#which has its own meta or whatever

[aashiqeddiediaz]

not gonna think about chris rapidly growing like a weed over the summer and eddie missing it just like he missed the first years that he regrets, and then chris coming back and suddenly eddie's chin doesn't fit on the top of his head the same way, or the way chris' arms come around him are higher than they were before or his voice is raspier and breaks more or- <3

[seaquestions]

blake lets him keep it. this is a dire lapse in judgement on his part but they're just gonna have to live with it. (ids in alts)

[angstandhappiness]

VERY INTERESTING

One thing I did like about the ending of Gotham War is that I feel like there's some potentially interesting analysis of Bruce's character to be had here, because I find this whole thing 1000% more interesting viewed through the lens of Bruce backsliding on his core classic issue: He's terrified out of his mind at how much he loves these people around him and he struggles with having relationships with people who have fundamental differences to him. I keep thinking of that Tini Howard quote about this arc and about how it's not about whether or not Bruce and Selina can get together, but that he doesn't really know how to agree to disagree with someone he loves when it comes to something deeply foundational to him. And I think that's the entire point of including everything with Jason--that it's Bruce at a low point, after too much stress coming too quickly, too many major psychological pummelings over the last several arcs, and hitting a point where he can't deal with shoving aside his fundamental disagreements with Jason anymore. But he can't just write Jason off either, because Jason is his son, so his ten simultaneous mental breakdowns all get together and decide that the only option he can live with, is to try to force Jason out of this life. That's why he tries to talk himself into forcing Dick and Tim and Damian to be caught by the police, so they'd be forced out of this life. That's why he crumbles in an alley and tries to talk himself out of loving these people. Because he doesn't know how to agree to disagree with them and still keep loving them, keep having a relationship with them.

Because everything that happened with Selina, that he really let himself believe that he could be with her, marry her, and still be Batman, that really fucked him up and I think Gotham War is more of the aftermath of that. That's how I'm (admittedly doggedly) interpreting the bit about Selina and him being the "parents" of this group, despite that Selina was never in that role--I think Bruce wanted them to be the "parents" of the group and let himself believe in it and, when it went pear-shaped, something in him backslid terribly and now we're all here. "I'm okay with me not having happiness." is a direct call-back to Bruce in the car with Alfred on the way to the wedding, asking with surprising vulnerability, "Am I allowed to be happy?" He opened his heart and got hurt again and it's been stewing for awhile and so much has happened since then--Zur-En-Arrh, Tim getting his throat cut, Dick coming to cheer him up after Selina and getting shot in the head and Bruce almost losing him, Failsafe, Insomnia, everything that's going on over in Gotham Nocturne, etc.--that it fractured something in him and the cracks have finally grown deep enough that it fell apart in this story. So now all of this is just mounting tragedies to him. Which means he can't stay connected to it because he's too afraid of losing them and he's unwilling to try after what his fracturing led him to do. He can't stop them from living this life, despite everything he tried. He can't stop loving them, despite how hard he tried. So, all he can do is walk away before he gets hurt again, trying to leave everything in Dick's hands. Dick who is "better than Batman", who is better than Bruce. That he wants Dick and Barbara to be the "parents", because that's what he was trying to be and felt he failed at it, like to me this ending isn't really resolution, this is a low point for Bruce as a character in his bigger arc, because I think Batman's character arc always has to come back to his trauma of losing his family when he was young, working to let a new family in, coming to love them, and struggling against how much it terrifies him that he might lose them, too, because he doesn't think he can survive that kind of pain again. He'll still be in Damian's life, still be Batman and Robin there, but I think he's making an exception there because so much of it comes back to being able to live with fundamentally disagreeing with someone--Dick and Jason and Tim are adults, he can't tell them what to do anymore. Damian is young enough that, even if they clash, he's still directly in charge of raising him.

Zur-En-Arrh does hang over this entire storyline, he's part of what's taking up too much space to allow Bruce any mental breathing room, but fundamentally I see this storyline as part of Bruce's issues: That he's terrified of losing those he loves, but he can't control them, he desperately tries to and it doesn't work, and he can't live with them taking different paths from his ideals, so he walks away, rather than get hurt further. Bruce is probably going to dig himself further down into this hole and he's being incredibly dumb about it, but I can see how this fits all things that he has always struggled with--and sometimes he loses that fight against himself. This event wasn't really about fighting with Selina or Vandal Savage or even his kids--this was Bruce's love versus his fears, and today his fears won.

[lurkingshan]

Love in the Big City: A Proposal to Extend the Discourse

Many of us have been anticipating this full length drama adaptation of the beloved novel by Sang Young Park for months, and when you watch the trailer above, you can see why: this is a queer story through and through, written semi-autobiographically by a queer man in South Korea about his own experiences, and then lovingly and determinedly made into a live action drama to bring his story to more people. It's a landmark show in the Korean media landscape; nothing of its kind has been made before. And that is exactly why the show is drawing harsh backlash before it even airs. It's too honest, too heartfelt, too steeped in empathy and understanding for the nuances of the queer experience in a suppressive society, and that scares people who want to continue shoving queer folks back in the closet.

As a result of this backlash, the story, which mirrors the novel by being structured in four parts with a different director and focus story in each set of two episodes, is being released in one giant episode dump to ensure that it all makes it onto air. Sang Young Park himself confirmed that conservative groups in South Korea are trying to prevent this show from being seen, and he is fighting to keep promoting it and will ensure its release on October 21st. It will air on TVING in South Korea and on Viki for the international audience.

The best thing we can do to fight back against this kind of censorship is to watch the show loudly, to write and make art about it and celebrate it, and to do that for more than just a couple days. Earlier this year, @bengiyo and I started the Love in the Big City book club to read the novel with friends in anticipation of this drama's release. For four weeks we coordinated weekly discussion posts to correspond to each part of the story, and we intend to do the same with the show. Given what's going on with attempts to suppress this story, I want to open up that invitation beyond those of us who are participating in the book club to include anyone who wants to watch and talk about this show, regardless of whether you've read the novel.

So here's the proposal:

Beginning Monday, October 21st when the show drops, we'll each watch the show on whatever cadence we like (personally, I will be watching two episodes at a time with breaks in between, because that is how it was made and intended to be seen)

Regardless of when we each actually watch it, we will post weekly starting on Mondays about each part of the story in turn. So the week of October 21st we will post art and meta and reactions to Part 1 (episodes 1 and 2), and each subsequent week we'll post about the next part (or each set of two episodes).

Ben and I will also write up and post book club discussion questions each Tuesday that will be more about the adaptation to live action and comparisons to the novel. Anyone who has read the book is very welcome to respond to those even if you haven't been in book club with us previously.

My hope with this proposed schedule is that we can keep discussion of the drama alive for a solid month and give it its full due. Tumblr is a crucial part of the fandom ecosystem and I want to do our part to ensure this show isn't buried. This is a complex story with so much nuance, and if we binge and forget about it in a few days, we cannot do it justice. I want to support Sang Young Park and so many others whose stories have been forced under wraps by this kind of oppression, and I would love it if you all would join me.

