#which. yeah! genuinely that would also be interesting

[animezinglife]

I understand it, too.

I genuinely do find Solas attractive, albeit in a different way. I would love to romance him with a different character someday---I just wish we got Solas for who he truly was from the start of that romance or that the truth had come out earlier. I'm good at avoiding spoilers, and I hadn't known he would betray the Inquisitor, nor had I even known you couldn't romance him as a human. I had actually gone in fully expecting Mira to flirt with him a little (I knew nothing about Cullen's romance at the time and had always heard Solas was the way to go), but that's simply not how their dynamic played out anyway.

I have no doubt his and Lavellan's is an enthralling story in DA:I, and I would at some point like to experience it. I fully understand the appeal. I would fully be there myself with the right character and mindset.

Solas is captivating. He's someone you could talk with for hours on end about the most abstract concepts, but there's always that small sense of him keeping his distance (even before the topic ever comes up). Even I knew there was more he wasn't saying by the way he dodged questions and some of the dialogue between him and other companions. Though for someone who didn't know better, that could've simply meant he was far more powerful than he let on, knew more than he let on, likely older than he seemed, and wanted to protect himself. The whole, "elven god of lies" thing was a bit more of a twist than I'd anticipated. A secret, ancient elf hiding some things I can do, especially if those layers get peeled back over time. I'm less sure about elven Loki.

I think it truly would've been interesting had it gone a bit more in the direction of Children of Fallen Gods/Mother of Death and Dawn (which, some have noticed, draws some considerable parallels to Solavellan in ways that can't be considered coincidence). Without bringing too many spoilers to the forefront of the conversation, there is some...mutual awareness and corruption that occurs between Totally-Not-Solas and Totally-Not-Lavellan. The power dynamic's more balanced and decision making more...comparable to some degree.

(I am not, by the way, blaming Solas or pointing any fingers at anyone regarding their power dynamics in DA:I).

Solas is the guy whose beauty (if you lean that way at all) isn't quite as noticeable until you get into a really deep discussion with him and realize your heart's beating a little too quickly and you're definitely sitting closer to him now than you were before. He draws you in. He piques your curiosity a bit too much.

I truly do not factor in looks at all (within reason---I'm blatantly partial to humans, elves, fae, vampires, etc.) when I play games with romance options. Solas (in theory; I played as a human, which negates the option) would've been every bit as high up on my to-romance list as Cullen. In truth, he was higher just because he was the one I knew so many were obsessed with. Just because Cullen caught my eye faster didn't mean he and my Inquisitor would've been a good match.

But wow, were they.

I easily lean more towards the "Solas-is-attractive" camp in general. Honestly, I love the fact that the romance options in DA:I were so different and unique from each other. Any players who chose to pursue a romance could find one that suited their characters perfectly. I like that there are a range of personalities, dynamics, and looks, and that there's good variety.

For me personally, nothing in that particular game will ever top Cullen's just because it's so incredibly hyper-specific to every little thing I love and value most even in real life. It's perfect for Mira's story; she is, admittedly, a lot like me. I couldn't believe a romance like that even existed in a game (and you already know why/the many layers I'm referring to).

Yet I also know there are plenty who wouldn't like his romance at all and vastly prefer Solas (or someone else in general).

That's the beauty of it, though.

But, yeah..."ugly?" That's not even a word I'd consider for Solas at all.

Dragon Age: The Veilguard | ▶ dev. Bioware

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[knight-says-nanana]

An analysis on Ed’s comic childhood, how that impacted his OCD*, and how that translated to the Gotham TV show

Alternatively: GTV Ed’s Biography

*(and also how it very clearly gave him cptsd but they don’t explicitly Say that bc DC is full of cowards)

Normally I’d say comics don’t impact tv continuity, especially for a show like Gotham where so many things are changed, but the thing is? Cory Michael Smith specifically went out of his way to read the riddler comics when he accepted the role of Ed Nygma. He acted accordingly and did an amazing job trying to salvage the show’s poor writing. There are many tiny moments where he does things that reference Ed’s typical backstory despite the show, in all its 5 seasons, never bringing it up

Childhood wise there are typically two widely accepted routes

1 - his mom was around but neglectful and off her head with drugs n alcohol

2 - his mom left when he was a toddler due to not being able to handle his father anymore, which kinda kickstarted the abuse being focused onto Ed instead

I will be continuing this analysis with #2 because it is the most popular and explains his abandonment issues

Comic Based Childhood

So this guy basically grew up with Only his father. His father who is a dumbass, an alcoholic, blames Ed for his mother leaving, incredibly abusive physically, and couldn’t accept that 1) his kid is smarter than him or that 2) a kid so Weird cough traumatized and neurodivergent cough is anything but an idiot

A major sticking point was that he always thought Ed was lying, constantly, about everything. This will be important later.

