natural that's who her mind would summon."

• She's thought about a spin-off series, but she's just trying to survive this series.

• Someone asked her if there'd be any redemption and romance for Jack Barlowe and honestly, thanks guys, I don't think she's ever coming back to this country 💀 ("Are you getting enough sleep? Uh...I mean, from his prison cell maybe? No.")

• Someone asked "what is Garrick's signet and why hasn't it been shown yet?" (shoutout to this girl, she's the real MVP) to which Rebecca said "it's very much in book three, I love it."

• Someone asked about the orange dragons and unpredictability re: Amber, Jack, Varrish and then Imogen and Brennan. Rebecca said some dragons might look for traits like their own and some look for balance because it's a partnership; and that Brennan as a strategist needed that little bit of unpredictability in his life (lol, I think he got it).

• She didn't always plan for Violet to have two dragons. Originally it was going to be one (Tairn) and the editor had hoped that she would sway towards a weaker, smaller dragon and she thought that was a little too close to Abraxos in ToG, and so they compromised and gave her both. She also went on to say she doesn't like overpowered heroines and since Tairn is extremely powerful, Andarna balanced that out. (I'm not...I'm not sure how that works out? But that's what was said.)

• We are definitely going to find out more about the original six (and Lynette asked if that was a spin-off possibility and was shushed, so she's thought about it at least, but I get the idea she's thought about a lot of possibilities 😂)

• There's no timeframe for the release of the final two books.

• Someone asked if Violet's dad was Malek to which she was kind of shocked. He's not a god, guys. And low-key I JUST WANT TO KNOW HIS NAME. 😤

• On Sgaeyl: "You do (get more of her) but holy crap is she pissed. So—I'll tell you that about Onyx Storm—she is really, really mad at Xaden and she's not exactly speaking to him at the moment. So it's hard for her to speak into that bond when she's not speaking to him." 💔

• She was asked about the Violet dated Halden theory (which was fucking hilarious because the poor girl misspoke and asked if Xaden dated the prince and we were all really confused about which TikToks the poor thing had seen (note to self: consider cam/xaden), anyway after we got to the bottom of that, Rebecca replied, "I think you should read the third book." Which I'm taking to mean, the man is making a damn appearance and we're gonna find out for ourselves 👀 Hey, if I'm lucky maybe we'll even find out his surname

• Finally she said she has EP on the Amazon series, they've all been exceptionally protective of it and that she's happy with how it's going (they're not near casting yet and she doesn't want to really comment on that ever, to leave each role open to as diverse a cast as possible). She said the production team has come to the signings in LA to meet readers and see what they love and are passionate about when it comes to the series to make sure that's honoured.

"Like I mean, I've seen certain...like what can I say without getting tackled to the ground? Let's just say they've already taken steps to make sure that what you guys love about the story is envisioned and that it's not run amok. And I'm very happy with it, they're super protective of it." Which could just be me reading into it, but the first place my brain went was the dragons 👀🐉 and the CGI or whatever.

• She was asked about where the inspiration for the universe came from and she said that when her Entangled decided they were going to do romantasy they asked her for five pitches and Fourth Wing was one of them (she won't say what the others were because she might still write them someday). She said she likes the fated mates trope but she wondered what that would look like if the dragons were the ones mated, not the humans and the humans who couldn't stand each other were forced to be around each other because of this. 

• Her first ever book was romantasy but it didn't sell

• She's never really written enemies to lovers before.

• She likes found family themes because she was raised in a military family and moved around a lot, so that makes it hard to keep in touch with your extended family, and after she married her husband and became a military wife, it was their found family that was there for her—it was her found family who helped her move her house, who sat with her when her husband was injured in Iraq, etc, so she thinks it's very important to show that your family is also the people you choose and that can be just as strong as any blood tie.

• She was asked (by Lynette) why she wanted to show death and the reality of war and she said, "I've been surrounded by it. My husband's been at war since 2003, he spent 22 years in the army, first as a 19 Delta cavalry scout and then ten years as an apache pilot and we buried our friends. And I saw what it did to him, and I saw what it did to our friends, I saw what it did to our children, to us, and I love being able to examine it from a fantasy perspective just because I think fantasy gives us a unique environment from which to critique our own world by viewing it through the lens of another. And I've always delved into those themes as to why we do this to each other and where is there hope to stop it?"

• As an author her favourite scenes in Fourth Wing were the dagger stealing scene (very important to their chemistry and romantic development—"she's the only person he's taught ever, how to actually kill him") and the first kiss scene.

In Iron Flame it was the interrogation scene and how that ends with Dain and Xaden and everything coming together.

When asked about a similar scene from Onyx Storm that elicited the same strong emotion from her she said "you're not gonna like it" and that's it 💀

• She would consider writing fantasy again after she's done with the Empyrean world, maybe one of her other pitches, but she won't truly think about it until she's survived this one.

• She spoke about the "kill your darlings" writing advice and how if you love a scene but it doesn't move the plot, you've gotta cut it, and how she did that with the final scene in Fourth Wing, which was originally 7k words of Violet POV pulling information out of Xaden.

• When asked about fan theories she actually said something I found a little sad. "I don't listen to fan theories. One, I'm not on TikTok—it's a little bit more important for me to be alive than to listen to what other people think they know about me, and two, I don't ever want fan theories to bleed into my writing."

〰️ And that's it! If anyone's going tomorrow, please voice record the whole thing and report back lmao 🙏 🫶🏼

ETA: part two is here, x

[starberry-cupcake]

Here I am again, hoping this silly recap brightens your day a little bit, I'm giving you a gentle hug and a mug of your favorite warm beverage ☕

previously, in harrowcita del 9:

this happened

I somehow predicted @lady-harrowhark's tshirt in the one before that also, it was very funny, in case you missed it

CHAPTER 48

we're doing just one chapter again because this one was Eventful, fam

last we knew, abby pent was trying to lorraine warren the ghost out of harrowcita's bubble

my running theory was that the ghost was commander wake aka allegedly gideon's mom (none of that is in any way confirmed yet)

and ortus was about to say something

I said it might be poetry and, guess what?

I WAS RIGHT

you go, ortus, you recite that poetry

abby apparently takes that as a cue to do something and thinks ortus has too much faith in her

but ortus trusts her, there's a lot of polycule moments in this one

the sleeper/waker/slasher allegedly gideon's mom unconfirmed absolutely does not give a fuck about any of this, she's slaying them all with her "baggy orange suit and gun collection"

I need the suit to look like this so bad

harrow starts making constructs but killer bae starts turning them into ash in seconds

I mean, I know we need harrow to live and this woman is not supporting that idea but damn, she looks cool af

if you fought the emperor at any given point, amanda (I'm calling her amanda for now, I'll elaborate later) how did you lose?????

ortus is harmed, so harrow has to continue with the recitation in his place

so harrow continues to recite the nonius poetry, while abby chants in the background and everyone else waits while bleeding

it's a very involved artistic performance that we've got going on over here in canaan au river bubble

sleeper/waker/slasher/alleged commander wake alleged gideon's mom aka amanda (according to me) shoots harrowcita

but then abby is lifted in blue flames and seems to be holding an invisible book and everything gets all vib-ey

these are the exact vibes I'm picturing

(not because I have a print of that in my room)

so harrowcita is saved from getting shot in the head by a man with the Ninth uniform and a very stellar use of the blade

AND YOU WOULDN'T BELIEVE WHO IT IS

IT'S ORTUS'S BLORBO FROM HIS SHOWS!!!!!!!!

matthias nonius is a short king who is surprised to be speaking in meter but is very happy to be here to defend the Reverend Daughter and fight like an expert killing machine

WHERE WAS ALL THIS FIGHTING POWER WHEN IT CAME TO KILLING THE EMPEROR

but not only is matthias nonius 10/10 at fighting (as advertised), the shrine ortus has in his head for him is helping to even the playing field with the waker/sleeper/alleged commander

she can't shoot anymore

"I killed wizard's filth like you all my life. I killed them with guns, and bombs, and knives, and gas, and when I didn't have any of those I just got in real close and put my thumbs through their fucking eyes. You can flick that little skewer around all you like, boy. I'll choke you with it"

SHE'S INTENSE, we can be certain that the Harrow Only Notes were hers

"I certainly hope you're a fighter. God knows you're not a debater"

you guys I'm a certified mati nonius fan right now

ortus is drawing little hearts in his poetry book and writing Ortus Nonius in it

"If all of her cavaliers were this excited for death, she was definitely the problem"

they just love you too much, harrowcita

so mati nonius and waker/sleeper/alleged commander have the most intense and entertaining fight ever

because lyctor fights are weak and boring

but this, this is cinema

harrow thinks that, if gideon had been there, she would have loved the fight but also she'd be terrible at running commentary of it

I disagree, gideon's running commentary is one of the things that keep us together as a society

"In life she must have had few, if any, equals. Her people—whoever they had been—must have cherished her as their finest champion."

gideon got some great fighting genes from all around, if my theories prove right

I mean, if her people are the people I'm thinking, they still have posters of her, so she must have been a big deal before she crashed in the ninth

