#which pisses me off a lot

[nabsthevulture]

I will probably be selling some things i don't want to sell but hey 🫠

[dynamightmite]

you seem optimistic so you think we’re still getting shigaraki back? :( i’m really sad the way hori has handled the izuku tenko plotline as of right now like i just can’t wrap my head around this

I mean, I definitely think it's a possibility. We still don't know exactly what happened to overhaul/decay, and how it may be used in the future. We saw Tenko and Deku touch fists; theoretically there could have been some kind of exchange there, or he could be existing as a vestige in some way.

Then again, (and this is going to piss a lot of people off :')) I kind of... get where Horikoshi is going with it?

BEFORE YOU START BOOING!

I think a lot of the discomfort and hurt from fans comes from the perception that Izuku failed to save Tenko. That, by allowing him to die, the narrative is in fact saying he didn't deserve to be save--that Horikoshi himself doesn't believe Tenko truly deserved it. I have also seen a lot of talk about how it doesn't fit in with the ongoing, overarching themes of the narrative, and (while I'm not saying these people are wrong) I would like to push back on that a little, because I think there is precedence in the story as to why Tenko's death holds up, despite it being terrible.

The culmination of Tenko's arc broaches a crossroad of two major concepts in the story: heroes, and saving, and what both of those ideas mean. And, I think, in Tenko's death, we get and answer to both, and more importantly, an answer to his overall purpose.

What does it mean to save? In BNHA, the concept is a little vague. I've often people ascribe the "total victory" mindset as one of protection, as preventing any tragedy or harm. Through that lens, Tenko's death therefore is an automatic failure--a nonstarter. HE's dead, so he wasn't saved. The end. However, while "saving" might seem like a simple, straight forward concept, I would like to dig a little deeper, because I think what Horikoshi's doing is much more interesting.

Saving (Deku's definition of it, anyway) is a lot closer to freeing than it is to protecting. Which sounds weird, but I'll do my best to explain. I think the two best examples of this particular nuance to his definition are actually in two characters people tend to forget he saved: Shoto and Gentle Criminal.

Because he did save both of them. Not in the really obvious, black-and-white way he saved Eri, no, but he did save them. And both times were... painful, to say the least.

When Deku went after Shoto during the sport's festival, it wasn't, like, nice. He dug his little nerd fingers in where it hurt the worst and dragged out Shoto's biggest fears and insecurities, and then he said GET OVER THEM. Stop letting them control you. Stop letting your father control you. You're your own person, and you get to make your own choices.

He didn't punch Endeavor. He didn't even take pity on Shoto, or say he was sorry. But you know what he did do? Deku cut the leash. AND he damn near killed Shoto (and himself) making sure that Shoto understood that he was free. He gave Shoto back something that he'd been missing, something he was afraid to look in the face; something that Deku picked up, brushed off, and said, "please stop throwing this away, it's important. You're important".

And it works, goddamit.

Gentle is both different and similar. In a similar vein, the way Deku saves Gentle is sort of... not obvious. But I think if you look here:

Gentle isn't a bad person. He's ambitious and a little lax about the law, but he never set out to hurt anybody. But we see over the course of his arc how he gets so tangled up in his own pain and his desperation to be seen that he forgets his own ideals, his own morals. In the face of becoming someone, he loses sight of what matters most to him: just like Deku, Gentle wants to be a hero.

Which, in the end, he is. And Deku's the one who pushes him there.

But what about Tenko? What about the crying child inside him? Why wasn't he saved?

When people talk about child Tenko, they often seem to see him as a symbol of the person that Deku's trying to save. But I think that, just maybe, that's wrong. I think maybe, actually, Deku is trying to save Tenko from that child.

Child Tenko is, in many ways, a symbol of nothing but AFO's power. That is a child stripped of his name, of his original quirk, of his family, of his sense of self. That is a puppet controlled by AFO, without any autonomy of its own. That child is a wound that Tenko cannot escape for as long as AFO still holds any power over him.

That's why this chapter All Might said that maybe Deku did save Tenko, if he no longer saw the child version of him in the vestige realm. Deku did save him. Because Tenko isn't a child anymore, and he isn't AFO's puppet; he's a free man, for the first time in his life.

A free man who chooses to be a hero.

