#which is relevant bc plot reasons

[shooks-stupid-stuff]

i like making shrine maiden characters :]

[shimmerluna]

YRTS: Wilmon or Wilmonarchy?

view context and the rest of the series here!

I have a theory that the show was never really about Wilmon as a couple and it's actually mainly about Wilhelm and the monarchy. People just decided to focus on the gay stuff instead of seeing that as more of a plot device and that might be why people are reacting to s3 this way

People who know the show more have talked about the fact that it doesn't really care about Simon/Simon's perspective on things. You can say it's a problem that they're focusing on mr rich white boy while making the brown kid unsympathetic by ignoring his perspective, and I would agree, but I do think there could be a not-solely-racist narrative reason for it, and the reason is that Simon is a plot device in a story that is actually about classism and abolition of the monarchy, not queerness, non-white experiences, or even his general personality. He's there to make Wille more aware of classism and decide to abdicate, not necessarily to be his own person.

If he was meant to be his own character outside of Wille's privilege awakening, I think they'd get more into the racism that likely shapes his life just as much as classism with more than minor microaggressions. Sure, it's in the subtext, but it's not explicitly discussed (I'm ignoring Felice's s3 plot bc I'm talking about Simon and even that was just crammed into the last season when they've had to 3 to bring it up. that's a whole convo for a different time)

Basically, my theory is that this might be a drama with gay people in it for plot reasons, not a gay drama, and it makes sense that people interpreting it as the latter would dislike the ending, but idk if that's really what the show was trying to do.

disclaimers/other notes under the cut

I feel like it's relevant to mention in the main post and not just tags that I'm Black since I talk about race a lot and in a somewhat picky way in this post. I think it gives this a different tone than if you're imagining a white person "defending" (which is not what's happening here, btw) them treating Simon like shit while also getting upset about the race rep they do have.

I'm pretty critical of implicit racism in media. I enjoy thinking about it and wrote a whole essay about it for a class, but you won't see it on my blog much because it's understandably bad for my mental health, and it negatively impacts my enjoyment of analyzing other aspects of certain media.

Also, as an asexual I feel obligated to say that in the event that I feel this hypothesis is supported by my rewatch , blah blah blah amatonormativity bad, blah blah blah automatic prioritization of ships over plot in fandom, blah blah blah anger when the show doesn't prioritize the ship as much as the fandom does, blah blah blah you've probably heard this before, but there's a reason you've heard it before, and that reason is that it's true :)

[gggoldfinch]

I just saw a starscream take but it's so vague that I can't be sure if the op is intentionally ignoring major character traits or is just braindead

[yesimwriting]

pleaseee write smth about that fight between Felix and reader

a/n i've been thinking about this scene for days so when i saw this ask i got so hyped

warnings: reader being AFAB/female is plot relevant (reader's father has always wanted a son), implied emotional/financial parental abuse (not described in too much detail), potentially inaccurate portrayal of early-ish 2000's phones bc i was a toddler during their oxford era, hurt/comfort

we're getting into reader's background!!

itallic texts = from felix, bold texts = from reader

There's a scratch embedded into the dark mahogany. It's small, no wider than something you could make with your finger nail.

"How's your food?"

Your attention shifts towards the ceramic plate that's almost covering the dining table's only blemish. "It's good," you mumble with a slight nod, fork instinctually jabbing at a piece of food without you even looking at it. "Yours?"

"Great," he hums casually, cutting into his steak. "Part of the reason I picked this hotel is because of the restaurant. The visiting chef's a guy that I met in New York when he was looking into financing an international expansion of his franchise."

You bring your utensil to your lips. "That's cool, daddy."

The comment only strengthens the question that's been silently ebbing at your mind since your father first suggested lunch. Why did he order room service instead of taking you to the hotel's restaurant? Your dad has always loved the ambiance, the leisure of sitting in a nice restaurant.

"Is that why you're in town?" You reach for your glass, taking a sip of your drink before continuing. "To finalize something with the chef?"

He sets down his knife. "That and a few other business arrangements that needed to be checked on." He pauses, shoulders relaxing. "And to see you, too, Ace. It feels like it's been awhile since we talked."

Your lips quirk into what's almost a smile. When your father called to let you know that he'd be staying near Oxford for work and that he wanted you to visit, you had been apprehensive at first. Your mother was cautiously supportive of the idea.

Things with your father have been relatively stable recently. He liked the way no university seemed off limits to you with your grades and extracurriculars. He loved the idea of a daughter studying abroad at Oxford (which, is part of the reason you seriously considered Princeton for some time). And he's been drinking less. Part of that whole reborn, second marriage to a late-20-something methodist thing.

"Yeah, dad," you agree, as sincerely as you can manage, "It's been awhile."

"You know I'm friends with one of your deans." He doesn't give you a chance to reply. "We had coffee together, and he told me you're on track to finish in the top 10%." Rumors about the top percentages had been circling around Oxford for the past month. Still, it's relieving to know. "Congratulations, Ace."

This time, your smile meets your eyes. "Thanks."

He smiles, a flash of something practiced and charming. "When I get home, the first thing I'm doing is picking out a gift to send to you."

"If you need time, you can always wait and give it to me over the summer."

The infamous summer. Your mother is going to be spending most of the summer volunteering for an organization that brings counseling to children that have survived traumatic experiences but can't affording therapy. Your father suggested that you stay with him for a little while so that you wouldn't have to spend an entire two months in an empty house.

He stretches an arm like he wants to pick up his fork, but decides against it. "I--I want to tell you something." His tone is softer now, almost hesitant. "But you have to promise not to cry."

You try to swallow around the lump in your throat, body familiar with the command. "Okay?"

"I don't know if this summer's going to work out the way we talked about." He taps his fingers against the surface of the table. Your eyes lock on the scratch marring the wood. "Things have gotten complicated."

"Complicated?"

Your father sighs. "I'm sure you've noticed Christine's not here." You can't bring yourself to react at the mention of your step-mother's name. "She isn't in--she isn't in the best condition to travel." The tapping continues. "Christine's pregnant. She's due in early June, and she isn't having an easy time. I think it'd be best to not do anything that could potentially be stressful."

Oh.

"It's a boy."

Oh. A boy. With his perfect wife, in his perfect penthouse on the Upper East Side. Of course. Of fucking course.

You can't breathe right or thing of the way you're supposed to react. All you can do is stare at the scratch. At the only thing that indicates that anything bad has ever happened to the table.

"You promised you wouldn't cry." The words feel far. "You look too much like your mother when you cry."

That seems to force you back to earth. Any and all reminders of your mother must be eradicated in his presence. "I know. I'm not going to cry." You blink once, hand moving to wipe away tears you refuse to let spill. "Congratulations."

He's quiet for a moment, pressing his lips together, before finally settling on a perfunctory, "Thank you." After a beat of silence, he continues, "Were you planning on staying tonight? I was thinking of flying back early, but I can--"

"Oh, no," you shake your head once, "I actually have a lot of homework, so it's probably better for me to get back."

Your father nods, "Always the academic, Ace." He pushes his seat back. "If you're done eating, I can walk you to the lobby and have my driver take you back."

"Yeah," you push back your own seat and stand, "Sounds good."

The two of you reach the front doors of the suite. "Hey," your father starts, "Why don't you travel this summer? That's all I did during college breaks. I'll pay so you can do it up right. You should go somewhere with a friend. Paris, maybe. You two always had fun as kids."

You nod once, trying to keep your expression neutral. "Yeah, daddy, I'll ask Paris about what she's doing this summer."

"Good." He pauses at the door, reaching into the pocket of his slacks. He pulls out his wallet and counts out a few bills. "Here. A pre-gift." You hesitate. "C'mon, top 10%."

Your mother's voice rings in your ears. He won't change, you might as well take the money. You stretch out a hand, forcing a smile as you take the cash. "Thanks."

----

Stupid. You're so fucking stupid.

You really thought you'd be there all weekend. You really thought Christine would let you into her home for longer than a day or two.

And the pregnancy thing? That--that's going to get back to your mom in one way or another if you don't tell her. And hearing that, hearing that your dad's finally getting his son is going to kill her.

It's all you've been thinking about since you got back yesterday afternoon. After mumbling a halfhearted explanation to your roommate, you changed into some pajama shorts and a giant T-shirt that you only realized was Felix's after the fact and crawled into bed. You've moved as little as possible since.

Something near the foot of your bed buzzes, snapping you back to the present. You flip the phone open, immediately noticing three text notifications. From Felix.

hope ur weekend's going better than mine

lovie

i feel abandoned

Despite your angst, you smile to yourself before sending a response: it's been one day.

After a minute, there's another text on your screen: so it's a crime to miss u. You roll your eyes, fondness pooling in your stomach. how are u doing.

The second question, though sincere, forces you to spiral. You want to be honest. You don't lie to Felix and he doesn't lie to you.

But, everything comes with exceptions, and making sure no one finds out how tense things actually are with your dad is yours. Before you two got close, it felt too private, and once you finally did, a few comments from Felix's friends made you feel like the worst thing you could do for your friendship was let him see any kind of darkness.

It's not that he'd judge you, he'd just want to help you so badly that it'd take over everything else. Farleigh's made it clear that Felix loves a charity case. And you don't want to be that. You won't let your dad take that from you, either.

You want to say that you're fine, maybe text a comment about things being a little awkward because it's no secret that your mom took care of you after the divorce. But lying about being on campus feels like something that could easily morph into something else.

Felix, who actually has enough of a social life to pull sleazy moves like that never has. i'm sick. came home early.

ur back!

why didn't u tell me

i'm sick, can't hang out

are u ok

do u need anything

Guilt prods at you. You've been texting him on and off since yesterday and never mentioned that you came back early. Felix is always so good to you. But, you're in no place to see him. no just need rest

You shut your phone. You're not sure that saying you're sick is enough to keep Felix away all weekend, but it could be enough to keep him away tonight. It's Saturday night. He'll have plans.

And tomorrow, you'll feel better. More stable.

"I have some time before I'm supposed to go to Jake's. I stole some bread from the dining hall." Nadia's offer is gentle. "Do you want to go feed the ducks?"

You wipe at your face. "That's a really nice offer, Nadia, but I'm feeling a little sick. Maybe when you get back?"

She frowns. "Are you sure you're okay?"

"Yeah," you mumble, "I just need some sleep."

"You've been sleeping on and off since yesterday afternoon." Nadia hesitates, eyes darting towards the bathroom. She does need to start getting ready for her date. "Maybe you can call Felix later? It's Saturday night, you know there's some terribly exclusive, not meant for any of us ordinaries party he's dying to take you to."

The attempt at humor is enough to get you to roll onto your side. "Since when do you like Felix?"

To be fair, Nadia's never disliked Felix. Before you became friends with him, she had a bit of a crush on him in that way that all freshmen girls at Oxford do. After you started hanging out with him all the time, that crush turned into an awareness that fueled her worry. She's always implied her concern that he'd eventually hurt you.

