#which i think was the evolution of fan originally too

[microcroft]

its crazy the evolution of the term "stan" like, now its just something people who are just fans or people who are hyperfixating on a piece of media refer to themselves as and its currently in a place where people are using the original meaning of the term derived from eminem's song (where it originated from) and also the evolved "reclaimed" meaning that is around the same as what would be called a fan back in the 2010s, so, obviously, clashing is happening between the fans who call themselves stans and people who are using it, as it was originally meant to be used, to refer to people who are into a figure or group or media to the point it is unhealthy, of course theres more to it than that im just writing out this particular observation

[lurkingshan]

Japanese BL Starter Pack

It’s been awhile since I dropped a rec list, so I am here today to share one that is very near and dear to my heart—a Japanese bl primer for those who are new to the jbl game. I created this for @neuroticbookworm to help her on her journey when she decided she wanted to start getting into Japanese works. The fandom (on Tumblr and generally) tends to focus primarily on Thai shows because they are the easiest to access for international fans, since Thailand is working its way toward world domination via ql media and wants us all to be able to watch. But there is a lot of great stuff to watch beyond the easy access Thai channels, and Japan is the country where this genre originated, so its shows are important for anyone who considers themselves a bl fan. Japan doesn’t cater nearly as much to the international audience so tracking down the shows sometimes takes some ingenuity and can-do spirit, but that’s part of the fun!

And so, the list! Bookworm is about halfway through it and having a ball, so I figured it was time to stop hoarding it and share it with anyone else who would like to dip their toes into jbl and isn’t quite sure where to start. A few notes: 

I am not here to teach you about the deep roots of the jbl genre or give you a primer on yaoi manga. I am by no means an expert and there are other places to find that information. Start here with this great post by @nieves-de-sugui and then maybe wander over to @absolutebl to read up more on the evolution of the genre.

This list is by no means an exhaustive accounting of every important Japanese bl ever made; it is simply a nice sampler platter of the cream of the crop among various styles you will find in jbl. Watching through this whole list will not only expose you to some fantastic shows, but also give you a sense of what makes jbl unique and how the country’s style differs from others, and point you toward the types of jbl you’ll like most (they tend to put shows in pretty specific style and tone lanes and once you find the ones you like there are lots more where that came from). 

If you’re coming to this post as a jbl lover and you don’t see your favorite here, I promise it’s not because I don’t love it very much; I simply had to make some choices to get this down to a reasonable shortlist. Feel free to leave extra recs for others to find! 

I’m putting these in a loose suggested watch order that will take you through the various jbl lanes in a kind of popcorn style, because I always think it’s good to change it up so you don’t get too stuck in one mode, and it works its way up to most of the extremely Japanese stuff (you will know what that means by the time you finish). But do what’s in your heart and change up the order if you want, friends, I am not the boss of you! 

Cherry Magic (Crunchyroll or grey)

gif by @liyazaki

I believe everyone on Tumblr is pretty familiar with this one, which is not a coincidence—this is one of the most accessible jbls. Not in terms of actual access to watch it, mind you (we’ve all jumped through shady internet hoops to watch it) but in terms of its content and style. Cherry Magic is a classic workplace romcom with a magical twist, and it is charming af. It’s a great exemplar of Japan’s light and zippy comedy lane for bl—a lane in which, importantly, the romances stay chaste even when the actual plot is about sex, or lack thereof. My friend @waitmyturtles would kill me if I didn’t make sure you know that Cherry Magic also has a lovely follow up film. And bonus: there is now a Thai remake airing so if you watch the original you can get in on the discussion about the different adaptations between countries. This is pretty easy to find these days in all the usual places, but I strongly recommend watching it here.

Old Fashion Cupcake (Viki)

gif by @liyazaki

Moving on to a slightly more mature workplace romcom. Old Fashion Cupcake, another Tumblr favorite, is an age gap boss-subordinate romance, and it’s both very adult and somehow wholesome af at the same time. Sure, there is a lot of carnal desire going on here, but there is also a lot of wooing via fluffy pancakes. It’s a tight five episodes and a fantastic example of what Japan, with its extreme technical precision in writing, directing, editing, pacing, and acting firing on all cylinders, can do in two hours. There’s not an ounce of flab on this thing and you’ll want to watch it over and over again.

Utsukushii Kare (Viki)

gif by @wanderlust-in-my-soul

Time to get a little weird! Weird is a key feature of Japanese media, and lots of jbls explore unusual relationship dynamics rooted in complex psychology. This is the first show on the list that will likely feel very Japanese if you’re new around here—my advice is to lean into it and finish the show, even if you get uncomfortable along the way. In Japanese media, discomfort always serves a purpose. This is a high school story with a twisted relationship at its center, and I’m not saying any more than that. Don’t spoil yourself and go watch it! This one also comes with two sequels—one short second season and one movie—that continue from the original story. They are less essential but still excellent.

I Cannot Reach You (Netflix)

gif by @my-rose-tinted-glasses

Next up, another high school tale, but with a totally different vibe. This show is kind of a revelation in its willingness to tell a story about overwhelming desire��including sexual desire—with young protagonists. It’s rooted in a classic but often misunderstood trope, friends to lovers, and takes the angst of it seriously, giving us a low stakes story that feels extremely high stakes to our leads. It’s also gorgeous and uses a classic Japanese visual style (bokeh) that you’ll be dying to learn more about. 

His (Viki)

gif by @gabrielokun

Time for a break from high school, and we’ll sprinkle in a movie for some added flavor. His is a jbl film featuring a second chance romance between a stoic, introverted man who moves to a remote town to start over, and his ex-boyfriend who follows him there unexpectedly, adorable child in tow. Importantly, this movie does not take place in what we often refer to as the “bl bubble” where homophobia doesn’t exist; the leads’ experiences of being gay men in a homophobic society are hugely important to the plot and themes of the story. It’s a beautiful film and I’ve lost count of how many times I’ve watched it. @bengiyo would surely also like me to tell you that this film follows a brief prequel show called His: I Didn’t Mean to Fall in Love about the characters originally meeting in high school; I do not think it’s really necessary to watch it but completists can start there.

The Pornographer series (Gaga)

By now you should be ready to get into some classic Japanese fucked up psychosexual material, right? Right! The Pornographer series is told in five installments in this order:

The Novelist, a six episode miniseries

Mood Indigo, a six episode prequel series

Spring Life, a 15 minute short

Pornographer: Playback, a two hour film

Spring Life Continued, a 15 minute short

Confused by that distribution model? So say we all; sometimes Japan likes to make us work for it to make sure we really appreciate its many gifts to us. The story across these installments is about a very difficult to love protagonist, what makes him the way he is, and the also-unhinged-but-in-a-different-way man who finally gets through to him. It’s an extremely satisfying love story and one of the best character arcs I have ever seen, full stop. For this one, you’ll want to just pull the word problematic out of your pocket and store it in a drawer; nearly everything that happens in this story is problematic and that’s the point. Lean in! All of these installments except for the film are on Gaga, if you get that far hmu and I will supply you with the final puzzle piece.

Our Dining Table (Gaga)

You could probably use a break after those last two, so it’s time to shift over to a heart-tugging twofer: family trauma mixed with the cutest shit you’ve ever seen. ODT is an example of another classic type of Japanese show: the food drama (you will see the GOAT in this category at the end of this list). In Japanese culture, food is love, and the act of preparing food for your loved ones is a common path to romance. You’ll love this story about an isolated office worker who meets a pair of brothers, learns to cook as a way of connecting with them, and begins to heal from his own trauma as a result. The image above is a scan from the manga, which @troubled-mind curates to make extremely cool comparison sets like this one. Many jbls are faithful adaptations of yaoi manga source material, so it’s good to have a bit of familiarity with them.

Minato’s Laundromat (Gaga)

gif by @liyazaki

Japanese media loves to explore taboo, and often manages to do it in a way that is surprisingly light and chaste. This is an age gap romance between a teenager and his adult neighbor that explores internalized homophobia, emotional repression, and falling in love across seemingly impossible social chasms. It’s also a great example of old school yaoi seme-uke dynamics that still show up across the bl genre. Also, take my advice: end your journey with this one with the first season and just pretend season 2 doesn’t exist.

Eternal Yesterday (Viki)

gif by @wanderlust-in-my-soul

Remember what I said about weird? Time to do that again, but with a heaping dose of grief and pain on top. It’s not a spoiler to tell you this show involves a major character death; a major character death is, in fact, the root of the entire story. This is a magic realist tale of first love turned tragic, and it will hurt and heal you. It is one of my favorite dramas of all time.

Restart After Come Back Home (Gaga)

And now for a break for your poor exhausted brain. This film is basically the jbl version of a Hallmark original movie, about a city boy who goes back home to the country and falls in love with a total sweetheart while working together on a farm. Enjoy it, bestie, you’ve earned it! 

Tokyo in April Is… (Gaga)

gif by @wanderlust-in-my-soul

You’ve probably noticed by now that emotional repression and failed communication are big themes in Japanese works. This second chance romance has plenty of both, and it’s a great example of a kind of muted emotional style that Japan does so well, where the surface of the story seems almost placid and calm even as deep emotion roils underneath. This one (and Eternal Yesterday above) are part of a special line up of jbls on Japanese channel MBS called Tonku (Drama) Shower. The shows air one after another in the same time slot on Fridays (in Japan, perhaps Thursdays for you depending on where you live) and you truly never know what you’re gonna get, but they’re all interesting. Warnings on this one for sexual assault and trauma. 

The End of the World With You (Viki)

Time for sexy and weird again, but even more so! This has to be one of the most unique bls ever made; it goes to some truly divine and strange places, and it feels incredibly queer while doing it. Made by the same screenwriter/director of the Pornographer series with a lot of the same sensibilities, but in a more heightened apocalyptic setting. This one has existential angst, a road trip, a redemption tale, and a variety of interesting side characters in the mix.

What Did You Eat Yesterday? (Gaga)

gif by @my-rose-tinted-glasses

Congratulations, you’ve reached the end of the list and your reward is watching one of the best bls of all time, and a perfect slice of life food drama to boot. WDYEY now has two seasons (along with a couple specials and a movie that fall in between) because the universe clearly loves us. You can now get it on Gaga for easy access but I’m partial to the versions over at @kinounaniresource for better subs. Wherever you watch, settle in to get cozy with Shiro and Kenji and make sure to always eat before you hit play.

[pluckyredhead]

Character Profile: Gregorio de la Vega and Hugh Dawkins (Extraño and Tasmanian Devil)

I was thinking that it's been too long since I've done a character profile, and then I realized that I don't think I've ever posted about DC's CANONICALLY MARRIED, HISTORICALLY SIGNIFICANT DILFS, a.k.a. Wizard Daddy and his furry husband. I'm so sorry. I've failed you all.

ANYWAY MEET GREGORIO AND HUGH:

Gregorio (on the right) is the first out superhero in comics, ever, from before the Comics Code even allowed gay characters. Hugh is DC's third gay superhero (Pied Piper came out a year before him) and the first canonically queer member of the Justice League. See? Historically significant!

CONTENT WARNING: Homophobia, racial stereotypes, attempted suicide, HIV/AIDS, and some particularly gory fridging (Hugh got better).

Gregorio de la Vega first appeared in Millennium #2. Now, they never actually use the word "gay" in the eight issue Millennium miniseries, but, well...

No, seriously, despite the fact that they never use words like "gay" or "homosexual" in the pages of the comic itself, the art and dialogue make Gregorio's sexuality very clear - and in case that wasn't enough, the editors do use the word "gay" in the letter columns.

Millennium was an event in which the Guardians and the Zamarons identified a group of diverse humans to be "the vanguard of human evolution" and gave them all superpowers. Gregorio is hanging out in a cantina in Peru when they show up to give him the news:

He's calling himself a fruit do you get it??? Honestly I love him so much. He's so extra.

I want to emphasize again how groundbreaking Gregorio is. Like, yes, obviously he is a raging stereotype and arguably a problematic one. But this was 1988. The Comics Code Authority would not be updated to permit queer characters until the following year (probably because of Gregorio, in large part). The fact that he existed at all, and not cloaked in layers upon layers of subtext, was a huge step forward. No, he's not perfect, but when you're the only canonically queer superhero in mainstream comics, that's an impossible ask.

Anyway. Gregorio's not super into the idea of being a main character at first, but after a self-loathing suicide attempt (Wally saves him), he decides fuck it, why not be a superhero, and joins the team that will become the New Guardians. He's granted his superpowers, which are generic magic ones, and takes the codename Extraño.

Unfortunately, in the spinoff series that followed Millennium, New Guardians, things get...uh...kind of rough. By which I mean that a) the original writer left, b) the new writer dialed Gregorio's gay stereotyping waaay back in favor of, um, Latino stereotyping instead (he stops calling everyone "honey" and starts calling them "amigo"), and c) the team is attacked by the Hemo-Goblin, an HIV-positive white supremacist vampire. Yes, really. It's fucking awful.

The Hemo-Goblin scratches Gregorio and bites Jet, a Black woman on the team. They both subsequently test positive for HIV. There are many letters from fans pointing out that it's nearly impossible to contract HIV that way, but the editors insisted that actually it was totally plausible, and then implied that probably Gregorio already had HIV because he was gay (even though he had tested negative earlier in the book). Then Jet dies. Again: it's fucking awful.