Heroes get talked about a lot in BNHA (duh), but what is the defining quality of a true hero? Someone who wins? Sure. Someone who saves? Yeah, of course. But the actual test of what differentiates a hero from everybody else is their willingness to sacrifice. To give up everything for the greater good. Even if it hurts. Sometimes especially if it hurts. I mean, this has come up a lot through the manga. Deku running in to attack the sludge villain, Mirio giving up his quirk, Eraserhead throwing himself in front of his students, Edgeshot shortening his lifespan to save Bakugo, All Might standing quirkless in front of the greatest evil of his time-- literally the constant refrain from the narrative has been that being willing to sacrifice it all is what makes a hero a hero.

Tenko's final wish from last chapter is gut wrenching, but: he wanted to be a hero for the Villains. The rest of the world can rot for all he cares, but his friends, those disenfranchised, hurt people that everyone else gave up on? Those people who have never been saved, those people who have never been protected... he wants to be their hero. In the face of danger, of certain doom, he is a free man, and he has a choice.

So he makes a sacrifice. His final act is to become a hero. For them.

Cue the sobbing tears.

Additionally, I think it's relevant to point out here how strongly the narrative has advocated for victimhood to be divorced from being a perpetual self-identity. It really emphasizes the power of choosing to rise above your situation and pain to help other people, while also suggesting that your pain does not excuse you from hurting people. You can be a victim and you can be a perpetrator; they are not mutually exclusive. And because of this, after Deku saves Tenko, he does not owe him. He saved Tenko, but he could not keep him alive, and... I don't think that it's about Tenko deserving or not deserving to die. It's just that Tenko had reached a point of no return where his only choices were to die a slave or die free and he broke his shackles. But he was always going to die. Doomed by the narrative, both literally and figuratively. We can argue all day as to what degree of responsibility he holds for his actions as a highly abused, traumatized, often shell of a person. But the point is that at every junction of the story, Tenko (and the story around him) escalated until he was trapped. There wasn't a way out, and it's heartbreaking, and maybe that's the point.

I'm not saying it's fair. I'm certainly not saying you have to like it. But... I don't know. I don't feel like this is some completely out of pocket, off-the-rails end that destroyed all its characters. And who knows! Maybe Tenko will be brought back later. Maybe the epilogue will get progressively worse and I'll hate it. Maybe I'll finally get some sleep and regret writing this at all. I have no idea. Really. But we're all in this together, so these are my thoughts right now :)

[princessefemmelesbian]

Transandrophobia truthers are so damn racist and white oh my fucking god y'all actually piss me the fuck off every time you tokenize Black and brown men for your stupid as fuck "mra but make it trans-inclusive" ideology created by a creepy guy with a corrective rape fetish(something I'll never let up on for as long as I live, btw). If I ever see another one of y'all say "Black and brown men face discrimination because they're seen as overly masculine and that's why masculinity in men is oppressed in this society" I will literally kill myself. Stop using Black and brown men as brownie points for your bullshit arguments about misandry being real when you don't have the slightest idea how racialized oppression works. White boys are so annoying and dumb istfg.

@punkeropercyjackson @punknicodiangelo @pinkpinkstarlet

[yuwuta]

I LOVE UR BRAIN SO BAD 😭😭😭 YOU ALWAYS POST THEBBEST HEADCANONS AND THOUGHTS LIKE. WORK HUSBAND GOJO. AND JUST HAVING A WHOLE IMAGINATION OF THE OFFICE W NANAMI AND HIGURUMA AND TOJI I?????? I WANT TO LIVE IN YOUR BRAIN

TEEHEEEE you’re so sweet <33333 the work husband to actual husband to househusband gojo pipeline is so so real to me and the office au that comes with it truly does take up space in my brain, so here’s some more loosely established points 

satoru has been your work husband since you got your first job in undergrad. you two met in your dorms, and became friends, and eventually you thought a job would help with your time management skills, so you got a very low-maintenance position at the front desk of the library. satoru applied right after you and schmoozed the two little old librarians into giving him the same shifts as you. that was probably the first moment satoru knew he was a little bit in love with you—because he had no reason to have a job while in school, but this small change in your schedule made him miss you so much that he was moved to get his very first job, probably ever, just to spend more time with you. 