"I've never not liked him," she mumbles, "I was just scared he'd break your heart, but, the last couple of times he's come over...something about the way he looks at you."

"So you finally accepted we're just friends?"

She walks towards the bathroom, "Didn't say that."

You roll your eyes, letting yourself rest on your back. You shut your eyes, trying to force out any thoughts of the outside world as you drift off.

The familiar creek of the hinges of your room's door pulls you back to reality slowly.

"Took you long enough." Nadia's voice. "All she does is sleep and mope. She didn't even want to go feed the ducks today."

"She loves feeding the ducks." Another familiar, much more moving voice. You manage to move, wiping at your eyes as you sit up.

"I know!"

You finally sit up, blinking your eyes as your vision adjusts. Felix. He's standing in near the foot of your bed. "Felix--I-I told you I'm fine. Just a little sick."

"Nadia called and told me the opposite."

You turn your head to glare at you roommate, who doesn't even have the decency to look ashamed. "You stole my phone and called him?"

"I had to," she defends. "All you do is sleep and cry, and you've been like this since you came back yesterday."

Felix's expression drops as soon as the final word comes out. Your eyes widen, head shaking as subtly as possible as if a too late warning will erase the sentence from existence.

"Wait," his voice is softer than you've ever heard it, "You've been back since yesterday and you didn't tell me?"

You swallow, unable to look away from Felix.

"I--I have to go." Nadia's announcement breaks through the stiff silence. "I'll be back sometime tomorrow, so um..." She turns away, swinging an overnight bag over her shoulder before disappearing out the door. You can't blame her for running out as soon as possible.

"Felix," your voice is low, gravely, "Darling."

"Don't." His eyebrows pinch together, sadness tinging his expression. It doesn't fit him. "Why--why wouldn't you tell me you were here?"

You sit up a little straighter, wiping at your eyes with the back of your palm. "I told you I'm sick. I'm not up for anything right now."

Felix is still watching you with that kicked puppy look. "That doesn't--" He cuts himself off with a sigh. "You know I don't care if you don't want to do anything. We can--we can just sit or-or talk, or read or--do nothing." Felix presses his lips together, "I thought you knew that."

You know he's right, and that makes it harder to look at him. Felix would have been a sweetheart about it. He would have let you mope, cry even, and he would've spent the entire time holding you. It should have been easy to tell Felix, instinctual...and yet...

Your eyes briefly shut. "I do." The admission's painful to get out. Some of your hesitation was over the way Felix reacts to tragedy, but the rest is something more personal. Telling Felix would have solidified it. Would have made that label of 'abandoned child' that you've always been so wary about permanent. "It's more than that."

"Then what is it?"

Sighing, you push yourself to the edge of your bed. "My head hurts, I need a Tylenol."

Your words and movements are drowsy as you push yourself to stand. Felix takes a partial step forward before forcing himself to freeze into place. It's hard not to help you.

"Then what is it?"

You push open the bathroom door. "I don't--I don't know." It's a weak attempt at dismissing the conversation before things go to a place that you can't handle right now. "I couldn't get the words out." Still can't.

You find the pill bottle you were looking for on the bathroom counter and start working at twisting off the childproof cap. "We tell each other everything eventually." His voice is dry, almost hesitant. "At least, I do. We trust each other."

Your eyes shut as you sigh, fingers briefly releasing the top of the bottle. "Maybe that's not trust. Maybe that's your life being so perfect there's nothing you need to keep secret."

The words come out in a rush, angry and sharp. Regret floods through you instantly. "I'm sorry."

"No." The syllable is hard. "No. You're not. Don't do that. Don't--don't start saying what you think I need to hear--or keeping in what you think I don't." There's a concerned anger there, an unfitting combination that you don't have the energy to decode. "What could be so bad you can't tell me? We know about Ollie's parents and that didn't change anything, did it?"

Actually, things did change a little. Oliver's broken home life seemed to only make Felix want to pull Oliver into his world even more. You hate thinking it, because it's insensitive and a little mean, but of course Oliver was willing to give Felix all the gritty details.

After the initial implications came out, Felix devoured them with the same silver spoon that was placed in his mouth at birth. In a way, Felix's desire to fix and ease pain brought them closer together. And it probably means more to Oliver coming from Felix than anyone else.

But your relationship with Felix is different. You don't want sadness and coddling to be what makes you feel certain in your bond with Felix. You want things to stay the same. You don't want to give your dad anyway to change one of the most important connections in your life.

"You have a big heart, Felix, and I love that about you." Your hand reaches for the Tylenol again. "But I don't want you helping me to become all that I am to you. I don't want to be a charity case." You squeeze your eyes shut, cringing at your wording. "And--and I'm not trying to say that Ollie's just a charity case, it's that--some stuff Farleigh's said and--" Tears are pricking the edge of your vision.

"You're more than that," he scoffs the words out like it's ridiculous he even has to say that, "Of course you're more than that, I thought you knew." He scoffs. "I--I don't just wait around for people."

You scoff, the sound almost a bitter laugh. "Oh--so now it's not about trust, it's about your ego. That I don't just sit around next to my phone, waiting for the Felix Catton to call me."

Felix takes a step forward, "It's not about that!" You raise your eyebrows, uncertainty leaving you frozen. Felix has never yelled at you before. "...It's not about that," he repeats, voice a more acceptable volume. He takes another step forward, his fingers finding your forearm. "You know how I meant it."

There's a tension in the way he's touching your arm. It's nothing harsh, if anything it's almost too soft. Hesitant. He's watching you with an intensity that pins you into place more than his actual hold.

You wouldn't be surprised by his anger, you're not even sure you'd be able to blame him for it, but that's not what you see when you look at him. You can't exactly read the look behind his eyes, but something about it reminds you of Nadia's earlier comment.

It's heavy. Too heavy for you to think about tonight. That's how Felix is. He's intense. All consuming. When all you do is blink at him, he lets go of your arm.

"Felix."

His eyes dart towards the ground, body angling itself away from you.

It's subtle, and not a direct dismissal, but after everything that's already happened, it's enough to serve as a final nail hammered into your chest. "I don't want things to change between us." You sigh, finally getting the pill bottle's lid to pop off. "Because I'm fine."

You force a smile, but there's a tightness to your features that makes it feel like a grimace. "It's not a big deal. So my dad asked me not to come home this summer, because his wife's pregnant and he doesn't want to 'stress her out'. I'm fine." You can feel the tears welling in your eyes. "Y'know it's a b-oy." Your voice cracks on the last word, a laugh or maybe a sob interrupting the single syllable. "So um...good for him, he's finally getting his son."

Felix is watching you cautiously, expression not quite sympathetic, but not relaxed either. "Oh my god, I have to tell my mom. And it--it's going to kill her." You gasp the words like the realization's just hit you, even though it's been on your mind since the beginning. "I don't know why I said that like I'm surprised--because I--" You laugh, the sound shrill and uneasy, "But it's whatever. I'm fine."

You nod once, as if that'll be enough to make you feel fine. Another sound comes out, this one a lot closer to a whimper. "I'm fine. I don't know why I'm being so dramatic. I'm fine. I'm--" You squeeze your arms around your waist, supporting yourself the way Felix usually would.

You're crying openly now, tears blinding you. This is pathetic. You need to get it together.

You're pulled forward with no warning, your body hitting something solid and warm. Felix.

His arms around you, firm and supportive. It's surprising enough to force a full breath of air into your lungs. For a moment, all there is Felix. You inhale again, and again, doing your best to hold the air in your lungs.

Felix's hand smooths circles against your back. He whispers soothing words that you can barely make out. Between that and the even rhythm of his heart, you manage to ground yourself.

"You don't have to be nice to me right now," you mumble into his shirt. "I was really mean to you."

He continues to trace patterns against your spine. "We don't have to talk about that right now."

"I know," you whisper, "I just--I don't want you to feel like you can't be mad at me."

He gently smooths your hair away from your face. "Can I be mad from right here?"

"Yeah." You sniffle once, letting your chin press into his chest so that you can look up at him. "If you want to."

"Then okay," he mumbles, knuckles running up and down the length of your spine, "I'll be mad from right here."

----

taglist; @vader-is-hot @spiritofbuddha @getosangie @freyafriggafrey @ilovehyperfixating @aryiannarae @willowpains @ker0senebunny

[karoochui]

What im hearing is:

Little crow feet outside my window bcs im feeding them- that’s besides the point!

Is there magic??? His shovel looks magic and they look magic

And do give me every detail you are thinking of for the series even if its in the distant future or not that relevant but you want to share

Crows!! Cute!! Also sorry i didnt get to this sooner my laptop BROKE (still broken but usable) and my mom and i have been looking for someone to fix it. Ive been drawing with it sparingly to be careful.

YES there is magic. Of course im still working on this storywise but im getting characters designs n whatnot done right now. Dynamics n stuff. BUT i do have some refs i made before my laptop broke.

I like to draw out certain stuff so that it helps with descriptions in the future; i have the worst memory so it helps to be able to do so. (More beneath cut)

Im so excited for moon's shadow form. Oh my god. Its probably my favorite thing right now.

Fun thing about it is that in this form he can touch you but you cant touch him. Something something you can be cast in shadow but you cant take it off yk? He's still light sensitive like this though, so if the area hes in isn't dark enough or he's hit with anything too bright he just reverts back. At that point he'd just have to rely on normal hand to hand stuff and his sand lol. The shadow form is just better for sneaking and speed. Really, he's some amalgamative idea of the sandman and boogieman. I thought it fit well with his whole "naptime attendant gone wrong" thing.

Sun's design, however, is more like if you mixed a cowboy, wizard, and gravedigger together. I made it a while ago on a whim with no intention behind it but then i ended up thinking "ykw would be so awesome".

The hat dips to cover the crescent side of his face (not intentional on his part) to symbolize his resentment towards moon and how he basically damned him to an hourglass. His eyes are easier to see bc of this which could seem more trusting (eyes are the window to the soul or whatever), but the thing is thats not normal for him (as we know) so it's meant to make him look suspicious and looming to 4th wall viewers. There's also the fact that i just thought it was cool too.

He also doesn't get a second form. Moon's sneaky and weird so i thought it would fit to give him some freaky thing iykwim. Sun, however, is a pretty "in your face" kinda guy, so his look and fight style is more extravagant and boisterous. Lots of swinging amd yelling and boom bang zap! Despite the showiness he's actually a longer range fighter. Mainly because unlike moon, thousands of years ago, he wasn't often one to get violent with his hands. His weapon is just obnoxiously large too though.

They are still one animatronic and their transformation is still triggered by light. Instead of an AI chip though (which is still in there but long dead), they live through the work of a soul. They're still physically inorganic but as far as spiritually they're as close as they're gonna get to being human. Their life and functionailty is derived from the magic itself, not the machinery. Like if for some reason they lost all their magic they'd just drop dead from a battery life long since drained.

