#which is a reference to some other show's title

[literaryvein-reblogs]

Writing Notes: The Master Fiction Plot

Lester Dent's "Master Fiction Plot", often referred to as the "Lester Dent Formula" is a widely circulated guide to writing a saleable 6,000-word pulp story.

This is a formula, a master plot, for any 6000-word pulp story.

It has worked on adventure, detective, western and war-air. It tells exactly where to put everything.

It shows definitely just what must happen in each successive thousand words.

The business of building stories seems not much different from the business of building anything else.

Here's how it starts:

A DIFFERENT MURDER METHOD FOR VILLAIN TO USE

A DIFFERENT THING FOR VILLAIN TO BE SEEKING

A DIFFERENT LOCALE

A MENACE WHICH IS TO HANG LIKE A CLOUD OVER HERO

One of these DIFFERENT things would be nice, two better, three swell. It may help if they are fully in mind before tackling the rest.

A different murder method could be--different.

Thinking of shooting, knifing, hydrocyanic, garroting, poison needles, scorpions, a few others, and writing them on paper gets them where they may suggest something.

Scorpions and their poison bite?

Maybe mosquitos or flies treated with deadly germs?

If the victims are killed by ordinary methods, but found under strange and identical circumstances each time, it might serve, the reader of course not knowing until the end, that the method of murder is ordinary.

Scribes who have their villain's victims found with butterflies, spiders or bats stamped on them could conceivably be flirting with this gag.

Probably it won't do a lot of good to be too odd, fanciful or grotesque with murder methods.

The different thing for the villain to be after might be something other than jewels, the stolen bank loot, the pearls, or some other old ones.

Here, again one might get too bizarre.

Unique locale? Easy.

Selecting one that fits in with the murder method and the treasure--thing that villain wants--makes it simpler, and it's also nice to use a familiar one, a place where you've lived or worked.

So many pulpateers don't. It sometimes saves embarrassment to know nearly as much about the locale as the editor, or enough to fool him.

Here's a nifty much used in faking local color.

For a story laid in Egypt, say, author finds a book titled "Conversational Egyptian Easily Learned," or something like that. 

He wants a character to ask in Egyptian, "What's the matter?"

He looks in the book and finds, "El khabar, eyh?"

To keep the reader from getting dizzy, it's perhaps wise to make it clear in some fashion, just what that means.

Occasionally the text will tell this, or someone can repeat it in English.

But it's a doubtful move to stop and tell the reader in so many words the English translation.

The writer learns they have palm trees in Egypt.

He looks in the book, finds the Egyptian for palm trees, and uses that.

This kids editors and readers into thinking he knows something about Egypt.

Here's the second installment of the master plot.

Divide the 6000 word yarn into four 1500 word parts. In each 1500 word part, put the following:

FIRST 1500 WORDS

First line, or as near thereto as possible, introduce the hero and swat him with a fistful of trouble. Hint at a mystery, a menace or a problem to be solved--something the hero has to cope with.

The hero pitches in to cope with his fistful of trouble. (He tries to fathom the mystery, defeat the menace, or solve the problem.)

Introduce ALL the other characters as soon as possible. Bring them on in action.

Hero's endevours land him in an actual physical conflict near the end of the first 1500 words.

Near the end of first 1500 words, there is a complete surprise twist in the plot development.

SO FAR:

Does it have SUSPENSE? 

Is there a MENACE to the hero?

Does everything happen logically?

At this point, it might help to recall that action should do something besides advance the hero over the scenery.

Suppose the hero has learned the dastards of villains have seized somebody named Eloise, who can explain the secret of what is behind all these sinister events.

The hero corners villains, they fight, and villains get away. Not so hot.

Hero should accomplish something with his tearing around, if only to rescue Eloise, and surprise! Eloise is a ring-tailed monkey.

The hero counts the rings on Eloise's tail, if nothing better comes to mind.

They're not real. The rings are painted there. Why?

SECOND 1500 WORDS

Shovel more grief onto the hero.

Hero, being heroic, struggles, and his struggles lead up to:

Another physical conflict.

A surprising plot twist to end the 1500 words.

NOW:

Does second part have SUSPENSE?

Does the MENACE grow like a black cloud?

Is the hero getting it in the neck?

Is the second part logical?

DON'T TELL ABOUT IT***Show how the thing looked.

This is one of the secrets of writing; never tell the reader--show him.

(He trembles, roving eyes, slackened jaw, and such.)

MAKE THE READER SEE HIM.

When writing, it helps to get at least one minor surprise to the printed page.

It is reasonable to to expect these minor surprises to sort of inveigle the reader into keeping on.

They need not be such profound efforts.

One method of accomplishing one now and then is to be gently misleading.

Hero is examining the murder room.

The door behind him begins slowly to open.

He does not see it.

He conducts his examination blissfully.

Door eases open, wider and wider, until--surprise!

The glass pane falls out of the big window across the room.

It must have fallen slowly, and air blowing into the room caused the door to open.

Then what the heck made the pane fall so slowly?

More mystery.

Characterizing a story actor consists of giving him some things which make him stick in the reader's mind. TAG HIM.

BUILD YOUR PLOTS SO THAT ACTION CAN BE CONTINUOUS.

THIRD 1500 WORDS

Shovel the grief onto the hero.

Hero makes some headway, and corners the villain or somebody in:

A physical conflict.

A surprising plot twist, in which the hero preferably gets it in the neck bad, to end the 1500 words.

DOES:

It still have SUSPENSE?

The MENACE getting blacker?

The hero finds himself in a hell of a fix?

It all happens logically?

These outlines or master formulas are only something to make you certain of inserting some physical conflict, and some genuine plot twists, with a little suspense and menace thrown in. Without them, there is no pulp story.

These physical conflicts in each part might be DIFFERENT, too.

If one fight is with fists, that can take care of the pugilism until next the next yarn. 

Same for poison gas and swords. 

There may, naturally, be exceptions.

A hero with a peculiar punch, or a quick draw, might use it more than once.

The idea is to avoid monotony.

ACTION:

Vivid, swift, no words wasted.

Create suspense, make the reader see and feel the action.

ATMOSPHERE:

Hear, smell, see, feel and taste.

DESCRIPTION:

Trees, wind, scenery and water.

THE SECRET OF ALL WRITING IS TO MAKE EVERY WORD COUNT.

FOURTH 1500 WORDS

Shovel the difficulties more thickly upon the hero.

Get the hero almost buried in his troubles. (Figuratively, the villain has him prisoner and has him framed for a murder rap; the girl is presumably dead, everything is lost, and the DIFFERENT murder method is about to dispose of the suffering protagonist.)

The hero extricates himself using HIS OWN SKILL, training or brawn.

The mysteries remaining--one big one held over to this point will help grip interest--are cleared up in course of final conflict as hero takes the situation in hand.

Final twist, a big surprise, (This can be the villain turning out to be the unexpected person, having the "Treasure" be a dud, etc.)

The snapper, the punch line to end it.

HAS:

The SUSPENSE held out to the last line?

The MENACE held out to the last?

Everything been explained?

It all happen logically?

Is the Punch Line enough to leave the reader with that WARM FEELING?

Did God kill the villain? Or the hero?

Excerpts from Marilyn Cannaday's biography of Lester Dent, "Bigger than Life: the Creator of Doc Savage" (Bowling Green State University Popular Press, c1990), transcribed by Jason A. Wolcott, 1995.

Sources: 1 2 ⚜ More: Notes & References ⚜ Plot ⚜ Character ⚜ Worldbuilding

[irohsteaa]

is it me or I think there is some misogyny within the monster fandom..i mean people treat Eva and Vera as the worst people in the wolrd when I can think of much worser characters,and they boil down Nina to "a nice girl" and ignore all her complexities,symbolism and narrative importance and say "she isnt that well developed and not important to plot"

Misogyny certainly plays a role here, it's esp. evident with how the fandom treats Eva (esp. before she grew as a character; and even after she grows, it's mostly about "she stopped harassing Tenma" and her relationship with Martin, while the more important thing here (imo)—how she started to take care of herself and stopped defining herself through the men in her life—is underdiscussed).

But I think it'd be reductive to say that the way the audience sees the women in Monster is only a result of misogyny; I think a crucial aspect here is the way the female characters are written and how they're treated by the male cast.

I think it's one of the many traps laid by Urasawa, traps that are very easy to fall into (which is perfectly understandable with a complex work filled with so many characters). I also fell into them: my first reaction to Eva was "oh, here we go again, female characters written by dudes" (yeah, Monster taught me to stop yapping about shit without 1) finishing it 2) looking at it carefully, because the devil is the details).

So what exactly are the traps built of?

Cliches

Subtle characterization and/or an apparent lack of information that shows in, for example, the namelessness or very little time on screen.

The fact that a large part of the story is the lack of a story.

Ad 1. I think a big part of Monster is the way it plays with cliches (and it does so boldly; it isn't afraid to introduce us to the most overused cliches and turn them into little storytelling gems), so of course there're also many female character cliches: the love interests, the damsels in distress, the naive & clueless woman, etc.

And when you don't pay attention, it's easy to think that these cliches are everything that can be told about these characters. When we stop here, we miss so many details that reveal the more complex character behind these cliches.

Ad 2. I think Nina is a perfect example of how the subtle characterization can leave many people thinking that she's underdeveloped, irrelevant to the plot, and just an addition to Tenma and Johan.

We also don't have access to her direct point of view, but I don't think it's necessary here and I think we don't have access to it for a very good reason; women are still seen mainly as caregivers, as people who serve others, and are socialized to be nice from a very young age. This can lead to ignoring one's own needs and, in consequence, losing yourself.

And Nina is a character who fits into this role perfectly; she's often shown serving others, bringing kindness where it's needed, being a beam of hope, etc. She's also very often overshadowed by her brother; she's referred to by other characters as "Johan's sister", as if this was the most important information about her.

Heck, Johan even takes away from her the monster title; the reasons behind it are, of course, ambiguous, but it doesn't change the fact that it was her who was kidnapped to the Red Rose Mansion and it was her whose memories were taken away.

And she's clearly upset when Johan tells her that it is his story to tell.

One of my favorite examples of her subtle characterization is the fact that in the beginning of the story, she wants to be a public prosecutor, and by the end, she wants to be a lawyer. It seems like a small change, but it tells a lot about how much her worldview changed.

When it comes to the namelessness and the little time on screen, a good example of it would be Věra. Please keep in mind that we only learn about her possible name in Another Monster; why do I say it's only possible? Because the only source of this name is one person interviewed by Weber, and the person identified Věra via a sketch. I wouldn't call this the most reliable source.

But let's get back to the main topic; what's the reason behind both the lack of a name and the little time on screen? It's Bonaparta.

Bonaparta doesn't let us see much of her, he doesn't let us learn her real name. But even when we see so little of her, we can still see someone compelling and complex, we see a wide range of emotions, we see her determination, we see who she could be if it wasn't for her circumstances, we see her deep guilt and fragility by the end of the story, we see someone who Bonaparta initially dismissed ("you are a funny woman" etc.) only to end up obsessed with her.