[our-hextech-dream]

i haven't seen anyone fully articulate what i personally felt disappointed by wrt viktor's s2 persona and ending so i guess i have to do it myself even tho i'm bad at talking!! can someone who is better at this just read my mind and say it fancier and more coherently?

agency, the loss of

i have seen people already mention the way disability came into play at the end and what a wild choice it was for jayce - born able-bodied and healthy - to be the one to tell viktor - trapped in a body that was actively killing him - that actually your disability is a part of you and made you who you are and you owe everything to it. ... huh? jayce (by which i mean the writers), do you think without his disability, viktor wouldn't have still been a genius? yes, viktor is disabled - that's not even remotely what makes him a compelling character and power player. it is his mind not his body that makes him who he is. the fact that he had to waste almost his whole life fighting against that body to achieve anything is the entire crux of his frustration - imagine what he could have dedicated his mind to if he weren't constantly struggling to find a way just to survive another year, another month, another week, one more day. have you thought about it? because he has. so yeah that whole conversation, trash. bruno mars just the way you are ass one direction that's what makes you beautiful ass argument. viktor was not going crazy over cosmetic surgery, he was trying not to die.

but it strikes me as just one more expression of an overarching theme for s2 viktor - that of the complete and total loss of his agency. (more on a meta level than in the show itself, but also in the show!) i said after act 1 that viktor had died in that explosion and jayce was going to be chasing that corpse until the end, and i was correct. viktor bounced from one mindset to another, never seeming to have any consistent ideology of his own that couldn't be changed as soon as the plot demanded it. at any given point he was just kinda... wandering around, doing some random shit with the powers that worked through him. gone was the viktor who used his own hands and mind to influence the world directly, to bend it to his will. i always always felt this and i stand by it - taking viktor's abilities as an inventor and scientist away and turning him into some arcane mage jesus figure was a mistake and a disservice to his character. arcane said no this boy wasn't smart or determined, his ability to build and invent and seek and learn don't matter and never mattered, he was just in the wrong place at the wrong time and as soon as the arcane got its goop on him he just became the most specialest magic pixie dream boy to ever live and his own goals, dreams, ideals, morals, talents, skills, and hard work ceased to matter in any meaningful way. he never had to work to master magic to be able to use it to further his goals, because he immediately stopped having goals.

viktor became a non-character. he became whatever ideological and technological threat level the show needed to challenge to heroes and never more. he ceased to have any control or understanding over what was happening to him, rather he just gave up and decided to use his magic indiscriminately for whoever made the most convincing argument, a choice that would have been completely antithetical to his character up to that point if he'd still been alive. 'fuck zaunites, sure i'll turn them into robots so a foreign power can use them to attack and take over piltover and zaun, who cares. it's not like these are the people i've spent 30 years of my life trying to protect and save.' <- something viktor would never ever ever have agreed to! ever! no matter what! they have played us for absolute fools.

ambiguity, the loss of

the thing i wanted the most and was expecting because of the way viktor's original lore was set up was that the series would end with viktor and jayce unreconciled and with mutually exclusive worldviews, both fully believing they were right and the other was misguided but not evil or irredeemable, setting them up for future conflict. this felt like what was being set up when arcane made it a plot point that jayce was being convinced to turn hextech into weapons while viktor started getting unethical and unhinged with the experimentation. they both had good reasons to do what they did - and i'm absolutely not going to insult jayce's intelligence by claiming he was just manipulated into it by anyone, give me a fucking break - but the point was that both of them were doing something the other thought was misguided and dangerous. and they also felt that if they could just make the other person see their completely logical and rational pov, they could fix the divide between them and make up and be best science buddies again.

but then at the end arcane completely gave up on viktor having any belief in his own ideals. it just turned into 'aw actually he was just lonely all along and none of that science stuff or difference in morals or worldviews mattered bc he's got a buddy now and he's completely unequivocally on jayce's side. :)'

it was like. insanely selfish. as in, self-centered, concerned *only* with the self. the viktor i liked, and the one i wanted to flourish and hoped arcane would canonize, was someone who was entirely dedicated to zaun, to righting the wrongs of piltover and helping the people in the way he thought best - no matter what jayce or piltover thought about it. an ambiguous villain, just like all the other really well-written ones in arcane.

accountability, the loss of

viktor killed people. not sky, who was an accident despite his fixation on her; i'm talking at least a hundred or more zaunites during his stint as the machine herald. he ripped their minds out and made them play house with him, then turned them into weapons of war for ambessa's siege, and all of those people - primarily sick, desperate zaunites - died. this was always the entire crux of the conflict between (league) viktor and jayce giopara. viktor was willing to destroy people and use their bodies for his own gain unapologetically because he thought what he was doing was a blessing and the people were better off under his control because they would never feel fear or anger again. agree, disagree, depends on your view of free will and human nature, but the fact is that everyone who came to viktor hoping for a chance to be healed so they could pursue their own dreams and lives had those dreams and lives ripped away from them and they never got justice or even a single scrap of acknowledgement from the narrative.

in arcane, the horror of viktor's actions just... fade away into the background. viktor and jayce waltz off into magicspace together, leaving viktor's dead, ruined victims for piltover and zaun to deal with. he doesn't return their minds or bodies, he doesn't even seem to remember or care about what he had just been doing to other sentient living human beings. he's not sorry, he doesn't feel regret, he got what he wanted (a friend) and fuck everybody else.

because the narrative just shrugs and handwaves and says no no forget all that it doesn't matter it was just the hexcore or whatever, viktor becomes a flat, uninteresting character. he loses the depth that villains like ambessa and silco had, villains who had their victims validated by the story, who faced challenges in their arcs specifically because of the people they had hurt despite thinking they were doing the right or noble or most important thing. and not just the villains! even the heroes had to wrestle with the people they stepped on on the way to their lofty goals. but not viktor. he just floats away scot free, completely blameless, having no affect on the world and the world having no affect on him.

on arcane's status as the new canon lore and the Implications™

reminder that arcane is somehow supposed to tie into the world of runeterra at large, but now viktor and jayce both have been seemingly entirely removed from it. if it only mattered that they knew the people we'd already seen them interact with, okay, i guess. but that isn't the case. they both have a ton of connections to other champions - from regions other than p&z even - that haven't been introduced and don't have any plausible explanation for how they could have met in the past, which means they should have been set up to meet somehow in the future. implying that jinx escaped and has gone traveling the world is the perfect way to incorporate her in-game relationships with people like lux - she could have met her while traveling! but jayce and viktor don't get that plausible continuation of their story and development of further relationships - they just disappear out of existence. (ambessa also has this problem because they killed her, but unlike jayce and viktor she does have a huge amount of unexplored backstory where she could have spoken to (for example) swain and hwei and shyvanna at some point.)

note 1 - jayce and viktor are so old that they don't have any voice lines in game when meeting other champions. but other champions who are either newer or who have had voiceover updates do talk to them, which is how (aside from the old lore) you can infer that they do have relationships with other champions including ones who weren't in arcane.

note 2 - maybe riot actually doesn't care and none of the champions are really supposed to know each other or be involved in each others' lives canonically, they just have random quippy voice lines that imply that. which would fucking suck. having the lore of the game have no impact on the game itself and vice versa would objectively suck. if the characters talk to each other on the rift and say something interesting, i want that to have meaning. i want to be able to extrapolate the state of the world and the relationships between the characters from the things they verbally say with their mouths. i'm not arguing about this. the voicelines should be seen as the most high irrefutable canon that there is for the game because it is the ONLY source of lore in the game itself.

anyways there's my bible i guess. i miss evil laser robot viktor i want him to perform unethical brain surgery on me (fixing my adhd but also turning me into his personal puppet attack dog) and then give a weapon to a child so they can kill their bullies.