The hourglass has a carousel-like design to it purely as reference to moon's level in Help Wanted 2.

Sorry for rambling so much but this is what i've got for you so far! I have a general idea for the plot but im tryna to make it more than what it is rn, so i dont wanna share too much of that just yet in case i change or completely toss away an idea.

[aroaceleovaldez]

i'm so happy you brought back up the topic of rick's shitty writing of anyone even remotely non white / "white passing"

with that being said, do you think the shitty script he gave to annabeth in the show has to do with him just being deeply uninterested in adapting his story to include characters of color? bc it seems like once rick encounters a character that cannot be easily erased all ethnic or racial identity of to fit them into an usamerican specifically white ass narrative, he gets lost.

i just keep thinking how the only thing that "changed" about annabeth as presented in the show was her race but her plot relevance and her characterization got downgraded severely. meanwhile percy, whiter than before (wheres the mediterranean god look......................................), got half her functions. like i just look at rick in context and i wonder if he just gives so little fuck about characters of color he cant even write a decent character arc for an adaptation of a very established persona

thoughts? thank u!

I wouldn't be surprised if it's Rick (and the writer's room, since it actually seems Rick isn't all that heavily involved if much at all with the script itself based on some interviews) just has internal biases that he refuses to reflect on. It would be a consistent trend with the uptick in offensive writing in the books themselves (see: the troglodytes in general, all the Jewish kids in CHB being in Hermes cabin, etc etc). Rick seems to want to engage with these topics but refuses to actually assess how he's approaching it and his own biases while also overemphasizing his engagement with the topics. It's a kind of big talk/words vs actions type thing to me.

[this got a wee bit long so throwing it under a cut]

I was having a couple of conversations about this topic recently - one being group reading/discussion of WottG and how, allegedly, the slightly different characterizations in that book are inspired by the actors in the show. Annabeth is repeatedly and frequently described as motherly and maternal in the book, plus some other misc characterizations that make you tilt your head and go "Wait, what about Leah made you want to write Annabeth this way?" and concerns about it leaning into stereotypes. (It's also strange, because in the show Sally is MUCH more aggressive and less maternal, and this is painted like it's supposed to be a girlboss thing cause her being too soft and motherly was too weak or something? But now book Annabeth is now being described as all soft and maternal??? What. What is happening.)

Another conversation that i had with my therapist (cause we talk about pjo a lot lol) and later repeated and discussed more with other folks on discord more specifically regarding the show was a lot of discussion about the casting. Particularly casting choices and how the writing either is refusing to take casting into consideration to respectfully approach how things would be changed to avoid problems or are actively changing the script for characters in a way that is potentially if not downright offensive. Clarisse is the number one example i bring up because a lot of people say that the reason a plus sized actress wasn't cast for her was to avoid the "fat bully" trope. The thing is, there is ALSO a POC bully trope that is just as bad if not worse, so if they were actually taking offensive tropes into consideration one would expect them to avoid that too (especially since Percy was cast as a pasty white boy - which just makes it all look worse)? (Also other plus-sized characters like Dionysus and Gabe were also cast as skinny, same with Tyson. So it just seems like they don't want to cast plus-sized actors either.)

But also they're rewriting stuff that actively puts the casting decisions into worse tropes. Like hey, why is Percy (a white guy) the one who knows the "real" versions of all these myths and is expositioning them to Annabeth (a black girl), who in the books is supposed to know more than him? Why does he know better than her for some reason and have to guide her? Why is Percy teaching Annabeth about pop culture and how to be a kid? Not to mention stuff like the show constantly encouraging the viewer to doubt or distrust characters like Grover and Clarisse and Annabeth as red herrings as to who the traitor is. Plus there's no adjustments to stuff from the books like Annabeth initially being somewhat aggressive/antagonistic towards Percy, or Clarisse's aggression and bullying towards Percy to try and circumvent those being bad tropes in the contexts of the casting.

And there's an ongoing trend of characters who are antagonistic towards Percy in the books being divided into two groups: those who continue to be antagonistic towards Percy in the show, or those who are tweaked to suddenly become kinda silly-goofy and significantly less threatening. Gabe, Dionysus, Ares, and Hades are all examples of characters that should be antagonistic towards Percy but are softened SIGNIFICANTLY and played for laughs in the show. Echidna is played as a twist antagonist because she initially because she approaches the kids as very sweet and helpful. And they're all cast as white! Meanwhile other characters like Clarisse, Luke, Zeus, etc, are still antagonistic towards Percy (plus also like Annabeth initially and again, Grover being painted as a major red herring). Plus some new additions like Hermes, Mr. Lin Manuel Miranda himself, being wholly introduced into the plot when he's not supposed to appear until book 2, and all he does is sabotage the quest. Like, it's weird! That's a weird writing decision!!!! I get wanting to get that sweet sweet LMM cameo money, but, why is Hermes an antagonist here???????? he's not even supposed to be here yet!.

We also have stuff like Poseidon (who, like many of the god/major kid pairings so far seems to have been cast to match each other appearance-wise) saving the day for Percy and being this weirdly good dad, versus the books where we get the iconic "I am sorry you were born" line and Percy and Poseidon's tension is part of their arcs. Notably, Poseidon does this by ceding to Zeus, who is actively about to start a war. While Gabe is rewritten to be a total loser, Sally is MUCH more aggressive and her yelling and screaming at young Percy is supposed to be sympathetic for some reason? If Gabe were acting like Sally does in the show, he would actually be significantly more like his book counterpart! The show is making active decisions to paint these characters the way they do!

Admittedly, part of it may just be they got overzealous with their casting (not inherently a bad thing! diverse casting is good!) and then proceeded to not consider how that casting affects the way the characters are perceived. It also doesn't bode well for certain guesses we can make going further into the show - Thalia is very at odds with Percy initially. She's a very aggressive character. They fight a lot! Also Annabeth's description already implies that they're tweaking Thalia's character to be more "tough love" versus the books where she's significantly more of a bleeding heart when she first meets Annabeth. Like, I'm very happy about Thalia's casting, her actress seems amazing, but also I'm VERY concerned with how they're going to approach her character to make sure it doesn't end up wildly offensive. Athena is similar - we can guess based on casting decisions so far that they're going to try and cast Athena as similar in appearance to Annabeth/Leah. The show has already painted Athena has antagonistic and uncaring towards her daughter. If projected trends continue, these things are not gonna be great.

And the show does seem to rarely want to engage with these topics - like the scene with the cop in the train. You can tell what they wanted to address by having Annabeth be the one to confront him. The thing is they were too cowardly to actually have that conversation! They paint the kids as being unreasonable and getting unnecessarily upset when they aren't directly being accused of destroying a room, therein painting the cop as the one in the right in that situation. The implication seems to be a little bit they were going for "Oh, this is Annabeth's hubris getting them into trouble" but. that's such a bad way to do it! That's like the worst way you could have done it! (This is also a trend in books from HoO onwards, more or less - Rick tries to engage with certain topics, often using characters of specific demographics, and then proceeds to do a really bad job of it.)

There are also some aspects that are just like - in the books, Luke being a middle-class blond-haired blue-eyed pretty white boy is relevant! Because the fact that he has privilege from that particularly in how he's perceived is part of how he came to where he is and why he acts the way he does. Percy not having those same privileges, and having aspects like constantly inherently being labeled as a trouble-maker just based on his atypical (neurodivergent) behavior and coming from a lower socioeconomical background play heavily into his character!!! Percy being both a poor and disabled kid (and implied potentially POC) plays DIRECTLY into why he feels so strongly about standing up for other disenfranchised kids (in SoM, explicitly including other disabled kids and kids of color). It directly relates to his experiences and standing up for kids who are like him because he didn't have that, versus Luke whose perceptions and goals are very self-oriented. Now, in the show, we've essentially swapped Percy and Luke's appearances, and that paints a very different narrative. And that's important to acknowledge!

[jevilowo]

Not sure if ive already done this. But.

Predictions for COMIC 7

CHARLES DARLING WILL BE THE FINAL ENEMY besides Helen. Trust me on this one I swear they wouldn't have brought him in if they didn't have plans. ALSO the mother of the Mann triplets (Bette Mann neé Darling) was RELATED TO HIM HE'S RELEVANT. I'm so convinced he's the one Helen made a deal with and he's going to make a grab for Mann Co.

We'll get to see Bilious Hale in a flashback and find out what happened to him. Bilious Hale, oh guy who punched coal out of mines and sat on John Wilkes Booth while other people shot at him, my beloved. I hope they don't reveal he was a bad father or anything.

A woman is nice to Ms Pauling for once and she gets a smooch. She deserves it. Hopefully it won't be a smooch from Helen (DAMN YOU 4CHAN LEAKS), the old lady's had her hired since Pauling was in her mid teens.

WE GET HORSEMANN LORE! this is just wishful thinking on my part the Horsemann makes me insane. Shout out to Silas Mann fr. If he doesn't show up, I hope they at least acknowledge or reference him. I swear they had plans for him back in 2010. Which they then immediately abandoned in favour of developing Mann vs Machine.

Spydad reveal. Pretty much a given. No need to elaborate. I hope Scout’s mother shows up I love her.

Demo gets something important to do! He's only been there for comedic bits so far really, so I think he deserves some Serious Plot Stuff.

Build up to and cop out on Pyro face reveal. The whole thing of Pyro's character is the mystery, so I think the funniest way to go about a face reveal would be for us to only see the team's reactions and have them all react very differently e.g. Scout vomits, Demo gives them the thumbs up, Spy starts taking horrified notes, Engie looks vaguely lovestruck, Saxton Hale expresses annoyance that they aren't actually *insert obsucure species of something here* like he thought.

CONAGHER LORE!! By which I mean Engie shows up and has a chat with Fred about Radigan and immortality and whatnot. Fred has to have been spared from the bloodshed for a reason, right?

Classic Medic shows up! Or they confirm he is dead. Or they confirm he is Pyro which is a funny theory I read once but sincerely doubt. Maybe they'll pull a Bea and have him have been a girl the whole time.

I have a crackpot theory that Helen/Elizabeth is actually Bette Mann (again, mother of the Mann triplets), and while it's unlikely to be true, it would genuinely be so funny if I'm right so WATCH THIS SPACE. My main reasoning is Helen started her Australium search the year the triplets were born, aka the year Bette DIED, and also Bette is a nickname for Elizabeth. Also also it adds to my theory that she will team up with Charles Darling, who is, as I've already said, related to Bette.

Olivia gets to do something important also. Saying this bc she's mostly been a prop so far. I'm manifesting a sideplot where she summons the Horsemann to beat up Charles Darling for her.

Merasmus returns! Last we saw he was arrested, but Jay Pinkerton really likes his Soldier/Merasmus interactions so chances of him coming back are high.