SAD SHE DIDN'T KILL DR REVEREND EMPEROR JOHN THOUGH

BUT THERE'S STILL TIME FOR THAT

LIKE AN HOUR

harrow says mati nonius is "a poem" which is very nice of her to say

you go, short king

there's a lot of blood happening, also, which could be encouraging, since before this, the waker/sleeper/alleged commander wasn't bleeding at all

the room changes to become a ninth chamber and alleged commander changes clothes from the star trek orange suit to a different yet still orange getup and a golden mask

ortus's shrine in his head built for mati nonius is rewriting the possession

because nothing can pull you from the depths of despair as fast as your favorite blorbo

"My master in life was revenge, my mission is one of—Goddamn it, I'm not going to start talking like this"

more points for the gideon's mom theory

protozoa and ortus are now communicating telepathically, they are starting to put aside their rivalry and finding out they have a lot in common

enemies to friends to lovers speedrun

mati nonius loses his sword and goes feral

protozoa throws his cunty seventh rapier towards him, mati nonius catches it and ends the waker/sleeper/alleged commander

it all looked incredibly cool

once the enemy is partially defeated (let's remember she's supposedly tethered to an object that I think is gideon's sword), the body horror starts falling from the walls

it's described as "sausages flung from a height" which is...quite the thing

like, I get what that sounds like, but also, maybe I didn't wanna know

harrow looks at the face of the waker/sleeper/alleged commander and says it's the woman from the poster of the shuttle

YASSSS GETTING CLOSER TO MY THEORY

like, I still don't know if the woman from the poster is commander wake or if she is indeed gideon's mom, but I'm going all in on this theory

now we have a little intermission in which everyone is waxing poetic about everyone else

this is the canaan house we always wanted to see

protozoa is giving heart eyes to mati nonius, mati is giving respects to harrow, ortus is saying he wants to write a poem about abby, magnus is telling ortus not to flirt with his wife as a joke but ortus looks mortified

and abby says ortus did most of the job but she also points out she corrected some of his spelling

which might have been the biggest mistake in magnus's and abby's lives because they just destroyed their polycule

you can't treat the ninth like that, fifth, they take it personally

but ortus is vindicated because his oshi, his favorite blorbo, his biggest hero, tells him nice things

harrowcita goes to check on the ghost corpse of the waker/sleeper/alleged commander and finds some tags

one of which says AWAKE

I THINK THAT'S MAYBE A. WAKE

AS IN COMMANDER WAKE

and I'm naming her amanda, as previously established

it would go well with the ancient tumblr meme

the prophecy

sure hope this isn't the famous alecto everyone keeps mentioning because it'd ruin my prophecy

abby tells harrow the only way to get rid of her for good is to destroy the object to which she's tethered to

which I suspect might be gideon's sword, so fuck all this

we're meant to lose gideon and her sword??? absolutely not

let the woman kill the emperor instead

ALSO

surprise! mati nonius is besties with gideon the first

now, for someone who was sold out to be super serious and not an extrovert, gideon the first knows EVERYONE

he knows mati nonius, he probably also knows, to some degree of intimacy yet undetermined, the commander, he might be somewhat related to our gideon

the man is everywhere

basically, mati nonius and gideon the first had the same speedrun friendship that gideon had with camilla

they fought each other once and one of them thought "you're friend-shaped :) "

so, mati nonius is willing to go help gideon the first with the beast

because, as we have previously seen, no other lyctor is currently doing what they were supposed to

so, ortus says he'll go with mati to help gideon the first

abby and magnus want him to go with them to be forever happy in their polycule, but it's too late

abby has insulted his spelling and magnus has made him feel uncomfy with his joke about the flirting

HOWEVER protozoa has told him he actually likes him AND has quoted poetry HE WROTE HIMSELF

enemies to friends to lovers to soulmates

martita, who was there the whole time, ties her sword to her broken hand and says she'll go with them

martita is actually cool for a second house person

judith, you didn't deserve her

NOW THERE'S A PROBLEM

A BIG ONE

if harrow doesn't go back to her body, she'll get lost and lose her mind in the river

if she does, though, she's gonna kill gideon for good

harrowcita has a crisis and a breakdown

(and also stops for just a second to remember gideon rolling up her sleeves)

magnus compares the situation to a breakup he had with abby one time, which I don't think really encompasses the gravity of this situation, but ok magnus, it sure is similar

I mean, the breaking up part maybe but the level of gravity of the situation? idk man

I'm sure breaking up with abby felt this dramatic to you but...it's a little different

abby and magnus leave, telling harrowcita that jeanne said to tell gideon "hi" if harrow sees her first

which is super cute of the kid tbh

so, that leaves us with real!dulcinea

who is still here because

1) much like her lyctor counterpart, is very resistant to dying for good

2) she's determined to get vanished into nothingness and disappear into the very essence of existence, which I think sounds pretty cool

"The Seventh says nothingness is the only truly beautiful thing anyway, so nyah"

3) also: "Actually, I've got something to tell you"

I SURE HOPE IT IS A WAY TO SAVE BOTH GIDEON'S AND HARROW'S LIVES

FINGERS CROSSED

and that's it for this chapter!!!! next time, I'm expecting more gideon and yandere twin antics!!!

[jmagnabo92]

So I saw a post on Instagram, and it said:

‘Isn't it funny how James Potter decided to bully and harass a malnourished little boy from an abusive family just for existing, and years later, James' son became a malnourished little boy from an abusive family that bullies him just for existing’ 

And all the comments were agreeing and saying things like, ‘Karma’, ‘Glad I’m a James Potter hater’, ‘Don’t understand how he has even one fan’

And I was like… what??? Was so tempted to write a whole thing about it but decided the hate I’d get wasn’t worth it. What are your opinions about this? 

WHAT THE ACTUAL FUCK??!!!

That's my initial reaction.

Don't these people know that the sins of the father shall not be visited upon the son?

It's not karma for Harry to suffer for James' mistakes. It's bullshit and I hope that no one that believes that has ever done anything wrong in their lives or their kids shall suffer. AND THERE"S NOTHING FUNNY ABOUT THIS BS.

Now, let's point out how else they're wrong.

First of all, I had to re-read the Prince's Tale - and mind you, I did skim it so I could've missed things, but there is NO WHERE that says he was 'malnourished' as a boy. Not a single description said anything was physically wrong with Snape like malnourishment. It talks about his mismatched clothes, and his parents arguing. There's a line about James having an 'air of well-cared for - ness that Snape lacked' but there's NOTHING that he states he was malnourished or even abused.

So that's utter BS. I won't argue about the abuse, but there was no evidence that he was malnourished.

As for the about "just for existing" - I think a lot of people forget that SWM canonically happens *after* James saves Snape's life from Werewolf Remus. The reason that it's easy to figure that out is there is a scene with Snape/Lily arguing about the MM thing and she literally mentions James saving him the other night.

The next scene is SWM.

Now, before get into that importance - I want to point out that in the scene about MM & the saving of Snape, Lily asks, "Why are you so obsessed with them?" and if it was a relentlessly unfair bullying situation there's two obvious answers:

A) he's been bullying me for years

B) I have to obsess so I can get one over on them.

He doesn't say either of those things - you know what he *does* say - he says "Potter fancies you"... and more about 'how great he thinks he is'.... isn't that rather suspicious?

You know what's also suspicious? If Snape's being relentlessly bullied than WHY DOESN"T HIS BEST FRIEND KNOW THE OBVIOUS? Maybe because it wasn't a situation of bully/victim - maybe it was a rivalry like Dumbledore suggested in the first book.

Now, back to the timeline:

So James saves his life and yet says "it's the fact that he exists" - which sounds terrible, right?

Of course it does, but here's the thing - Snape had literally as recently possibly two weeks previously (we don't know *exactly* when but sometime between Nov of 5th year and OWLs) had attempted to (at best) OUT Remus (at worst) KILL Remus - who is ONE of James' BFFs. Now - on top of that - we know that Snape has been obsessed with a theory for ages about Remus. We see this in the MM & Saving conversation - Lily says "I know your theory" with the air of someone that has heard his theories before. Given that he only found out *for sure* within a few days of that conversation that suggests that he has been going after Remus for a while.

So, here we have Snape's attempt to get Remus out or killed and James has every reason to hate him - he's a loyal guy. He believes in his friendships so much it cost his life and literally learned something that could put him behind bars *just to help his friend*. Whatever happened, however it happened, that doesn't matter to James.

What *does* matter is that Snape tried to detrimentally hurt his friend. So he has a reason, but in SWM, he literally *can't* say that. He would be outing Remus and he's not going to do that.

Which means he NEVER did anything *just because he exists* - he had a reason, he just couldn't say it.

Now, why does James have fans?

Because he's a good man. This is the man that did stupid shit when he was a teen, sometimes for good, sometimes for bad, but nothing he did was ever on par with the things that Snape was doing - I've got a while post on that.

After he grows up, he joins the Order - to do good for people that he doesn't have to care about, yet does. He does so much good, he becomes a target. In that, he then goes on to give his life for wife and son. And they think this man doesn't deserve fans? What Bullshit is this??

***

ANYWAY, my longass point here is that: They're idiots, and I kind of wish that some people had more thought into the situation. James deserves better.

[atlantis-is-burning]

Dead Boy Detectives Cancelation

So in light of the heartbreaking news of Dead Boy Detectives getting canceled, I decided to write a letter to @netflix It's the first time I've ever felt compelled to reach out to a major company regarding their services but I wanted them to know how much the show means to us as fans and what they're taking away from us by canceling it.