And when Ed finally started going to school and getting A’s?? Yeah no Obviously he had to have been cheating so Mr Nashton just got More angry with him. Could Ed have dropped his grades on purpose to avoid this? Yeah. Did he? Absolutely not. Academic success was the one thing he could be proud of and the only thing that gave him any sort of praise or validation. He was clinging to it for dear life.

No matter the universe, this is a guy who craves attention.

There is difference between academic success and school life itself, because Ed is awkward n dorky n, especially at this point in time, anxious n quiet. So he didn’t have friends. In fact it’s usually written as either him having been bullied or being ignored entirely

The boy was not doing ok at all. So understandably he ran away as soon as possible and changed his name.

Now, this is the first point where Gotham’s canon ties into this in a Very interesting way

We know Ed’s official birth year from the ID card in the show. It’s canon. In season one he is 26. We know this. And it’s is insane for a few reasons!!

He is So Much Younger than his coworkers holy shit

Bullock is old enough to be his dad and he’s not nice, no wonder Ed doesn’t like him

He works in forensics. At 26. And he’s implied to have been working there a year or two before Jim joined the precinct.

Now, I had GENUINELY assumed that he was in his 30s like Jim. BECAUSE HE WORKS IN FORENSICS. But no he’s just actually a botched Spencer Reid because he’s 26 in season one.

A degree in forensic science takes 4 years.

If you want a masters it’s an extra 2 years.

Factoring in the time he would’ve needed to spend interning and working just to QUALIFY for a job at the GCPD???

If we assume he ran away n got into college at age 17 and got his bachelor's he’d be 21 by the time he graduated, 23 if he got his masters which of course he would, and then that leaves us only 3 or 1 year/s for internships and stuff before he joins the GCPD. What. What.

No wonder his apartment is so shitty!!! This is a man with hella student loans

But yeah! Hes only 26 and his 40 year old coworkers are bulling him for being weird. I’d hate my job too.

Bullock is 48 and I’m fully convinced he, like me, thinks Ed is at least 32 (Jim’s age) because. What.

So yeah that’s his general backstory, NOW the ways that plays into his mental state and how his actor managed to fit it into the show

So, you can reasonably assume he’s traumatized.

And!? There are so many subtle moments in the show where Cory acts his character accordingly for this. He flinches when people raise their voice, he’s visibly spooked when men in the GCPD get huffy (usually it’s Mr James Anger Issues Gordon). He’s skittish as a mouse. In the watermelon scene, when Gordon busts into the room, Ed immediately falls over himself to explain what he’s doing in there. The guy was terrified. Of James. Who’s never done a thing to him.

Beyond that? CPTSD -beyond the regular symptoms of flashbacks, triggers, and hyper awareness- also includes difficulty regulating emotions, feelings of shame/guilt, and trouble staying in relationships.

Ed Nygma is a damn textbook case. He has meltdowns, he falls into substances, he does ANYTHING but cope when he’s overwhelmed. He is constantly trying to prove he’s smart, there’s a gut deep shame when he doesn’t hold up to genius standards. And you’ve seen his relationships.

Basic info ab OCD: it’s an anxiety disorder and the two main things are obsessive compulsions and intrusive thoughts, both of which are present in Gotham but not handled nearly as well as they are in the comics

Compulsions first!

These tend to stem from subconscious thoughts and people won’t always know Why they have a compulsion but they’re generally a way of preventing a vague yet all consuming Bad Thing.

Now, with Ed one of his major sticking points in comics AND the show is he cannot tell blatant lies, especially not with yes/no answers.

This is part of why he compulsively leaves clues for absolutely everything and tries to be so vague when he is lying. He also jumps through hoops so that he won’t need to lie.

Lying = incredible all consuming dread and anxiety, so he just Doesn’t and uses his little hints and clues as a loophole. Very obviously from his father’s influence.

In the show this is shown multiple times but just for a few:

Lucious asking if Jim is at Ed’s house and when Ed tries to say no he seems almost forced to correct himself

The compulsive clue in “Tom’s” note, even when no one had asked him if he knew anything he still couldn’t keep it entirely to himself. The note is a loophole. Technically he told on himself. They just didn’t figure it out. (Well. Kristen kinda did but denying it aka lying sent him into an anxiety attack the moment she left. So.)

When Sofia Falcone was torturing him to find out where Oswald was, he told her. He just told her via a riddler he knew she didn’t understand! No need to lie!

In the car ride to the docks Oswald also calls him out directly by saying he’s so predictable because he’s driven by obsessive compulsion. This is the most the show acknowledges it.

Beyond his compulsions he’s got explicit intrusive thoughts regarding a few big things. (Should be noted that these tend to drive compulsions but not always.)

being viewed as stupid

Ergo his criminal history just being a big show to prove how smart he is. Again, his fathers influence.

being actually stupid

Not knowing things stresses him out So Bad and he takes it So Personally. He NEEDS to know everything. The world is a puzzle and he is Going to solve it.