New Guardians was canceled soon after that and Gregorio pretty much disappeared. By the 2000s, he was viewed as basically an embarrassment, if anyone even remembered him at all: so stereotypical, so flamboyant, so offensive, so cringe. In the Love Is Love anthology, everyone's least favorite human Dan DiDio wrote a story where he claimed that Extraño died of AIDS back in the 80s, which...literally wasn't true??? The publisher of the goddamn company and even he assumed that the Cringey Stereotype must have died the Stereotypical Death.

And then in 2016, Gregorio got a makeover, courtesy of Steve Orlando and Fernando Blanco:

HELLO.

Yeah, so Gregorio is a silver fox now who hangs out with Apollo and Midnighter, does wizard shit, and lives in Lima with his husband and their adopted daughter. SO LET'S TALK ABOUT THAT HUSBAND:

Could you tell he's Australian???

Hugh Dawkins, a.k.a. Tasmanian Devil (no relation to the Looney Tunes character except that they are both owned by WB and, obviously, Tasmanian) actually first appeared in the Super Friends tie-in comics to the cartoon of the same name, in 1977, as part of a plotline where the Justice League teamed up with a bunch of international superheroes.

As you can see above, Hugh, like the other international superheroes, is a massive stereotype. He's also a were-Tasmanian devil who can grow really big, like many Australians. (Even though he's been around for 50 years, there are very few panels of Hugh in human form, but if you need to know for reasons of all the fanfic I hope you are about to write: he's blond.)

In the late 80s, Hugh and the other international superheroes from this story were incorporated into the main DCU as a team called the Global Guardians. They became occasional supporting characters to the various Justice League International books, and some of them joined various Justice League branches. Others had random cameos here and there, and in a 1992 issue of Justice League Quarterly, Hugh's random cameo involved casually mentioning that he is gay:

Again, this is a big deal. It's only 1992, meaning the only canonically queer superheroes in mainstream comics are Extraño (1988), Pied Piper (1991), and Northstar (1992). And this is a Justice League book. AND IT'S 1992. When Hugh talks about things being hateful for gays, he's likely referring to the virulent homophobia in Tasmania at the time (homosexuality wouldn't be decriminalized there for another five years).

Which means it was also a big deal that Hugh went on to join the European branch of the Justice League shortly after this, making him the first canonically queer member of any branch of the League. Of course, his sexuality was never mentioned during the year and a half he was on the team...or in any comic...until 2006. And then it was a vaguely homophobic joke involving Hal Jordan. But still!

(There is a panel that I SWEAR exists from the JLI era of Hugh describing a total bullshit version of his origin which granted him "the power of 106 Tasmanian devils!" which I cannot for the life of me find but was the first thing that made me fall in love with this character. If you stumble across it, please let me know what issue number it is?)

Hugh then had the misfortune of next appearing...sort of...in the infamously awful Cry for Justice in 2009. I say sort of because it's revealed that the villain, Prometheus, has skinned him and turned him into a rug. So we only see his skin. The late 2000s were really, really rough, guys.

However, a year later he appeared in the Starman/Congorilla special and he was totally fine? Don't ask me how. Gorillas were involved. The issue ended with the possibility of him and Starman (the Mikaal Tomas version) hooking up, but then the New 52 happened, so that never came to anything.

...BUT WHO CARES, BECAUSE NOW HE'S MARRIED TO GREGORIO AND THEY HAVE A DAUGHTER AND THEY ARE IN LOVE.

The nickname! The clutching! I'm dying.

Did I mention the canon threesome with John Constantine?

HUGH LOVES HIS RIDICULOUS HUSBAND SO MUCH. Tragically the JLQ only showed up in these two stories but all the baby queer superheroes in the DCU call Gregorio "Tio" and it makes me want to weep. HE WAS ALL ALONE IN 1988 AND NOW HE HAS A FAMILY. I AM VERKLEMPT. 😭😭😭

Unfortunately Gregorio and Hugh are pretty much relegated to occasionally appearing in Pride specials these days, but maybe if we all wish really hard, DC will let Steve Orlando or Andrew Wheeler write a miniseries about how they met and fell in love. I think Nick Robles should draw it.

ANYWAY I LOVE THESE HISTORICALLY SIGNIFICANT HUSBANDS, THE END.

[fantasy-anatomy-analyst]

Making Humanoids Less Human

I did make a small post on this, but now I've got the art for a much bigger and more detailed post! so here we go.

I had several anonymous asks that all came in quick succession weeks ago. Every single one of them was basically just a variation on "how would you take (typically humanoid) fantasy being, and make them look less human?"

This blog does not exist for me to just give people original designs for free, my goal is to show off my own personal thoughts about fantasy design and help people figure out how to adjust their own designs to fit their vision better. That means when people ask me questions about how to do something, I want to give them things to think about so they can come to their own conclusion. I don't mind making original designs to illustrate concepts, but a whole flood of "show me how to make this specific thing look different" all at once like that was too much. I'm not answering them all individually, it's just not what I want to do.

But what I can do is show my own thoughts and ideas about how to take any fantasy design and push it further away from "human", and you all can look at my ideas and figure out your own way to do things!

So here are the main 4 methods I've come up with to make humanoids look less human.

(image description: a simplified drawing of a humanoid face surrounded by four altered versions of the same face. clockwise starting from the top left, they are:

Speculative, drawn as a cat person. Additive, drawn with horns, pointy ears, sharp teeth, and a second pair of eyes. Subtractive, drawn with blank eyes, no nose, and no eyebrows. Exaggerative, drawn with a long face and huge eyes, as well as a wide mouth, narrow nose, and big ears.

end description)

I am personally a fan of the speculative route, which means exploring an alternate root of evolution to create a new design. Through this method, I've created monkey elves, frog goblins, and pig orcs.

the additive option is the most common, I think. adding new feature or doubled features to a humanoid form is a very intuitive way to change the design and make it look less human. you see this in most fantasy and scifi designs, like star trek aliens and the dnd player races.

subtractive and evaggerative are the most common options for people that like the uncanny valley. it's really easy to make uncomfortable designs by removing or exaggerating recognizable features, and they're often used together. Slenderman, for example, removes all facial features and skin color but also exaggerates the limbs and body.

Combining the four methods will give you a really interesting design as well! So for practice I decided to explore an alternate design for Tieflings, the part-demon player race in dnd.

(image description: four examples of differnt tiefling designs using the previously described methods. the additive example is just offical dnd art of a tiefling woman with purple skin, horns, and a long tail.

the subtractive sketch looks very alien, with a bald head, empty eyes, and no other facial featuers aside from a small mouth. it has three fingers per hand and two toe per foot.

the exaggerative sketch shows a hunched humanoid figure with huge eyes and big ears. the neck, limbs, and digits are all long with claws at the ends of the fingers and toes, and the limbs are also quite muscular.

the speculative sketch shows a bipedal figure with features similar to a giraffe, including a long neck, ossicones, and hooves.

end description)

now, because tielflings have such a distinct look to them, obviously my new sketches don't really look like tieflings, do they? the only one that comes close is the giraffe. relying only on one type of alteration to the human form has left the designs rather empty and lacking in the more iconic traits of the original concept. so i tried a sketch that combined my ideas! it came out looking like a completely different creature lol, like it could be a kobold or something, still not really a tiefling.

(image description: a sketch of a creature with a giraffe-like head, long tongue, and sharp teeth. it appears to be roaring at something and stands in a half-crouch. it has long limbs with hoof feet and clawed hands, as well as a long tufted tail curled behind it. end description.)

didn't work out. too far into the animal side of the speculative evolution, I think. so I tried again and got a design I liked much better!

(image description: a digital painting of a tiefling leaping back and casting a glowing orange spell. she is wearing a tunic with a corset and detached sleeves, as well as several pieces of jewelry. Her skin is purple with dark patches like a giraffe's spots, and she has a giraffe's ossicones as well as hoof-like hands and two-toed hoof feet. Her tail is long with a tuft at the end. She has glowing eyes and a flat nose, and there is a single sharp tooth visible poking out of the side of her mouth. end description.)

Brought the face back into slightly more human proportions and that helped a lot. Sometimes designs just take a few tries! that's normal.

and hopefully this is helpful to all of you! there are so many ways to alter humanoid designs to come up with something original and unique to you!

[fractualized]

Could you give me any Batman comic(/series) recommendations? Or Joker ones?

(You can pretend I’ve never read any Batman comics)

Man, this got me thinking about (1) the number of extended storylines I still haven't fully read myself and (2) of the ones I have, would I recommend that people read them?? Tough question! Thinking about it in terms of a Batman newbie changes things too... 🤔

Ultimately, my list is mostly one-offs apart from the mainline series, but there's a few multi-issue mainline stories in there. From oldest to newest:

Batman (1940) #1, "The Joker" and "The Joker Returns" — Early comics can feel inaccessible because of their age, but I would still recommend checking out the start of Batman and Joker's relationship for a sense of the longevity and evolution of these characters (You could also read Batman's first appearance in Detective Comics [1937] #27.)

Batman (1940) #251, "The Joker's Five-Way Revenge" — Jumping ahead thirty years! After a 4-year absence from comics, Joker returns, and I just love how his dynamic with Batman picks up where they left off like it was yesterday.

Detective Comics (1937) #475, "The Laughing Fish" — The infamous story in which Joker's mad scheme is to… copyright fish.

The Dark Knight Returns #1-4 — TBH, I'm not a fan of TDKR for various reasons. However, it had a huge influence on Batman and you should read it at least once.

Batman (1940) #404-407, "Batman: Year One" — More required reading (but I do enjoy it more than TDKR). Frank Miller's problematique is more acknowledged today, but as I said, modern Batman stems from his work.

The Killing Joke — Controversial-ish recommendation nowadays, considering the much-maligned choice to fridge Barbara Gordon, but I still enjoy the nuance it gives Joker and the meta element of the ending, with Bruce and Joker trapped in their cycle by choices that are informed by the needs of the franchise. Alan Moore may no longer care for it, but I do! (Also, I'd say read it with the original coloring.)

Batman (1940) #426-429, "A Death in the Family" — Another big event in Batman lore: the death of Jason Todd. It's one of those moments that gets flattened in various ways today, so I think it's important to see how everything actually played out. In particular, it's striking to see that Joker is initially nervous about Batman finding out what he did, and just how Bruce struggles with his no-kill principle.

Batman #450-451, "Wildcard!" and "Judgements!" — Joker's big return after Jason's murder, in which we see he's still not all that giddy about it.

Batman: Legends of the Dark Knight #65-68, "Going Sane" — This story takes place earlier in Batman's career, before Robin. When Joker seemingly kills Batman, he tries to start a new life without his instability breaking through. Meanwhile, Bruce recovers from his near-death in a little town in the middle of nowhere and thinks he might actually stay there… but he's plagued by restlessness too.

Joker: Devil's Advocate — Joker winds up on death row, but for a crime he didn't commit! Bruce is set on proving Joker's innocence despite the clown's other sins, and Joker is too captivated by all the media attention to help save his own hide.

Deathstroke (1991) #58, "Bad Blood" — A story in which Joker causes plenty of chaos, but in service of doing something… nice?

Batman: Ego — As Bruce contemplates giving up his crusade, he falls into an argument with… Batman.

Batman (1940) #648-650, "All They Do Is Watch Us Kill" — Part of Under the Red Hood. Jason Todd's reappearance in Gotham City comes to a head when he kidnaps Joker and draws Batman in for a dire confrontation.

Detective Comics (1937) #826, "Slayride" — Paul Dini is one of the writers who consistently remembers Joker has a personality and makes him funny, and this Christmas-time story featuring Tim Drake is a great example.

Batman Confidential #7-12, "Lovers and Madmen" — An alternative origin for Joker. Bruce has been fighting crime for about a year when he encounters a bloody crime scene that he can't make sense of. Meanwhile, the culprit, Jack, is growing bored with his criminal life, until he comes face to face with a vigilante bat.

Batman 80-Page Giant 2010 (Volume 2), "Reality Check" — Is Joker really crazy? Does Joker himself even know?

Batman (2011) #13-17, "Death of the Family" — Not to be confused with "A Death in the Family." Joker tries to convince Batman that all his sidekicks make him weak.

Batman (2011) #23.1, "Time to Monkey Shine" — Joker infamously adopts a gorilla. (It ends badly.)

Batman (2011) #35-40, "Endgame" — After Joker's failure in DOTF, he decides to bring his conflict with Batman to a close.

The Joker Presents: A Puzzlebox #1-7 — The Riddler is dead, but what really happened? A heist story in which the point of view is passed around multiple rogues, but Joker is the ringleader.

Catwoman: Lonely City #1-4 — Alright, this one does revolve around Selina, but the story is deeply tied to her relationship with Bruce and what she comes to understand about him in the end. (And Joker plays a brief but key part!)

Batman & The Joker: The Deadly Duo #1-7 — A recent team-up that calls back to everything I've personally enjoyed about Batman and Joker's dynamic.

Batman: City of Madness #1-3 — Beneath Gotham lies Gotham Below, from which a monstrous mirror of Batman escapes in search of a Robin. In his pursuit, Bruce confronts not only alternative versions of his rogues but his personal demons.

[kingdoms-and-empires]

Kingdoms and Empires Wiki Drop!