[im-totally-not-an-alien-2]

Ever since Penguin had found that street rat and offered him a job his life had been on easy street.

The young man had been wearing a bandana over the bottom half of his face while cleaning the floors of one of his establishments when the bats came crashing in through a skylight, showering both of them in glass.

The fight began quickly after that, the man in his confusion threw one of the bats away from him, which turned out to be a mistake. They now saw him as a goon and began attacking him too.

Panicking, Danny didn't want to lose his job. He didn't want to go back to living on the streets...so he made a decision. He used his intangibility to run through one of the bats and grabbed penguin who was already handcuffed and subdued.

Then they were gone.

The bats checked their thermals, checked for energy readings, everything, but the two were gone.

Penguins new goon was a meta who could teleport. Worse. He may have just become the Penguins private bodyguard.

They were right of course. Penguin took care of his own and Danny adored being cared for. Cobblepot gave him whatever he wanted and the ghost felt he was in to deep to tell his boss no when it came to most jobs. He always did have a problem with giving his loyalty to people who didn't deserve it. His own parents were a testament to that...to think his death hadn't actually been an accident...

This continues with the bats trying to stop Penguins plots and trying to find a way to stop or investigate this new meta and coming up with nothing cause "Ghost" isn't even from thier multiverse.

This all changes though when Catwoman informs them that Phantom has a massive crush on Red Hood.

Everyone looks to Jason who refuses to play around with some guys heart. He's done a lot of messed up things but hes not that scummy. The others protest saying that's not what they wanted and Hood does eventually agree to meeting with the guy and is caught off guard by how excited the guy is to meet him.

He treats him like an actual hero. He insists that he is one. Danny then drops some of his own tragic backstory about his insane mad scientists parents who experimented on him and his sister thier whole lives with this green glowing death water and how it didn't do much until they murdered him and led him to believe it was an accident.

They thought he survived.

He didn't. Its one of the things he liked about Red Hood. He wasn't actually revived either.

Jason demanded to know what he meant, but Danny only responded, "You're one of us." Before vanishing again.

Jason is more than a little freaked out.

[hadescavedish]

Some snippet of Jon Steinberg interview from Fathoms Deep on Silver's background (probably someone showed before but I hadn't seen one):

Steinberg: No, I spend a lot of time thinking about it. I think– I don't think it's that he doesn't have one [backstory]. Everyone has one, and I think, when I watch it, the clear implication is that his is awful. Which if– I think, if this story is going out of its way to suggest it's unspeakable, considering the things we have spoken about, I, as an audience, I think, am willing to take its word for it, I guess, is I guess a way of putting it, that if you are invested in that character and you understand where all of the norms are set for the show, for someone to say “I can't say it out loud” suggests that it really is awful. And we played with versions of what it could be. In the moment you name it, it just becomes less scary.

And it weirdly becomes– there is some instinct to explain it, to rationalize it, to suggest it's his fault, to suggest it’s someone else's fault, to suggest it could never happen to me. I think it's the “it could never happen to me”, maybe, that's the most destructive to the story we were trying to tell, that it had to feel like he was everyone and that requires him to kind of be no one at the same time, which sounds like bullshit, but I don't think it is, I think– the less specificity he has, yeah, the more you can see in him what you need to, and so– and it also felt right.

This is one of those moments that I think it depends on how you turn it, it will look different, is that it is clear, I think, from the first frame of season four that there is a point at which these two guys aren't connected. It takes a little while for that to get said in text but it's clearly Flint's concern, and I think on some level Silver's aware of it, and it was it felt both meta and interesting to me that the point at which they were not connected is how they feel about story and how they feel about their obligations to it, their place in it, the burden of it. They just don't agree that there is some need to create stories to explain things, and that that ultimately is the death of that relationship, that they– because they have that discontinuity between them, they– that is the thing from which everything else unravels, it's the thread of the sweater. So, you know, that felt right, too, that we were able to kind of strangely name something you didn't think you were looking for a name for, which is the space between them and not, you know, specifically who did what to Silver when he was a kid. [...]

I think it suggests the horror from another direction, that whatever happened was so terrible that it broke his ability to exist within a story. There is something that is therapeutic about existing within a story and something that I think is normal and also a part of the human condition, to find a place in a story in which you feel like you make sense, and I think whatever it was that happened to him that made him incapable of reconciling that, that is his trauma, you know? His backstory was that he was removed from his own story.

[x]

[jaspvids]

The Diagnosis Of David

Disclaimer: I am by no means a mental health professional. This is just a meta-analysis.

What do we think of when we think of David?

His values of kindness. Optimism. Hope. Conviction. Passion. His drive to do his best every single day. The way he always makes an effort to reach out to others.

But also:

Attachment issues. People pleaser. Rose-colored glasses wearer. And at times, though the fandom doesn’t want to acknowledge it — Selfish. Unstable. Rude. Hypocritical. Kind of a dick.

See this video I made;

He’s complex, so let’s try to unpack him, and figure out what he’s got going on under that floof.

On David’s Childhood

David has been through a number of traumatic events in his childhood, most notably:

Witnessing Jasper fall to his near-death.

Finding Jasper, and being almost mauled by bears during the escape.

Clown school was apparently very bad, given the flashback-like reaction he had when it was mentioned. I’m unsure of his age when this occurred, however.

The fight with Jasper at the cave before they parted ways.

Losing Jasper. He says Cameron told him he was picked up by his parents, but I’m not convinced it’s not just his mind trying to erase painful memories.

As far as what we don’t necessarily see in the show, but can infer, David’s father was either not present or not great. He dreamt Cameron was his real father, as seen below.

And we all know Cameron is an awful father figure to begin with.

Yet, that’s better to David, apparently, than whatever he had at home. Which implies it was likely a pretty bad situation.

This can also be backed up by his attachment to the camp — growing up (and even now) it seems to be more of a home to him than his actual home.

That’s a home that hasn’t ever been mentioned, by the way. Contrary to Gwen, we know absolutely nothing about his family. He hasn’t talked about them once, if I recall correctly.

David is often open with emotions, if not wearing his heart on his sleeve. So why would he never mention his family and home?

We know why.

Even as an adult, he has retained this attachment to Cameron (who has in turn, continued to use this attachment to his benefit). He gets very excited about helping Cameron change in “keep the change” — because he needs to believe people who hurt him can get better. Otherwise, it’s too painful to bear.

The Loss Of Jasper

Part of his childhood, but significant enough to warrant its own section.

Jasper and David had a very interesting relationship. We’ve seen in the past that David was pessimistic, foulmouthed, and hot-tempered, directly compared to an optimistic, peppy, popular Jasper.

But then Jasper saw Cameron’s real self, and David received a modicum of praise for what was likely the first time based on his reaction. And so, they basically did somewhat of a switcheroo.

(David takes on many traits of Jasper after this experience, showing that he does admire him at the end of the day. I believe these traits are the foundation of David’s many masks.)

Despite the whole shebang, further episodes show us that they form a strong bond (or maintain one, we don’t know what happened before the first Jasper and David episode.)

What makes this friendship especially crucial in David’s development is that I believe Jasper was the first person to truly stand up for David.

David is, as we have seen, easily manipulated. Jasper picks up on this, and knowing Cameron’s just trying to use his best friend, tries to take Cameron down.

Jasper essentially died trying to protect David.

If Jasper hadn’t died, I don’t think David would have ended up as gullible and dependent as he is. If he had the more rational and realistic Jasper by his side during the rest of his developmental years, I believe things would have ended up much, much differently.