There will be a joke like "geez it feels like it's been seven years since we beat grey mann" and a panel where everyone just lets that process before going back to plot stuff

Chances are, a new comic after so many years means there will be new writers, and the fandom has changed quite a bit since the last one. There will be SUBLIMINAL SPEEDING BULLET SHIPPING. There will be MORE FOCUS THAN IS REALLY NECESSARY on Scout. SOMEONE WILL THEY/THEM PYRO which sounds great actually you know what I forgot where I was going with this godspeed.

ZHANNASOLDIER WEDDING FINALE!!!

[mci-writing]

Hi I saw that your requests are open. Can I request a senku x female reader where he has a crush on an older tattooed foreigner who was on vacation in Japan when the world was petrified

I've had this sitting for a minute tbh, but mostly bc I didn't want there to be too many spoilers for anime-onlys 😭😭 mostly for how tattoos work,,, Don’t be surprised if there’s a heavy focus on language plot wise, I’ve been working on a lot of linguistics homework 😞

Anyways, hope you enjoy

Science Makes Age Complicated (Ishigami Senku x Reader):

Warnings: technically an age gap but also not (reader was once 2 years older than Senkuu, but now they're the same age due to time shenanigans), fem!reader, some language use (a few swears here and there), reader is American (RIP but it’s plot relevant), reader is implied to know an insane amount of languages (bc this is Dr Stone and it’s relevant to world-building)

"Think you can scrounge something up for her, Yuzuriha?" Senku parts the lush shrubbery for his friend, unresponsive to her obvious surprise at the sight before her. He figured it would go that way, considering how kept away the whole area is, but he'd rather start the spectacle with her big reactions instead of the loud and boisterous version involving the rest of their crew, "I'm more than sure you'll manage to make her something she's 1 billion percent comfortable in."

He'd considered this statue his secret weapon for the next part of their excursion. Well, that would be his explanation as to why he'd waited so long to unveil her and finally free her from her encasement. Really, he could never find the proper time to finally revive her, especially when every time it would feel right to, something else would arise that would require them to use the revival fluid for someone else.

When talks of traveling to the Americas came up, he knew it'd be the perfect time to properly reveal her and, hopefully, ease her into their current predicament. While Gen is a great diplomat, thew mentalist isn't exactly fluent in as many languages as the girl in the statue before them. Even more, if they are to run into more people (which they very likely are), it's better to have at least two representatives to talk things over. That's going to be his reasoning, anyway.

Deep down, he's a little nervous to finally see her again, especially now that he's technically older than her by a few months at least. The last time they'd seen each other had been the day before the petrification light, the two decided to spend time with each other before he went back to school. She was visiting Japan for a bit, a trip she'd planned to make at least once a year since the two had officially met in person while he had been in America. Back then, she'd been 17 to his 15, owning an American driver's license and a tattoo sleeve that left many of the older members of society scandalized.

"I don't think she's going to take being younger than us well," Yuzuriha mentions as she finishes up sewing the outfit she'd made for (Y/n). She worked fast, wiping the sweat that had accumulated on her forehead once she finished. She takes a step back once she's finished, watching as Senku steps forward, "Especially when she finds out how long it took for you to bring her back."

"She'll be fine. I'm 1 billion percent sure she's going to be grateful for it," He responds, popping the top off the tiny vial between his fingers. He doesn't stop the grin from spreading across his face as he lets the contents of the vial drip from the top of her head. The two watch expectedly as it eases its way down her body, stone cracking and parting in its wake, “She’s going to get to visit home, after all.”

The stone falls from her body, the life slowly coming back into her (e/c) orbs as more of her skin is revealed. Her tattooed sleeve remains, now accompanied by the petrification markings on her face and other parts of her body. A wave of confusion hits her as she takes in the unfamiliar surroundings, but her shoulders relax a little as she takes in the two familiar figures next to her, "Senku...? Yuzuriha...?" "Hey, (Y/n)," He immediately greets in response, an excited light coming to his eyes as ruby meets (e/c), "Looks like we're the same age now."

Yuzuriha flinches at his greeting, sighing with a shake of her head as she takes a small step closer to their friend. A nervous smile forms on her lips as she takes (Y/n) hands into her own, leading her out of the hidden away area into the light of the new world. She feels the grip tighten as (e/c) eyes dart around the surrounding forestry in an attempt to better understand the circumstances and environment, "We have a lot to catch you up on, but I'm sure if we ease you in slowly it won't cause you too much whiplash-"

"We don't have time for that, Yuzuriha. We still have to load the ship back up and travel to America," Senku waves the notion off, walking past the two of them and leading them back into the village. Neither of the girls miss the smirk on his face as he continues, unmoving as they gape at him like fish, "(Y/n) will catch up along the way."

He's bluffing, which they realize a little later when Ryusui recounts the plan to spend the next few days loading the ship and replacing the items they used on their last voyage. (Y/n) is assimilated faster into their new society than she can process, the rest of their group taking the basic information they're fed and working with it. Yuzuriha is eventually forced to leave her to fend for her own after a bit to attend to her own assignments and Taiju only stops to catch up for a bit (which is mostly him speed talking and making assumptions about how much she's been made aware of) before continuing to move along.

Senku doubts he'll ever admit it out loud, but he is grateful that they're the same age, even if he's technically older by a few months now. Standing next to (Y/n), who hadn't aged a day past the last time he'd seen her, was the reassurance he secretly needed about his own development. While his growth spurt, a result of the final pushes of puberty during the Stone Wars and roughing it during the New Stone Age, was the only difference he could notice next to her, (Y/n) had been hit with the whiplash of every other development.

To her, it felt like both a lifetime and a long night since she had seen Senku, yet he looked almost completely different and exactly the same. The remainder of his baby fat had rounded out of his cheeks, his face maturing nicely into that of a young adult, and he'd sprung up quite a bit in height. He was still lithe in comparison to Taiju, till thin and very much not built for too much physical labor, but he'd gotten a bit of meat on his bones to fill his arms out a little more. Despite that, he still looked like him, like the jerky boy she'd met by chance in middle school who would be the first person she'd show her newest tattoos to when she was 16 to get some kind of rise out of him.

Taiju and Yuzuriha were a further reminder of the weird passage of time, the two more developed in their own rights. He was beefier, still ever-muscular in a more defined way. His hands seemed rougher, but she didn't know if that had been due to the rougher circumstances or if they were always meant to get so rough with all the handy work Senku would put him up to. Yuzuriha had filled out a little, a few scars littering her hands from what (Y/n) could only assume was from her thread work she'd seem to consistently be working on since they'd gotten back to their stronghold. Her silky brown hair, which had once reached her waist and made a few of the girls from their school envious of its length, now barely reached past her shoulders in its bobbed shape.