he wasn’t bad at his library receptionist job, but he technically wasn’t good at it, either. if a student asked him for a laptop charger or to check out a book or something, he could do that, but anything else he’d just smile and say, “oh, you’ve gotta ask the pretty girl right there about that, she knows way more than me,” and bat his eyelashes at you. except, then, when you did need to get up to grab something for someone, satoru would just spring up instead, and tell you he’s got it. it’s like… he was incapable of helping anybody else unless he got to flirt with you, and then help you out to help them out……… strange boy 

anyways, satoru makes it a habit to assist you through your student jobs throughout undergrad, and then follows you to the same law school and repeats the process there. (also not to elle woods-ify him a bit but his father heavily questions him going to law school btw because satoru has never showed any interest in working, let alone following in his footsteps to be a lawyer, and now he’s going to law school? his mom is a bit sharper though, because when satoru tells his parents he’s going to the same law school as you, she just smiles and sips her tea and wonders if her son has already made a trip to their family jeweler). 

the firm is large, but the floor you work on is a pretty close knit group. there’s hiromi’s office at the tail end, which is the largest because he’s managing partner and he practically lives in there. on the other end, both you and nanami have decently sized offices. satoru doesn’t like hiromi at first because he thinks he’s mean. then satoru watches him play a little prank on kento, and suddenly the two of them are best friends. it would be a surprisingly wholesome friendship if their common denominator wasn’t irritating kento, and acting as guard dogs for you. 

kento’s office used to be just the bare necessities—law books, his degree, basic furniture, maybe a fancy paperweight, until satoru got his hands on it and decked it out. which is not something kento asked for, nor he thinks is necessary, but that doesn’t stop satoru from continually adding little trinkets and decorations and art to his office to make it livelier. when kento first meets you, he’s surprised when you tell him satoru gojo is going to be your secretary because kento interned for satoru’s father for two summers during law school, but when kento sees you and satoru together for the first time, it answers all of his questions. satoru couldn’t be more of a lovesick fool if he tried. 

listen the ex-convict to single father to janitor to lawyer toji pipeline is so real to me. while toji is working as a janitor at the firm, satoru slips once and then jokes that toji shines the floors too aggressively on purpose to make him slip, toji tells him to fuck off and he can sue for harassment. they truly don’t like each other at first, but once satoru steals toji’s masterkey to get into your office one night after you’re gone to leave flowers, and handle some paperwork to lighten your load in the morning, toji is sort of impressed. he still almost hits him with a broomstick, but even someone as gruff as him can see that satoru had pure intentions. toji is a lot of things, but he’s not immune to or devoid of love or passion. so, eventually he and satoru develop a weird sort of banter and respect for each other. one day someone actually tries to accuse toji of not putting the wet floor sign down and how it’s gonna be a lawsuit because some lowlife janitor fucked up his $3000 suit. satoru catches the argument as he’s heading upstairs and recognized the schmuck as the stuck up lawyer on the other side of kento’s case. satoru’s ready to jump in, but toji’s displaying an impressive amount of physical restraint and legal knowledge that when the dust is all settled, satoru asks him if he ever considered being a lawyer. toji laughs at it at first, but after a month of serious consideration (and megumi becoming a college freshman), he figures it can’t be all that bad. and turns out, toji’s a half-decent lawyer—once you’ve spent so much of your life skirting (or blatantly breaking) the law, you become pretty good at getting people out or around it, too. and with his life experience, he’s a pretty good judge of character; so when it comes time to lock up the bad ones, toji makes sure they get the maximum sentence.

except he has a bad habit of sending out emails with “URGENT: NEEDS ATTN” in the subject, which prompts you, kento, and hiromi to rush to his office, just to see toji with his feet up on his desk tell you that, “the emergency is i hate the opposing counsel, and now that i work on this side of the law i’d really like to not kill him, so somebody else should take this case.” 