But since it's only a matter of a few panels and she's mainly discussed by other characters as the mother of the twins, it's easy for the audience to a) see her as a bad mother, b) think she's unfairly treated by the manga.

I don't think she's treated unfairly by the manga, I think she's one of the most important characters in Monster and it isn't merely because she's the mother of the twins, it's because we can see so much of her in other Monster characters: in the nameless, the dismissed, the robbed of a better future, the reduced to a certain role, all the characters we simply do not know a thing about their minds and that quite possibly, behind the awful clichés, there were in them gardens and twilights, and palace gates.

(I tried to stop myself from babbling about Lolita, but it's not my fault the quote fits so well here.)

Ad 3. I mentioned the lack of the story partially in Ad 2., but there are so many other examples: the little girl who lives with Hugo Bernhardt, Richard Braun's daughter and wife, Lunge's daughter and wife (the difference between how Richard sees his family vs. how Lunge sees his family is shown in the narration as well), Martin's mother and girlfriend etc.

Thanks for the ask! ‎(^人^)

[reignpage]

hello

what's your process of writing smau's? like the idea and how do you decide to implement it and everything?

thanks in advance and pookie don't forget to rest

Saw this a while back and finally have time to answer

I've already touched on this in my recent Announcement

Here is my start to finish process:

I have a list in my notes app of story ideas divided by smau and fic

and within smaus, they're further divided by angst/smut/fluff

Many are popular plots like

Clingy? (they call you clingy)

Birthday Girl (forget your birthday)

And the others are things I've just thought of for example:

A New Friend (or more popularly known as 'Keiko')

Tell Your Friends About Me

When it comes to making a smau, I first have to ask myself what kind I wanna make

To make a oneshot, my process is:

Start with Gojo (I always go in order of their appearance, it's just easier to transfer the screenshots from my phone to my laptop and organise them when they're already in order)

Change the contacts (his picture and name)

And text myself my initial thoughts

Most of the time I never plan what I'm going to say, like the plot for each character or the exact wording, it just comes to me naturally. But there are times when I have to trial and error what feels best. Regardless, there's a lot of deleting happening. Which is why I prefer the single page layout because then if I have to start over because of a mistake or typo, I don't have to recreate as many lines. It's less tedious.

To make a series, I like to generally follow a 4 part stage:

Problem

Confrontation

Explanation/Grovelling

Resolution

Which is why I was actually surprised a couple people thought I was excessively making parts, because looking through my masterlist, that just doesn't seem to be the case

Anyways

Each part and each character are like episodes of a telenovela in my head

That's why some people might think the conversations end suddenly and then people have to read back to understand the new part. I never thought that was a bad thing. In fact, it was actually quite intentional. These messages are dramatic like Vampire Diaries or Greys Anatomy and not realistic because realism is boring.

The children yearn for escapism!

Sometimes there's even minor time jumps between parts where reader has avoided the men for a couple days for example. Each character's plot plays out in my head like a show is the best explanation I can provide.

It's the same for the Modern au!smaus

Some people didn't get the Modern au!Nanami ones because they couldn't tell when a text is a pre-relationship text or when a text is during their relationship

First 3 texts are pre and the last half are established relationship texts Some texts are a continuation of a story, others are a snapshot of a moment in their lives

So it might not make sense immediately and that's because it's not supposed to be linear

It's like an episode!

Think of the Modern au!Nanami one titled 'Newton's first law'

First text is a snapshot of their first every conversation From reader's perspective, it's their first time meeting So in the beginning of an episode, it'd be like a flashback Then the episode picks up where we left off from the pre-relationship timeline, when Nanami got fed up because of the drunk party stunt reader pulled, and reader apologises and begs for another chance. The third pre-relationship pic is still following that event in the episode, but is a couple weeks into the future, where reader has kept her promise and been distant, which Nanami picks up on. THEN the three next pictures are in the present time, during their relationship, and we see they're having an issue, they even go on a break. But the episode ends with them reconciling and it all connects back to the first pic (the snapshot of their first conversation) with a reference to a text reader sent nanami

See my vision?

It might not be executed perfectly, but I hope you guys can at least see where I'm coming from.

If you've made it this far, you're a champ

Once I've reached the final character

Either Sukuna (or Shiu) in my 18+ works or Toge

I crop the pictures and I create a post on Tumblr using my laptop

I colour the title using a website

Paste it on the post

Get my template:

Smau: in which they/you..... Warnings: ..... Featuring: Gojo, Geto, Choso, Toji, Nanami, Sukuna/ Yuji, Megumi, Inumaki

I copy and paste the tags from my notes app (I do not type them out one by one anymore it's tedious work) and just edit out the inappropriate tags like if it's not smut, I'll take out every 'jjk character smut' tag etc.

And then transfer the pictures from my phone to my laptop, and then place the pics into Tumblr

I do final checks

Sometimes I forget to crop a picture or I didn't screenshot a character's conversation (I have to take a lap when this happens because that means I have to change out the contact pic and name and scroll up and go through the process ugh)

But if all looks good on my front, then I don't hesitate to click post!

Thanks for reading and hope that was informative!!!

[vidavalor]

*pops up and dusts off shoulder* Hi! Thanks for thinking of me. Love this topic. Dear as a corruption of the original deil but just within the song, I would think. It looks like it's a phonetic evolution. Basically, people misheard the similar-sounding words enough that this new version of the song emerged. Because it's a folk ballad, it was sung often enough and by so many varied people that its lyrics changed over time. It's sung as "dear" in the version of the song in the film, which I've seen and is lovely.

A more modern version of this same word corruption effect on a song would be the changes to Britney Spears' "Toxic." The actual, original, official lyric in that song was a taste of a poisoned paradigm but so many people heard a taste of a poisoned paradise instead that everyone involved-- including Britney Spears and the songwriters-- basically gave up on insisting that the original lyric be upheld. There have been subsequent, official versions where she sings paradise and the best cover of the song-- Scott Bradlee's Postmodern Jukebox feat. Melinda Doolittle's smoky and very Crowley & Aziraphale torch song rendition of it-- uses the paradise line. As someone who basically only likes this one Britney song and thought the original lyric was better, I find this all quite irritating. 😂

What's interesting about the language evolution/corruption in "I Know Where I'm Going" is that this word very much changes the tone and meaning of the song. It's a bit darker when it's referring to Satan and the fact that the song is referring to him is referencing a forbidden aspect to the romance-- one that could incur the wrath of The Devil. They know where they are going and they know who they love and who they'll marry-- and The Devil does, too.

Add it to the ever-growing list of suggestions that Satan is appearing to be The Metatron in The Final 15...

But when it evolves in the song to be "dear" instead of "deil" and to shake The Devil free from the song? Then, it becomes a love song about this person who is confident in their direction because they know who they love and who they'll marry and their dear-- the person they love-- knows it, too. It's this version of the song that is sung in the film.

The "I Know Where I'm Going" episode title seems to be emphasizing the influence of that film as a whole but likely by also confirming the main reference to it in S2, which is in the tartan hills as Aziraphale goes to Edinburgh. This comes from one of the best parts of the film and the way the show is using it is just... *happy sigh* I loved it so much. 😇 I don't want to spoil the film for anyone who hasn't seen it-- and give it a watch, it's great!-- so, I'm going to be a bit vague but hopefully, you'll see where I'm, well, going, with it. Some spoilers below.

The film is a love story-- a tone-shifting, genre-bending one at times, much like Good Omens. Its central character is a woman named Joan whose anxiety is hidden by her stubbornness and determinism, which has both positive qualities and negative ones. She believes she knows where she's going and has a plan to follow for her life and we watch as those plans get blown to smithereens by her running into trouble on her journey to a remote Scottish island to marry this horrible guy. On the way, she meets and falls in love with Torquil, the local laird and the person she'd be much better suited to marrying.

Torquil is the one who sees her there and they help each other to live a bit more and fall in love for most of the film. The bad weather conditions that have stranded Joan on the other side of island from where she's supposed to go marry this other guy finally clear near the end of the film and she has a choice to make: does she go through with her plan... or does she, for the first time, abandon her sense that she always knew where she was going and marry Torquil?

The tartan hills scene that is referenced in Good Omens comes from one of the most fun parts of the film-- the one that exists to show us Joan's rationale for why she's planning on marrying this other guy who is decades older than her that we already know she doesn't love (and whom we only hear, once, during the film, and never meet.) While Joan is on the train for the first leg of her long journey to this Scottish island, she falls asleep and has a dream that explains to the audience what she's thinking. Joan doesn't dream of her fiance himself at all. The man she's marrying owns the company she works for, which is called Consolidated Chemical, and is basically presented as this too big to fail energy juggernaut. During the dream, the phrase "it's all arranged" repeats with the rhythm of the chugging train wheels and her dream is about money and status but it's really about her own feelings of insecurity.

What makes Joan likable is that she doesn't truly desire money and status so much as she is awkward, has trouble making friends, is anxious, and wants security. She has mistaken economic security for emotional security. She doesn't like herself enough to believe that she should marry someone she loves. She wants to marry the company this guy owns-- not him-- because she thinks that will give her a position and a place and solve her problems of feeling insecure.

She spends most of the film with Torquil and the real, working class people that he knows-- many of whom have been harmed by her fiance's presence on the nearby island-- and it forces her to realize that she made a plan that she thought was safe for her out of fear but that she didn't want to be going in the direction she was going and she doesn't really want anything to do with Consolidated Chemical. Her heart is with Torquil and his people. She realizes that her own stubborn sense of independence made her never someone who could have been satisfied with that plan she had made for her life because her values do not align with those of a life of being Mrs. Consolidated Chemical.

(The film also loves Scotland big time and there's an element in it of an Englishwoman falling in love with some Scots and their way of life that Good Omens also echoes with things like the 1827 minisode and Crowley and Aziraphale's love of Scotland-- Aziraphale changing the flag on the guy in the graveyard's phone, etc.. There's also a plot about Torquil, the idea of being cursed/doomed for eternity, and a whole thing about crossing doors/thresholds that are all very Good Omens as well but that would be too spoilery to get into.)

So, in the course of this dream that Joan has, she dreams of her journey to Scotland and the hills in her dream are covered in tartan. She doesn't know it but this is foreshadowing her actual fate-- she will fall for Scotland and for the man she meets there on her journey. This is the last thing she sees before she wakes up and then the whole rest of the film is really her waking up from the metaphorical dream that was her initial plans for her life and how unhealthy they were. The dream sequence is sort of a summary of where the film began and where it's going that is hidden in plain sight near the start of the film.

It's one thing for a tv show or a film to do an homage to another show/film but it's another to do one the way that GO nods to I Know Where I'm Going!. GO does an homage to this film by having Aziraphale do his own homage to it, in such a way that it makes it clear that Aziraphale is aware of the film. Aziraphale, as he is on his own journey to Scotland, changes bits of The Bentley to reflect Crowley and then, to amuse himself, changes the hills while he drives past them into the tartan hills of Joan's dream in I Know Where I'm Going!. It says that he knows and loves this movie.