Side note: That’s why I do LOVE that Gotham made him a forensics specialist!! He’s always had, to quote a DC podcast where he’s talking to Batgirl “-and you have that terrible all consuming pathology which comples you to find answers” “AnD i HaVe tHaT tErRiBlE aLL cOnsUmiNG PaThOLoGy wHiCh coMpELs mE tO FiNd AnSwErS- Yes.”

Biggest for last: being like his dad

This one is specifically fun because it was almost represented so well. ALMOST. His entire relationship with Kristen was downright molded by it, as shown in the file room anxiety attack. Yes that’s what I’m going to call it.

He is constantly fretting over being like Tom, even when he clearly isn’t because he is disgusted by Tom. No mysoginist is going to see someone with the same thoughts as gross. No guy who thinks women should be “put in their place” is going to have such a physical reaction to hearing that be said. No abusive pos is going to have that reaction at all. At least, not in the way that situation went down or in the way Ed’s afraid of being. We aren’t discussing emotional harm or Nygmobblepot today. But he frets anyway. And if we chose to interpret his riddler hallucination as a Really poor way of representing intrusive thoughts? Yeah. Yeah. His brain is making him panic about doing exactly what he hates so much.

*it should be noted that compulsions are often reinforced by intrusive thoughts. specific example: if he lies he will be saying something wrong, he can not be wrong, everyone is going to think he’s an idiot if he’s wrong. You can see how the two things connect. This applies to the majority of compilations in some way.

Now, a moment where I deviate from discussing what Did happened because I’ll forever mourn this particular writing fuck up:

His thing with Kristen could’ve been perfect. It could’ve been the best live action riddler origin to date. Because this is a guy with OCD who’s very traumatized and would have a strong personal reaction to finding out a friend is facing domestic abuse. That would make his relationships complicated too because of the thought loop it would create off the risk of “turning out to be the type of person he hates” or “what if I hurt her like I was hurt.” That would have been so compelling? AND? AND YKNOW WHAT? MY BIGGEST GRIPE? HIS FIRST PUSH INTO VIOLENT CRIME BEING STABBING AN ABUSER WOULD BE PERFECT. It would be on point. Exceptional foray into crime and murder. BUT THEY DIDNT PLAY IT LIKE THAT. No instead it’s highly tainted by “who gets the girl” and I just. N o. Ugh. They fumbled it!! They fumbled it So Hard. THEY MAKE HIM CREEPY AS FUCK TOWARDS KRISTEN. Like- physically blocking her into small spaces and imposing on her and talking over her when, if they HAD actually leaned into the OCD on purpose, he would probably be hyper aware of not doing.

[dykedvonte]

I find the line "I have to believe our worst moments don't make us monsters." Fascinating because it comes from Anya, and I feel she really proves it the best.

For obvious reasons most people are in the "Anya did nothing wrong" camp and for good reason but there is a single action that I don't think she did well and it was her suicide. Specifically her method.

Realizing that Anya took Curly's painkillers was horrifying to me. As a Nurse I have no doubt that she'd know how terrible dying from overdose is. She had access to a gun which is well known for having a far more instant and far less painful death. And despite everything falling apart around her, knowing how bad Jimmy was, she still left Curly alive.

I don't think I thought about it much like that at first but the longer this game has sat with me the more horrified I am by the action. Curly is man who has been horribly disabled and is completely unable to help himself and he is very much a human being who does not deserve to be anywhere close to that amount of pain. Those painkillers were one that the few things that could give him any amount of relief and Anya took them.

She could have shot herself and left the painkillers for whoever was left to help Curly. She could've shot Curly and then taken the painkillers. She could've shot them both and quickly put an end to their misery, yet she didn't. Anya had a great amount of her agency stripped away from her, to the point that she didn't deem life to be worth it anymore and ended it, right next to a man who couldn't make that choice for himself even if he wanted to.

It is easily her most horrific choice and yet, she's still an angel.

(Please don't take this as Anya slander, I genuinely love her so much. I just find this to be an incredibly interesting thing)

I do subscribe to the idea that Anya realized that Jimmy was hitting Curly when giving him his medicine but didn’t intervene. I also don’t think her taking the pills from Curly as monstrous mainly because (while she knew he suffered worse with out them) she likely also knew they were basically bandaids on a bullet wound.

I have this sort of belief that that statement can only really apply to Jimmy in the inverse. Like some statements in the games aren’t meant to apply to all characters and not in every context of every action they do. It’s the idea that no one should be responsible for Jimmy’s actions but himself but they are forced to by him or the environment. Everyone is experiencing their worst moments but no one is a monster outside of Jimmy due to his inability to take responsibility and how he escalates the severity of the situation through his bad choices. Even then it’s not one moment that makes Jimmy a monster it’s the culmination of every moment that prove his inability to be anything but in this scenario.

