#who can break realities

[theology101]

I love Avengers Endgame cause it’ll bounce between characters at such a drastically different power level but try to present them as the same

Hawkeye and Bucky either have to nail a headshot or loos multiple projectiles against the Outriders, each one of the weakest enemy on the field a major threat

Star-Lord and friends are having a bit of a better time, their weaponry being a guarantee instant kill but even they are only one unlucky gunshot are one horde too large before they’re done for

Then it cuts to Thor, Captain Marvel or Strange just… INSTANT ONE SHOT KOs against like, 4 dozen foes.

Every part is a major part and obviously the street level heroes are nessecary for the avengers but man… that disparity is INTENSE

[tritoch]

in general trying to write a fully canon-compliant wol, as i conceive it, is an interesting project because the wol's life involves such a staggering amount of direct interpersonal violence it is almost beyond comprehension. the only people in the real world who did anything comparable are like, certain executioners for totalitarian states, and that's obviously a very different form of violence.

and like obviously combat in FFXIV should not in any way be taken as a 1:1 with real world violence, not least because the game repeatedly points to the idea that combat can in some sense be a joyous and glorious form of personal expression (as with ravana, susano, zenos, etc.), which doesn't really square with the reality of doing violence. but to even begin to conceive of a character who's capable of doing what the WoL does from ARR on and trying to take it somewhat seriously means basically making an extremely detached killing machine, who's fine using those skills for any rando willing to call the hit they're hiring you for a "quest".

it ends up dovetailing really nicely with the games as written, though; you start ARR being like "i am an instrument of violence directed by others :)" and not talking much or ever registering your own thoughts on anything, because who cares? you're a violence-doing machine. and then one of your friends gets mind-controlled and you gotta fight a might-makes-right fascist and you meet multiple people who think you personally are a really cool person with inherent value in their own right just by being a person and it's like, hm. maybe there are other ways to live. and that parallels really nicely with DRK in HW, and then you and alphinaud deciding that you are tired of endless sacrifices in the name of progress and you are going to save estinien, and then the WoL getting to walk into stormblood having really consciously chosen this fight rather than letting someone else choose for them.

obviously there are a lot of stories you can tell with your WoL but to me this is a big part of why my approach to it necessarily revolves primarily around violence and regret. you spend the core game and two expansions becoming a terrible angel of death and then get teleported to another world where you learn that some people literally consider you a psychopomp who escorts the dead to their final rests. then in the next expansion you meet someone who was unfortunate enough to be on the other end of things during your implacable killing machine days. THEN you accidentally cause the flower that symbolizes grief to be invented. the wol's whole life is haunted by overwhelming grief (mostly that of other people) and terrible violence (mostly their own).

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[yappacadaver]

Crazy wild shit man

[hammill-goes-fogwalking]

I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI.

[twilight-deviant]

Telling content creators it's wrong to explore artistic freedom and be independently funded by fans, and they should instead continue taking advertisement revenue from google* is

NOT

the anti-capitalism stance actually.

*(Yes, google owns youtube.)

[creatively-cosmic]

Meeting the Missing One.

[susandsnell]

Daniel Molloy, secret descendant of Jonathan and Mina Harker.

[a-story-teller]

I was in a major car accident yesterday (got t-boned) and was very luckily a) alone in the car, as the passenger side got walloped and b) not injured. However I took care of everything and then went home and proceeded to sleep for 19 out of the following 24 hours.

[frankensteincest]

I <3 stories that posit madness as an escape because it’s horrifying. they’ll posit that a character sinking into a fantasy to escape real-life horrors that nonetheless persist as a happy ending of sorts and I will be cheering and clapping whilst shuddering in repulsion. nothing else has managed to capture those experiences simultaneously for me.

[nc-vb]

if it’s gotten to the fucking point that the Ministry of Education has to announce that “the school year is cancelled” for part of Gaza because all its students have been murdered, humanity has failed, failed at everything— flat out, point blank, and unequivocally failed.

[anchorandrope]

.

[swampthingking]

oh! oh </3 oh!! okay!

[trappedinafantasy37]

Alright alright alright! Speedrun time so I can finish this run, finish the Act 3 write up, and start posting the Shadowheart origin fic. Did quite a bit all in one day, so let's gooooo.

Went to the sewers and found Nine Fingers Keene, someone on my list of NPC's who absolutely should be kissable but isn't cause Larian is full of cowards!

Went to the bank and found this guy.

Followed his stench right on back to the sewers. But unfortunately Jaheira got, *cough*, left behind at Moonrise so Minsc also got, uuuhhhhhh, left behind.

Unfortunately, a civil war broke out between the Guild and the Zhent. Sided with the Guild cause, who wouldn’t. Although, Minthara had some ideas about what to do with the undesirables once we take over the city. Always the little schemer she is.

Met some weirdos!

Met a pirate who had quite a thing for Minthara. I mean, "Captain Grizzly" was laying down that rizz HARD. But, can we blame her?

Killed Lora and returned to the Captain. Surprise, it's Ethel! Don't care, gimme my money. Also got an ally with a very useful skill for the most annoying fight later. *Minthara approves*.

Shadowheart went home and met her mother. Poor girl was boutta cry! Also had some pretty triggering memories while going through the cloister.

It has been so long since I've made Shadowheart go down the Selunite path that I forgot how much of a pain in the ass the House of Grief fight was. I wanted to rip my skin off the entire time! I spent thirty minutes watching Minthara and Shadowheart get blinded over and over and then have their asses beat. I actually had to go pull out the hirelings. Holy shit, I fucking hate the Sharrans! If you ever need a good reason to have Shadowheart go down the DJ path, this bullshit of a lineup is a good damn reason!

Viconia, on the ground, begging for mercy. Shadowheart did not care what happened and wanted Viconia to embrace loss. Minthara said "fuck your mother and fuck your mercy" and killed Shadowheart's mother. Gah, what a romantic she is!

I HATE SHAR! I HATE SHAR SO DAMN MUCH! FORGET THE DEAD THREE, LARIAN, LEMME KILL SHAR! THERE ARE VERY FEW THINGS I CONSIDER TO BE TRULY EVIL AND SHAR IS MOST DEFINITELY ONE OF THEM!

The price of freedom is never free...

What a whirlwind of a day. Fought in a civil war between thieves, ran into some old enemies, and Shadowheart went through one of the most traumatizing things in her life and killed every parental figure she’s ever had in a span of ten minutes! But, that’s okay. Minthara made her feel all better. After all, killing your parents is a rite of passage.

< The Wizard | The Foundry and Gortash >

[wellthatschaotic]

neurotypicals are so frustrating,, i keep forgetting that "can you do x" means "go do x"