With Jasper’s death, there seems to be nobody else at camp who knows of Cameron’s crimes, or possibly, doesn’t want to speak out about them. Nobody to stand up for him. Nobody to redirect him.

So there’s nobody to stop the unhealthy-attachment-train from picking up speed.

Cameron And David’s Relationship

Cameron is manipulative and abusive towards David. This even becomes physical:

Despite this, David continues to idolize him as is seen in many cases of abuse. He works his ass off maintaining Cameron’s camp. Cameron’s approval makes or breaks him, because this is the man he sees as a father, unfortunately.

In addition, David is unable to let go of the hope that Cameron can change, because he’s convinced himself that deep down Cameron is still “good”, based on his skewed perception of him. And we all know how that ended.

But as Diane from Bojack Horseman once said —

And that is David’s problem — he wants so much for there to be a “deep down”, that there will be a day where Cameron showers him with praise and throws signed adoption forms at him, etcetera.

He judges Cameron not on who he actually is, but who he wants him to be. And so, the unhealthy attachment remains.

(Which is, of course, incredibly destructive to his mental health.)

Other Things We Know About His Mental Health, From Canon

We know he takes meds.

We know he has (sometimes dissociative) panic attacks.

We know he has been seen to suddenly snap, even to the point of violence.

My Final Conclusion: C-PTSD

(As the trauma has been not just one event, but many over the course of his life, and among other reasons, I believe CPTSD fits better than PTSD.)

David meets much of the criteria, most notably:

Lack of emotional regulation

Dissociation

Flashbacks

Anxiety

Guilt and shame

Distorted perception of abuser

Relationship difficulties

Okay this was long I’m tired good night.

[kcwriter-blog]

I've been thinking about how we the players know so little about Solas compared to what the writers and developers know about him and how that affects the way he is written.

I mean we know he is an ancient elf. We know he was powerful enough and skilled enough to create the Veil. We know he and Mythal were friends. He doesn't seem to have liked Andruil and Falon'Din much. Skyhold belonged to him. He removed vallislin. He tried to free slaves. He had kind of an underground railroad thing going. He seems to have had a lot of money secreted away. He painted even back in Arlathan. A lot of statues seem to have been made of him. People in the Vir Dirthara knew he created the Veil but were surprised that he would do something like that. He seems to have always had an affinity for the Fade and spirits. He enjoyed whatever version of the Game nobles in Arlathan played. He was cocky and hot blooded, always spoiling for a fight. He is capable of love and friendship.

I think that's all and it really isn't much. Everything else anyone says about him is pure speculation. It makes meta fun but its easy to get too caught up in our own ideas.

We speculate about him based on things we learn from his personal quests and what we see in Trespasser but we don't know anything for sure. Was he a slave? Was he a spirit called out of the Fade by Mythal and given a body? Did he manifest a body like Cole? Was he just a normal elf born in a small village to the north? Was he a noble and privileged or did he work his way up? Did he join the fight against the Titans? Was he a genius who theorized that the waking world and Fade could be separated? Did he use untried magic because his back was against the wall and he couldn't think of any other way to save the world? Was he a friend of the Evanuris so they trusted him enough to fall into his trap? Was he one of them?

So many questions. The writers have tried to portray him sympathetically. They want us to empathize with him. And I have to ask myself why? He is one of the antagonists. Wouldn't it be easier to portray him as not having any redeeming qualities? And yet, he is basically described as the hero who lived long enough to become the villain.

I know his detractors believe he is a genocidal, racist maniac but that doesn’t track with everything we learn about him as high approval or romanced Inquisitors. It certainly isn’t born out by his statement that he is doing his best to minimize the damage.

He truly believes what he is doing is best for the world and is willing to break it and remake it. What does he know? But more importantly, what do the writers know? Fen' Harel has existed since Origins. Devs have always planned for him to make an appearance. That means the valleslin has always been a mark of slavery even if the Dalish didn't know. The Creators have always been horrible, slave owners even if the Dalish don't remember. Which means Solas has always been the rebel fighting for what he believes is right.

Why do the writers see him not so much as the villain (although Epler uses that word constantly - he is usually the only one though) as they do a somewhat noble person who keeps making mistakes? Why is he portrayed as just a sad man who can't see past his regret and guilt. What was he like? What changed him? What did he know about the Veil before he put it up?

I get that a lot of people don't like the idea of being tied to him in Veilguard but maybe the writers did that so we have no choice but to get to know him - the good and the bad. Maybe we finally get to know Solas the way the writers and developers know him. I'm looking forward to that.

[aspiringsophrosyne]

The Mighty Nein: Weird Coincidences.

I've been compiling these here and there when I've had time, but there was a particular reason I wanted to get this post out of the way now. And it's this.

There's been some nervousness surrounding this, and I'm of two minds about it. On the one hand, people overstate just how hard the Nein's story would be to adapt and how much it would need to be changed for another medium. Can it be one-to-one with the original? Absolutely not. (Just as TLOVM couldn't be one-to-one either.) But the main issue is editing; the content is fine on its own.

And if this is the CRew themselves thinking the same thing, that's a little troubling, because it makes it sound like they might be changing more than they need to out of that unfounded fear.

On the other hand, all they might be talking about here is hindsight. The Mighty Nein's Campaign had a lot of strange coincidences, fortuitous thematic consistencies, and one-of-a-kind moments. The CRew is poised to reap the benefits of having these in mind ahead of time. This allows for some remarkable set-up and payoff if those involved are up to the challenge. Which, in the end, could be all they might be augmenting the story to do.

So maybe it's a good time to get into those weird coincidences, huh?

(Spoilers for basically all of Campaign 2 below the cut.)

Names

Veth Brenatto, her alias Bren, and Caleb’s original name: Bren. (This may have been inspired by the German word "Brennen",  which means “to burn”. Thanks Liam.)

Fjord Stone. Cad’s families: Clay, Dust and Stone. How the Wild Mother fits the story of an orphaned sailor like a glove. And how Cad, his family history, and likely the Wild Mother herself never would’ve entered the story if Molly hadn’t died.

A Mollymawk (spelled with a w instead of a u) is a type of albatross. Albatrosses are supposed to be unlucky, but only if you kill one. Per the Rime of the Ancient Mariner, everything goes to shit after a sailor kills an albatross. Molly’s death is just as unlucky, as it paves the way for Lucien's and Cognouza’s return. (In a meta sense, it’s also unfortunate for Matt and Taliesin, as it derails whatever plans they might have had for the character.)

Nine

Whelp.

Nine. Lots and lots of nines. And while Nein doesn’t mean nine in German/Zemnian (it means no), the wordplay works.

Nine schools of magic.

Nine people killed in Obann’s attack on the Cobalt Soul in Zadash.

The three titans (Uk’otoa, Quajath, and Desirat) collectively have nine eyes and nine crystals to unlock them and set them all free.

Nine hells.

Nine betrayer gods as of Vecna’s ascension.

Nine eye tattoos on Molly, each a mark of the Somnovem, the sleeping nine.

And of course, eventually, nine members of the Mighty Nein.

(Just for fun, Tharizdun’s sacred number in its premier in Greyhawk was 333. [3+3+3=?].)

Nein and its actual meaning work thematically as well. The Nein repeatedly clashes with forces and entities that want to mold them against their will into vessels they can use for their own purposes. And the group repeatedly says “Nein!” to that.