It says that he sees elements of he and Crowley in Joan and Torquil's story. He relates to the movie as being like how Crowley came along and wrecked his plans to unhappily follow The Ineffable Plan into the abyss. Aziraphale has long since known where he's going, who he loves, and who he'll marry. Aziraphale's dear knows it, too. They're just about 90 minutes or so out from being able to make the last part happen.

I Know Where I'm Going...

Despite knowing the Powell & Pressburger influence on GO, I hadn't realised the episode 'I Know Where I'm Going' was named after a P&P movie! Flipping TV channels this evening, it was on BBC just as a bright eyed maid was travelling to Scotland and singing about a disreputable lover...

Aziraphale nipping up to Edinburgh, thinking about his devil dear...? So many LAYERS.

[killjoy-prince]

House M.D. but it's when a character says the name of the episode

[reinabeestudio]

Understandably he has more than one voice but phew (°ー°〃)

[kalmeria]

so I know basically no one follows me for ensemble stars BUT! i think tumblr ppl could appreciate if i told them about how there’s two characters who meet for the first time and they feel some kind of connection immediately, like “have we met before?” and then later it turns out they used to be mutuals

[reinemichele]

Translation here

She pokes at me and then runs away Can’t let go; she does it on and on and on She calls me, and then turns away They say she’s dangerous but I can’t hear them Why are you doing this to me? Why am I doing this to you? The end of your words are vague And my tears fall I’m on my knees And I’m ready to get hurt You're looking at me, who came back Can’t let go; I do this on and on and on From your touch that held onto me I don’t see a single trace of love anywhere Your eyes change little by little, The moonlight starts to vanish As if everything is so fun for you, As if you’re laughing at me You get further away Tears come to me again I need therapy, la-la-la-la-la therapy I knew it but I’ve fallen for you again; I’m ready to get hurt I’m a toy that’s made for you; My life-line is always in danger I’m nervous but I’m sure That you will transfer to some other guy Just play with me for sure, today From head to toe, take all of me Roughly play with me, then throw me away; I’m all done getting ready to get hurt Why are you only like this to me? Why am I only like this to you? Once again, you leave room, you leave strange words And I look at you as you take off and I cry I need therapy, la-la-la-la-la therapy I'm waiting for you once again; I’m ready to get hurt

[insertdisc5]

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[sundrop-writes]

Need

Daryl Dixon x Fem!Reader

Summary:

Daryl comes back from a run acting strangely needy, and you find out that Zach made him jealous. (You may have to thank Zach later.)

Or - Daryl fucks your brains out to prove to himself that you're his.

Daryl Dixon x Fem!Reader. Established Relationship. Smut/PWP. Set during early Season 4/The Prison Era.

Word Count: 3,000

The Walking Dead Masterlist | AO3 Link

Detailed warnings and author's notes below the cut.

Warnings: this is mainly a smut fic - the reader uses she/her pronouns and has a vagina; the reader and Daryl have a sexual relationship that skews slightly romantic; the reader's age is not at all specified; Daryl being very needy (hence the title); Daryl is more dominant the reader is more submissive, but there is no laid out rigid roles; Daryl is jealous and trying to 'claim' the reader after someone else makes sexual comments about her (when she is not around to hear those comments); mentions of Daryl drinking alcohol and smoking (does not take place during the fic, just a background element); some manhandling - from Daryl towards the reader (nothing unrealistic or beyond Daryl's known strength); oral sex - reader receiving (Daryl certified pussy eater); references to hunting/killing animals for food (come on, this is a Daryl fic); Daryl is slightly mean in this (he tells the reader to shut up) - but he's not vengeful or mean on purpose, he's just in a mood; spit kink - Daryl spits on the reader's pussy; pussy spanking (this was such a last minute addition and I am so glad I did); Daryl calls the reader 'woman'; overstimulation - towards reader; mention of the reader crying/having tears in her eyes (due to overstimulation); Daryl being very possessive due to his jealousy; hair-pulling - Daryl receiving; very slight anal play (Daryl tongues the reader's asshole - juust a bit); penis in vagina sex; unprotected sex - they don't use a condom and there are no mentions of other forms of birth control (don't be like them); there is no mention of Daryl cumming inside the reader, though because the fic ends before we get to his orgasm (sorry, Daryl); slight cockwarming; the sex gets rough toward the end; I believe that's it for this fic?

A/N: No, this was not the winner of the poll. But right now I am in a mindset for TWD fics because I have been watching the show and I think it's a good opportunity to get this one out of my drafts - especially because it's shorter and easier to edit. If it's not your thing, feel free to ignore it. Also, I am not doing a taglist for this one because a lot of people on the taglist last time did not follow my taglist rules (basically, they were tagged and they didn't show up to read the fic, so it feels like a 'why bother' type of situation). So I'm gonna clean out the taglist and after such a short time, I am considering quitting taglists altogether. Anyway, if you do read it, I hope you enjoy the fic.

...

Need. 

That was the only word you could use to describe Daryl in those moments as he threw you down onto the cot and ripped your pants off with record speed. The air was absolutely ripe with need, the likes of which you had never felt or seen from Daryl before. Especially not in this magnitude. 

Daryl Dixon was someone who rarely came off as needy. 

Since the two of you had started this relationship (it was strange to call it a ‘relationship’ when there was so little conventional romance to it, and so few words) - Daryl was never someone you would have described as ‘needy’. He was always the definition of calm. He was level-headed, quiet, reserved - even more so in the face of your intense needs. The more you became a puddle of melded need, when you boiled over into pure want, especially in his presence, the more he turned into a stone wall of uncrackable cold hardness that you wanted so desperately to see crack. 

It was a game the two of you had been playing since day one. And he hadn’t lost yet, not once. 

Of course, the sex was amazing - even if he never let that facade down. He made sure that your overwhelming, unhidden need always came first. He made sure that you had cum first - usually more than once - before he even considered sticking his cock inside of you or letting you drop to your knees in order to serve him. He was never selfish - a man that lived to serve, in fact. 

That was why it surprised you when he came back from a run that day and grabbed you by your arm, practically dragging you out to the admin block. It was a place that you and Daryl had set up a little nest for personal privacy in the old warden’s office. Daryl had chosen the location both for its privacy, and for the wonderful irony. 

He found it downright hilarious that he was someone who had been reprimanded by cops before the total collapse of society and had been nearly arrested half a dozen times (he liked to put the emphasis on nearly, because he was a fast runner and often disappeared into the woods where they didn’t care to chase him, in contrast to someone like Merle, who was a known drug dealer was of far more interest to them - and much slower). Daryl was someone who could have easily ended up in prison, and now he could sit behind a warden’s desk and smoke a stash of fancy cigars that he had found hidden, and he had polished off the fancy whiskey in between fucking you. 

And he took an even greater enjoyment in fucking you pinned against the warden’s desk - but for practical purposes, he had lugged a cot into the office and set up a more comfortable space for the two of you there. The two of you even slept there sometimes because he still refused to sleep ‘in a cage’ - as he put it. Everyone else in the prison liked to fake that they didn’t know where the two of you went, but really - they were just glad that your love nest was far enough away from everyone else that they didn’t have to be subjected to the sounds you and Daryl made. 

And you were glad that you didn’t have to pretend to go hunting in order to escape to the woods for some privacy. Especially because, even as capable as Daryl was, the threat of Walkers looming over your head while he fucked you did make it a bit difficult to get fully lost in the sensations. 

But all of that was far at the back of your mind while he shucked off his crossbow and tossed it aside carelessly (usually he was someone who was careful to put away his weapon, not wanting to damage it so that he wouldn’t have to waste precious time on repairs) - but today, there was something simply rabid about him. Something itching and impatient. 

You couldn’t deny that it turned you on, but you had to question what had caused the shift in him. Especially when all of your little games - your teasing, your flirting, your dirty words - hadn’t been able to crack him for months. 

“Daryl, what’s gotten into-?” 

You couldn’t even finish posing the question before he began ripping on the waistband of your pants once again. That tense irritability became potent in the air once again when the fabric got caught up in your boots, Daryl letting out a deep grunt and glaring at the obstacle. 

You reached for the laces in order to get everything off, thinking this was what he wanted, but he simply put two large, commanding, calloused hands on the backs of your thighs and shoved down - hard. He pinned you down to the cot with a tough force, something that made the metal of the supposedly temporary furniture squeal with a worrying sound. You almost didn’t hear it over the pitiful, whorish gasp that escaped your lips. 

He was never like this. He was never so desperate. 

You loved it. Your body was flooded by heat, equally as desperate within seconds. 

“Daryl!” You cried out, half confused, half hot red and turned on. 

Your cunt ached fiercely and clenched around nothing and Daryl locked eyes with that pulsing gash, letting out a pleased hum. There was barely a blink before he dove between his own hands, digging in his fingers in tightly where they held onto your quivering muscles and immediately he licked a long, hard stripe up the center of your pussy. 

Hungry. 

That was a word you would have used to describe Daryl many times before.

He was messy and shameless when he ate meals. You had seen him dig into game bloody and raw when he had taken you out hunting, when he was starving and impatient and truly treasured a fresh kill. 

Currently, that’s exactly what you felt like - a fresh kill, recently captured by him, a true prey animal under his grasp being absolutely devoured while you could do nothing more but lay there and take it. 

It felt utterly amazing. 

It felt like where you belonged. 

The room soon became filled with sounds - loud, adamant slurping as his tongue furiously worked over your cunt, creating the same kind of shameless slobber that he did when he was thoroughly enjoying a meal. Your gasps and moans shuddering through your lungs as the sensations rocked your body, the pitiful squeaking protests of the cot as Daryl leaned against you more, putting more weight on those rusting springs. 

He began moaning against your heated flesh while he continued to hold you down by your trembling thighs, and while your ears rang with blood and your face bloomed with heat, you soon realized that the distant, repeated keening sound you could hear - almost like a dying cat - was you. 

You were having difficulty catching your breath and you quickly became dizzy from the hot, heavy pleasure vibrating up your body from his tongue. Made even better by the feeling of his coarse beard rubbing against your sensitive pussy lips, and the deep vibrations of his moans against you. 

All you could do was tightly clutch onto the blanket you had used to make up the cot and buck your face against him, hoping for him to shove his tongue deep inside of you or put some more persistent attention on your needy, throbbing clit, rather than simply grazing against the sensitive organ with each pass, making you more and more needy - 

Daryl groaned into your cunt and then, much to your frustration, he pulled away completely. 

“Stop squirmin’.” He grunted at you, his voice a whole new shade of dark and lustful thick that you had never heard from him - one that made your whole body quiver. 

You let out a pathetic moan, more wetness gushing out of you. 

“Daryl, please-” 

“Shut up.” 

Somehow, him barking this rudely at you made you even wetter. 

You squeaked out another pathetic little sound, expecting that he would get back to devouring you like you were his last meal, seemingly for his own pleasure - but then, he managed to surprise you yet again. 