Sup guys, im releasing what i have done in the wiki today! In this post im only going to talk about the Wiki because I dont want to create an even more massive wall of text here than it already is. Please see the entire post on the forums thread!!! I solidified the lore (which means no more massive changes), set the foundations to the story (so i dont end up writing a shit ton and having to fucking rewrite everything anymore), and pretty much rewrote the canon lore until i reached a point where i literally cannot share it because itd be spoilers without the future rewrite (regarding the worldbuilding, all introduced characters and such are still the same, some just had minor tweeks, so nothing crazy like changing our old bodyguard Mary:

and turning her into our childhood friend lmao So the plan now is current wiki drop. A good amount of it will be hidden since alot of it is spoilers, so you get 39,174 thousand words of unlocked content out of about 50k words in the wiki. And that's without me transferring 90% of the Codex ingame to the wiki, so its ALL (okay like 85%) new words of content and lore! Dont worry, im dropping literally all extra work and focusing purely on playable updates now until i regain your guy's trust in me after being so radio silent.

I also know and recognize that this has gotta be annoying asf since what you guys really want is updates but after what happened with the Total War franchise (my beloved) and their lightning fast content pipeline and lack of upgrading their engine ended up destroying the health of the company and ruining fans trust in em, id rather invest on the long term than short term unlike them (meaning id rather have a set story, narrative line complete, and research resources so that i can use that to run wild in writing).

I made a history of the world as known to them, so much of it is subject to embellishment, lies, and "the victor writes history" trope.

Historia Mundis

If you'd rather just have the list of articles that can be found within the timeline though, here it is: The Great Disturbances, Wars of Unification, and the Longwei Empire

Reign of the Daishu Dynasty

Ecumenical Dominion and the Flight of the Belthean People.

Belthean Migrations

Reign of Emperor Garland

Reign of Emperor Daerin I

Reign of Emperor Valerion

Reign of Emperor Elric I

Reign of Emperor Cenric

Reign of Emperor Saldwin

Reign of Emperor Elric II

Reign of Emperor Daerin II

The Interactive Outdated Map Yeahhh almost as soon as i published the map for the patreons it became outdated lmaoooo Nareth is much bigger than originally imagined, Argent is surrounded by mountain and forest tribes (think Hispania’s Lusitanian Wars or the Germanic Tribes type of vibe). The empire (being Imperial Chinese and Persian Empire inspired) also is surrounded by the these tribes, and the Imperial Province of Lymark is now the “Protectorate of the Western Regions” which basically means theyre the watchdogs of Western Nareth. Its funny because theyre also across the St. Hytera River, which is much like the Danube River, and will inevitably face the same issues Rome did with Dacia when they had a presence that extended the natural borders.

Master List of Articles

The Evolution of Belthean Civilization

Veldora Duchy I may have gone too far here. I regret nothing and learning about agriculture and stuff was awesome.

Silverhill Duchy Mining is alot more complicated than I thought, though Engineering MC is gonna have equally alot to improve!

Imperial Ranks The ranks will have importance. I know that sounds weird, but I did not spend an afternoon writing this just for the lulz.

Emperor/Empress

Imperial Crown Heir

Imperial Prince and Princess

Imperial Duke/Duchess

Imperial Count/Countess

The Imperial Landed Knight

The Belthean Empire The biggest entry from the ingame Codex that I transferred over and polished. This should give you a hint of how ill do the other kingdoms in the future for their article.

Kin of Arava I experimented here and instead of making an actual article, made it a class lecture of a series of days focusing on the Kin with a racist professor lmao

Zera Arava So i had to do this in intervals as I was writing and plotting out his side stories. Honestly hope i did the homie justice, he's a fav of mine, though i think each of the ROs will be favs as I write more and more about them.

Sacred Dance I assure you the Sacred Dance isnt what you think it is.

------------------------------------------------------------------------------------------------------------------------ Patreons, you guys already read the below list. However ive cleaned the articles up and polished them! The Genesis of the Belthean Empire: From Invasion to Unification

Voryn Resdayn I wanted to see how i could make a character entry. It looks awesome, but holy fuck do they take time to create lmaooo, ill make the rest of them in the future.

Kin of Arava

Eastern Kin The descendants of Kin and Beltheans who mixed, that are settled within the empire.

House Resdayn Wanted to see how I could do the houses, still unsure (okay i dont like it) of how it came out. Hence why I started with a minor house that one of the RO's belonged to.

The Astute Emperor and the Imperial Provincial Rule: A Revolutionary Shift in Governance

Master-Scholars of Jelaytha The Jelaythan organization of scholars that Master Feren is from.

Post-Unification Transformations in the Belthean Empire: Trade, Economy, Industry, and Immigration in the Wake of Conquest

Imperial Historians Obviously the imperial faction that wants to get their hands on tutoring you lmao.

Universitas Magistrorum et Scholarium The Jelaythan/Imperial organization at the forefront of the intellectual international community.

Tripartite Alliance Read what the empire is teaching their citizens about how they conquered the alliance.

The Satrap System and Imperial Provincial Rule

The Great Racist of the Academy: Imperial Historian Acillus Cinna

The Sword Saint

Master-Scholar Kaleb

The Gleaming Horizon: Silverhill's Maritime Supremacy The book of a writer who we'll meet ingame. Youll decide whether or not to bully him as a 12 year old lmao.

Baniel Worthton The author of above said book. He even wrote about himself. Yes, it's supposed to be an ick.

The Ulrich Cothon The second book of his that'll feature in the game.

So…I guess in basketball or futbol terms… rebuilding phase is over, and i got all the players i need for a championship run!

It was an almost year long rebuilding phase, true, but omg it was so needed.

Plus I also learned alot of fucking coding at the same time lmao. Basically a lot of tweaking around with Choicescript and knowing how to code some actions. Also there's CoG implementing a new checkpoint system so thank fuck for that because this game's gonna be huge and id hate to play it without a save system.

[grey-and-green]

Ineffable (pre-2000's) Timeline

Before the Beginning 

We don’t know how long before The Beginning this was, or how long they may have known each other in ‘heaven’ before Eden. We don’t know if one (or both) of them had their memory of the other erased (I think there's quite a lot of speculation about this, so I can't link just one example).  

Angel!Crowley is the most adorable thing in all creation, but he asks some very innocent and appropriate questions and Aziraphale is scared for him (and maybe scared of him?) 

Crowley shelters Aziraphale with their wing. Adorable. Love it. 

4004 BC: Eden 

Aziraphale gives away his flaming sword in his first official act of doing-good-against-God’s-wishes and Crowley immediately fucking eats it up.

"You're an angel, I don't think you can do the wrong thing" is well-intentioned but probably sets up a less-than-helpful anchoring point for Aziraphale's morality (see various points below about Aziraphale's moral evolution trajectory and rationalising Heaven's actions).

Aziraphale shelters Crowley from the rain (and the best part is that Crowley moves in, closer to Aziraphale, BEFORE Aziraphale puts his wing up. Fucking lovebirds. Ridiculous) 

3004 BC: The Flood 

Crowley seeks out Aziraphale at the flood. Essentially just shows up to flirt.

Aziraphale clearly doesn’t like the flood-and-death plan but he also isn’t ready to speak negatively about God. He defends the flood as “not that bad” and goes all “no comment” about killing kids (because he can’t actually defend that bit). Not a huge fan of heaven already by this point, but either too brainwashed or too scared (or both) to actively say anything non-conforming out loud.

Crowley is appalled by the idea of killing children, has always been a rebellious little cinnamon roll.

“You still have one [unicorn]” implies that Crowley either doesn’t know the point of the Ark (unlikely, he didn’t show up here by chance) or he doesn’t know about the birds and the bees. (Is it at all possible that Bildad The Professional Cobbler/Midwife still didn’t know what sex and childbirth were? No solid evidence that he had any plan other than pulling the ribs out. He’s so stupid)

(Theory: Others have considered that this meeting was more involved than what we’ve been shown so far because 1- by the Job incident Aziraphale is real damn convinced that Crowley won’t hurt the kids and 2- “sudden rainstorm forces them together under a canopy” doesn’t actually fit with either of the times our lovebirds sheltered the other under their respective wings, because neither time was sheltering “together”. So maybe this sudden rainstorm is what Crowley is actually referencing and there’s more here we haven’t seen). (Theory 2.0 is this wildly long meta that basically is a dissertation on why the kissed during the Flood and I’m here for it).

2500 BC: The Job Incident 

Ugh, I love this episode. Nothing but endless love for our baby Bildad.  

Appears to be a chance meeting between them.

They BOTH DEFY ORDERS to save the children.  

When the bird-goats make a noise, Crowley turns around before Aziraphale says anything. He was HOPING that Aziraphale would catch on, he was baiting his Angel to see that he was going to save the kids. Which, I mean, we all already know Crowley is a softie and he’s not really tried that hard to hide it from Aziraphale in the history we’ve seen so far, so…tone down the evil demon cosplay, babe. We’re past that.

Crowley saving the kids isn’t surprising. But we actually have a big jump for Aziraphale here. When we originally only had the Flood and the Crucifixion in S1, the evolution of Aziraphale’s “defence” of Heaven seems subtle and slow between those two short scenes. But throwing this epic story in the middle? Genuinely a MASSIVE shift from rationalising Heaven’s plans for the flood to assuming he knows what God is thinking + actively collaborating with a demon and trusting a demon more than his fellow angels + willing to be literally damned to save three random kids. (Could easily argue that this seeming anachronism in Aziraphale’s arc [along with Bildad’s stupid hair] makes it all the more plausible that there is a magic trick happening here).

Aziraphale says that Crowley is “technically” a demon. (I see what you’re getting at there. I see you, Aziraphale) 

Aziraphale tries human food for the first time. Odd sexual tension. I won’t elaborate.

When Aziraphale is sitting by the ocean, he’s waiting to be punished and thinks that’s why Crowley came over. But Crowley doesn’t know this. He was just coming over to spend more time with Aziraphale for totally platonic reasons.

Crowley has the chance to take Aziraphale to hell as a demon, and declines (hmmm, foreshadowing us all getting our hearts ripped out a few short episodes later???) 

Crowley’s appearance: people have speculated on why they look so different here compared to the Flood and the Crucifixion. My theory is that the other to flashbacks (seen in S1) are Crowley going about her life and just popping in to flirt with Aziraphale, whereas with Job, Crowley is showing up to work. The Bildad getup is a work outfit, demon cosplay. Long hair and no sunglasses is Crowley being himself, and silly hair silly glasses is creating a character to play while hiding his eyes because humans are around AND he’s vulnerable when hell is watching.

Bonus happy thought: when they get the kids in the cellar they start bickering like an old married couple/BLATANTLY flirting and the kids are just...so confused. Fucking delightful.  

33 AD: Crucifixion 

Crowley seeks out Aziraphale.  

Crowley has changed their name.  

By this time, when Crowley says “Heaven’s being a bit shitty” Aziraphale doesn’t actually defend Heaven? “I’m not consulted on policy decisions” is much closer to “I know they’re awful but I can’t change anything” as opposed to trying to rationalise that heaven must, by default, be good. (See note above about Aziraphale’s non-linear moral evolution).

Not much else here except Crowley looking their absolute most gorgeous in all of history.  

41 AD: Rome 

Crowley having a bad day. A lot of people have written about how after the Crucifixion and everything else that has happened so far, baby bean is fucking disillusioned as all hell.  

Crowley makes obvious ploy to get Aziraphale to ask him on a date, and it works. Delightful.  

Bonus happy thought: the little pins each of them is wearing on their togas? The fucking angel wings and the snake? Nothing but love for the Good Omens costume department.

537 AD: Wessex knights

No idea if they’ve met between Rome and now, but I’m pretty sure they have? Aziraphale recognizes Crowley’s voice immediately, I feel like they’ve talked sometime (oodles of times?) in the previous 500 years.  

Proposed Arrangement. Aziraphale very dramatically declines for corporate reasons. Not so much “working together is wrong” but that “working together is against the rules”.  

Could possibly argue that this feels like a step backwards for Aziraphale since the Job incident. But I think, no? With Job, the stakes were high and they were literally saving innocent lives. Here, The Arrangement is presented more like cheating on homework. Like, this is just a report for work, I’m not going to risk being reprimanded for something trivial like faking a sick day. Because Aziraphale still wants Heaven’s (God’s) approval quite badly: he’ll risk his life to save human lives, but not to save himself a trek to a castle.

1601: Globe Theatre 

By the now The Arrangement is well established. Aziraphale puts up a very lazy fight against it, but caves almost immediately.  

We can see already that Aziraphale is concerned that Crowley could get in trouble over their relationship, but I don’t think he has really realized how much danger Crowley is in? Like, if he genuinely thought destruction was on the line, he might have protested more. But it’s still important here that Aziraphale is concerned with Crowley’s safety above his own.  

I believe Aziraphale asked Crowley to meet up at the theatre from what Crowley says about “you said we would blend in with the crowds”.  

Bonus happy thought: I’ve seen people speculate about whether the coin toss was rigged. I choose to believe they BOTH rigged it so that Aziraphale would go to Scotland bc Crowley didn’t want to go, and Aziraphale knows that Crowley can’t ride a horse so was totally keen to save him from that ordeal.  

1650: not shown

Something happens and Aziraphale does the “I was wrong” dance 

I wrote elsewhere that this could be a promise of something we will be shown in Season 3 -OR- it could be a Clue that memories are missing (see The Magic Trick You Didn’t See)

Also, despite all the wonderful suggestions people have from actual history about what these two might have gotten mixed up in in 1650, my personal prediction is that if we see this in Season 3, the actual Thing that led to the dance will be extremely trivial, like Aziraphale knocks over Crowley's drink or something.

1793: The Bastille 

Aziraphale gets himself in a damsel-in-distress situation and Crowley “has to” save him. Obvious ploy to go on a date. Flawless.