With Anya you must remember she did have the code to the gun. Yeah, she could’ve broken it open but who’s to say how easy or how long it would’ve taken. Not to mention, there’s this misconception that she wanted the gun to kill Jimmy which isn’t true. She wanted the gun to defend herself in the case he got aggressive which is an important note of Anya being the only proactive person on the ship vs reactive. Locking the door, knowing there was no way in was likely a duel mercy for them both. A person in his state would die relatively soon without constant care and she has ample time to pass. It’s a hard decision to make for herself and someone else but it was the easiest even if it caused more damage than it was ever meant to cause.

It’s a sort of parallel to how Curly made choices he thought would help Anya and everyone but ultimately doomed them all further. Jimmy got what he wanted in both scenarios of crashing the ship and wanting Anya gone. What happened on the Tulpar will go down as a tragedy if they are ever found, a mystery if not but certainly not in a way that Jimmy wanted. Anya and the pregnancy are effectively gone but he’s still facing the repercussions for it.

There’s this idea that it’s controversial to say that Anya was anything but perfect and while I don’t think she did anything wrong, she certainly didn’t make the best choice in telling Jimmy but that again was because of the situation and environment she was in. We don’t know why she didn’t wait on Curly after their conversation in the cockpit, we know that was the plan and we know Jimmy finding out through her alone was the catalyst to the crash within like the next hour, yet you can’t really blame her. We don’t know why Jimmy came to medical nor what anyone else was doing. It can be considered her one mistake but then again we can’t blame a reasonable action on someone’s unreasonable response.

I think that’s a big aspect a lot of people look over in the characters actions. Most of them are normal, reasonable, human. But the systematic responses to them and Jimmy’s are unreasonably harsh and punishing.

This has gone off in a tangent from what you originally posed but I genuinely think of what might do happened if that confrontation happened with Curly there and away from the cock pit. I assume it’d happen in medical or even utility, hell, an area away from anything sensitive but what if? If the ability to do something awful wasn’t at Jimmy’s finger tips, if there was more than one voice in Curly’s head during that moment, what would’ve changed?

When I look at Anya I see her as having the best responses to anything happening during the events of the game but the environment, systems against her and even the other crew mates to an extent made it so it would inevitably backfire on them and mostly her hard.

[sambot2000xp]

THE THREAD I HAVE BEEN PROCRASTINATING ON FOR A WHILE!!!

murderface’s autistic traits

because i see a lot of people talking about toki, skwisgaar, and nate’s autistic traits but never murderface.,,,

under the cut

one of the more obvious traits is his interest in war history and macabre things, which definitely seems like a special interest. it takes up his WHOLE ROOM, and the only time we see him taking a vacation is for a war reinactment. it is basically the only thing we see him have any interest in outside of dethklok and other music endeavors (which he does not seem to be that interested in even) he is genuinely PASSIONATE for history.

his gullibility is definitely overplayed for jokes but to me it reads as an extremely obvious autistic trait. for example , the firecracker scene. that scene just screams autistic to me. the way he just never realizes that he should STOP trusting them and keeps on bending down? yeah.

one of the less obvious things that I notice is his pickiness with foods. also a joke and definitely tied to extreme internalized homophobia, but it just seems like something that most neurotypical people would not go to the lengths to defend. yes I know that he does eat a hot dog in doublebookedklok but who says autism people cannot be hypocrites, I know I am lol. also just a headcanon of mine that he is sensitive to foods and sticks to foods he is comfortable with + knows well, seems to be pretty canon compliant too.

something i notice is how he does seem to understand some social norms, but not fully. and even the ones he does understand, he does not care to follow. for me as an autistic person that is something I heavily relate to. It is hard to follow the social norms you do understand when you have no reason to, and you have never had them explained to you. murderface was just treated as a problem kid his entire life so of course he just sticks with it instead of trying to work on his attitude.

kind of reaching but autistic people are more likely to experience depression and other mental illnesses, something that murderface definitely deals with. he also shows symptoms in less typical was, tied in with his anger issues. i think his anger issues could also be compared to how he was never taught to deal with his emotions, and also combine with autistic meltdowns of the sort. basically all of his issues just are worsened by his autistic traits.

SPELLING!!! i know this is just something that shows he is uneducated, which makes sense as he (in the shoe, NOT the comics) grew up in the south (probably in poverty) and never cared for school, but it also could have been heightened by his trouble learning new concepts. he very easily could have been pushed away by the fact that no one understood how to be patient with him and teach him in a way he understood, an experience lots of autistic people face.

the way murderface talks to people, he rarely knows how to act when he is not complaining or insulting people, which definitely ties into the lack of social skills. he also seems to not be able to tell when people are joking, or read emotional subtleties.

with how he tries to be a “gentleman” around ladies, it definitely shows how he does not know how to act outside of stereotypes and what he has been taught, almost like he is following a script.