He used his hold on your thighs to spread your legs (as much as he could with your pants still tangling your ankles together). And then he pursed his lips and heaved a thick, heavy glob of spit onto you - aiming perfectly and causing it to land right on your sensitive, swollen clit. 

Just like his perfect mouth, it was hot and slick, and simply seeing the shiny bead come from his lips to land on you caused you to scream and buck against him like a cow being branded. Which is exactly what he had intended - for you to be branded by him, marked as his, fully owned by him. 

Hot tears of pleasure escaped your eyes and he locked right onto your gaze - even through the choppy dark curtain of his too-long bangs, his steel blue eyes pierced into your soul and the burning lust you saw there punched you in the gut. When he took one of his hands off your thigh, you didn’t have a moment to think about what he was going to do before he brought the heavy pads of his tough, well-worked fingers down onto your already sore clit and spanked you. 

Once, twice, three times - something he had done to you before, knowing exactly how hard to hit you without making it painful, just enough to jolt shocking pleasure through your body and make you sob. 

“Listen, woman.” 

He ground his voice again, lowly, making you shiver when he leaned in and gripped your face with that now wet hand, forcing you to face forward and pay attention to him. You stared at him through tear-misty eyes, absolutely enraptured and lustful, wanting nothing more than him. 

“This is mine.” He growled these words with quiet power, driving his point home with another smack to your cunt that had you crying out and seizing against the touch. 

“Yours.” You chirped back, eager to affirm it, your brain filled with nothing but him. “Yours, all yours. Daryl-” 

Before you could babble out any more affirmations, he took an even tighter, possessive, bruising death grip on you once again. One hand on your hip and the other on your thigh - trying to keep you right where he wanted you as he dove back in, just as hungry. This time he gave into exactly what you wanted, seemingly because your words had been what he wanted. He knew you all too well even without words, and he latched his mouth around your mound with intent, laving his tongue furiously across your clit without relenting. 

You weren’t sure which was worse - the teasing, or him tongue-fucking your clit like he was trying to drive you insane. 

Your hand flew to his hair with the intention of shoving him off as white hot sparks of overstimulated pleasure-pain flew up through your gut, but your muscles curled instinctively and you wove a tight grip into his locks without thinking. Unintentionally drawing him closer and locking him in place as you gurgled out cries of wounded pleasure and he continued to moan against you, almost making your poor clit numb. 

But of course, being as perfect at this as he was with everything else, he drew an orgasm out of you just as he wanted to. 

“Daryl! Fuck! I’m cumming! I’m cumming! I’m - ah!” 

He moaned against you in pure pleasure as it happened, and then he retreated down your pulsing hole to lick up every single bit of your wetness as it freshly flowed out of you. He continued to moan, slurping and flexing his tongue so he wouldn’t miss a drop, eating you like the finest delicacy he had ever experienced. His tongue even strayed down your perineum, dipping into your other hole a bit, clearly unafraid and never shy, not wanting to miss a single bit of your taste. 

You were left panting, desperate to catch your breath, and with your brain still completely out of commission, he stood up, his mind already on an entirely new track. You couldn’t contain your whine of disappointment when all of his warmth was suddenly gone, even his hands losing contact with your thrumming skin. 

“Daryl-?” 

You didn’t have long to question it before you heard the sound of a zipper. 

Not even knowing when you had closed your eyes, you whipped them open to see him shoving his pants down to mid-thigh and pumping his cock in hand a few stray times before he stepped toward you. You weren’t the biggest fan of the ‘bent in half like a pretzel’ position, as your back was starting to ache slightly, but he took the look of pure hunger in your eyes was all the consent he needed (especially with the way your gaze was focused on his cock, the slight glisten of precum beading at the tip). 

He was secure in knowing that you would stop him or tell him no if you needed to. 

And there were absolutely no thoughts of stopping on your mind when he put a hand back on your hip and used the other hand to guide his cock into you, sinking deep inside of your slicked, hot cunt in one smooth movement. 

Fuck - he always filled you up so fucking good. 

“Dar-” 

“All fuckin’ day.” Daryl growled out, tight through his teeth, taking only a single moment before he began to pump his hips forward, fucking into you. 

He wasn’t quite as furious as before, his pace slower now. Seemingly, he had gotten some of that pure need out of his system by eating your pussy. He began to thrust in and out of you at a leisurely pace, making you feel comfortably, pleasantly full. 

“All fuckin’ day, I had to listen to Zach’s goddamn yappin’.” 

Your brain was slowly coming back into function. 

He had gone on the run with Zach and Sasha. 

You thought Daryl liked Zach? 

Surprisingly, Daryl then reached for your shoes and began undoing the laces - perhaps now finally interested in getting your pants and shoes out of the way. You just laid back and let him do whatever he pleased, your cunt flashing with a warm, pleasant feeling - simply enjoying that it was Daryl fucking you. 

“Had to listen to that little smart-mouthed fuckin’ asshole-” 

Daryl let out another grunt, smacking his hips into yours particularly hard, causing you to let out a gasp. He took off one of your shoes and dropped it to the ground. 

“Had to listen to him go on and on about you.” 

What? 

Then went the other shoe. 

Your jeans followed soon after, easily untangled from your legs by Daryl’s deft fingers, making your legs free up to spread widely, inviting him in further - he laid himself down against your body, and you found your muscles much less stiff with your knees bracketing around his waist. There was another moment of comfortable fullness - stillness, as he laid there, nosing at your neck, seemingly enjoying your scent with deep breaths. 

You ran your fingers through his hair, scratching at his scalp in a way you knew he liked, boiling over with curiosity until the question leapt out of you. 

“What happened with Zach?” You had to ask, still slightly fuck-dumb and confused. 

You didn’t know it, but hearing the name come off your lips was enough to trigger another intense wave of that feeling in Daryl. The jealousy, the neediness, the urge to claim you. 

Daryl let out another harsh growl - a sound coming from him that made your pussy leak around him and clench down hard on his cock. He grabbed both your hands and entwined your fingers with his - a fierce, demanding grip rather than a romantic one. He kept you pinned in place, right where he wanted you, and he began fucking his hips into you at a fast, hard pace that was enough to push a scream right from your lungs. 

“He - would-n’t - shut - the - fuck - up.” Daryl grunted in your ear, emphasizing each sharp syllable with a deep, harsh pounding of his hips into your pussy. “About you.” He whispered those words lowly, dangerously into your ear. 

“Daryl-” You gasped, your whole body dizzy and vibrating with that electricity once again. 

“About your ass-” 

He reached down and grabbed your ass - harsh, digging his fingers into the flesh with a possessive touch that made you cry out. He hammered his hips forward and used that touch to drag you toward his cock, fucking you onto him like a fleshlight for a few moments before he continued speaking. 

“About your tits-” 

He reached up and groped your breasts aggressively through your shirt, popping one of the tiny decorative buttons. A wreckage that would only serve to show off more cleavage in the end. Your nipples instantly became stiff under his touch and you arched into his hands - only for the rough, wonderful feeling to be gone too soon. 

“Daryl,” 

“He wouldn’t stop talkin’ bout what you might look like when you cum.” He growled out. “When he ain’t never gonna get to know.” 

It was thrilling, him being so possessive of you now. But you knew that it was so Daryl. Him being angry at Zach for speaking about you in a vulgar way, but holding his tongue - not speaking up then because he wanted to keep your relationship private, didn’t want to claim you in front of someone publicly. 

Or he simply kept his mouth shut because he didn’t want to lose his temper when they had a job to do. 

“He wouldn’t stop-” 

“Please, I’m yours.” You moaned out, grinding your hips into him desperately, needy for his full and focused attention. 

As much as you enjoyed the jealousy streak that had started this heated encountered, you needed Daryl to focus on you now - not on the words of some petty boy who had either been trying to rile Daryl up or didn’t even know the two of you were together because of the lack of PDA in your relationship. 

“Daryl, please. I’m yours.” 

“Tha’s right,” Daryl growled out, his voice dangerously low. “You’re mine.” 

He leaned tightly over you once again, and when his hips picked up speed - you were done for.

...

A/N: Please keep in mind, this is a oneshot, and there will not be a continuation or a 'Part 2'. If you are going to comment, please comment about the body of work that has already been written. If you like this and you want to see more of my fics in my style, you can check out my most recent fic Heaven's Gate, which is also a Daryl Dixon x Reader fic, or you can check out my other TWD works on AO3.

[genderkoolaid]

The report titled Unseen Battle claimed that “within the worldwide rights movement of the transgender community, it is seen that the visibility and the representation of transgender male community is comparatively lower to the transgender female community. Sri Lanka is not immune to this phenomenon. It is seen that the transgender male community shows reluctance in identifying themselves as ‘transgender male’. This also reflects on their participation in the common platforms created for the LGBTIQ+ community in Sri Lanka. This has immensely contributed in creating a void of the transgender male community within the LGBTIQ+ movement in Sri Lanka.” Instead of taking this claim for granted, it is worth critically looking at it to demystify several widely held beliefs concerning transgender men and their involvement with the transgender movement. When this assertion is being considered at face value, it seems accurate to conclude that transgender men experience a lack of visibility and their representation may be less common in comparison to that of transgender women. But the report overlooks the fact that meaningful involvement is not synonymous with omnipresent visibility or representation. Taking into account the Sri Lankan context, transgender males have contributed significantly to the LGBTIQ+ rights movement and that contribution is something that should not be trivialised. Transgender men have given their blood, sweat and tears to build the transgender rights movement in this country. This can be substantiated by both forgotten and unforgotten individuals who were involved in initiating the transgender movement. For example, the organising of transgender individuals goes back to 2002/3 and it was transgender men who first formed an informal group in Kandy, which eventually evolved into some of the current transgender rights organisations that we find today. This group of transgender men took the first step to negotiate with the country’s state medical establishment to set up transgender clinics at a time when the mere term transgender was simply alien and unheard of. One of this network’s most prominent founding members was Thenu Ranketh; along with S. Silva and a few others, they went on to establish the first ever transgender rights organisation in the country, Venasa Transgender Network. These transgender male activists also played an instrumental role in bringing the Gender Recognition Certificate into effect in 2016. It is a pity that many research reports written on the transgender community that claim to be giving a voice to an underrepresented community deliberately turn a blind eye to the history that is worth bringing to the fore.

It is evident in this kind of report that the history of the transgender rights movement and the contribution of transgender men to it has not been sufficiently documented but rather has been erased. Unfortunately, it shows that the narratives of the transgender rights movement and the contribution of transgender males to it have largely been erased and distorted at the hands of those at Colombo-based NGOs that work for LGBTIQ+ rights. They continue to hold the power to control the narratives of the transgender community. The Unseen Battle report forgets to explain why, despite the transgender male community forming autonomous groups as early as 2002/3 – long before some other groups started organising – its visibility and representation remain relatively low unlike some other groups within the LGBTIQ+ community. Therefore how fair is it to say that the transgender male community shows reluctance to identify themselves as transgender male without referring to circumstances that make their visibility and representation marginalised in the context of LGBTIQ+ rights activism? The situation analysis did not probe into what might have been the causes of marginalisation faced by transgender men or circumstances that keep them on the periphery. In talking about the low representation and marginalisation faced by transgender men, one cannot and should not ignore the factors that caused that marginalisation in the first place.