Crowley is clearly following Aziraphale around, since he showed up at exactly the right time. Zero coincidence detected.

Aziraphale has absolutely no issue with the executioner being beheaded in his place. Bit ruthless to sacrifice a random stranger for the cause of taking your crush out to lunch.

At some point, Aziraphale does the “I was wrong” dance here. Hopefully over crepes.  

1827: Scotland 

Crowley essentially just takes Aziraphale on a date to a graveyard. Such a mood.  

Some obvious moral struggles for Aziraphale starting to realize that good and bad are not black and white and that extenuating circumstances exist.  

Whether or not you believe that this memory was tampered with, when Morag is dying, Aziraphale essentially asks for Crowley’s moral guidance. He could have just healed Morag, but he defers to Crowley for ?permission...I don’t know for sure, but it feels significant that he wants Crowley’s approval here before doing ‘good’. That has to mean something.  

“Last I saw of him for some time” is, at most, 35 years between here and St James Park, which means they are meeting up a lot more frequently now. We’re not regularly going decades/centuries between dates anymore. 

Edit: As others have noted, the wording in this diary entry is actually odd because when Aziraphale is writing this, he MUST have already seen Crowley again for that last bit to make sense. Which means we actually probably have quite a lot of “us time” between the Elsbeth flashback and St James park.

1862: St James Park 

Likely Definitely not the first time they have met up since the Scotland flashback (see edit above).

I THINK this is the first time we see Aziraphale’s personal tartan show up? He’s now officially created his own clan on Earth and is NOT wearing the official tartan of heaven. He later gives this tartan to Crowley which is Significant. 

Since our last meeting, Crowley has been dragged back to Hell and, presumably, punished, for what he did with Elsbeth/Morag. (The time spent in Hell was likely not necessarily a LONG time but still seems like it was a sobering event for Crowley where he seems to catch up with Aziraphale about how much danger they might be in).

Crowley asks for the holy water because he now realizes that he may need to protect himself (and Aziraphale?) from Hell if and when they figure out the scope of his ‘breach of the infernal code’ and retaliate.

1941: London Blitz 

Accepted by fans as likely the first time they have met up since the breakup in St James Park. As with the Bastille scene, it’s very clear that Crowley has been keeping track of Aziraphale (if not actively just following him around).

Obviously, canonically, the moment when Aziraphale realizes he is in love with Crowley.

Immediately after this realization, Aziraphale also realises how much Crowley is at risk from Hell by continuing to associate with him. This does not stop them from having a romantic glass of wine back at the bookshop.

Photograph of Crowley and Aziraphale exists, no clues as to what happens to it/who keeps it after the events of this night. I hope it’s in the photo album that I assume Aziraphale keeps with his diaries and little drawings of Crowley he’s made over the millennia.

At some point, presumably on this same night, Aziraphale does the “I was wrong” dance, but we don’t get to see that. Yet.

(Side note: I feel like by this point in their relationship, it’s really got to sting when Aziraphale assumes Crowley is the cause of whatever horrific thing humans are doing. I mean, what in the past 6,000 years would point to Crowley wanting to actually help nazis? It’s not funny anymore, Aziraphale, stop re-traumatising your boyfriend with baseless accusations.)

1967: Soho Heist 

Crowley plans the heist in the pub that is literally across the road from Aziraphale’s book shop 

Aziraphale finally gives Crowley holy water – whether this is because he’s actually worried about the danger of the heist, or if he has just come to his senses about the fact that Crowley is in mortal danger from Hell and may actually need a way to escape them if things go pear-shaped, or whether he’s just acts-of-love reaching out....could speculate for days on that.

He gives Crowley the holy water in a thermos with his personal tartan on it. 100% on their own side. Adorable.

Aziraphale isn’t wearing his bow tie in this scene. He still has his tartan, but he’s wearing it as a cravat instead, with his shirt unbuttoned at the top. I genuinely don’t know what this is supposed to mean, but the costume department is too good for it to be random. (It supposed to be flirty? Like, ooh, top button undone, basically naked? And that just necessitated losing the bow tie? Is there sartorial symbolism here about a cravat vs bow tie that I’m missing? Tell me what’s going on!?!)

“You go too fast for me” (ugh, gutted every time) 

Additional event: year unknown

In their earlier flashbacks, we see them travelling the world for their jobs.

At some point they both end up permanently stationed in London.

My assumption is - that originally it was just the two of them on earth, possibly for thousands of years. Then their territory was limited to the British Isles, and eventually, when there were too many “oodles” of humans, they both ended up just looking after London.

So, who was assigned to London first? Because it’s not a blind coincidence they’re both specifically in London - one got assigned to the London first and the other one deliberately FOLLOWED.

I am still updating this as I re-watch and read other folks’ posts.

These are mostly my observations with a few additional things thrown in that I’ve seen people discuss already here on Tumblr. I will try to link to them best I can, but my Good Omens saved posts are massive and I’m not sure I can find all the original posts who's theories I’ve mentioned here

[lbulldesigns]

A very far out there theory.

I've seen a few theories on who this little girl here could be.

Some have said that she's Powder and this is a flashback, which doesn't seem likely because she's wearing clothes similar to Jinx and has cloud tattoos drawn on her tiny arm, I've also seen theories that she's a random child that will die to further Jinx's plot (which I really hope isn't true), and even a theory that she's Marcus' daughter, but I think that's just a meme at this point.

Now I have a theory and it's really, really out there so bare with me a moment.

This girl is Seraphine. A.K.A The Songbird of Zaun.

Now hear me out. Riot has confirmed that Arcane is not Canon with the games and is its own story. Seraphine has gone through a few evolutions over the years in order to make her story interesting, considering the negative reviews on her original skin and storyline. So what if Riot decided to introduce her as a child first, she's younger than Jinx in Canon and also fangirls over her saying that she loves Jinx's rhythm and how unpredictable it is.

So it isn't too out there for her to mimic Jinx's look here. She's also all about unity, so what if she develops these beliefs by seeing how terrible war is with her own eyes.

There's also her hair in this screenshot.

When you look closely you can see flecks of pink, being a child she wouldn't be able to properly dye her hair so she coloured it with hair chalk or something but it wears off and you see her natural colour. It could be a trick of the light but with the direction it's coming from and the fact you can't see any light reflecting of the person (possibly Sevika) carrying her off makes me question if this is her actual hair colour coming through.

There's also how thick and wavy looking her hair is, Seraphine has long hair canalogically.

And as someone with thick hair herself, I can attest to how curly and wavy it looks when cut short.

Seraphine is also a mage and empath, so if anyone were to bond with Jinx instantly, it would be her. And the way her hand is outstretched here,

Kinda suggests, to me, that she's reaching out to help or trying to cast a spell; that sounds far-fetched I know, but her facial features look more like she's concentrating and less like she's in distress.

There's also this line in the trailer "The Arcane is waking." What better way to introduce that storyline than through one of Zaun's known mages, next to Zeri, that is.

There is also the fact that Jinx has had a few bird motifs throughout the series, such as the crows and ravens and the doves in her mural. She's also been referred to as Janna's Bluebird by the fandom, which again is interesting that Janna has bluebirds and there's a flighty little blue haired girl running amock that Janna (in game at least) seems to like.

And her new look here,

The teeth look like feathers when framing her face and making her look more like a bird from front view.

How adorable would it be if Jinx's number one fan here was the Songbird of Zaun.

It's highly unlikely that this theory is true, but if at any point Jinx turns around and calls this girl Songbird or she introduces herself to Jinx as Sera, then I will shit bricks.

[adobe-outdesign]

Have you reviewed the Farfetch'd line?

Back in the early days of Pokemon, it was more common to see Pokemon based on specific Japanese references that English audiences wouldn't necessarily understand (not that this doesn't still happen, but they seem to acknowledge they're an international brand more these days).

In Farfetch'd's (that name looks so wrong as a possessive) case, it's based on the Japanese proverb "a duck comes bearing spring onions". Ducks are often cooked with onions, so the saying is referring to something that's an unlikely opportunity (the closest English version would probably be a "sitting duck").

The concept is fun, but being a Gen 1 design, it's also maybe a bit too straightforward—it's a duck with a leek, nothing less and nothing more. I do like the expression with those big ol' brows, and it's perfectly fine-looking, but it feels like it could've been pushed more. (I'm kind of surprised it didn't have leek elements built into it and be part grass-type, given that it already has the leak shape built into its head feathers.) It always seemed like the perfect kind of Pokemon to evolve, and apparently GameFreak agreed... kind of.

My major beef with Galarian Farfetch'd is that it exists in the first place. That sounds harsh, but what I mean is that regional-only evolutions are fine when they only make sense coming off a regional with a different concept. For example, Cursola wouldn't make sense when evolving from regular Corsola because the bleached coral theme would come out of nowhere; Obstagoon wouldn't make sense evolving from regular Linoone because it has no reason to turn into Gene Simmons out of nowhere, etc etc.

But with G. Farfetch'd? It's not really all that different from regular Farfetch'd at all, and I definitely don't think Sirfetch'd needed to evolve from a regional; it would've made just as much sense evolving from Kantonian Farfetch'd. So all G. Farfetch'd does is make regular Farfetch'd feel even more obsolete than it already did.

Now, I will say that visually, I do prefer G. Farfetch'd's design. The stupidly huge leek is super fun and brings a lot more to the table conceptually when combined with its extra serious expression and increased strength (especially because it's apparently based on how leeks are bigger in England than Japan). The darker colors are also nice, and it's a nice little touch that the head feathers switch orientation. It's a good improvement over the original, just once again frustrating from a practicality standpoint.

I should also mention really quick that originally, Farfetch'd had this scrapped evo called Madame. I'm... not a big fan, to be honest. I don't know if it's meant to have an SM thing going on with it or if it's just meant to be masquerade-themed, but either way that element comes out of nowhere and the main focus of Farfetch'd, the leek, is too de-emphasized. The feather detailing also feels like too much.

Pre-evo beefs aside, I do really like Sirfetch'd as a design. The concept of just taking the leek and making it into a sword and shield is extremely fun and straightforward, and I like the little details like the sheer length of the sword, the handle being the unpeeled base, and the leaves being the shield. The white body works well with the white parts of the plant and gives it a "white knight" kind of vibe, which is really emphasized by its super stocky body. Conceptually it makes logical sense as an evo; visually, it's fun and easy to understand. No complaints here.

As a whole: Farfetch'd is fine but feels like it could've been pushed more conceptually. G. Farfetch'd has an improved concept and design, but also didn't really need to exist and robs original Farfetch'd of an evo. Regardless, the evo itself is a great design with a solid concept.

[molsno]

I've always looked back on the johto remakes fondly, as I know most people have. they're very beloved games, and for good reason! they brought johto to life on the ds and added lots of wonderful new features. pokemon fans have long since considered them to be the best remakes in the series, and I think they deserve that reputation. however, I've been replaying pokemon soulsilver the past few days and I've been coming to realize that they still suffer specifically because they're johto remakes.

my main issue with the johto games, a problem that continues to haunt their remakes, is that the variety of pokemon available is very limited. if you want to build a full team of 6, then most of your options are likely going to be pokemon from kanto. in the specific context of gold and silver, this makes sense. they were designed as sequels to the original red and green, with the primary hook being that 100 new species of pokemon have been discovered. the original 151 were extremely beloved, so it makes sense that they would continue to be featured prominently in gold and silver. that way, whenever you did find a new pokemon, it would be exciting for the player! I understand the approach that gamefreak took with the original johto games given this context.

the problem is that most johto pokemon just... aren't very good. most of the new pokemon have very poor stats - made worse by the fact that a significant portion of them are baby pokemon. on top of that, many of the ones that are good are often inaccessible until late in the game; skarmory isn't available until after you get the 8th badge (in an optional route that many players are likely to skip, no less), and tyranitar isn't available until mt. silver, the very last location you get access to. even some of the new pokemon which are mediocre at best aren't available until the post-game; houndour and slugma can only be found in kanto despite being johto pokemon, and misdreavus - the only other ghost type besides the gengar line - also can't be caught until mt. silver.

because many johto pokemon are unusable on a team, whether due to poor stats or inaccessibility, your team is most likely going to consist of kanto pokemon. again, I understand why this is the case given the context that the games were released in, but I find it frustrating! I want to build my team around the pokemon native to the region I'm playing in, and I feel my ability to do so is being limited!

so, did heartgold and soulsilver fix this? not really. the same problems mostly persist. one of the only saving graces is that some of the formerly weak johto pokemon received evolutions in gen 4. and you can obtain some of them! however, most of them are locked behind the post-game once again, and some of them are unobtainable entirely without trading. for example, there's no good reason that you shouldn't be able to evolve eevee into leafeon or glaceon in these games, but you need to trade it to diamond, pearl, or platinum to do so because there is no moss rock or icy rock in johto. they could have added them, but they didn't.

it frustrates me because the context these games were released in was different from that of the games they were remaking. technically, they didn't need to remake them; all johto pokemon were made available in gen 3, albeit many of them were locked behind the paywall of having to buy far too many games and accessories. the primary reason for these games to exist was to make them easier to obtain. it wasn't like firered and leafgreen, which were made specifically because the majority of kanto pokemon were completely unobtainable in gen 3 due to the gba not being able to connect with gb and gbc games.

speaking of which, it feels like they didn't learn their lesson from firered and leafgreen. one of the primary causes of frustration in those games is that you are completely unable to obtain any non-kanto pokemon until the post-game, for the sake of being "faithful" to the originals. this was a problem because they already weren't faithful to the originals, as frlg featured new mechanics from gen 3 such as abilities, but I digress. with hgss, the fact that gamefreak intentionally limited which pokemon you can access until the post-game feels like another attempt at being "faithful" to the originals, but they didn't even commit to it as hard as they did before. in frlg, if you maxed out a golbat's friendship, it would attempt to evolve into crobat every time it leveled up, before stopping prematurely. in hgss, you can evolve yanma into yanmega by teaching it ancient power and then leveling it up. if you want a togekiss though, too bad, because a shiny stone isn't available until after you beat the champion.

by this point in the pokemon franchise, I don't think gamefreak needed to remake gold and silver with faithfulness to their original context. hoenn and sinnoh were both designed to be new and refreshing, so it was reasonable for fans to expect each region to have its own identity, with its own pokemon being featured prominently. they could have adapted johto to suit this new convention for the series, but they chose not to, and I can't help but feel that heartgold and soulsilver suffer as a result.

