#which is a shame because i LOVE them

[bunnithechubs]

a little wip for spooky month

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[autumndragon]

honestly i really appreciate the writers of rtte stretching the rating as far as they could, now more than ever, because i can't believe how refreshing it is to hear words like "kill" and "death" and "tortured" just be said instead of it being censored away

[melooooo17]

@openphrase123 your fanfic(s but i mainly made art of the mira and siffrin one because i cant remember words for the life of me for i do not speak french) IS???? ? SO GOOD. SO GOOD IM FOAMING AT THE MOUTH finally something to look forward to in the week fr

Mild spoilers for it ig!! But nothing too explicitly groundbreaking i dont think it'll kill your mom to look at these without having read the ff first

Don't mind the shit quality i??? I drew all these so fast theyre kinda shit and i have yet to fully acclamate isat to my artstyle so it's mid

Teehee me when i make shitty rushed fanart to show my appreciation that i cannot put into words for my faovorite games and also authors

peep the rant in the tags

[vaguely-concerned]

due south is just so incredibly fun is the thing. it's a story that takes such delight in being a story at every turn and on every level.

(something strangely discworld-esque about it that way -- sort of like the fiction version of gender euphoria lol. every episode due south wakes up glorying in being a narrative and getting to do narrative Things and that shameless joy, that lack of interest in courting anything resembling the plausible or more obstructive to the truth yet, realistic, is threaded into everything. yeah of course there's a ghost now. fraser trying to make sense of the story of his father to make sense of the story of himself while being a stranger in a strange land makes the most sense anything ever has. of course they still talk (and fail to talk) to each other all the time. of course he's always here, and never here at the same time. people don't change just because they're dead. fraser in the pilot walking through all the *stories* of his father, still looking for him as he did when he was a little boy, and finding as much of him now as he did then (not nearly enough, even when he's right there). hello. hello. help.)

[of-the-eventide]

Ito Avagnar Fujimori was a well-loved sight among all the Scions and for them, their heart was given to each and every one in return. But they would call only one of them their brother, facing trial and tribulation back to back with him... While also dealing with all his annoying 'quirks' as well.

auraugust 2024 - companion

[youandthemountains]

it probably is insane how much I wish I could express the thing about spones. the vibes about spones. Like there's the joking fun fandom vibes and I love them, I love to play with them, of course of course. but the THING. the CORE to me. i wish i could capture it and share it.

[aizawaondrugs]

@rayshippouuchiha : posts something I have absolutely no idea about in a fandom I've never been part of

Me, absolutely not specifically seven crows in a disguise, still finding it relatable/shiny:

Also here's my cat holding still for a picture after I told her it was for Ray (betrayal lol she never does that for anyone else):

[solasfenheral]

vg is a game where there a lot of parts I enjoy on paper and then you have to reckon w execution that keeps like. keeps immediately killing narrative tension before it can build

[softpine]

working on the next post was frustrating me so i made more of coco's family to relax!! let's hear it for beautiful brown eyes

nico (33), nicole "coco" (23), monica (22), jasmine "jazzy" (18), amir (12), xena (1)

their family situation is very complicated but if you're interested:

nico was an oopsie when their mom was young. she got married and then quickly divorced nico's dad. coco looks up to her brother a lot. he's the kindest, most generous person you'll ever meet (gives you the shirt off his back kinda guy) and he loves coco so much, but he has an intellectual disability as a result of a complicated birth and he was never given the support he needed. he's had problems with substance abuse for a long time. growing up, coco always wanted to be around him, and unfortunately he didn't always do a good job of sheltering her. even though she doesn't blame him, he'll always blame himself for exposing her to his lifestyle.

when coco's mom met her dad, she didn't want to ruin things by getting married again. nevertheless, coco was planned. she was supposed to be the last baby (hence the cute matching names: nico and nicole).

monica came along so quick after coco that they were basically raised like twins, but coco was still very much a protective big sister to her because monica started losing her eyesight as a toddler. by middle school, she could only see light & shapes. she continued to go to the same school as coco, but she didn't get much in the way of accommodations, so coco was the one who helped her the most. she made sure monica never fell behind or felt different – she learned from nico that if she didn't support monica, no one would. they're the only 2 that share both the same birth parents, though monica always got along better with their dad than coco. oh also she's the sister that used to listen to danny's music fjkjsds

jazzy was from their mom's 2nd marriage which didn't last long. she spent summers with her dad in indiana, which made coco so jealous until she actually visited indiana herself lol. she goes to college at purdue so coco doesn't see her much. it also makes coco feel weird that they both started college at the same time though coco is 5 years older. she wants to be the big sister giving advice and helping jazzy through college, but jazzy has her life together more at 18 than coco ever has. she won't admit it, but she does judge coco for her life choices, and she has a lot of valid reasons for doing so. sadly jazzy had a front row seat to some of coco's worst moments. neither of them really know how to move on from that.

their mom is still married to amir's dad. he's the only kid still living with their mom. coco actually spends quite a lot of time with amir; he likes to stay at her apartment when he needs a break from his step siblings (who coco barely knows, since they moved in after she moved out). they also like to get out of the city and go exploring together / hiking

xena is....... complicated. she's the only one here that doesn't have the same birth mom and that's really all i can say. (btw i'm not bringing back the 2018 extreme red blush, the poor thing just has eczema)

[sidetongue]

who is dumber now has sprig supplanted moby as the family ding dong or do you think sprig will get any smarter with age

Sprig came home and immediately took over as the dumbest, but as he has grown and matured, he has surpassed moby. It was only a brief rise in ranking for ol Mobert - who is now firmly at the bottom of the ladder again. As proof please accept these photos of moby being an idiot with my cousin last week

[nell0-0]

Wanna draw so much stuff but so little time lately, augh

[bookshelf-in-progress]

Maybe the truth at the heart of Shadowstruck is the importance of family. Because the most compelling stories in this universe are about what happens when you tell parents that some of their children have no right to their love, care, and protection. It destroys what should be the strongest and most natural bonds of love, and that simple horrible thing leads to all the complicated problems in their oppressive society.

[trashcatsnark]

ngl, didn't play EA but I'm poking around datamined dialogue from an EA version- I find it very inchresting, that seemingly, they definitely turned down the dream guardian's like horniness and romantic interest. Like it seems to be implied that at one point the dream guardian like- tries to kiss you during the first encounter, like lots of notes about cheek caress, thigh touching, and leaving you with a smooch souvenir. And then in the morning you get a pretty good idea of who everyone saw (Karlach didn't have a file for it that I saw and Shadowheart's was vague, beyond- "someone she is attracted to") and Gale is funnily enough seems (from my searching) to be the only one who admits that... yeah, he smooched them...

And like, totally get why they turned that down for final release, but god if that was still the case- I would have lowkey tried not to laugh my ass off when who the dream guardian is was revealed and ask Gale how he liked the taste of squid mouth, was it worth it, bud?

[doctahchang]

i don't like the year of hell story-wise because 1) they tried to do too much with these two episodes which led to the overall cacophony (then i found out that at first it was a plot for a whole season and i was like oh this makes sense) 2) how the story handled chakotay. text meme he wouldn't fucking say that.

but!

i think somewhere in there there is an epic parallel (that i made up) going on to how janeway will deal with bringing voyager home on 'her terms' in endgame (by wiping out the original timeline in the process)

see also how they took away annorax's wife from him and they take chakotay from janeway both in the year of hell and endgame haha

[pianokantzart]

Played the Princess Peach Showtime demo and reminded myself that I've never been good at a single baking videogame in my life