[shadykazama]

Sun Wukong/The destined one (mostly relationship) headcanons!

The people have spoken and the people crave monkey business. So let's get down to it!

❤

Post journey Wukong is a wiser, stronger monkey, but don't let him fool you he's still a trickster at heart.

When you first meet, he has you refer to him as 'Great Sage'.

Earning the right to say his given name isn't so much a big moment as it is just him beginning to care for you. You slip up, whether it be because you were sick or injured or just not thinking, and he doesn't correct you. In fact he kind of likes it.

He doesn't make a big deal out of it, but if you watch closely you can see his tail twitch and his eyes lost in thought.

One character flaw you'll have to deal with, even when you're just friends, is Wukong thinks he knows what's best. He's old and wisened and POWERFUL; if he thinks he knows something will be best for you, he'll do it without so much as telling you.

Credit to Hanibalistic! Their one shot about Wukong and stealing an immortal peach for a mortal reader was perfect and exactly how I think he'd act! That impulsive, "I care about this person and will do what I think is best for them regardless of the consequences or their opinion" is very... him.

Hey, we all have our flaws. (Just don't tell him that.)

On the positive side, he wouldn't let a scratch befall you. At some point you'll stop instinctually defending yourself because of how safe you feel with him. Which is heavily ironic considering how often he himself will put you in dangerous situations just to pull a prank.

But besides your poor heart from getting scared so often, you have nothing to worry about. Wukong won't leave room for even one mistake to slip by him.

Expect him to never call you by your name, almost ever. He chronically tends to call people by titles or nicknames. From calling the tang monk, master, or how he'd call Bajie 'idiot' for most of the book- just expect something. He'd only refer to you by name if he were really serious.

Something I personally find really funny that isn't represented in many medias with him is that he's OLD. He's old as hell and he knows it. In the book he'll often refer to basically everyone as 'nephew' or 'little brother' which is oddly endearing and also really funny.

I feel as though most people don't utilize how heavy he is- even in movies and stuff. His staff is like thousands of pounds! You aren't moving him unless he wants you to. God forbid you end up cuddling. Even while resting I never think he'd put his full weight on you, but you'd definitely be stuck.

Will never refuse to help you, but will tease you endlessly for needing it. "Helpless little thing aren't you?"

His love language is gift giving and acts of service.

He's impulsive with words, but look at how he treats you and you'll see how he cares.

Considering his connections, expect to have the world at your fingertips. He'll never leave you wanting, you'll always be satisfied. There is no gift beyond his reach. Just be careful what you ask for, because he WILL get it one way or another.

He is a king, a leader- it's basically second nature to be serviced, and that's why it's so important how he acts toward you. For you, he stays vigilant, ready to catch you if you fall or feed you when you're hungry. For you, he'll carry you in his arms if you're tired. For you he'd put himself in servitude.

Monkeys also show affection to one another by grabbing at each other for attention, and grooming one another's hair.

I don't think he'd have any trouble getting your attention, he's very vocal! So he'd focus more on your hair. Don't be surprised if he randomly starts combing through with his fingers or just playing with it. It's calming for him, and another form of affection.

You've changed him for the better... And for the worse. He happier, more content and occupied (which is good for everyone). BUT, should you ever disappear or get stolen from him he would surely devastate heaven and earth to get you back. The last thing anyone needs is another, more wrathful, Wukong rampage.

Expect to get shown off at every convenience! You're his king/queen and he'll make sure everyone knows it.

You have the BIGGEST wedding. And I think the best part would've been the Chuangmen, which is a wedding game tradition, usually meant for the groom to prove his loyalty, devotion, and desire to marry the bride by completing tests made by her bridesmaids. There are a ton of really interesting Chinese wedding traditions that I would recommend reading about, but with the sheer power of Wukong, these challenges in particular could've been absolutely ridiculous!

Wukong isn't jealous, no that would be ridiculous, he has nothing to fear. That by no means doesn't mean that he doesn't get offended on your behalf. He's gotten upset at not being greeted properly, there's no way in HELL he doesn't get pissed if someone were to flirt with you. They're lucky if all he does is kill them.

Feel free to make fun of him for not being able to swim. He'll absolutely make you regret it, but do it anyway it'll be funny.

Am I the only one that thinks he'd be great with kids? 🤚

Like COME ON- the dude probably helps take care of the baby monkeys on his mountain. He tells them cool stories to get them riled up. Will lay down and let them play with his hair while you read or sing to him.

Give this man kids I dare you.

That's a topic for a different post 😌

Likes kissing you on the top of the head, will also lay his forehead against yours just to be close to you.

These two designs I really like for him! Y'all let me know in the comments which version is your favorite <3

💙

The destined one may look like Wukong, but they're certainly different in... most areas.

Being selectively mute makes things a good share more difficult to communicate with him than Wukong, but it has it's charms.

You'd just been... tagging along with him. He didn't mind, unlike the wolves and undead he'd been beating through, you proved no threat to him.

He figured you would just leave on your own- or die. But by some miracle even he didn't understand, you stuck by him through rain and dust storms alike. By the time you made it to the New West he felt obligated to keep you around.

For the first time since you started following him, you were actually in danger. And to both of your surprises, he dropped what he was doing to protect you.

Don't bother asking him why. Whether you do, or simply tell him thank you, he'll just wave you off. But you notice him walking closer to you than normal after that. No longer were you left to catch up with him while he sprinted off; he'd keep stride with you now, glancing at you every now and then.

He CAN talk, and he probably surprises you the first time he does. It's not even for something important. It's just one fateful night where you happen to decide to mess with his hair. You'd pull away after a moment and he'd rumble out a little, "Don't stop."

Now that you KNOW he can talk, it's even more annoying when he refuses to answer you.

He finds it amusing when you get frustrated with him about it. He can't help it. The whole time you're grumbling or ranting at him, he's just staring at you with his stoic face... thinking about how cute you are.

Feel free to give him a name. Not like he'll argue with whatever you pick-

But really, please call him something other than "the destined one". He'd never really needed a name before, but he'd treasure whatever you decide to call him.

He probably has a nickname for you too, he just only says it in his head...

Will click his tongue at you to get your attention. (Absolutely does the 'tsk tsk tsk' thing people do to call their cats)

Speaking of getting your attention- ^ remember how monkeys show affection by just kind of grabbing each other and squeezing and pressing their head against each other?

Yeeeeah. He's a touchy monkey. He won't ask for affection, so he kind of just does it himself. Will rub his head on you, not unlike how cats or rabbits do to mark things they like. Except he's just doing it to be affectionate.

Gets cuteness aggression and WILL just grab you.

If it wasn't obvious, his love languages are physical touch and quality time.

Doesn't need help putting armor on, but if you want to help he won't stop you. (The closeness makes his heart beat fast)

If you were ever both in a bad spot- being threatened and not in a place to put up a good fight, he'd cover your body with his and bare his fangs at whatever was trying to hurt you guys to intimidate it. (It probably wouldn't work- but it's an instinctual response.)

If your feet got cold in the snow in the New West he'd pick you up and let you rest on his back for awhile.

Likes when you rely on him like that, it makes him feel stronger. And besides it just "being his destiny", knowing you'll get hurt if he loses helps him focus during fights.

Terribly jealous individual.

The glare he would give someone is straight up deadly. Watch out for how his tail flicks around when he's irritated too 🤭.

Absolutely adores the sound of your voice, it could bring him out of a coma fr.

Doesn't mind being little or big spoon, he just likes cuddling. Wraps his tail around you when you do.

Always always makes sure you eat before he does, even though he's the one doing all the fighting.

Will let you win play fights (most of the time).

Hearing him laugh is the cutest thing ever I swear- It probably took you off guard the first time you manage it.

Doesn't know how to take compliments.

Probably short circuited the first time you complimented his appearance.

Very gentle, slow kisser. Likes having you in his lap, but will grab cheeky kisses every now and then too. Will tilt your chin up when you kiss, every time.

Art by @marcu-bug

[wonysugar]

wonder why i’m bitter | julie han

♫⋆｡♪ ₊˚♬ ﾟ. casual — chappell roan

synopsis : friends don’t act like this, you would know that better than anyone else.

pairing : non-idol!julie x fem!reader

genre : smut, angst, smutty angst, if you will! heavy on the angst though sorry.

tags : they were roommates,,, making out, marking, implied possessiveness, implied jealousy, anal rimming (heyyy), strap-on sex, vaginal penetration, cunnilingus, julie is bent ova, and YESS WHO SAID BACKSHOTS, arguing, topsub!femreader, bottomdom!julie, frequent mentions of sexuality, praise kink, cheating?? could you call this cheating,, one singular l-bomb,,, yikesss

warnings : none..? i guess apart from the obvious content warnings here (angst and smut) there’s some underlying internal homophobia themes?? but i don’t think it’s that bad tbh IDK BE WARNED JUST IN CASE

word count : 3,1k

a/n : haiii!! i’m finally posting this draft OUHH it went through so many changes, like for example THE TITLEE?? i was gonna make the title be a lyric to ‘goodluck, babe!’ by chappell roan since i originally based the fic on that but i ended up listening to casual instead and went woaahh,, this fits so much more what the hell?!? but yeahh i think i’m happy with how it turned out! :’) i hope you guys can say the sameedckem

ALSO! first time writing anything involving anal,, while yes i do talk about it often (ahem we all know,,) i was incredibly nervous in the process and this definitely made me step out of my comfort zone, hope it isn’t too apparent in this ;; but yeah, to stop rambling, thank you for reading!! i hope you like itt! :]]

“so…” julie’s friend makes a motion between the two of you with a raised eyebrow, wearing a curious smile. “what exactly are you two?” they ask. you thought about it for a few moments, theoretically, you two are roommates, friends at most. but, if anything, you’re more like a couple behind closed doors. 

you shrug, thinking nothing of it, “i guess we’re kind of like—“

“we’re just friends.” she places, wearing a polite smile at the familiar in front of her before you could even think about the rest of your sentence. when you turn to look at her, she’s avoiding your gaze, already familiar with the type of expression you’re wearing. 

it’s the face you always make when she pushes you away like this.

turning back to her friend, you nod slightly, “yeah. we’re friends.” trying your hardest not to let your dejection show through your smile. 

maybe it’s all just in your imagination, perhaps you guys were never even close to being a ‘thing’ and you were the one who thought too much into it. but alas; no matter from which angle you looked at it, the way she displayed any ounce of affection towards you would always make you overthink what you two were exactly. anything she’d do in the comfort of your own apartment with you was never close to anything she’d do in public, in front of the eyes of everyone walking by. she always acts like she barely knows you whenever she is surrounded by people, whether she knows them or not.

you think about it often.

you think about her often.

you asked yourself, do you even like her like that? well, she’s pretty chill, smart, witty and funny. she’s also beautiful, and one hell of a tease, that much is obvious, you’ve had sex with her numerous times in the past, so sexual attraction is out of the question; you already knew the answer to that. the better question probably was; does she even like you like that?