[tobiasdrake]

I'd say that Tri, Last Kizuna and 02 The Beggining are a tad of a weird approach to try and bank into nostalgia, but not letting go the concept of "no you have to say goodbye to the 'mons"... which doesn't work after 02's epilogue. And then Adventure 2020 happened, and forgot that it was supposed to be an assemble show.

I don't have a problem with nostalgia banking, but Last Evolution Kizuna wanted really badly to be Toy Story 3 and failed. That, I take a lot of issue with.

There's a lot of heated debate surrounding LEK. The idea that the kids' partnerships with their Digimon break because it's time to put away childish things and grow up is extremely contentious within the fandom, but it's also not universally agreed that the film is even saying that thanks to translation issues with the subs and also some very ambiguous imagery with the ending.

There are basically two different interpretations of what happens in LEK.

1 - Sora, Taichi, Yamato, Jou, Mimi, and Koushiro all lose their Digimon Partners because they enter adulthood - but not Takeru and Hikari because they still have a few years to go.

This is a natural occurrence and the result of growing up. They have no choice and no agency in the matter; The Universe takes their Partners away because they're too old to be playing with toys anymore, and they just need to fucking suck it up and deal.

2 - Sora, Taichi, and Yamato lose their Digimon Partners because they're too irresponsible with their adulthood. Mimi, Jou, and Koushiro do not because they're responsible adults and are balancing their adult lives and their love for their Partners well.

What happens to Sora, Taichi, and Yamato is a rare and unusual occurrence, but there is hope that they will one day find their Partners again once they've gotten their heads on straight and made their way as adults.

For obvious reasons, the film is very unpopular with fans who take the first interpretation and pretty well-liked with fans who take the second. Which one is actually the valid and intended reading? Well. It's complicated. The movie went through a tumultuous creative process, to the point that Adventure series director Kakado Hiroyuki walked out on production midway through over disagreements and inconsistencies to the original series.

Which is, y'know, always a promising sign for a new entry in a series.

Watching the film, for me, it honestly feels like both readings are intended. Which is to say, you can find evidence to support either/or. I don't think that's deliberate, I just think the film was sloppily made and shows signs of conflicting creative visions.

Proponents of the Good Movie interpretation can point to the villain of the film, whose central motivation is literally that having your Partner taken away because you grew up is some fucking bullshit. In its final act, the film reveals that her Partner did come back - Just in an unrecognizably different form, not as the Partner she knew.

So the natural conclusion then is that Agumon and Gabumon will reincarnate and may find their way back to Taichi and Yamato; They just won't be Agumon and Gabumon. Which still contradicts the 02 epilogue despite proponents of the Good Movie interpretation insisting that 02's epilogue is still canon to LEK.

Which itself has evidence to support it (Taichi and Yamato are on their way to becoming the people they are in the epilogue) and evidence to refute it (Agumon and Gabumon fucking died).

As the translation breakdown in the above link shows, there's also some phrasing issues that created confusion. Gennai in the official English version describes losing your Partnership as a typical occurrence while, in the original Japanese, he seems to describe this more like a rare thing that he doesn't fully understand.

It's explained that what's happening is the narrowing of potential. Children have infinite potential, which something something Digimon Partnerships. As you make choices with your life, you narrow your potential, and eventually it can no longer sustain a partnership - Unless you're able to become an adult with limitless potential anyway!

That seems like it's setting Taichi and Yamato up to figure out their shit and save their Partnerships at the last second. But they figure out their shit and still lose their Partners, which gets described in the end as a rite of passage.

The blog with the big translation breakdown I linked above makes a note of the difference between the official translation, "This is how we finally grew up," and a more accurate translation, "This is how we arrived at the entrance to adulthood." As they say, it shouldn't be translated with finality.

But that's splitting hairs, because either version is still saying that losing Agumon and Gabumon was Taichi and Yamato's rite of passage from childhood into adulthood. Whether they've become adults or taken their first steps into adulthood doesn't actually matter; it's still describing this loss as the gateway that brought them there, which is the point of contention.

They did what they were supposed to do, they were still punished for it, and then they close by describing it as if it were an inevitable consequence of growing up despite what Gennai said. Which may or may not be corroborated by what happened to Jou, Mimi, and Koushiro.

Proponents of the Good Movie interpretation will point to Jou, Mimi, and Koushiro as proof that not everyone loses their Partners. Proponents of the Bad Movie interpretation will point to those same characters as proof that everyone does. This is due to a fundamental disagreement in how you interpret the final scenes.

At no point does the film ever say, with words, that Jou, Mimi, and Koushiro lose their Partners. But it does conclude with these images:

The final shots of Taichi, Yamato, and Sora show them to be moving forward with their adult lives, with no Digimon. The younger kids Takeru and Hikari's slides contain Patamon and Tailmon. There are also slides for the 02 characters, which show their Digimon Partners still taking an active role in their lives too.

But Jou, Koushiro, and Mimi? No Partners in their slides.

Good Movie fans will say that the film never says explicitly that they lost their Partners, so this means nothing. Their partners are probably just offscreen somewhere.

Bad Movie fans will say that these slides are meant to show the older kids moving on with their lives post-Digimon and the younger kids still having their Digimon Partnerships. There's a clear contrast between Hikari and Takeru's slides versus Taichi, Yamato, and Sora's - and Jou, Koushiro, and Mimi are presented like Taichi, Yamato, and Sora here, not like Hikari and Takeru.

Good Movie fans have the counterpoint to be made that their Partners still exist in 02's epilogue. So, y'know, canon faithfulness says that everyone's Digimon will come back or was never lost. Checkmate, naysayers.

But also Last Evolution Kizuna basically ignores Tri and makes no attempt to address the questions it left hanging, and also the Adventure story director walked out of production over inconsistencies to the original so I don't think you can really use canon faithfulness as a talking point here.

Taichi and Yamato are still on their way to becoming an ambassador and an astronaut respectively, so the epilogue hasn't been thrown out entirely. But it clearly has been thrown out. Jou was supposed to become a doctor in the Digital World, Sora was supposed to become a fashion designer instead of inheriting her mom's ikebana mastery, and Mimi was supposed to become a chef instead of selling cosmetics.

Yeah, Taichi and Yamato are still on-track to a similar life path than what the epilogue gave them, but nobody else is. So I don't think the movie is actually as faithful to 02 as the Good Movie side thinks it is. And apparently neither does Kakado Hiroyuki.

For me, I do think they were trying to say it's time for the kids to put away childish things and grow up. I don't think they meant that to be insulting. But I do think it's kind of insulting.

I think they were trying to do what Toy Story 3 did; To tell a story about the rite of passage from childhood to adulthood and what that means for the things we loved and enjoyed as kids. But I don't think that story works when the putting away of childish things is something cosmically forced on the children rather than a choice they make with their own agency.

Toy Story 3 wouldn't have landed the way it did if the movie was about Andy's mom pinning him down by the arms while garbagemen come in and throw Buzz and Woody into a woodchipper. But that's kind of what Last Evolution Kizuna does to the Adventure kids.

Taichi and Yamato get to give a powerful emotional farewell to Agumon and Gabumon. But they don't want to, they are not making this choice for themselves, and no reason is ever provided for why they should have to. And even the best defenses of the film just make it out to be a weird, random cosmic blip that maybe they'll fix some day, who knows.

Even in the best-case scenario, the universe just decided to grievously hurt Yamato and Taichi for no reason even though they were already making strides to undo the thing they were allegedly being punished for. It's still mean-spirited and cruel even in the best possible interpretation.

So. Yeah. All things considered, I find myself falling on the side of "It's a bad movie and I don't accept it as part of my personal Digimon canon." I don't accept that the children need to all have their Digimon deleted once they enter into adulthood, and I equally don't accept that they don't need to have that happen but that Taichi and Yamato deserved to have their Digimon ripped away from them at the end. There is no version of this movie that I actually like.

[neonscandal]

Manga With Me: JJK Crackpot Conspiracy That Makes Little to No Difference (While Maybe Making A Big Difference)

At this point, we're all aware that I, as the nerd aunt, watch a lot of my favorite anime with my niece and nephew and, against the better judgement of most adults, that includes JJK. During this rewatch, I noticed something that sparked an Aha! moment and now we all have to suffer that together.

Unrelated since I just wanted a Mahito gif but kinda related. This gif from S2E9 shows Mahito grabbing the red dragon mahjong piece. That of benevolence. 👀

⚠️: Spoiler warning through season 2 of JJK.

Ever since finding out that there are only five more chapters to JJK, I have not known peace. Which means I need to word vomit all the things that have been bouncing around my noodle expeditiously. This hypothesis, while making little impact on the chapters that remain, is still harrowing if you think about it too much, which I clearly have so follow me down this winding path. It's a little long but may be diabolically on point.

BASIS OF KNOWLEDGE

Let's start with what we know:

Curses are formed by the negative emotions humans harbor.

There are two canonically acknowledged events that created huge shifts in the balance between sorcerers, humans, and curses: Gojo's birth as a Six Eyes and Limitless user and Sukuna's awakening when Yuji ate the first finger.

The antiquated way the jujutsu society measures power plateaus at "special grade" which puts Gojo on equal footing with Geto even though power wise they aren't comparable. This is not to call Geto weak but, instead, to show that even in high school, the power scaling was faulty and left layers of nuance out of the equation.

HOWEVER, by the time Megumi, Yuji and Nobara enter Jujutsu Tech, some curses had evolved to verbally communicate complex articulations i.e. Mahito and Jogo.

Critically, throughout my constant poring over JJK I've gone back and forth on the why this is but the truth is in the rewatch and so is the outlier. The Earth (Jogo), the Forest (Hanami) and the Sea (Dagon) are highlighted to be the product of that which humans have always feared. This is where things get interesting and ultimately disproves one of my favorite fan theories that Dagon is a manifestation of Riko Amanai after death. Ancient curses, undoubtedly Special grade given the widespread fear they're born from and constantly replenished by. Bearing that in mind and with respect to Japan being regularly devastated by natural disasters, we as the readers can infer their relative power but also surmise that it is their age and subsequent fear that they garner that would eventually evolve them to where we see them now.

If Gojo's birth or Sukuna's awakening were the precipice for this evolution, wouldn't Dagon also be a conscious, articulate curse? Even Hanami is still in a middle ground of communicative competence. Notably, this is where the theory is born.

In this moment, Mahito is pleased to call these ancient beings friends. In explaining the way of the world to Junpei, Mahito goes on to say:

"There are spirits known as Special grade potential spirits. Cursed spirits are a culmination of cursed energy leaked from humans. An image of fear shared by the masses, even if not real... can manifest as a powerful curse."

Which we know to be true but... what fear does Mahito represent to be able to rub shoulders with the likes of such insurmountable curses?

It can't be that simple, can it? We've seen the curses yielded by abandoned, spooky and collectively stressful locations like schools and they don't hold a candle to Mahito.

THE MENACE MAHITO

I've said it before and I'll say it again. Fear the day that Yuji Itadori's heart breaks because the ensuing curse or subsequent rampage... his strength has been foreshadowed to be devastating. However, our focus in this analysis recognizes all the above and hypothesizes the origin of Mahito and their inextricable link to one another.

Ideologically, Mahito and Yuji are diametrically opposed in their assessment of life. Not really a spoiler to say that in recent chapters, Yuji's own words completely contrast Mahito's understanding of the world in his curious observation of it. 💡 If you want more insight into Mahito, the first light novel has an interesting vignette into him as a character and his motives that I didn't talk about.

Following the events of season 2, Mahito has deliberately dealt three critical hits to Yuji Itadori's soul. Delights in it, in fact. Junpei, Nanami, Nobara. Out of the ensemble cast of villains, only one character is responsible for all of the most gut wrenching losses in Jujutsu Kaisen (shout out to Mechamaru for that matter, too). It should be said that Mahito's own power, manipulating souls and recognizing the boundaries therein is, in my opinion, integral to the overall story.

Especially since we know, early on, that Yuji, as Sukuna's vessel, is a bad match-up for Mahito. It isn't until recent chapters that we recognize why that is even though it's been spoonfed to us.

Mahito vs. Yuji, Mahito's attempts to transfigure Yuji have no effect except getting into Sukuna's bad graces.

After years apart, Yuji instantaneously recognizes Yuko Ozawa despite massive cosmetic changes. (Massive shout out to the dude dressed as Nanami at Risucon that I nerded out about this with at my booth.) I feel like her introduction isn't for nothing. I assumed we'd see her again because that's how JJK typically rolls but what if she's already served her purpose?