HYGIENE. a big thing for autistic people. i know some people who are extreme near freaks and very very cautious with hygiene, as for me and others,,, not caring at all. i think it is obvious murderface falls into the second category, he does not CARE about hygiene and frankly, does not want to. we seen him showering in one scene so I think he is capable of doing self-care oriented things, but maybe it is hard for him to start, or he is uncomfortable with it in most occasions.

headcanons

ahem ahem,,, we never see him in any shoes with shoelaces so I like to headcanon that he either never learned how to tie his shoes, or if he did, he is very bad at it and it takes him a while, so he is embarrassed to tie his shoes in front of anyone.

i also like to think he makes a lot of references to old TV shows (see my murderface agere post) and got a lot of his ideas of what “masculinity” is from those. i assume he shaped his worldview around fiction and what he learned from history, which resulted in a really warped perspective.

that is all for now!! i will probably add onto this later!! ^_^ byebye!

[afreakingdork]

I saw you were doing small requests if we proved we voted for Hassan/Mikey, so here's my proof! I was wondering if you could do something with Leo, since we don't see nearly enough Leo x readers out there. I was thinking maybe a best-friends to lovers thing where they keep trying to one up each other with playful flirtation, but it becomes real in the end, followed by a confession and a kiss? Xxx

Writing Request: Reader x Leo First Kiss 😘

Thank you kindly for doing your part! I hope you're enjoying all the content and please tell your friends! Let's push back in this comp!

From now until the poll closes, if you can prove to me that you voted Hassan/Mikey in this poll then I will do any short story writing request like the one below or draw you any doodle of your choosing!

ᴰᶦˢᶜˡᵃᶦᵐᵉʳ: ᴵ ᵃᵐ ⁿᵒᵗ ᶦⁿ ᵃⁿʸʷᵃʸ ᵃˢˢᵒᶜᶦᵃᵗᵉᵈ ᵒʳ ᵉⁿᵈᵒʳˢᵉᵈ ᵇʸ ᵗʰᵉ ᶜᵒᵐᵖᵉᵗᶦᵗᶦᵒⁿ ᵒʳ ᶦᵗˢ ᶜᵒⁿᵗᵉˢᵗᵃⁿᵗˢ.

We got some cutie all ages fluff down here, folks!

"And that's when you go in for the kiss!"

Leo had a fist to his lip's and nodded as if this conversation was of the utmost importance.

The random man in question who had approached you while you were hanging out with your best friend was none the wiser. You weren't sure where he had come from, but had interjected himself into your conversation without warning. He had some ripe opinions on romance that apparently couldn't wait for people he knew. Instead of running, Leo had been prompting him for the sake of it and sending you more and more exaggerated looks each time the man looked away.

"What about consent?" Leo asked.

The man reared for a moment before he thought which part. "At which part? We haven't gotten past first base."

"You gotta ask if you're going to kiss someone." Leo spoke with a firmness that you read as genuine.

"The mood!"

"Don't start." Leo shook his head.

"It ruins the mood." The man insisted.

"It does not." Leo waved him off for the first time.

"It does! You think your lady friend is going to still wanna smooch after you interrupt leaning in to ask permission!? That's not manly!"

"Manly, huh?" Leo's mask quirked with his brow. "Also, just lady friends?"

He glanced at you.

You chewed your lip and glanced away to not laugh.

"Ah, man friend, lady friend. Whatever friend! It doesn't matter!" The man huffed. "It's all the same in the eyes of love."

"Consent is hot, that's all I'm saying." Leo shrugged.

"Ah!" The man grunted and turned. "You don't get it! Oh! I bet they do!"

You both watched as the man jogged off at the next unsuspecting group of people.

"Well then!" Leo put his hands on his hips. "I never!"

He held the haughty pose until a giggle finally broke free from you and he slumped to your side.

"That was something." You told him.

"You know I really like conversations like that." Leo stuck a leg out to walk.

You followed his lead with solider-like attention. "Yeah? Seemed a bit like you were teasing him."

"Me!?" He gaped sarcastically at you before his features went lackadaisical. "Making something a gag is second nature. I really do I swear."

You thought for moment. "Okay... Why?"

"Why?" He digested the question and looked up at the buildings. "Let's see. People are interesting. They've got all these opinions and they're wild! Everyone is so different and they'll try to ask these questions about you, but they don't really want to know, but I do. Like I already know me; I want to know about them!"

It gave you pause and you thought back. In all the time you had known Leo, he had been like that. If you ever asked him something as simple as his favorite color, he would somehow turn the conversation around on you until you were matching shades in some sun room that you were going to retire in.

He made you feel like the center of the world and you loved him for it. He was bright and whip smart, but he also had an undeniable loneliness. He never let it get to him, but it made you want to get closer. You pushed to get his number after meeting him. You made sure to text him if a little too much time had gone by. You made future plans with him always included.