She feels so out of place...

~~~~

The rush of information coming to people’s senses is always amusing to watch, but (Y/n) is taking a little more time to process than usual. Even now, a few days into her now being free from the stone prison, she still has more questions. They aren’t particularly scientific, more so just random observations that she really wants the answers to. She’s also hyper-analyzed the villagers' speech patterns, having them repeat their newer slang and pronounce random words in Japanese, English, and German (something they did not realize they were fluent in until she came around). In return, they ask her questions about the past (mostly Senku, Yuzuriha, and Taiju), the sleeve on her arm, and why the hell she knows so many languages already.

Senku can’t really be mad about it slowly down progress, he’s sure he’d slack off a little too if they didn’t have so little time to prepare for their trip across the sea. Neither of them miss the way their eyes longingly stare at one another, meeting a few times before either is dragged away by the others they’re surrounded by. It’s even worse that (Y/n) feels she hasn’t been able to get any time alone with him since they made it to the village. She’d been made aware of their plans once her confusion died down a little, even taking the time to freshen up on the main languages she’d be focused on for their trip and doing what she can to pitch in. Unfortunately, their different preparations would barely, if ever, cross over. Lowkey, it had been killing both of them inside, but they kept up appearances for the sake of getting things done.

She’d learned from Gen, who gave her brain a break by speaking in English with her, that Senku had kept her relatively well hidden. He’d visit her often, but no one had put together that’s what he’d been doing until now. Yuzuriha made it clear she’d only learned of (Y/n)’s whereabouts a little before they’d revived her. However, the brown-haired girl did mention that a few passing statements he’d made in the past were starting to make sense.

It took the last night before the Kingdom of Science would set sail again for (Y/n) to find time away from the others. Despite the various discussions scratching her brain in the best way possible in a new world, the dark blue of the night accompanied by the low noises of crickets and crashing waves gives her the solace she needs. While everything has mostly settled, or settled as much as it can, it's still moving so fast. To her, everything was normal yesterday and then dark for longer than she thinks possible to comprehend, "Maybe this is how Sleeping Beauty felt..."

"I doubt that," A familiar voice speaks up from behind her, the heels of his shoes clopping along the ground as he approaches. The gravel scrunches as he shifts to sit next to her, deep zircon-colored eyes staring out towards the ocean's expanse. He scoots a little closer to her, his head tilting as his pinky reflexively reaches to dig out of his ear, "Considering she typically is depicted to have been a young preteen when she first fell asleep and an older teenager when she wakes, I doubt there were many technological changes to throw her for such a loop, especially if the story takes place in a fictional version of the middle ages."

His eyes shift to peak at her instead, his typical grin filing onto his face. Somehow, they're one of his few features to remain the same despite his growing age. He's one of the reasons she's out here tonight, gathering her thoughts privately one last time so she can tuck them away to focus her attention more on to returning civilization.

Of course, she always thought he was good-looking, most people did. However, where they were turned off by his passion for science and technical engineering, she found it to be all the more endearing for his character. He had his pesty moments, but so did everyone else in some way. It added to his charm, "Didn't see you as the fables type, Senku."

"Had a friend who was super into literature. She read it in different languages to challenge herself," He teases in response, his gaze turning back to the sight before them, "Wonder where she is now..."

(Y/n) tugs her knees up to her chest, the irony of the comparison not lost on her, though made completely on accident. She pulls them closer, resting her cheek on them as she takes in the boy next to her, "Maybe she's trapped somewhere in a stone prison back in the woods."

She watches his chest rumble with his chuckle, a soft breeze picking up and spreading the smell of salt water. He's closer now, the smaller changes staring her in the face and taunting her. She'd wanted him this close to her again, just for the reassurance, but now... She kind of regrets it.

"I would've found her by now," He mumbles, the sound just barely reaching her ears. A fond smile slowly eases across his mouth as he returns his gaze to her, "Would've taken me a while to finally see her like this again, but I think it'd finally be worth seeing her again. Even with the circumstances."

"I'm sure she'd be grateful to see you again too, even with the circumstances."

[they-hermes]

now on the taao side, Starscream has to handle the protectobots not giving two shits about his insecurities towards losing power and threatening Elita and the decepticon revolution, starring "Wants to not think about the war ever and help cybertron and its colonies have support systems" Hot Spot, "Trying to not let the team burn themselves out by working so hard" Streetwise, "Does not realise he's working way too hard" First Aid, "Being accidentally loud and obnoxious" Blades, and well there's nothing wrong with Groove hes fine. Rook too

mtmte/TAAO au where the protectobots and the combaticons are switched, meaning the protectobots get to stay and provide help to a rebuilding cybertron and get subsequently manipulated by starscream until they fight him as defensor while the combaticons get to be absolute pricks in the back of the bar on the lost light and get subsequently manipulated by getaway until they fight him as bruticus

[lovemyromance]

Nahhh bc why did I see yet another post doubting N&C's part in Elain's future story???

Those are her FRIENDS. It has been acknowledged by both Elain and Nesta. Rhys paying them doesn't matter? He pays them to take care of his house, not take care of Elain.

If Rhys paying bills is suddenly a reason to doubt a friendship, then Nesta & Gwyn can't be true friends either because Rhys allows Gwyn to live in the library for free. Like I'm sorry, but it's icky and stupid to use either of those as an argument against true friendship.

Then I saw another post saying "Oh N&C don't have buildup to be friends of Elain. They don't have enough main character energy to get their own book so they can't be her friends."

My brother in Christ. Not everyone and their momma is going to get a book. We're not gonna sit here and read about Bryaxis's harrowing backstory or get a detailed POV from Tarquin about Cassian's summer court adventure. Not everyone needs to be a main character because then it would be ridiculous and confusing and nobody would stand out??

Also tf you mean build up? Why do we need build up for characters that are meant to be supporting characters? Especially, outside the book there supposed to be "found family/friends" in??

This is such a ridiculous argument. That's like saying "Oh Gwyn & Emerie can't be Nesta's true found family because they don't have enough buildup". Like ahem, let me remind everyone that Emerie was only brought up in ACOFAS (and people shipped her with Cassian, so she def wasn't gonna be Nesta's bestie). Gwyn didn't even EXIST until halfway through ACOSF.

So don't sit here and tell me N&C don't have enough development to be Elain's found family. They are supporting characters. Their job... is to support Elain's journey. Which they have lowkey been doing in the background since the moment they baked bread together in ACOWAR.

The difference here is that Elriels understand the role of a supporting character. We're not out here screaming that Nuala is so important to the plot of acotar and inventing theories for her to save Dusk court because we see her for what she is - a supporting character.

That is what Gwyn & Emerie are to Nesta. Supporting characters. But nobody is ready to hear that 🙄

Y'all out here trynna turn Gwyn into the savior of Illyria and turning around and saying "well N&C aren't important enough for a story" like hello - they don't have to be?? You're the ones who think Gwyn is gonna save everyone and their dog and you're mad that Elriels don't have that same level of delusion towards N&C? Like sorry we're rational ? Sorry we recognize that Elain will get a book with likely Azriel and her found family will be N&C, but neither N&C will get a book bc they're just side characters?

At least we not out here saying Elain's gonna be besties w a man who made a GR joke about her TO her mate 🙄.

Apparently, the rules of friendship are:

1. You cannot earn a living if it in any way relates to your friend

2. You have to be an important character and save a part of Prythian yourself before you can be deemed relevant enough to be a friend

3. You can make jokes about someone being g*r*ped and still be their friend because "you were just putting on a mask" even tho literally nobody forced you to say that 🤷🏻‍♀️

Y'all are being crazy trying to make excuses for men again, and I'm not standing for it. Go to sit in a corner and think about what you've done 😒

[crispys-records]

i fear vylad was set up for failure in mystreet

in mcd, hes this wise, almost omniscient character who knows what he must do to progress the story. he experiences all this hurt he could only achieve whilst in a fantasy world, and his narrative relevance is significant only because he serves a greater purpose other than being aphmau's ally. he is effectively an oracle/guardian spirit figure throughout the beginning of season 1, only to be dragged away for using what is meant to be a power of malice and evil for good and protection.

in mystreet, hes. a guy. a nothingburger. hes so nothing that i cant even remember his relevance without checking the wiki. he has no plot relevance, no omniscience, no nothing to tether him to his main character status, even though he is so interesting as a modern character. he is still a child of infidelity, which means he might very well be the reason why garte is such a bitch. i was gonna say to zianna but maybe hes just a bitch in general. if being a shadow knight in mcd means you were a punk in mystreet, why doesnt anyone ever talk about vylads dark history (vandalism and being around gene) that would be funny as hell.

although lets be real i think we know why.

he was doomed from the beginning bc although he holds major plot relevance in mcd, he just wasnt around a lot. his fanbase back then might as well have been like 10 ppl who were rlly happy to see vylad appear in mystreet. and in the end hes happy. hes traveling the world. thats rlly funny to me tbh. like everyone else is experiencing manmade horrors and hes like going to france and shit.

i still think we couldve seen more of vylad.

also not to go off topic but where did the dante x vylad thing come from? i used to ship it as a kid when i was younger and had free reign of wattpad but like im older and can think now and why was dante x vylad a thinkg. i dont even remember any noteabke vylante moments in mystreet. what is the merit in this ship other than to complete the ro'meave brothers x flirty boys trio ?? im like serious

[gold-rhine]

Inazuma Rewrite part one

This is bullet points rewrite for Inazuma general plot structure, bc I think it had so much potential, but was horrifically scuffed in game. If I keep something from canon unchanged, I’ll just say so without retelling the entire thing to keep the length down, bc it’s gonna be A LOT already.

Some disclaimers: I’m not trying to fix every single problem, just what I see as major structural failures. I will reference my problems, but you can read my explanations on them more in depth in my “inazuma ranting” tag.

This is also not envisioned as free for all fanfic where I can write whatever I want, but aimed to be actually feasible to see in game, bc it’d be unfair and I want to show that Inazuma could be improved in the same constraints that hoyo writers had. So please don’t ask why I didn’t do wildly inconsistent thing that would be cool, but genshin would never actually do.

I’m aiming to retain all relevant lore and achieve basically same worldstate in the end, including character arcs, for the most part, because I presume them to be integral to the larger strategic plotline of the game. Which means I can’t drastically change characterization and major plot beats like the decrees, rebellion, Raiden has to be a sympathetic ally in the end, etc. I’m also trying to keep genshin’s general tone and modus operandi, bc like, target audience includes 13 yolds and I can’t just “make Inazuma good” by turning it into like, a gruesome and complex power struggle of political factions like Fallout New Vegas.

List of main issues I want to address: pacing in general, rebellion pacing especially, lack of impact and continuity of effects of vision loss on people, lack of setup for the stasis vs transience aka ei vs makoto conflict, character arcs: raiden, ayaka, kazuha, kokomi, yoimiya, kujou sara. And more! 

Initially I wanted to make a single post, but it’s already 3k and I’m only up to Raiden’s first duel and I plan to cover post-archon quest content too, like Raiden and Yoi story quests, so I decided to split it up instead of posting like 20k monstrosity. So remember, this is for now mostly a setup.

EDIT: Part 2

Raiden’s motivations\Reasons for vision hunt

Ok, so one of the biggest principal changes is that vision hunt and sakoku decree are active Raiden’s decisions, instead of Fatui’s plot that she’s just passively allowing to happen. Raiden closed the country, but she’s ok with Fatui starting a civil war and selling delusions, bc it doesn’t “affect eternity”, like??? I honestly think that the current plot of her people dying in a civil war meant nothing to her is much worse than her starting vision hunt decree out of misguided plan to ultimately do better for people.