Tarot Readings

Molly deliberately pulls specific cards for his readings. Taliesin makes that explicit. However, some folks have pointed out that you can interpret his original reading for Jester where he tells her “You’ve already found what you’re looking for,” to be true in a few different ways. (She’s already found the people who will help her find her father. She’s discovered the company she sought that she only ever had with her Mamma and the Traveler prior, etc.)

But once we get to Jester’s readings, things really pop off. (Pop-pop off?)

Fjord's Reading

In episode 110, Jester draws two cards for Fjord: one for his present and one for his future. His present card is the Eye, which has two hands holding an eye above a restless sea.

There’s no need to elaborate on how that relates to Fjord’s then-present.

His future card is the Home And Traveler. This card could work for all the Nein if you interpret it as someone who will find or reach their home after some travel. But it hits especially hard for Fjord, who finds a home with Jester, the devotee of the Traveler, on a ship that travels up and down the coast.

And then...

Lucien's Reading

The three cards Jester pulls for Lucien are his past, present, and future. Even at the time, they seem pretty fitting.

His past: History and a Dream, which Taliesin clarifies as depicting the Calamity. This fits perfectly with the Tomb Takers’ previous job for DeRogna and their coming into the Somnovem’s patronage.

His present: the Tyrant. We don’t know either Lucien or his goals too well at this point, but we do know he and his troupe kill indiscriminately and he holds an unnatural sway over the other Tomb Takers.

His future: the Death Card. You can attribute that to the upcoming fight between him and the Nein.

But in hindsight...whoo boy. In hindsight, not only do we know of Lucien’s plans to dispatch the Somnovem and become the Tyrant king of Cognouza and all its lost, broken souls, but we know of his fall. More specifically, who he falls to.

Jester, sitting across from him, pulls his last card and tells him “Facing you is Death.”

And then it’s Miss Lavorre who ends him for good.

Divine Intervention

Generally, a Divine Intervention is a Hail Mary. You roll a d100 (or an equivalent combination of dice) and only if you roll a number below your level do you trigger it. Logically, this gets easier the higher your level gets, but you can’t rely on it until level 20.

Taliesin rolls three of these for Cad in the last quarter of the Campaign. And that’s cool enough. But what’s even better is the Wild Mother’s Grave Cleric rolls successfully for Divine Intervention every time he makes a request (knowingly or not) relating to Cognouza. The city that's coming to swallow Melora's Exandria whole.

The first successful roll comes when Cad seeks info about Vokodo, the pseudo-god of the island of Rumblecusp. Vokodo, it turns out, punched a hole through the Astral Plane to escape the hunger of the lost ward of Aeor. And upon its death, it gives a vision that sets the Nein on Lucien’s trail.

The second success comes when the Nein is attempting to uncover the Tomb Takers' secret entrance to Aeor so that they can use it to set a trap. Cad’s success tells them exactly where they need to go. This allows them to get Zoran, Otis, and Tyffial out of the way early, even if it doesn’t stop Cree and Lucien from continuing towards the city.

As for the third, well...we all know what the third does. That it prevails after Critical Role’s first Resurrection Ritual failure, (due to a natural 1 no less!) is just the icing on the cake.

Caduceus even makes the point that Cognouza had functionally become a corpse that was unable to die and that he was uniquely called upon, given his family’s business, to put it down for good.

Odds and Ends

Nott distracts a Manticore from killing Fjord by killing its baby. Her own child ends up in need of a resurrection later on in the story, during their trip to the Fire Plane. Speaking of which, a painting of said Plane can be observed in Trent's house. You know, the one he would end up chasing the Nein to?

Fjord loses his chance to break the first seal to Avantika; he lands the first attack on her Revenant incarnation when the Nein catches up to her after she escapes with his orb, and he gets the final blow on her there, recovering said orb as he does.

Yasha and Caleb are the most susceptible to the Succubus/Incubus mind control. In the former's case, this could be chalked up to her low Wisdom score...but it also serves as some neat accidental foreshadowing for her time with Obann. And for Caleb, it can be a callback to his time learning under Trent.

The Circus Kids' stories sync up perfectly. Both of their bodies end up puppeteered by someone from their respective pasts. Both of them are used to try to end the world. And, probably once Matt noticed this synchronicity himself, both are revealed to have fallen under the sway of the Chained Oblivion. And their stories didn't have to go this way. Molly didn't have to die, and Matt revealed that Yasha could've theoretically made that wisdom save against Obann's control in the King's Cage. But that's not how things turned out.

Accidental foreshadowing:

Episode 19, Molly and Yasha, after acquiring an item from an Orc hermit living somewhat off the side of the road:

Molly: We made a friend. Jester: Did you kill someone for that? Molly: Yes. Yasha: He’s dead. Molly: He’s very dead. And then he rose up from the grave again and we had to kill him again. Twice. Same man.

Also, in episode 23, after meeting the Syphilis Bandits again and leaving one of them out cold:

Jester: What if we put some flowers in his hair; so when he wakes up, he looks really pretty? Beau: That’s good. Let’s do that. Molly: There’s nothing better than waking up in the morning with no pants and flowers in your hair.

In episode 48, Yussa and Caleb have a conversation:

Caleb: Sometimes I follow my friends places I shouldn’t. Yussa: That might someday get you killed. Or may one day get you what you seek.

Following a certain Tiefling up to Eiselcross got him both.

Nott also asks Caleb in this episode if he has an eye on his forehead. This is probably a callback/joke about Scanlan’s blessing from Ioun, but it foreshadows what happens to Veth much later.

Episode 49, about Ludinus Da’leth and in particular, Vess DeRogna:

Fjord: Then we kill the two elves. Jester: Easy peasy lemon squeezy. Maybe we go up into their room at night or something and just, you know... Stabby stab.

Episode 70:

Jester (to Essek): Maybe you’ll like us so much you’ll just hang out.

Dramatic Irony:

Everything the Nein say about Molly after his death and at his grave is, in hindsight, an awful twist of the knife, as his body's former life is far from finished with him.

Episode 41. The Nein learns Orly can make magic tattoos. Beau talks about getting an eye tattoo on her back to mirror Molly’s:

Jester: I mean, I don’t know, maybe it was really sacred to him and he would be really super offended by it. Beau: Oh, yeah, maybe it would, like I stole it from him? Jester: But it’s fine, I’m sure. Beau: Yeah, you know, he’s dead, so, what’s he going to do?

Almost a hundred episodes later, Beau's new tattoo gets a little addition...

Episode 65

Jester: Are you nervous? Yasha: Yeah. Yeah, I’m nervous. I just don’t know what we’re walking into, you know? Jester: Yeah. We’ve got your back though. That guy isn’t going to do anything bad to you.

Episode 91

Veth asks Essek at dinner if he’s heard of a Nonagon, or someone named Lucien. Essek says he hasn’t. This won't be the case for long.

Episode 95

Jester, talking about Cad and the Wild Mother:

Jester: Yeah. So like, when he asks her questions, you know what she does? Artagan: “Nothing?” Jester: She blows the wind. Exactly, she does shit. So and he’s like, “I sensed, you know, I understand what she’s saying.” She’s not doing anything, but he thinks she is.

This commentary is particularly delicious, considering which Cleric's Divine Interventions end up working.

And there's probably some I've missed! These are just the little bits and pieces I jotted down during a rewatch. It wouldn't surprise me if there's more.