You became the best of friends before you even knew it.

Leo said yes to pretty much everything, even when his schedule was packed. it was his eagerness of companionship and just that he was generally a good friend, even if you found yourself mortified around him often. His wit and penchant for a bit meant that if you said the slightest thing wrong that he would hone in on it. It was further sharpened to a knife having had three brothers and because of it you had built a repertoire of inside jokes.

He was special and even just taking a walk with him on a day like today would be a highlight of your week.

"I see it." You eventually said.

"What'dyou think?"

"About what?" You glanced at him and the way the sunlight played on his barely shielded green skin.

"His pitch! That love guru's plan of attack. How to woo your lady, not lady friend."

A smile played on your lips. "Set the mood. Sure, that's good, but when's a mood, right? That's always a question."

"Exacty!" Leo threw a demonstrating hand to you. "Like is it being alone. We're alone right now?"

"Not really a mood?" You looked around.

"Should it be dark? They say those steak houses have romantic lightening when you can't even tell which fork your grabbing."

You laughed knowing what he'd say next.

"I'm telling you!" He pressed with the same knowledge. "They do it so they can give you lower cuts! That's why I always bust out the ole phone flashlight!"

"They do not!"

"I swear I ordered a rib eye but they served me flank. Flank!"

"The horror!"

"But yeah, okay so not the lights."

"Because I totally confirmed that."

"Okay, come here then."

You did so without hesitation.

"Okay, let me just..." He reached behind him to tug his hoodie off.

You watched on.

His chin caught. "Hold on." He squirmed to pull one arm through. "Hold!" It got trapped against the points of his plastron. "Wait, Wait!" His head disappeared down into the hole and you watched the blue fabric writhe.

There was no way he could see you, but when your hand came up to help he immediately scolded.

"Don't you dare! I've got this!"

You weren't sure if it was a bit or not, but that was Leo and he was nothing if not amusing.

"I got it!" In one hands to the ceiling move, his hoodie came off. "Check it!"

He flexed in his average looking t-shirt. "Very attractive."

"Thank you!" He told you with a point of his beak. "Alright, now cloud cover..."

He waved you over to a wall and you followed.

He looked you over a few times before he caged you in so he could hold the hoodie above both of you to block the light.

You stared at his red stripes in their proximity.

"Dark, how are we feeling?"

"Not really a mood."

"It's not a mood!" He cracked a grin. "We're already at the next factor."

"Oh?"

"Closeness. He said that thing about how both people realize they're a little too close and kissing is inevitable."

"Cause if that was true we would have kissed a bunch of times."

"Right?!" Leo clucked. "The Twister incident? That time I hit you with that little trashcan. Oh, oh! When you were demonstrating the banana thing and actually fell."

"That middle one..." You narrowed your eyes.

"An accident, I swear." He looked dire.

"I still think the banana was cause of the floor."

"Sure." Leo drew out the word.

You pinched the tail end of one of his stripes which also happened to be his cheeks.

He smiled all the more. "Alright then. Is that it? We've eliminated everything. Total bunk. That guy doesn't knowing a thing about romance."

"Yeah! Moods? Like what even is that?"

"Like cuddling on the couch?" Leo gagged.

"Running through the rain?" You added.

"Yeah, because I totally want to make out when I'm soggy!" His eyes rolled.

"Your clothes stick together!"

"You have to peel apart!" He shuddered and the hoodie shook as your umbrella.

You reached up on instinct to steady it right as one of the sleeves fell.

"Nice catch."

"Call me champ."

"No, I'm champ."

"You're champion."

"Your champion?" His mask waggled with his brow ridge.

"You can't count that! It was a bet."

"Oh yeah, what was last week when I got you that ice cream?"

"I was trying to be nice to you."

"Only trying?"

"You make it so easy."

"I do. I'm a great guy. Amazing friend. Easy on the eyes."

"The face of disaster. Person I would vote least likely to make a typo in front of because he will never let you live it down."

"I give you my life and my time!" He bemoaned.

"And I appreciate it."

He gave you his best puppy dog eyes. "Do you? You're just saying that. You totally said you were just saying that."

"No, you're the light of my life."

"In that voice? Maybe I'm the light from one of those nightlights that are automatic, like the kind that turn off as soon as you turn the real lights on."

You squared yourself and looked straight into his eyes.

He startled and gave you owlish attention.

"Leonardo Hamato. You are the most important thing to me. You appeared in my life and I made sure you were part of it and at some point you became someone I can't live without."

"Oh." The vowel popped out dull.

You were flooded with a wave of worry.

Had that been too much?

It was true.

You cared about Leo.

He made you laugh.

He made you smile.

He made you a priority.

You did the same with him.

It must have been all the romance talk.

He might have misconstrued the whole thing.

Certainly none of that meant anything more.

With the steam still trapped in your cheeks you met his eye.