For me, the show was a literal life-saver. Without going into too much detail, I was in a very dark place prior to its release and it was the only thing that helped me through it. That and meeting all of you =)

I don't know what impact it will have, if any, but if you would like to write a letter to Netflix as well letting them know what the show meant to you, I would definitely do so. Our community may be small compared to other fandoms but we are passionate and devoted to this show and they deserve to hear from us.

I've attached the letter below the cut for anyone who would like to read it and believe me, I'm not trying to medal in the tragedy Olympics with the intro, it's just a fact of what happened.

Maybe the show helped you in ways you couldn't imagine. Maybe it made you feel better about yourself or something that occurred in the past. Maybe it was just a fun comfort show for you that you really enjoyed. Whatever the reason, this show brought out the best in people and made the world feel just a little bit kinder for a while and I will never forgive Netflix for taking that away.

To whom it may concern,

On April 29th, I sat down and watched the first episode of the Dead Boy Detectives. 

I had heard good things about the show since its release a few days earlier, that it was fun and campy and easy to watch, but for me I was hoping it would be a distraction. A very close friend of mine passed away without warning on December 30th; she was just there one day and gone the next. The first half of the year was spent helping her family get her affairs in order while trying to process our shared grief and figure out how we could move on without her. 

I didn’t begin to feel like myself again until late March and by then it was only a fraction of who I had been before her passing. So when I sat down and pulled up the first episode of the Dead Boy Detectives, the only goal I had in mind was to pass a few hours watching a silly supernatural mystery show and think about something other than this sense of loss and imbalance that had settled over me.

It was the first time I smiled in nearly three weeks and it was the first time I laughed since December.

I watched the entire series, start to finish, in one night. Then I went back and watched it again the next day. And again a few days later. And for the first time since her passing, I felt like my friend was still there somehow, like we were watching it together. It was exactly the kind of show she would have loved when she was alive, flamboyant and silly with a touch of romance and mystery, so on my fourth rewatch of it, I sat on my couch with a picture of the two of us cradled in my lap, watching a show I know she would have enjoyed and feeling just the tiniest bit of my grief fade.

It was through the Dead Boy Detectives that I found a community online, a group of people who loved the show just as much as I did. We traded theories and ideas about the episodes, we excitedly welcomed new members who had just finished it and encouraged others to watch it in the meantime. We set up forums and threads on Reddit, we messaged each other, we embraced this silly, quirky show so much that it became a safe haven for a lot of us, it became a comfort series. We saw ourselves in this show and these characters and for many of us it gave us a sense of fellowship and belonging in a world where that feels more rare by the day.

And then it got canceled and for many of us, it felt like a slap in the face for the fans.

While I don’t claim to know the metrics on which a show’s success and renewal odds are based or what formula is used to determine ratings, I do know you didn’t see the fandom we created for ourselves because of this show. 

There are artists who make the most breathtaking art pieces you’ve ever seen, writers who bring you to tears with their works, and creators who painstakingly and lovingly created playlists and mood boards for each of the characters, matching them with songs and snippets of poetry that fit so perfectly it felt like it was made for them. There are fans who cosplay so well it looks like they borrowed the costumes directly from the production team and some who make jewelry and charms and trinkets that sell out almost before they complete them.

We engaged with the stars as well, wanting them to know how much we loved the show and these characters and how grateful we were to have watched them. We set up Q&As and asked them questions through Cameo, all the while thanking them for their work in bringing these characters to life. This show meant so much to us and we wanted them to know just what an impact they had had on more people than they ever could have imagined.

We were well aware of Netflix’s reputation of canceling shows based on poor viewership so we went in and organized weekly watch parties in an effort to increase the number of new viewers. We promoted it on Facebook and Twitter and Instagram, creators made videos for it on TikTok, and we created an entirely new tag on social media to bring more attention to this show we all loved so much.

Early on, there were several comments from people who said they were hesitant to even watch it; they had been burned before and didn’t want to get deeply involved with a new show that would turn into yet another “one season wonder.” We did our best to reassure them and convince them that this time it would be different; it wouldn’t be like all the shows that had been cut down before it could ever really develop. Since it was tied in with DC and The Sandman Universe, we promised them that maybe this time we could save it, maybe this time it would be enough.

And it was still canceled.

On Friday, August 30th, ten minutes after the news broke that Dead Boy Detectives had been canceled, I canceled my Netflix subscription. Netflix was the first streaming service I ever signed up for and today it is the only streaming service I have ever canceled. And, after watching the fallout in our little online community, watching the actual grief people were experiencing because of the cancellation, and scrolling through pages upon pages of outraged fans who swore they would never watch another program on Netflix and vowed to cancel their subscription that day, I can see that my decision was justified.

You have no idea the impact this show had on its viewers and you have no idea the impact you had when you took it away. We had people admit that the show helped them come to terms with their sexuality, helped them process deep-seated trauma, helped them love and accept themselves for who they were. We knew the Dead Boy Detectives would never be a runaway hit like Stranger Things or Bridgerton but we hoped and prayed that it would stick around just a little while longer, that we could enjoy these characters and their stories for even one more season before they were gone for good. 

For you it may have been just a silly little ghost show that was little more than a blip on the radar but for a lot of us it was so much more than that, it meant so much more than that.

I am under no illusions that this email will make a difference or that it will bring the show back from cancellation but I wanted you to know what an incredible and amazingly talented fandom you are leaving behind in its wake. These are people who put their heart and soul into the art they create and the words they put on paper and all we wanted was a chance to see that continue.

We are tired of being drawn into a program and falling in love with the characters with no guarantee that our viewership and involvement actually means anything. We are tired of begging for complex characters and the representation we crave in media only to have the rug jerked out from under us once we finally get it. We are tired of hoping and praying and campaigning to save a show that should easily be renewed for several seasons or, at the very least, a season two. 

We are tired of feeling like we’re being taken advantage of as fans, that the passion and excitement we have toward these shows and their stars, the kind of involvement you claim to want, is dismissed with little regard toward the fans of the show itself.

We are your audience and we are tired.

We will continue to love and cherish this show and these characters, without your involvement, and give them a much longer life than they ever had on your platform. This show, the cast and crew, and the fans deserve better than what you gave them and I hope you understand the tremendous amount of talent and passion you’re throwing away in your fan base.

With regards,

-M

[average-mako-enjoyer]

Bigots and Failed Promises of Mass Effect games

(I had this thing in my drafts for almost a month, and it would have stayed there if not for the wonderful post by @androidtrashfire, because I saw it, and I was like: "Fuck it, I have to rant about these games." I love Mass Effect, and I really think we should critique it. We should criticize things we love because silence = compliance.)

So I was talking to @liss-art recently about the bigoted fans in the Mass Effect fandom, and I think I need to make a post about it because it's something that really, truly bothers me, and it needs to be addressed.

Canon

Mass Effect is a story about deeply flawed people with a lot of problems, and through them it touches on issues like xenophobia, sexism, corruption, elitism, morality, identity. That's why we like it, right? But why are there so many bigots in the fandom? My theory is that it happens because Mass Effect, for all its supposed complexity, only touches on these issues without giving any meaningful commentary on them.

Here are a few obvious examples:

The Quarians are a distasteful allegory of the Roma people (right down to their accents). They are persecuted and ostracized for creating Geth, but the game never gives us any socio-political reasons why the Quarians did that. They just developed real AI because they were naive and stupid? Or because they were the only ones smart enough to do it? Did they do it in secret? Why did other races not make the same mistake?

Same with the Batarians. Yes, the game mentions tensions between humans and Batarians because humans try to claim territories that Batarians think are theirs, but that's about it. Batarians are all racist slave traders and they're bad, don't think about it, here's some memes about 300,000 of them dying, good job. And yes, I know you can read more about their history in the Codex (why is it an Asari who writes about Batarian history,btw?), but it's basically the same thing as saying D*mbledore is gay (I really am sorry for this reference). If no one ever mentions this rich Batarian history, then it doesn't exist.

And please don't get me started on Hanar. They "mercifully" saved the Drell by inviting them to their planet, immediately assimilated them into their own faith and also put them in conditions where they have to train as assassins from the ripe old age of 6 and eventually die of sci-fi lung cancer. But don't worry about it, Drell actually love to serve the Hanar, they do it willingly and consider their servitude an honor. Do you really want to criticize some stupid jellyfish who talk funny? Do you really want to talk about why the so-called Council races do nothing about it? LOL

Another thing the trilogy does is present entire races, including humans, as amorphous blobs. Do all Asari believe in the same "goddess"? Do all Turians obey the same Primarch? Well, what's important is that all humans in this bright future speak English.

But what about the genophage? That's a profound story, right? Well, not really, and it raises more questions than it answers. We hear a lot about how brutal, aggressive, and short-tempered Krogans are, but every single Krogan we meet is extremely well-mannered, and they only resort to violence against other races in dire circumstances. So why not save them? Does the game really present you with this moral dilemma or not?

And can anyone tell me why Salarians are allowed to abduct and experiment on sentient beings, and why Turians are allowed to wage wars? Why does no one talk about Asari in this context?

I really want to say that at least the characters are well written, but I can't because they're not.

Kaidan is a good example of this. We are told about his implant, we are told that he has chronic pain, but do we see him suffer from it? Do we see him in those moments of weakness and vulnerability?