But that's to say, just what we've got here is a monumental amount of things to build off of and play with. The Mighty Nein's animated series has the potential to be something extraordinary if the CRew can make use of all these little gifts deftly and with subtlety. There's power and potential here, and I am nervous as hell about whether or not they can tap into it successfully.

[thenightwolf51]

So i originally had this idea when i reblogged this post by @saphushia but i wanna just seperate it out as its own little prompt.

A quick context is that Danny seems to be roaming around Gotham like some homeless cryptid, kinda Bus to Nowhere style but with more vigilante interaction and casual offerings of first aid. And the batkids are keeping their adoption bait First Aid Cryptid(tm) secret from Batman.

One set of tags in the reblogs from @little-pondhead caught my attention

I came up with both funny answers and an angsty answer for that "#why?" but here's the angsty one (though i promice i actually envision it to be more hurt/comfort with a lot of family fluff)

Actual Prompt⬇️⬇️

Something happens, maybe a reveal gone wrong, maybe he got capture by the GIW, maybe he lost Jazz and his parents somehow.

Whatever it is, it leaves Danny with a need to escaped to a new dimension which just so happens to end up being the DCU. He winds up in Gotham and is just trying to start over, easier said than done but at there's plenty of heros around so he doesn't need to go ghost and he can still patch up the local vigilantes to feed his obsession. He's just not up to being Phantom yet and he's still recovering from whatever happened in Amity, whether it be mentally or physically.

Plus these vigilantes are kinda fun to mess with. Danny can practically see the gears turning as they try to put together and make sense of his little "lore drops", that Red Robin almost reminds him of Wes in a way.

Its not like he really needs to hide anyways. There's no GIW here, no Anti-Ecto Acts, if it really comes down to it he could probably pass as meta and fall under those protection laws. Judging by Signal, Danny's pretty sure Batman's bluffing on the whole "hating metas" thing anyways.

It takes awhile before Danny actually does meet the big bat himself and the reaction he gets is nothing anyone was expecting.

You see theres one little detail danny couldn't have been warned about, and its that there just so happens to be a version of Jazz here.

Except this Jazz lost her Danny when they were in high school, as in full on dead and gone Danny, no halfas here, the portal simply did not work and it was just regular ole lethal electrocution that hit her little brother.

What if she grew up with a young Bruce somehow, whether it be because CPS took her from the Fentons after her Danny's death or Amity Park simply doesn't exist in the DCU making Gotham the city with the thinnest veil and thus where the Fenton's chose to settle down.

This Jazz is an adult in her 40s but was once a kid smart enough to go to Gotham Academy on scholarship (or maybe the Fenton's had enough money from patents?). A kid who took one look at young Bruce's grumpy little face and decided he needed a honest friend, one that wasn't after status or money.

This Jazz grew up being a secondary voice of reason for Bruce, ganging up with Alfred in their own crusade to enforce healthy habits on him in between their weekly tea sessions.

This Jazz lost her brother and could not only understand Bruce's resoning on a minor level but encouraged his planned "journey of self discovery and healing". (Though the bat costume he made when he came back was unexpected and she gave him a look to rival Alfred for it)

This Jazz grew up to be a social worker because if anyone had cared enough to take her away from the Fenton's sooner then her brother might've still been alive

This Jazz being the one Bruce calls when he first gets Dick because holy shit he has no idea what hes doing and "Jazz, i just became a father, help!"

This Jazz being a sort of aunt to all the Batkids and is a major influence that has led to their dynamics being similar to Wayne Family Adventures

Bruce goes pale and later calls Jazz after he finally gets a glimps/meets the so called "First Aid Cryptid" his kids have been obsessed with. Because this kid that he's looking at with the barely visible lichtenberg scars... that's a face he hasn't seen in little over 20 years, that's his old friend's long dead baby brother.

Bruce sees danny and his mind rapidly jumps to all sorts of possibilities. Is this a clone? Is this a trap? Are the Lazarus pits involved somehow? Time travel? He does consider a ghost but this kid is too solid and they're nowhere near the old dilapidated Fenton Works building

Eventually, down the line when they get the full story of Danny being from an alternate dimension, Jazz might try to adopt him. Which has potential to be unhealthy but i fully believe Jazz would be aware enough not to project her decades old grief on this Danny, who is so similar but so different to her brother.

(Because I think a Gotham raised Danny would've been similar to a young Jason in street smarts so this Amity raised Danny is noticeably different)

Danny on the other hand... not sure if i could say the same, especially if he just lost his Jazz before winding up in the DCU. But again, this is an adult Jazz in her late 40s with professional experience dealing with traumatized kids, and she'll do her best to help him through it

Im imagining Jazz and Bruce to have a more platonic friendship, maybe even see each other as family, but you could go with Parent Syndrome if you want

(And because i love to see other peoples ideas and opinions, @omnicrafts @ailithnight @atiyasnake @hdgnj @nelkcats @nerdpoe @im-totally-not-an-alien-2 @dcxdpdabbles. Sorry i tag you guys so much but i like your writing, im eager to offer ideas, and your posts have been major sources of joy while ive been hyperfixating on DPxDC)

[godsandvillains-if]

Gods and Villains is a superhero/horror story set in a dystopian future where Earth is filled to the brim with crime and corruption—a.k.a MCU meets The Boys.

Warning! injury to major characters, gore, body horror, trauma and PTSD, amnesia, death, and sexual content. Rated +18. More specific content warnings will be provided at the start of each chapter.

You take control of a powerful metahuman, an otherwise ordinary human on the outside but who has the meta-gene, a potent mutation deep engraved in their DNA, which gives them superhuman abilities. This next step in human evolution comes with a setback, however, for the curse of madness seems to follow their every step. It lurks in the shadows, patiently waiting for the opportunity to strike—many metahumans fall prey to its alluring promises. 

With a dark and traumatic past filled with untold horrors and inhuman experiments, you are rescued from the clutches of crazy terrorists by a team of heroes that might lend you all the tools you need for redemption or complete self-annihilation. 

As the only metahuman with the ability to wield the powerful Chaos Magic, your very blood holds the answers to unlocking the secrets behind the control of time and space, but it has the drawback of being almost completely volatile. 

Who can you trust to keep you safe other than yourself? Trust no one, and maybe you can get out of this literal hell alive.

Play as male, female, or non-gender specific, along with transgender choices;

Romance one of seven characters, and if your heart is big enough fall in love with two of them. There's three possible poly routes available: Archon and Stardom, Archon and Mars, Paladin and Wildcat;

Customize your appearance, personality and powers;

Struggle against the shackles of madness trying to take hold of your psyche;

Battle a multitude of villains or become one yourself;

Uncover the secrets behind the meta-gene and your abilities;

Help the public fall in love with superheroes or forever destroy that chance;

In total there are seven romance options, each with their own personality, and dark secrets for you to uncover. You can read more about them below:

?

The villain, or anti-hero, whatever you want to call them, Mars is an enigmatic figure; the very concept of life seems to hold no value to them. A trail of bodies follows wherever they go, and on the news, they are regarded as the biggest menace of the century. They will have the unique ability to sway your loyalty. Beware, their sweet words and promises may drip with honey, but they also drip with the blood of their victims.​

Trope: Forbidden love, emotional scars, blood-play

Zev/Zena Hammer

The oldest of the bunch and not a metahuman per se. Hammer acts as the spokesperson for the team, mitigating the often tenuous relationship between humans and the so-called "mutants". As a retired police detective they've learned firsthand how rotten the world can be for the innocent, and they've vowed to protect them at any cost. Their analytical and communication skills will go hand in hand when dealing with various crimes, just as their implants.