“you done with them?” says julie, referring to the pile of kitchenware you guys left from last night on the counter as she hugs you from behind and rests her head on your shoulder, her arms wrapping all around your waist and watching you. you, on the other hand, were taken by surprise by the sudden display of affection, so much so that you lost your original train of thought. as much as you knew that she liked physical touch, it always did surprise you whenever you randomly felt her skin come in contact with yours throughout the day. getting quickly accustomed to the feeling of her lips kissing your shoulder, you hummed in response, washing and scrubbing the plate with the soaped-up sponge you were holding.

“almost.” 

she whines in an exaggerated manner, “hurry uppp..” lightly tapping on your stomach and resting her head on your shoulder, before adding, “i miss you.”

you giggle, putting away the plate you were now done washing, quickly grabbing another dirty one, “i’m right here, though?”

“no like,” she left another kiss on your shoulder, “i miss you.” 

you smirked, getting progressively more and more amused by the girl’s foreign, yet familiar behavior towards you, feeling her embrace you even tighter.

“oh yeah? well in that case, i miss you too, julie.”

you knew exactly what the girl in question meant by ‘i miss you’ and you would’ve teased her further if it weren’t for how impatient she was getting, despite how cute it was. her heavily annoyed sighs giving it away, despite those also being sprinkled with a tiny bit of humor. 

“come onn, don’t play dumb with me, smartass.”

so, you pushed the oblivious act aside and obliged, setting the plate down before facing her.

your lips danced in sync with hers as you carried her to your bed. once you got there, you gently sat her down on the edge of the mattress, lips still intertwined whilst her hands glided along the curves of your body, tracing circles with the tip of her index finger on your soft skin. 

you didn’t waste any time in laying her down moments later,, your mouth now eagerly roaming her neck and collarbone and leaving kisses down along her body, successfully marking it up. listening to her quiet hums, you proceeded to slide down her sweatpants, your hands tugging on the waistband.

now left in only her panties, you allowed your fingers to glide over the damp spot in between her legs, teasing the clothed entrance and taking in all of her reactions all at once. 

looking at you through the light brown hair that fell perfectly on her face with hooded eyes and slightly upturned eyebrows, she whispered in a low, husky and raspy tone, “see, baby? see how wet i am for you?”

now, julie had this certain ability to turn even the most confident person alive on this earth into a nervous wreck.

you were, obviously, no exception from her spells. if anything, you, y/n, were a prime example.

you slowly nodded at her words, entranced, feeling yourself fall more and more at her mercy with each second that passed. that earned a smirk from her, putting her hand atop yours, before continuing, “you’re gonna be good and do something about it, right?” 

you nodded once again, this time more eager. 

“words, darling.” she whispered.

“yes,” you muttered in response, a mix of nervousness and eagerness taking over all five of your senses, “o-of course i will.”

she hummed, perfectly content with your adorable answer, before pulling you back into a hungry kiss for another long, pleasant while. that is, until she added something else between kisses, something that made you shudder.

“get the strap.” 

immediately reaching for the drawer next to your bed upon hearing those words, lips still connected to hers, you obeyed and pulled the cabinet open, quickly pulling out the phallic silicone object residing in it as well as the harness, too impatient to feel even embarrassed about the sudden action. 

it didn’t take long before the harness was tight around your hips, the brunette bent over in front of you at the edge of the bed with her panties pulled down to her thighs. you ravished in the sight; her perfect pink pussy sitting before you, slick and wet with desire, begging for you to finally please it properly, practically throbbing in anticipation. who were you to deny her of such pleasure? 

you traced your index finger along her slit, your digit comfortably nestled in between her slippery folds as it slowly teased the entrance. 

rewarded by the sweet sounds coming out of her, you wasted no more time and slowly leaned into her core, giving a long swipe of the tongue to her pussy.

“ohh shitt..” overhearing her moans, you smiled against her as you were now making out with her swollen cunt, intending to taste every drop of her slick, not wasting a single one. your lips circled around her bundle of nerves, giving it small and gentle sucks whilst one of your hands massaged her ass.

subconsciously, julie’s back arched with each movement that your tongue made inside her, her head hung low on the bed as she whimpered filthy praises, her sounds just slightly muffled from the white bedsheet she had over her mouth. 

you heard them, though. 

thank god you heard them.

after a long while of giving more than endless attention to her pussy, you felt your mouth move upwards by itself, driven by the pure desire to make her feel even better than she already was. 

your tongue quickly made its way to her ass, roaming and dancing around her rim, which immediately earned a sharp gasp from her part. you’ve never made it a habit to eat julie’s ass, but whenever you did? it was always enough to cloud your brain with pure, raw want, and it always seemed to catch her pleasantly off-guard, since you’d always do it without any warning. 

you attempted to relax her again by tracing slow circles around her hole with your muscle, before inserting it fully, which you could only assume worked, since you could hear her whines get longer and louder. “fuckk yes baby..” she shamelessly moaned, this time more audibly due to her raising her head up and looking back at you as best as she possibly could, “that’s it, such a sweet girl for me— ah..“ 

using one of your hands, you made sure to thoroughly stimulate her clit, rubbing circles around it and even going as far as to inserting two fingers inside her dripping cunt with your other hand in the process, all whilst the muscle in your mouth flicked way within her, drilling and wriggling as you hummed against her. 

after what felt like hours of you messily rimming her, hours of her pushing herself further onto your mouth, practically fucking herself on you, you figured it was finally time to give her what’d she been wanting ever since she came up behind you in the kitchen.

pulling your fingers out and standing back up, you lined up your strap-on to her aching core, pressing the head against it before slowly inserting its entire length inside of her. 

she let out a groan at the feeling of being penetrated, which progressively turned into longer and more suggestive sounds. it all sounded like music to your ears, it only made you want to please her more.

you reached for her hand, grabbing it upon contact. she squeezed yours with just as much force in return, pleasure visibly taking over her senses. it didn’t take long for you to be full on thrusting into her, either, feeling her walls clench around your fake cock as she babbled praises. 

it was a small gesture, sure, but it made you feel things you weren’t quite certain on how to label.

“such a good girl for me—“ was what she let out, a loud moan escaping her agape mouth whilst you continued pounding her, faster with each second that passed. “f-fuck y/n i love you—“

you saw her lose herself under you, you watched in… admiration? infatuation? whatever it was, you thought she looked mesmerizing, especially with how her brown long hair fell all over the place, how perfect she sounded, how perfect she looked.

how perfect she was.

the words “i love you” resonated in your head. 

“who’s eric?” you ask her, having thrown glances at her phone that was charging on the kitchen counter whilst washing a plate, the singular one you had left untouched due to being… distracted. 

you finished washing it, then turned around, now met with a surprised julie, clothed in a pair of booty shorts and a white tank top, she was fresh out of the shower, towel drying her hair. that is, until she unexpectedly heard you speak that name, her eyes immediately darting between you and the phone, greeted by that man’s contact name and picture on the latter, an incoming phone call from his part. 

“a guy?” she says back, in her usual sarcastic yet gentle and quiet tone, “thought that was obvious enough—“

jealousy and inexplicable possessiveness flooded your senses; you knew most of her friends, but, you had no idea who this ‘eric’ dude was, and that especially ate at you. why was he calling her, on a random weekday at like, 4 pm? you had checked the clock hanging on the wall to confirm the time.

“well yeah but, i don’t think i know an eric.” you stated, wary of what the girl before you was gonna say, “who is he?”

“…i just told you, some dude. i met him on campus and we just exchanged contacts after he complimented me, a while ago.” she replied, slight annoyance cracking through the facade of the joking expression she wore. she ran her dominant hand through her messy and wet hair, causing it to fall back perfectly on the side of her face and her exposed shoulders. 

she added, “sure, he makes it very clear he wants to hook up with me, but that’s all it’ll ever be i think, he’s not the type of guy you’d wanna date seriously. why do you ask—“ 

“no reason.” you cut her off, cold and dry.

she furrowed her eyebrows, the previous annoyance being more and more apparent, this time only paired with confusion. “…what?” 

“so this is completely normal for you? like, you guys hook up and call each other sometimes and you’re just casually telling me about it? what, does he take you out on dates too?” 

“what are you, my girlfriend or something?” she scoffed, bitter and defensive, gently throwing the towel on the couch in close proximity to her, “and what if he does, why’s it such a big deal to you?” 

why is it such a big deal to me?

why is it such a big deal to me?

and before you know it, you’re quickly matching her tone. “i simply don’t understand how you could tell me something so casually, especially right after we—“

“listen, let’s get this straight.” she says to you, “i know that just because you and i fuck sometimes you’re convinced that it’s gotta mean something, that we’re something, but we aren’t. it doesn’t fucking mean shit to either of us and you know that very well. it’s all in good fun; i don’t belong to you, y/n, and i never will.” 

“it’s not about that?” you walked closer to her as you justified, trying to get your point across, “i’m not saying that you belong to me julie i’m just trying to say that—“

her stare pierces right through you as she cuts you off, and you could’ve sworn you noticed her eyes being glossy. her eyebrows furrowed in anger at you, she added on, “who i date isn’t your business. we’re just friends, and that’s all we’ll ever be, end of discussion. don’t try to turn our friendship into something it isn’t.” 

friends?

“so now i’m the crazy one for not liking the fact that you’re talking to that dude?” you eventually yelled back. you didn’t even notice her grabbing her things as you talked, ready to head out, despite her hair still being wet from the recent shower. you, however, noticed how she took her still ringing phone and put on her favorite puffy jacket, her soft hand’s acrylic nails digging and clutching onto the mentioned cellular device as you rambled on and on, irritated beyond comprehension. 

“we’re not fucking dating y/n, it’s all casual, i.. i’m not even into girls like that—” she asserted herself, trying her absolute hardest to sound as convincing as possible. you heard it, though, you heard that little twinge of doubt and guilt in her voice. it’s almost like she, herself, didn’t believe whatever nonsense was coming out of her mouth. 

how funny was it to watch her say that all whilst having the fresh hickeys you left on her neck and collarbone not even a few hours ago?

perhaps eric will notice them, too.

perhaps with that, he’ll realize how good you treat her, how he’ll never be able to do it like you do.

how he’ll never be able to make her feel as good as you do.

“sure, you aren’t.” you scoffed at her words, before proceeding to add on, “since you swear you aren’t, how about you stop acting like you are? you know, instead of giving me shit for getting upset.” 