He was staring the same intensity.

You shared it a little coy before you decided to face it head on.

You set your jaw and returned the full brunt of your certainty in the matter.

He blinked a single time. "Wanna make out?"

Your eyes went as wide as they could.

"Wait, that came out wrong!"

"Are you kidding me!?" You squawked.

"I said it was wrong! Let me-!"

"That's your idea of consent?!" You tugged the hoodie down.

Since he had his own hold on the fabric it pulled his arm.

Which pulled his shoulder.

Which pulled him closer.

You were inches away. "That guy was right! It does ruin a mood! 'Wanna make out?' Leo, what-?!"

He dropped a little lower and your heart spasmed.

He dipped down so he could look up at you through his lashes.

His gaze liquefied your insides on contact.

He held your gaze for a few calculated moments before he leaned up enough that the heat of his breath warmed your lips.

"I'm sorry. I meant, may I have the pleasure in kissing you?"

You closed the gap.

The hoodie dropped down around you for privacy.

You lost your vision and for a moment it was just you and him.

A tiny version of the world that you didn't mind.

Then, you parted.

Within the confines you heard the smack and felt the way your mouths were both open and ready for another.

"Like..." Leo licked his lips audibly. "Like that. You do it like that."

"If you tell me that was a bit I'm never talking to you again." You whined without an ounce of heat.

"I swear... Kiss on it?"

You tugged him right back to you and he smirked against you.

[crystallizedday]

HELL YEAH!!

Gonna use this as an excuse to ramble a bit cause I love this lil fella so much…

Like I keep saying

Fusionfall has the BEST version of his character. It is NOT even close.

There’s just

SO much more to his character.

He HAD a bit of character in his debut episode

But Fusionfall makes him so much more well-rounded.

Yeah, you’ll occasionally have the world third person talk for some reason

But he’s like

Actually smart.

He actually STUDIES stuff related to magic.

He KNOWS his shit.

He is portrayed as THE most knowledgeable magic character in the entire game

Which

Says a LOT considering the roster.

He’s also incredibly crafty

Kinda being on par with the likes of the KND with how he utilizes average materials to benefit himself (even if uh… it most likely doesn’t work out for him since he’s trying to make himself look intimidating, but he’s trying, & that’s all that matters to me).

He’s incredibly snarky & smug, to such a pathetically adorable degree.

He keeps throwing around names like “child,” “human,” & “mortal” to make himself look like the tougher presence, even though he’s completely powerless in this point of Fusionfall’s story & he KNOWS it.

He copes SO hard, & it’s just adorable OQMWOSMSOXMMWOX

Not to mention

Just

I love when he genuinely gets invested in shit

Like his fuckin one sided beef with Billy.

Bro wants that kid DEAD, & it’s hilarious.

He FEELS.

He will try to be strictly logical & focus on the task at hand, but he STILL lets his emotions get to him.

Hell

Jack can’t even talk to Demongo himself cause Demmy is SO FUCKIN PETTY about his loss to the samurai that he doesn’t wanna even hear a PEEP out of the guy.

He’s so emotionally driven

& it’s only emphasized in his nano lines.

He isn’t like Aku, who is only fueled by hatred, pleasure in the suffering of others, & the occasional fear from getting killed by the samurai.

No.

When Demongo panics

He PANICS.

When he’s heartbroken

He starts SOBBING.

He can even get romantically attached if the stars ever aligned in his favor.

That’s not me being biased.

That’s just what his nano lines directly imply

& considering each nano is written to speak in a way that’s pretty much canon to their og counterpart (including Aku)

Any implications from the nano lines can apply to the original counterparts as well

& that is AMAZING to me, ya know?

That this DEMON

This guy who was birthed from the PIT OF HATE

Is written in a way where he can actively express a wide variety of emotions

But only seldom lets them show to ensure he can keep up appearances, just as he’s trying to do for at least 1/3rd of all his missions in-game.

He THINKS with his HEART!!

THIS is Fusionfall’s take on Demongo

& I LOVE him so much…

He is SUCH an adorable & interesting character that I wish we got to see more of.

I would’ve loved to have seen the original devs flesh out his character a bit more.

Like

Could you imagine if the og game touched upon the idea that he wasn’t working for Aku anymore?

That he at some point decided to be his OWN villain once Aku wanted nothing to do with him anymore?

& it makes him double down on keeping up appearances & growing stronger up until the invasion happened?

That would’ve been SO COOL to see such a concept unfold…

& maybe see Demongo be conflicted about whether he should return to Aku or not since he had some vital information on the resistance that the Shogun of Sorrow would have absolutely rewarded him for offering up, hence why Demongo did not confirm or deny working for Aku when the player & Jack question him on the subject.

Cause he legit doesn’t know his stance at that moment.

He’d love to have his safety ensured by Aku, but he had also grown to value his independence as well.

GOD, this game should have never been cancelled, bro…

The POTENTIAL!!!