The scene where he gets annoyed with Jenkins acting like he's a circus monkey who has to do a trick and biotically throws a cup at him was cut from the game. We occasionally hear him mention some of the side effects of his migraines ("Too many lights, too much noise"), but that's about it. What has happened to "show, don't tell"? And no, I'm not saying that the writers should feed me the story or walk me through it. What I am saying is that if you gloss over your characters' mistakes, flaws, and circumstances, you're getting people to ignore them. Do people who call Kaidan "boring" and insult him think about how his chronic pain, his trauma from Brain Camp, and the loss of Jenkins and Ashley affect who he is? Hell no.

Thane is another great example. What Mass Effect is telling us as a story is that you can completely abandon your family and your child and be forgiven if your reason for doing it is good and heroic enough. Like avenging your dead wife, because of course there has to be a dead woman thrown somewhere.

Everyone's favorite Garrus (mine too) is a cop whose character arc basically consists of deciding that he is above the law (since the law forbids him from killing people he thinks should die) and then involving his squadmate/friend/partner (depending on your playthrough) in the public assassination of his former squadmate, whom he never even bothered to confront first. Are there any consequences for Garrus for his actions? No. Again, it's all glossed over, and that's unfortunate because it removes the conflict and therefore the character development and depth.

And if you're going to tell me that ME is just a space opera, and that I should just enjoy the spectacle and the romance, then I'm going to tell you that I know that, and that I think it's a wonderful spectacle, and that some of the romance subplots are absolutely amazing story-wise, but the superficial commentary (or lack thereof) on the most important issues that ME covers actually harms the audience.

Fandom

On the one hand, we have people making mods that remove all the clothes from all the female characters (or remove all of femShep's organs and replace them with giant tits). We have people reposting that horrible, horrible art of Miranda and Jack fighting, tearing each other's hair and clothes, and maleShep smirking and saying "I should stay". We have people who say ME2 is the best game in the series because "there are no f*gs". On the other hand, we have people saying things like "there are two Commander Shepards - female and the wrong one". We have people who say "only weird people play as dudebro in 2024". We have people who think that simply playing as a female character is some kind of feminist statement, and that it makes them better and smarter than everyone else (the same people who use the term "dude gamer" as an insult). And all of those things are kind of the trilogy's fault.

Both maleShep and femShep have the same story. The only differences are the romance options, sexist remarks directed only at femShep, and flirtations from various NPCs directed only at femShep. What this tells you is that sexism exists in the Mass Effect universe, and only women suffer from it. It also tells you that only women are worth flirting with.

Another thing this game does (and modern games like Cyberpunk do the same thing) is equate the female experience to the male experience by giving both femShep and maleShep the same lines.

So there are some mixed signals here. Sexism exists and doesn't exist in this universe, Shepard is both genderless and very gendered, romances with underdeveloped characters are all over the place, and bigots thrive in this kind of environment.

The lack of commentary, the lack of perspective, the disastrous worldbuilding allows you to freely choose your sexist, racist adventure and not be punished by the story in any way.

Mirrors

There's a passage from Solaris that I absolutely adore and think about often.

"We don't want to conquer the cosmos, we simply want to extend the boundaries of Earth to the frontiers of the cosmos. […] We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; but we can't accept it for what it is."

I think that perfectly describes what Mass Effect is as a universe. And in a way, it's a reason why it's so compelling. It's just empty enough for us to invest in it, to fill in the blanks of that narrative with the stories of our own. And it's also a reason why this fandom is a fucking hellscape.

[waitmyturtles]

Love For Love's Sake: unorganized musings on an utterly brilliant show

TW: suicide, suicide attempts and ideation among LGBTQ+ youth

I love that @lurkingshan clocked early on, before my heated two-day binge of Love For Love's Sake, that I would NOT be able to write meta on this show right after I watched it. It's been five days, and all I have are just loose mental strings. Everyone has had such amazing input and theories and thoughts into this incredible show. What I said to @bengiyo while I was watching it was: I'm not entirely sure I'm following everything, but this show is still hitting every high point of my dopamine cycle, which means it's GOOD, and maybe making sense, somehow.

In any case, I don't think I can write meta on this show, in part because I don't know if there are any concrete conclusions I can come to about this show -- which I think is an inherent part of its brilliance. I'm just in awe that we, as BL fans, got this show in the genre we love, complete with stellar acting, gorgeous cinematography, phenomenal writing, all of it. (I'm back a lot on iQIYI right now, ready for my KinnPorsche OGMMTVC rewatch, and I'm noticing that LFLS is just eating by way of numbers. Fucking WELL DESERVED.)

All I want to do is just share some instinctual feelings about where my mind was landing a couple days after I finished watching LFLS. This is the scene I've been thinking about the most right now.

I don't have a theory as to the "reality" of the ending of the show -- if Myungha is alive in "reality," is alive in an alternate universe, is reincarnated, or if what's shown at the end of the series is a kind of heaven. I love that there's no real way we can interpret that.

What I love about this scene that I've screencapped -- and thinking about the elusive and inconclusive meanings of the ending -- is that, truly, theories about fate and destiny ARE indeed theories. Myungha's grandmother believes one thing, and Myungha believes something else. Sunbae is able to play around with.... something, with time, with fate, with our dependence on technology, something, to make something happen to Myungha that gives him a happy ending with Yeowoon somewhere, sometime, in some wrinkle of time.

Going back for a second (I told you these thoughts were unorganized), something that hit me deeply about this show were the great number of themes it touched upon. This show touched upon:

Suicide Homophobia Bullying Self-acceptance Self-love Familial abandonment Familial abuse Substance abuse Intergenerational trauma Elder hierarchy and respect (both in families and in society) Pre-destination Christianity (stay with me for a sec) Buddhism (same)

and probably many more that I'm missing.

I couldn't help but think of Lee Sun-Kyun's recent suicide in South Korea -- even though this show was likely produced well before that incident. Nonetheless, it had me thinking about what suicide means in South Korea, considering the ever-growing presence of Christianity in that country, with 23% of South Koreans identifying as some kind of Christian. The show also had me thinking in general of sins, and of fate, in Christianity.

Just thinking out loud. Korea produces fewer BLs than we'd expect from that national entertainment powerhouse. Efforts to cancel Seoul Pride last year were made in earnest by pro-Christian forces -- but Pride won out.

As same-sex orientation so often is, suicide is also discouraged in Christian circles. We can see, literally, how homosexuality is discouraged in South Korea vis à vis Pride. I'll assume the same for suicide in South Korea, despite the many celebrities in the recent past that have met that fate publicly.

What does South Korea feel about the suicides of young people who might be queer? The percentages of suicidal ideation and suicide attempts among South Korean LGBTQ+ youth are high.

We can see and feel the palpable message from LFLS that self-love, despite how oneself, and society, might feel about an individual's sexual orientation, is well worth fighting for and celebrating. But Myungha, in some reality, is still dead. And death will be his eventual fate anyway, as will be the fate for all of us.

If Myungha found self-love, AND love through Yeowoon, and found a happy ending in happiness, somewhere, somehow, then -- any Christian judgements about same-sex orientations and suicide are moot, regarding Myungha's fate.

But Myungha also reveals, vis à vis his grandmother, the Buddhist spin on fate. He mentions that she believes in reincarnation. He mentions that she believes in doing good in this life, so as to have a happy life after reincarnation.

And he refutes that. He says -- no. Predestination of any kind is not right. I believe that one can change their lives NOW, in the present, for a happier fate and future, NOW. Otherwise, why even bother trying?

And Sunbae hears that, and constructs a world in which Myungha COULD find a path to a happier ending, simply by working on finding love for himself and unto himself -- in part, though a partner that Myungha relates to deeply at the start of the series. (That Yeowoon might very well be the EMBODIMENT of self-love that Myungha discovers -- yes, that may also be "true" of the show's ending. Whew.)

You know what I love about this show? I love that this show just absolutely CHEWED UP those predestination theories that we get from our generations past, from the spiritual practices that we may have grown up with -- from the indirect, unspoken, unconscious ASSUMPTIONS we may have about life and death. This show iterated that being either in "the" or "a" now, a present, and being willing to change oneself (which I've often written about as being THE hardest thing you can you in your life) can have great, long-lasting -- even eternal benefits and consequences.

I love that this show says: you don't have to rely on all the structures and expectations that lead one to behave the way that they do. We might always expect to be a group of schoolboys who'll bully another for being gay. But -- did we expect one of those bullies to BE gay? The show said, we can also very much turn that on its head, even though it might cost someone some bruises.

Within the absolute truth that all humans will die one day -- what other absolute truths do we have? Man. I need a vacation, some..... stuff, you know what I mean, I need TIME to contemplate that.

This show said, no absolute truths today. Everything is up for grabs by way of how we'll love and accept people, and this show examined ALL THE WAYS, good AND bad, that people are loved and accepted, from total rejection by a parent, to unconditional love from a partner, with a slipper-bearing and loving grandma in-between.

It's been... what, five days since I finished this show, and I CANNOT stop thinking about it. It's just brilliant. These thoughts were messy, but it's meant to be, because I just -- this show, I just can't with how brilliant this show was about all of the inconclusiveness of it that still told such an amazing story.

[elisaintime]

Woah, I must have missed something, why are people jumping down your throat?

From what I can gather at this point, it seems like they feel like anyone who likes Anne Rice herself and the books better than the show=automatically racist. Even if they ALSO enjoy the show and support the race change of the characters and all the racial conversation the show incorporated into its adaptation.