⚠️ Implied spoiler: In later battles, Yuji is able to tune into the soul of his "opponent"

WILD CARD STRETCH: There's someone else in universe who can seemingly see a person's soul and it's Gojo.

ORIGIN HYPOTHESIS

Okay so, after all this, what is the point? Mahito is an anomaly of a curse and for him to have inflicted such big name carnage in terms of the plot shouldn't be ignored either.

At the beginning, I acknowledged the two main events that caused a major shift in jujutsu society as we know it. But in truth, there's one more major event that has been intrinsically woven throughout the fabric of this story. That being the death of Riko Amanai and Gojo's subsequent transcendence.

Due to the shift caused by Gojo's power up, the volume of curses that sprung up became burdensome that summer. Causing a further divide between Gojo and Geto and, ultimately, part of the wedge that sent Geto down his path to destruction. But, if Gojo's birth caused the scales to tip... how could the universe (encompassing sorcerers, humans, and curses) restore balance from an unmitigated windfall of power?

Spawning another aberration: Mahito.

Where curses are typically a byproduct of humans and beholden, in some way, to the conditions of their negative emotions, Mahito doesn't really strike me as something specific enough to be as strong as they are without some significant origin. Jogo, Dagon and Hanami all have physical attributes that are a nod to what they hail from.

While there could be cultural nuance or lore that I don't have access to as a Western reader, Mahito's heterochromia, patchwork skin and, at times, seemingly horse-like legs don't really strike me as a well known allusion to anything else. What if that's the point? What if he's not the product of human fear or negative emotions? What if he's actually the evolution of sorcerer's negative fears and emotions as a subsequent counter balance to Gojo?

EVIDENCE

As the initial fight between Nanami and Mahito unfolds, during his extrapolation of Mahito, is it not weird that even he thinks to compare them?

JJK exposition is typically executed so nonchalantly, in conversations that go right over the reader's head... until the moment it lands. So even offhand comments here and there tend to foreshadow something or someone that becomes critical to the plot:

The Occult Club's conspiracy about spirits on the field making people sick immediately shown to be true when Megumi shows up which demonstrated an existing sensitivity to the supernatural and ultimately ties in to Yuji's gigantic reveal of a back story which suggests even if he wasn't "in the know" he was always doomed for a life in jujutsu society.

Yuji's grandfather, on his death bed, trying to explain to Yuji about his parents falling on obstinate ears. LITTLE DID WE KNOW.

Megumi mutters to himself about Maki (as "Zenin") long before she becomes a pillar in the story, comparing Yuji to her in terms of birth/power. Meanwhile, Maki is cast as a reiteration of Toji and razes hell upon the birth line that created them both (if Itafushi is next gen SatoSugu, Maki is a restorative for Toji).

Megumi talks about Okkotsu being the only second year he respects. Those caught up on the manga are aware of Okkotsu's behemoth importance well beyond his role in JJK 0.

During the juvenile detention center arc, again, Megumi refers to the juvenile who killed a young girl while driving without a license and fan theories suggest that this could very well be the man who killed Rika Orimoto.

Frequently, we get a pin-size remark that casually provides some surface context but it never feels without reason and more than half of these are in the very first episode. It's also interesting that these expository moments are usually handled by largely straight laced Megumi or people like Yuji's grandfather and Nanami. Like Gege can only trust the plot in their overly serious and curmudgeon-y hands 😂

Cut back to Nanami's fight, Mahito's playfully torturous curiosity and taunts are that of someone who knows they've already won. Even as Nanami's cursed energy exponentially increases in overtime, Mahito is simply awed but not deterred from the fight trusting in the inevitability of their strength over that of any human's or sorcerer's.

Even this mirthful moment reminds me of Gojo testing Nobara outside of that apartment complex where he facilitated her first experience with a Tokyo curse. To see if she's really crazy because that's what survives as a sorcerer. But it gives way to another interesting piece of evidence.

In Nanami's assessment of Mahito, he surmises that, despite the strength of the curses it's a child. Relatively "young" compared to the ancient curses of the Earth, the Forest and the Sea and, yet, capable to stand shoulder to shoulder with them. Isn't that odd? Can't just be born of undirected hate. After all, even Mahito's conversation about Love, Hate and Indifference in the scheme of Mahito's origin seems to muddle the fact that most people are satisfied with indifference until possessed by something else... like revenge. A convenient solution Mahito offers Junpei after this exchange and what ultimately set Junpei as a pawn in his larger plan.

Junpei: Don't you think that whoever first said "The opposite of love is not hate, it's indifference"... must be rotting in hell? There's no way hating people is better than feeling indifferent toward them. The opposite of 'like' is 'hate'. Complicating simple answers for the sake of meaning is such a Japanese thing to do. Mahito: People like wordplay. After all, people can't live without making excuses.

As their fight concludes in a draw, Nanami further exposes a possible timeline for Mahito's materialization which is why I've historically assumed it was in line with Sukuna's awakening but, to scale, that would have precipitated a grossly exacerbated evolution to the unfathomable body count Nanami surmises.

I can't help but note Nanami's reference to greedily enjoying one's growth is also on par with Gojo's attitude about power and encouragement to Megumi to "be greedier". Not only with how he fights but how he lives which is being echoed in the current events of the manga.

After all, nothing is included for no reason.

All things considered, Mahito's impression of their own strength and confidence very much puts me in the mind of Satoru Gojo pre-death of Riko Amanai but especially after his resurrection and mastery of reversed curse energy and optimizing Limitless. Gojo never really loses his playfulness but Gojo also never really gives in to the seduction of his own power quite as much. I mean, until he meets a foe he can go all out against.

So what if, in response to Gojo's insane and unprecedented power up, Mahito is born? What if Gojo precipitates a curse born of unheard of origins, that of sorcerer's negative emotions. A product of sorcerer's jealousy toward his strength, a product of Geto's own envy, a product of Gojo's guilt or shame in being left behind? Is it possible that the timeline Nanami surmises correlates with the events of the Hidden Inventory/Premature Death arc(s)?

Are Gojo's similarity to Mahito only surface level? In many ways, we've seen where this generation of first and second years are a second chance at resolving that which Gojo and Geto put into action with their own hubris. How similar paths they have walked but where Gojo's cultivation of Megumi in response to his own loss is coupled with the temperament of Yuji's soul and yields different results. There were many points in Gojo and Geto's history where things could have gone differently but their missteps landed jujutsu society where we are now.

But is that enough? Or is Mahito further punishment for SatoSugu's confidence before the fall? One that burdens the first current years as a test of their resolve?

Imagine if SatoSugu had just kissed and made up before. Where would we be now?

SUMMARY

TL;DNR: At the root of everything, including societal collapse, it all traces back to Gojo (and Geto) and, as we've known all along, Itafushi has the power to restore what was lost.

[thebroccolination]

Behind the Scenes The Evolution of the Near-Punch in Between Us

Intro

One of my favorite things about any production is when I find out that there's been a collaborative effort in the storytelling and character-building. Between Us, directed by New Siwaj Sawatmaneekul, has a fantastic example of this: the evolution of the post-drowning scene in episode six.

So! Overall, there have been three iterations of the scene: the original in the novel, the pilot teaser released in February of 2022, and episode six of the main series.

Let's see how we got from A to Bee to Sea. (I'm not sorry.)

The Novel Scene

“Entering the pool without permission from an authorized person is breaking the rules. You can be kicked out of the club.” His fierce eyes were looking at the junior who was now very pale. “And if I had not noticed the light from the pool, which made me come to check, what would have happened?!” Win felt a chill in his heart. He had just walked past the club and had seen the lights. He thought he had forgotten to turn them off, so he came to check. But instead, he saw someone drowning in the middle of the pool. If he hadn’t come in time... “Answer me, Team! Why are you doing this?!” Win grabbed the boy's shoulder and forced him to make eye contact. “I wanted to practice.” “What?!” “I just wanted to practice so that I could get a good time tomorrow!!” “What fucking practice!!" Win shouted, his eyes redder than the person who almost drowned. "You almost drowned, you bastard!! you almost died in front of me, do you understand!” “I…” smack The senior punched him hard in the face with a force that caused him to sway. Team cried out and felt the taste of blood in his mouth. He wanted to make excuses, but when he saw the pain in the senior's eyes, he couldn't speak. “Hia, I...” “If I came one minute later. No, even if only thirty seconds later, you might have already drowned at the bottom of the pool, do you understand?” “I…” The boy hugged himself tightly. It was true. A few more moments and he would have... Team was shocked when his body was suddenly pulled and hugged, his face buried in Win’s chest. Win's whole body was trembling like a frightened animal. Team’s guilt was so overwhelming that he couldn't say anything, but he raised his hands and hugged him back. He gently stroked Win's wet back to comfort him. “Don't do this again...” “Mmm…” “My heart will break…” “Mmm…” Team hugged the senior more tightly as warm tears fell from his eyes. It was not only him who was hurt. Hia was, too. - Hemp Rope (Eng Translation)

To summarize, Team is nervous about the upcoming qualifying meet. He only got two hours of fitful, nightmare-ravaged sleep on his own the night before, so he decides swimming will help him sleep. He sneaks into the pool, doesn't stretch, and swims until his leg cramps up. He nearly drowns, Win saves him, berates him, punches him, hugs him, takes him home, etc.

In many ways, it's very similar to the scene we got in the main series. But it's different enough that I wanted to talk about it.

I've talked about my personal perspective on the novel scene before. Basically, I've drawn a line in my head between Novel WinTeam and Main Series WinTeam. Novel WinTeam are LazySheep's creation, so what they do and say and think and feel are primarily decided by LazySheep and her editor. Main Series WinTeam, however, were created through the close collaboration of Sheep acting as a scriptwriter adapting her work for the screen, New, and WinTeam's actors Boun and Prem. (And opinions and reactions from fans and professionals affiliated with the series have also likely shaped their development along the way.)

[Sheep drew and posted this adorable comic of WinTeam and BounPrem together the day Between Us was first announced on July 5th, 2020.]

Boun's Win has always had a casual, insouciant kind of charisma that feels inherently nonthreatening, whereas Novel Win sometimes feels more like a Dude. A Good Dude, but a Dude nonetheless. Then we have Prem's Team who is, simply put, sassy and adorable, whereas Novel Team is also, y'know, kind of a Dude.

Take the hookup scene as an example. In the novel, there's no conversation about consent, no careful check that Team's sober and aware of what's going on. It's just what you'd expect from two horny guys down to bone: some light banter and then Win gives Team a handjob while they're still outside. And that's fine! It's realistic! It's probably happening somewhere right now. <3

“What do you want me to help you with?” Win crossed his arms across his chest and looked at the junior who was clearly uncomfortable and looked like he was ready to slap his face. “If you leave it like this, it's torture, don’t you know? It'll be very uncomfortable. Just helping each other as friends, right?” He raised his eyebrows, challenging the junior. Team turned around and peered at the darkness around him. Only the sound of the waves from the beach hitting the shore and the laughing sounds of the other young men who were still at the barbecue could be heard. “What are you looking at?” Team gulped and asked tentatively. Win shrugged his shoulders, pulled the upper arm of the junior, and walked towards the dark corner of the bungalow and into the dense, quiet bushes. “Shit! Huh, really? Seriously?” Team, who had never let a friend help him jerk off, was feeling light-headed. The more he saw, the more he knew that hia was serious. Team was startled when he was suddenly turned to face the bungalow wall. “Shush, don’t make any noise. People in the next room will hear,” Win said while pushing his leg in between Team’s own legs to push them apart. Team squinted and stared at the senior with shock. So skillful! “Mmmm…” The boy could barely hold his breath when he felt the warmth on his back. His elastic pants were pulled down along with his underwear. He almost didn’t want to believe what he was doing right now. - Hemp Rope (Eng Translation)

This is just standard hookup culture. Team's hot, Win's DTF, Team makes the startling realization that he, too, is DTF, so they go off and F. After the handjob, Win goes to his room, then Team hesitates and follows him. No coercion, just like the series. We don't get the sex scene in detail, but we know from Team's narration that they did in fact have some good ole fashioned penetrative sex that night (with protection!). And then they don't have sex again. We're up to chapter seventeen of Hemp Rope, and so far, chapter one is the only time they've Done the Deed. [EDIT 12-16-2022: Chapter eighteen was released yesterday and -spoiler- there’s a note from the author saying WinTeam have sex there but she’s releasing the scene later on as bonus material.]

I bring this up to emphasize that these are different characters from the ones BounPrem are portraying. So when I read the chapter with the punch, I thought it fit. Because it's who they are in the novel. We don't really see Win's insecurities explored in Hemp Rope, so for me, punching Team came across as evidence of how frantic and primal his fear of losing Team was, and perhaps a bit of his role of club senior crossing wires in his brain with his role as Team's Surrogate Sentient Bolster Pillow.

It's also worth noting that Team sneaking into the club in the novel is framed as a bad thing that he knows he could get in trouble for.

He risked getting caught sneaking in. The tall, slim body of the intruder was standing on the edge of the pool, staring blankly at his reflection in the water. Initially, Team was determined to go back to his room, but after he thought it over, he was so nervous that he couldn't sleep. He decided to sneak into the club to practice for a couple of hours. It might help him feel more comfortable and sleep better. - Hemp Rope (Eng Translation)

He's sneaky about it. He doesn't casually tell Manaow or anyone that he's going. There's no plan to stay with Pharm, no DeanPharm date that stops him. He's just an ornery, sleep-deprived cat in a bad headspace, so he sneaks into the pool knowing it's going to get him in trouble if he's caught. In essence, he isn't framed as Team the Terribly Tragic: he's exhausted, sure, but he's also being irresponsible.