Trope: Widow/widower, age gap, don't-call-me-daddy/mommy

Adam/Ada Armstrong

The current leader of the Alliance Team. Headstrong and dauntless, they are regarded as the strongest metahuman in modern times and the most enigmatic of them all, whose past is shrouded in mystery and unknown even to their closest friends. On the outside, they might seem apathetic and unconcerned with human suffering, but their true feelings are hidden beneath layers of deep trauma. Superhuman strength and invulnerability are their greatest assets when fighting villains.

Trope: Nobody thinks it will work, love/hate, fucking-your-boss

Edward/Evelyn Osborne

The former leader of the Alliance Team and Archon's best friend. On the surface, they are the stereotypical showboat: cocky, greedy, and egoistical. Stardom does whatever they can to gain attention, fame, and riches. For them, the best feeling in the world is an adoring fan and a beautiful person fawning over their heroics. The meta-gene gives them a genius-level intellect, which in turn is used to develop several pieces of equipment that are employed by themselves and the team during fights.​

Trope: Billionaire, belated love epiphany, good-people-have-good-sex

Johnny/Johnnie

If Archon's past is shrouded in mystery, Paladin's is drowned in it. For all you know, their name is not even Johnny/Johnnie but an alias of their choosing. They are known to be the silent loner type and are somewhat socially withdrawn from other members of the team, only speaking when called upon to do so. Behind their silver mask, they harbor more than a few inner demons, and together with their superhuman weapon and combat proficiency, they fight for the innocent.​

Trope: Secret identity, oblivious to love, weapon-fetishization

Pedro/Pilar Flores

The youngest of the team, considered by many a lighthearted jokester without any real talent beyond their obvious powers—which set them apart from every human that walks the earth. With their metahuman status so evident for everyone to see, hiding just didn't seem like an option, so they chose the next best alternative. Known to be playful, energetic, and often immature, they are responsible for balancing the team's more serious side, and when someone can take the form of any living being on Earth, the repertoire of pranks is endless.​

Trope: Beauty and the Beast, broken in some way, begging

Doctor Malik/Malika Aziz

The renowned Doctor Aziz, a famed archaeologist and considered to be the most powerful sorcerer, or magic user, in the world. They wear several enchanted artifacts that, in turn, accentuate their already tremendous knowledge of the mystical forces. With an extremely strong moral compass and kind demeanor, they will show themselves to be the best teacher you could ask for, but why do they seem to be everywhere you look?

Trope: Time travel, twin siblings or clones?, teacher-student

LINKS

DEMO ✶ PATREON ✶ KO-FI

[cellsshapedlikestars]

ok so I don't get involved in fandom drama, but I saw a post that got me thinking about one of my favorite jonsa moments in the books that I feel like is a bit overlooked?

I'm putting it under a cut because my thoughts are scattered and possibly confusing but whatever lol

so I found the post on my for you tab (why do i even go in there?) and it was about how Sansa is super classist for this part: Sansa sighed as she stitched. "Poor Jon," she said. "He gets jealous because he's a bastard."

(Don't worry, the poster did point out that all the Starks are classist to some degree, but Sansa is the most, and how Arya just thinks of him as her brother. gotta love people who try to bury their Sansa hate lol. like there was no other point to the post. it didn't even make me mad cause it was just kind of a dumb, very surface level take that was clearly just meant to point out how Sansa's such a meanie)

now, if you follow me, you probably know that I'm not someone who reads a ton of metas or even believes jonsa will be canon, but if it is, I think this is such an underrated moment.

Because Sansa sees him in a way none of her other siblings do, because she doesn't think of him as her true brother.

Arya thinks of Jon as her brother. For her, she and Jon are the same, but they aren't, and she doesn't see that - because she's 9 years old and for her, Jon is an outsider like her, and that relationship is such a safe space for her. (ugh I actually love the Jon & Arya relationship I really don't get to write it enough because I do tend to focus more on Sansa's relationship with Arya). Anyway, Arya doesn't really understand the implications of Jon being a bastard. Like, that isn't going to change for him, except in a very extreme circumstance. But she will always be trueborn. (we're taking gender out of the equation here, which is its own beast that has been talked about a ton so I won't go into it)

Arya is blinded by her love and adoration of Jon. Robb doesn't see it at all because why would he even consider it? (and even if he did, we don't see it cause there's no Robb POV). Bran and Rickon are probably too young to think about. But Sansa sees Jon for who he is, and what she says is a fact. Is it a nice thing to say? Maybe not, but it is 100% true, and she's clearly emotionally intelligent enough to see his circumstances and understand how that effects his actions.

I think that's why I found the post so funny, cause I'm like - and? Jon IS a jealous bastard. He spends the entire Winterfell feast being soooooo salty about Joffrey and Myrcella and Tommen and even Robb (radiant Sansa gets a pass tho) even though there's literally no other reason for it. He spends the rest of the books trying so hard to suppress how much he wants to be Lord of Winterfell. He loves Robb, but he's jealous of Robb, and he struggles a lot with that and feels guilty for wanting what Robb has.

Anyway, this is one of my fav jonsa foreshadowings (if it ever becomes canon) because to me, it just means that Sansa can see through his bullshit better than a lot of other people. And I like the idea of that, that she sees him.

meanwhile Jon's just over there like "yeah yeah yeah, Sansa's radiant, but have you seen how insipid Myrcella is??"

[puck-luck]

Ooh omg congrats on the 1K!!

I would like to request 5 of clubs with Jack Hughes please. (Maybe with an exhibition kink 🙈)

This isn't quite as clubs-like or exhibitionist, but I've been feeling slightly out of the mood today (I think because I had to make a lesson about the American relationship with Native Americans during colonization... not the most uplifting topic). Hoping for something better tomorrow!

Also I'm watching a 2.5 hour video essay about One Direction's history right now. I love that people can make whatever content they want, and they usually give it their all :)

after typing that i'm realizing that statement is really meta since i'm writing nhl fanfic. sigh. ok fine i guess i enjoy my own content whatever

Warnings: fingering, exhibition, Paul Mescal in Gladiator II WC: 592

You’ve never been one to keep trivial secrets from Jack. He’s your boyfriend and you are thoroughly against miscommunication. Your openness has resulted in plenty of fun jokes for Jack, the latest of which has landed you in your current predicament. You’re in the bougie movie theater that Jack always splurges on, sitting in a plush recliner and watching Gladiator II. Jack thought this would be a fun date night, because– well– you love Paul Mescal. 

It’s something about his nose. It’s very Roman, which you find sexy. Jack knows this, and knows that you’ve particularly enjoyed the costume design of the film, even joking with you about dressing up like a gladiator for Halloween. 

He hadn’t mentioned it again until this morning, which is when he told you that he’d bought some tickets for the film. It had actually been out for a while now, so the theater is relatively empty, but you’d never had the time to see the movie. Jack, after all, had wanted to see it with you… probably because he wanted to pull something like this.

He knows that Paul Mescal is your celebrity crush. You’ve been repeating that to yourself since you realized that it’s the motivation behind Jack’s movements. His touch had been casual at first, just tapping his fingers against your thigh. He’d convinced you to wear a skirt by claiming you’d be going to dinner afterward. You expect that his real reason is that he wanted easy access.