Personally, I think it does a disservice to the fandom to assume that the only reason one could like the books over the show is because of racist reasons. Anne's books speak to so many people in so many ways, especially those who have ever felt like outcasts or apart from mainstream society, and many fans have extremely personal connections to the books for a huge variety of reasons.

Like I said in my videos, I was excited and intrigued to see this AU version of the story (I love AUs!) but my complaints with the writing of the episodes mostly came back to when the show was trying to stick TOO MUCH to the books.... Because the show was really making its own thing with its own versions of the characters and all these new ideas, but then suddenly it would shove in a scene/dialogue straight out of the books which would contradict or make no sense with everything else the show had already worked to set up with the new direction it was taking itself.

Critiquing sloppy/weak writing does not mean I or any other fan who feels the same is doing it for racist reasons. Much of my criticism was about how the scripts changed Lestat's character to make him so much worse than he was in the books (which would be fine, it's their story, whatever--except the show runners told us over and over again that the whole reason Louis was doing a second interview was so that this time we could see the real version of Lestat and how Louis felt about him instead of the mean, insulting version he gave in the first interview). There was a lot promised by the showrunners about what their adaptation would be like that was not delivered ("closer to the books than the 1994 movie," "true to the spirit of Anne Rice" etc). The entire reason I made my videos was to evaluate how well the show measured up to those promises.

Worse than making Lestat so irredeemable, the way the first season ended in a way that made so many fans believe that Louis might have been lying about everything didn't sit well with me at all--it's a harmful stereotype to make the black man a liar, especially when it comes to abuse. I know the "the DV didn't actually happen and black Louis was lying or mind controlled by his evil non-white boyfriend" became a running fan theory, but I personally don't believe it one bit. But I can see why so many fans do--again, sloppy/weak writing on the show's part.

Like I said in my video, the only thing Louis actually lied about in ep7 (and he was lying to himself, not deliberately lying to Daniel) was the depth of his love for Lestat at the end. And that's entirely canon for Louis to deceive himself about--admitting how much he truly loves Lestat always came hard for him. I personally don't think it's going to turn out that anything Louis told us in season 1 was a lie. I think the show would have revealed that at the end of the season, not waited another season (or two or three) to reveal that. And the theme of season 2's promotional material has all been about memory, not honesty. I don't think Louis could mistakenly remember getting dropped from a mile in the sky and the months/years of recovery afterward, so I personally think all those memories were real.

The first three episodes of season 1 made Louis's struggle with race its primary focus, and the series description began with how Louis was chafing at society as a black man. But then from episode 4 on, the focus of the show shifted entirely. Obviously racism still existed in Louis's world, but the show pushed it all entirely to the background with little things, like segregation on the bus, and we saw the characters quietly taking in stride, not making any plot out of it. Suddenly all of Louis's character-driving moments weren't about that anymore and we were in a whole new story, when his battle against racism had been the entire theme of the first three episodes. This was something I noticed and pointed out in my videos--I didn't say it was a bad thing (after all, seeing people be racist to Louis on screen, while "realistic," isn't exactly fun for anyone, and we'd already seen plenty), but I did think the sudden dramatic shift in story focus weakened the show's themes and throughline.

Again this comes down to writing, and the premise/script was written by white people. I think they could have done much better with much more non-white involvement on the writing level. I think the show could have been stronger with some more care taken to create consistency and smoother transitions between episodes (like when they take Claudia out to feed in episode 4, suddenly all the race riots are gone, when everything was on fire 2 hours ago). It's common for shows to have each episode written by a different person, even though they all collaborate in a writer's room, but to me it felt like the show lacked efficient script supervision to make sure all the scripts flowed into each other without any contradictions or inconsistency.

When I talked about these things in my videos, when I said I would have liked the show to do better with the way it missed the mark sometimes in handling racial aspects (even though other parts I commended as being great), and the way I critiqued the inconsistencies and contradictions, some people took that to mean I hated the show entirely. The point of my videos was to see how well the show measured up to Rolin Jones's promises that it was so faithful and respectful to the spirit of the books and that all he wanted to do was honor Anne's work. I know the books back and forth, enjoy having a ND hyperfixation that gives me near-encyclopedic knowledge of the texts and Anne as an author. So people ask me questions about them all the time, especially in comparison to the adaptations. Who better to make videos evaluating how well the show measured up to RJ's promises and claims of faithfulness? But some people took me comparing the show to the books to mean I thought it was a bad thing that they weren't the same, and I hated the show entirely for not being the same as Anne wrote it, and therefore that meant I (and anyone else who loves the books) was racist 🤷

[physalian]

“Endings are the hardest!” / “No, beginnings are the worst!”

I’ve never had a problem figuring out the way I want my stories to end but starting them? Yeash, that’s so much pressure. Both carry the same weight for different reasons while you have writers in both camps with legitimate arguments. One may be harder than the other on a writer-by-writer basis, but they are equally daunting.

—

So. Beginnings:

You have sometimes as little as three sentences to hook readers, at most the first chapter. I don’t even give fanfic more than the opening line sometimes (mostly because fanfic takes opening en media res to wild new heights). I’ve been working on a system of “I have one sentence to give you the setting, the protagonist, and the hook that makes this book different, go” and while it might not be perfect, it’s a starting point.

For example! The opening sentence to ENNS is:

Beneath the snowdrift of the longest blizzard Elias has ever endured, the last vampire in the dungeons has finally succeeded in taking their own life.

As someone who struggles with beginnings, I have given you five pieces of information in 25 words:

The setting, that concerns long and repeat blizzards and snow

Protagonist’s name

Establishing the existence of vampires

Establishing that those vampires are kept in dungeons

Establishing that those presumed prisoners are in such bad conditions, that they’re restoring to suicide, something vampires don’t tend to do

I think I did a pretty good job.

So much of the burden of your book is given to so few words. You can’t make it cliché, but try too hard to be unique and you risk looking pretentious. You have to establish the setting, the narrator, the initial setup and inciting incident and convince readers to pick your book out of hundreds of thousands of other options. I hate beginnings.

Best advice among an avalanche of others? Write a placeholder and come back later if it’s too daunting and frustrating because there is no writing advice that is one size fits all.

It’s entirely dependent on your genre, your demographic, the age of your protagonist and how self-aware they are, the tone of your story, your own personal writing style.

“First sentences should include THIS!”

Yeah, okay, but what if I have a better idea? Beyond that your sentence should have a hook that sets your book up as something apart from its genre neighbors, just go look at the most famous opening lines. They’re all different.

There is nothing in common between

Call me Ishmael.

and

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.

And that’s the point.

—

Endings though?

Endings bear the burden of providing catharsis, or robbing you of it. Endings have to answer ‘but what does it all mean?’ and stick the landing, or they don’t. Endings can turn a TV show that took the world by storm for four magnificent seasons and drag it limping across the finish line in a finale that sucks the life out of the fandom forever.

Endings either leave you in an existential lurch staring at the ceiling, or in tears of joy or anguish, or frothing at the mouth at yet another cliffhanger. If you can’t answer ‘what does it all mean’ you have bigger problems than just your final lines.

People don’t have fan theories about your first page, they have fan theories about what comes after your last page. There are no rules to writing an ending and sometimes by its nature of being unfulfilling you become infamous.

Example: The ending of Mark of Athena, that prompted this dedication in its sequel House of Hades.

“We’re staying together,” he promised. “You’re not getting away from me. Never again.” Only then did she understand what would happen. A one-way trip. A very hard fall. “As long as we’re together,” she said. She heard Nico and Hazel still screaming for help. She saw the sunlight far, far above—maybe the last sunlight she would ever see. Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.

(one short Leo POV later)

Nemesis wanted him to wreak vengeance on Gaea? Leo would be happy to oblige. He was going to make Gaea sorry she had ever messed with Leo Valdez. “Yeah.” He took one last look at the cityscape of Rome, turning bloodred in the sunset. “Festus, raise the sails. We’ve got some friends to save.”

If you weren’t in this fandom when this book came out and ended with the protagonist falling into Greek Super Hell, to wait a whole year to find out what happens next—We lost our collective minds.

And then the next book opened like this:

Gettin’ a bit big for your britches there, ey, Riordan?

How you write your ending should reflect the kind of feeling you want to leave your reader with. In this case, it was anguish and despair and the pinnacle of “always leave them wanting more”. Maybe you’ve written a character who’s suffered constant setbacks to reaching their goal, and the final line is them at peace with, or without achieving it. Or it’s the final plot twist/reveal no one saw coming. Or it’s ambiguous, leaving it up to reader interpretation.

My favorite classical book ending comes from The Great Gatsby and while I had to crack open my copies of the PJO books, I know this line by heart:

So we beat on, boats against the current, borne back ceaselessly into the past.

There’s just something so melancholy and tragic about it, as it should be: Gatsby is not a happy story. That line is the answer to the thesis, that trying to live in the past and not embrace the future, not allowing yourself to move on, can only end in tragedy, and yet, so many of us do exactly that.

The image of a dinky little rowboat is always what I’ve pictured, as opposed to a ship or something more formidable. A rowboat bobbing around the thrashing waves, pitted against a force of nature it can’t ever hope to overcome, yet it endures.

The book opens on an equally melancholy note, “In my younger years…” as the protagonist reflects back on their life gone by. It’s an American classic for a reason.

Even if your final line is unspectacular, the line isn’t as important as how the narrator feels about the book being over. Quotable hashtags are great, but if the ending doesn’t feel like a proper fit, you’re going to leave readers disappointed.