anyways back to work husband secretary satoru. he pulls you out of boring meetings under the guise of an urgency, just for him to admit that the emergency is that he missed you, and you two were gonna be late for your lunch reservation. because he’s actually a licensed attorney, he can actually carry out duties an associate otherwise would, which saves you a lot of time and trouble; and it means that satoru gets to work even more closely with you, which is always an upside for him. sometimes you ask him to hand you documents and instead he just hands you his hand. and then pretends to blush and preen like a schoolgirl which always draws way too much attention to the two of you, but there’s no way to stop him either. he takes your coat off of your shoulders when you arrive in the morning, and helps you put it back on in the evening. when you tell him you’re looking for an apartment closer to the firm, he has eight places lined up for viewing, and one surprise at the end which happens to be the other vacant penthouse suite in his apartment building; which, conveniently, would make you satoru’s neighbor. he claims that it’ll be just like in college, but it certainly doesn’t feel that way when you finally move in and satoru can now loudly and proudly proclaim, “see you at home!” in the halls at work now. 

[biblically-accurate-dca]

@vanweek2024 day 4 - food

peep the vanny

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

-----------------

Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

------------------

Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[very-lost-hobbit]

"US proxy war in Ukraine" Beating u with lead pipes

[welcometogrouchland]

Batman #149 by chip zdarsky is mostly unremarkable, but I'm really fascinated by how it makes a great case for 'good' endings not saving 'bad' stories*. Because there's a lot of interesting concepts in this issue (bruce having to deal with his rapidly aging and decaying clone making him think about his own life, re-establishing a 'nest' so to speak for his family after pushing them away, etc) but bc of the OOC slog that came before it, almost every moment w/ the batfamily comes off as unearned and disingenuous imo.

Like, everything with Damian is the perfect example in this. Because in isolation it's...fine. admittedly it's a missed opportunity to not go deeper into how Damian would feel about a clone of his dad who tried to kill considering Damian's relationships with clones of himself (the heretic rejects and respawn) or with former enemies who wanted him dead but who were manipulated and/or brainwashed (like suren and maya).

Zdarsky doesn't go into any of this but you could maybe excuse it as the issue not being about Damian. However, coupled with the previous bizarre characterizations of Damian in 147 and 148, it ends up not being fine- instead it starts to feel...icky how Damian (who, despite often being drawn and written as white, will never have his connection to the non-white al ghuls forgotten and will always be effected by racism even when not portrayed as a poc) is constantly written as overly violent, uncaring and narrow minded in this run. Coupled w/ trying to recanonize the morrison origin for Damian it's like. OH this is badly written and laden with subtle bigotry, sick**

That's me going into detail on it with Damian but it's applicable to other things in this issue- the way Cass, Steph and Duke have all been ignored or turned into jobbers makes their inclusion in the 'family' here feel hollow instead of satisfying. Bruce proclaiming that Zur was still a part of him and he needs to accept responsibility for his actions (when it means taking in clone son) wrings hollow when just last issue zdarsky was bending over backwards to separate Bruce and Zur bc otherwise the Jason thing would get really awkward. Ends are achieved through means that feel hollow or strange. I'm at my destination but damn why'd the bus have to do all that???

I only really have opinions on this latest arc of zdarskys Batman bc it's the one I've read the closest (bc I'm a hater, masochist and avid follower of even the bad damian storylines) but it's not saying great things.

Bc zdarsky can do one thing good in this book, and it's write Bruce and Tim. And yet this entire story, whether of his own volition or editorial mandate, includes other characters who aren't Bruce and Tim, the fabric starts to unravel in very telling ways.

(p.s, I think pennyworth manor is an interesting idea but I feel like in execution it's just gonna be 'bruce living in a house haunted by the memory of the people he couldn't save' but with a different dead guy this time. Illusion of change and whatnot)

*whether or not the ending is good is up to you ofc, as is your opinion on the proceeding arc! I saw some ppl complain that the ending was too "WFA" for them, which I get even if I dont think it'll literally be the same premise. If anything it's probably a lead into the new tec run. Likewise many ppl who aren't in the weeds of Damian and Jason characterization liked the previous arc! But I have my opinions and rest my case before the bench

**disclaimer, I'm white and portrayals of bigotry in comics are complicated and subjective, but I am basing my point here off what other poc comic fans on socmed have been saying about 149. Also the "sick" is sarcasm incase that wasn't obvious

[r0seart]

Okay so I just took a look at Alex’s response.

