#who the FUCK started this any way

[overcaffeinated-aro]

ok not to be that guy but like. labor rights and working class rights can coexist with 24h services and late amenities. its certainly hard to do so without worker exploitation in this political and social environment, it’s not a conflict likely to resolve overnight. but 24h services are important and especially valuable to those of us that are disabled or are on a different circadian rhythm. in fact more professional, health, and government services should be available or at least possible to work on asynchronously (if applicable) during late or odd hours, while workers also get sufficient pay for their labor and proper consistent scheduling. this would be much easier on the workers with night schedules if the entire professional world didn’t grind to a halt at 5pmEST

[stemmmm]

the scene people keep screaming about from chapter 5 of theseus' guide

[neverbelessthan]

SEVERANCE 2x10 | "They give us half a life and think we won't fight for it."

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[thebrainrotsreal]

EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[youngpettyqueen]

I know the decision to have Julian's parents have him augmented was made on the fly but imo its pretty obvious from early on that Julian has Family Issues because he avoids talking about his family like the plague and I think they should've incorporated this into the Julian and Sisko dynamic right from early on because I think it would've made for some really compelling stories and moments and could've set up a REALLY interesting Julian and Jake dynamic which they kinda started to do but never fully went for

[petricorah]

i feel sick

[ria-starstruck]

and also "putting everyone in a simulation will make it all ok 👍" and also "let's park next to this random system's sun" and also "we can't live on our own planet because of our own folly" and so on

[lostandbackagain]

valkyrie moodboard part 4 🎉🎉🎉

pt. 1 pt. 2 pt. 3

[gonkaccino]

Season 4 hope/prediction: Deb's show is solid, zero issues, runs flawlessly with great ratings, but her personal life is completely eroding. We start with her discovering Marcus is leaving, and it culminates in DJ going into labor right before a taping. Deb chooses the show. When it's over, and she finally flies to Vegas, it's too late -- Aiden's not letting her in because he loves his wife too much to let DJ get into a shouting match with her mom right after giving birth, and instead takes the brunt of Deb's wrath, with her making excuses and talking about how they used her money for IVF, and anyway, DJ's fine, so who cares if she wasn't there? Kathy's in the room with DJ and the baby (DJ's the closest she has to a daughter, after all) and Deb leaves too furious to think about how badly she's hurt her family.

She heads back to her Vegas mansion -- empty, obviously, Josefina and the dogs would be in LA -- and pops open a bottle of wine. Alone. Completely alone. Can't call Marty, she has no friends, the closest she's got would be Kiki and wouldn't that be embarrassing, calling your poker dealer to talk about your feelings --

and then Ava's there. She got the news about DJ's labor, she got the story from Aiden (who was distraught, by the way, man's too much of a sweetheart for Vance drama), a spare key from Damian (happy to pawn that off on her, though if it isn't returned promptly he's taking legal action) and has arrived just in time to see the Deborah Vance having a breakdown the likes of which no one thought physically possible. Crying gives you wrinkles, you know. But Ava has to be here. She's the physical embodiment of a lesson Deb never truly learned: you don't have to like someone to love them.

In my imaginary fantasy land that I am concocting this would then subsequently lead into them fucking nasty but I understand that this may be a step too far for the surprisingly large number of very normal people who watch this show and would forgive JPL for not taking it that far. However I do believe they should fuck about it and let Ava take the reigns in their relationship while they see how many of Deb's bridges they can un-burn.

[peacockrulz]

Sorry for the lack of posts, have some more headcanons!!

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[altschmerzes]

i need to stop shadowboxing the concept of romance when i write. i need to make my brain go to a world where romance doesn’t exist when i write because feeling its constant presence and people’s expectations of its presence and reading in of its presence is making me a worse writer.

like. thinking a lot about that post that’s going around rn about Books That Are Clearly Afraid Of The Reader. been thinking about how fear of being interpreted or perceived or whatever permeates a Lot of what i do and always has, creatively, and frankly compromises it, especially in terms of fear of people reading romance into my stuff because of how much i write about interpersonal relationships and intimacy and reliance and vulnerability and intense emotional situations.

i need to stop trying to build a boat with my main priority being ‘i dont want people to insist to me that this is a car or make people feel tricked into seeing a car etc etc’ when there is actually no part of this boat that needs to be made with cars in mind at all i could just Build The Damn Boat. this metaphor got lost.

point is i need to stop letting romance take up space in my stories at all. even if it's just as something i'm doing backflips over and around. i need to just start writing about platonic relationships - friendships, queerplatonic relationships, familial relationships, etc - without feeling like i need to first disprove romance as an automated and inherent assumption. romance should have no quarter here, even in feeling forced to deny it.

[sunnist4rs]

I hate men because today after years of my brother mocking me whenever I talk about something I’m well informed on by saying I did no research I finally told him how much it upsets me. So straight after he brought up my male assault statistics and called them fake before leaving.