—

Endings are so fricken fun though, no matter what’s at stake. It’s as cathartic for me to finish as I hope it is for the reader to read. There’s plenty of advice out there on the perfect opener or the perfect closer, the endless arguments over which is harder, and it’s all up to you in the end. They just come easy to me, I have no advice. I can picture them well before I get to the final pages and they just click into place. Beginnings, though? Ugh.

—

Thank you for 300 Followers!!!

[panlight]

I’ve been thinking about Bella (no surprise there) and her vampire transformation. It made me think—what if Edward did suck out James’s venom, but left his own behind? What if that pain that Bella felt all through New Moon was some sort of vampire thing, calling out to her mate. Her need for speed on the motorcycle was her need to move faster as a vampire. I mean, you’re telling me this poor girl could run to Edward across a crowd of people? It’s got to be something related to her new vampirism—or as Edward would say, it’s just an adrenaline rush. Maybe it was that hint of venom that allowed her to ‘survive’ vampire pregnancy, and that hint of venom in her is what kept her alive long enough for the rest of the venom to take effect. Who knows…. It’s just headcanon in the end but it makes me think

One of the other funny quirks of SM's writing is that so often fans would come up with supernatural theories for things and then ask her about it at a Q&A and she'd just be like, "oh, no." Like so many people thought Bella's hallucinations in New Moon were something that Edward was doing, like he was really there and watching her and she could hear him, or it was some vampire power thing and SM's just like "nope it was just Bella's subconscious!"

I feel like it's similar with the "best vampire ever" Bella stuff. Fans come up with theories, and she's just "no she was just mentally prepared!"

I DO think it was a wasted plot point that Bella was, as far as any of them knew, the first human to survive being bitten without turning. That should be a big deal! And it could have explained so much of the stuff going on in later books. Instead of Bella being special Because She's the Main Character, she's actually unique because she had been exposed to venom in a way no one else has. Could have explained her extreme, almost vampire-like reaction in New Moon to losing her 'mate.' Could explain why it was possible for her to get pregnant in the first place (rather than "this literally never happened before other than the one eugenicist vampire experimenting with breeding hybrids"), why she took so easily to being a vampire. I probably still would have resented it, lol, just because I don't generally like the Super Special main character trope all that much, but at least it would have been all related to a plot point from the first book.

But that bite and Edward sucking out the venom never matters! It's just a "wow he must really love her" moment and a way for Bella to have a Cool Scar. It could have been so much more.

[agentrouka-blog]

Dany fan here: I think other Dany fans think Jonsas are over the top with Dany hate because of pol!Jon. I follow many Jonsas because I’m perfectly fine with Jonsa. It’s not for me but I see the vision. That said I’m a bit of an unusual Dany fan in the sense that I’m a big fan of the Meereenese Knot essays and think the interpretation of Dany presented there is pretty spot on. I personally think Dany has a good heart but that circumstance and experience and terrible coping mechanisms have led her to act in villainous ways and whether or not a character is a villain is determined by their actions regardless of whatever goodness is in their heart. But anyway I do not like the pol!Jon theory. I think it’s out of character for Jon and needlessly cruel to Dany. I think it’s possible that he ultimately kills her and that could be fine and I don’t reject that theory, but I think the idea of Jon deceiving and sexually abusing Dany and then killing her for the sake of Sansa is what Dany fans think of when they think of over the top hate because they assume every Jonsa shipper also believes in pol!Jon.

I do understand why people thought Jon was deceiving Dany in the show though because their relationship was just so poorly executed and Kit and Emilia had no chemistry on screen. Imagine fucking up your show’s romance so badly that people think the script confirming that the love was mutual must have been tampered with.

Hi there!

(I think Dany is a compelling tragic villain, and it's lovely seeing someone loving her for it!)

I do think that pol!Jon (under duress, esentially) is a not unreasonable theory that grew out of the way the show presented their relationship. If there was sexual abuse I think it's fair to say it was in the hands of the more powerful party, though.

That said, I don't see it happening that way in the books at all and I think all characters will be better off for it. I agree it wouldn't feel right.

Certainly not in a punitive "you thought he would love you but he really loves Sansa, now die!!!" way. That cheapens jonsa as much as it cheapens the complexity of the conflict between Dany and Jon.

It's just a deeply uninteresting way to explore their existing conflict or their respective strengths. Not to be a hater but it's not exactly riveting literature watching Dany be manipulated by Daario and it's unlikely to be more so in a repeat performance with Jon who isn't even her type. Same as watching Jon go through a repeat of the abusive Ygritte plotline would be less than compelling.

We'll have instances of romantic manipulation. Littlefinger is practically begging Sansa to use his own obsession against him, and Arya gives us a preview when she lures Raff to his death wearing "Mercy's" face. That's been set up since the first book, and it works as a satisfying response to the way everyone has been telling Sansa how weak and simple she is. It's very personal, very steeped in their respective histories, very poetic.

But for Jon and Dany I think we can expect something more universal and even-handed than that. They are both at varying points manipulative and earnest, highly clever or unexpectly outmaneuvered. And neither will be in this conflict all alone and without advice. Not to mention, we have both of their POVs and watching one just miss all the clues of the other manipulating them would be flat. This only ever works with one POV withheld. The show tried that with Jon Snow live on the screen, to disastrous results. No way is that GRRM's plan.

I'd rather watch two clever adversaries play a big game of chess. And given GRRM's love for that game, I am certain it's also what he would prefer to write.

[aihoshiino]

chapter 145 thoughts!

what even was this chapter, y'all. i'm getting a migraine.

While it certainly wasn't actively bad, it basically hits on enough of the issues I've been having with the Movie Arc that if you've been reading my chapter reviews lately, you could probably write this one yourself. Weird pacing, skipping over interesting parts of the movie, continued framing of AQRB as a shallow gag and failing to follow on any of the implied development from or literally any referenced fallout of the kiss in 143? It's all here, babes. It would ultimately just be boring and redundant for me to go over all that at length again, so I won't.

I will however say that I'm pretty disappointed we're blasting through what had the potential to be some really interesting bits of postmortem characterization for Ai, even filtered through 15YL. I don't mind the manga breezing past scenes we saw firsthand but like… how did Ai react when she realized she was pregnant? How did she feel, especially given that Spica once again emphasized her longing for a family of her own? IDK. The way the story is suddenly jolting forwards in these last few chapters and skipping such huge chunks of Ai's life ultimately feels very strange and I don't know what to make of it yet.

Everyone reacting to Crow Girl's acting was pretty funny though I'm kind of exhausted with Ruby's Gaga-For-Oniichansensei Gag Character flanderization. IDK if my tolerance for it is just decreasing or if it really is amping up, but at least in the 125-137 stretch I at least got the sense that they could be in the same room and have a normal conversation but ever since 139, it feels that bit more relentless. I imagine this would be less irritating if we knew how the aftermath of 143 had played out but it really seems like the manga is going to drag this out until we're all old and grey.

THAT SAID, this chapter does confirm that Aqua's hoshigan stayed white after that chapter and… eh. Who even knows what that means lol. It does at least imply that his talk with Ruby has brought him back to Baseline Aqua but Baseline Aqua is still a guy with every single mental illness on planet earth so I don't know if that's the world's biggest W quite yet. It certainly implies an improvement over double black hoshigan but… again, with Aqua being so totally cut off from the readers this whole arc and no idea of what happened in the aftermath of 143, it's impossible to make a meaningful guess as to wtf is going on with Aqua right now.

Oh yeah, uh. This chapter also I guess constitutes the reveal of how the AQRB reincarnation happened. I guess LMAO. Honestly, I don't have much to say about it other than it feels like a bit of an anticlimax for me? The idea works fine, the execution just left me… idk. Whelmed at best, underwhelmed at most. I feel like this backstory and the implied deep fondness for GRSR -> AQRB it implies doesn't really like up with the personality she displays in the Private arc but like, I kind of feel like she was tossed into the story without Akasaka having a clear idea as to what her role was even going to turn into so maybe that's not a surprise LOL

I will say I'm glad this seems to quash the theory that Aqua and Ruby were secretly capital-G Gods, instead framing it as a Tsuru no Ongaeshi type return of kindness to two otherwise mundane people. There was some fun fan theorizing around the idea, but for me personally, Oshi no Ko is most interesting when it focuses on that aspect of the story Akasaka highlighted in an interview recently, of human relationships being warped by the entertainment industry and I think an explosion of the emotional stakes to the cosmic scale of AQRB (or tbh any of the characters) being Secretly Gods All Along would be a bit of a shark jump for me and would really shift away from what I like about the series most.

That's kind of it for this one…! Not really a lot to say about this chapter, which is why most of this review was me explaining why I didn't have a lot to say about it.

[the-9th-genderfluid]

I finally got the digital ticket and bonus features of TGWDLM!

I got the digital ticket and bonus features for TGWDLM and will be putting realizations and stuff I like in this post so its gonna be a long one. A really long one. I'm sorry if this monstrosity of a post happens to cross your feed.

During the small bonus stuff:

I did not realize that the cast is truly that unhinged until the Kickstarter blooper real.

I do wish they had time to keep the clickbait/ top ten news site plot. It seems fun.

The Lipschitz name is from the landlord that was cut from the musical what? IDK what to do with this information.