I mean ok, we have to have closed borders to reference Japan’s history, sure, but like, the whole point of isolationist policies like this is to prevent the outsiders’ influence on the country. So she should not be ok with Fatui schemes at any point.  

I mean, if it was fallout new vegas AU, I’d keep it to show that dictator doesn’t not care about foreign powers exploiting it’s people as long as it profits the empire and helps to keep people subjugated, but like. Then raiden can’t be uwu waifu. So we gonna give her good intentions and integrity, but misunderstanding of humanity due to closing herself off instead.

Now to why would she close the country and institute sakoku decree. I want to tie this in with another plotline that is just. Kinda floating at sidelines at the moment, but I think could work nicely in tandem. The Scaramouche destroying Raiden Gokaden, the five schools of weapon smithing, which were canonically highly valued by Raiden.

I’m not gonna recount Scara’s entire plotline, but basically he went on a misguided crusade against Raiden Gokaden and managed to cause fall of 4 out of 5 weapon-smith schools.

Game says that he like, tampered with the schools and covertly led to their ruin, which like?? They never found anyone guilty, like the most prized weapon art smiths of your country fall apart and you’re like oh well, I guess Yashiro commission is just bad at it’s job?

There is a plot point in this story where Isshin weapon smiths, unable to replicate a faulty design that was Raiden’s commission tampered by Scara, were scared of Raiden’s wrath and decided to flee to Snezhnaya. I want to change it to be that there is an event, where ALL weapon schools receive same commission at the same time, and Scara tampers with it.

Just as in canon, scared smiths, but now from 4 schools, not one, are manipulated by Fatui to flee to Snezhnaya, But we add a new NPC, the most talented blade smith who had a vision. Fatui frame him as the ring leader, as if they were running not to save their lives because of the tampered design, impossible to fulfil, but that this was a betrayal because of his ambitions.

After this, Raiden has legitimate cause to feel like her eternity is threatened. She sees weapon art schools, one of the most prized country’s traditions being ruined in a moment because of what she thinks is ambitious hubris of one vision holder, who colluded with outsiders. So she closes Inazuma and declares a vision hunt, to prevent this from ever happening again.

But ironically, in truth it was the fault of not just Fatui, but specifically a puppet without a vision that she herself created and failed to supervise. This brings the main idea of the plotline from “Fatui evil, Raiden passive” to “Solipsist goddess who doesn’t understand humanity tries to protect her people by locking them in stasis and taking their ambitions, but the real case of tragedy was her negligence and lack of empathy all along, and this is what needs to be changed.”

Interlude and plot setup

We start with similar plotline. Traveler tries to go to Inazuma, learns that it’s closed, talks to Inazuman NPC to learn more. Here we’re introduced to the general idea that Inazuma was closed off due to one traitor blade smith with a vision who sold off Raiden Gokaden to Fatui.

We go to Beidou’s tournament, which goes basically the same, we meet Kazuha and watch a beautiful cutscene about his dead friend who challenged Raiden to a duel, and now Kazuha tries to find someone who can reignite his vision. I will actually add changes to Kazuha’s storyline, but it be will later.

then we arrive to Inazuma, go through the same bureaucracy loops with Thoma on Ritou, to show the barriers to outsiders and also to illustrate how Thoma is the best fixer when he manages to drop a fee from 1 mil to like 10 gold by promising to have a dinner with government official.

But we’re cutting the second part of Ritou, with the boring plot about like merchant from Mond scamming people with the local police and then Traveler delivering love letter or whatever. I mean, we can keep this as an optional side quest, if like hoyo thinks the lore about love letter is essential for the Ayato’s quest or smth, but not as an Archon quest.

Instead, we put a part of Yoimiya’s quest there. I think Yoi’s quest is relevant enough to stay in the Archon quest, unlike Ayaka’s, but it’s slapped into a place where it ruins pacing. So instead, we’re cutting it up in parts and inserting it into main storyline.

On Ritou, while doing bureaucracy bullshit, we meet Yoimiya, and play the part of her quest about her helping a guy with a vision to escape from his former best friend, who is now a guard hunting him. It helps to show the rift that vision hunt brings not only with the outsiders, but with inside of the country as well.

Ghost of Makoto\Transience setup

another key point that I think is integral to fixing Inazuma is planting seeds for Makoto’s reveal from the start. I really like the Stasis vs Transience conflict from raiden’s second story quest, where raiden believed in eternity as lack of change, a perfect state maintained until the rest of time, while her twin Makoto believed in eternity as never-ending change, where people’s dreams constantly evolve, nature of them chasing these dreams never changes.

but it feels like it came out of nowhere and raiden just speedruns character development in like an hour, so a lot of people ended up feeling like it was just about Raiden mourning her sister, instead of raiden coming to understand makoto’s belief system and through that unlocking makoto’s final connection and then being able to let go.

so we need to first of all, introduce makoto’s ideas of transience from the start, and also empathize the conflict of them with raiden’s stasis.

and it doesn’t mean we’ll spoil the reveal about the second raiden shogun! we don’t have to ever use makoto’s name, just her title as a raiden and sprinkle her ideas throughout the land. We know hoyo area designers can do that stuff really well (guizhong’s relics being scattered all over liyue, rukkhadevata’s shadow in the aranara quest).

like, it’s strange that Makoto primarily ruled and shaped country by herself while Ei was just a warrior, yet we do not have Makoto’s influence visible. We need to add ideas of transience into fundamentals of Inazuma,

“Transience is the dream of the nation of thunder. We find the greatest joys in mortal life in fleeting dreams, for is life itself not like the shadow of the thunder? Pursue your dreams into the clouds if you wish, and enjoy the unexpected silence of the dim lamp-lit nights.” - Guide to Transience talent book.

add these ideas all over the place, esp near sakura. And let’s draw player’s attention a couple of times specifically to the internal contradiction of these ideas of transience being integral to inazuma and raiden’s current hatred of change.

like, we need even 13 yolds and twitch streamers to remember this, so lets make paimon say like

“Huh, this shrine to raiden shogun says that eternity is the pursuit of fleeting dreams, but doesn’t raiden shogun fucking hates dreams?? I wonder, what made her change her mind about them to the total opposite!“

this and more subtle puzzles\locations with focus on transience for people who pay more attention will add the much needed setup for makoto’s reveal

Kamisato siblings

ok, first things first, Ayato being absent without any explanation while his little sister is plotting treason and his malewife Thoma is about to be executed on the streets is unacceptable.

like I know it’s marketing or whatever and he’s not being released but we need his model, hoyo. If we 200% CAN’T have his model, we need to come up with solid excuse why he’s not here. Like idk, he’s helping the war refugees or smth

And we need hints at his presence\influence throughout the story. Like oh, here’s group of refugees who were helped by Yashiro commissioner, they are relocating to new homes, I guess Ayato is really busy. Oh, here is Fatui’s camp where everyone is slaughtered and boba tea cups are littered around, I wonder what is up with that.

and also, Ayaka is organizing resistance behind his back, and we never meet him bc Ayaka actively tries to hide traveler from him.

bc like, Ayaka doesn’t have a development arc in archon quest. She’s just kind of there, being perfect. Like in her story quest that hoyo makes you do at gun point, you like, go on a date, learn that she’s lonely and has trouble connecting with people due to the pressure of having to project an image of perfection and societal distance, do an investigation to uncover her late mother’s fox fursona roleplay diary which she used to cope her with own societal pressure. Which like. Ok, sure, but but this wet socks quest is not an archon quest material. It should be just a normal story quest.

no, Ayaka’s real conflict is wanting to prove herself to her brother, bring real difference to the world. This is her ambition, she literally gained her vision while fighting Ayato in a training, she wanted to show him that she’s strong enough to handle responsibility, he named her Shirasagi Himegimi after she won that fight

but during a civil war, watching people suffer, her role as a cultural figurehead is not enough. She wants to help, but she’s afraid to act, because this will undermine Yashiro Commission and her brother worked so hard to build it back up after Raiden Gokaden fall. so she organizes resistance behind her brother’s back in secret, to help, but without compromising Kamisato name

this basically tracks with what happens in game, but we spell it out and expand on this later.

Getting Traveler to help

next, let’s throw out the weird edging introduction where traveler is not allowed to see Ayaka the first time. like??? bro, we’re friends with 2 archons and heads of their governments, you’re not that important. and it can’t be to protect her identity, bc like. You go to Kamisato estate! You’re told who she is! If you wanted to betray her, that would be enough already.

another awkward thing is that Traveler, who agrees to do every stupid quest they meet, suddenly refuses to help the resistance.

I think we should reframe their convo a little, like Traveler says hey I’d love to help, but my primary goal is to get info about my sibling from an Archon, so I don’t want to go against her.

To which Ayaka says oh, I totally get you, you see, I am myself a culture figurehead and a nominal princess and I can’t speak up against the decree, bc that will hurt Yashiro Commission. But I’m not asking you to fight Raiden Shogun in a duel or smth, I’m just asking you to help people with the resistance, which we do totally in secret. No one will know! Also, how are you going to see Raiden? She’s locked up and doesn’t appear in public. But my big brother is a head of the Commission, if anyone can get you an audience, it’s him. So help me help people and I will ask him to help you see Shogun!

she secretly believes that after traveler sees ppl suffering, they will change their mind and help willingly, same as in canon, but she’s more subtle about it

Rebellion connection

my other problem with vision hunt is that the 3 quests they force you to do about meeting people who lost their visions are like. not good. The concept is interesting, but they are just kinda boring and meandering. They lack dramatic impact. They could do better. So we’re not doing these 3 quests rn, but don’t worry about it, we will get to the effects of vision loss

Instead, ayaka sends us to help Yoimiya and we do the same quest we do in archon quest - help her to free someone from prison dungeon. It goes the same, we get to the dude being mistreated by cops, Kujou Sara steps up and lets us go

But then it’s like, we need to get this dude out of Inazuma city. Cops know he escaped! They will just come for him again! There is only one place that will take him and it’s the watatsumi rebels.

Common complaint about Inazuma is that other countries feel like found families and Inazuma doesn’t, bc characters from resistance and rebellion basically don’t interact, and it’s true. And like, we can get them together! Thoma knows Kazuha, Kazuha knows Gorou, Gorou in canon went to recoinsanse missions to Narukami island.

So, Gorou visits the tea house to pick up the Vision Dude, and the gang has the hotpot meet up. Everyone is there (except Kokomi bc ok hoyo, we’re saving up for dramatic battle reveal, and i think her reveal would fuck up banner schedule). Ayaka, Thoma, Yoimiya, Kazuha, Gorou. and Teppei! Who is here bc he was recruited by Gorou. He’s actually from Narukami island, not Watatsumi, and he had nothing to do with visions, but he’s an idealist, he believes in freedom, so he joined rebellion. fun times are had, Ayaka tries to play srs bsns lady host, but breaks into giggling at The Shenanigans, Gorou is overly polite but adorable and apologizes to Ayaka about The Shenanigans in which everyone but him participates, Yoi is a life of party and the Shenanigans and later has to be bodily stopped by Kazuha from organizing fireworks right here, right now, Thoma and Teppei both get sick from eating Ayaka’s nasty cakes that she threw into soup, bc Thoma is just into oral stuff and Teppei is so earnest and eager to prove himself and impress ppl, haha comic relief, look how sweet and funny this guy is and all characters get along so great with him

bc like, I think Teppei has a problem of a) not having enough screen time b)not having any interesting characterization moments to make him stand out 3)not having other playable and already likeable characters interact with him

so this scene can serve not only to bring that “unlikely bunch of people becoming friends and working together” connection to life, but also to endear Teppei to the players

Vision Loss Effects\ Yoimiya and Thoma

ok, next Ayaka asks Traveler to do that one quest about martial arts master losing their vision. I think it’s the one quest from 3 about vision loss with most drama, but the real reason is that it introduces Yae Miko and we need to do this before leaving for the rebellion. Like, in theory, it could be switched to another, better quest that lets us meet Yae Miko, but honestly, this is not one of Inazuma archon quest problems so I can’t be arsed. Feel free to imagine a cooler intro instead.