“sorry?—“ she laughed bitterly, those words cut deep.

let me talk, you thought, let me place a damn word.

you continued, “no, seriously! you always do this julie, you always make me feel like i’m fucking insane for seeing it the way it is, for the way i see us. you’re convinced that there’s nothing between us, that we’re just friends, yet friends don’t randomly kiss me throughout the day for whatever reason, do they? they don’t fuck me and tell me that they love me in the process, do they?” as you spoke, she avoided your gaze and walked right past you, heading straight for the front door.

that’s when you recalled a certain moment, “sure, why not, let’s say, for your sake, that completely normal friends do fuck sometimes; they don’t buy you stupid lovey-dovey bullshit on valentine’s day and drive you to the middle of nowhere to stargaze, they do not take you out at night and take every opportunity to kiss you in public whenever nobody’s looking, they don’t fucking say they love you while you’re deep inside them— i mean for fuck’s sake julie do you hear yourself??”

she stopped in her tracks in front of the door, her hand resting on the doorknob. she hates it when you read her like a book, she hates it when you call her out on being the way she acts with you, she hates it when you stare at her like that— she fucking hates you. she fucking hates you for making her feel the way she does, for making her question everything about herself, she hates herself for thinking about you whenever she’s with him—

she let out a noise, something in between a sob and a laugh, before looking back at you with tear-filled eyes, she stared at you, up and down. her eyebrows twitching slightly, she then set her eyes on the ground and bit her lip in what seems to be frustration, frustration aimed both at you and herself.

“if i knew it was gonna be like this, i would’ve never done anything with you to begin with.” her voice was shaky.

you watched her figure as she turned the doorknob and slammed the door on you, with a loud clack. just like that, the apartment was empty, silent and once again, peaceful.

she’d be back, of course, whether she decides to sleep somewhere else and come back the next day or sneak back in here in the middle of the night on this same day, she always comes back after a fight. still, despite knowing that, you couldn’t help but feel like drowning in your own guilt, as this argument wasn’t like any other other. her pained expression still vivid in your memory and terrorizing you, you were afraid that you might never see her again after that.

that was pure dramatization, however.

the only thing that occupied the deafening silence of the room was the muffled sound of julie sniffling and being on the phone with who you assumed to be that boy, already planning to meet up. then, you could’ve sworn you heard the name “eric?” being pronounced as it progressively faded in the distance as she walked away, basically confirming your theory. 

that’s all that filled your house and your clouded mind.

that, and the sound of your pathetic sobbing.

[rashomonss]

Readjusting

context: just a few somewhat angsty headcanons I have for when MC and Solomon return to the present after everything, enjoy!!

warnings: this does contain nightbringer spoilers

the past changes people

MC will often become more hesitant to talk to or even engage with the brothers. Due to being treated as an attendant in the past they now are used to it, so whenever one of the brothers tries to engage with them they find it hard to sit still or listen to said brother for long periods of time without feeling out of place.

MC will often mix up the fact that they are an exchange student rather than an attendant. When Diavolo claims that he wants MC to feel comfortable as an exchange student MC will respond with something along the lines of how they don’t need much because they’re the brothers attendant. Which in return gets a few confusing stares from others.

MC still carries out some of their duties as an attendant unconsciously. Such as keeping track of the brother’s schedules, events, student council meetings, etc. The brothers don’t mind at first however what they do find unpleasant is the fact MC always follows behind them instead of right beside them like they used too. This doesn’t register until one of them says something to MC, which they in turn respond with “I always follow behind all seven of you”. Which makes their hearts sink.

Still focusing on the attendant duties, MC will still continue to carry out anything asked of them without much of a fight. Since they were so used to carrying out such elaborate things when watching over the brothers in the past they are now used to doing such tasks for them. Most of the time this will confuse most of the brothers because MC is usually more vocal with their opinion on something.

MC will unconsciously be a bit harsher and stricter on the brothers than they usually were. Since being their attendant MC had to keep each of them on a tight leash so they wouldn’t get into trouble. So now in the present if they were to start fighting MC would be the first to show up to scold them instead of Lucifer.

MC will just straight up be petty with Lucifer for a while. Due to the things he said while they were in the past they still haven’t completely forgiven him. So whenever Lucifer mentions his “family”, MC finds themselves saying some remark along the lines of “well that doesn’t include me” or “just the seven of you I know. I leave you all alone” is enough to confuse and hurt the hell out of him. MC knows that Lucifer does really care for them in this timeline, but they can’t help it. His words really did hurt them deeply for awhile.

On another topic of MC’s attitude, Diavolo soon realizes that they are much more formal with him. The cute nickname Dia was dropped and he was always referred to by a title now. When Diavolo questioned them about formality MC simply explained that the past Barbatos didn’t like them referring to Diavolo in such a manner.

MC is now more vigilant around Satan, Belphegor and Barbatos, each for different reasons.

Satan is one that worries MC the most because they became used to having to deal with his violent outbursts and destructive episodes. So when Satan gets angry in the present MC will step in front of him and the brothers separating them. Satan soon grows confused when MC prepares a spell to restrain him.

Belphegor doesn’t worry MC as much as the other two, but after he found out they were a human in the past and tried to kill them again in response MC had to remain vigilant. They still do whenever they are alone with him. Which in turn makes the youngest guilty about the past.

Barbatos is someone MC keeps Solomon away from at all costs. After all MC was used to Barbatos teleporting the sorcerer around from place to place. It did become concerning when Solomon would show up later and later each time he came home. So to avoid that MC would make themselves and Solomon avoid the butler at all costs. However the present butler soon finds this behavior hurtful when MC constantly declines his offer to come over. In the end MC has a hard time remembering that this isn’t the past Barbatos.

Many soon noticed the strong bond MC now has with Solomon and of course they all become jealous. At first they noticed how MC would go to him for little things, or just prefer to be around him more, but when they asked about moving in with him rather than staying in the House of Lamentation it threw everyone for a loop. It made it even worse when MC said they’ll be there to help the brothers every morning like usual. They wanted MC to realize that they’re an exchange student not an attendant.

Many also notice how reliant they are on Solomon for certain things. Sometimes MC just needs Solomons presence in a room to be able to feel comfortable. If not MC will then become slightly annoyed or fidgety.

Solomon becomes more protective over MC without even realizing it. If he believes one of the brothers are being too bothersome to MC he will step in and whisk them away.

Solomon finds it easier to steal MC’s attention away now. Before when he would try and drag them away from the brothers, or even try and steal their attention for just a second it always failed. However with how close they both became in the past, if Solomon interrupts a conversation MC is having with the brothers MC finds themselves listening to him a bit more than the brother they were speaking with.

MC is much more reckless and blunt with their decision making now. Before they were a bit more collected with their thoughts. However being in the past made their impulsive decision making become a habit. Thus causing the brothers to sometimes question MC methods.

MC would often question the brothers as to why they weren’t in their demon forms. They suppose they just got used to seeing them in those outfits for so long now it became the norm.

[murdrdocs]

just read all your imagines and they are so good!! just on here to req anything hobie brown related cos god that man is so fine. maybe like a one-shot where they are fwb cos hobie doest do labels but gets jealous and then asks reader to be his gf and then shows her off to everyone. just like really anything u want to write tbh ✨✨

end of line | h. brown

description. being friends with benefits with your best friend, hobie brown, is fun and all, but you start to realize that maybe firm labels suit you better than whatever this is

includes. slight smut SUGGESTIVE 16+, fem!reader referred to as “girl”, fluff, sweet!hobie, pav gwen and miles mention, rockstar!hobie

a/n: i have no words this was supposed to be uploaded like a week ago but then i went to disney so ... sorry yall. also not edited well bc ... disney. edit: title from the song by daft punk bc tron <3

word count: 1.7k+

things are still in your bedroom. they always are right before he arrives.

you're not a psychic, nor do you have a "spider-sense" (which, with the creepy-sixth sense way hobie described it, you don't want one either), but you like to think that you can tell when he'll come by.

nights when you haven't heard much from him, but the sirens seemed to never stop outside, were usually when your window would creek as it slid up.

you listen out for the sound now as you finish painting your last nail. you'd used the quick dry polish tonight, in hopes that you wouldn't have a repeat of last time, when your fingernails weren't dried but hobie was incredibly impatient and when you were done, you'd realized that your right ring and pinkie fingers were smudged.

the bottle's closed, you'd blown on your nail to ensure it dried, and that's when your window slides open.

there's no point in looking back at him when he tumbles into the room. he starts mumbling complaints as soon as the window's closed, the sound of his shoes unlacing padding his words, something about some common thief who hobie was going to let go but then he went and messed with the lady on the street and her cat.

you'd lost the tail end of his words whenever he started walking closer to you. you sat up straighter, pushed everything out of the way, and waited for him to turn your chair around.

which, when he did, you looked up at him, small smile on your lips as you stared into his deep brown eyes.

"how's your night, hm?" he asked, a courtesy before getting to the real action.

you shrugged, pretending to think. "nothing. just a lot of this."

"no smashing societal standards? picking off misogynists one by one?"

a small laugh in the form of a snort from you. "nah. figured i'd take a day off, you know?" the sarcasm dripping from your words. that's not who you were. you wish you could've been like that, could've been like hobie. but there's one spider-person for a reason.

"oh, yeah, uh-huh..." and hobie trailed off as he leaned in, pointer finger hooking under your chin to pull your lips to his.

it always felt good to kiss hobie.

you'd fantasized about it for weeks before it actually happened. he's your closest friend at the moment, and he occupied the title before this arrangement even existed. and of course you had the worry about ruining your beautiful friendship if you became more, fear that you wouldn't be able to go back and you would subsequently lose probably the best friend you've ever had.

but that was no need to worry. because while you could let hobie pull you up and lead you to your bed, sitting back and pulling you into his lap while he kissed you with a tenderness you know so well, you could also just be friends with him, sitting side by side on the couch and having a movie marathon of horrible biopics without thinking about jumping each other's bones.

there's a balance here that you could only hope would've existed.

and it's never thrown off. not even when he pulls your shirt over your head and his full lips find your nipples and the slightly-faded marks he'd left a few days ago. not even when he switches your position, laying you back and kissing down your torso until he can bury his head between your legs. not even when you whine and cry just a bit, slightly begging for him to pull his suit off so he can fuck into you in a way that only he can.

you try not to think about the equilibrium of your relationship with hobie when your legs hook around his waist and the heels of your feet dig into your lower back. you try to solely focus on the way his cock fills you up perfectly, mostly long with the right amount of girth for your walls, tip reaching deep within you in an almost mind bending way.

but you can't help but think about the way hobie doesn't do labels when he helps you to your bathroom, where he lets the shower heat up while you sit in a shirt he left behind a few days ago when he'd shown up as just hobie brown and not spiderman. you can't help but think about being hobie's girlfriend when his big, veiny hands run along your skin after the shower, smothering you in shea butter as you struggle to hold your eyes open. and you don't bother attempting to fight off the lasting thought of being hobie's while he hums an unknown song to himself with your head on his chest, the deep sound of his voice and the vibration of his chest lulling you to sleep.

you need to be someone's.

the friends with benefits scenario was fun, it worked, it was glorious, but you don't think it's for you. and labels aren't for hobie.

so, you look elsewhere.

you're at hobie's show, standing in the back of the pub with a drink you weren't interested in, with some guy you really weren't all that interested in, either. but he smelled nice, and he seemed nice, and you were just looking to broaden your horizons just a bit.

you and hobie weren't exclusive, but maybe it's a little wrong to flirt with someone else at his show. but you were slightly upset, and craving attention, so it didn't matter.

not until hobie got off stage.

it took a while for him to roam over to you, but even then you were still entertaining the other guy. giggling, tilting your head, batting your eyelashes, your hip popped out and a manicure, that was still fresh, blinging as your hand rested on the bone.

he greets you with a term of endearment that he uses often, but it feels different in this circumstance. you tell yourself that it feels different because you want it to feel different.