The fact in the OG script, the meteor landed in a football field ( If Mariah's audition tape is to be believed) meaning the fan theory I once saw that the reason the hive mind sings is because its first victims were theater people so they were doing musical stuff so the spores thought that was how ppl acted on this planet would not work if the script had not changed that detail.

The Dracula arms becoming dabbing is great, I'm surprised but happy that it was not cut.

As a techie, the non actors dancing along in the corners is so accurate.

During the main musical stuff:

(Mostly not new things that the digital ticket version taught me, just me pointing out things I like, funny lines, etc.)

Paul and his autism face during the ted introduction scene

The small dialogue changes between the potshot on Youtube and the digital ticket are all very interesting. The first one I realized was Emma saying "please no come back." instead of "so mean." when man in a hurry says he will never buy there again.

Why does Paul look so awkward while Emma rants about her job.

Right as Lah Dee Dah Dah Day ends, you can hear a character saying "quick change quick change" as they run off stage. Cute and fun detail, I love it.

Legally required to mention the "think about the implications" scene. It is truly iconic. Are you frightened?

I feel like Emma would have a tumblr.

Kind of off topic, but they mention boardgames in the shrub scene, and specifically settlers of catan. I want to announce this is a settlers of catan hate blog, I would rather die than play it ever again. I am Paul hating musicals levels of hatred for that game. If you write anything positive about it, i will actually block you.

The entire alley/ trash can scene is amazing and I love it.

Paul constantly reeks of neurodivergent.

I may be ACAB, but god is Show Me Your Hands amazing and catchy.

Jeff struggling with props is my spirit animal, I am also chronically clumsy

As someone who was raised Christian, Ted's different denominations comment is so accurate to how some people act.

Iconic lines like kick your......head and fuck Clivesdale.

Paul and Emma's whole deep conversation about their childhoods and dreams takes place like two meters from Bill and Ted, and I always forget that because of the way it's cut but like it's funny to think about because it feels so personal, but the two guys are just... there.

Join Us (And Die) is horrifying. I feel like we need a musical where Jaime is the lead? I hear she is pretty vital to the Me and My Dick musical, I will have to watch that later I guess?

While Hidgens is pitching working boys, Ted is so invested, this is why you need to see both unedited and potshot of the musicals.

I love the references that aren't even references yet that the musical makes to NPMD and nightmare time.

I actually love the crack ship of the working boys polyamory theory.

The "should I take the chair?" "yeah and I will take the piano." bit is peak comedy.

I am not the first person to mention this at all, but Ted saying "I bleed red, white and..." *background turns blue* is so smart, bravo team Starkid.

I always cry at let it out, poor Paul.

I love the meta crowd thing the bows do, with Emma seeing the audience, even if its a repeat from Trail to Oregon, it's still good.

As a techie, I want to do lighting for TGWDLM sooo bad.

It's 2 am right now, and I have to decide if I finish this post tonight by watching the commentary video and editing the spelling errors, or if I decide not to fuck up my sleep schedule.

I decided not to completely fuck my sleep shedule, so it sadly took me a couple days.

The commentary video:

I actually don't have many comments after seeing the commentary video, but the things I do mention are long rants, mostly my own similar stories from the high school musical I did tech for.

Lauren hiding from her performance with a eye mask and earbuds is a mix of sad and funny. I hope she has more confidence now, because she is absolutely amazing.

Robert had tonsillitis?! God being sick while doing a musical sucks, half our cast and me had a cold or something for the show. I was right next to the camera because of the location of the tech booth, and so in the recording you hear me trying not to cough and failing for most of the show. I felt so bad.

People saying stuff about Melissa and obnoxious teen/hot chocolate boy surviving as a joke has me thinking thoughts because the actor that played Melissa played Steph, and hot chocolate boy ended up being Pete. IDK what thoughts I'm having, but I'm having them.

Jaime making props, without being asked, is so nice of her.

Omg, Jeff was sick too! That really sucks. The closest thing to a actually accident that would make us end the show was when we had a stage fall turning into a real fall because the actor was too dramatic. Damn theater kids!

Omg the megaphone stories are giving me flashback to the fucking piece of shit mics we had. Half of them would not actually work, one had to be constantly re adjusted and turned back on, the main girl's mic had way too much feedback, the other girl sang way too quiet and had a not great mic meaning you could never hear her, and for one performance, two of the actors somehow got mics mixed up and I had to spend so long switching channels to fix it. No one actually knows how it happened. I literally made jokes that someone must have walked the mic boxes under a ladder, opened a umbrella inside, and said Macbeth around them for how much of a pain they were.

Jeff despising the brain prop is great. Sometimes a prop is a stupid nightmare that you want to light on fire at the end.

What was Jeff doing to forget the main character's name? How did he land on Steve? He literally wrote some of the songs? I have so many questions.

Them not having the meteor prop until the opening day is terrifying to me, I would cry if that happened to me.

I want to reiterate my want to do tech, specifically lighting for this musical.

Ok that's all I have to say, I am going to go watch the musical again, bye babes, boys, and boomerangs

[iris-sistibly]

I know I need to calm the fuck down first but one word to describe episode 6: STRESS!!

📍I love seeing Hyun-woo and Hae-in having a...sort of second honeymoon in Germany but I couldn't really enjoy every scene because I'm stressing out at how fucking OBLIVIOUS the Hong family is like bitch y'all are surrounded by snakes and they're so complacent 😭😭😭 I mean it's not really their fault that there are opportunists who'd earn their trust first then slither their way to bite them in the ass, but I just find it ironic at how protective they are at their family business and wealth but they can't see through the REAL people who has every intention to bring them down.

📍Speaking of which, I have read a fan theory somewhere that Mo Seul-hee is the mom of Eun-seong and Da-hye. Could be, OR Grace could be Da-hye's mom considering how Grace acted towards her. But why are they so keen at bringing the Hong family down?

📍Maybe it's just me but I don't think Da-hye is that bad, I have a feeling that she'll eventually come to her senses and take Hyun-woo's side and expose Eun-seong and co.

📍My overthinker/delulu self thinks that Soo-cheol and Da-hye's baby is actually Hyun-woo and Hae-in's kid. I mean, it wasn't shown how they lost their baby...yet. So Hae-in either miscarried, or she gave birth to a still born child? But what if the child is actually alive and one of those evil bitches cooked up some shit to make it seem like Hyun-woo and Hae-in's baby died, and then that baby was registered as Soo-cheol and Da-hye's kid? I know it sounds insane, but we're only on episode 6 so more crazy shit could happen in the future episodes, you'll never know. But my normal self says I've watched too many Filipino dramas growing up (and yes, that shit happens a lot in Filo-dramas).

📍Speaking of that kid, another theory is...what if that kid is actually Eun-seong and Da-hye's? Soo-cheol is a dumbass, and again, those bitches could have manipulated that baby's DNA test result or something. Again, that's just me being an overthinker, also I hate my Filo-drama mindset.

📍Aunt Beom-ja being so concerned about Hae-in and her dad but I also appreciate the fact that she respected her niece's request to not tell anyone about her illness. I also hope that she'll be able to help Hyun-woo clear his name and uncover Seul-hee and gang's dirty little secret.

📍BUT Y'ALL KNOW WHO STRESSED THE SHIT OUT OF ME THIS EPISODE? BAEK FUCKING HYUN-WOO!!! I am so freaking annoyed that he didn't tell Hae-in about the divorce when he had the chance. He was probably worried at how Hae-in would react plus the latter was going through medical treatments so he probably didn't want to put too much stress on her, but Hae-in was bound to find out either way so...yeah I do get why he chose to keep the divorce to himself but he could have just told the truth and suck it up, and perhaps they could communicate better when it comes to issues like this.

📍One thing I noticed about Hyun-woo is that he's brave in so many ways but also a coward on one thing. I mean he talks with Hae-in about nice things and all, and he is his wife's confidante, but I don't think I've ever heard him talk the way Hae-in does, meaning he never had the balls to talk to his wife about the..."unpleasant" side of their marriage. Hae-in was able to talk to him about her illness, the last will and testament that her mom pressured her to write, and Hyun-woo didn't even think about bringing up the divorce papers.

Prior to episode 5, I really thought that Hae-in was the one who shut him out but it was actually the other way around. Wifey may seem cold and nonchalant but if there's one person she'd listen to, it's him. Perhaps he doesn't want to say something that would upset Hae-in but the point is...she's his wife, she's supposed to know what he thinks, how he feels about certain things, even the not-so-pleasant side of their relationship. I really hope that in the next episode or the episode after that he'll be able to communicate better.

📍Hae-in's mom is terrible af. Imagine blaming your own daughter for the death of your son. I mean she didn't deserve to lose a child, but it's unfair to put all the blame on Hae-in (like why?). It's not like she endangered herself on purpose, and she had the audacity to be upset when Hae-in did something nice to her in-laws? Like what is wrong with this woman? Why can't see realize her own mistakes?

📍I kind of teared up when Hae-in was telling Hyun-woo about the things the latter should do when she dies. She could die, and this show might give us a bittersweet ending but when that time comes I'd be really, really hurt. Also, Hae-in confessing that the only reason she wrote her will about Hyun-woo not getting anything should they divorce was so that she'll be allowed to marry him 😭 (just shows she fought hard for him and she'll do absolutely anything to be with him). God I hate her mom! And yes the epilogue was so cute, now we know that they have always been in-love with each other. But I guess...they need a time-out 🤷.