I've been seeing alot of hear me out cakes so I've decided to make my own

[badasscoffeemug]

i know it's bad form to argue with word of god, but i just- i don't agree with this? did 7x05 not make it clear that, yeah, buck was figuring some stuff out then, but he knew he wanted tommy. and now he's had six months to settle into that - and by all accounts seemed pretty secure as of last episode. even this episode - abby hurdle notwithstanding - he was very clear about what he wanted with tommy. sure, maybe the moving in was a bit of a knee-jerk response to the previous spiral, but he seems very settled with himself and his wants.

from tommy's character's perspective i can understand it. he's probably been burned before. he's protecting himself, and buck, well, both of them really, end up as collateral. i actually think that's an interesting conflict. but to say tommy was accurate in his assessment of buck? the scene very much read to me as tommy being in the wrong here, making a decision for buck. which, again, could've been something really interesting that i'd have liked to see. but, going off all these interviews, this really was it so, i guess not lol.

[tethrras]

deciding to headcanon that the lighthouse makes people feel Calm and Docile and Relaxed to excuse the fact that more of the companions aren't as mad as lucanis that ANY of this is happening

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[laufire]

👀👀👀

postpartum depression — right! I put it as minor because Talia is one among several pov characters and it's only the main focus in 1-2 flashbacks iirc; though it does colour her dynamics in the present, and it's something she discusses.

FWIW -it's something I might also explore more in depth with Steph in a different fic; and maybe with Talia herself, if I end up doing something with this. I'll probably include all manner of physical pregnancy related issues... Those are horrifying.

amputated leg + missing eye — 🤫 yeah I think this one is something I've straight up said ñlakjsfasf. It's more than just Dami/Colin btw! This will be the series with Duke & Jason shenanigans (the murder issue, wild west time travel; though Jason isn't injured yet in those), among other fics (Chris Kent parentrapping Clois, and a Jaytim which I know you're not interested in lol, but that's the one with most focus on Jason's ailments).

aphasia — correct again! the brain was deprived of oxygen for too long during his grave scape and this Jason didn't enjoy the benefits of the pit.

heart transplat — not Bruce, but this made me realise I forgot to include Bruce's injuries in the blood transfusion fic on the list... and you know. lately I've been thinking about the idea of Bruce being permanently paralysed, circa Knightfall (no magical cure for him), but without wanting to write more than one (1) Knightfall fic lmao. and the blood transfusion fic is absolutely the PERFECT place to put it 🤔

hearing disability — it wasn't Dani, but I'm totally stealing your idea here because it fits PERFECTLY. thank you for that xD

blindness — not Roy but oof. that'd be rough.

seizure disorder — not Dick but I should think about other ailments to give to that man asdñlkfjasf.

brain bleed etc. — right at first try! Damian was born quite prematurely in the YJTV fic (where Ra's is somewhat better to his family -depending on how genuine you think he's been-, which I suppose it's fair because so is Bruce with his lol). but you know, it's an interesting headcanon for comics canon and the al Ghul dynamics there. I usually go with Talia trying to put him up for adoption and Ra's caughing her (except in the one WIP where he doesn't find out until several years later), but this could be interesting.

also, I got something else in mind for gothic heroine Steph...

PCOS — not Barbara, but someone else guessed that and you know, why not. I have PCOS and it's my right to give it to anyone and everyone xD (though I also have a headcanon of Barbara as a trans woman that I might use in some fics. she'll get to avoid it there!)

AIDS — I tend to go with cancer (ovarian/breast cancer specifically) for Catherine (though it's not something I've explored yet), but this would be interesting too.

Alzheimer's — not Bruce, but you're also not the first to guess this and... yeah I think I might eventually tackle this. it would be something absolutely terrifying for him.

thanks for that list! I'm writing those down too lol.

(also re: your tags, I like to keep Lois infertile -PCOS for her too- and Clois biochildren completely out of the picture, but that's an interesting headcanon for Jade especially)

this happens in other types of stories too, but it's like superhero canons and their magical healing recurrences make me all the more eager to give my favourite characters chronic and incurable injuries, conditions, illnesses and maladies and whatnot. ig it's getting sadistic with my blorbos and blorbinas time again, because I just had the thought of giving [redacted] a heart transplant, with all that would entail... honestly, I think part of me just loves the excuse to go down the rabbit hole of medical research lsjdjdjdns.

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)

[chrisbangs]

hello... (and bye ig 👋)

[infinitelystrangemachinex]

Mel for the unhinged character bingo!

yessss YEEEESSSSSSSSS

[arolesbianism]

Sometimes I just look at Isabeau and just know that if isat came out and I got into it when I was like 16 he would be my favorite character and I would've gone absolutely buck wild over this man and feel like he was laser targeting me. But alas Odile has a grip of steel on me rn due to her virtue of being a middle aged woman