So to me, the punch in the novel felt like a, "You nearly died in front of me because you broke the rules to practice for a qualifying meet you wouldn't even have remembered in five years, you spectacular idiot." And because Win and Team being more Dudes' Dudes in the novel, that gave them an added feeling of Dudes Being Guys Who Punch. (See Also: PeteKao) It's not right or good of Win to do, but for me, the situation made sense for the characters as they are in the novel.

That brings us to:

The Pilot Teaser

The pilot teaser was our first visual of the scene, released in February of 2022.

According to behind-the-scenes footage and interviews, BounPrem practiced the punch with New on the set multiple times before they started rolling. So it was fully in the cards as something they were going to do.

But then, in the middle of the scene itself, Boun made a different choice.

Thing is, Win does hug Team in the novel. Boun just skipped the punch. When he was asked about it, Boun said he didn't feel like Win would ever hit Team.

And this is where I have a ton of respect for New and Sheep and their production: they listened to him. And then they actually incorporated his choice into the canon.

In the same pilot teaser where Boun literally pulled his punches, Prem cried after singing, even though the script didn't mention anything about Team crying. When Sheep asked him why, Prem said, "I just think Team would cry."

And again, they listened to him. They kept it.

Yesterday, Sheep did a Twitter Space talk with fans where she said Prem has been devotedly asking her if he's portraying Team correctly. She told him warmly that he knows how to play Team, and the version he portrays in the series is Team, but a Team who is fully his.

The thing with great adaptations is that they have to be allowed to become their own creation. Boun and Prem have lived with these characters in their hearts for so long that they have their own readings now of how they feel and breathe. Boun loves Win so much he said he felt empty when they unofficially wrapped up filming last month; Prem loves Team so much he's asked Sheep over and over to confirm and reconfirm that WinTeam get a happy ending (they do). They're not just doing this for a paycheck; this is a passion project. WinTeam gave them their spotlight, and they viscerally treasure these roles.

And to me, the fact that their feelings and thoughts were discussed and put into practice on the fly is really, immensely beautiful to me.

The Main Series

Now for the version we all saw yesterday.

I was so excited to see this scene. It's my second favorite in the novel (the first being the homophobia scene that we'll see next week in episode 7), and I was wildly curious about what else they'd added or adapted around Boun's punch-less choice.

First of all, the energy from both Boun and Prem is a lot higher than it was in the pilot teaser, and you can see the calm leave Win's eyes when Team gives his excuse.

The pilot teaser scene was great, and I think it fit the novel well, but the main series has been building up to Win's breakdown, so this scene really had to sell it. The script has been hinting at insecurities that are all yanked out for display in this scene.

I think Boun might have ad-libbed the "damn it" part, too, which made it my favorite line delivery of the scene. Win's voice not only breaks because he's so angry, it's also higher in tone than Win usually speaks, underscoring how out of his mind and beyond rationality he is.

Then we get to the raised fist.

And what I love about these three shots in succession is that we go from: fist, face, combination of both. The action, the emotion, the realization.

Then we see moment he realizes what he was about to do, and what he can't do.

And finally, what he chooses instead.

They took Boun's character choice and built on it beautifully. His raised fist in the pilot teaser is quick and angry and impulsive, but the main series shows him shaking and angry and terrified. He has the impulse, but he's a rational person at his core, and the sight of Team accepting whatever Win is going to do to him, because he believes he deserves it, is what snaps Win out of it.

Win's been portrayed by Boun in three different iterations now: 1) Until We Meet Again, in which he didn't have a lot of material to work with, so he let Win borrow some of his own personality traits. 2) The Between Us special episodes released in autumn of 2021. These aren't canon and were based on Sheep's social media skits that she just posted for fun. The episodes were produced as a symbol of gratitude to fans for waiting so long for the main series. As a result, the characterization in the special episodes is all over the place, and they were extremely aware of it. SWS staff and actors made a lot of jokes on social media about which scenes were BounPrem and which were WinTeam, so they're very much Grain of Salt content. 3) The main series currently airing.

Ever since Boun was cast as Win in spring of 2019, he's spent a little over three and a half years with this character, so it makes sense that the character's depth would become more and more multifaceted through his choices. Sheep started posting chapters of Hemp Rope back in or before 2017 even before the rights to The Red Thread had been sold to New and Wabi Sabi. There was no Boun, no Prem, no UWMA. Just a fun little hookup-to-lovers story with some trauma thrown in.

When Boun was cast, some fans of the novel complained that he was too thin and he looked nothing like the character. Putting aside my own very normal feral yet parasocial feelings of protectiveness for Boun and how much unnecessary pressure fans put on actors to look a certain way, there are indeed some superficial differences between the novel character and the actor. Physically, Win is drawn and described by Sheep as broad and muscular, even more so than Dean.

Team looked at him with a sharp expression. Then he moved his eyes to Win’s abs. Because he was a very attractive person, he did not like to wear shirts. He liked to show off his tattoos regardless of his roommate. Looking at those abdominal and chest muscles, Team grabbed his own muscles. Mm, pretty good. - Hemp Rope (Eng Translation)

Sheep was a little hesitant about Boun at first because of this, but New stuck by his casting choice. Once people saw Boun with his hair dyed, it's been said by older fans that the majority of the complaints ended. With this in mind, the Win we have now was always going to be a different version from his novel self purely because New and Sheep chose an actor by his skill and his chemistry with his screen partner rather than by a physical likeness to the character.

After Boun was cast as Win, and after Sheep got to know him and Prem, and after Between Us was green-lit, she continued writing new chapters of Hemp Rope with a slightly newer take on the characters. She's said on Twitter that she's struggled to separate BounPrem from the characters (mostly jokingly), and she was also adapting the script for the series at the same time, so a lot of character building was going on at this time.

In 2021, Sheep wrote a long, long thread on Twitter telling fans how anxious and afraid she was of getting Between Us wrong. Not for herself, but for BounPrem. For New. For the queer community. She's an author who truly understands, to a debilitating degree, the amount of influence her work has. She knew this is BounPrem's first major series as leading actors, and she clearly felt the stress of that responsibility as the scriptwriter.

This whole scene does so much to showcase their strengths and growth as actors. Just like the scene itself, they've evolved over the years and shaped the characters and their story.

Hemp Rope doesn't deeply explore Win's insecurities and flaws, but Between Us needed to because it shines a spotlight on both of them. To make this a full and complete series, they needed to add to the story LazySheep created, and I believe that Boun and Prem's contributions, delivered from a place of love for their characters, will be what elevates Between Us into a truly iconic series.

[souurcitrus]

Okay, so here in Brazil, our voice actor for Wolverine had sadly passed away a few years ago, which had devastated a lot of people, because be was very loved. Everyone loved his work, his voice, the life he gave to Wolverine in our country. Even Hugh Jackman himself met him in a trip once and gave us condolences for his death.

Now, Isaac Bardavid had spent years voicing Wolverine, both in the movies and in a few other medias. So, when Deadpool 3 was announced, people were asking how we would deal with Wolverine. Like, who's going to voice him??

And A LOT of people had the audacity to suggest we use AI. To replicate Isaac's original voice. Like???????? The disrespect???

I saw the new trailer in Portuguese and the "new voice" for Wolverine is Luiz Feier Motta, who voiced Logan in X-Men Evolution here in Brazil. And he sounds different from Isaac. More gruff and deep. And, yeah, it's different from the voice we associate with Hugh Jacksman's face, but it's not bad. We're used to Luiz Feier's voice too. We used to watch him as Logan as kids.

And yet someone (I don't know who), a fan, still made a version of the Deadpool trailer using AI to replicate Issac's voice. It's just .... ???? I haven't even watched that video, and I won't because it's fucking surreal that someone would do it.

Even Isaac Bardavid's grandson said that his grandfather would think it was nice that a fan would miss him that much to try to use his voice to make the video. And yet he would also think it's shitty to do it.

I know people missed Isaac and his voice and his work, and maybe this fan had no bad intentions, just wanted to show other fans how it would be if we still had Isaac, but I also think it's disrespectful to do it. Using AI to replicate people's work, specifically someone who had passed away, is disrespectful. Haven't we learned nothing????

[blueikeproductions]

So the Pokémon Giga Leak happened and the thing that stuck out to me was leaked planning documents for HZ and various separate animation projects. I don’t want to discuss the leaks that show the future road map to HZ’s ending though, it’s the preproduction stuff that strikes my fancy.

I’ve been very upfront in not liking HZ, as the plot and characters never felt right for the main line anime. They felt more suited for Twilight Wings type stuff, and apparently I wasn’t far off.

One of the earliest phases was a movie, apparently they’ve been trying to push forward with a “movie universe reboot” post Pokémon Coco in an attempt to bring back lapsed adult fans, but nothing has gotten off the ground. There were rumors prior to this leak of a Liko movie, but nothing ever surfaced, so I’m guessing leakers found scraps of the original movie pitch and went wild.

That it was originally intended as a movie makes more sense, as the continual stretching out its main plot beats across the usual three year anime life span doesn’t work. It’s the same problem Digimon Tri had, unnaturally stretching out and waffling on its Meicoomon plot, annoying and confusing fans until they finally decided to kill her off as was originally intended. (Apparently the writers wound up liking Meicoomon and didn’t WANT to kill her off, creating one of the problems.)

As such the Terapagos plot and the general treasure hunt/Castle in the Sky vibe it has fits a movie plot far better. I’m not super sure if the Six Heroes were involved in this phase, but they’d make the script too bloated if so.

The concept then became the basis of the anime instead, but during development it was intended to continue using Ash as the main protagonist, lining up with previous rumors I’d heard from Japanese fans. These rumors stated Ash was to go to Paldea and meet up with two students, some prototype versions of Liko and Roy. It would appear in this version of the story Ash was intended to remain business as usual but late in development he was cut, intending to start fresh instead.

Taking it at face value, as HZ is functionally a continuation of JN’s globe trotting gimmick, I wonder if Ash would’ve taken a break from battling and just become an Adventurer. The original story map didn’t include battling in the Gym challenges, with the school arc we got being the result of executive meddling, but if they kept using Ash, would they have included the Gym challenge anyway… Also Amethio’s early rivalry with Friede makes far more sense if you put Ash in Friede’s place, which makes me think Amethio was conceived with Ash in mind, and is why he doesn’t really vibe well with Liko and Friede: he was never meant to be THEIR rival.

Also a big complaint is the lack of capturing other Pokemon, and how fans keep insisting everyone needs to get six Pokemon, but the show has stayed consistent so far on only keeping two Pokemon each. So does that mean in Ash’s case he would’ve had Pikachu and a spare? With Friede being Ash’s stand in, it stands to reason Ash might’ve had Charizard too, but with ATBAPM seeing Pidgeot return, I wonder if the original intent was Ash using Pidgeot as his secondary.

I mean it makes sense, long time fans have wanted Pidgeot to return, & the old children’s chapter books in America had two original stories that saw Ash keeping Pidgeot and using it, throwing a bone way back then. In an adventure setting, Ash riding on Pidgeot and using it more extensively to help with Explorer and Team Rocket stuff would be a great way to reestablish it. Also with Ash having obtained Mega Evolution, and Mega Evolution returning once more in the anime anyway for ZA synergy, we could’ve gotten Mega Pidgeot ideally. Ash’s removal is still weird, as lining up with other interviews and comments, it sounds like they intend to bring him back anyway. Some writers have apparently said outside the leak they were considering bringing him back for HZ, confusing the matter further. Adding on to this, despite Ash and other familiar characters not being present, the leaks confirm Liko’s thing not only is still happening in the Ash anime, but it actually happens in-universe immediately after JN. (This leads to a minor technicality, as ATBAPM is treated as its own thing, so does that mean Ash’s Latias story happens alongside it or it hasn’t happened yet?) The notes also mention an idea to include Iris at some point, but she’s older… That doesn’t really make sense with the provided time frame, but a couple year time skip is referenced after the kids capture the Six Heroes, so maybe Iris appears after that? It’s not clarified, nor does it help that Brock appears in the document but doesn’t seem to be included in this guest appearance otherwise.

Anyway Ash’s departure is still strange as it’s the result of the staff having waffled for years on continuing to use him, and they decided to finally put their foot down. Ok that’s fine. Then they decide to not definitively call this the end, avoiding finality like language, leaving it wide open for Ash to come back. So… the staff was wanting to move on for years, finally decided to, but plan to bring him back anyway, negating … all of this.

Then why not just keep him? Ash is the mascot alongside Pikachu and heavily ingrained in pop culture like Optimus Prime. It honestly feels like with this continued waffling, they’ve unintentionally set up Liko to be the Rodimus Prime martyr for if and when Ash returns. Whether any force in the universe can stop Ash remains to be seen. Also that makes it worse for Liko, as if Ash does guest star in HZ, it’ll suck all the oxygen out of Liko as fans will be far more invested in what HE’S doing, negating the whole point of getting people invested in a new character. And they know it!

This feeds into pry HZ’s chief problem: apparently the show’s unusual chaotic story structure is the result of the anime staff studying fandom reactions week to week, with the show being driven by that alone instead of the plot or characters.