His fingers are inside of you now, petting over your walls. He’s teasing you, moving slowly when Paul Mescal isn’t on screen and thrusting into you at a quicker pace when your crush graces your vision with his presence. Jack also particularly likes drawing circles over your clit as he moves inside you, constantly keeping you on the edge.

“Jack,” you hiss, ready to try and convince him to stop, even though you only half-want his movements to cease. You’re flushing a bit, eyes darting around the theater to make sure no one is watching you. There are only a few other groups in the theater: another couple two rows ahead, a group of university-aged girls near the middle of the theater, two middle aged women in the front row. All in all, there are less than fifteen people in this theater. 

“Be quiet, baby. I can’t have everyone hearing you,” Jack murmurs. He shoves a handful of popcorn into his mouth, continuing his movements. He’s acting completely normal, even as your cunt squeezes him tight. 

You bring your hand down and clutch his wrist, trying to halt his movements. 

Jack turns to you. “Do you really want me to stop?” He asks quietly. Paul Mescal starts speaking on the screen and Jack’s eyes flicker away from you to check the screen. His thumb increases its pace against your clit and his fingers flex rapidly inside of you. 

You whimper a bit, clenching down involuntarily. Your knuckles turn white while your fingers grip his arm. Your hips jolt.

Jack quirks an eyebrow. 

“No,” you admit, loosening your grip and allowing him to continue. 

“Just pay attention to Paul,” Jack encourages, smirking at you and brushing a kiss against your cheek. “I’m just here to help you along, baby.”

You scoff quietly, cringing a bit at his words. 

Jack clocks your reaction, his face breaking out in a tiny smile. He giggles to himself, tracing the line of your jaw before mouthing against your throat. “Don’t laugh. We’re having fun. You, me, and your other boyfriend.”

[minervas-hand]

Right to fear, wrong to believe

Just had a horrible realization and needed to meta it out.

How different they were before Edinburgh, when Crowley was sucked down into Hell.

Look at this flirty babygirl in the Bastille:

I mean could he climb that tree any faster?

(This is why I really like fics that place a more physical relationship here, pre-Bastille or just post-Bastille, because c'mon look at them. )

In S1 the next thing is 1862 and Crowley asking for insurance (with a cane ffs). And Aziraphale freaking out with his "fraternizing" BS. It's jarring, until we get 1827 filled in for us in S2.

@takeme-totheworld notes in this post:

Crowley sure went from "our respective head offices don't actually care how things get done" and "nobody ever has to know" to "walls have ears" FAST after Edinburgh. And Aziraphale went from looking at Crowley with hearts in his eyes to "I've been FrAtErNiZiNg" just as quickly. I'm more convinced than ever that Edinburgh was the first time Crowley ever actually got caught and punished for fucking around with Aziraphale/doing good deeds/whatever it was they yanked him back down to Hell for, and it scared the absolute shit out of both of them and changed the whole tone of their relationship after that.

Yes! - it's clear to me as well that the Edinburgh graveyard was a very bad turning point, where they both saw that Hell was listening and would intervene. And it did change their relationship drastically, for over a century and a half (really, until looming Armageddon loosened up the stakes for them).

But what about Heaven?

See the thing is, we know Azi's been worried about Heaven watching him for the past 6000 years.

But they haven't.

[GIFs posted by starrose17]

All this time, and Heaven had not seen them together. Hadn't noticed. Had not even LOOKED.

I want to mention what @starrose17 says about this here in this post:

What I love about this is her choice of words, “went back through the Earth Observation files.” This implies that these photos were already filed somewhere meaning somebody had to have been watching them which meant somewhere in the depths of the bureaucratic heaven there’s an underpaid angel clerk tasked with watching angels on Earth, and he’s been hording photos of his favourite Angel/Demon couple not reporting them to Michael because he wants to see what happens.

And that's exactly what this fic covers!: Spying Omens by @ednav

(Give this a read, it's fabulous.)

While I am here for this being exactly how that happens, the other scenario is colder and worse - there's no one watching, at all. It's just filing automatically and never seen until some Scrivener is called to pull a file.

From @fuckyeahisawthatat's comment here :

I found this scene to be quite chilling, actually. Not only is the idea of Heaven as a surveillance state brilliant (way to make “God is always watching” sound way more ominous) but this is exactly how modern surveillance states work. They don’t actively watch everybody all the time. That’s not physically possible for humans, and even if it is metaphysically possible for Heaven, it’s not a very efficient use of resources. Surveillance states watch people they deem “suspicious.” And once you’ve been put in the category of “suspicious,” they have massive amounts of data that they can comb through to collect a lot of information about you–to retroactively build a case justifying why you’re suspicious, to collect information about where you go and who you associate with, etc.

Yes.

So we either have secret collusion in the rank and file, or we have a surveillance state that is constantly reinforced to its subjects for fear's sake, for control.

(Well, it obviously could be both.)

BUT my point is… Up until Edinburgh, Hell has not been watching (or caring at least). And up until near the end of Armageddon't, neither has Heaven.

Oh, my poor Angel. Thousands of years, of denying yourself, of pushing Crowley away, of carrying around a tension that is it's own constellation.

After 1827 you might have reason, but for the 5000+ years before that?

Thousands of years and Heaven was not watching nor cared.

You were right to fear. And you were wrong to believe.

And that just breaks my heart.

[brawltogethernow]

I dreamt the other night that there was an extremely mid live action Murderbot TV show adaptation. That's not my retroactive assessment in the daytime. In the dream I was like, "This has multiple very avoidable or outright comedic flaws. I am going to binge all of it." (I'm aware that this is very meta.)

It had a "life on a starship" structure in the style of Star Trek, though it may have technically been set on one of the satellites orbiting Preservation.

The core relationship was SecUnit and Mensah, which was executed with absolute sincerity that couldn't not be charming, and was also where a lot of the more narmish moments were centered.

SecUnit would hack devices by focusing on them, cuing the camera to zoom in on the relevant machine—then the zoom in would continue with a transition to aggressively average CGI of the inside of the machine, which would animate it...being hacked or whatever. I got the impression that happened at a pivotal moment at least once an episode.

Some of the canon characters were present and were well-cast and characterized. However, the "crew" had also been padded out with a handful of original side characters. There was a gruff ship's doctor type (more Kelso than Bones though), a cook SecUnit had an arbitrary rivalry with, and for some reason two teenage boys who were BFFs. The cook existed to facilitate interpersonal comedy, the teens to have sci-fi concepts explained to them, and the doctor to solve like a third of the one-off plotlines at the end of the episode once whatever emotional arc they'd been facilitating was concluded. The new characters were almost all played by white guys like after they cast the canon characters thoughtfully and considerately they ran out of energy/wanted to work in people who were already on the lot.

I dream-watched three random episodes, but unfortunately the only one I remember specifically is the last one, where the plot was Murderbot getting amnesia (because of sci-fi reasons) to back when the company owned it before it hacked itself. The emotional climax was it deciding to help Mensah even though it didn't remember their friendship, by disabling a machine that was harming her—which it did by triggering the hacking animation by slamming its hands against it several times. Like you do when you hack stuff. The amnesia was fixed after this by the medical doctor administering a liquid for it to drink that reportedly had nanomachines in it. I'm pretty sure the prop was one of those plastic cups dentists give you stuff to swish around your mouth in with water in it.

Murderbot was played by a tall and gloriously buff...enby woman...? I don't exactly recall. —Who in behind the scenes content had a startlingly sweet demeanor and higher vocal register than the character.

10/10 dream I am laughing my socks off. I miss the fake show.