📍Hae-in called Hyun-woo "yeobo" 🥹🥹🥹

[lipeg]

Vacuan 1: You're the girl who sent the message! The one who brought the world together!

RWBY Volume 9: Beyond Episode 4 Boba

Atlas most technologically advanced kingdom.

Statue: Destroyed

Lost Items: Relic of creation and knowledge

Those responsible are still on the loose.

Vale

Statue: Destroyed [ Off screen ]

Winter and Marrow Amin look at graffiti on a wall, stating "ATLAS GET OUT" and "LONG LIVE THE CROWN". Winter hears an airship in the distance, and flies off to investigate. As she lands, she is greeted by Peter Port, who takes a step back.

Port: (chuckles) The Winter Maiden, Miss Schnee. (takes a step forward and bows)

Winter: What's happened?

Port: (sighs) When Salem left Atlas, she came for Vale, and now there's nothing left.

Port looks behind him to Bartholomew Oobleck, who is looking down.

Winter: Where's Glynda?

Port: Gone. Trying to find help. We led the civilian retreat, brought as many people with us as we could, and uh, this, this is the only place we could think to go.

Possible missing item: Relic of choice

Mistral

Far west location of Remnant

Status: Weakened

Due to the betrayal of HEADMASTER Leonardo Lionheart, Haven Academy was closed and ALL of its students were transferred to Vacuo.

Before the start of the series, Ozpin invited Lionheart into his group, involving him in his shadow war against Salem and her faction. However, at some point he betrayed Ozpin and sided with Salem for about two years following the events of RWBY: The Grimm Campaign, working for her as a spy to save himself out of fear. While he wasn't present in Vale during the time of the 40th Vytal Festival, he helped forge documents for Cinder's Faction to infiltrate Beacon Academy without raising suspicion and inadvertently helped cause the Fall of Beacon.

Lionheart had given Salem the locations of Huntsmen and Huntresses dispatched throughout Mistral, in which they'd be slaughtered by Tyrian Callows and Hazel Rainart.

The relic from the kingdom was taken.

Vacuo

Status: Crisis

RWBY Volume 9: Beyond Episode 2 A Knight's Journal

The kingdom received refugees from two kingdoms, most from Atlas and the few remaining in Vale.

The relic of destruction remains awaited under seven keys, the maiden remains hidden.

Dangerous prisoners were freed and joined Salem.

Jax Astúrias, semblance Mind Control.

Gillian Asturias, semblance Aura Siphon.

Gillian's Semblance, Aura Siphon, allows her to transfer Aura between different people, much like Jaune Arc. However, she is also able to drain Aura from others to recover her own, as well as storing it for herself.

Vacuan 1: You're the girl who sent the message! The one who brought the world together!

The world is more divided and weaker than ever before.

I had a theory that current Rwby fans don't care about history and this is the result.

They left Miles Luna and Kerry Shawcross as writers and directors it was a mistake. Just Kerry Shawcross stayed to write and direct RWBY Beyond.

Indirectly and directly, team RWBY was responsible for the annihilation of their own world.

My honest reaction it would be the same as the joker laughing until he fell to the ground.

I just want to see people cursing me

[cbrownjc]

As an older fan, I’m starting to get some major Sherlock-vibes from the show, in the sense that fans are coming up with all these big-brained theories to explain weak writing that we have to have faith will come to fruition in some future season. Why make the change to Lestat saving Louis? Why is Louis seemingly stronger than Armand?  Why have the Loustat reunion, only for Louis to leave and challenge the entire vampire world (despite the fact that he’s apparently in a better place mentally-speaking)? Why publish under Daniel’s name, when that would clearly paint a target on his back, especially now that he’s a vampire? What’s going on with Daniel’s eyes?

The whole “spite” thing seems like a clear mis-direct, but with only like 8-ish episodes a season and Dubai-era Devil’s Minion being 100% subtext so far, I don’t think the writing team can do DM justice. All the inconsistencies seem like they’re being written off because it’s the unreliable narrator show, when they’re actually just plot holes.

Like…I 100% think the writing team forgot makers can’t telepathically talk to their fledglings, and that’s why they had to add in the throwaway line of Lestat actually whispering to Louis in 1x02. There was no hidden reason we were meant to find, it was just inconsistent internal logic justified because Louis can’t remember anything correctly.

IDK. I don’t want to be a downer, but a lot of my hype for the show just kinda fizzled out with the finale. I'm still gonna watch S3, but I think I'm just gonna wait til the whole thing comes out this time.

Hi!

So I never watched Sherlock nor was every in that fandom, though I did hear about some things after the fact. So I can't compare it to that fandom. But I can compare things to another book series that was being adapted fandom I was in which was Game of Thrones. And I think wrt things we are at least nowhere near that level of things and theorising. Yet.

Maybe because, unlike ASOIAF all the VC books are written and done. So that's a plus.

And see, the thing is? I can actually see a lot of methods to the madness of some of the things you've listed. Especially given the nature of how the story in the show is told through POVs. Where the issue comes into it is not ever knowing if what you are seeing is true, false, or just an interpretation of the truth -- as in Louis' POV of the play-trial rehearsal.

And I'd really like to know if how they ended this season is how they plan to end every season when a full book has been adapted? Something that wraps up the main character arc and story, but just leaves a host of other questions that, if we weren't getting a Season 3, would have never been answered. And who knows if they will all be answered in Season 3? As far as Devil's Minion goes, or Armand himself, I'm not expecting it to be now, given that Season 3 is The Vampire Lestat adaptation and Armand is a straight-up villain/antagonist in that book and Daniel doesn't appear in it at all, so anything we get with him will be extra anyway.

Now, as to whether Rolin Jones and the writers have a plan, Rolin says he pitched an 8-Season (or so) Arc to AMC before he was given the show to run. So at the moment? That is the only solid thing we have to go on right now wrt if there actually IS a play or not for the show.

But see (and oh boy, please forgive me as am I about to go into a big digression here), plotting a TV show is much harder to do than a book or a movie. TV writing is way more organic given that unforeseen circumstances can occur that you've never planned for when you go into a new season of TV production. Such as the studio asking you to split the first book you're adapting into 2 seasons instead of one, leaving you with only a month to rewrite the scripts. Or, a writer's strike and then an actors' strike a few weeks later, delaying production for months. Both of which happened to IWTV wrt Season 1 and then Season 2.

So organic things beyond the show's control are why it is much harder to plan out every little detail of a TV show in advance over multiple seasons. Take another AMC show, Breaking Bad. It's known that Season 2 of that show was intricately plotted out in advance but then, after that, the writers plotted and wrote the rest of the show as things came along for the remaining seasons, with no grand design to it -- even though the creator of the show, Vince Gilligan, knew way in advance how the show was going to end. And the show was able to get there, to that ending, without having a meticulous plan over seasons on how to do so.

I mean, the character of Jesse on Breaking Bad was originally supposed to die at the end of the first season. But instead, he lived through the whole damn thing. That was not planned at all.

And I think that might very well be the situation we have going here wrt IWTV. I think there are larger things they already know in advance about the show -- which books out of all of them will adapted into full stories vs which will only get references. Which characters in the show will make it into the show as full characters vs which characters will either be cut or combined with other existing characters (as Sam Ried revealed in his interview with Autumn Brown that that is going to happen -- that some characters will be combined with others). And what end point they want each of the main four characters -- Louis, Lestat, Armadn, and Daniel -- to be at when they get to at least Season 8. (If not Season 10, which is what AMC wants, 10 seasons). I think those are things Rolin and the writers very much know.

But I don't think the show has every single little detail plotted out for every little thing wrt how they are going to get to certain things. Not super far in advance at any rate.

I do think they'll purposefully put in seeds for later -- that they very much know they are going to need later -- though I think at most they do it one season ahead if it's a little thing. I very much do think that is what the things from episodes 1x02 and 1x03 very much were, since Season 1 and 2 were supposed to just be one season originally. Or the fight in 1x05 only being shown from Claudia's POV. I think that was also deliberate and they are very much planning on visiting it once again in Season 3, as they did in Season 2.

But I also think there are some things the show has not plotted way in advance and only figured out when they are writing that particular episode. Or maybe just decided to do that season as they were writing it, and not before then. Just like how almost every other TV show works, even ones that might very well know the ending they are working toward.

So I in no way think the show has figured and plotted out every single moment and beat of Armand and Daniel's relationship. Why? Not only because much of it happened in the past -- which yes I very much still think it did -- which covers 12 years of time, but because if you look at this clip, Rolin Jones kind of hints that they haven't plotted it out completely point for point even though there are some things they've thought and figured out:

video credit: Rei Gorrei on Twitter

So as far as Devil's Minion goes, I think Rolin and Co -- mostly Rolin -- has an endpoint for it in mind. But how they get to that endpoint is probably not planned out to the letter, super far in advance. And something they very likely just come up with as they are writing that particular season. At most? I'd say they've put things in this season that will be relevant next season and that's it.

So, I'm not going to say they can't do it justice. Not yet. I frankly don't have enough data to call that in a yes or no fashion since we haven't seen anything adapted from it aside from the 3-4 days Daniel spent in a cage, which is just the very start of how Devil's Minion begins. Basically one or two paragraphs. That's all they've really adapted when it comes to it at the moment.

And hey, it's okay if you feel down about all of this. If it helps, I'd say try and take a pragmatic approach to the show season by season, and if you feel it's better to binge it than watch it episode by episode for a time, that's good too. This is going to be a long journey after all.