-rubs temples-

Ok there’s a reason the Ash formula worked, and after using it for 25+ years you’re pretty much married to it. If you have to constantly guide the new show based on fan feedback only that tells me, coupled with Ash in the back door, that they had zero faith in this new idea, and the continued waffling has led to the show’s subpar production and performance. Even Game Freak staff in leaked notes have expressed dissatisfaction with the new direction, admitting it’s bad and confusing, with the main plot being sluggish. They also pointed out how little stuff like the Titans in SV are being used, if at all. Pokémon is a toyetic anime like it or not, you kinda have to properly advertise and use new Pokemon to get kids and veterans into them more. That’s why several of Ash’s and Team Rocket’s Pokemon are fondly remembered, vs here where the show outright admits in universe they completely forgot about Roy’s Kilowattrel.

This bizarre behind the scenes drama might be why other animated projects that were supposed to be out by now seem to be paused or outright cancelled until either another leak or official announcements say otherwise.

This loops back to the movie problem, where the only Parallel Ash movie that did well was I Choose You, while Coco and Power of Us shunted Ash to a supporting role and the new cast and stories didn’t wow audiences. Neither of these movies are fondly spoken of, or even remembered, with even in post COVID, Coco seems to have been forgotten entirely.

The aforementioned push to capture lapsed ADULT fans lined up with some chatter I’ve heard previously where TPC seems only interested in targeting us, and not kids. Which is utterly ridiculous because kids are still super into Pokemon 20+ years later. I can’t walk by families in stores without seeing some kids wearing Pokemon clothing or buying merch. I over heard one boy sad he couldn’t find any Pokemon Journeys books he was looking for, while a girl was looking for Pokemon books at the library, and the library just threw out its well read Ash themed books.

Like are Japanese kids not invested as much anymore? Is that why they’re targeting adults? I guarantee that’s not gonna work in the long run going by Digimon and Transformers’ own current struggles to remain relevant with children and its own fickle audiences.

That’s where the other adult oriented pitches come in. After HZ was shunted into being an anime, they tried again with a pitch about cyber bulling and suicide, something that sounds more like a Digimon plot for their Adventure sequel films. The concept art sees a girl riding Pidgeot in what looks like a virtual space in an upside down world being chased by Aerodactyl pouring out of a cyber portal. Like replace the characters with Sora, Birdramon and Pteranomon, you have something that works. For DIGIMON.

They tried again with a more grounded plot about a teenage boy investigating a mystery related to (a shockingly violent) Mew, with a sequel tease involving an ominous Mewtwo observing events. This was fleshed out more and seems otherwise completed script wise, but it’s stuck in development hell. Having read it, it reads like the live action Detective Pikachu somewhat, and others who’ve read it have said the same. It also sounds kind of … boring. I don’t know if Ryan Reynolds would help here but it’d be a start.

It seems both films were only intending to use Kanto Pokémon, not helping complaints of Kanto pandering, but despite this, a new Pokémon seems to have been toyed with, as an unidentified dog like Pokemon crops up in the cyber world concept art.

The only other noteworthy thing is a 12 episode “all ages” kids anime intended for Netflix, but other than the Twilight Wings studio attached to it, there’s no character or plot details. It seems to be in an unknown status, which doesn’t bode well.

Until something official comes out about any of these projects, I’m leaning towards them all being cancelled due to creative differences.

So what’s my take away.

Removing Ash was the worst decision they made and I think. like with Hasbro and Good Boi Megatron, they’re slowly realizing they done goofed. Liko, Roy and Dot SHOULD have worked and on paper their story is interesting, but the writers just keep messing up. Maybe just get new writers/director, crack a whip, I don’t really know what to suggest here. The new kids haven’t been treated well at all in both ends and that really sucks.

Talk of letting him return and keeping the anime within the same universe seems to be a fail safe to do so if they need to. Continued fan demand/preference for Ash dominates especially in the US, where children’s books and activity books being published now in 2024, as of typing, are STILL Ash, going back and adapting later Journeys material. Some reports, anecdotal & recent pre Giga Leak, suggest the US heavily influences what Pokémon does, and with America side stepping Liko in merch right now in favor of Ash might guarantee a return. Emphasis on MIGHT, but TPC is fully aware of the demand, and increasing backlash at Liko’s character development, as of the school arc, isn’t endearing her to anyone still.

I think the situation should be as follows, and some past stuff implies it, that despite being in the same universe, HZ shouldn’t use Ash or any of his friends.

At all.

That will further undermine the struggling HZ cast, and it’s far healthier to just let the Rising Volts ride off into the sunset; and going by what I’ve read and heard for their story map, eugh, let LDR have that dignity of riding off.

My current theory, based on the leaks and what we’ve seen before that, is if Ash returns full time, it’ll probably be Gen 10. That’s pry the best way to start clean with him again, and going by internal complaints, I wouldn’t be surprised if the anime stops the Journeys formula and returns full stop to the loose game adaption with any upcoming new gimmicks and Gym matches intact.

All attempts to start over fresh seem to be imploding, so swallow your pride, and just accept the fans and kids want Ash and all that entails back. You tried a new direction but couldn’t commit to it well and now the dirty laundry is out for everyone to see thanks to a phishing scam. If you don’t want to go back to Ash, I’d personally recommend getting the PokeToons team to pick a kid from their shorts like the Nidoran girl, and make a new main line anime based on that. People seem on board with PokeToons, so that’s a start.

But until something is officially announced, I’m leaning towards the next anime being a compromise: Ash, Dot & a new kid that’s technically the new lead but not really.

Because if TPC is aiming at us only now, then veterans have spoken and majority would rather have the immortal 10 year old back over what we’re currently getting. For now let’s let LDR ride off when their time comes peacefully, be it next year or the year after, and go from there.

Despite it all, there’s really no easy answer to this, all we can hope for in the context of the anime, is they figure out something that works, either being the familiar Ash or a new kid with a smoother introduction. We don’t know until they try something.

[bethanythebogwitch]

Since my previous posts on fish Digimon and mermaid (and mermaid-adjacent) Digimon got lived, fuck it, all aquatic Digimon. This will be a series of posts because there are too many for one.

I'm going to start with Digimon with codified evolution lines. For non-fans, know that while Digimon evolve through different stages, its much less linear than in Pokemon. While Pokemon evolution usually goes a to b to c, Digimon evolution can go more like a to y to r back to g then merge with e to become q. That being said, there are some lines that are clearly intended to be the default, often because they featured in the animes where evolution is usually a lot more linear than in the games and virtual pets.

Literally the OG aquatic Digimon is Betamon. It debuted on the first virtual pet alongside series mascot Agumon and yet its never been in the spotlight. I say Betamon deserves to be a major partner Digimon in some anime or game by now. I love this little frog/lizard/ wamp monster/whatever it is. Betamon also has a recolored variant called ModokiBetamon. Using a recolor as a new Digimon was fairly common in the early franchise. I generally prefer variants to have more changed about them than just the color. I also generally don't like x-antibody Digimon. To make a long story short, x-antibody Digimon are variants of existing Digimon that I generally consider to be overdesigned and ugly. Betamon has an x-antibody variant that isn't too bad as far as x-antibodies go, but it's still adding unnecessary elements to a perfectly good design.

Betamon

Betamon X

Betamon's main evolution is Seadramon and it's a classic for a reason. This sea serpent is a beast and played a significant role in the first anime as a monster of the week. It can also breathe out a stream of supercold air that freezes its targets. When I think of aquatic Digimon, Seadramon is usually the first to come to mind. It's also notable for having an x-antibody variant that actually looks good.

Seadramon

Seadramon X

Seadramon evoles to MegaSeadramon, which is a great follow-up to Seadramon's design. The red body is nice and striking and that big metal horn can shoot electricity. Come to think of it, both Seadramon and MegaSeadramon were monsters of the week in episodes of Adventure where a partner Digimon unlocked an evolution. Maybe that's the line's specialty, they never take the spotlight but they play support to the heroes. MegaSeadramon has a recolor called WaruSeadramon which is just darker and evil. MegaSeadramon has an x-antibody variant that is so overdesigned I can't help but grudgingly respect it.

MegaSeadramon

MegaSeadramon X

The final evolution in the family is MetalSeadramon which is where the line stepped into the spotlight with MetalSeadramon being a major villain in Digimon Adventure. It was upgraded by the Crack Team (a hacker group that upgrades Digimon into cyborgs for their own nefarious goals) to become incredibly powerful and the fastest of all underwater Digimon. And according to the anime, it can fly. Unlike the others, MetalSeadramon doesn't have an x-antibody variant. Sort of. There is GigaSeadramon, which has the x-antibody and looks exactly like what you'd expect from MetalSeadramon X, but isn't. I dunno why.

MetalSeadramon

GigaSeadramon

The aquatic line most people will be familiar with is the Gomamon line doe to its role in Digimon Adventure. Gomamon is a cute little seal. Specifically, it is a spotted seal, or a gomafu-azarashi. I really like this guy doe to its role in the anime as a laid-back and goofy partner to a compulsive worrywart of a human. Gomamon has an x-antibody variant that's fine, but I still prefer the original.

Gomamon

Gomamon X

Gomamon evolves to Ikkakumon, a big, fluffy walrus with a unicorn horn. It looks like someone that would be great to hug if you can get past the fish breath. Also that horn can open up and shoot out\t a torpedo. Because Digimon.

The next stage is Zudomon, who is now a humanoid walrus who appers to be suffering from hair loss. It's now adept at moving on land and in water. It also uses tools, wearing a giant turtle shell as armor and wielding Thor's hammer (despite what the English dub will tell you)

The final stage is Vikemon, a badass viking walrus complete with the helmet. It leads an army of Zudomon and Ikkakumon and (in another viking reference) will go into a berserk rage in combat. It does lose a lot of the aquatic design elements, but I'd say it works out.

While Vikemon is now the default end of the Gomamon line, for a while in the early days it was Plesiomon instead. I can see why they changed it, as the viking walrus has a much better connection to the rest of the line than a plesiosaur. I honestly thin it works better as an ultimate/perfect or champion/adult level than a mega, but I'm not saying no to a Plesiosaur Digimon. Plesiomon has an x-antibody variant.

Plesiomon

Plesiomon X

What do you get when you combine a cyborg sea serpent and a plesiosaur? Turns out a mechanical submarine dragon. This is Aegisdramon, who was created by the afore-mentioned Crack Team using data from MealSeadramon and Plesiomon. While it was created by malicious hackers, it mostly handles data analysis and will allegedly purify evil. When it does fight, it's an absolute badass who is probably one of the Digital World's ocean's top dogs.

Syakomon was a fairly obscure Digimon until the game Digimon Survive made it a partner and gave it a defined evolution line. Syakomon answers the question of "how do you make a bivalve cute" by giving it a little puppy face. Weirdly enough, Syakomon originally debuted as a ultimate/perfect level before being retconned to be a rookie/child level, which makes more sense. It also has an x-antibody variant that is just atrocious. That's not fanart or concept art down there, that's the quality of the actual official art for it. Bandai paid for that quality.

Syakomon

Syakomon X

Syakomon evolves to Shellmon, which is definitely one of the weirder-looking Digimon; a weird, amorphous pink monster in a turban snail shell. Sound familiar? Yeah, it's pretty similar to Pokemon's Slowbro and Slowking. That's because they're based on the same thing: the sazae-oni, a legendary Japanese sea demon that wears a turban snail shell. Shellmon also has a green recolor called MoriShellmon.

Shellmon evolves to Mermaimon, which I covered in an earlier post. The mega/ultimate level is then MarineAngemon, one of the cutest and friendliest Digimon out there. While most mega/ultimate level Digimon are gigantic combat monsters, MarineAngemon is tiny and very peaceful. It spits heart-shaped bubbles that cause targets to calm down and lose their fighting spirit, meaning it disarms its foes with the power of love. It's based on a sea angel, a type of sea slug popular in Japan.

Another anime-canon line that leads to MarineAngemon comes in the supplemental material for Digimon Tamers. It starts win Penguinmon or Penmon. It's a Digimon penguin, nothing really standout about it, but a solid design. It also has a tropical themed red recolor called Muchomon.

The next stage is Dolphmon or Rukamon. Being a dolphin, it is very intelligent, but its thought processes are completely alien and nobody else really understands it. I think thats an interesting take on dolphin intelligence.

The next evolution is Whamon, a very cool whale digimon. This thing is one of the biggest Digimon out there and so large that only a few computers can fully render it. Absolute unit. and in most appearances, it's been a friendly ally to the heroes. Just an all-around excellent cetacean. In the Tamers universe, Whamon evolves to MarineAngemon, meaning one of the biggest Digimon evolves to one of the smallest. I dig it.

The final default line I'm going to talk about today is the Otamamon line. Otamamon is a half-metamorphosed tadpole that is also a singer. It crawls out onto rocks and practices its singing. While Otamamon prefers col water, it has a warm-water red recolor. It also has an x-antibody variant that is pretty ugly.

Otamamon

Otamamon X

Otamamon evolves to Gekomon, which has an amazing singing voice and a face only a mother could love. They're born from musical data and are some of the greatest musicians in the Digital World but man are they ugly. That tongue gives me the creeps.

Gekomon evolves to ShogunGekomon or TonosamaGekomon, which is where the line ends as they don't have a dedicated mega/ultimate level. It's still really gross to look at and still a great musician that leads choruses of Gekomon. I don't really have much else to say about it.

Now that the dedicated lines are done with (the Jellymon line is in the mermaid post), I'll do more freeform entries in a post coming soon to dashboards near you.