when we go back to tea house, we learn that Yoimya’s vision has been taken away. She has been recognized in that last prison raid and the guards came for her later, and she didn’t fight bc there were kids and her old father around.

She’s completely changed. Her innate optimism, her belief in people and their dreams has been drained from her like a sunshine from a dark cellar. But she’s still Yoimiya!! She came here to warn you bc she still cares even if she had her own joy taken from her. She tries to smile and reassure you that it’s ok, she’s fine, but her smile is visibly strained, she’s never had to fake it before so she doesn’t know how. She wears a vision, but it’s a fake one, because her pops said that maybe having it here would help and she agreed, tried to pretend for him that it does help, bu. It very obviously doesn’t.

Ayaka is horrified. She apologizes to Yoimiya, tries to think of ways to help her, but Yoi just laughs humorlessly. “It won’t ever touch you, princess.”

She’s immediately disgusted at herself and apologizes, tries to take it back, this isn’t her, she would never say this, and not to her friend! But also, it’s so hard to care now and she can’t remember why it’s so important to care at all.

Ayaka is shaken. Bc it’s true! She is a privileged noble, vision hunt will not come for her! She is playing at the resistance from the safety of anonymity, while people like Yoimiya actually risk themselves and pay the price!

And this is when the news that Thoma was arrested and about to be 100th vision taken at the feet of the statue comes. Tenryou commission truly strikes back.

Ayaka is in uproar. She’s ready to go herself and fight for Thoma, especially after Yoi’s words. She’s sick and tired of being a perfect princess, she can’t allow any more of her friends, her family come to harm because they don’t have her protection. Clearly Thoma being a theatrical execution is a blow specifically against Yashiro commission and Kamisato family in particular, and if Shogun has beef with her, well, she can settle it with HER instead of going after her friends!

Traveler stops her. This is what they want. If Ayaka openly moves against the Shogun, the entire Yashiro commission falls. Even if Ayaka is in the right! No, it’s the Traveler who will go to save Thoma

But traveler needs raiden’s good will for the info, they can’t confront raiden openly, it was the deal from the start!

But at this point traveler has seen too much, the divide in the country, the change and suffering of their own friends, and they can’t allow all of Yashiro commission take the fall.

This is when the Traveler decides to take a stand.

ACT 2

[interdimensionalpancakes]

*spoilers for obx s4*

the reason why jj's death hurts so much is not just because he's my fav character or that my fav ship, jiara, is suddenly no longer endgame, it is because jj is the heart of the show, he is fundamentally what the pogues are, more than any member of the entire team and he's the main instigator for most plot points.

without him, the show loses a vital piece of the tone and the emotional core of the second half of obx.

firstly, the first three seasons centers around john b, and even though they're trying to keep the momentum, it's not that compelling anymore bc his arc/ motivations for joining the treasure hunt to find his dad, wrapped up when his dad died.

the next seasons were supposed to be jj's seasons and his search for his identity/ grappling with his pogue & kook identity, finding inner peace (which he rightfully deserved). killing him off basically throws this central theme out the window, the entire point of the second half of obx, which is just another layer of why this is so upsetting. his character arc felt so unfinished and underdeveloped.

i also don't buy that this was the plan all along, even if it was originally a 4 season show. bc if it was, why did they keep adding scenes between him and kie saying they're going to run away to a far away island when all of this over? why add all that island stuff/ losing their home? why add that he's a genrette/ jeanrette (idk what the proper spelling of this name is)? why add all this unnecessary info tying jj to the plot/ giving him plot relevance if they were just going to kill him off without tying any of these plot points off (while he was alive, oof this hurts to type) and creating more plot holes that can't be resolved without him?

his death is super conflicting bc there's little to no resolution to his arc, imo.

with that said, i keep seeing a lot of hate online towards the actors/ producers/ whoever worked on the show and just a reminder that this is not a hate post. i will not tolerate any hate comments about anyone working on the show, including the writers. but i am upset with how they handled his character and the plot of s4 in general and wished they went with something else other than killing jj off.

my headcanon: jj runs away into hiding, kiara joins him at the end of the series finale and they finally go on their surfing trip together. even if it's a mention and we never see him again, it would've been better than what we got.

[ashenquill]

It's time to info dump about my character headcanons some moreeeee I love spreading my agenda on the internet hehe

Mumbo Killsalot Jumbo is one of those ambiguous types where you can't tell if he's actually a hybrid or not? Like, there's something a little bit... off about him. Something distinctly non-human. Also he's a really weird guy, which makes even less sense, because at this point hybrids are like 60% of the population, and nobody bats(ha) an eye at them anymore, so it's not like he needs to hide it. But he is, in fact, secretly a vampire. Or at least, he's 1/16th vampire or something like that. He just remembers this one guy named Vlad who he refused to believe was actually his great-grandpa because he's literally, like thirty? How on Earth would he have been old enough to father children with children with children? Mumbo started believing it when he saw him again ten years later and he hadn't changed in the slightest. Suddenly, the strict nobody open the curtains rule made a lot more sense.

Now, even though Mumbo is technically a vampire, his family is primarily human. The only reason they even have vampiric origins is because Great-grandpa Vlad got turned at the ripe age of 27, and wasn't about to abandon his wife over his new and very serious garlic allergy. She thought it was all one big prank he was pulling to get out of working on the farm, but after twenty years and seven kids, she realized that being a stay-at-home dad was definitely not taking the toll it should.

Mumbo and his immediate family have retained a few of the traits they inherited from Vlad, but it manifests in very mild coincidences. His mom is allergic to garlic and his dad has a strange Scarland-Princess-like affiliation with bats. Mumbo, meanwhile, really got the short end of the stick, as he can't expose his shoulders to sunlight without them miraculously burning (he's gone through more bottles of M-77 brand sunscreen than he'd care to quantify). Not to mention the insomnia! He'd be lucky to get two hours of sleep on an average night, and the fact that the only affect it really has on him is making his eyes look baggy is truly an injustice. Wasn't insomnia supposed to cause other serious health problems? How could he even complain about it if he wasn't constantly overtired? Rather inconvenient, that.

Don't ask my why I have so much lore for this guy when I don't even write him that often. It's just the Mumbo Jumbo allure, I guess

Here's some other fun facts:

Smells like iron/copper (metallic)

Book smart - special knowledge of redstone

Likes: cloud gazing, embroidery, old westerns/duels/guns, rubix cubes (only to look at though, bro can’t solve them for shit)

Dislikes: designing floor plans, social interaction, eye contact

Passions: philanthropy, travel

Habits/other details: Super fidgety like holy shit he never stops moving, picks at his nails and has lots of scabs & hangnails bc of it, he is littered with cuts and bruises of unknown origin, also usually covered in redstone & he mistakes his blood for it half the time, can’t tell if he’s ADHD, ASD, or both (deffo both)

Reactive to their environment - does not like to be around danger most of the time, would rather watch from afar, would rather not even watch tyvm, too bad he’s always a victim, #easytarget, your honor he’s just a wet cat

Special, plot-relevant skills: good w/ redstone, rich asf

Insomniac, also has RLS, always tired but it’s not very obvious, mostly just has dumb blonde moments, his intelligence would be 10% more if he actually slept, what the heck Vlad why'd you have to get bit by a vampire

[tacorerooster]

So with no news about Sonic 3 I want to get something off my chest that I notice. The Sonic Movies already has 2 movies, a TV show, & the 3rd on the Way, but no Amy, a classic character. We have Shadow at the end of Sonic 2 + Pac of all characters, before the 1st main female one & with what we seen so far, if Amy is in the movie, she has no major impact unlike Tails & Knux who both had big roles (& before ppl say tails didn’t, he was literally with Sonic the most & shown in the 1st film) BOTH of them where advertised as being IN THE MOVIE which Amy hasnt. Hell we know MARIA of all characters is in the story along who is playing her but not a hint about Amy. So if Amy is even in the 3rd film you have to wait until the 4TH MOVIE for the 1ST MAIN FEMALE Sonic character to have any relevance. You might also say “they just want to give Shadow all the room he needs for his plot bc he is that important, Amy can have some later ” Being realistic, WE ALL KNOW Paramount is not going to give Amy a solo movie about her & a plot sounding her for the 4th movie. (I would be GOD DAMN ECSTATIC if she did but again being realistic). And its not Amy fans who are saying this, its just people who want the 3rd movie to be ONLY ABOUT SHAODW or you are literally just trying to justify excluding Amy all together. But no, Shadow needs all that room, can’t have the UNMARKETABLE GIRL be in the way. Something we all know is the main reason Paramount or who ever haters at Sega is the reason she is not in it. While things like the Mario movie actually had Peach in the move along with many other elements of what makes MARIO, MARIO.

[lintwriting]

How to Write Intelligent Characters (Like Wei Wuxian!)

Wei Wuxian has a really bad memory, but he is also smart enough to realize this and then use it to insult people as a joke—WITH plausible deniability to shield him from any potential consequences.

This interplay between extreme intelligence, comical brain farts, and layered social interaction is what makes MDZS so fun to read because it creates a real complexity to both him and his environment. There are multiple layers going on in this scene, with in-jokes and social factions and miscommunications, as there is in reality. And it’s a tangible demonstration of his intelligence, that he’s able to think of this deception in the first place and so casually.

But also it make the story less monotonous by having this complexity. 3 layers.

There the first layer.

“Extremely intelligent character” Like gadget inventor characters or nerdy hackers. Their hyper intelligence is useful for plot reasons, and highly competent characters are likable. And this is not bad for a side character.

It can go too far, however, such as in the case with BBC Sherlock, when the author makes the character so hyper intelligent he becomes an unbelievable god character and wraps back around to being dislikable again. Like the author’s personal pet character who can do no wrong with the excuse of his intelligence allowing him to do anything, leading to extreme annoyance whenever he’s on screen, which is all the time bc he the main character (is that just me?) lol

Then there’s the second layer to break up the monotony of intelligence.

Wei Wuxian has shit memory. Like laughably shit memory. Much like how video games create perks that also give you cons in specific ways to make your decision to use it more satisfyingly personal, like choosing to wear shitty armor that looks pretty because you value style over function, Wei Wuxian’s extreme intelligence is often undercut by scenes of extreme brain farts.

Whether it be an almost painful level of obliviousness or an extreme failed memory check, Wei Wuxian gains a flaw that not only makes him human and therefore relatable, but also unique in the pantheon of genius characters out there because he’s a genius in THIS SPECIFIC NICHE (trademarked).

This nuance/uniqueness/realness, thus, will allow his character to say more about the real world than mr god intelligence BBC Sherlock.

For the most obvious one, he’s a persuasive essay on why intelligence is not predicated on good memory, which maps well onto his larger character trait of being a intelligent slacker in school (of which the number one complaint is that it is immaterial to actual learning and only really tests memory).

What does BBC Sherlock say, beyond the idea that a god has no need for human rules? That IS a message, but a hypothetical one, as most people will never get to that level of comical intelligence for it to be relevant. Well, I guess assholes (who are less smart than they think) use characters like him as excuses to be dicks, so there's that, but I think that's proof of how legitimately unrealistic he is. He's the power fantasy of teen boys and maladjusted adults, like Rick Rick and Morty.

The third layer is him remembering that he has shit memory and using it to his advantage.

THIS is the part that gets to me THE MOST about his character and arguably the part where MXTX proved (to me) that she’s a better writer than BBC Sherlock writing staff, especially when it come to OP or intelligent characters.

There’s an ELEVATION that happens on this third layer. This is where your character goes from a smart character to a smart person to an ABSOLUTE GOAT. This is the hype that the BBC Sherlock crew wanted when doing a smart god character but absolutely failed to nail deadass, Jesus-style.

Cheatcodes to Writing Intelligence