Thankfully he admitted to not being the best partner and being creepy towards some of his fans. I think we often take people at least confirming their wrong doings for granted so while many of you might think this is a low bar to pass, it’s a bar that shouldn’t exist in the first place.

I’m now on the fence about this whole thing. People were clearly hurt by Alex and they should be listened to, but Alex also admitted that he was in the wrong. I’m still sticking with my lack of tmc engagement but the fact that Alex didn’t just try to sweep it under the rug makes my shoulders drop just a little.

I don’t really “Stand with Alex”, I still believe that what he did was wrong and there are a few flaws in his own response but over all it was somewhat of a sturdy essay. I’m still skeptical, but now I have a hope within me that he can change and move on. Honestly I hope that everyone moves on. I hope Alex grows as a person and that the victims get the help and support they need.

[bunnieswithknives]

so

ii17

..thoughts?

Ok.

Ive been harsh on ii in the past. But my god are they slaying with these recent eps.

Ohmygod.

AND AT THE VERY END THEY ACTUALLY WENT THERE. OUGH AND WITH MEPHONE AND COBS AND THE UTTER DEFEAT IN HIS EYES. Heart wrenching. Genuinely.

I am absolutely a SUCKER for characters coming to terms with inhumanity and Ill be honest they have me a little by the throat with this one.

Still couldn't whole heartedly recommend the series to anyone because of all the slop you have to wade through to get here but My God. They are really turning this finale around for me.

[swinging-stars-from-satellites]

with a few minutes' reflection and a second conversation with my parents I have realized that I may have overblown things and overreacted a bit and also in some ways they're correct even if I think they're also harsh about it

[mashmouths]

so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell

[lemongogo]

college … wasted on the youth (me)

[aerithisms]

rotating the pub scene from 73 yards in my mind i think there is so much being said there about wales and welsh/english tension that is so interesting and is going so under discussed

[popstart]

Ok, i Saw that post about you complaining about How Gw*ncan shippers are racist to Courtney.

Can you give one example of that?

I had to go through my blocked accounts list to get this shit and it made me wanna shoot myself 20 times in the head so its not gonna be 1000% comprehensive bc i think that would qualify as self harm. ANYWAYS.

the biggest one is the massive amount of double standards and hypocrisy these people have between duncan and courtney (+ gw*ncan and duncney. censoring makes me feel like a child but i dont want people finding this post when theyre looking for ship content)

when the white man is "hostile but theres more to him than that" and when people call the white boy a "horrible person but hes literally a child" but courtney (and sierra) should be beaten to death because theyre obviously unable to be complex characters or children. its a really classic example of expecting women (ESPECIALLY of color) to grow up faster than men and having higher expectations of them

another example of weird violence and double standards people have towards courtney while not caring about anything either white character has done. post not made by the same person but it is reblogged by them

and ive posted this before because it seriously baffles me but this is just such an extreme reaction to a character existing. also the constant comparison to animals and dehumanization these people push onto courtney doesnt get past me. like calling a character a cunt and comparing her/her fans to tapeworms. get real man

and sure. this could all be a gross exaggeration on my part because theres just no way all of this is meant to be taken 1000% seriously, its just such a weird pattern to see. people constantly praising two white characters for doing nothing wrong and for being perfect and happy and healthy (despite the show frequently showing the contrary) while completely ignoring and shitting on a 16 year old brown girl in entirely absurd ways. These people genuinely believe that gwen and duncan are innocent, with the biggest thing they takeaway is that theyre "flawed but still good and complex."

anyways do i find it accurate to call these people definitive racists/misogynists? not rly no. i just think its extremely telling how much they praise two white characters for being pure and innocent and doing nothing ever wrong when provided with textbook evidence that its not the case.

like you can love any character (or ship) you want but love them WITH their flaws and recognize that nothing is perfect. in 0 way am i saying that liking duncan or gw*ncan is terrible and awful and should be grounds for public execution and im also not saying that courtney is perfect and did nothing wrong and everyone should love her forever. im just asking for a mutual respect that doesnt seem to exist for these people. everything has flaws, but blowing out of proportion the flaws of things (or characters) you dont like gets very very icky and hypocritical when you turn around and praise something that had very similar fall outs

[rolandkaros]

one day we will talk about how tennis fans talk about/treat players they find attractive versus players they dont…………