"oi, babe! who's this bloke?"

his arm slings over your shoulder and you tense under it. your hands folding over your chest, your smile tightening a little.

“uh this is steven.” your hand reaches out to point to the man, a tight lipped smile spreading onto his lips.

“steven …” hobie repeats the name slowly, and without looking at him you can tell that he’s eyeing the guy up and down.

the air is stiff, the three of you are silent, and unfortunately, steven takes the hint to dismiss himself, and you instantly turn to hobie, a scowl on your face.

“what the fuck, hobes?” you’re pissed, but the nickname still slips off easily.

hobie shrugs and reaches into his back pocket, a cigarette appearing and he sticks it between his lips. instantly, your fingers pluck it out from his mouth, instead putting it in your own back pocket.

instead of looking upset, hobie looks amused. his hands reach out to grab your waist, and you want to give in, but you try to push his hands away instead.

hobie lets you, and you don’t know if your happy or upset with that.

“what’d you mean?”

you stare at him, deadpan, then gesture to where steven had walked away towards.

“you just cockblocked me!”

a cocky grin, almost a little condescending. “i didn’t ‘cockblock’ you, babes. you weren’t trying to get with that guy.” your eyebrow lifts and you can see realization come onto hobie’s face. “oh … you were?”

“yes! of course i was!”

“but why? you are i are together.”

“sure, hobes, but we’re not ‘together’.”

“yes we are.”

“no, we aren’t.”

“why do you think that?”

you suddenly feel a little insecure, eyes scanning the thinning crowd, ears noticing the way the volume in the pub is lowered. “because you’ve never put a label on it, bee.”

another layer of realization. hobie’s hands coming to your waist again, but this time you let him pull you in.

“i didn’t know we needed a label. but you’re my girl. and i’m your guy.”

your body heats up and you bite down onto your lower lip giddily, peeking up at hobie through your lashes.

"thought you didn't like relationships?"

"labels. i don't like labels."

there's a disruption in the atmosphere. goosebumps raise on your skin, the hair on the back of your neck sticks up, and even if you weren't aware internally, the way the magazine you were previously reading floats above the table would've tipped you off.

the portal opens shortly after, but you knew it was coming. it took hobie a while to tell you that he was spiderman, longer to convince you that he was spiderman, and a while longer to convince you of the existence society, and even though you know, you still get a little shocked whenever a portal opens.

he comes through first, thud of his heavy boots against the floor of his flat. the spoon in your mouth clings against the side of the bowl, your free hand reaches out to the tv remote to pause the episode as you look over at hobie.

"oi, didn't know you were still here." is all he says before he's walking over, pulling his mask off on the way, and leaning down. your head tilts up instantly to meet his lips in a kiss, your body warming with the way his hand pushes into the back of the couch, slender but muscular form caging you in.

you expect him to sit beside you and force you to give a recap of the episode, but he stands back, and then three other people come through the portal.

"oh ... are we expecting guests?" surprise sits in your words, the tone amplified when hobie takes your bowl of cereal out of your hands to finish it off himself.

"right," he speaks through mouthfuls, saying your name as an introduction to the other three. "this is pav, miles, and gwendy. spider people." you nod, waving at each.

"this here, is my girlfriend." three sets of spider-eyes widen with the admission and you can already sense what's coming.

"wow, you're pretty. 's nice to meet you."

"i knew it! i could sense the tension as soon as we got here."

"you have a girlfriend? wait. i thought you didn't like labels."

a small smile on your face as you tuck your hands in the pocket of hobie’s sweatshirt that you wear.

in coordination learned from how close you two are, you speak at the same time.

"he doesn't like consistency."

"don't like consistency, mate."

[wosoamazing]

Rescue

Barça Femeni x Teen!Reader (Mainly Alexia)

Based off of this request. (And also vaguely off of Lauren Daigle's song - more so just the title, but it kind of under lays the fic I guess.)

WARNINGS: Attempted Sexual Assault References (flack backs), Abusive Father (physical and emotional), drinking/drunk, slight mentions of implied sick (doesn't happen). Let me know if anything else

The team were always suspicious about your home life and what it was actually like but you always brushed them off when they questioned and no one had tried to push further until recently.

“Y/N, we missed you last night, what happened?” Lucy asked you as she walked in, most of the team following behind her.

“Oh, sorry I was going to message but I must’ve forgotten, I felt a little sick so I thought it was best to stay home,” you told them, causing Alexia to move towards you with her hand out, which you dodge, “but I’m fine now,” you smiled at your captain and she gave you a fake smile back.

That was far from the truth but you didn’t want to tell them what happened. You were in your room making some finishing touches before you left to go out with them, when one of your Dad’s friends had walked into your room, you thought you had locked your door but you must’ve forgotten. He walked up behind you and his body was pressed against yours before he slinked his hand up under your dress and brushed his hand over your upper thigh. You snapped around and punched him before you ran, you could hear him yelling at you afterwards, and you Dad yelling at him, but all you could do was run, and to the safe place you knew no one would come looking for you. Thanking the heavens above that Jona somehow gave you a pass that meant you could go to the training grounds at all times. You quickly got changed into your training kit and took off your makeup before setting an alarm on your phone and falling asleep on one of the couches.

That day during treatment you flinched every time one of the physios touched you, and when he moved his hand up to your thigh you felt your body tense up and your breath becoming laboured, when he applied pressure to start working you bolted straight out of the room, the touch bringing back all the feelings from the night before. You found yourself in a room, full of your teammates, who all worried over but when you finally calmed back down they all left except for one, your captain. Who gave you a pointed look as you made contact with her eyes.

“I’m fine” you reiterated to her for probably the 100th time that hour.

“You know you can talk to us anytime, about anything,” Alexia reassured you.

“Si, I do, but I don’t need to because I’m fine,” she gave you a very unconvincing nod before walking out, leaving you to be by yourself. The team knew you weren’t fine. You constantly showed up to training with bruises that were slightly too dark or too big to be caused by whatever your excuse had been that time, but you were clumsy so they never really questioned it. However Alexia had kept a mental note of when they happened and what your excuses were and she couldn't help but see that there was a pattern. Then there was the incident last week when you were calling some of them and your Dad started yelling at you, and calling you names. You tried to convince them that it was because he had tripped over because you had left your boots and bag and other stuff all over the floor which caused him to stub his toe, however they all felt that it was a very poor excuse to yell at your child in such a way but you just brushed them off.

One week later you found yourself laying on a yoga mat in the gym, you were flat on your back as you stared straight up at the ceiling. Alexia had come over and placed a mat down next to yours, she didn't say anything but just laid there next to you on her back, as the team filtered out to go to the pitch for training neither of you made an effort to move. 

Several different thoughts ran through your head as you laid there next to her for quite some time. You were having an internal battle in your head of whether you opened up to her or not, maybe she would help, maybe this wasn’t normal. But maybe she would tell you it was your fault, you had a short dress on that night, that was slightly slutty, were you asking for it? Had you deserved all of it, all the yelling, the hitting.

“He-he, tried to touch me,” you blurted out, one side of the fight winning, your words caused her to bolt straight up, sitting crossed legged on her mat facing you.

“Who did? Your Dad?” she asked.

“No one of his friends,” you said, shaking your head.

“Did he?” she asked, concerned. “No, not really, I mean he put his hand up my dress, he was leaning forward into me and he touched my thigh, but I quickly moved away from him and punched him and ran, while I was running he was saying something about reporting me for hitting him, but I don’t think he did because I could hear Dad saying something about them finding out if he did because the police would show up to the house,” you said as tears started to flow out of your eyes.

“Find what out?” Alexia asked, confused, wondering what had been happening.

“That he abuses me, they would see the holes in the walls from where he would try and punch me but miss, the shattered mirror that I glued back together, it smashed because he threw it at me, but they wouldn’t see the emotional things, they would only see the physical things. The name calling, the swearing, they couldn’t see that, it would be his word against mine,” you continued as your shoulders started to shake as your cries turned into harsh heavy sobs, “I’m sorry,” you cried out as you rolled over onto your stomach, head resting in your arms as a puddle formed on the underneath you.

“Oh Nena,” Alexia sighed as she went to place a hand on your back, “please don’t touch me,” you asked and she obeyed, quickly retracting her arm, “b-but, please, s-stay” you hesitantly asked her. You felt broken, like there was something wrong with you, how didn’t you notice it wasn’t normal. You thought you had a broken home but at the same time, you never spoke about it so maybe everyone had a broken home and just didn’t talk about it, but since being at Barça you slowly started to realise that what was happening in your home wasn’t normal and wasn’t okay, but it was normal to you, to you being called an idiot, or a stupid bitch was normal, being told you were too lazy or not good enough was normal, being scared to take a step in your own home was normal. Constantly living on the edge and not feeling comfortable in your own home was normal. It was normal in your extended family as well, you came from a long line of toxic men, there was no one to show you that what you were experiencing was abnormal, until now. Men drinking until they passed out was normal. Men controlling the house was normal. Women only dated Men, even in a different universe you would never see a Woman dating a Woman in your family. But somehow Barça had shown you this wasn’t normal.

Alexia’s heart ached as she watched sobs rack your body, she just wanted to hold you tight and tell you it would all be okay, but she couldn't. She had to respect your boundaries and give you some control back.

But you soon found yourself sitting in her lap, your body having gravitated to the warmth and safety she seemed to provide. Your hands clutched to her shirt.

“Nena, can I hug you?” She asked not wanting to do anything against your will, you nodded into her chest and she wrapped her arms around you. You suddenly felt safe, cared for, loved, it suddenly all came crashing down, this team loved you, you had never really experienced that before, and you broke down even more. You were now gasping for air as your body shook, Alexia’s concern for you was rapidly growing.

“Nena, I need you to breath, you’re going to make yourself sick,” She told you, “I-I can’t” you told her as you struggled to suck in air, “Yes, you can Nena, just in and out, focus on my chest moving up and now,” you managed to slightly calm down, but it was barely, your were still shaking and your sobs still racked your body, but you were no longer gasping for air. Alexia put her headphones over your ears and made sure to turn on the noise cancelling feature, she needed to call someone for help but didn’t want you to have to listen in, you didn’t mind, you kind of liked the quietness they provided you. She called Mapi.

Mapi, I need you and Ingrid to take me and Nena home now.