For one, it’s putting her money where her mouth is. BBC Sherlock creates hyper intelligence by bending the plot to Sherlock's will, like one of those Twitter fake "oracle" accounts that make predictions and then retroactively delete the wrong ones to make them look psychic.

It's not true prediction, and neither is Sherlock solving a mystery unsolvable to the audience because the writer can cheat and handwave his logic — THE VERY THING BEING SHOWCASED — by just showing Sherlock being right all the time about random things we couldn't know ourselves.

(And in Sherlock, this is mostly downplayed because the mystery is less important than the character drama (send prayers for Johnlock), but it goes from a subversion to a Game Of Thrones subversion (derogatory) when the show starts failing at the character drama too, making his stupid caricature of intelligence insulting instead of an interesting exploration of a hypothetical god trying to grow up human, Jesus-style.)

Wei Wuxian also has this hand-wave-y aspect to his intelligence. We're told and shown he's a genius inventor through the cheat code of the world's magic system. Magic without rules is famously hard to write well because any story's conflict can be solved with "well a wizard came and saved the day through GOD-like abilities" if the author is too lazy to write a satisfying conclusion.

Wei Wuxian is the inventor of Necromancy, and while yes this is sort of explained through a scene where he's arguing against the establishment to his cultivation teacher, the logic of it is very simple. "What if we reversed energy? (simplification of what he actually said)," the reality of his genius invention of necromancy is just that it's the author saying "well Wei Wuxian did it through his GOD-LIKE intelligence."

What we really get out of this is that his COUNTERCULTURAL HERESY (Galileo-Style) is revolutionary. Not so much his logic being revolutionary when the concept is THIS simple (haha reverse evil suppressing wards to get an evil attracting ward go brrr). But the story handwaves this away with just making other characters utter trash at necromancy, cheating at making him seem like a genius in comparison (simplified for scope, there's more to this).

IF that were all there was to him, he'd only be a 2 layer AT MOST. Instead, we have this third layer, where he directly reacts to information the reader has received in witty ways. (This also makes him self reacting, which is what makes us human)

The Structure of Setting Up Intelligence

Part of what makes mysteries so satisfying is that the reader is rewarded for paying attention/engagement. If they notice a clue that becomes a part of the detective's explanation later on, it's like a puzzle falling into place, where you feel like a special big boy for noticing. And if the detective manages to solve it where you didn't despite having all these clues, YOU become the dumb shitty necromancer jobber who makes Wei Wuxian look good in comparison. Metaphorically.

Similarly, we have all the clues. Wei Wuxian is smart and resourceful. Wei Wuxian forgets a lot of things. Wei Wuxian gets told he's forgotten a lot of things. What's the next logical step? Wei Wuxian smartly uses his forgetfulness as a resource!

2. At the beginning of the book, he accidentally snubs a side character by responding "I don't even know who you are" (simplified for scope's sake). At the time, he genuinely is fumbling here, messing up his social standing because of an actual brain fart, but in a way that's hilarious and better-than-you, so we think nothing of it... until he learns from this mistake right in front of our eyes!

Because later on, he REPEATS this line to the SAME character to legitimately snub them when they were making accusations of him personally attacking them. Not only is this an infuriating snub done on purpose this time, but it's a lie—Wei Wuxian remembered this asshole after the many many dumb dramas with them.

3. But it's a useful lie because it demonstrates a truth—WEI WUXIAN DIDN'T ATTACK THEM. Wei Wuxian would have motive to attack them hypothetically (read: dumb dramas), but the reality is that he doesn't care about them enough to do so, for all intents and purposes making them "forgotten" to Wei Wuxian. Best of all, people believed him because HE'S DONE THIS EXACT THING BEFORE. The plot is repeating, but nothing feels the same. LAYERS absolutely destroying MONOTONY.

3. On top of that, it's a reaction to himself. He's demonstrating both metacognition and self-awareness, here, which is something actively studied in psychology as a phenomenon humans have that other animals might not, a la Dunning Kruger and the mirror test, respectively. What's more human than cringing at your un-self-awareness and learning from it?

And the best part is that we were on every step of this journey. It feels like such an obvious move to make now, like duh you can use your forgetfulness as a form of weaponized incompetence—guys do it all the time (derogatory). Wei Wuxian even does this in a cute way with his sister when he does Sajiao/aegyo at her to get her attention (affectionate).

4. But it truly hits different seeing him do it in such a specifically crafted story, structured like a mystery or a joke where the logic or punchline is him pretending to have bad memory, and I personally would never have thought of doing this on the spot like he did. This is some post-argument hindsight shower thought shit. Genius power fantasy done well.

Shit like this is STORYTELLING and STORY CRAFTING. The repetition of the scene to make his second snub more potent. THIS IS THE POWER OF SET UP AND PAYOFF. A unique usage of the adage of how a character's greatest strength is their greatest weakness, like someone's determination making them bull-headed and stubborn. Except in reverse, necromancy style, where a fatal flaw (his memory) becomes a great strength (plausible deniability). A simple example of how characterization is about specific traits in unique ways to SHOW us his personality better than the author just telling you he's smart ever could, like in BBC Sherlock. THE POWER OF SHOWING NOT TELLING. The interplay of the contradictions within his intelligence as a way to show that he's "real" and not a god. THE POWER OF DEPTH.

All this while he is quite literally the god of his story (Jesus-style).

That's right! Time for pointing out the idolization and mythologizing of Galileo!

Now I don't know if this is true because fact checking in Chinese fandoms is a nightmare when 1. your chinese is barely fluent and 2. most chinese socmed platforms require a chinese phone number to sign up. 3. these two facts leads to a lot of fandom telephone. But I remember someone quoting MXTX on the idea that Wei Wuxian and his love interest are supposed to be the moral paragons of this story (despite the way Wei Wuxian has been demonized *haha get it? demonic cultivation. his ghost cultivation got called demonic cultivation in the most on the nose misnomer in history*). This is probably not a true quote, but it's emblematic of how it feels to be reading this story.

For one, Wei Wuxian is quite literally the moral paragon. He's one of like 3 people actively against a genocide (other than its victims). A genocide that characters within the positions of power go along with for what boils down to personal convenience's sake (ALL EYES ON RAFAH). He's one of the few characters to truly master resentment AKA ENVY (aka WEI "No Envies" WUXIAN) in a story where basically all the bad stuff happens due to envy (funnily enough the actual evil villain of the story is probably the only opp who wasn't actually jealous of him, despite arguably being the one who not only was the most envious of the whole series and the one whose envy would make sense, being narrative foils with Wei Wuxian and all). You'd never see Wei Wuxian wishing evil upon someone out of jealousy (he quite literally sacrifices himself to save his "unrequited" "crush's" "crush").

For two, this world is set in ancient times, where killing was still wrong but also simultaneously seen as honorable, like with Odysseus killing his wife's suitors in revenge being seen as honorable, DESPITE him hating it when the cyclops killed HIS crew in revenge for sheep lol. Wei Wuxian has slaughtered many people, but often in circumstances that soften the immorality of it, like the insanity defense or self defense or "this is war in ancient china" or stopping a genocide. And he acknowledges that these wrongs were still wrongs and does good in the world/changes as a person to atone.

For three, he's god damned OP. In a magic system where enlightenment is directly tied to magical ability, Wei Wuxian is one of the most powerful magic users in their world. Top of his generation, beat out only by his love interest, kinda. Morality is tied to cultivation, which is why it's called the "righteous" sects.

But it gets better, because those sects are not actually righteous. The vast majority are hypocrites or worse, and their work mostly involves killing things for "mundane" people, who treat them like nobility for doing so (depth in contradiction). The implication is sorta kinda that Wei Wuxian so powerful BECAUSE Wei Wuxian is one of the few to actually be righteous and not just self-righteous.

Thus, him being the inventor, the only non-noble, and only user of ghost path cultivation, the reverse of cultivation, thus serves to highlight his moral integrity in comparison, even when being called a heretic (depth in contradiction).

(And while people argue that his cultivation ITSELF is evil, causing the souls of the dead to be unable to reincarnate, I'd argue that that reading is a misread that gets distracted by thinking "demonic" and "ghost" cultivation are the same thanks to his title as the grandmaster of DEMONIC cultivation, when they're not the same (again, misnomer). In reality, he's the only successful user of the ghost path, which is about EMPATHY (Wei Wuxian's most signature magical ability after his flute playing skills) for the dead, playing into their resentment to help them pass, like he said in the very scene where he defies the establishment of his school and initially defines his path. The shitty jobber demonic cultivators are going evil and shit because it's actually pretty hard to put yourself in people's worst desires and hurts (wwx still went insane lol), much less if you yourself are controlled by resentment like Xue Yang or Su She was, who both technically "empathize" in that they're about as resentful as ACTUAL ghosts LMAO.)

Anyways, all this to say that the entire story is structured around hiding the fact that Wei Wuxian is the bestest guy ever embroiled in a huge mystery, who gets slandered and killed by his opps for standing up against powerful oppressors before coming back to life and clearing his name... (jesus-style). A lot of the book is him morality mogging or witty mogging randos, many of whom are cartoonishly evil or rude. Dare I say it? Yes. Like BBC Sherlock.

BOOM. Gallileo becomes the myth.

BBC SHERLOCK 🤝WEI WUXIAN

Whew, I finally brought it back around to my original point.

THIS is why Wei Wuxian is everything BBC Sherlock writers wished they were doing. Because in spite of all their similarities (seriously? both of them have a death period where their lover (rip johnlock) is mourning them before coming back to life??) BBC Sherlock's nowadays gets mercilessly mocked for being a Mary Sue and his fanfic community is dead, meanwhile Wei Wuxian is so beloved by his readers that MDZS fanfic literally has had such a huge impact it got Ao3 banned in China and then added a maximum to tags on Ao3 PERIOD. King shit.

And despite what this post seems, it's not a disparagement of BBC Sherlock as a character. I loved him, I loved the idea of exploring this demigod. Superwho-manly intelligent, but in ways that make it hard for him to function in the human world (until John). His struggles with ostracism, "weird" interests, sensory issues, etc. are alarmingly human and a great allegory for neurodivergence (while not being one of those cringe "autism savant" tropes bc he isn't literally autistic). Sherlock fic popped off for a reason, it's just that the writing of the show didn't do the legwork work that MDZS did to support his character as a god, instead it mostly did shit like "oh it's okay I'm a pretentious asshole because I'm a genius and always magically right, even when I'm wrong, because I'm god." Like if Rick Rick and Morty wasn't self-aware... T_T

That's why this post is me compiling the ways Wei Wuxian's character was crafted to be intelligent. It's not bad to have power fantasy OP characters, but it's hard to do them as well as him. It's not just the clever deceptions or witty usage of words with multiple meanings or the self-awareness and learning, or giving the intelligence flaws to make it more believable. Sherlock had all these and more.

It's the combination of it all, usually in the order of "telling" they're intelligent through abstract things like other characters saying he's really good at detectivework and them magically solving cases, then complicating that intelligence through some kind of flaw, then "showing" him overcoming that complication using concrete examples of intelligence, such as self-awareness, witty double entendres/callbacks, contradictorily using weakness or appearing weak for specific gains, and reframing the given 'clues' in a new light with the help of red herrings. This is like a steelman persuasive essay format, but with proving that someone is smart. Thesis, counter, rebuttal with quantitative evidence. There's like a mini arc build up to a mini climax/climactic moment that makes it satisfying.

The set up and payoffs are key here, as a lot of these just require a bit of legwork before the payoff, such as Wei Wuxian repeating the same line he used as a mistake into one he does on purpose or find a scenario where forgetfulness is actually helpful in deceptions or whatever the chosen scenario is. Much easier to begin with the end in mind in and then retroactively write the beginning to match, instead of creating an impossible mystery, after all. 😭😭 Best part is that I didn’t even compare the mystery writing of MDZS to Sherlock’s ass mysteries, I did it purely on the strength of how its intelligence is utilized for character drama, just as Moffat and his defenders would have wanted.